Yahoo! pota group — Messages 73054–73153

Dates: 2014-07-15 through 2014-07-21

Messages in pota group. Page 724 of 764.
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Group: pota Message: 73054 From: millerdsplaydzign Date: 7/15/2014
Subject: Re: A Thought Has Occurred to Me....
Group: pota Message: 73055 From: haristas Date: 7/15/2014
Subject: Re: dawn keychains [2 Attachments]
Group: pota Message: 73056 From: Jeff K. Date: 7/15/2014
Subject: More about "Dawn" and the 1968 film
Group: pota Message: 73057 From: haristas Date: 7/15/2014
Subject: Re: FYI: the Apes series is not racist
Group: pota Message: 73058 From: theskullpter Date: 7/15/2014
Subject: Re: FYI: the Apes series is not racist
Group: pota Message: 73059 From: Terry Hoknes Date: 7/15/2014
Subject: Re: Digest Number 6477
Group: pota Message: 73060 From: Ian Boucher Date: 7/15/2014
Subject: Re: FYI: the Apes series is not racist
Group: pota Message: 73061 From: Ian Boucher Date: 7/15/2014
Subject: Re: Digest Number 6477
Group: pota Message: 73062 From: Ian Boucher Date: 7/15/2014
Subject: Re: Digest Number 6477
Group: pota Message: 73063 From: Ian Boucher Date: 7/15/2014
Subject: Re: Digest Number 6477
Group: pota Message: 73064 From: Ian Boucher Date: 7/15/2014
Subject: Re: Digest Number 6477
Group: pota Message: 73065 From: Ian Boucher Date: 7/15/2014
Subject: Re: Digest Number 6477
Group: pota Message: 73066 From: Dario Sciola Date: 7/15/2014
Subject: Re: FYI: the Apes series is not racist
Group: pota Message: 73067 From: Dario Sciola Date: 7/15/2014
Subject: Re: FYI: the Apes series is not racist
Group: pota Message: 73068 From: William Burge Date: 7/15/2014
Subject: re-dawn keychains
Group: pota Message: 73069 From: William Burge Date: 7/15/2014
Subject: dawn items
Group: pota Message: 73070 From: Ian Boucher Date: 7/15/2014
Subject: Re: FYI: the Apes series is not racist
Group: pota Message: 73071 From: haristas Date: 7/15/2014
Subject: Re: A Thought Has Occurred to Me....
Group: pota Message: 73072 From: Jeff K. Date: 7/15/2014
Subject: Dawn soundtrack
Group: pota Message: 73073 From: haristas Date: 7/15/2014
Subject: Re: FYI: the Apes series is not racist
Group: pota Message: 73074 From: Dario Sciola Date: 7/15/2014
Subject: Re: A Thought Has Occurred to Me....
Group: pota Message: 73075 From: haristas Date: 7/15/2014
Subject: DAWN's original ending (Spoiler)
Group: pota Message: 73076 From: haristas Date: 7/15/2014
Subject: Re: A Thought Has Occurred to Me....
Group: pota Message: 73077 From: Jeff K. Date: 7/15/2014
Subject: Re: DAWN's original ending (Spoiler)
Group: pota Message: 73078 From: Jeff K. Date: 7/15/2014
Subject: Re: DAWN's original ending (Spoiler)
Group: pota Message: 73079 From: haristas Date: 7/15/2014
Subject: Re: DAWN's original ending (Spoiler)
Group: pota Message: 73080 From: monkeymermaid65 Date: 7/15/2014
Subject: Re: A Thought Has Occurred to Me....
Group: pota Message: 73081 From: Jeff K. Date: 7/15/2014
Subject: Re: A Thought Has Occurred to Me....
Group: pota Message: 73082 From: scottgeorge40 Date: 7/15/2014
Subject: Re: A Thought Has Occurred to Me....
Group: pota Message: 73083 From: monkeymermaid65 Date: 7/15/2014
Subject: Re: A Thought Has Occurred to Me....
Group: pota Message: 73084 From: monkeymermaid65 Date: 7/15/2014
Subject: Re: A Thought Has Occurred to Me....
Group: pota Message: 73085 From: scottgeorge40 Date: 7/15/2014
Subject: Re: FYI: the Apes series is not racist
Group: pota Message: 73086 From: pota@yahoogroups.com Date: 7/15/2014
Subject: Leon Shamroy was born on this day in 1901, 7/16/2014, 12:00 am
Group: pota Message: 73087 From: Jeff K. Date: 7/16/2014
Subject: Re: A Thought Has Occurred to Me....
Group: pota Message: 73088 From: LordTZer0 Date: 7/16/2014
Subject: Re: A Thought Has Occurred to Me....
Group: pota Message: 73089 From: mlccougar Date: 7/16/2014
Subject: Re: A Thought Has Occurred to Me....
Group: pota Message: 73090 From: William Burge Date: 7/16/2014
Subject: dawn marquee
Group: pota Message: 73091 From: haristas Date: 7/16/2014
Subject: DAWN Blu-ray release date
Group: pota Message: 73092 From: William Burge Date: 7/16/2014
Subject: dawn items
Group: pota Message: 73093 From: Jeff K. Date: 7/16/2014
Subject: possible spoilers: Reeves talks future "Apes"
Group: pota Message: 73094 From: William Burge Date: 7/16/2014
Subject: more dawn marquee
Group: pota Message: 73095 From: Dario Sciola Date: 7/16/2014
Subject: Re: DAWN Blu-ray release date
Group: pota Message: 73096 From: monkeymermaid65 Date: 7/16/2014
Subject: Nova Speaks
Group: pota Message: 73097 From: monkeymermaid65 Date: 7/16/2014
Subject: Re: DAWN Blu-ray release date
Group: pota Message: 73098 From: monkeymermaid65 Date: 7/16/2014
Subject: Dawn Comic
Group: pota Message: 73099 From: Jeff K. Date: 7/16/2014
Subject: Re: DAWN Blu-ray release date
Group: pota Message: 73100 From: mlccougar Date: 7/17/2014
Subject: Re: DAWN Blu-ray release date
Group: pota Message: 73101 From: William Burge Date: 7/17/2014
Subject: linda harrison 2014
Group: pota Message: 73102 From: totellthetruth42 Date: 7/17/2014
Subject: Re: Been there, dawn that!
Group: pota Message: 73103 From: haristas Date: 7/17/2014
Subject: Chimps attend DAWN
Group: pota Message: 73104 From: William Burge Date: 7/17/2014
Subject: dawn goodies
Group: pota Message: 73105 From: James Date: 7/17/2014
Subject: FW: Google Alert - "planet of the apes"
Group: pota Message: 73106 From: jamesa1102 Date: 7/17/2014
Subject: Re: A Thought Has Occurred to Me....
Group: pota Message: 73107 From: haristas Date: 7/17/2014
Subject: Re: Been there, dawn that!
Group: pota Message: 73108 From: haristas Date: 7/17/2014
Subject: Re: A Thought Has Occurred to Me....
Group: pota Message: 73109 From: haristas Date: 7/17/2014
Subject: UK Apes Blu-ray megaset coming
Group: pota Message: 73110 From: Jeff K. Date: 7/17/2014
Subject: Re: UK Apes Blu-ray megaset coming
Group: pota Message: 73111 From: Jeff K. Date: 7/17/2014
Subject: "Dawn" and science
Group: pota Message: 73112 From: Jeff K. Date: 7/17/2014
Subject: NECA Series 2 isn't damned ugly
Group: pota Message: 73113 From: Jeff K. Date: 7/17/2014
Subject: "Dawn" director Cornered!
Group: pota Message: 73114 From: Dario Sciola Date: 7/17/2014
Subject: Re: A Thought Has Occurred to Me....
Group: pota Message: 73115 From: haristas Date: 7/18/2014
Subject: Re: A Thought Has Occurred to Me....
Group: pota Message: 73116 From: Dario Date: 7/18/2014
Subject: Re: A Thought Has Occurred to Me....
Group: pota Message: 73117 From: James Date: 7/18/2014
Subject: Hasslein Institute of Temporal Physics
Group: pota Message: 73118 From: William Burge Date: 7/18/2014
Subject: ape stuff
Group: pota Message: 73119 From: monkeymermaid65 Date: 7/18/2014
Subject: Human Colony film set
Group: pota Message: 73120 From: Jeff K. Date: 7/19/2014
Subject: U.S. fans can still get head
Group: pota Message: 73121 From: totellthetruth42 Date: 7/19/2014
Subject: Re: Been there, dawn that!
Group: pota Message: 73122 From: monkeymermaid65 Date: 7/19/2014
Subject: Re: Human Colony film set
Group: pota Message: 73123 From: haristas Date: 7/19/2014
Subject: Re: Been there, dawn that!
Group: pota Message: 73124 From: mlccougar Date: 7/19/2014
Subject: Re: Been there, dawn that!
Group: pota Message: 73125 From: haristas Date: 7/19/2014
Subject: Re: Been there, dawn that!
Group: pota Message: 73126 From: Alex Ruiz Date: 7/19/2014
Subject: Re: A Thought Has Occurred to Me....
Group: pota Message: 73127 From: James Date: 7/19/2014
Subject: FW: Dawn of the Planet of the Apes: "Dawn of the Planet of the Apes
Group: pota Message: 73128 From: jamesa1102 Date: 7/19/2014
Subject: Re: Been there, dawn that!
Group: pota Message: 73129 From: Jeff K. Date: 7/19/2014
Subject: Re: Been there, dawn that!
Group: pota Message: 73130 From: haristas Date: 7/19/2014
Subject: Re: Been there, dawn that!
Group: pota Message: 73131 From: Jeff K. Date: 7/19/2014
Subject: Ich bin ein Berliner!
Group: pota Message: 73132 From: Dario Date: 7/19/2014
Subject: Re: Been there, dawn that!
Group: pota Message: 73133 From: mlccougar Date: 7/20/2014
Subject: Re: Been there, dawn that!
Group: pota Message: 73134 From: haristas Date: 7/20/2014
Subject: Re: Been there, dawn that!
Group: pota Message: 73135 From: haristas Date: 7/20/2014
Subject: Re: Been there, dawn that!
Group: pota Message: 73136 From: haristas Date: 7/20/2014
Subject: What to call RISE and DAWN (spoiler)
Group: pota Message: 73137 From: William Burge Date: 7/20/2014
Subject: scala theatre
Group: pota Message: 73138 From: Jeff K. Date: 7/20/2014
Subject: $240 million
Group: pota Message: 73139 From: goatbusters Date: 7/20/2014
Subject: Re: Been there, dawn that!
Group: pota Message: 73140 From: haristas Date: 7/20/2014
Subject: Re: $240 million
Group: pota Message: 73141 From: haristas Date: 7/20/2014
Subject: Re: Been there, dawn that!
Group: pota Message: 73142 From: goatbusters Date: 7/20/2014
Subject: Re: Been there, dawn that!
Group: pota Message: 73143 From: haristas Date: 7/20/2014
Subject: Re: Been there, dawn that!
Group: pota Message: 73144 From: Jeff K. Date: 7/20/2014
Subject: Re: Been there, dawn that!
Group: pota Message: 73145 From: Dario Date: 7/20/2014
Subject: Re: Been there, dawn that!
Group: pota Message: 73146 From: haristas Date: 7/20/2014
Subject: Re: Been there, dawn that!
Group: pota Message: 73147 From: haristas Date: 7/20/2014
Subject: Re: Been there, dawn that!
Group: pota Message: 73148 From: Dario Sciola Date: 7/20/2014
Subject: Re: Been there, dawn that!
Group: pota Message: 73149 From: Jeff K. Date: 7/21/2014
Subject: What the hell?
Group: pota Message: 73150 From: haristas Date: 7/21/2014
Subject: Re: What the hell?
Group: pota Message: 73151 From: Zachary Scott Date: 7/21/2014
Subject: Alternate universes and timelines...
Group: pota Message: 73152 From: Jeff K. Date: 7/21/2014
Subject: "Apes" #1 on the planet
Group: pota Message: 73153 From: monkeymermaid65 Date: 7/21/2014
Subject: Re: Alternate universes and timelines...



Group: pota Message: 73054 From: millerdsplaydzign Date: 7/15/2014
Subject: Re: A Thought Has Occurred to Me....
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As nice an idea as that it might be, I think fans are having to work too hard to somehow shoehorn these new movies into a storyline that has already been established for over four decades.

Done properly, they might have integrated effortlessly, seamlessly.

I look at footage from the new projects and see them as ignoring / indifferent to the original films, incompatible, both in story and in visual style, no matter what the latest promotional sound bite to be released by Fox Marketing says.

There shouldn't have to be a brainstorming session on the part of fans to help people figure out how to force a "reboot" to fit in.  If it works, it works (and, having 40+ years to come up with a story, it SHOULD work by now);
I'll be so happy when both the word and concept of "reboot" are viewed by the masses with the same mixture of embarrassment, irritation, and contempt, as people now feel when they hear expressions like "bling" or "metrosexual" ("selfie" and "twerk" are also suitable examples).

It wouldn't have taken much effort for the writers and directors of the new movies to make them effective as credible prequels to the world of the '68 movie, while remaining in compliance with the dramatic exposition given later in the original series, exposition which, by the third film, already laid out how Apes came to power the first time around -- without a Caesar character.

Given that that the new stories don't fit, and the look of the Apes doesn't mesh (hell, most of the time they don't even look like they actually exist in the same scene as the live actors, let alone belong to the world of POTA '68), I have a hard time understanding why there's sufficient reason to worry about how to include them, or even to pay to see them.

I guess if one is truly a "live it, breathe it" die-hard fan, and is desperate enough for any new Apes project to become excited over and (more importantly) spend money on, anything at all, then ultimately it will become possible for that person to rationalize how and why the new movies are able to belong.

Beyond that, and speaking just for myself (a fan who loves the original series, and doesn't think adding new installments which further erode continuity and visual style has done it any favors), 
merely having the name "Planet of the Apes" attached to a project surely cannot be reason enough
for fans to spend their money, or invest their time,
or invest the mental/emotional energy required to "love" a trademarked, tightly regulated franchise held by a multinational corporation whose holdings and media assets extend around the world -
on any of the three recent Apes projects.
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Group: pota Message: 73055 From: haristas Date: 7/15/2014
Subject: Re: dawn keychains [2 Attachments]
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That looks more like a 24-sheet.  Is it American?
 
 
-----Original Message-----
From: William Burge billburge48@... [pota] <pota@yahoogroups.com>
To: pota <pota@yahoogroups.com>
Sent: Mon, Jul 14, 2014 3:32 pm
Subject: [pota] dawn keychains [2 Attachments]

 
dear group,  I  found a pair of dawn keychains on ebay and a dawn 6 sheet poster enjoy from william

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Group: pota Message: 73056 From: Jeff K. Date: 7/15/2014
Subject: More about "Dawn" and the 1968 film
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  Though they didn't actually get him to say, "Yes! This is the world Charlton Heston lands on in the future", Matt Reeves talks about how "("Dawn") is an epic journey toward the trajectory of that story". He adds," I think it's so cool that we know how it ends without knowing how we get there... (but) it's not going to be next, for sure".
  Of course, if that future world is many movies away it probably won't be Reeves directing it. It'll probably be me deciding when I direct Apes 10. So I'd better start thinking about it.
 
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Group: pota Message: 73057 From: haristas Date: 7/15/2014
Subject: Re: FYI: the Apes series is not racist
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I honestly feel that the biggest problem in our culture is simply a plague of stupid.  People have stupidly retreated to their comers and really aren't interested in hearing anything contrary from anyone else.  They've made up whatever mind they have that they're right and it becomes calcified.
 
The concept of Planet of the Apes is misunderstood by many.  I would have reminded this woman that Sammy Davis Jr. loved POTA and had one of the real Lawgiver statues in his backyard until his death.  But she probably would have accused you of making it up.
 
 
 
 
-----Original Message-----
From: Ian Boucher pregamers@... [pota] <pota@yahoogroups.com>
To: pota <pota@yahoogroups.com>
Sent: Mon, Jul 14, 2014 6:16 pm
Subject: [pota] FYI: the Apes series is not racist

 
Hey all, just wanted to share that I got reamed out by someone on Twitter yesterday because I politely disagreed with her statement that the Apes in the Apes series are meant to be, in her words, "scary black people."  I explained my thought process to her as well.

As a result, I was accused of completely denying racism in Hollywood and denying white privilege in American society, and outright called a close-minded white male, among other things, even though I compassionately brought up many race problems present throughout Hollywood during the exchange.

And this was someone I had built a good conversational relationship with on Twitter.  Because of this one disagreement, I was literally written off.

Just wanted to share this with some Apes fans.  It's flabbergasting to me.

It's amazing how people can treat one another, even when we don't even really know each other.  The Internet is supposed to be a place for progress.  And the Apes movies remind me of that!

-Ian Boucher
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Group: pota Message: 73058 From: theskullpter Date: 7/15/2014
Subject: Re: FYI: the Apes series is not racist
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She is crazy. They are Apes. The humans in the film were of all races and the apes were just that "Apes". You do not need an ignorant Twitter friend to conversate with.You were in the right.Her loss.
APES RULE !!!
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Group: pota Message: 73059 From: Terry Hoknes Date: 7/15/2014
Subject: Re: Digest Number 6477
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The films are not racist
but I have always said the movies in their own way teach us about differences 
and show us in a sense the racism that does exist in how we deal with things that are different
and how we are afraid and unwilling to relate to others that are different

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Group: pota Message: 73060 From: Ian Boucher Date: 7/15/2014
Subject: Re: FYI: the Apes series is not racist
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Very well put guys, the both of you. Thank you for your thoughts, they mean a lot. These movies are a very *human* story that consistently revolutionize cinema, from 1968 to today. But we know that already!

-Ian


On Tue, Jul 15, 2014 at 4:04 AM, theskullpter@... [pota] <pota@yahoogroups.com> wrote:

She is crazy. They are Apes. The humans in the film were of all races and the apes were just that "Apes". You do not need an ignorant Twitter friend to conversate with.You were in the right.Her loss.
APES RULE !!!


<.html
Group: pota Message: 73061 From: Ian Boucher Date: 7/15/2014
Subject: Re: Digest Number 6477
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Yes. They do very consciously and intelligently talk about through a truly variegated/rich set of ways, whether through overt or subtle dialogue or visuals, how people treat one another and the world around us, and address so many things, from the Inquisition, to many kinds of slavery, to American racism, to the 1917 revolution in Russia, to just plain animal cruelty, to family, to hubris, to nuclear war, to fate -- so many things!


On Tue, Jul 15, 2014 at 4:11 AM, Terry Hoknes hoknes@... [pota] <pota@yahoogroups.com> wrote:

The films are not racist
but I have always said the movies in their own way teach us about differences
and show us in a sense the racism that does exist in how we deal with things that are different
and how we are afraid and unwilling to relate to others that are different


<.html
Group: pota Message: 73062 From: Ian Boucher Date: 7/15/2014
Subject: Re: Digest Number 6477
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It's truly great science fiction.


On Tue, Jul 15, 2014 at 7:22 AM, Ian Boucher <pregamers@...> wrote:
Yes. They do very consciously and intelligently talk about through a truly variegated/rich set of ways, whether through overt or subtle dialogue or visuals, how people treat one another and the world around us, and address so many things, from the Inquisition, to many kinds of slavery, to American racism, to the 1917 revolution in Russia, to just plain animal cruelty, to family, to hubris, to nuclear war, to fate -- so many things!


On Tue, Jul 15, 2014 at 4:11 AM, Terry Hoknes hoknes@... [pota] <pota@yahoogroups.com> wrote:

The films are not racist
but I have always said the movies in their own way teach us about differences
and show us in a sense the racism that does exist in how we deal with things that are different
and how we are afraid and unwilling to relate to others that are different



<.html
Group: pota Message: 73063 From: Ian Boucher Date: 7/15/2014
Subject: Re: Digest Number 6477
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There are some race problems in the movies, but those are symptomatic of Hollywood in general and not the stories.


On Tue, Jul 15, 2014 at 7:22 AM, Ian Boucher <pregamers@...> wrote:
It's truly great science fiction.


On Tue, Jul 15, 2014 at 7:22 AM, Ian Boucher <pregamers@...> wrote:
Yes. They do very consciously and intelligently talk about through a truly variegated/rich set of ways, whether through overt or subtle dialogue or visuals, how people treat one another and the world around us, and address so many things, from the Inquisition, to many kinds of slavery, to American racism, to the 1917 revolution in Russia, to just plain animal cruelty, to family, to hubris, to nuclear war, to fate -- so many things!


On Tue, Jul 15, 2014 at 4:11 AM, Terry Hoknes hoknes@... [pota] <pota@yahoogroups.com> wrote:

The films are not racist
but I have always said the movies in their own way teach us about differences
and show us in a sense the racism that does exist in how we deal with things that are different
and how we are afraid and unwilling to relate to others that are different




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Group: pota Message: 73064 From: Ian Boucher Date: 7/15/2014
Subject: Re: Digest Number 6477
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And I think those problems are improving, however slowly.


On Tue, Jul 15, 2014 at 7:24 AM, Ian Boucher <pregamers@...> wrote:
There are some race problems in the movies, but those are symptomatic of Hollywood in general and not the stories.


On Tue, Jul 15, 2014 at 7:22 AM, Ian Boucher <pregamers@...> wrote:
It's truly great science fiction.


On Tue, Jul 15, 2014 at 7:22 AM, Ian Boucher <pregamers@...> wrote:
Yes. They do very consciously and intelligently talk about through a truly variegated/rich set of ways, whether through overt or subtle dialogue or visuals, how people treat one another and the world around us, and address so many things, from the Inquisition, to many kinds of slavery, to American racism, to the 1917 revolution in Russia, to just plain animal cruelty, to family, to hubris, to nuclear war, to fate -- so many things!


On Tue, Jul 15, 2014 at 4:11 AM, Terry Hoknes hoknes@... [pota] <pota@yahoogroups.com> wrote:

The films are not racist
but I have always said the movies in their own way teach us about differences
and show us in a sense the racism that does exist in how we deal with things that are different
and how we are afraid and unwilling to relate to others that are different





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Group: pota Message: 73065 From: Ian Boucher Date: 7/15/2014
Subject: Re: Digest Number 6477
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I love how each movie can be so different, from just making fun of Western society (albeit in very scary ways) to telling stories about humans interacting with other life forms and the legacy all of us leave behind -- sometimes in the same movie!


On Tue, Jul 15, 2014 at 7:24 AM, Ian Boucher <pregamers@...> wrote:
And I think those problems are improving, however slowly.


On Tue, Jul 15, 2014 at 7:24 AM, Ian Boucher <pregamers@...> wrote:
There are some race problems in the movies, but those are symptomatic of Hollywood in general and not the stories.


On Tue, Jul 15, 2014 at 7:22 AM, Ian Boucher <pregamers@...> wrote:
It's truly great science fiction.


On Tue, Jul 15, 2014 at 7:22 AM, Ian Boucher <pregamers@...> wrote:
Yes. They do very consciously and intelligently talk about through a truly variegated/rich set of ways, whether through overt or subtle dialogue or visuals, how people treat one another and the world around us, and address so many things, from the Inquisition, to many kinds of slavery, to American racism, to the 1917 revolution in Russia, to just plain animal cruelty, to family, to hubris, to nuclear war, to fate -- so many things!


On Tue, Jul 15, 2014 at 4:11 AM, Terry Hoknes hoknes@... [pota] <pota@yahoogroups.com> wrote:

The films are not racist
but I have always said the movies in their own way teach us about differences
and show us in a sense the racism that does exist in how we deal with things that are different
and how we are afraid and unwilling to relate to others that are different






<.html
Group: pota Message: 73066 From: Dario Sciola Date: 7/15/2014
Subject: Re: FYI: the Apes series is not racist
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She probably would know who "The Candyman" is, let alone who or what a Lawgiver is. Nobody needs friends who can't engage in intelligent conversation.

Dario


On Mon, Jul 14, 2014 at 10:23 PM, Haristas@... [pota] <pota@yahoogroups.com> wrote:

I honestly feel that the biggest problem in our culture is simply a plague of stupid. People have stupidly retreated to their comers and really aren't interested in hearing anything contrary from anyone else. They've made up whatever mind they have that they're right and it becomes calcified.
The concept of Planet of the Apes is misunderstood by many. I would have reminded this woman that Sammy Davis Jr. loved POTA and had one of the real Lawgiver statues in his backyard until his death. But she probably would have accused you of making it up.
-----Original Message-----
From: Ian Boucher pregamers@... [pota] <pota@yahoogroups.com>
To: pota <pota@yahoogroups.com>
Sent: Mon, Jul 14, 2014 6:16 pm
Subject: [pota] FYI: the Apes series is not racist

Hey all, just wanted to share that I got reamed out by someone on Twitter yesterday because I politely disagreed with her statement that the Apes in the Apes series are meant to be, in her words, "scary black people." I explained my thought process to her as well.

As a result, I was accused of completely denying racism in Hollywood and denying white privilege in American society, and outright called a close-minded white male, among other things, even though I compassionately brought up many race problems present throughout Hollywood during the exchange.

And this was someone I had built a good conversational relationship with on Twitter. Because of this one disagreement, I was literally written off.

Just wanted to share this with some Apes fans. It's flabbergasting to me.

It's amazing how people can treat one another, even when we don't even really know each other. The Internet is supposed to be a place for progress. And the Apes movies remind me of that!

-Ian Boucher


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Group: pota Message: 73067 From: Dario Sciola Date: 7/15/2014
Subject: Re: FYI: the Apes series is not racist
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Meant to write "She probably WOULDN'T know..."

DS


On Tue, Jul 15, 2014 at 8:06 AM, Dario Sciola <dario.sciola@...> wrote:
She probably would know who "The Candyman" is, let alone who or what a Lawgiver is. Nobody needs friends who can't engage in intelligent conversation.

Dario


On Mon, Jul 14, 2014 at 10:23 PM, Haristas@... [pota] <pota@yahoogroups.com> wrote:

I honestly feel that the biggest problem in our culture is simply a plague of stupid. People have stupidly retreated to their comers and really aren't interested in hearing anything contrary from anyone else. They've made up whatever mind they have that they're right and it becomes calcified.
The concept of Planet of the Apes is misunderstood by many. I would have reminded this woman that Sammy Davis Jr. loved POTA and had one of the real Lawgiver statues in his backyard until his death. But she probably would have accused you of making it up.
-----Original Message-----
From: Ian Boucher pregamers@... [pota] <pota@yahoogroups.com>
To: pota <pota@yahoogroups.com>
Sent: Mon, Jul 14, 2014 6:16 pm
Subject: [pota] FYI: the Apes series is not racist

Hey all, just wanted to share that I got reamed out by someone on Twitter yesterday because I politely disagreed with her statement that the Apes in the Apes series are meant to be, in her words, "scary black people." I explained my thought process to her as well.

As a result, I was accused of completely denying racism in Hollywood and denying white privilege in American society, and outright called a close-minded white male, among other things, even though I compassionately brought up many race problems present throughout Hollywood during the exchange.

And this was someone I had built a good conversational relationship with on Twitter. Because of this one disagreement, I was literally written off.

Just wanted to share this with some Apes fans. It's flabbergasting to me.

It's amazing how people can treat one another, even when we don't even really know each other. The Internet is supposed to be a place for progress. And the Apes movies remind me of that!

-Ian Boucher



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Group: pota Message: 73068 From: William Burge Date: 7/15/2014
Subject: re-dawn keychains
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dear group,   according to ebay  its from india and the size is 52 by 106  but it sure looks like a 24 sheet im not sure from william
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Group: pota Message: 73069 From: William Burge Date: 7/15/2014
Subject: dawn items
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dear group,  on ebay they had some dawn movie items from book marks to magnets - pillow cases  enjoy from william
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  @@attachment@@
Group: pota Message: 73070 From: Ian Boucher Date: 7/15/2014
Subject: Re: FYI: the Apes series is not racist
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Agreed!


On Tue, Jul 15, 2014 at 8:06 AM, Dario Sciola dario.sciola@... [pota] <pota@yahoogroups.com> wrote:

She probably would know who "The Candyman" is, let alone who or what a Lawgiver is. Nobody needs friends who can't engage in intelligent conversation.

Dario


On Mon, Jul 14, 2014 at 10:23 PM, Haristas@... [pota] <pota@yahoogroups.com> wrote:

I honestly feel that the biggest problem in our culture is simply a plague of stupid. People have stupidly retreated to their comers and really aren't interested in hearing anything contrary from anyone else. They've made up whatever mind they have that they're right and it becomes calcified.
The concept of Planet of the Apes is misunderstood by many. I would have reminded this woman that Sammy Davis Jr. loved POTA and had one of the real Lawgiver statues in his backyard until his death. But she probably would have accused you of making it up.
-----Original Message-----
From: Ian Boucher pregamers@... [pota] <pota@yahoogroups.com>
To: pota <pota@yahoogroups.com>
Sent: Mon, Jul 14, 2014 6:16 pm
Subject: [pota] FYI: the Apes series is not racist

Hey all, just wanted to share that I got reamed out by someone on Twitter yesterday because I politely disagreed with her statement that the Apes in the Apes series are meant to be, in her words, "scary black people." I explained my thought process to her as well.

As a result, I was accused of completely denying racism in Hollywood and denying white privilege in American society, and outright called a close-minded white male, among other things, even though I compassionately brought up many race problems present throughout Hollywood during the exchange.

And this was someone I had built a good conversational relationship with on Twitter. Because of this one disagreement, I was literally written off.

Just wanted to share this with some Apes fans. It's flabbergasting to me.

It's amazing how people can treat one another, even when we don't even really know each other. The Internet is supposed to be a place for progress. And the Apes movies remind me of that!

-Ian Boucher



<.html
Group: pota Message: 73071 From: haristas Date: 7/15/2014
Subject: Re: A Thought Has Occurred to Me....
.html
I just don't share your negative views of the new movies.  The apes in the new ones are supposed to be primitive apes.  They're not supposed to look like the apes from the original film, which were evolved apes, and the fact that the filmmakers didn't change the makeup design as the original series of films moved backward in time to an era of more primitive apes is a major flaw with those films and something I find more than a little painful to watch now.  It's almost as distracting as seeing the apes wearing the same costumes in BATTLE as they wear in the first two films that take place two thousand years later.  Two millennia and no evolution in the style of dress?  That's one retarded ape society!
 
Now, while I'm personally getting tired of the naked apes of the reboots, I can understand why it is that way, and why it's likely to continue through at least the third film and possibly a forth.
 
Also, I'm one APES fans that while I don't agree with the closed-loop view of the series, I do agree with the "Dehnian" view of time, mentioned in both ESCAPE and BATTLE, as an infinite number of lanes all running from the past into the future of lanes and that one can change lanes and so there are infinite possible scenarios as to how the planet evolved into the world of the 1968 movie.  RISE and DAWN are stories on one of those lanes, and they are just as legitimate as prequels to the '68 movie as ESCAPE, CONQUEST and BATTLE are, and since those three films in the series had their share of inconsistencies that have vexed fans for forty years now, I contend that RISE and DAWN "fit" just as well as they do.  They are legitimate "Planet of the Apes" movies, and so I don't agree with your view at all.  
 
 
-----Original Message-----
From: millerdsplaydzign@... [pota] <pota@yahoogroups.com>
To: pota <pota@yahoogroups.com>
Sent: Tue, Jul 15, 2014 3:18 am
Subject: Re: [pota] A Thought Has Occurred to Me....

 
As nice an idea as that it might be, I think fans are having to work too hard to somehow shoehorn these new movies into a storyline that has already been established for over four decades.

Done properly, they might have integrated effortlessly, seamlessly.

I look at footage from the new projects and see them as ignoring / indifferent to the original films, incompatible, both in story and in visual style, no matter what the latest promotional sound bite to be released by Fox Marketing says.

There shouldn't have to be a brainstorming session on the part of fans to help people figure out how to force a "reboot" to fit in.  If it works, it works (and, having 40+ years to come up with a story, it SHOULD work by now);
I'll be so happy when both the word and concept of "reboot" are viewed by the masses with the same mixture of embarrassment, irritation, and contempt, as people now feel when they hear expressions l ike "bling" or "metrosexual" ("selfie" and "twerk" are also suitable examples).

It wouldn't have taken much effort for the writers and directors of the new movies to make them effective as credible prequels to the world of the '68 movie, while remaining in compliance with the dramatic exposition given later in the original series, exposition which, by the third film, already laid out how Apes came to power the first time around -- without a Caesar character.

Given that that the new stories don't fit, and the look of the Apes doesn't mesh (hell, most of the time they don't even look like they actually exist in the same scene as the live actors, let alone belong to the world of POTA '68), I have a hard time understanding why there's sufficient reason to worry about how to include them, or even to pay to see them.

I guess if one is truly a "live it, breathe it" die-hard fan, and is desperate enough for any new Apes project to become excited over and (more importantly) spend money on, anything at all, then ultimately it will become possible for that person to rationalize how and why the new movies are able to belong.

Beyond that, and speaking just for myself (a fan who loves the original series, and doesn't think adding new installments which further erode continuity and visual style has done it any favors), 
merely having the name "Planet of the Apes" attached to a project surely cannot be reason enough
for fans to spend their money, or invest their time,
or invest the mental/emotional energy required to "love" a trademarked, tightly regulated franchise held by a multinational corporation whose holdings and media assets extend around the world -
on any of the three recent Apes projects.
<.html
Group: pota Message: 73072 From: Jeff K. Date: 7/15/2014
Subject: Dawn soundtrack
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  The Dawn CD wuz supposed to come out today; now according to Amazon it won't be until August 12. This is an outrage! Obama did this!
  Meanwhile, I'll have to live vicariously through Youtube.
 
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Group: pota Message: 73073 From: haristas Date: 7/15/2014
Subject: Re: FYI: the Apes series is not racist
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Yeah, I got that.  I wonder how old she is?  Anyway, she's best forgotten about.
 
 
 
 
-----Original Message-----
From: Dario Sciola dario.sciola@... [pota] <pota@yahoogroups.com>
To: POTA <pota@yahoogroups.com>
Sent: Tue, Jul 15, 2014 10:24 am
Subject: Re: [pota] Re: FYI: the Apes series is not racist

 
Meant to write "She probably WOULDN'T know..."

DS


On Tue, Jul 15, 2014 at 8:06 AM, Dario Sciola <dario.sciola@...> wrote:
She probably would know who "The Candyman" is, let alone who or what a Lawgiver is. Nobody needs friends who can't engage in intelligent conversation.

Dario


On Mon, Jul 14, 2014 at 10:23 PM, Haristas@... [pota] <pota@yahoogroups.com> wrote:
 
I honestly feel that the biggest problem in our culture is simply a plague of stupid.  People have stupidly retreated to their comers and really aren't interested in hearing anything contrary from anyone else.  They've made up whatever mind they have that they're right and it becomes calcified.
 
The concept of Planet of the Apes is misunderstood by many.  I would have reminded this woman that Sammy Davis Jr. loved POTA and had one of the real Lawgiver statues in his backyard until his death.  But she probably would have accused you of making it up.
 
 
 
 
-----Original Message-----
From: Ian Boucher pregamers@... [pota] <pota@yahoogroups.com>
To: pota <pota@yahoogroups.com>
Sent: Mon, Jul 14, 2014 6:16 pm
Subject: [pota] FYI: the Apes series is not racist

 
Hey all, just wanted to share that I got reamed out by someone on Twitter yesterday because I politely disagreed with her statement that the Apes in the Apes series are meant to be, in her words, "scary black people."  I explained my thought process to her as well.

As a result, I was accused of completely denying racism in Hollywood and denying white privilege in American society, and outright called a close-minded white male, among other things, even though I compassionately brought up many race problems present throughout Hollywood during the exchange.

And this was someone I had built a good conversational relationship with on Twitter.  Because of this one disagreement, I was literally written off.

Just wanted to share this with some Apes fans.  It's flabbergasting to me.

It's amazing how people can treat one another, even when we don't even really know each other.  The Internet is supposed to be a place for progress.  And the Apes movies remind me of that!

-Ian Boucher


<.html
Group: pota Message: 73074 From: Dario Sciola Date: 7/15/2014
Subject: Re: A Thought Has Occurred to Me....
.html
I believe that Dehn himself said that it was supposed to be a circular timeline, although he himself flubbed a few things like the dates.

Let the 'circularists' vs 'divergent timelines' debates start...

(Circularist) Dario


On Tue, Jul 15, 2014 at 10:50 AM, Haristas@... [pota] <pota@yahoogroups.com> wrote:

I just don't share your negative views of the new movies. The apes in the new ones are supposed to be primitive apes. They're not supposed to look like the apes from the original film, which were evolved apes, and the fact that the filmmakers didn't change the makeup design as the original series of films moved backward in time to an era of more primitive apes is a major flaw with those films and something I find more than a little painful to watch now. It's almost as distracting as seeing the apes wearing the same costumes in BATTLE as they wear in the first two films that take place two thousand years later. Two millennia and no evolution in the style of dress? That's one retarded ape society!
Now, while I'm personally getting tired of the naked apes of the reboots, I can understand why it is that way, and why it's likely to continue through at least the third film and possibly a forth.
Also, I'm one APES fans that while I don't agree with the closed-loop view of the series, I do agree with the "Dehnian" view of time, mentioned in both ESCAPE and BATTLE, as an infinite number of lanes all running from the past into the future of lanes and that one can change lanes and so there are infinite possible scenarios as to how the planet evolved into the world of the 1968 movie. RISE and DAWN are stories on one of those lanes, and they are just as legitimate as prequels to the '68 movie as ESCAPE, CONQUEST and BATTLE are, and since those three films in the series had their share of inconsistencies that have vexed fans for forty years now, I contend that RISE and DAWN "fit" just as well as they do. They are legitimate "Planet of the Apes" movies, and so I don't agree with your view at all.
-----Original Message-----
From: millerdsplaydzign@... [pota] <pota@yahoogroups.com>
To: pota <pota@yahoogroups.com>
Sent: Tue, Jul 15, 2014 3:18 am
Subject: Re: [pota] A Thought Has Occurred to Me....

As nice an idea as that it might be, I think fans are having to work too hard to somehow shoehorn these new movies into a storyline that has already been established for over four decades.

Done properly, they might have integrated effortlessly, seamlessly.

I look at footage from the new projects and see them as ignoring / indifferent to the original films, incompatible, both in story and in visual style, no matter what the latest promotional sound bite to be released by Fox Marketing says.

There shouldn't have to be a brainstorming session on the part of fans to help people figure out how to force a "reboot" to fit in. If it works, it works (and, having 40+ years to come up with a story, it SHOULD work by now);
I'll be so happy when both the word and concept of "reboot" are viewed by the masses with the same mixture of embarrassment, irritation, and contempt, as people now feel when they hear expressions l ike "bling" or "metrosexual" ("selfie" and "twerk" are also suitable examples).

It wouldn't have taken much effort for the writers and directors of the new movies to make them effective as credible prequels to the world of the '68 movie, while remaining in compliance with the dramatic exposition given later in the original series, exposition which, by the third film, already laid out how Apes came to power the first time around -- without a Caesar character.

Given that that the new stories don't fit, and the look of the Apes doesn't mesh (hell, most of the time they don't even look like they actually exist in the same scene as the live actors, let alone belong to the world of POTA '68), I have a hard time understanding why there's sufficient reason to worry about how to include them, or even to pay to see them.

I guess if one is truly a "live it, breathe it" die-hard fan, and is desperate enough for any new Apes project to become excited over and (more importantly) spend money on, anything at all, then ultimately it will become possible for that person to rationalize how and why the new movies are able to belong.

Beyond that, and speaking just for myself (a fan who loves the original series, and doesn't think adding new installments which further erode continuity and visual style has done it any favors),
merely having the name "Planet of the Apes" attached to a project surely cannot be reason enough
for fans to spend their money, or invest their time,
or invest the mental/emotional energy required to "love" a trademarked, tightly regulated franchise held by a multinational corporation whose holdings and media assets extend around the world -
on any of the three recent Apes projects.


<.html
Group: pota Message: 73075 From: haristas Date: 7/15/2014
Subject: DAWN's original ending (Spoiler)
.html
It takes director Matt Reeves a while here to get around to telling us what the original ending of DAWN was supposed to be, but he finallt gets to it at the end.  If you haven't seen the movie yet, just save this link and read it afterward.
 
 
<.html
Group: pota Message: 73076 From: haristas Date: 7/15/2014
Subject: Re: A Thought Has Occurred to Me....
.html
Watch the featurette on the BATTLE Blu-ray where one of BATTLE's screenwriters, Joyce Hooper Corrington, says that they rejected Dehn's circular timeline and worked to change that outcome.  Even Dehn, who did a rewrite of their script, didn't change their conception except to add the weeping statue at the end, something the Corrington's hated.
 
The series is simply full of contradictions.
 
 
 
 
-----Original Message-----
From: Dario Sciola dario.sciola@... [pota] <pota@yahoogroups.com>
To: POTA <pota@yahoogroups.com>
Sent: Tue, Jul 15, 2014 11:12 am
Subject: Re: [pota] Re: A Thought Has Occurred to Me....

 
I believe that Dehn himself said that it was supposed to be a circular timeline, although he himself flubbed a few things like the dates.

Let the 'circularists' vs 'divergent timelines' debates start...

(Circularist) Dario


On Tue, Jul 15, 2014 at 10:50 AM, Haristas@... [pota] <pota@yahoogroups.com> wrote:
 
I just don't share your negative views of the new movies.  The apes in the new ones are supposed to be primitive apes.  They're not supposed to look like the apes from the original film, which were evolved apes, and the fact that the filmmakers didn't change the makeup design as the original series of films moved backward in time to an era of more primitive apes is a major flaw with those films and something I find more than a little painful to watch now.  It's almost as distracting as seeing the apes wearing the same costumes in BATTLE as they wear in the first two films that take place two thousand years later.  Two millennia and no evolution in the style of dress?  That's one retarded ape society!
 
Now, while I'm personally getting tired of the naked apes of the reboots, I can understand why it is that way, and why it's likely to continue through at least the third film and possibly a forth.
 
Also, I'm one APES fans that while I don't agree with the closed-loop view of the series, I do agree with the "Dehnian" view of time, mentioned in both ESCAPE and BATTLE, as an infinite number of lanes all running from the past into the future of lanes and that one can change lanes and so there are infinite possible scenarios as to how the planet evolved into the world of the 1968 movie.  RISE and DAWN are stories on one of those lanes, and they are just as legitimate as prequels to the '68 movie as ESCAPE, CONQUEST and BATTLE are, and since those three films in the series had their share of inconsistencies that have vexed fans for forty years now, I contend that RISE and DAWN "fit" just as well as they do.  They are legitimate "Planet of the Apes" movies, and so I don't agree with your view at all.  
 
 
-----Original Message-----
From: millerdsplaydzign@... [pota] <pota@yahoogroups.com>
To: pota <pota@yahoogroups.com>
Sent: Tue, Jul 15, 2014 3:18 am
Subject: Re: [pota] A Thought Has Occurred to Me....

 
As nice an idea as that it might be, I think fans are having to work too hard to somehow shoehorn these new movies into a storyline that has already been established for over four decades.

Done properly, they might have integrated effortlessly, seamlessly.

I look at footage from the new projects and see them as ignoring / indifferent to the original films, incompatible, both in story and in visual style, no matter what the latest promotional sound bite to be released by Fox Marketing says.

There shouldn't have to be a brainstorming session on the part of fans to help people figure out how to force a "reboot" to fit in.  If it works, it works (and, having 40+ years to come up with a story, it SHOULD work by now);
I'll be so happy when both the word and concept of "reboot" are viewed by the masses with the same mixture of embarrassment, irritation, and contempt, as people now feel when they hear expressions l ike "bling" or "metrosexual" ("selfie" and "twerk" are also suitable examples).

It wouldn't have taken much effort for the writers and directors of the new movies to make them effective as credible prequels to the world of the '68 movie, while remaining in compliance with the dramatic exposition given later in the original series, exposition which, by the third film, already laid out how Apes came to power the first time around -- without a Caesar character.

Given that that the new stories don't fit, and the look of the Apes doesn't mesh (hell, most of the time they don't even look like they actually exist in the same scene as the live actors, let alone belong to the world of POTA '68), I have a hard time understanding why there's sufficient reason to worry about how to include them, or even to pay to see them.

I guess if one is truly a "live it, breathe it" die-hard fan, and is desperate enough for any new Apes project to become excited over and (more importantly) spend money on, anything at all, then ultimately it will become possible for that person to rationalize how and why the new movies are able to belong.

Beyond that, and speaking just for myself (a fan who loves the original series, and doesn't think adding new installments which further erode continuity and visual style has done it any favors), 
merely having the name "Planet of the Apes" attached to a project surely cannot be reason enough
for fans to spend their money, or invest their time,
or invest the mental/emotional energy required to "love" a trademarked, tightly regulated franchise held by a multinational corporation whose holdings and media assets extend around the world -
on any of the three recent Apes projects.

<.html
Group: pota Message: 73077 From: Jeff K. Date: 7/15/2014
Subject: Re: DAWN's original ending (Spoiler)
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.html
  Really, it's not much different than the ending we have. It was a good idea to cut it.

Sent: Tuesday, July 15, 2014 9:41 AM
Subject: [pota] DAWN's original ending (Spoiler)

 

It takes director Matt Reeves a while here to get around to telling us what the original ending of DAWN was supposed to be, but he finallt gets to it at the end.  If you haven't seen the movie yet, just save this link and read it afterward.
 
 

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Group: pota Message: 73078 From: Jeff K. Date: 7/15/2014
Subject: Re: DAWN's original ending (Spoiler)
.html
.html
  Reeves said the ending they used, they did at the last minute. He literally directed it using SKYPE. Jason Clarke, Andy Serkis and he were each in different countries when they shot that.

Sent: Tuesday, July 15, 2014 9:41 AM
Subject: [pota] DAWN's original ending (Spoiler)

 

It takes director Matt Reeves a while here to get around to telling us what the original ending of DAWN was supposed to be, but he finallt gets to it at the end.  If you haven't seen the movie yet, just save this link and read it afterward.
 
 

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Group: pota Message: 73079 From: haristas Date: 7/15/2014
Subject: Re: DAWN's original ending (Spoiler)
.html
I like the visual image though, but I agree it might have been right to leave it off.
 
 
-----Original Message-----
From: 'Jeff K.' veetus@... [pota] <pota@yahoogroups.com>
To: pota <pota@yahoogroups.com>
Sent: Tue, Jul 15, 2014 1:50 pm
Subject: Re: [pota] DAWN's original ending (Spoiler)

 
  Really, it's not much different than the ending we have. It was a good idea to cut it.

Sent: Tuesday, July 15, 2014 9:41 AM
Subject: [pota] DAWN's original ending (Spoiler)

 
It takes director Matt Reeves a while here to get around to telling us what the original ending of DAWN was supposed to be, but he finallt gets to it at the end.  If you haven't seen the movie yet, just save this link and read it afterward.
 
 
<.html
Group: pota Message: 73080 From: monkeymermaid65 Date: 7/15/2014
Subject: Re: A Thought Has Occurred to Me....
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Let the 'circularists' vs 'divergent timelines' debates start...



I would like to think the series as having divergent timelines, but even if you view the first five films as a time loop, wouldn't you need a time thread to feed into that loop? If future events are set in place to move towards a predetermined outcome (such as time travelers going into the past and leaving behind an offspring that creates the society and ideology of the world of the time travelers), there needs to be an original set of events that would create that future before it becomes predetermined. (The society of the time travelers would have to have been in place before they leave behind their offspring. The offspring might have altered it some, but there would have to have been something in place that was there before the offspring came about.) 
If viewed in this way "Rise" could be the genesis of the 68 POTA society, since it is the story of an ape named Caesar that dared to say "no".  Rise did not have the plague that killed cats and dogs that Cornelius refers to, but perhaps that's part of the timeline that becomes polluted as it gets repeated in the "time loop." (Rise, which I saw originally saw around the same time as I saw a documentary called Project Nim, did leave leave me with the message that apes shouldn't be used as servants or pets.) 
I do think its ironic how in "Escape" Cornelius tells how he was thought the story about an ape who said "no" to the humans who kept apes as servants and pets, yet in "68 POTA" he was taught that there was no human society. 
<.html
Group: pota Message: 73081 From: Jeff K. Date: 7/15/2014
Subject: Re: A Thought Has Occurred to Me....
.html
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  That's of course true. If Cornelius and Zira gave birth to the POTA, who gave birth to them? There had to be a POTA to start with without them.
 
   I always assumed that between "Planet" and "Beneath" Zauis reached and understanding with them and let them in on "history".

Sent: Tuesday, July 15, 2014 1:59 PM
Subject: [pota] Re: A Thought Has Occurred to Me....

 



Let the 'circularists' vs 'divergent timelines' debates start...



I would like to think the series as having divergent timelines, but even if you view the first five films as a time loop, wouldn't you need a time thread to feed into that loop? If future events are set in place to move towards a predetermined outcome (such as time travelers going into the past and leaving behind an offspring that creates the society and ideology of the world of the time travelers), there needs to be an original set of events that would create that future before it becomes predetermined. (The society of the time travelers would have to have been in place before they leave behind their offspring. The offspring might have altered it some, but there would have to have been something in place that was there before the offspring came about.) 
If viewed in this way "Rise" could be the genesis of the 68 POTA society, since it is the story of an ape named Caesar that dared to say "no".  Rise did not have the plague that killed cats and dogs that Cornelius refers to, but perhaps that's part of the timeline that becomes polluted as it gets repeated in the "time loop." (Rise, which I saw originally saw around the same time as I saw a documentary called Project Nim, did leave leave me with the message that apes shouldn't be used as servants or pets.) 
I do think its ironic how in "Escape" Cornelius tells how he was thought the story about an ape who said "no" to the humans who kept apes as servants and pets, yet in "68 POTA" he was taught that there was no human society. 

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Group: pota Message: 73082 From: scottgeorge40 Date: 7/15/2014
Subject: Re: A Thought Has Occurred to Me....
.html

I don't see any reason to expect that RISE, DAWN, etc. will or even should be prequels designed to (seamlessly or otherwise) lead directly into the '68 Planet of the Apes – in fact, I'd be extremely disappointed if they even tried.  It would show a lack of imagination and ambition, and be a waste of time, talent, and resources.  A five film series was produced between 1968 and 1973.  That's it – no more. I'm probably not alone in seeing it as the best film series ever made.  But we'll never have any others in that series.  For better or worse, they said everything that will be said about that narrative.  This generation of film makers should produce their own version of the Planet of the Apes (just as Jacobs, et al. made theirs), developing the themes in ways that are relevant to the 21st century.  There's no reason they should limit themselves with the preconceived destination of an almost 50 year old movie setting.  I enjoyed these first two installments, and I look forward to seeing where they go, how the Ape civilization develops, and what happens to Humans.  I don't need a Lawgiver, Sacred Scrolls, or an Alpha-Omega bomb shoehorned into the developing narrative any more than I need the Oberon orbiting Earth, its crew patiently training non-augmented chimps to fly space pods in 2029!

 

Scott

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Group: pota Message: 73083 From: monkeymermaid65 Date: 7/15/2014
Subject: Re: A Thought Has Occurred to Me....
.html
I guess I kind of assumed that to, but I can't really see Dr Zaius saying, "Well I 'AM' arresting you for heresy,...but since you asked......."
<.html
Group: pota Message: 73084 From: monkeymermaid65 Date: 7/15/2014
Subject: Re: A Thought Has Occurred to Me....
.html
I don't see any reason to expect that RISE, DAWN, etc. will or even should be prequels designed to (seamlessly or otherwise) lead directly into the '68 Planet of the Apes – in fact, I'd be extremely disappointed if they even tried. 

I kinda agree on this one. I was hoping this would not build up to a retelling of "68POTA" no matter how faithful or well reimagined.  
<.html
Group: pota Message: 73085 From: scottgeorge40 Date: 7/15/2014
Subject: Re: FYI: the Apes series is not racist
.html


> It's amazing how people can treat one another, even when we don't even really know each other.

If you changed that sentence to "especially when we don't even really know each other," that would be PotA in a nutshell! :-)

 

 

Originally, (PotA and Beneath) the Apes are us (humans, collectively).  In Escape, they become both Observers & Commentators of humanity, but also they begin to become the outside "Others" (in the beginning and especially the end).  This otherness then becomes the focus of the last two movies.  Conquest's explicit depiction of Apes as a slave caste, and it's modeling of the Ape revolt on the Watts riots does open itself up (to those unaware of the actual intention) to charges that the use of apes is a not so subtle racial slur.  And no matter the explicit intention of the film makers, that potential reading does exist (but I'd say it would be more a case of insensitively, and unconsciously, using convenient cultural symbolism – they happened to be making a film about apes and they wanted to make a film about discrimination).  Indeed, Conquest and Battle are explicitly anti-racist, espousing tolerance, equality, and judging individuals by their character, not by the group to which they belong.  As the situations of Humans and Apes are reversed in Battle, that simple association no longer exists – the humans are now the discriminated species, the minoritized Other.  Battle definitely has the clearest anti-racist message.

But while there is an obvious racial (not racist) model being used for social commentary at the end of the original series, I'd say that it's completely absent in Rise and Dawn.  The Apes are still the outside Others, but there is no even implicit connection between them and any real world minority group.  Essentially, both Apes and Humans represent competing groups, each stigmatized by the other – arguably, the intention throughout the original series.

So, no; the PotA films have never been racist – but their theme can be read as racial; which isn't surprising in a racialized world.  And this is sometimes misinterpreted to be racist by people who, I believe, haven't given the material enough critical thought.

Scott

<.html
Group: pota Message: 73086 From: pota@yahoogroups.com Date: 7/15/2014
Subject: Leon Shamroy was born on this day in 1901, 7/16/2014, 12:00 am
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Reminder from:   pota Yahoo Group
 
Title:   Leon Shamroy was born on this day in 1901
 
Date:   Wednesday July 16, 2014
Time:   12:00 am - 12:00 am (GMT-05.00) Eastern Time (US & Canada)
 
<.html
<.html
Group: pota Message: 73087 From: Jeff K. Date: 7/16/2014
Subject: Re: A Thought Has Occurred to Me....
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.html
  Zauis wanted to keep things quiet about the talking human, and to buy their silence he made a show of being honest with them. He's friendly with them in "Beneath".

Sent: Tuesday, July 15, 2014 4:25 PM
Subject: Re: [pota] Re: A Thought Has Occurred to Me....

 

I guess I kind of assumed that to, but I can't really see Dr Zaius saying, "Well I 'AM' arresting you for heresy,...but since you asked......."

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Group: pota Message: 73088 From: LordTZer0 Date: 7/16/2014
Subject: Re: A Thought Has Occurred to Me....
.html
.html
 
It would have been nice to see the trail that was no doubt hushed up.
 
 
In a message dated 7/16/2014 1:30:51 A.M. Central Daylight Time, pota@yahoogroups.com writes:
  Zauis wanted to keep things quiet about the talking human, and to buy their silence he made a show of being honest with them. He's friendly with them in "Beneath".
<.html
<.html
Group: pota Message: 73089 From: mlccougar Date: 7/16/2014
Subject: Re: A Thought Has Occurred to Me....
.html
.html.htmlYou guys both have good points... I agree with what Jeff said, and T is right in that seeing the trial would have been interesting: A comic on the subject could potentially be good, provided it's done correctly (unlike a certain comic series based on post CONQUEST events for example...)

And this may be dragging this post off-topic so maybe I should have renamed it, but I often thought a followup to the TV episode "The Trap" would have been a good story... Zako could only keep up the charade that he killed the fugitives for so long, and once the fugitives were spotted again his story would be known to be a lie... I can't see the higher ups, Urko in particular, letting that go unpunished...







In a message dated 7/16/2014 5:40:11 AM Central Daylight Time, pota@yahoogroups.com writes:

It would have been nice to see the trail that was no doubt hushed up.
 

In a message dated 7/16/2014 1:30:51 A.M. Central Daylight Time, pota@yahoogroups.com writes:

Zauis wanted to keep things quiet about the talking human, and to buy their silence he made a show of being honest with them. He's friendly with them in "Beneath".





Posted by: LordTZer0@...


<.html
<.html
<.html
Group: pota Message: 73090 From: William Burge Date: 7/16/2014
Subject: dawn marquee
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dear group,  here is a dawn marquee from fort elgin,  california enjoy from william
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  @@attachment@@
Group: pota Message: 73091 From: haristas Date: 7/16/2014
Subject: DAWN Blu-ray release date
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Best Buy is already taking pre-orders for DAWN on Blu-ray.  They're going to offer an exclusive 3D metalpak for $27.99 on December 9, 2014.
 
SKU: 7713034
Format: Blu-ray 3D
Release Date: 12/9/2014
PRICE: $27.99
Purchase Link: BEST BUY  
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Group: pota Message: 73092 From: William Burge Date: 7/16/2014
Subject: dawn items
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dear group,  here are some more dawn stuff from william
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Group: pota Message: 73093 From: Jeff K. Date: 7/16/2014
Subject: possible spoilers: Reeves talks future "Apes"
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  The "Dawn" director had some interesting things to say about where he wants to take the films: "(The ape religion is) definitely going to be an aspect of the story. (Caesar) becomes a very mythic character. And he's the Caesar that shall begin other Caesars... this then becomes a generational story... He knows there's no going back (to apes & humans as pals)...everything gets really turned upside down by the world of the 1968 film".
 
 
 
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Group: pota Message: 73094 From: William Burge Date: 7/16/2014
Subject: more dawn marquee
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dear group,  the first photo is from dawn marquee at  the vista theatre jn california and the second is a dawn ad from facebook enjoy from william
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Group: pota Message: 73095 From: Dario Sciola Date: 7/16/2014
Subject: Re: DAWN Blu-ray release date
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Wonder if they're trying to boost 3D by not offering a regular BR (non 3D) at the same time. Make us 3D naysayers wait longer.

Dario


On Wed, Jul 16, 2014 at 11:36 AM, Haristas@... [pota] <pota@yahoogroups.com> wrote:

Best Buy is already taking pre-orders for DAWN on Blu-ray. They're going to offer an exclusive 3D metalpak for $27.99 on December 9, 2014.
SKU: 7713034
Format: Blu-ray 3D
Release Date: 12/9/2014
PRICE: $27.99
Purchase Link: BEST BUY


<.html
Group: pota Message: 73096 From: monkeymermaid65 Date: 7/16/2014
Subject: Nova Speaks
.html

Happened to have caught Linda Harrison on Inside Edition last Friday 


Original 'Planet of the Apes' Actress Excited For New Movie


<.html
Group: pota Message: 73097 From: monkeymermaid65 Date: 7/16/2014
Subject: Re: DAWN Blu-ray release date
.html
I thought the 3D looked good (I know they used 3D cameras on the set) but I'm not sure it added much to the film. The only film that I can think of that I would say must be seen in 3D would be "Gravity." I did like that the apes were not throwing spheres and parking meters at the camera like they did in "Rise", and the visual depth felt very natural. .
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Group: pota Message: 73098 From: monkeymermaid65 Date: 7/16/2014
Subject: Dawn Comic
.html

Did anybody get the San Diego comic con comic yet? It will probably cost more then $5 for those who don't make it over to Cali. 

BOOM! Ties Into Dawn Of The Planet Of The Apes


Also more ape art. I think some of these didn't make it into the art of the films book.

Caesar, Koba & Cornelia Concept Art - DAWN OF THE PLANET OF THE APES




<.html
Group: pota Message: 73099 From: Jeff K. Date: 7/16/2014
Subject: Re: DAWN Blu-ray release date
.html
.html
  I would take that release date with a grain of salt. There's been no official announcement yet and some retailers jump the gun. I think it will probably be released about a month earlier.

Sent: Wednesday, July 16, 2014 12:16 PM
To: POTA
Subject: Re: [pota] DAWN Blu-ray release date

 

Wonder if they're trying to boost 3D by not offering a regular BR (non 3D) at the same time. Make us 3D naysayers wait longer.

Dario


On Wed, Jul 16, 2014 at 11:36 AM, Haristas@... [pota] <pota@yahoogroups.com> wrote:
 

Best Buy is already taking pre-orders for DAWN on Blu-ray.  They're going to offer an exclusive 3D metalpak for $27.99 on December 9, 2014.
 
SKU: 7713034
Format: Blu-ray 3D
Release Date: 12/9/2014
PRICE: $27.99
Purchase Link: BEST BUY  


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<.html
Group: pota Message: 73100 From: mlccougar Date: 7/17/2014
Subject: Re: DAWN Blu-ray release date
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.html.htmlI hope they release a standard DVD release... But if they do, it'll probably be bare bones on extras like the one for RISE is...




In a message dated 7/16/2014 3:53:21 PM Central Daylight Time, pota@yahoogroups.com writes:

Wonder if they're trying to boost 3D by not offering a regular BR (non 3D) at the same time. Make us 3D naysayers wait longer.

Dario


<.html
<.html
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Group: pota Message: 73101 From: William Burge Date: 7/17/2014
Subject: linda harrison 2014
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Attachments :
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dear group,  I found a photo from inside edtion show on 2014 of linda harrison talking about planet enjoy from william
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Group: pota Message: 73102 From: totellthetruth42 Date: 7/17/2014
Subject: Re: Been there, dawn that!
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Absolutely terrible, isn't it? A layered film like BENEATH with multiple storylines and characters, set during the same time period as the film which started the **entire franchise** and why we're talking about it 46 years later, and which bears out the original themes of how power, supremacy, and even religion can bring about the downfall/destruction of an entire civilization.
 
And- anticipating the eventual "What layered storylines?/What film were YOU watching?/The director and I agree so **I'm** right & everyone else is wrong" response- I'll repeat something I wrote a few years back:
 
Mankind had fallen, the Ape rose and had become just as bad, and humanity (albeit mutated) hadn't changed. In  fact, they had gotten worse. The world we saw in BENEATH was a bastardized, nightmarish version of what it had been.
I maintain that there's a lot of subtextual material in the film that isn't **spelled out** for the viewer, but becomes apparent upon repeated viewings.
 
So, yes, it's absolutely **terrible** that the person directing this (and the subsequent) Apes film would find such things interesting.
 
 
Chris L.
 
 
 
haristas <Haristas@...> wrote:
 
>>Matt Reeves favorite sequel is BENEATH? Oh, boy. <<
 
 
-----Original Message-----
From: 'Jeff K.' veetus@... [pota] <pota@yahoogroups.com>
To: pota <pota@yahoogroups.com>; PotaDG <PotaDG@yahoogroups.com>
Sent: Tue, Jul 1, 2014 4:11 am
Subject: [pota] Been there, dawn that!

"I' ll tell you this: no eternal reward will forgive us now for wasting the dawn".
- - - Jim Morrison

I wnt to the "Dawn of the POTA" screening with Q & A at the famous Chinese Theater in Hollyweird tonight (put on by the Los Angeles Times' "Hero Complex" and presented by Dolby, who bought us popcorn and drinks). It was in 3D with the great Dolby Atmos sound system.
So let's get the bottom line. This is how the movie ends: >CENSORED! <. I know, I couldn't believe it either!I' m still trying to process the movie. I loved it and it brings POTA storytelling to a new level. But, I dunno, maybe the movie could've used more colors in it's palette? The humans were kind of bland, which is par for the course in POTA except for Taylor, Hasslein and the TV show astronauts. The actors are personable and that ups the humans' game, as it did in "Rise" . But we're there for the apes and as usual they steal the show.
Despite the director saying it's not a war movie, yes it is and a painful one. There's a melancholy to the movie that I loved but it's not what people expect in their summer movies. Reeves kept saying he couldn't believe they let him make this movie. It's a real loss of innocence story, "Battle" writ large (and epic). I guess it's the "Battle" we always wanted with plenty of "Battle" Easter eggs (as well as a cool nod to "Beneath" , the director' s favorite "Apes" sequel).
There were two touches that stood out for me. The surprise and terror of the apes when they realize what war is, even for those who want war. And second, the ape speech is very well done. Science tells us that apes can't speak because of their physiology. The apes here struggle with their speech as if their bodies are changing. That made it easier to accept than if they just started speaking.
The movie is pretty bleak (not that there's anything wrong with that) but there is a lighter moment that the audience loved. Let's just say it takes "the weight" off the story for a few minutes. There's some moments in the movie where the subtext seems to be: the things human beings can do is pretty miraculous sometimes. Oldman articulated this in the Q & A. POTA generally seems to be down on humans but that thought gives it some balance (like the wide-eyed wonder of Cornelius and Zira in "Escape" ).
That's all I can say for now until people see the movie. The Q & A didn't really have any big revelations (no audience questions were taken and the guests didn't linger after a long road of promotion the last few days; they're exhausted). The director noted his fave "Apes" were PLanet68, "Beneath" and the TV show ("Battle" wasn't mentioned & it's presence is felt in the movie). He also talked about how long it took to get the ape shots (the last shot of Caesar in the movie came in just a week before the premiere) and how tough it is to make a movie without knowing what the final version will look like until the FX are in. Andy Serkis said the horses did not like it when their riders played apes, which caused trouble. I would've liked some audience questions and maybe the guests would've too for some variety.
But, a terrific movie and a great night.
<.html

____________________________________________________________
The #1 Worst Carb Ever?
Click to Learn #1 Carb that Kills Your Blood Sugar (Don't Eat This!)
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<.html
Group: pota Message: 73103 From: haristas Date: 7/17/2014
Subject: Chimps attend DAWN
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Group: pota Message: 73104 From: William Burge Date: 7/17/2014
Subject: dawn goodies
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dear group,  here are some neat dawn items the first is a carring bag and the second is water bottles and shirt and sleeping bag from william
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  @@attachment@@
Group: pota Message: 73105 From: James Date: 7/17/2014
Subject: FW: Google Alert - "planet of the apes"
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Attachments :
    .html

    Google

    "planet of the apes"

    Daily update â‹… July 16, 2014

    NEWS

    Text Box: Vegas Seven

    Vegas Seven

    Planet of the Apes Sequel More Than Just a Summer Blockbuster

    Vegas Seven

    Three summers ago Rise of the Planet of the Apes proved it's possible to reboot a franchise while avoiding that sinking feeling of movie capitalism at ...

    Google Plus

    Facebook

    Twitter

    Flag as irrelevant

    Text Box: IANS

    IANS

    Flashback: 'The Simpsons' Turn 'Planet of the Apes' Into a Musical

    RollingStone.com

    Dawn of the Planet of the Apes exceeded expectations this weekend by grossing nearly $73 million and earning rave reviews. It made 33 percent ...

    Google Plus

    Facebook

    Twitter

    Flag as irrelevant

    Ranking the 'Planet of the Apes' Films

    PopMatters

    Audiences were not prepared for Planet of the Apes when it first came out in theaters. The Civil Rights Movement was reeling from advances and ...

    Google Plus

    Facebook

    Twitter

    Flag as irrelevant

    Text Box: Latin Post

    Latin Post

    'Dawn of the Planet of the Apes' Actor Kirk Acevedo Talks Humans vs Apes, Sharing a Set with ...

    Latin Post

    (Top)"Dawn of the Planet of the Apes " (left to right) Kirk Acevedo, Keri Russell, Jason Clarke, Kodi Smit-McPhee and Enrique Murciano. (Bottom, left) ...

    Google Plus

    Facebook

    Twitter

    Flag as irrelevant

    Text Box: Yahoo Movies UK

    Yahoo Movies UK

    'Planet of the Apes' Goes Wild at Weekend Box Office

    Wall St. Cheat Sheet

    Dawn of the Planet of the Apes easily topped the weekend box office, overthrowing Transformers: Age of Extinction's two-week hold of the No. 1 spot.

    Google Plus

    Facebook

    Twitter

    Flag as irrelevant

    Myrtle Beach chimps watch new 'Planet of the Apes' movie

    WIS

    According to the theater manager, the chimps gave Dawn of the Planet of the Apes two thumbs up. The Myrtle Beach Safari is also known as ...

    Google Plus

    Facebook

    Twitter

    Flag as irrelevant

    Dawn Of The Planet Of The Apes: Will Andy Serkis Direct A Future Apes Movie After Jungle Book?

    Entertainmentwise

    Andy Serkis is on something of a roll in 2014. After steadily buidling an impressive CV following his break out performance capture role as Gollum, the ...

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    Flag as irrelevant

     

     

    <.html
    <.html
    Group: pota Message: 73106 From: jamesa1102 Date: 7/17/2014
    Subject: Re: A Thought Has Occurred to Me....
    .html
    I just watched that featurette, I must of missed that. What's the time code where Corrington make that exact statement?


    ---In pota@yahoogroups.com, <Haristas@...> wrote :

    Watch the featurette on the BATTLE Blu-ray where one of BATTLE's screenwriters, Joyce Hooper Corrington, says that they rejected Dehn's circular timeline and worked to change that outcome.  Even Dehn, who did a rewrite of their script, didn't change their conception except to add the weeping statue at the end, something the Corrington's hated.
     
    The series is simply full of contradictions.
     
     
     
     
     
    <.html
    Group: pota Message: 73107 From: haristas Date: 7/17/2014
    Subject: Re: Been there, dawn that!
    .html
     
    Absolutely terrible, isn't it? A layered film like BENEATH with multiple storylines and characters, set during the same time period as the film which started the **entire franchise**
     
    Except that the filmmakers were so into what they were doing they didn't realize they were dating it 23 years before the last one, and then years later the director tells how he hates the ending and for a long time couldn't even look at the movie.
     
    One of the worst sequels in the entire history of cinema!  And that isn't just my opinion.
     
     
     
     
     
     
     
     
    -----Original Message-----
    From: lawford42@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Thu, Jul 17, 2014 3:10 am
    Subject: [pota] Re: Been there, dawn that!

     
    Absolutely terrible, isn't it? A layered film like BENEATH with multiple storylines and characters, set during the same time period as the film which started the **entire franchise** and why we're talking about it 46 years later, and which bears out the original themes of how power, supremacy, and even religion can bring about the downfall/destruction of an entire civilization.
     
    And- anticipating the eventual "What layered storylines?/What film were YOU watching?/The director and I agree so **I'm** right & everyone else is wrong" response- I'll repeat something I wrote a few years back:
     
    Mankind had fallen, the Ape rose and had become just as bad, and humanity (albeit mutated) hadn't changed. In  fact, they had gotten worse. The world we saw in BENEATH was a bastardized, nightmarish version of what it had been.
    I maintain that there's a lot of subtextual material in the film that isn't **spelled out** for the viewer, but becomes apparent upon repeated viewings.
     
    So, yes, it's absolutely **terrible** that the person directing this (and the subsequent) Apes film would find such things interesting.
     
     
    Chris L.
     
     
     
    haristas <Haristas@...> wrote:
     
    >>Matt Reeves favorite sequel is BENEATH? Oh, boy. <<
     
     
    -----Original Message-----
    From: 'Jeff K.' veetus@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>; PotaDG <PotaDG@yahoogroups.com>
    Sent: Tue, Jul 1, 2014 4:11 am
    Subject: [pota] Been there, dawn that!

    "I' ll tell you this: no eternal reward will forgive us now for wasting the dawn".
    - - - Jim Morrison

    I wnt to the "Dawn of the POTA" screening with Q & A at the famous Chinese Theater in Hollyweird tonight (put on by the Los Angeles Times' "Hero Complex" and presented by Dolby, who bought us popcorn and drinks). It was in 3D with the great Dolby Atmos sound system.
    So let's get the bottom line. This is how the movie ends: >CENSORED! <. I know, I couldn't believe it either!I' m still trying to process the movie. I loved it and it brings POTA storytelling to a new level. But, I dunno, maybe the movie could've used more colors in it's palette? The humans were kind of bland, which is par for the course in POTA except for Taylor, Hasslein and the TV show astronauts. The actors are personable and that ups the humans' game, as it did in "Rise" . But we're there for the apes and as usual they steal the show.
    Despite the director saying it's not a war movie, yes it is and a painful one. There's a melancholy to the movie that I loved but it's not what people expect in their summer movies. Reeves kept saying he couldn't believe they let him make this movie. It's a real loss of innocence story, "Battle" writ large (and epic). I guess it's the "Battle" we always wanted with plenty of "Battle" Easter eggs (as well as a cool nod to "Beneath" , the director' s favorite "Apes" sequel).
    There were two touches that stood out for me. The surprise and terror of the apes when they realize what war is, even for those who want war. And second, the ape speech is very well done. Science tells us that apes can't speak because of their physiology. The apes here struggle with their speech as if their bodies are changing. That made it easier to accept than if they just started speaking.
    The movie is pretty bleak (not that there's anything wrong with that) but there is a lighter moment that the audience loved. Let's just say it takes "the weight" off the story for a few minutes. There's some moments in the movie where the subtext seems to be: the things human beings can do is pretty miraculous sometimes. Oldman articulated this in the Q & A. POTA generally seems to be down on humans but that thought gives it some balance (like the wide-eyed wonder of Cornelius and Zira in "Escape" ).
    That's all I can say for now until people see the movie. The Q & A didn't really have any big revelations (no audience questions were taken and the guests didn't linger after a long road of promotion the last few days; they're exhausted). The director noted his fave "Apes" were PLanet68, "Beneath" and the TV show ("Battle" wasn't mentioned & it's presence is felt in the movie). He also talked about how long it took to get the ape shots (the last shot of Caesar in the movie came in just a week before the premiere) and how tough it is to make a movie without knowing what the final version will look like until the FX are in. Andy Serkis said the horses did not like it when their riders played apes, which caused trouble. I would've liked some audience questions and maybe the guests would've too for some variety.
    But, a terrific movie and a great night.


    ____________________________________________________________
    The #1 Worst Carb Ever?
    Click to Learn #1 Carb that Kills Your Blood Sugar (Don't Eat This!)
    FixYourBloodSugar.com
    <.html
    Group: pota Message: 73108 From: haristas Date: 7/17/2014
    Subject: Re: A Thought Has Occurred to Me....
    .html
    I just watched that featurette, I must of missed that. What's the time code where Corrington make that exact statement?
     
    I said:  "Joyce Hooper Corrington, says that they rejected Dehn's circular timeline and worked to change that outcome."
     
     
    This is the "End of an Epic: The Final Battle" featurette narrated by James Brolin.
     
     
    14:14     Quote Joyce Hooper Corrington: "We hope we're in a new timeline."  
     
    The Corringtons wanted to change the future so it wouldn't lead to the final of BENEATH and if you listen carefully to what Eric Greene says, so did Arthur P. Jacobs.  Nearly everyone knew they'd made a terrible decision to destroy the earth in the second one.  In retrospect no one liked it, especially the guy who directed it, Ted Post.  There was just one guy that liked it, Paul Dehn, and if you listen to what Eric Greene says about Dehn you'll see why, but Dehn is not the "master of the franchise."  Like Taylor in PLANET, he was negative!  Finally listen to what Eric Greene says about how the Corringtons depiction of the Lawgiver.  And as Joyce Hooper Corrington finally says, "We  just have to keep hoping we've changed things."
     
    This leaves everyone who watches the series free to choose, because the series never went beyond BATTLE so we'll never know if the future was changed, but I for one sure hope so.  I choose not to be a negative "Dehnian."  I say keep hope alive.  KEEP HOPE ALIVE!
     
    Rory
     
     
     
     
    -----Original Message-----
    From: JamesA1102@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Thu, Jul 17, 2014 7:47 am
    Subject: [pota] Re: A Thought Has Occurred to Me....

     
    I just watched that featurette, I must of missed that. What's the time code where Corrington make that exact statement?


    ---In pota@yahoogroups.com, <Haristas@...> wrote :

    Watch the featurette on the BATTLE Blu-ray where one of BATTLE's screenwriters, Joyce Hooper Corrington, says that they rejected Dehn's circular timeline and worked to change that outcome.  Even Dehn, who did a rewrite of their script, didn't change their conception except to add the weeping statue at the end, something the Corrington's hated.
     
    The series is simply full of contradictions.
     
     
     
     
     
    <.html
    Group: pota Message: 73109 From: haristas Date: 7/17/2014
    Subject: UK Apes Blu-ray megaset coming
    .html<.html
    Group: pota Message: 73110 From: Jeff K. Date: 7/17/2014
    Subject: Re: UK Apes Blu-ray megaset coming
    .html
    .html
      That's better head than they gave us.

    Sent: Thursday, July 17, 2014 7:02 AM
    Subject: [pota] UK Apes Blu-ray megaset coming

      <.html
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    Group: pota Message: 73111 From: Jeff K. Date: 7/17/2014
    Subject: "Dawn" and science
    .html<.html
    Group: pota Message: 73112 From: Jeff K. Date: 7/17/2014
    Subject: NECA Series 2 isn't damned ugly
    .html
    .html
      NECA's "Classic" POTA figures Series 1 will be arriving soon and Series 2 is firming up. Besides Ursus it looks like we'll get Zira (or a cross-dressing Cornelius). Who will be Figure # 3?
     
    <.html
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    Group: pota Message: 73113 From: Jeff K. Date: 7/17/2014
    Subject: "Dawn" director Cornered!
    .html
    .html
      Back in the '90's before the internet there was what I consider the first revival of POTA. Adventure did a comics series, I was part of the fanzine crowd ("Ape Chronicles", "Ape Crazy", "ApesFan"). Big directors like Oliver Stone and James Cameron were trying to do a movie, books were being written. The "Behind the POTA" doc came out. Over the decade it seemed Apes was about to explode. The end result was the Tim Burton movie and that was that but until then it was a fun ride. 
      Back then, Zaki Hasan created and co-wrote (and did some cool cartoons for) the fanzine "Sacred Scrolls". Twenty years later Zaki has his own blog "Zaki's Corner" (and the "MovieFilm" podcast, a great listen). He's garnered quite the attention and interviews movie folk regularly. So it turns out he got an invite to the premiere of "Dawn" and got to rub elbows with those who are carrying on the tradition of his favorite movie of all time (POTA68).
      And here's his interview with director Matt Reeves, the Apeiest interview I've seen Reeves give. Reeves talks about his love for "Beneath", whether or not those "Battle" Easter eggs were intentional, who replaced his Mego treehouse and whether "Dawn" leads "literally" to the '68 movie.
     
    <.html
    <.html
    Group: pota Message: 73114 From: Dario Sciola Date: 7/17/2014
    Subject: Re: A Thought Has Occurred to Me....
    .html
    The person who really liked blowing up the planet was Heston. He wanted to sever ties with the franchise, but was gracious enough to consent to being in Beneath only as a favor to Zanuck whom Heston convinced to greenlight POTA in the first place. Some books state that blowing up the planet was a last minute change and it was Heston himself who suggested while on the set that he crawl to the Alpha Omega launch controls and have that last gasp effort to hit the switch as he died. He figured he'd killed the franchise at that point and wouldn't be bothered to reprise his role as Taylor again.

    For what it's worth, it was quite a dramatic scene and you have to give credit that the downbeat ending was something of a shocker. Apemania had not set in and a lot of people really believed that the sequel would be the end.

    I'm now curious as to what the actual Beneath script contained. Anyone have on handy? I may have a PDF somewhere in my archives and will have to look it up.

    Dario



    On Thu, Jul 17, 2014 at 9:57 AM, Haristas@... [pota] <pota@yahoogroups.com> wrote:

    I just watched that featurette, I must of missed that. What's the time code where Corrington make that exact statement?
    I said: "Joyce Hooper Corrington, says that they rejected Dehn's circular timeline and worked to change that outcome."
    This is the "End of an Epic: The Final Battle" featurette narrated by James Brolin.
    14:14 Quote Joyce Hooper Corrington: "We hope we're in a new timeline."
    The Corringtons wanted to change the future so it wouldn't lead to the final of BENEATH and if you listen carefully to what Eric Greene says, so did Arthur P. Jacobs. Nearly everyone knew they'd made a terrible decision to destroy the earth in the second one. In retrospect no one liked it, especially the guy who directed it, Ted Post. There was just one guy that liked it, Paul Dehn, and if you listen to what Eric Greene says about Dehn you'll see why, but Dehn is not the "master of the franchise." Like Taylor in PLANET, he was negative! Finally listen to what Eric Greene says about how the Corringtons depiction of the Lawgiver. And as Joyce Hooper Corrington finally says, "We just have to keep hoping we've changed things."
    This leaves everyone who watches the series free to choose, because the series never went beyond BATTLE so we'll never know if the future was changed, but I for one sure hope so. I choose not to be a negative "Dehnian." I say keep hope alive. KEEP HOPE ALIVE!
    Rory
    -----Original Message-----
    From: JamesA1102@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Thu, Jul 17, 2014 7:47 am
    Subject: [pota] Re: A Thought Has Occurred to Me....

    I just watched that featurette, I must of missed that. What's the time code where Corrington make that exact statement?


    ---In pota@yahoogroups.com, <Haristas@...> wrote :

    Watch the featurette on the BATTLE Blu-ray where one of BATTLE's screenwriters, Joyce Hooper Corrington, says that they rejected Dehn's circular timeline and worked to change that outcome. Even Dehn, who did a rewrite of their script, didn't change their conception except to add the weeping statue at the end, something the Corrington's hated.
    The series is simply full of contradictions.


    <.html
    Group: pota Message: 73115 From: haristas Date: 7/18/2014
    Subject: Re: A Thought Has Occurred to Me....
    .html
    I think the ending of BENEATH actually came about because Richard Zanuck was pissed at the board of 20th Century-Fox, and his father, for firing him, and he wanted to kill any future APES pictures.  But, I'm not sure of that story.
     
     
     
     
    -----Original Message-----
    From: Dario Sciola dario.sciola@... [pota] <pota@yahoogroups.com>
    To: POTA <pota@yahoogroups.com>
    Sent: Thu, Jul 17, 2014 6:30 pm
    Subject: Re: [pota] Re: A Thought Has Occurred to Me....

     
    The person who really liked blowing up the planet was Heston. He wanted to sever ties with the franchise, but was gracious enough to consent to being in Beneath only as a favor to Zanuck whom Heston convinced to greenlight POTA in the first place. Some books state that blowing up the planet was a last minute change and it was Heston himself who suggested while on the set that he crawl to the Alpha Omega launch controls and have that last gasp effort to hit the switch as he died. He figured he'd killed the franchise at that point and wouldn't be bothered to reprise his role as Taylor again.

    For what it's worth, it was quite a dramatic scene and you have to give credit that the downbeat ending was something of a shocker. Apemania had not set in and a lot of people really believed that the sequel would be the end.

    I'm now curious as to what the actual Beneath script contained. Anyone have on handy? I may have a PDF somewhere in my archives and will have to look it up.

    Dario



    On Thu, Jul 17, 2014 at 9:57 AM, Haristas@... [pota] <pota@yahoogroups.com> wrote:
     
    I just watched that featurette, I must of missed that. What's the time code where Corrington make that exact statement?
     
    I said:  "Joyce Hooper Corrington, says that they rejected Dehn's circular timeline and worked to change that outcome."
     
     
    This is the "End of an Epic: The Final Battle" featurette narrated by James Brolin.
     
     
    14:14     Quote Joyce Hooper Corrington: "We hope we're in a new timeline."  
     
    The Corringtons wanted to change the future so it wouldn't lead to the final of BENEATH and if you listen carefully to what Eric Greene says, so did Arthur P. Jacobs.  Nearly everyone knew they'd made a terrible decision to destroy the earth in the second one.  In retrospect no one liked it, especially the guy who directed it, Ted Post.  There was just one guy that liked it, Paul Dehn, and if you listen to what Eric Greene says about Dehn you'll see why, but Dehn is not the "master of the franchise."  Like Taylor in PLANET, he was negative!  Finally listen to what Eric Greene says about how the Corringtons depiction of the Lawgiver.  And as Joyce Hooper Corrington finally says, "We  just have to keep hoping we've changed things."
     
    This leaves everyone who watches the series free to choose, because the series never went beyond BATTLE so we'll never know if the future was changed, but I for one sure hope so.  I choose not to be a negative "Dehnian."  I say keep hope alive.  KEEP HOPE ALIVE!
     
    Rory
     
     
     
     
    -----Original Message-----
    From: JamesA1102@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Thu, Jul 17, 2014 7:47 am
    Subject: [pota] Re: A Thought Has Occurred to Me....

     
    I just watched that featurette, I must of missed that. What's the time code where Corrington make that exact statement?


    ---In pota@yahoogroups.com, <Haristas@...> wrote :

    Watch the featurette on the BATTLE Blu-ray where one of BATTLE's screenwriters, Joyce Hooper Corrington, says that they rejected Dehn's circular timeline and worked to change that outcome.  Even Dehn, who did a rewrite of their script, didn't change their conception except to add the weeping statue at the end, something the Corrington's hated.
     
    The series is simply full of contradictions.
     
     
     
     
     

    <.html
    Group: pota Message: 73116 From: Dario Date: 7/18/2014
    Subject: Re: A Thought Has Occurred to Me....
    .html
    .html
    First time I heard that story. I thought he was fired long after that. PotA being such a success the year before, you would have thought that he was in good standing with Fox (and dad).

    Dario



    On Jul 17, 2014, at 11:46 PM, "Haristas@... [pota]" <pota@yahoogroups.com> wrote:

     

    I think the ending of BENEATH actually came about because Richard Zanuck was pissed at the board of 20th Century-Fox, and his father, for firing him, and he wanted to kill any future APES pictures.  But, I'm not sure of that story.
     
     
     
     
    -----Original Message-----
    From: Dario Sciola dario.sciola@... [pota] <pota@yahoogroups.com>
    To: POTA <pota@yahoogroups.com>
    Sent: Thu, Jul 17, 2014 6:30 pm
    Subject: Re: [pota] Re: A Thought Has Occurred to Me....

     
    The person who really liked blowing up the planet was Heston. He wanted to sever ties with the franchise, but was gracious enough to consent to being in Beneath only as a favor to Zanuck whom Heston convinced to greenlight POTA in the first place. Some books state that blowing up the planet was a last minute change and it was Heston himself who suggested while on the set that he crawl to the Alpha Omega launch controls and have that last gasp effort to hit the switch as he died. He figured he'd killed the franchise at that point and wouldn't be bothered to reprise his role as Taylor again.

    For what it's worth, it was quite a dramatic scene and you have to give credit that the downbeat ending was something of a shocker. Apemania had not set in and a lot of people really believed that the sequel would be the end.

    I'm now curious as to what the actual Beneath script contained. Anyone have on handy? I may have a PDF somewhere in my archives and will have to look it up.

    Dario



    On Thu, Jul 17, 2014 at 9:57 AM, Haristas@... [pota] <pota@yahoogroups.com> wrote:
     
    I just watched that featurette, I must of missed that. What's the time code where Corrington make that exact statement?
     
    I said:  "Joyce Hooper Corrington, says that they rejected Dehn's circular timeline and worked to change that outcome."
     
     
    This is the "End of an Epic: The Final Battle" featurette narrated by James Brolin.
     
     
    14:14     Quote Joyce Hooper Corrington: "We hope we're in a new timeline."  
     
    The Corringtons wanted to change the future so it wouldn't lead to the final of BENEATH and if you listen carefully to what Eric Greene says, so did Arthur P. Jacobs.  Nearly everyone knew they'd made a terrible decision to destroy the earth in the second one.  In retrospect no one liked it, especially the guy who directed it, Ted Post.  There was just one guy that liked it, Paul Dehn, and if you listen to what Eric Greene says about Dehn you'll see why, but Dehn is not the "master of the franchise."  Like Taylor in PLANET, he was negative!  Finally listen to what Eric Greene says about how the Corringtons depiction of the Lawgiver.  And as Joyce Hooper Corrington finally says, "We  just have to keep hoping we've changed things."
     
    This leaves everyone who watches the series free to choose, because the series never went beyond BATTLE so we'll never know if the future was changed, but I for one sure hope so.  I choose not to be a negative "Dehnian."  I say keep hope alive.  KEEP HOPE ALIVE!
     
    Rory
     
     
     
     
    -----Original Message-----
    From: JamesA1102@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Thu, Jul 17, 2014 7:47 am
    Subject: [pota] Re: A Thought Has Occurred to Me....

     
    I just watched that featurette, I must of missed that. What's the time code where Corrington make that exact statement?


    ---In pota@yahoogroups.com, <Haristas@...> wrote :

    Watch the featurette on the BATTLE Blu-ray where one of BATTLE's screenwriters, Joyce Hooper Corrington, says that they rejected Dehn's circular timeline and worked to change that outcome.  Even Dehn, who did a rewrite of their script, didn't change their conception except to add the weeping statue at the end, something the Corrington's hated.
     
    The series is simply full of contradictions.
     
     
     
     
     

    <.html
    <.html
    Group: pota Message: 73117 From: James Date: 7/18/2014
    Subject: Hasslein Institute of Temporal Physics
    .html
    .html

    ·Happy Friday! A new installment of the HASSLEIN INSTITUTE OF TEMPORAL PHYSICS now available. Thanks to all who contributed.

    To read the HASSLEIN INSTITUTE click the banner on the group's home page or this link: http://www.potamediaarchive.com/HI.htm.

    Have a great weekend everyone!

    Visit all the Group's special features including:

    ·Happy Friday! A new installment of the HASSLEIN INSTITUTE OF TEMPORAL PHYSICS now available. Thanks to all who contributed.

    To read the HASSLEIN INSTITUTE click the banner on the group's home page or this link: http://www.potamediaarchive.com/HI.htm.

    Have a great weekend everyone!

    Visit all the Group's special features including:

    Happy Friday! A new installment of the HASSLEIN INSTITUTE OF TEMPORAL PHYSICS now available. Thanks to all who contributed.

     

    To read the HASSLEIN INSTITUTE click the banner on the group's home page or this link: http://www.potamediaarchive.com/HI.htm.

     

    Have a great weekend everyone!

     

    Visit all the Group's special features including:

     

    <.html
    <.html
    Group: pota Message: 73118 From: William Burge Date: 7/18/2014
    Subject: ape stuff
    .html
    .html
    dear group,  here are some neat ape items two from rise and the last one from planet enjoy from william
    <.html
    <.html
      @@attachment@@
    Group: pota Message: 73119 From: monkeymermaid65 Date: 7/18/2014
    Subject: Human Colony film set
    .html

    I seem to have trouble with yahoo letting me upload photos but I'm going to give it a try.

    Here are some of my personal photos of the "human colony" set in down town New Orleans.  Hope you enjoy.

    <.html
      @@attachment@@
    Group: pota Message: 73120 From: Jeff K. Date: 7/19/2014
    Subject: U.S. fans can still get head
    .html
    .html
      The groovy Caesar head that U.K. fans can get with the complete POTA blu-ray collection this Christmas can also be got by U.S. fans in a souped up "Dawn" release. More details next weekend at Comic Con.
     
      "Is this some kind of bust?"
      "Yes, it's very impressive. But we're still going to have to ask you a few questions".
     
    <.html
    <.html
    Group: pota Message: 73121 From: totellthetruth42 Date: 7/19/2014
    Subject: Re: Been there, dawn that!
    .html
    .html
    haristas <Haristas@...> wrote:
     
    >>Except that the filmmakers were so into what they were doing they
    didn't realize they were dating it 23 years before the last one...<<
     
    It honestly surprises me how hung up you are on a simple little mistake like that. The chronometer in the first film had a throwaway date for a shot that lasted just long enough to establish how far into the future Taylor's ship had travelled. Back in 1969, a screenwriter (Dehn) who lived on ANOTHER CONTINENT couldn't just zip down to his local video store and rent the first film. Above and beyond which, you could easily explain away the discrepancies in a dozen different ways- the simplest of which being that the chronometer in Taylor's ship was damaged because it crashed landed into a body of water. Whereas in BENEATH, Brent specifically says that he "...took an Earth time reading just before reentry". **Before**, meaning in a fully functional spaceship. The date was also confirmed twice in ESCAPE- once during the original pre-title opening, and also by NASA who was subjecting the capsule to "microscopic scrutiny". I'm sure you have issues with all three of those points in one manner or another.
     
    Following the logic you've presented here, your entire argument falls apart if there had never been a date discrepancy. Also- before you even bring it up- the "3950" date mentioned in BATTLE was a post-production looping error. I'm sure you hold both Dehn and the Corrington's equally responsible for that as well.
     
     
    haristas (again):
     
    >>and then years later the director tells how he hates the ending and
    for a long time couldn't even look at the movie. <<
     
    You mean Ted Post? The same Ted Post who you said "...was simply a working-class movie director.  Nothing wrong with that, but he had no personal style" and "He was a good journeyman director, mostly in TV, but not a great filmmaker". THAT director? All of a sudden he's on a different plateau?? And what about some of the other people involved in the production of the film? Don't their opinions matter? What about the screenwriter? What about Maurice Evans- a Shakespearean actor who himself said that the second film had more going for it? Specifically:
     
    "And I think in the case of the sequel to Planet of the Apes, the public will find that the author has a great deal more to say than he had in the first one. In fact, the sequel to my way of thinking, is infinitely more profound from a philosophical standpoint. In many ways more frightening."
     
    Now- all of a sudden- Ted Post's opinion is your be all and end all on the quality of the film? The "journeyman director" knows better than the Shakespearean actor? Seriously??
     
     
    and again:
     
    >>"One of the worst sequels in the entire history of
    cinema!"<<
     
    Really? "One of the worst sequels in the entire history of cinema!"?? The hyperbole police called. They said one more crack like that, and they're coming to take you to Exaggerationtrazz.
     
     
    and finally: 
     
    >>And that isn't just my opinion.<<
     
    There you go again, thinking that your opinion somehow translates into irrefutable fact. Except that it just got refuted.
     
     
    Anything else?
     
     
    Chris L.
    <.html

    ____________________________________________________________
    Odd Carb-Hormone Trick
    1 EASY tip to increase fat-burning, lower blood sugar & decrease fat storage
    info.fixyourbloodsugar.com
    <.html
    Group: pota Message: 73122 From: monkeymermaid65 Date: 7/19/2014
    Subject: Re: Human Colony film set
    .html
    Attachments :
    Stoopid yahoo. :-(
    I'm honestly not so repetitive. If your interested in seeing more let me know and I'll try again.
    <.html
      @@attachment@@
    Group: pota Message: 73123 From: haristas Date: 7/19/2014
    Subject: Re: Been there, dawn that!
    .html
    I'm not trying to change your mind about BENEATH, and you're not going to change mine. 
     
     
     
    I read a memoir by Maurice Evans.  He had not a thing to say about BENEATH, and what you quote below is publicity.
     
    Whatever.
     
     
     
     
    -----Original Message-----
    From: lawford42@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Sat, Jul 19, 2014 1:09 am
    Subject: [pota] Re: Been there, dawn that!

     
    haristas <Haristas@...> wrote:
     
    >>Except that the filmmakers were so into what they were doing they
    didn't realize they were dating it 23 years before the last one...<<
     
    It honestly surprises me how hung up you are on a simple little mistake like that. The chronometer in the first film had a throwaway date for a shot that lasted just long enough to establish how far into the future Taylor's ship had travelled. Back in 1969, a screenwriter (Dehn) who lived on ANOTHER CONTINENT couldn't just zip down to his local video store and rent the first film. Above and beyond which, you could easily explain away the discrepancies in a dozen different ways- the simplest of which being that the chronometer in Taylor's ship was damaged because it crashed landed into a body of water. Whereas in BENEATH, Brent specifically says that he "...took an Earth time reading just before reentry". **Before**, meaning in a fully functional spaceship. The date was also confirmed twice in ESCAPE- once during the original pre-title opening, and also by NASA who was subjecting the capsule to "microscopic scrutiny". I'm sure you have issues with all three of those points in one manner or another.
     
    Following the logic you've presented here, your entire argument falls apart if there had never been a date discrepancy. Also- before you even bring it up- the "3950" date mentioned in BATTLE was a post-production looping error. I'm sure you hold both Dehn and the Corrington's equally responsible for that as well.
     
     
    haristas (again):
     
    >>and then years later the director tells how he hates the ending and
    for a long time couldn't even look at the movie. <<
     
    You mean Ted Post? The same Ted Post who you said "...was simply a working-class movie director.  Nothing wrong with that, but he had no personal style" and "He was a good journeyman director, mostly in TV, but not a great filmmaker". THAT director? All of a sudden he's on a different plateau?? And what about some of the other people involved in the production of the film? Don't their opinions matter? What about the screenwriter? What about Maurice Evans- a Shakespearean actor who himself said that the second film had more going for it? Specifically:
     
    "And I think in the case of the sequel to Planet of the Apes, the public will find that the author has a great deal more to say than he had in the first one. In fact, the sequel to my way of thinking, is infinitely more profound from a philosophical standpoint. In many ways more frightening."
     
    Now- all of a sudden- Ted Post's opinion is your be all and end all on the quality of the film? The "journeyman director" knows better than the Shakespearean actor? Seriously??
     
     
    and again:
     
    >>"One of the worst sequels in the entire history of
    cinema!"<<
     
    Really? "One of the worst sequels in the entire history of cinema!"?? The hyperbole police called. They said one more crack like that, and they're coming to take you to Exaggerationtrazz.
     
     
    and finally: 
     
    >>And that isn't just my opinion.<<
     
    There you go again, thinking that your opinion somehow translates into irrefutable fact. Except that it just got refuted.
     
     
    Anything else?
     
     
    Chris L.


    ____________________________________________________________
    Odd Carb-Hormone Trick
    1 EASY tip to increase fat-burning, lower blood sugar decrease fat storage
    info.fixyourbloodsugar.com
    <.html
    Group: pota Message: 73124 From: mlccougar Date: 7/19/2014
    Subject: Re: Been there, dawn that!
    .html
    .html.htmlWhat, if anything, did he have to say about PLANET?




    In a message dated 7/19/2014 8:31:55 AM Central Daylight Time, pota@yahoogroups.com writes:

    I read a memoir by Maurice Evans.  He had not a thing to say about BENEATH, and what you quote below is publicity.






    <.html
    <.html
    <.html
    Group: pota Message: 73125 From: haristas Date: 7/19/2014
    Subject: Re: Been there, dawn that!
    .html
    Posted everything he had to say months ago, and got thanked by James for doing so.  Where were you?
     
     
     
    -----Original Message-----
    From: mlccougar@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Sat, Jul 19, 2014 9:45 am
    Subject: Re: [pota] Re: Been there, dawn that!

     
    What, if anything, did he have to say about PLANET?




    In a message dated 7/19/2014 8:31:55 AM Central Daylight Time, pota@yahoogroups.com writes:

    I read a memoir by Maurice Evans.  He had not a thing to say about BENEATH, and what you quote below is publicity.






    <.html
    Group: pota Message: 73126 From: Alex Ruiz Date: 7/19/2014
    Subject: Re: A Thought Has Occurred to Me....
    .html
    Everyone seems to have a different story on that. Ted Post said that Richard told him to cuz he was being fired from FOX while Heston claimed it was his idea so he wouldn't have to make anymore sequels. I believe it was always intended. Why have an Alpha Omega bomb in the story if your not gonna use it? That's the real question.

    Al


    From: Haristas@... [pota] <pota@yahoogroups.com>;
    To: <pota@yahoogroups.com>;
    Subject: [pota] Re: A Thought Has Occurred to Me....
    Sent: Fri, Jul 18, 2014 3:46:00 AM

    I think the ending of BENEATH actually came about because Richard Zanuck was pissed at the board of 20th Century-Fox, and his father, for firing him, and he wanted to kill any future APES pictures. But, I'm not sure of that story.
    -----Original Message-----
    From: Dario Sciola dario.sciola@... [pota] <pota@yahoogroups.com>
    To: POTA <pota@yahoogroups.com>
    Sent: Thu, Jul 17, 2014 6:30 pm
    Subject: Re: [pota] Re: A Thought Has Occurred to Me....

    The person who really liked blowing up the planet was Heston. He wanted to sever ties with the franchise, but was gracious enough to consent to being in Beneath only as a favor to Zanuck whom Heston convinced to greenlight POTA in the first place. Some books state that blowing up the planet was a last minute change and it was Heston himself who suggested while on the set that he crawl to the Alpha Omega launch controls and have that last gasp effort to hit the switch as he died. He figured he'd killed the franchise at that point and wouldn't be bothered to reprise his role as Taylor again.

    For what it's worth, it was quite a dramatic scene and you have to give credit that the downbeat ending was something of a shocker. Apemania had not set in and a lot of people really believed that the sequel would be the end.

    I'm now curious as to what the actual Beneath script contained. Anyone have on handy? I may have a PDF somewhere in my archives and will have to look it up.

    Dario



    On Thu, Jul 17, 2014 at 9:57 AM, Haristas@... [pota] <pota@yahoogroups.com> wrote:
    I just watched that featurette, I must of missed that. What's the time code where Corrington make that exact statement?
    I said: "Joyce Hooper Corrington, says that they rejected Dehn's circular timeline and worked to change that outcome."
    This is the "End of an Epic: The Final Battle" featurette narrated by James Brolin.
    14:14 Quote Joyce Hooper Corrington: "We hope we're in a new timeline."
    The Corringtons wanted to change the future so it wouldn't lead to the final of BENEATH and if you listen carefully to what Eric Greene says, so did Arthur P. Jacobs. Nearly everyone knew they'd made a terrible decision to destroy the earth in the second one. In retrospect no one liked it, especially the guy who directed it, Ted Post. There was just one guy that liked it, Paul Dehn, and if you listen to what Eric Greene says about Dehn you'll see why, but Dehn is not the "master of the franchise." Like Taylor in PLANET, he was negative! Finally listen to what Eric Greene says about how the Corringtons depiction of the Lawgiver. And as Joyce Hooper Corrington finally says, "We just have to keep hoping we've changed things."
    This leaves everyone who watches the series free to choose, because the series never went beyond BATTLE so we'll never know if the future was changed, but I for one sure hope so. I choose not to be a negative "Dehnian." I say keep hope alive. KEEP HOPE ALIVE!
    Rory
    -----Original Message-----
    From: JamesA1102@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Thu, Jul 17, 2014 7:47 am
    Subject: [pota] Re: A Thought Has Occurred to Me....

    I just watched that featurette, I must of missed that. What's the time code where Corrington make that exact statement?


    ---In pota@yahoogroups.com, <Haristas@...> wrote :

    Watch the featurette on the BATTLE Blu-ray where one of BATTLE's screenwriters, Joyce Hooper Corrington, says that they rejected Dehn's circular timeline and worked to change that outcome. Even Dehn, who did a rewrite of their script, didn't change their conception except to add the weeping statue at the end, something the Corrington's hated.
    The series is simply full of contradictions.

    <.html
    Group: pota Message: 73127 From: James Date: 7/19/2014
    Subject: FW: Dawn of the Planet of the Apes: "Dawn of the Planet of the Apes
    .html
    .htmlDawn of the Planet of the Apes: "Dawn of the Planet of the Apes | The Threat Featurette [HD] | 20th ..." <.html
    <.html
    Group: pota Message: 73128 From: jamesa1102 Date: 7/19/2014
    Subject: Re: Been there, dawn that!
    .html

    It often amazes me how hung up on that some fans get. It is a very inconsequential error. It doesn't change the story or characters at all. Plus like you said there are many easy ways to explain it, including Taylor's line that it was 'give or take a decade' which would infer that the clock was not meant to tell the exact date but just an approximation.

     

    Interestingly, the original script for Beneath gave the 3975, which was the date in the Planet script. Why it was changed in later versions is unknown. Maybe Franciscus had trouble with words starting with S.



    ---In pota@yahoogroups.com, <lawford42@...> wrote :

    The chronometer in the first film had a throwaway date for a shot that lasted just long enough to establish how far into the future Taylor's ship had travelled. Back in 1969, a screenwriter (Dehn) who lived on ANOTHER CONTINENT couldn't just zip down to his local video store and rent the first film. Above and beyond which, you could easily explain away the discrepancies in a dozen different ways-
    <.html
    Group: pota Message: 73129 From: Jeff K. Date: 7/19/2014
    Subject: Re: Been there, dawn that!
    .html
    .html
      Maybe 3955 has a better ring to it, since it had to be spoken in "Beneath". Since the chronometer in "Planet" had to be read, maybe they felt the date wasn't important. People don't read anymore.

    Sent: Saturday, July 19, 2014 8:18 AM
    Subject: [pota] Re: Been there, dawn that!

     

    It often amazes me how hung up on that some fans get. It is a very inconsequential error. It doesn't change the story or characters at all. Plus like you said there are many easy ways to explain it, including Taylor's line that it was 'give or take a decade' which would infer that the clock was not meant to tell the exact date but just an approximation.

     

    Interestingly, the original script for Beneath gave the 3975, which was the date in the Planet script. Why it was changed in later versions is unknown. Maybe Franciscus had trouble with words starting with S.



    ---In pota@yahoogroups.com, <lawford42@...> wrote :

    The chronometer in the first film had a throwaway date for a shot that lasted just long enough to establish how far into the future Taylor's ship had travelled. Back in 1969, a screenwriter (Dehn) who lived on ANOTHER CONTINENT couldn't just zip down to his local video store and rent the first film. Above and beyond which, you could easily explain away the discrepancies in a dozen different ways-

    <.html
    <.html
    Group: pota Message: 73130 From: haristas Date: 7/19/2014
    Subject: Re: Been there, dawn that!
    .html
     
    Maybe 3955 has a better ring to it, since it had to be spoken in "Beneath". Since the chronometer in "Planet" had to be read, maybe they felt the date wasn't important. People don't read anymore.
     
     
    I don't think the error is inconsequential, as it does much to remind the viewer that when you watch PLANET and then you watch BENEATH, you are watching two different movies, not Part One and Part Two of the same story.  The story in PLANET ends at the conclusion of that film.  BENEATH is a different story.  They were made by different writers and directors, but had the same producers.  Mort Abrahams is the man primarily responsible for BENEATH.  When it comes to the discrepancies between the original and its sequel, he's primarily to blame.  Paul Dehn was the writer working under Abrahams supervision.  Abrahams, for whatever reasons, either wasn't paying attention or didn't care, but a lot of things definitely, as the capsule two and a half star review of BENEATH has said in Maltin's Guide for decades, got away from him.  Anyway, it's long over and done with, and it really has nothing, ZERO, to do with a 1968 movie called PLANET OF THE APES.
     
    Some that love all the five APES films see it as one long saga, all five movies inseparable from each other.  I just don't see it that way, and don't look at the shot of the time clock in PLANET showing the year 3978 AD as a throwaway thing.  The filmmakers put it there for a reason and I respect that.  Furthermore, as I've stated many times here for years, I think that revising the date of events and other details in the original movie so as to better make it fit with its artistically inferior sequels is aesthetically wrong.  I don't think the discrepancies between details in PLANET and those of its sequels are inconsequential because I'm not now or have I ever been an APES fan that thinks that the sequels circle back to shallow up the original. 
     
    That's the way I feel about it and there's no changing of my mind.
     
     
      
     
     
    -----Original Message-----
    From: 'Jeff K.' veetus@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Sat, Jul 19, 2014 12:10 pm
    Subject: Re: [pota] Re: Been there, dawn that!

     
      Maybe 3955 has a better ring to it, since it had to be spoken in "Beneath". Since the chronometer in "Planet" had to be read, maybe they felt the date wasn't important. People don't read anymore.

    Sent: Saturday, July 19, 2014 8:18 AM
    Subject: [pota] Re: Been there, dawn that!

     
    It often amazes me how hung up on that some fans get. It is a very inconsequential error. It doesn't change the story or characters at all. Plus like you said there are many easy ways to explain it, including Taylor's line that it was 'give or take a decade' which would infer that the clock was not meant to tell the exact date but just an approximation.
     
    Interestingly, the original script for Beneath gave the 3975, which was the date in the Planet script. Why it was changed in later versions is unknown. Maybe Franciscus had trouble with words starting with S.


    ---In pota@yahoogroups.com, <lawford42@...> wrote :

    The chronometer in the first film had a throwaway date for a shot that lasted just long enough to establish how far into the future Taylor's ship had travelled. Back in 1969, a screenwriter (Dehn) who lived on ANOTHER CONTINENT couldn't just zip down to his local video store and rent the first film. Above and beyond which, you could easily explain away the discrepancies in a dozen different ways-
    <.html
    Group: pota Message: 73131 From: Jeff K. Date: 7/19/2014
    Subject: Ich bin ein Berliner!
    .html
    .html
      This "Dawn" backdrop is a groovy flashback to the 1960s that spawned POTA:
     
    <.html
    <.html
    Group: pota Message: 73132 From: Dario Date: 7/19/2014
    Subject: Re: Been there, dawn that!
    .html
    .html
    You may want to separate Planet from Beneath but you can't realistically say that one was not a direct sequel of the other. Not only are all the main characters (Taylor, Zaius, Zira, Cornelius) reprising their roles, but the Beneath script itself distinctly makes reference to events in Planet over and over. 

    It's a sequel, whether you like it or not and a few incorrect dates isn't going to change that. Deal with it.

    I myself used to regard Beneath as a vastly inferior movie that in some ways strayed too far from PotA while at the same time the first part was too much like PotA. But over the years I've come to appreciate some of the subtleties in the movie that do make important statements. 

    And dammit, it gave us Ursus, the first great Gorilla character.

    Dario

    Sent from my iPad

    On Jul 19, 2014, at 12:51 PM, "Haristas@... [pota]" <pota@yahoogroups.com> wrote:

     

     
    Maybe 3955 has a better ring to it, since it had to be spoken in "Beneath". Since the chronometer in "Planet" had to be read, maybe they felt the date wasn't important. People don't read anymore.
     
     
    I don't think the error is inconsequential, as it does much to remind the viewer that when you watch PLANET and then you watch BENEATH, you are watching two different movies, not Part One and Part Two of the same story.  The story in PLANET ends at the conclusion of that film.  BENEATH is a different story.  They were made by different writers and directors, but had the same producers.  Mort Abrahams is the man primarily responsible for BENEATH.  When it comes to the discrepancies between the original and its sequel, he's primarily to blame.  Paul Dehn was the writer working under Abrahams supervision.  Abrahams, for whatever reasons, either wasn't paying attention or didn't care, but a lot of things definitely, as the capsule two and a half star review of BENEATH has said in Maltin's Guide for decades, got away from him.  Anyway, it's long over and done with, and it really has nothing, ZERO, to do with a 1968 movie called PLANET OF THE APES.
     
    Some that love all the five APES films see it as one long saga, all five movies inseparable from each other.  I just don't see it that way, and don't look at the shot of the time clock in PLANET showing the year 3978 AD as a throwaway thing.  The filmmakers put it there for a reason and I respect that.  Furthermore, as I've stated many times here for years, I think that revising the date of events and other details in the original movie so as to better make it fit with its artistically inferior sequels is aesthetically wrong.  I don't think the discrepancies between details in PLANET and those of its sequels are inconsequential because I'm not now or have I ever been an APES fan that thinks that the sequels circle back to shallow up the original. 
     
    That's the way I feel about it and there's no changing of my mind.
     
     
      
     
     
    -----Original Message-----
    From: 'Jeff K.' veetus@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Sat, Jul 19, 2014 12:10 pm
    Subject: Re: [pota] Re: Been there, dawn that!

     
      Maybe 3955 has a better ring to it, since it had to be spoken in "Beneath". Since the chronometer in "Planet" had to be read, maybe they felt the date wasn't important. People don't read anymore.

    Sent: Saturday, July 19, 2014 8:18 AM
    Subject: [pota] Re: Been there, dawn that!

     
    It often amazes me how hung up on that some fans get. It is a very inconsequential error. It doesn't change the story or characters at all. Plus like you said there are many easy ways to explain it, including Taylor's line that it was 'give or take a decade' which would infer that the clock was not meant to tell the exact date but just an approximation.
     
    Interestingly, the original script for Beneath gave the 3975, which was the date in the Planet script. Why it was changed in later versions is unknown. Maybe Franciscus had trouble with words starting with S.


    ---In pota@yahoogroups.com, <lawford42@...> wrote :

    The chronometer in the first film had a throwaway date for a shot that lasted just long enough to establish how far into the future Taylor's ship had travelled. Back in 1969, a screenwriter (Dehn) who lived on ANOTHER CONTINENT couldn't just zip down to his local video store and rent the first film. Above and beyond which, you could easily explain away the discrepancies in a dozen different ways-

    <.html
    <.html
    Group: pota Message: 73133 From: mlccougar Date: 7/20/2014
    Subject: Re: Been there, dawn that!
    .html
    .html.htmlI have no idea how I would have missed that...



    In a message dated 7/19/2014 9:19:43 AM Central Daylight Time, pota@yahoogroups.com writes:

    Posted everything he had to say months ago, and got thanked by James for doing so.  Where were you?
     


    -----Original Message-----
    From: mlccougar@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Sat, Jul 19, 2014 9:45 am
    Subject: Re: [pota] Re: Been there, dawn that!

    What, if anything, did he have to say about PLANET?




    In a message dated 7/19/2014 8:31:55 AM Central Daylight Time, pota@yahoogroups.com writes:

    I read a memoir by Maurice Evans.  He had not a thing to say about BENEATH, and what you quote below is publicity.










    <.html
    <.html
    <.html
    Group: pota Message: 73134 From: haristas Date: 7/20/2014
    Subject: Re: Been there, dawn that!
    .html
    It might have been possible that Dehn never watched PLANET, just read a draft of the script.  Anyway, Mort Abrahams was the daily hands on producer (Jacobs functioned more as exec producer) and was working on the script with Dehn.  Abrahams should have caught the error.
     
     
     
     
    -----Original Message-----
    From: JamesA1102@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Sat, Jul 19, 2014 4:48 pm
    Subject: [pota] Re: Been there, dawn that!

     
    It often amazes me how hung up on that some fans get. It is a very inconsequential error. It doesn't change the story or characters at all. Plus like you said there are many easy ways to explain it, including Taylor's line that it was 'give or take a decade' which would infer that the clock was not meant to tell the exact date but just an approximation.
     
    Interestingly, the original script for Beneath gave the 3975, which was the date in the Planet script. Why it was changed in later versions is unknown. Maybe Franciscus had trouble with words starting with S.


    ---In pota@yahoogroups.com, <lawford42@...> wrote :

    The chronometer in the first film had a throwaway date for a shot that lasted just long enough to establish how far into the future Taylor's ship had travelled. Back in 1969, a screenwriter (Dehn) who lived on ANOTHER CONTINENT couldn't just zip down to his local video store and rent the first film. Above and beyond which, you could easily explain away the discrepancies in a dozen different ways-
    <.html
    Group: pota Message: 73135 From: haristas Date: 7/20/2014
    Subject: Re: Been there, dawn that!
    .html
    Julius is the first gorilla character.  Hunt Leader the second.  Marcus (un-named), security police lieutenant (?) the third.
     
    Of course BENEATH is a direct (too direct) sequel to PLANET, but that doesn't mean that the two movies, two pieces of art, are glued together and that if you watch one you have to regard the other.  I tell people all the time, watch the original, you don't need to watch any of the sequels.
     
    I just don't look at PLANET and BENEATH as one story.
     
     
     
     
    -----Original Message-----
    From: Dario dario.sciola@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Sat, Jul 19, 2014 6:10 pm
    Subject: Re: [pota] Re: Been there, dawn that!

     
    You may want to separate Planet from Beneath but you can't realistically say that one was not a direct sequel of the other. Not only are all the main characters (Taylor, Zaius, Zira, Cornelius) reprising their roles, but the Beneath script itself distinctly makes reference to events in Planet over and over. 

    It's a sequel, whether you like it or not and a few incorrect dates isn't going to change that. Deal with it.

    I myself used to regard Beneath as a vastly inferior movie that in some ways strayed too far from PotA while at the same time the first part was too much like PotA. But over the years I've come to appreciate some of the subtleties in the movie that do make important statements. 

    And dammit, it gave us Ursus, the first great Gorilla character.

    Dario

    Sent from my iPad

    On Jul 19, 2014, at 12:51 PM, "Haristas@... [pota]" <pota@yahoogroups.com> wrote:

     
     
    Maybe 3955 has a better ring to it, since it had to be spoken in "Beneath". Since the chronometer in "Planet" had to be read, maybe they felt the date wasn't important. People don't read anymore.
     
     
    I don't think the error is inconsequential, as it does much to remind the viewer that when you watch PLANET and then you watch BENEATH, you are watching two different movies, not Part One and Part Two of the same story.  The story in PLANET ends at the conclusion of that film.  BENEATH is a different story.  They were made by different writers and directors, but had the same producers.  Mort Abrahams is the man primarily responsible for BENEATH.  When it comes to the discrepancies between the original and its sequel, he's primarily to blame.  Paul Dehn was the writer working under Abrahams supervision.  Abrahams, for whatever reasons, either wasn't paying attention or didn't care, but a lot of things definitely, as the capsule two and a half star review of BENEATH has said in Maltin's Guide for decades, got away from him.  Anyway, it's long over and done with, and it really has nothing, ZERO, to do with a 1968 movie called PLANET OF THE APES.
     
    Some that love all the five APES films see it as one long saga, all five movies inseparable from each other.  I just don't see it that way, and don't look at the shot of the time clock in PLANET showing the year 3978 AD as a throwaway thing.  The filmmakers put it there for a reason and I respect that.  Furthermore, as I've stated many times here for years, I think that revising the date of events and other details in the original movie so as to better make it fit with its artistically inferior sequels is aesthetically wrong.  I don't think the discrepancies between details in PLANET and those of its sequels are inconsequential because I'm not now or have I ever been an APES fan that thinks that the sequels circle back to shallow up the original. 
     
    That's the way I feel about it and there's no changing of my mind.
     
     
      
     
     
    -----Original Message-----
    From: 'Jeff K.' veetus@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Sat, Jul 19, 2014 12:10 pm
    Subject: Re: [pota] Re: Been there, dawn that!

     
      Maybe 3955 has a better ring to it, since it had to be spoken in "Beneath". Since the chronometer in "Planet" had to be read, maybe they felt the date wasn't important. People don't read anymore.

    Sent: Saturday, July 19, 2014 8:18 AM
    Subject: [pota] Re: Been there, dawn that!

     
    It often amazes me how hung up on that some fans get. It is a very inconsequential error. It doesn't change the story or characters at all. Plus like you said there are many easy ways to explain it, including Taylor's line that it was 'give or take a decade' which would infer that the clock was not meant to tell the exact date but just an approximation.
     
    Interestingly, the original script for Beneath gave the 3975, which was the date in the Planet script. Why it was changed in later versions is unknown. Maybe Franciscus had trouble with words starting with S.


    ---In pota@yahoogroups.com, <lawford42@...> wrote :

    The chronometer in the first film had a throwaway date for a shot that lasted just long enough to establish how far into the future Taylor's ship had travelled. Back in 1969, a screenwriter (Dehn) who lived on ANOTHER CONTINENT couldn't just zip down to his local video store and rent the first film. Above and beyond which, you could easily explain away the discrepancies in a dozen different ways-
    <.html
    Group: pota Message: 73136 From: haristas Date: 7/20/2014
    Subject: What to call RISE and DAWN (spoiler)
    .html
    This article doesn't tell me anything I don't already know, but it does give us a made up word to describe these new APES movies that I think I'll adopt: prebootquel.
     
    <.html
    Group: pota Message: 73137 From: William Burge Date: 7/20/2014
    Subject: scala theatre
    .html
    Attachments :
    .html
    dear group,  I found a dawn marquee in bangkok,  china   from william
    <.html
    <.html
      @@attachment@@
    Group: pota Message: 73138 From: Jeff K. Date: 7/20/2014
    Subject: $240 million
    .html
    .html
      That's what I will require to destroy those pictures I have of you. No, that's "Dawn of the POTA" 's worldwide take after expanding this week. It passed $100 million domestic on Thursday. It's 2nd weekend it was by far the #1 movie with about $36 million (depending how it does today). Will it be #1 for a third week going up against Dwayne Johnson in "Hercules"? Reminds me of when "Rise" went up against "Conan the Barbarian" and handed him his ass. Memories. Week #4 is probably out of the question because it brings Marvel's "Guardians of the Galaxy", the summer's last hope.
      "Transformers 4" passed $800 million recently (congrats to our old friend Mark Wahlberg!) but the other big boys are stuck in the $700 millions. Will "Dawn" catch up?
     
     
    <.html
    <.html
    Group: pota Message: 73139 From: goatbusters Date: 7/20/2014
    Subject: Re: Been there, dawn that!
    .html
    ---In pota@yahoogroups.com, <Haristas@...> wrote :

    > I just don't look at PLANET and BENEATH as one story.

    I don't, either. I enjoy all five movies, but at different levels. They weren't conceived as one big story, and I've never thought of them that way. I think of them as entertaining stories with settings and character names (and some actors) in common, and some are better than others. I have no problem with the TV series or the new films. More entertaining shows and movies, but they have nothing to do with the original film other than as being explorations of ideas established in that film.

    I liked Rise and loved Dawn, but they don't have anything to do with the original films, IMO, other than being inspired by them and paying homage to them (sometimes in clunky ways that don't really work).

    Hunter

    <.html
    Group: pota Message: 73140 From: haristas Date: 7/20/2014
    Subject: Re: $240 million
    .html
    "Transformers 4" passed $800 million recently (congrats to our old friend Mark Wahlberg!) but the other big boys are stuck in the $700 millions. Will "Dawn" catch up?
     
    I'm kind of doubting it.  Transformers is the kind of dumb movie that audiences in some parts of the world better relate to then more challenging material like DAWN.  I'm just hoping that DAWN makes a lot more than RISE did, so that the budget for the next one will be adequate and the franchise can grow.
     
     
     
     
     
     
    -----Original Message-----
    From: 'Jeff K.' veetus@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>; PotaDG <PotaDG@yahoogroups.com>
    Sent: Sun, Jul 20, 2014 3:16 pm
    Subject: [pota] $240 million

     
      That's what I will require to destroy those pictures I have of you. No, that's "Dawn of the POTA" 's worldwide take after expanding this week. It passed $100 million domestic on Thursday. It's 2nd weekend it was by far the #1 movie with about $36 million (depending how it does today). Will it be #1 for a third week going up against Dwayne Johnson in "Hercules"? Reminds me of when "Rise" went up against "Conan the Barbarian" and handed him his ass. Memories. Week #4 is probably out of the question because it brings Marvel's "Guardians of the Galaxy", the summer's last hope.
      "Transformers 4" passed $800 million recently (congrats to our old friend Mark Wahlberg!) but the other big boys are stuck in the $700 millions. Will "Dawn" catch up?
     
     
    <.html
    Group: pota Message: 73141 From: haristas Date: 7/20/2014
    Subject: Re: Been there, dawn that!
    .html
     
    I liked Rise and loved Dawn, but they don't have anything to do with the original films, IMO, other than being inspired by them and paying homage to them (sometimes in clunky ways that don't really work).

    Hunter
     
    Well, in my opinion they do have something to do with the original films.  Both share the same basic concept.  The new film's main character is named after a character from the older franchise.  The directors of both RISE and DAWN have said, and Matt Reeves continues to say, that the new movies lead to the world of the original '68 film.  I don't assume that he doesn't really believe that, or that he doesn't know what he's talking about.  Like it or not, he and the producers are in charge of where the franchise is going.  I'm keeping my fingers crossed they're smart about it.
     
    Finally, I'm just comfortable at this point with looking at these new movies as being a new take on an original timeline leading to the '68 film.  Things with future APES films could change my view, but for now I'm fine with welcoming these new movies and not being a segregationist with the franchise.  The distance in time between the old and the new does enough of that already.
     
    Rory
     
     
     
     
    -----Original Message-----
    From: goathunter@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Sun, Jul 20, 2014 2:56 pm
    Subject: [pota] Re: Been there, dawn that!

     
    ---In pota@yahoogroups.com, <Haristas@...> wrote :

    > I just don't look at PLANET and BENEATH as one story.

    I don't, either. I enjoy all five movies, but at different levels. They weren't conceived as one big story, and I've never thought of them that way. I think of them as entertaining stories with settings and character names (and some actors) in common, and some are better than others. I have no problem with the TV series or the new films. More entertaining shows and movies, but they have nothing to do with the original film other than as being explorations of ideas established in that film.

    I liked Rise and loved Dawn, but they don't have anything to do with the original films, IMO, other than being inspired by them and p aying homage to them (sometimes in clunky ways that don't really work).

    Hunter

    <.html
    Group: pota Message: 73142 From: goatbusters Date: 7/20/2014
    Subject: Re: Been there, dawn that!
    .html
    ---In pota@yahoogroups.com, <Haristas@...> wrote :

    >The distance in time between the old and the new does enough of that already.
     
    They may plan to tie it all together, and it may actually work.

    I just meant that no matter how much I enjoy the new movies---and I do---I'll never have the emotional/nostalgic connection I do with the original series of films, and that will always keep them separate for me. Much like the TV show is separate from the original films for me.

    Hunter

    <.html
    Group: pota Message: 73143 From: haristas Date: 7/20/2014
    Subject: Re: Been there, dawn that!
    .html
    I just meant that no matter how much I enjoy the new movies---and I do---I'll never have the emotional/nostalgic connection I do with the original series of films, and that will always keep them separate for me. Much like the TV show is separate from the original films for me.

    Hunter

     
    Yeah, we'll never be kids at the movies again.  The new movies don't "do it" for me either.  I'm glad Fox is doing them because it keeps the legacy of my favorite movie alive, but I don't ever expect I'll go to one of these new APES movies and be floored, especially because they're being made by people younger than I am!  Matt Reeves is almost six years younger than I am, but at least he's from Long Island.  Anyway, it's like it's all just fan fiction now.
     
    Rory
     
     
     
     
     
    -----Original Message-----
    From: goathunter@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Sun, Jul 20, 2014 4:45 pm
    Subject: [pota] Re: Been there, dawn that!

     
    ---In pota@yahoogroups.com, <Haristas@...> wrote :

    >The distance in time between the old and the new does enough of that already.
     
    They may plan to tie it all together, and it may actually work.

    I just meant that no matter how much I enjoy the new movies---and I do---I'll never have the emotional/nostalgic connection I do with the original series of films, and that will always keep them separate for me. Much like the TV show is separate from the original films for me.

    Hunter

    <.html
    Group: pota Message: 73144 From: Jeff K. Date: 7/20/2014
    Subject: Re: Been there, dawn that!
    .html
    .html
      In Zaki's interview that I posted, Reeves said that "Dawn" doesn't "literally" lead to the 1968 movie, so that's that. Though another director down the road might go for it.
     

    Sent: Sunday, July 20, 2014 12:15 PM
    Subject: [pota] Re: Been there, dawn that!

     

     
    I liked Rise and loved Dawn, but they don't have anything to do with the original films, IMO, other than being inspired by them and paying homage to them (sometimes in clunky ways that don't really work).

    Hunter
     
    Well, in my opinion they do have something to do with the original films.  Both share the same basic concept.  The new film's main character is named after a character from the older franchise.  The directors of both RISE and DAWN have said, and Matt Reeves continues to say, that the new movies lead to the world of the original '68 film.  I don't assume that he doesn't really believe that, or that he doesn't know what he's talking about.  Like it or not, he and the producers are in charge of where the franchise is going.  I'm keeping my fingers crossed they're smart about it.
     
    Finally, I'm just comfortable at this point with looking at these new movies as being a new take on an original timeline leading to the '68 film.  Things with future APES films could change my view, but for now I'm fine with welcoming these new movies and not being a segregationist with the franchise.  The distance in time between the old and the new does enough of that already.
     
    Rory
     
     
     
     
    -----Original Message-----
    From: goathunter@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Sun, Jul 20, 2014 2:56 pm
    Subject: [pota] Re: Been there, dawn that!

     
    ---In pota@yahoogroups.com, <Haristas@...> wrote :

    > I just don't look at PLANET and BENEATH as one story.

    I don't, either. I enjoy all five movies, but at different levels. They weren't conceived as one big story, and I've never thought of them that way. I think of them as entertaining stories with settings and character names (and some actors) in common, and some are better than others. I have no problem with the TV series or the new films. More entertaining shows and movies, but they have nothing to do with the original film other than as being explorations of ideas established in that film.

    I liked Rise and loved Dawn, but they don't have anything to do with the original films, IMO, other than being inspired by them and p aying homage to them (sometimes in clunky ways that don't really work).

    Hunter

    <.html
    <.html
    Group: pota Message: 73145 From: Dario Date: 7/20/2014
    Subject: Re: Been there, dawn that!
    .html
    .html
    I said GREAT gorilla. ;) Although Julius is pretty cool (and fun), he too was just a minor character. Moreso the other gorillas you mentioned.

    Yes, Planet can be viewed as a stand alone movie, and nobody is going to counter the claim that it is by far the best POTA movie ever made and in a class of it's own. I too always tell the young (and often clueless) that they really should watch the original. But at the same time I hope they like it enough to seek out the sequels and enjoy them for what they are, even while granting the fact that the laws of diminishing returns will temper their enthusiasm as they watch the series unfold. That does not mean they can't enjoy them. Many new fans have done so and I'm glad to say, continue to do so.

    Dario

    Sent from my iPad

    On Jul 20, 2014, at 9:43 AM, "Haristas@... [pota]" <pota@yahoogroups.com> wrote:

     

    Julius is the first gorilla character.  Hunt Leader the second.  Marcus (un-named), security police lieutenant (?) the third.
     
    Of course BENEATH is a direct (too direct) sequel to PLANET, but that doesn't mean that the two movies, two pieces of art, are glued together and that if you watch one you have to regard the other.  I tell people all the time, watch the original, you don't need to watch any of the sequels.
     
    I just don't look at PLANET and BENEATH as one story.
     
     
     
     
    -----Original Message-----
    From: Dario dario.sciola@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Sat, Jul 19, 2014 6:10 pm
    Subject: Re: [pota] Re: Been there, dawn that!

     
    You may want to separate Planet from Beneath but you can't realistically say that one was not a direct sequel of the other. Not only are all the main characters (Taylor, Zaius, Zira, Cornelius) reprising their roles, but the Beneath script itself distinctly makes reference to events in Planet over and over. 

    It's a sequel, whether you like it or not and a few incorrect dates isn't going to change that. Deal with it.

    I myself used to regard Beneath as a vastly inferior movie that in some ways strayed too far from PotA while at the same time the first part was too much like PotA. But over the years I've come to appreciate some of the subtleties in the movie that do make important statements. 

    And dammit, it gave us Ursus, the first great Gorilla character.

    Dario

    Sent from my iPad

    On Jul 19, 2014, at 12:51 PM, "Haristas@... [pota]" <pota@yahoogroups.com> wrote:

     
     
    Maybe 3955 has a better ring to it, since it had to be spoken in "Beneath". Since the chronometer in "Planet" had to be read, maybe they felt the date wasn't important. People don't read anymore.
     
     
    I don't think the error is inconsequential, as it does much to remind the viewer that when you watch PLANET and then you watch BENEATH, you are watching two different movies, not Part One and Part Two of the same story.  The story in PLANET ends at the conclusion of that film.  BENEATH is a different story.  They were made by different writers and directors, but had the same producers.  Mort Abrahams is the man primarily responsible for BENEATH.  When it comes to the discrepancies between the original and its sequel, he's primarily to blame.  Paul Dehn was the writer working under Abrahams supervision.  Abrahams, for whatever reasons, either wasn't paying attention or didn't care, but a lot of things definitely, as the capsule two and a half star review of BENEATH has said in Maltin's Guide for decades, got away from him.  Anyway, it's long over and done with, and it really has nothing, ZERO, to do with a 1968 movie called PLANET OF THE APES.
     
    Some that love all the five APES films see it as one long saga, all five movies inseparable from each other.  I just don't see it that way, and don't look at the shot of the time clock in PLANET showing the year 3978 AD as a throwaway thing.  The filmmakers put it there for a reason and I respect that.  Furthermore, as I've stated many times here for years, I think that revising the date of events and other details in the original movie so as to better make it fit with its artistically inferior sequels is aesthetically wrong.  I don't think the discrepancies between details in PLANET and those of its sequels are inconsequential because I'm not now or have I ever been an APES fan that thinks that the sequels circle back to shallow up the original. 
     
    That's the way I feel about it and there's no changing of my mind.
     
     
      
     
     
    -----Original Message-----
    From: 'Jeff K.' veetus@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Sat, Jul 19, 2014 12:10 pm
    Subject: Re: [pota] Re: Been there, dawn that!

     
      Maybe 3955 has a better ring to it, since it had to be spoken in "Beneath". Since the chronometer in "Planet" had to be read, maybe they felt the date wasn't important. People don't read anymore.

    Sent: Saturday, July 19, 2014 8:18 AM
    Subject: [pota] Re: Been there, dawn that!

     
    It often amazes me how hung up on that some fans get. It is a very inconsequential error. It doesn't change the story or characters at all. Plus like you said there are many easy ways to explain it, including Taylor's line that it was 'give or take a decade' which would infer that the clock was not meant to tell the exact date but just an approximation.
     
    Interestingly, the original script for Beneath gave the 3975, which was the date in the Planet script. Why it was changed in later versions is unknown. Maybe Franciscus had trouble with words starting with S.


    ---In pota@yahoogroups.com, <lawford42@...> wrote :

    The chronometer in the first film had a throwaway date for a shot that lasted just long enough to establish how far into the future Taylor's ship had travelled. Back in 1969, a screenwriter (Dehn) who lived on ANOTHER CONTINENT couldn't just zip down to his local video store and rent the first film. Above and beyond which, you could easily explain away the discrepancies in a dozen different ways-

    <.html
    <.html
    Group: pota Message: 73146 From: haristas Date: 7/20/2014
    Subject: Re: Been there, dawn that!
    .html
     
    In Zaki's interview that I posted, Reeves said that "Dawn" doesn't "literally" lead to the 1968 movie, so that's that. Though another director down the road might go for it.
     
     
    He certainly is talking figuratively, though:
     
    So, in the Q&A, you alluded to the idea that we all know where this is headed. This is headed towards Chuck Heston getting chased through a cornfield.
     
    Well, not literally, but yes, exactly.
     
    And later:
     
     "The whole point is, I already know what happened in that film [the '68 original]." The question is getting there.
     
     
    So, Reeves isn't talking literally, but he sure is close to it, or else maybe he doesn't know what he's talking about.  Anyway, we'll hopefully have a better idea with the next one.  Now all we have to do is wait two years.  Oh, boy!
     
     
     
     
     
     
     
     
     
     
    -----Original Message-----
    From: 'Jeff K.' veetus@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Sun, Jul 20, 2014 5:37 pm
    Subject: Re: [pota] Re: Been there, dawn that!

     
      In Zaki's interview that I posted, Reeves said that "Dawn" doesn't "literally" lead to the 1968 movie, so that's that. Though another director down the road might go for it.
     

    Sent: Sunday, July 20, 2014 12:15 PM
    Subject: [pota] Re: Been there, dawn that!

     
     
    I liked Rise and loved Dawn, but they don't have anything to do with the original films, IMO, other than being inspired by them and paying homage to them (sometimes in clunky ways that don't really work).

    Hunter
     
    Well, in my opinion they do have something to do with the original films.  Both share the same basic concept.  The new film's main character is named after a character from the older franchise.  The directors of both RISE and DAWN have said, and Matt Reeves continues to say, that the new movies lead to the world of the original '68 film.  I don't assume that he doesn't really believe that, or that he doesn't know what he's talking about.  Like it or not, he and the producers are in charge of where the franchise is going.  I'm keeping my fingers crossed they're smart about it.
     
    Finally, I'm just comfortable at this point with looking at these new movies as being a new take on an original timeline leading to the '68 film.  Things with future APES films could change my view, but for now I'm fine with welcoming these new movies and not being a segregationist with the franchise.  The distance in time between the old and the new does enough of that already.
     
    Rory
     
     
     
     
    -----Original Message-----
    From: goathunter@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Sun, Jul 20, 2014 2:56 pm
    Subject: [pota] Re: Been there, dawn that!

     
    ---In pota@yahoogroups.com, <Haristas@...> wrote :

    > I just don't look at PLANET and BENEATH as one story.

    I don't, either. I enjoy all five movies, but at different levels. They weren't conceived as one big story, and I've never thought of them that way. I think of them as entertaining stories with settings and character names (and some actors) in common, and some are better than others. I have no problem with the TV series or the new films. More entertaining shows and movies, but they have nothing to do with the original film other than as being explorations of ideas established in that film.

    I liked Rise and loved Dawn, but they don't have anything to do with the original films, IMO, other than being inspired by them and p aying homage to them (sometimes in clunky ways that don't really work).

    Hunter

    <.html
    Group: pota Message: 73147 From: haristas Date: 7/20/2014
    Subject: Re: Been there, dawn that!
    .html
    There has always been something about General Ursus that's rubbed me the wrong way.  He's definitely a villain in BENEATH and his right-wing boneheadedness is not a viewpoint I've ever shared.  When he says, "I'm a simple solider, so I see things simply."  That's all I need to hear to know he's not my kind of person.  When I was a kid, I was always a chimpanzee.  I was with Cornelius and Zira.  But as I've gotten older and more disgusted with the human race, I identify more with Dr. Zaius.
     
     
     
     
     
    -----Original Message-----
    From: Dario dario.sciola@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Sun, Jul 20, 2014 6:36 pm
    Subject: Re: [pota] Re: Been there, dawn that!

     
    I said GREAT gorilla. ;) Although Julius is pretty cool (and fun), he too was just a minor character. Moreso the other gorillas you mentioned.

    Yes, Planet can be viewed as a stand alone movie, and nobody is going to counter the claim that it is by far the best POTA movie ever made and in a class of it's own. I too always tell the young (and often clueless) that they really should watch the original. But at the same time I hope they like it enough to seek out the sequels and enjoy them for what they are, even while granting the fact that the laws of diminishing returns will temper their enthusiasm as they watch the series unfold. That does not mean they can't enjoy them. Many new fans have done so and I'm glad to say, continue to do so.

    Dario

    Sent from my iPad

    On Jul 20, 2014, at 9:43 AM, "Haristas@... [pota]" < pota@yahoogroups.com> wrote:

     
    Julius is the first gorilla character.  Hunt Leader the second.  Marcus (un-named), security police lieutenant (?) the third.
     
    Of course BENEATH is a direct (too direct) sequel to PLANET, but that doesn't mean that the two movies, two pieces of art, are glued together and that if you watch one you have to regard the other.  I tell people all the time, watch the original, you don't need to watch any of the sequels.
     
    I just don't look at PLANET and BENEATH as one story.
     
     
     
     
    -----Original Message-----
    From: Dario dario.sciola@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Sat, Jul 19, 2014 6:10 pm
    Subject: Re: [pota] Re: Been there, dawn that!

     
    You may want to separate Planet from Beneath but you can't realistically say that one was not a direct sequel of the other. Not only are all the main characters (Taylor, Zaius, Zira, Cornelius) reprising their roles, but the Beneath script itself distinctly makes reference to events in Planet over and over. 

    It's a sequel, whether you like it or not and a few incorrect dates isn't going to change that. Deal with it.

    I myself used to regard Beneath as a vastly inferior movie that in some ways strayed too far from PotA while at the same time the first part was too much like PotA. But over the years I've come to appreciate some of the subtleties in the movie that do make important statements. 

    And dammit, it gave us Ursus, the first great Gorilla character.

    Dario

    Sent from my iPad

    On Jul 19, 2014, at 12:51 PM, "Haristas@... [pota]" <pota@yahoogroups.com> wrote:

     
     
    Maybe 3955 has a better ring to it, since it had to be spoken in "Beneath". Since the chronometer in "Planet" had to be read, maybe they felt the date wasn't important. People don't read anymore.
     
     
    I don't think the error is inconsequential, as it does much to remind the viewer that when you watch PLANET and then you watch BENEATH, you are watching two different movies, not Part One and Part Two of the same story.  The story in PLANET ends at the conclusion of that film.  BENEATH is a different story.  They were made by different writers and directors, but had the same producers.  Mort Abrahams is the man primarily responsible for BENEATH.  When it comes to the discrepancies between the original and its sequel, he's primarily to blame.  Paul Dehn was the writer working under Abrahams supervision.  Abrahams, for whatever reasons, either wasn't paying attention or didn't care, but a lot of things definitely, as the capsule two and a half star review of BENEATH has said in Maltin's Guide for decades, got away from him.  Anyway, it's long over and done with, and it really has nothing, ZERO, to do with a 1968 movie called PLANET OF THE APES.
     
    Some that love all the five APES films see it as one long saga, all five movies inseparable from each other.  I just don't see it that way, and don't look at the shot of the time clock in PLANET showing the year 3978 AD as a throwaway thing.  The filmmakers put it there for a reason and I respect that.  Furthermore, as I've stated many times here for years, I think that revising the date of events and other details in the original movie so as to better make it fit with its artistically inferior sequels is aesthetically wrong.  I don't think the discrepancies between details in PLANET and those of its sequels are inconsequential because I'm not now or have I ever been an APES fan that thinks that the sequels circle back to shallow up the original. 
     
    That's the way I feel about it and there's no changing of my mind.
     
     
      
     
     
    -----Original Message-----
    From: 'Jeff K.' veetus@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Sat, Jul 19, 2014 12:10 pm
    Subject: Re: [pota] Re: Been there, dawn that!

     
      Maybe 3955 has a better ring to it, since it had to be spoken in "Beneath". Since the chronometer in "Planet" had to be read, maybe they felt the date wasn't important. People don't read anymore.

    Sent: Saturday, July 19, 2014 8:18 AM
    Subject: [pota] Re: Been there, dawn that!

     
    It often amazes me how hung up on that some fans get. It is a very inconsequential error. It doesn't change the story or characters at all. Plus like you said there are many easy ways to explain it, including Taylor's line that it was 'give or take a decade' which would infer that the clock was not meant to tell the exact date but just an approximation.
     
    Interestingly, the original script for Beneath gave the 3975, which was the date in the Planet script. Why it was changed in later versions is unknown. Maybe Franciscus had trouble with words starting with S.


    ---In pota@yahoogroups.com, <lawford42@...> wrote :

    The chronometer in the first film had a throwaway date for a shot that lasted just long enough to establish how far into the future Taylor's ship had travelled. Back in 1969, a screenwriter (Dehn) who lived on ANOTHER CONTINENT couldn't just zip down to his local video store and rent the first film. Above and beyond which, you could easily explain away the discrepancies in a dozen different ways-
    <.html
    Group: pota Message: 73148 From: Dario Sciola Date: 7/20/2014
    Subject: Re: Been there, dawn that!
    .html
    Sure Ursus is a villain in the purest sense that is part of the charm. I loved how James Gregory made him a lummox brained, single viewed, badass. The line "The only good human is a dead human." sums up his entire character.

    Zaius on the other hand was the villain we could understand. Evil, yet in his own way, practical from a purely simian survival point of view.


    On Sun, Jul 20, 2014 at 6:52 PM, Haristas@... [pota] <pota@yahoogroups.com> wrote:

    There has always been something about General Ursus that's rubbed me the wrong way. He's definitely a villain in BENEATH and his right-wing boneheadedness is not a viewpoint I've ever shared. When he says, "I'm a simple solider, so I see things simply." That's all I need to hear to know he's not my kind of person. When I was a kid, I was always a chimpanzee. I was with Cornelius and Zira. But as I've gotten older and more disgusted with the human race, I identify more with Dr. Zaius.
    -----Original Message-----
    From: Dario dario.sciola@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Sun, Jul 20, 2014 6:36 pm
    Subject: Re: [pota] Re: Been there, dawn that!

    I said GREAT gorilla. ;) Although Julius is pretty cool (and fun), he too was just a minor character. Moreso the other gorillas you mentioned.

    Yes, Planet can be viewed as a stand alone movie, and nobody is going to counter the claim that it is by far the best POTA movie ever made and in a class of it's own. I too always tell the young (and often clueless) that they really should watch the original. But at the same time I hope they like it enough to seek out the sequels and enjoy them for what they are, even while granting the fact that the laws of diminishing returns will temper their enthusiasm as they watch the series unfold. That does not mean they can't enjoy them. Many new fans have done so and I'm glad to say, continue to do so.

    Dario

    Sent from my iPad

    On Jul 20, 2014, at 9:43 AM, "Haristas@... [pota]" < pota@yahoogroups.com> wrote:

    Julius is the first gorilla character. Hunt Leader the second. Marcus (un-named), security police lieutenant (?) the third.
    Of course BENEATH is a direct (too direct) sequel to PLANET, but that doesn't mean that the two movies, two pieces of art, are glued together and that if you watch one you have to regard the other. I tell people all the time, watch the original, you don't need to watch any of the sequels.
    I just don't look at PLANET and BENEATH as one story.
    -----Original Message-----
    From: Dario dario.sciola@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Sat, Jul 19, 2014 6:10 pm
    Subject: Re: [pota] Re: Been there, dawn that!

    You may want to separate Planet from Beneath but you can't realistically say that one was not a direct sequel of the other. Not only are all the main characters (Taylor, Zaius, Zira, Cornelius) reprising their roles, but the Beneath script itself distinctly makes reference to events in Planet over and over.

    It's a sequel, whether you like it or not and a few incorrect dates isn't going to change that. Deal with it.

    I myself used to regard Beneath as a vastly inferior movie that in some ways strayed too far from PotA while at the same time the first part was too much like PotA. But over the years I've come to appreciate some of the subtleties in the movie that do make important statements.

    And dammit, it gave us Ursus, the first great Gorilla character.

    Dario

    Sent from my iPad

    On Jul 19, 2014, at 12:51 PM, "Haristas@... [pota]" <pota@yahoogroups.com> wrote:

    Maybe 3955 has a better ring to it, since it had to be spoken in "Beneath". Since the chronometer in "Planet" had to be read, maybe they felt the date wasn't important. People don't read anymore.
    I don't think the error is inconsequential, as it does much to remind the viewer that when you watch PLANET and then you watch BENEATH, you are watching two different movies, not Part One and Part Two of the same story. The story in PLANET ends at the conclusion of that film. BENEATH is a different story. They were made by different writers and directors, but had the same producers. Mort Abrahams is the man primarily responsible for BENEATH. When it comes to the discrepancies between the original and its sequel, he's primarily to blame. Paul Dehn was the writer working under Abrahams supervision. Abrahams, for whatever reasons, either wasn't paying attention or didn't care, but a lot of things definitely, as the capsule two and a half star review of BENEATH has said in Maltin's Guide for decades, got away from him. Anyway, it's long over and done with, and it really has nothing, ZERO, to do with a 1968 movie called PLANET OF THE APES.
    Some that love all the five APES films see it as one long saga, all five movies inseparable from each other. I just don't see it that way, and don't look at the shot of the time clock in PLANET showing the year 3978 AD as a throwaway thing. The filmmakers put it there for a reason and I respect that. Furthermore, as I've stated many times here for years, I think that revising the date of events and other details in the original movie so as to better make it fit with its artistically inferior sequels is aesthetically wrong. I don't think the discrepancies between details in PLANET and those of its sequels are inconsequential because I'm not now or have I ever been an APES fan that thinks that the sequels circle back to shallow up the original.
    That's the way I feel about it and there's no changing of my mind.
    -----Original Message-----
    From: 'Jeff K.' veetus@... [pota] <pota@yahoogroups.com>
    To: pota <pota@yahoogroups.com>
    Sent: Sat, Jul 19, 2014 12:10 pm
    Subject: Re: [pota] Re: Been there, dawn that!

    Maybe 3955 has a better ring to it, since it had to be spoken in "Beneath". Since the chronometer in "Planet" had to be read, maybe they felt the date wasn't important. People don't read anymore.

    Sent: Saturday, July 19, 2014 8:18 AM
    Subject: [pota] Re: Been there, dawn that!

    It often amazes me how hung up on that some fans get. It is a very inconsequential error. It doesn't change the story or characters at all. Plus like you said there are many easy ways to explain it, including Taylor's line that it was 'give or take a decade' which would infer that the clock was not meant to tell the exact date but just an approximation.
    Interestingly, the original script for Beneath gave the 3975, which was the date in the Planet script. Why it was changed in later versions is unknown. Maybe Franciscus had trouble with words starting with S.


    ---In pota@yahoogroups.com, <lawford42@...> wrote :

    The chronometer in the first film had a throwaway date for a shot that lasted just long enough to establish how far into the future Taylor's ship had travelled. Back in 1969, a screenwriter (Dehn) who lived on ANOTHER CONTINENT couldn't just zip down to his local video store and rent the first film. Above and beyond which, you could easily explain away the discrepancies in a dozen different ways-


    <.html
    Group: pota Message: 73149 From: Jeff K. Date: 7/21/2014
    Subject: What the hell?
    .html
    .html
      The new dance craze rises.
     
    <.html
    <.html
    Group: pota Message: 73150 From: haristas Date: 7/21/2014
    Subject: Re: What the hell?
    .html
     
    The new dance craze rises.
     
     
     
     
    That's it, this planet of the apes thing has gone too far, the human race just can't take it without going crazy.  Somewhere in the universe, Pierre Boulle is either crying or laughing.
    <.html
    Group: pota Message: 73151 From: Zachary Scott Date: 7/21/2014
    Subject: Alternate universes and timelines...
    .html
    Hi gang...it's been a long time since I've tried to post anything.  But I've been thinking about what Dr. Hasslein and Virgil mentioned, in Escape and Battle, respectively.
     
    I've seen Dawn recently, and even though I think it's an okay movie (as I did with Rise), I still think that those two movies are part of an alternate universe...as you know, both Dr. Hasslein and Virgil mentioned on how "time was like a freeway with an infinite amount of lanes."
     
    I know a lot of members here won't agree with me, but this is what I think occurred regarding the timelines/alternate universes, et al.
     
    The original timeline consisted of:
     
    The first 5 movies
    Terror On The Planet Of The Apes
    Evolution's Nightmare
    The "Apeslayer" series
    The 1990's comics
    The TV Series
    Kassidy Rae's great site and stories from fans
     
    There were a couple of fantastic stories called "Freak" and "Salvage", I'm not sure as to who posted them now, but I'd printed the stories several years ago (tie-ins to the original movies)
    "Beware The Beast"
    "Within The Planet Of The Apes"
    "Milo, Rider At The World's End"
     
     
    A different timeline/universe consisted of this:
     
    Planet Of The Apes 2001
    The cartoon series
     
    Still another timeline/universe consists of these:
     
    Rise
    Dawn
    and isn't there a third sequel to this planned?
     
    Apes 2001, the cartoon series, as well as Rise and Dawn don't mention Taylor or any of the original characters...so, I was wondering how these new two movies could somehow be linked to the original 1968 film, as the producers have spoken about?
     
    Again, these are just my own ideas...please let me know what you think.  And thanks for listening.
     
    Zach
    <.html
    Group: pota Message: 73152 From: Jeff K. Date: 7/21/2014
    Subject: "Apes" #1 on the planet
    .html<.html
    Group: pota Message: 73153 From: monkeymermaid65 Date: 7/21/2014
    Subject: Re: Alternate universes and timelines...
    .html
    Rise mentions the Icarus and  how the astronauts become lost in space. The T.V series never mentions Taylor or any other original characters except Dr. Zaius who more than likely is just a character that happens to have the same name.(2001 Planet of the Apes also had a Dr Zaius.) 
    I think of the first five movies as one universe, the TV show as another universe, and the cartoon series and the 2001 movie as two other separate universes. I'm not sure about the new movies, but probably consider them also as a separate universe.
    I also like the name Liberty One (name given to the space ship in the blu ray bonuses) over that of the Icarus. It makes more sense. I doubt ANSA would name a ship after a Greek character that flies to close to the Sun only to have his wings melt and come crashing to the ground.   
    <.html


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