Yahoo! potadg group — Messages 21452–21551

Dates: 2004-10-07 through 2004-10-11

Messages in potadg group. Page 28 of 451.
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Group: potadg Message: 21452 From: Whitty, Michael Date: 10/7/2004
Subject: Re: Illustration Chapter 3 Monkey Planet
Group: potadg Message: 21453 From: Whitty, Michael Date: 10/7/2004
Subject: Re: Murdoch Gives (Very) Green Light to Fox
Group: potadg Message: 21454 From: Whitty, Michael Date: 10/7/2004
Subject: Something BIG for Planet of the Apes
Group: potadg Message: 21455 From: Whitty, Michael Date: 10/7/2004
Subject: Re: Patrick's turf...
Group: potadg Message: 21456 From: Whitty, Michael Date: 10/7/2004
Subject: Re: Patrick's turf...
Group: potadg Message: 21457 From: MicroRob Date: 10/7/2004
Subject: Mego POTA Figures For Sale
Group: potadg Message: 21458 From: Whitty, Michael Date: 10/7/2004
Subject: Re: Mego POTA Figures For Sale
Group: potadg Message: 21459 From: MicroRob Date: 10/7/2004
Subject: Re: Mego POTA Figures For Sale
Group: potadg Message: 21460 From: Whitty, Michael Date: 10/7/2004
Subject: Mego POTA Figures For Sale
Group: potadg Message: 21461 From: Whitty, Michael Date: 10/7/2004
Subject: Mego POTA Figures For Sale
Group: potadg Message: 21462 From: Whitty, Michael Date: 10/8/2004
Subject: Re: Something BIG for Planet of the Apes
Group: potadg Message: 21463 From: PotaDG@yahoogroups.com Date: 10/8/2004
Subject: New file uploaded to PotaDG
Group: potadg Message: 21464 From: Neil Date: 10/8/2004
Subject: Re: Something BIG for Planet of the Apes
Group: potadg Message: 21465 From: Whitty, Michael Date: 10/8/2004
Subject: Re: Something BIG for Planet of the Apes
Group: potadg Message: 21466 From: Whitty, Michael Date: 10/8/2004
Subject: Re: Beyond the Planet of the Apes
Group: potadg Message: 21467 From: Whitty, Michael Date: 10/8/2004
Subject: Re: Beyond the Planet of the Apes
Group: potadg Message: 21468 From: Neil Date: 10/8/2004
Subject: Re: Beyond the Planet of the Apes
Group: potadg Message: 21469 From: Whitty, Michael Date: 10/8/2004
Subject: Re: Something BIG for Planet of the Apes.
Group: potadg Message: 21470 From: Whitty, Michael Date: 10/8/2004
Subject: Something BIG for Planet of the Apes
Group: potadg Message: 21471 From: Whitty, Michael Date: 10/8/2004
Subject: Re: Something BIG for Planet of the Apes
Group: potadg Message: 21472 From: Whitty, Michael Date: 10/8/2004
Subject: Re: Something BIG for Planet of the Apes
Group: potadg Message: 21473 From: Neil Date: 10/8/2004
Subject: Re: Beyond the Planet of the Apes
Group: potadg Message: 21474 From: Neil Date: 10/8/2004
Subject: Re: Something BIG for Planet of the Apes
Group: potadg Message: 21475 From: Whitty, Michael Date: 10/8/2004
Subject: Re: Something BIG for Planet of the Apes
Group: potadg Message: 21476 From: Whitty, Michael Date: 10/8/2004
Subject: Re: Something BIG for Planet of the Apes
Group: potadg Message: 21477 From: Whitty, Michael Date: 10/8/2004
Subject: Re: Something BIG for Planet of the Apes
Group: potadg Message: 21478 From: Whitty, Michael Date: 10/8/2004
Subject: Re: Something BIG for Planet of the Apes
Group: potadg Message: 21479 From: Whitty, Michael Date: 10/8/2004
Subject: Re: Something BIG for Planet of the Apes
Group: potadg Message: 21480 From: Neil Date: 10/8/2004
Subject: Re: Something BIG for Planet of the Apes
Group: potadg Message: 21481 From: Whitty, Michael Date: 10/8/2004
Subject: Re: Something BIG for Planet of the Apes
Group: potadg Message: 21482 From: Whitty, Michael Date: 10/8/2004
Subject: Re: Something BIG for Planet of the Apes
Group: potadg Message: 21483 From: Whitty, Michael Date: 10/8/2004
Subject: Re: Something BIG for Planet of the Apes
Group: potadg Message: 21484 From: Whitty, Michael Date: 10/8/2004
Subject: Re: Something BIG for Planet of the Apes
Group: potadg Message: 21485 From: Neil Date: 10/8/2004
Subject: Re: Something BIG for Planet of the Apes
Group: potadg Message: 21486 From: Neil Date: 10/8/2004
Subject: Re: Something BIG for Planet of the Apes
Group: potadg Message: 21487 From: Whitty, Michael Date: 10/8/2004
Subject: Competition RESULTS!
Group: potadg Message: 21488 From: MicroRob Date: 10/8/2004
Subject: Re: Mego POTA Figures For Sale
Group: potadg Message: 21489 From: Dave B Date: 10/8/2004
Subject: Re: Competition RESULTS!
Group: potadg Message: 21490 From: Michael Whitty Date: 10/8/2004
Subject: Re: Competition RESULTS!
Group: potadg Message: 21491 From: Dave B Date: 10/8/2004
Subject: Re: Competition RESULTS!
Group: potadg Message: 21492 From: Neil Date: 10/8/2004
Subject: Re: Competition RESULTS!
Group: potadg Message: 21493 From: Michael Whitty Date: 10/8/2004
Subject: Re: Competition RESULTS!
Group: potadg Message: 21494 From: luke_the_drifter52 Date: 10/8/2004
Subject: Mego Planet of the Apes Villiage in the Box on Ebay
Group: potadg Message: 21495 From: Hoknes Date: 10/8/2004
Subject: APE CHRONICLES - online index to every issue!
Group: potadg Message: 21496 From: PofTAfan@aol.com Date: 10/8/2004
Subject: Re: Something BIG for Planet of the Apes
Group: potadg Message: 21497 From: Tim Parati Date: 10/8/2004
Subject: Adventure Comics
Group: potadg Message: 21498 From: veetus@earthlink.net Date: 10/9/2004
Subject: Re: Helen's Novel - or at least SUMMARY OF Chapter 2
Group: potadg Message: 21499 From: veetus@earthlink.net Date: 10/9/2004
Subject: Re: Helen's Novel - or at least SUMMARY OF Chapter 2
Group: potadg Message: 21500 From: veetus@earthlink.net Date: 10/9/2004
Subject: Re: Murdoch Gives (Very) Green Light to Fox
Group: potadg Message: 21501 From: ape_mom Date: 10/9/2004
Subject: Re: Helen's Novel - or at least SUMMARY OF Chapter 2
Group: potadg Message: 21502 From: Dave B Date: 10/9/2004
Subject: Re: Adventure Comics
Group: potadg Message: 21503 From: Kasey Taylor Cooper Date: 10/9/2004
Subject: Re: Helen's Novel - or at least SUMMARY OF Chapter 2
Group: potadg Message: 21504 From: Alan Maxwell Date: 10/9/2004
Subject: Re: Something BIG for Planet of the Apes
Group: potadg Message: 21505 From: veetus@earthlink.net Date: 10/9/2004
Subject: Re: Adventure Comics
Group: potadg Message: 21506 From: Alan Maxwell Date: 10/9/2004
Subject: Re: Adventure Comics
Group: potadg Message: 21507 From: Tim Parati Date: 10/9/2004
Subject: Re: Adventure Comics
Group: potadg Message: 21508 From: veetus@earthlink.net Date: 10/9/2004
Subject: OT: Simpsons
Group: potadg Message: 21509 From: Michael Whitty Date: 10/9/2004
Subject: Adventure Comics
Group: potadg Message: 21510 From: veetus@earthlink.net Date: 10/9/2004
Subject: Re: Adventure Comics
Group: potadg Message: 21511 From: Michael Whitty Date: 10/9/2004
Subject: "Real" Fans
Group: potadg Message: 21512 From: Michael Whitty Date: 10/9/2004
Subject: Mr H
Group: potadg Message: 21513 From: Michael Whitty Date: 10/9/2004
Subject: What is a "Real Fan"
Group: potadg Message: 21514 From: Michael Whitty Date: 10/9/2004
Subject: Time of the McFarlane
Group: potadg Message: 21515 From: Haristas@aol.com Date: 10/9/2004
Subject: Re: Mr H
Group: potadg Message: 21516 From: veetus@earthlink.net Date: 10/9/2004
Subject: Re: Mr H
Group: potadg Message: 21517 From: veetus@earthlink.net Date: 10/9/2004
Subject: Re: Mr H
Group: potadg Message: 21518 From: veetus@earthlink.net Date: 10/10/2004
Subject: OT: "Twilight Zone" DVD update
Group: potadg Message: 21519 From: ron kenner Date: 10/10/2004
Subject: Re: OT: "Twilight Zone" DVD update
Group: potadg Message: 21520 From: Haristas@aol.com Date: 10/10/2004
Subject: Re: OT: "Twilight Zone" DVD update
Group: potadg Message: 21521 From: ron kenner Date: 10/10/2004
Subject: Re: OT: "Twilight Zone" DVD update
Group: potadg Message: 21522 From: Haristas@aol.com Date: 10/10/2004
Subject: Re: OT: "Twilight Zone" DVD update
Group: potadg Message: 21523 From: ron kenner Date: 10/10/2004
Subject: Re: OT: "Twilight Zone" DVD update
Group: potadg Message: 21524 From: veetus@earthlink.net Date: 10/10/2004
Subject: "Tim Burton" and POTA2001
Group: potadg Message: 21525 From: Michael Whitty Date: 10/10/2004
Subject: Ted Post
Group: potadg Message: 21526 From: Whitty, Michael Date: 10/10/2004
Subject: Mego POTA Figures For Sale - BRADGATE?
Group: potadg Message: 21527 From: veetus@earthlink.net Date: 10/10/2004
Subject: OT: "Simpsons" action figures R.I.P.
Group: potadg Message: 21528 From: Hoknes Date: 10/10/2004
Subject: POTA TV SHOW SCRIPTS in Ape Chronicles
Group: potadg Message: 21529 From: Hoknes Date: 10/10/2004
Subject: were there 12" POTA figures in 1974/75 ?
Group: potadg Message: 21530 From: Hoknes Date: 10/10/2004
Subject: MEGO completists?
Group: potadg Message: 21531 From: Whitty, Michael Date: 10/10/2004
Subject: Re: were there 12" POTA figures in 1974/75 ?
Group: potadg Message: 21532 From: Hoknes Date: 10/10/2004
Subject: POTA toys and figures in 1975
Group: potadg Message: 21533 From: Hoknes Date: 10/10/2004
Subject: Re: were there 12" POTA figures in 1974/75 ?
Group: potadg Message: 21534 From: Whitty, Michael Date: 10/10/2004
Subject: Re: were there 12" POTA figures in 1974/75 ?
Group: potadg Message: 21535 From: Hoknes Date: 10/10/2004
Subject: Re: were there 12" POTA figures in 1974/75 ?
Group: potadg Message: 21536 From: veetus@earthlink.net Date: 10/10/2004
Subject: Re: were there 12" POTA figures in 1974/75 ?
Group: potadg Message: 21537 From: veetus@earthlink.net Date: 10/10/2004
Subject: Re: were there 12" POTA figures in 1974/75 ?
Group: potadg Message: 21538 From: Hoknes Date: 10/10/2004
Subject: Re: were there 12" POTA figures in 1974/75 ?
Group: potadg Message: 21539 From: Whitty, Michael Date: 10/10/2004
Subject: Something BIG for Planet of the Apes
Group: potadg Message: 21540 From: veetus@earthlink.net Date: 10/10/2004
Subject: Re: were there 12" POTA figures in 1974/75 ?
Group: potadg Message: 21541 From: Haristas@aol.com Date: 10/10/2004
Subject: Re: were there 12" POTA figures in 1974/75 ?
Group: potadg Message: 21542 From: Whitty, Michael Date: 10/10/2004
Subject: 12" POTA figures in 1974/75 ?
Group: potadg Message: 21543 From: Whitty, Michael Date: 10/10/2004
Subject: "Simpsons" action figures R.I.P.
Group: potadg Message: 21544 From: veetus@earthlink.net Date: 10/10/2004
Subject: Re: 12" POTA figures in 1974/75 ?
Group: potadg Message: 21545 From: Whitty, Michael Date: 10/10/2004
Subject: Re: 12" POTA figures in 1974/75 ?
Group: potadg Message: 21546 From: Whitty, Michael Date: 10/10/2004
Subject: A Bathing Ape
Group: potadg Message: 21547 From: veetus@earthlink.net Date: 10/10/2004
Subject: Re: A Bathing Ape
Group: potadg Message: 21548 From: Whitty, Michael Date: 10/11/2004
Subject: Army versus Security?
Group: potadg Message: 21549 From: ape_mom Date: 10/11/2004
Subject: Re: A Bathing Ape
Group: potadg Message: 21550 From: ape_mom Date: 10/11/2004
Subject: Sideshow action figures
Group: potadg Message: 21551 From: patrickmichaeltilton Date: 10/11/2004
Subject: Re: Army versus Security?



Group: potadg Message: 21452 From: Whitty, Michael Date: 10/7/2004
Subject: Re: Illustration Chapter 3 Monkey Planet
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That's because you are using your Yahoo address....send me your other email address or look in the files under "Monkey Planet"!
 
Michael
-----Original Message-----
From: ron kenner [brindlepit2002@...]
Sent: Friday, October 08, 2004 5:14 AM
To: PotaDG@yahoogroups.com
Subject: Re: [PotaDG] Illustration Chapter 3 Monkey Planet

monkey feces!
i didnt get a picture; just a small box with a red "x" in the center.
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Group: potadg Message: 21453 From: Whitty, Michael Date: 10/7/2004
Subject: Re: Murdoch Gives (Very) Green Light to Fox
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Gee Rory, last time he did was that Burton movie!
 
Michael
-----Original Message-----
From: Haristas@... [Haristas@...]
Sent: Thursday, October 07, 2004 10:30 PM
To: pota@yahoogroups.com; PotaDG@yahoogroups.com; POTA_Phenomenon@yahoogroups.com
Subject: [PotaDG] Murdoch Gives (Very) Green Light to Fox

Oh!  That Aussie who owns Fox!  Can't fellow Aussie Michael Whitty get this guy to do anything with APES?

Murdoch Gives (Very) Green Light to Fox

Saying that News Corp's Fox Entertainment Group is "on a great streak," News Corp Chairman Rupert Murdoch said Tuesday that the company plans to increase production at its 20th Century Fox film studio and its Fox Searchlight Unit. The studio, which released 11 films during it last fiscal year, has been given the go-ahead to turn out 20-25 films in the current fiscal year, while Searchlight, which released 8, will raise its total to 11. Murdoch indicated that his decision to increase production was based largely on the performance of The Day After Tomorrow, which was responsible for $540 million in ticket sales worldwide, and I, Robot, which pulled in more than $314 million.

News Corp May Buy Up Fox Entertainment Shares
News Corp is likely to buy out the 18 percent of Fox Entertainment Group that it doesn't already own, its chairman, Rupert Murdoch, said Tuesday. He added that at Fox's current market price, about $5 billion, "Fox would be very cheap." However, Murdoch told the Goldman Sachs investors conference that News Corp is "not in a hurry" to accomplish the buy-out. It may be hinged, analysts said, to the success -- or failure -- of Murdoch's ability to win approval from Australian investors to move News Corp's corporate headquarters from Australia to the U.S.
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Group: potadg Message: 21454 From: Whitty, Michael Date: 10/7/2004
Subject: Something BIG for Planet of the Apes
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WOW!  What an answer!
 
Michael
-----Original Message-----
From: patrickmichaeltilton [patrickmichaeltilton@...]
Sent: Friday, October 08, 2004 12:51 AM
To: PotaDG@yahoogroups.com
Subject: [PotaDG] Re: Something BIG for Planet of the Apes


Hmmmm....

I'm thinkin'....

The "PLANET OF THE APES" part of the logo looks like it comes
directly from the POTA TV DVD set, which might -- just MIGHT, mind
you -- be a covert hint that this "Beyond the POTA" work concerns the
ultimate fates of Burke/Virdon/Galen, etc.

The sun, too, is reminiscent of the famous POTA TV opening credits
images, where the gorilla is holding his rifle up, the sun at his
back.

Then there's the lamppost/streetsign on the left... and what looks
like it kinda/sorta/might just be a... a parking meter? What IS that
damned thing on the right!? Is its covering there intended to make it
some sorta "scarecrow"-like thing?

Below the "E" in "APES", on the horizon, it looks like there's some
kind of explosion happening, sending debris up into the air. What's
up with that? Hmmm....

Then there's the caption: "COME TO SOMWHERE [spelling!] YOU'VE NEVER
BEEN BEFORE... COME WITH US AS WE GO... BEYOND THE PLANET OF THE
APES". Well, where have we NOT been before? Does the [misspelled]
word "somewhere" indicate that this story is set in a PLACE we've
never been/seen before? Or could it also refer to a TIME we've never
experienced? Hmmm....

We see Human Civilization ruins in this pic, so I'm guessing
that "BEYOND" has nothing to do with Boulle's original novel.

Thus, this adventure is probably set in either the Movie or TV series
universe(s), depending on whether or not you think the 2 can be
reconciled (like I do) or that they're "alternate" universes.

So... is it related to the TV show, or not? If it IS about
Virdon/Burke/Galen (etc), and it IS "somewhere" we've never been
before, then could this story be set somewhere else on post-nuked
Earth, somewhere the Fugitives escaped to, perhaps? Might not that
lamppost represent a remnant of ancient human yet non-American
civilization? I.e.: could this be set, say, in England? We've never
been there before, unless the comic "APE CITY" (which was set in
Europe) also had stuff happening in Britain; it's been so long since
I read 'em, that I can't remember offhand.

As much as my gut is telling me that this is probably something about
the post-TV show fates of Virdon/Burke/Galen... I'm gonna go out on a
limb (like Cornelius Jr.!) and guess that it is NOT.

So... what do I guess it IS about?

The phrase/title "PLANET OF THE APES" represents "a world turned
upside down", where Apes rule and Humans are either enslaved or
dehumanized to the point of animality. In the 1968 film of "PLANET"
and its sequel "BENEATH", that world is destroyed by the detonation
of the Doomsday Bomb. Those who argue for a circular timeline (like
me) would say that the planet Earth is no more, from 3955 onwards
(or, 3978 if you want to argue for the date given in "PLANET").

But there are those (like Rory, for one) who favor the notion that
Caesar did indeed manage to CHANGE THE FUTURE by his actions at the
end of "BATTLE"... and I remember reading some time back a post on
one of these Yahoo groups where it is said that Taylor -- when his
ship gets back to Earth, a world whose "destiny" had been CHANGED by
Caesar's actions -- will arrive to find a world where talking Apes
live in friendship and at peace with the humans descended from the
MacDonald-led group that talked of having their own destiny.

Thus... the "somewhere" we've "never been before" could well refer to
a locale on Earth we HAVE seen before in the pre-"changed" timeline,
yet have NOT seen in a post-"changed" timeline. This COULD be about
Taylor/Landon/Dodge encountering a peaceful community of talking Apes
AND Humans... AND, possibly, Mutants too. Thus, Zira and Cornelius
might very well be there, with there having been no "terrible secret"
guarded by Zaius and his ilk -- the entire community having been told
the tale of Caesar (from the "BATTLE" beginning-and-end scenes).

We've never seen the Movie "Ape City" circa 3955/3978 except in the
first 2 movies, the "pre-changed" timeline setting; we've yet to see
what that same setting would be like -- what
Zira/Cornelius/Zaius/Julius/Ursus/Honorius/Mendez XXVI/Albina/etc.
would be like in a "post-changed" timeline setting.

So... that's my guess. This "BEYOND THE PLANET OF THE APES" will, I'm
guessing, take us BEYOND the situation Taylor initially found (the
first 2 films) and show us what Taylor will come to find after
Caesar's "divine intervention" supposedly CHANGED it to be a better
destiny than Doomsday.

As Zira said about Cornelius' "evolution" theory, mine might be the
most BRILLIANT hypothesis--

"--But I'm probably WRONG!"

If I'm RIGHT, though, I get that "ash-can" edition of "BEWARE THE
BEAST"...

Fingers crossed...

Patrick Michael Tilton
EARTH-TIME 10-07-2004
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Group: potadg Message: 21455 From: Whitty, Michael Date: 10/7/2004
Subject: Re: Patrick's turf...
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This is FASCINATING Patrick and I now feel quite justified in my attempt to analyse this great novel, bit by bit.
 
With revelations like this and Neil's great illustrations (can anybody else give us some art too?) I hope we can atempt a revamp of the novel with illustrations to present to Penguin (who are still the publisher I think?)>
 
Michael
-----Original Message-----
From: patrickmichaeltilton [patrickmichaeltilton@...]
Sent: Friday, October 08, 2004 1:26 AM
To: PotaDG@yahoogroups.com
Subject: [PotaDG] Patrick's turf...


--- In PotaDG@yahoogroups.com, "ape_mom" <sand_hill_school@y....>
wrote:
>
> Ok, Michael.  Pay up!
>
>
> In chapter two we meet Ulysse Merou, a man with a family living in
a self-sufficient spaceship.  He begins by telling us the story of
his experiences in a voyage with two other men, Professor Antelle and
Arthur Levain, to the distant and super gigantic star known to some
as Betelgeuse.
>
> Professor Antelle, we learn, is a wealthy scientist, perhaps
somewhat lacking in social graces and without a lot of hope for
humanity, who puts his entire fortune on the line to pull together
this mission.  
> The ship is equipped with a lovely vegetable garden and Antelle
even thought to plant flowers.  Ulysse Merou, a mere journalist, has
been brought along by Antelle to document the mission and perhaps to
be a bit of a diversion for the professor.  

>>>>>Arthur Levaine is a young physician.<<<<< 

In addition to the crew, there are birds and butterflies and a young,
well-trained chimp named Hector.
>
> The Professor's decision to travel to Betelgeuse rather than a
closer star seems to be a good one.  They accelerate for a year 
(traveling at the speed of light minus epsilon) and decelerate for a 
year, reaching their destination in barely more than two years -
about the time it would have taken to reach a closer star if 
traveling at a lesser speed.   (This is Patrick's turf, so I will 
leave that to him.)  The flight goes off without a hitch and the men 
soon see Betelgeuse and, we will learn in Chapter 3, its planets.

*** Just one (minor?) quibble...

Arthur Levain was -- according to the original French text of
Boulle's novel -- "un jeune physicien de grand avenir", which Xan
Fielding translated as "a young PHYSICIAN with a great future".
However, this is a MIS-TRANSLATION of the French word "physicien"..
The word for "physician" in French is "medecin" [with an acute accent
mark above the first "e"]; the French word "physicien" translates to
English accurately as "physicist". Arthur Levain was NOT a physician
or doctor of medicine, as Xan Fielding's (mis-)translation implies;
he was a PHYSICIST. He wasn't on the journey to oversee Antelle's
health concerns (etc), he was there (probably) to study PHYSICS, the
physics of travelling through Space at the speed of light minus
epsilon.
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Group: potadg Message: 21456 From: Whitty, Michael Date: 10/7/2004
Subject: Re: Patrick's turf...
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I think I'm sending PATRICK your next Peppermint Crisp!  ;)
Michael
-----Original Message-----
From: ape_mom [sand_hill_school@...]
Sent: Friday, October 08, 2004 2:53 AM
To: PotaDG@yahoogroups.com
Subject: [PotaDG] Re: Patrick's turf...


Yeah.  What he said. 



I knew that.
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Group: potadg Message: 21457 From: MicroRob Date: 10/7/2004
Subject: Mego POTA Figures For Sale
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Hey guys its time for me to move some of my collection to buy a new piece that has just came up for sale. I figured i would off them here before going to ebay. please email me if theres anything you would like or if you need pictures of anything. I can do alittle on the prices if you buy a few pieces and will also do payments over a few months after a 15% non-refundable deposit. All piece are 100% complete with original piece unless noted. please email me at rjamantea@...
 
thanks rob
 
Loose
 
Cipsa / Mego Mexico
 
Urko $35.00
Ursus $35.00
Bill $20.00 (wrong clothes but looks good)
 
U.S. Mego
 
Galen / Cornelius Green $25.00
Galen / Cornelius Brown $60.00
Zira $20.00
Gen Ursus $60.00
Gen Ursus $30.00 (missing 1 glove and sword)
Dr. Zaius $50.00 (light orange hair almost blonde)
Soldier Ape $20.00 (no gun)
Soldier Ape $30.00 (Lizard coat no gloves)
Soldier Ape $50.00 (Brown coat no gloves)
 
Boxed
 
Bullmark Japan
 
Cornelius $450.00
Complete with catalog - Rare piece
 
Bradgate
 
Astronaut $200.00
(Bubble open on top, Figure 100% complete in mint condition)
 
Cornelius $500.00 Sealed and mint
 
U.S. Mego Boxed
 
General Urko $1000.00
Super Rare / Complete
 
Galen $225.00
 
Cipsa / Mego Mexico
 
Dr. Zaius $250.00
Sealed
General Urko $225.00
Sealed
General Ursus $225.00
Opened on bottom / 100% complete
 
Other
 
Rare Bonnie Dee Doll Dressed in Galen / Cornelius Clothes $60.00
made in China still sealed in original bag
 
 
 
 
 
 
 
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Group: potadg Message: 21458 From: Whitty, Michael Date: 10/7/2004
Subject: Re: Mego POTA Figures For Sale
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Hi Rob - is the piece you are after the Treehouse with the 5 figures?  ;)

Also, may I see scans of (and can you tell me more about) the Rare Bonnie Dee Doll?
 
Michael
-----Original Message-----
From: MicroRob [rjamantea@...]
Sent: Friday, October 08, 2004 11:36 AM
To: PotaDG@yahoogroups.com
Subject: [PotaDG] Mego POTA Figures For Sale

Hey guys its time for me to move some of my collection to buy a new piece that has just came up for sale. I figured i would off them here before going to ebay. please email me if theres anything you would like or if you need pictures of anything. I can do alittle on the prices if you buy a few pieces and will also do payments over a few months after a 15% non-refundable deposit. All piece are 100% complete with original piece unless noted. please email me at rjamantea@...
 
thanks rob
 
Loose
 
Cipsa / Mego Mexico
 
Urko $35.00
Ursus $35.00
Bill $20.00 (wrong clothes but looks good)
 
U.S. Mego
 
Galen / Cornelius Green $25.00
Galen / Cornelius Brown $60.00
Zira $20.00
Gen Ursus $60.00
Gen Ursus $30.00 (missing 1 glove and sword)
Dr. Zaius $50.00 (light orange hair almost blonde)
Soldier Ape $20.00 (no gun)
Soldier Ape $30.00 (Lizard coat no gloves)
Soldier Ape $50.00 (Brown coat no gloves)
 
Boxed
 
Bullmark Japan
 
Cornelius $450.00
Complete with catalog - Rare piece
 
Bradgate
 
Astronaut $200.00
(Bubble open on top, Figure 100% complete in mint condition)
 
Cornelius $500.00 Sealed and mint
 
U.S. Mego Boxed
 
General Urko $1000.00
Super Rare / Complete
 
Galen $225.00
 
Cipsa / Mego Mexico
 
Dr. Zaius $250.00
Sealed
General Urko $225.00
Sealed
General Ursus $225.00
Opened on bottom / 100% complete
 
Other
 
Rare Bonnie Dee Doll Dressed in Galen / Cornelius Clothes $60.00
made in China still sealed in original bag
 
 
 
 
 
 
 

<.html



<.html
Group: potadg Message: 21459 From: MicroRob Date: 10/7/2004
Subject: Re: Mego POTA Figures For Sale
.html
Attachments :
    .html
    >Hi Rob - is the piece you are after the Treehouse with the 5 figures?  ;)
     
    no the piece im going for is a non-apes piece

    >Also, may I see scans of (and can you tell me more
    about) the Rare Bonnie Dee Doll?
     
    im not really sure why it was made. it looks like some company had a bunch of dolls and xtra ape clothes and paired them up. there was a dealer at mego con (not huckabone) had one for sale for $300 but dropped the price to $100 when i started to walk away. there was also one on ebay a few weeks back that sold for $79.00 http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&rd=1&item=5916277608&ssPageName=STRK:MEWA:IT
     
    hope this helps, rob
    <.html
    <.html
    Group: potadg Message: 21460 From: Whitty, Michael Date: 10/7/2004
    Subject: Mego POTA Figures For Sale
    .html
    .html
    Rob - what COMPANY made these?

    I ask because I have some "ASTRO-APES" - released by AHI (because they could not release a POTA Action Figure since Mego beat them to it!).  It looks like SIMILAR packaging and I wonder if AHI made these clothes for their figures but were asked NOT to use them?
    CURIOUS!
     
    I am re-sending the list of your "FOR SALE" stuff here to the COLLECTING group Terry set up too:
     
    Hey guys its time for me to move some of my collection to buy a new piece that has just came up for sale. I figured i would off them here before going to ebay. please email me if theres anything you would like or if you need pictures of anything. I can do alittle on the prices if you buy a few pieces and will also do payments over a few months after a 15% non-refundable deposit. All piece are 100% complete with original piece unless noted. please email me at rjamantea@...
     
    thanks rob
     
    Loose
     
    Cipsa / Mego Mexico
     
    Urko $35.00
    Ursus $35.00
    Bill $20.00 (wrong clothes but looks good)
     
    U.S. Mego
     
    Galen / Cornelius Green $25.00
    Galen / Cornelius Brown $60.00
    Zira $20.00
    Gen Ursus $60.00
    Gen Ursus $30.00 (missing 1 glove and sword)
    Dr. Zaius $50.00 (light orange hair almost blonde)
    Soldier Ape $20.00 (no gun)
    Soldier Ape $30.00 (Lizard coat no gloves)
    Soldier Ape $50.00 (Brown coat no gloves)
     
    Boxed
     
    Bullmark Japan
     
    Cornelius $450.00
    Complete with catalog - Rare piece
     
    Bradgate
     
    Astronaut $200.00
    (Bubble open on top, Figure 100% complete in mint condition)
     
    Cornelius $500.00 Sealed and mint
     
    U.S. Mego Boxed
     
    General Urko $1000.00
    Super Rare / Complete
     
    Galen $225.00
     
    Cipsa / Mego Mexico
     
    Dr. Zaius $250.00
    Sealed
    General Urko $225.00
    Sealed
    General Ursus $225.00
    Opened on bottom / 100% complete
     
    Other
     
    Rare Bonnie Dee Doll Dressed in Galen / Cornelius Clothes $60.00
    made in China still sealed in original bag

    Michael
    -----Original Message-----
    From: MicroRob [rjamantea@...]
    Sent: Friday, October 08, 2004 12:18 PM
    To: PotaDG@yahoogroups.com
    Subject: Re: [PotaDG] Mego POTA Figures For Sale

    >Hi Rob - is the piece you are after the Treehouse with the 5 figures?  ;)
     
    no the piece im going for is a non-apes piece

    >Also, may I see scans of (and can you tell me more about) the Rare Bonnie Dee Doll?
     
    im not really sure why it was made. it looks like some company had a bunch of dolls and xtra ape clothes and paired them up. there was a dealer at mego con (not huckabone) had one for sale for $300 but dropped the price to $100 when i started to walk away. there was also one on ebay a few weeks back that sold for $79.00 http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&rd=1&item=5916277608&ssPageName=STRK:MEWA:IT
     
    hope this helps, rob

    <.html



    <.html
    Group: potadg Message: 21461 From: Whitty, Michael Date: 10/7/2004
    Subject: Mego POTA Figures For Sale
    .html
    .html
    Rob - can you send a photot of the BRADGATE stuff please.  I am having a mental block trying to picture these!
     
    Michael
    -----Original Message-----
    From: MicroRob [rjamantea@...]
    Sent: Friday, October 08, 2004 11:36 AM
    To: PotaDG@yahoogroups.com
    Subject: [PotaDG] Mego POTA Figures For Sale

    Hey guys its time for me to move some of my collection to buy a new piece that has just came up for sale. I figured i would off them here before going to ebay. please email me if theres anything you would like or if you need pictures of anything. I can do alittle on the prices if you buy a few pieces and will also do payments over a few months after a 15% non-refundable deposit. All piece are 100% complete with original piece unless noted. please email me at rjamantea@...
     
    thanks rob
    Boxed
     
    Bradgate
     
    Astronaut $200.00
    (Bubble open on top, Figure 100% complete in mint condition)
     
    Cornelius $500.00 Sealed and mint
    <.html



    <.html
    Group: potadg Message: 21462 From: Whitty, Michael Date: 10/8/2004
    Subject: Re: Something BIG for Planet of the Apes
    .html
    .html
    OK Foster - what the hell is it?

    Whitty
    -----Original Message-----
    From: Alan Maxwell [alan@...]
    Sent: Friday, October 08, 2004 7:31 AM
    To: PotaDG@yahoogroups.com
    Subject: Re: [PotaDG] Re: Something BIG for Planet of the Apes

    "Neil" <nfoster@...> wrote:
    >
    > --- In PotaDG@yahoogroups.com, "Kassidy Rae" <valwp@y...> wrote:
    > >I don't know what that THING is on the right - looks like a R2D2,
    > ape version?
    >
    > -- Yeah, what is that thing!?!

    I've got it. It's the front part of a bike.

    Alan
    <.html



    <.html
    Group: potadg Message: 21463 From: PotaDG@yahoogroups.com Date: 10/8/2004
    Subject: New file uploaded to PotaDG
    .html
    Hello,

    This email message is a notification to let you know that
    a file has been uploaded to the Files area of the PotaDG
    group.

    File : /Within the Planet of the Apes/Within the POTA.gif
    Uploaded by : munkeyman63au <nfoster@...>
    Description : Chapter 1

    You can access this file at the URL:
    http://groups.yahoo.com/group/PotaDG/files/Within%20the%20Planet%20of%20the%20Apes/Within%20the%20POTA.gif

    To learn more about file sharing for your group, please visit:
    http://help.yahoo.com/help/us/groups/files

    Regards,

    munkeyman63au <nfoster@...>
    <.html
    Group: potadg Message: 21464 From: Neil Date: 10/8/2004
    Subject: Re: Something BIG for Planet of the Apes
    .html
    --- In PotaDG@yahoogroups.com , "Alan Maxwell" <alan@a...> wrote:
    > I've got it. It's the front part of a bike.
    > Alan

    --- In PotaDG@yahoogroups.com, Tim Parati <apefan23@y...> wrote:
    > The thing on the right looks like it could be a
    > motorcycle buried in the sand...or something with
    > handlebars.....

    -- Well done Alan and Tim. Yes they are the top front part from a
    motorbike. Now you have to tell me what make of bike the handle bars
    are from! ;-)

    Neil
    <.html
    Group: potadg Message: 21465 From: Whitty, Michael Date: 10/8/2004
    Subject: Re: Something BIG for Planet of the Apes
    .html
    .html
    Jeez - I really thought it was BAGPIPES!
     
    Michael
    -----Original Message-----
    From: Neil [nfoster@...]
    Sent: Friday, October 08, 2004 4:34 PM
    To: PotaDG@yahoogroups.com
    Subject: [PotaDG] Re: Something BIG for Planet of the Apes


    --- In PotaDG@yahoogroups.com, "Alan Maxwell" <alan@a...> wrote:
    > I've got it. It's the front part of a bike.
    > Alan

    --- In PotaDG@yahoogroups.com, Tim Parati <apefan23@y...> wrote:
    > The thing on the right looks like it could be a
    > motorcycle buried in the sand...or something with
    > handlebars.....

    -- Well done Alan and Tim. Yes they are the top front part from a
    motorbike. Now you have to tell me what make of bike the handle bars
    are from! ;-)

    Neil
    <.html



    <.html
    Group: potadg Message: 21466 From: Whitty, Michael Date: 10/8/2004
    Subject: Re: Beyond the Planet of the Apes
    .html
    .html
    OK - one at a time.
     
    Jimmy:
     
    YES, it certainly IS a new comic book involving Foster.
     
    It isn't a camera tripod, nor is it a set of bagpipes!
    Thanks for your input!
    Michael
    -----Original Message-----
    From: veil_of_evil [veil_of_evil@...]
    Sent: Thursday, October 07, 2004 3:36 PM
    To: PotaDG@yahoogroups.com
    Subject: [PotaDG] Beyond the Planet of the Apes


    Hi. I'm guessing it's a new comic book/graphic novel project
    involving Foster. Concerning the object on the right in the
    drawing, it sort of looks like a camera tripod, so maybe it's a
    documentary project? Can't wait to find out!

    -Jimmy
    <.html



    <.html
    Group: potadg Message: 21467 From: Whitty, Michael Date: 10/8/2004
    Subject: Re: Beyond the Planet of the Apes
    .html
    .html
     
    -----Original Message-----
    From: stsroberts [stsroberts@...]
    Sent: Thursday, October 07, 2004 9:04 PM
    To: PotaDG@yahoogroups.com
    Subject: [PotaDG] Beyond the Planet of the Apes


    My guess would be that Beyond the Planet of the Apes is going past
    what we already know about PotA and giving us more of a view of their
    world,
    [Whitty, Michael] 
     
    YES
     
      a more in depth view of the link between all the stories
    [Whitty, Michael] 
     
    YES
     
      and to clear up questions regarding endings of stories previously untold,
    Burke & Virdon for starters.
    [Whitty, Michael] 
     
    EVENTUALLY, possibly, but not necessarily......but you get another point for this! 

    All I can say is if it is anything like Beware the Beast it has to be
    good.  Love your work, keep it up.
    [Whitty, Michael] 
     
    Hmmm....actually, I do believe it will be quite different to BTB...but I also believe it will bw fun and I hope it gives us all something to talk about (other than putting down our fellow POTA fan friends!) 

    Stephen
    <.html



    <.html
    Group: potadg Message: 21468 From: Neil Date: 10/8/2004
    Subject: Re: Beyond the Planet of the Apes
    .html
    --- In PotaDG@yahoogroups.com , "Whitty, Michael"
    <Michael.Whitty@d...> wrote:
    > OK - one at a time.
    > Jimmy:
    > YES, it certainly IS a new comic book involving Foster.
    > It isn't a camera tripod, nor is it a set of bagpipes!
    > Thanks for your input!

    -- No Whitty, definitely NOT bagpipes! Nice try Jimmy

    Neil
    <.html
    Group: potadg Message: 21469 From: Whitty, Michael Date: 10/8/2004
    Subject: Re: Something BIG for Planet of the Apes.
    .html
    .html
    2 point Terry.
     
    It is actually a SERIES of stroies, but "A BRAND NEW STORY" is close enough.
     
    "BEYOND THE POTA" is the name of the series of strips, the first story being:
    "Within the Planet of the Apes".
     
    It will be much like the "Phantom" strips in appearance....regularity is fortnightly but it is up to all of you - you all know how to get more out of Neil, and I already have 20 of these strips WRITTEN, so let us know if you want more OK?

    This first story DOES take place within or beyond the Forbidden Zone.
     
    Michael
    -----Original Message-----
    From: Michael Whitty [whitty@...]
    Sent: Thursday, October 07, 2004 10:18 PM
    To: PotaDG@yahoogroups.com
    Subject: [PotaDG] Something BIG for Planet of the Apes.

    Hey Terry - I should have said the answer needs to go to the GROUP!
    I'll lock your answer in!

    Michael

    -----Original Message-----
    From: Hoknes [terryhoknes@...]
    Sent: Thursday, 7 October 2004 11:57 AM
    To: Michael Whitty
    Subject: Re: [PotaDG] Something BIG for Planet of the Apes.

    here is my wild guess
    a brand new original POTA story that takes places in or past the
    forbidden
    zone ?



    <.html



    <.html
    Group: potadg Message: 21470 From: Whitty, Michael Date: 10/8/2004
    Subject: Something BIG for Planet of the Apes
    .html
    .html
    You probably will now you mention it, so you get 1 point!
     
    This is great feedback that suggests to me fans DO want other countries to be explored - so we'll attempt to give you that (but not in this first story!).
     
    Michael
    -----Original Message-----
    From: ron kenner [brindlepit2002@...]
    Sent: Friday, October 08, 2004 5:17 AM
    To: PotaDG@yahoogroups.com
    Subject: Re: [PotaDG] Something BIG for Planet of the Apes

    looks to me like we will see pota tv adventures set in the UK.


    <.html



    <.html
    Group: potadg Message: 21471 From: Whitty, Michael Date: 10/8/2004
    Subject: Re: Something BIG for Planet of the Apes
    .html
    .html
    No, but speaking of that, aren't we doing a "Return" version?  ;)

    Michael
    -----Original Message-----
    From: Neil [nfoster@...]
    Sent: Friday, October 08, 2004 7:06 AM
    To: PotaDG@yahoogroups.com
    Subject: [PotaDG] Re: Something BIG for Planet of the Apes


    --- In PotaDG@yahoogroups.com, "Whitty, Michael"
    <Michael.Whitty@d...> wrote:
    > Then post on the group what you think "Beyond the Planet of the
    Apes" actually is.

    -- Hmmm... is it a new colouring book maybe?

    Neil
    <.html



    <.html
    Group: potadg Message: 21472 From: Whitty, Michael Date: 10/8/2004
    Subject: Re: Something BIG for Planet of the Apes
    .html
    .html
     
    -----Original Message-----
    From: Alan Maxwell [alan@...]
    Sent: Friday, October 08, 2004 7:26 AM
    To: PotaDG@yahoogroups.com
    Subject: Re: [PotaDG] Re: Something BIG for Planet of the Apes

    My guess is also going to be adventures set elsewhere in the world
    [Whitty, Michael] 
     
    As said previously, it now WILL be!  1 point!
     
     , butPatrick beat me to posting the specifics. At least I think that's what
    Patrick said, I think he covered every other possibility in that last essay
    as well.
    [Whitty, Michael] 
     
    Yup! 

    Anyway, if I had to name a country I'd say the UK. But then again, maybe
    Australia so it makes it easier for Neil to get some landscapes to refer to!
    [Whitty, Michael] 
     
    Oh, he HATES OUR LANDSCAPE! 2 points all up for you Alan because you also got the motorbike right! 

    Alan
    <.html



    <.html
    Group: potadg Message: 21473 From: Neil Date: 10/8/2004
    Subject: Re: Beyond the Planet of the Apes
    .html
    --- In PotaDG@yahoogroups.com , "Whitty, Michael"
    <Michael.Whitty@d...> wrote:
    >
    >
    > -----Original Message-----
    > From: stsroberts [stsroberts@b...]
    > Sent: Thursday, October 07, 2004 9:04 PM
    > To: PotaDG@yahoogroups.com
    > Subject: [PotaDG] Beyond the Planet of the Apes

    > My guess would be that Beyond the Planet of the Apes is going past
    what we already know about PotA and giving us more of a view of
    their world,

    >> [Whitty, Michael]
    >> YES

    > a more in depth view of the link between all the stories

    >> [Whitty, Michael]
    >> YES

    > and to clear up questions regarding endings of stories previously
    untold, Burke & Virdon for starters.

    >> [Whitty, Michael]
    >> EVENTUALLY, possibly, but not necessarily......but you get
    another point for this!

    > All I can say is if it is anything like Beware the Beast it has to
    be good. Love your work, keep it up.

    >> [Whitty, Michael]
    >> Hmmm....actually, I do believe it will be quite different to
    BTB...but I also believe it will be fun and I hope it gives us all
    something to talk about

    -- Ooooh! very good!~ and not a bagpipe in sight! ;-)

    Neil
    <.html
    Group: potadg Message: 21474 From: Neil Date: 10/8/2004
    Subject: Re: Something BIG for Planet of the Apes
    .html
    --- In PotaDG@yahoogroups.com , "Whitty, Michael"
    <Michael.Whitty@d...> wrote:
    >> -----Original Message-----
    >> From: Neil [nfoster@h...]
    >>-- Hmmm... is it a new colouring book maybe?

    <Michael.Whitty@d...> wrote:
    > No, but speaking of that, aren't we doing a "Return" version? ;)

    --Yeah, eventually! We have to do this one first... oh it's NOT a
    colouring book? Are you sure?

    Neil
    <.html
    Group: potadg Message: 21475 From: Whitty, Michael Date: 10/8/2004
    Subject: Re: Something BIG for Planet of the Apes
    .html
    .html
    It's not BTB.
     
    It is Foster art, and it is Neil, but he is adapting his style for this series so we can get them out painlessly.
     
    I really like the style - of course I prefer his BTB style, but we will be getting that TOO!  The comics team is still intact (although it has changed in personnel) and Neil is working on the TV Show comic.  However, we are so close to getting BTB published that we are holding that card close to our chests right now (but you know what a sucker Neil is for loud requests!).
     
    Michael
    -----Original Message-----
    From: Dario [ev001@...]
    Sent: Friday, October 08, 2004 7:49 AM
    To: PotaDG@yahoogroups.com
    Subject: [PotaDG] Re: Something BIG for Planet of the Apes


    OK, most of the good (probable) answers have already been sent so I'm
    gonna stake my ground with this answer.

       "Beyond the Planet of the Apes" is:
       The PRINTED version of the Official International Planet of the
       Apes Fan Club's Flagship, BEWARE THE BEAST (in two parts),
       containing an additional 7 pages never before seen by people not
       directly involved in the project!

    Has that for a cut'n'paste answer!

    The image appears to be "Foster" art, but I'm not sure if it's Neil or
    that new 10 year old Foster who made their debut on the back cover of
    Scrolls #9. ;)

    Dario
    <.html



    <.html
    Group: potadg Message: 21476 From: Whitty, Michael Date: 10/8/2004
    Subject: Re: Something BIG for Planet of the Apes
    .html
    .html
    Two points Tim - thanks.
    -----Original Message-----
    From: Tim Parati [apefan23@...]
    Sent: Friday, October 08, 2004 8:48 AM
    To: PotaDG@yahoogroups.com
    Subject: Re: [PotaDG] Re: Something BIG for Planet of the Apes

    The thing on the right looks like it could be a
    motorcycle buried in the sand...or something with
    handlebars.....My guess is that it is a new comic from
    the makers of BTB but I can't get specific.......

    Tim
    <.html



    <.html
    Group: potadg Message: 21477 From: Whitty, Michael Date: 10/8/2004
    Subject: Re: Something BIG for Planet of the Apes
    .html
    .html
    Well, I don't think so, but my kids have printed it and are colouring it so.....  ;)

    Michael
    -----Original Message-----
    From: Neil [nfoster@...]
    Sent: Friday, October 08, 2004 4:56 PM
    To: PotaDG@yahoogroups.com
    Subject: [PotaDG] Re: Something BIG for Planet of the Apes


    --- In PotaDG@yahoogroups.com, "Whitty, Michael"
    <Michael.Whitty@d...> wrote:
    >> -----Original Message-----
    >> From: Neil [nfoster@h...]
    >>-- Hmmm... is it a new colouring book maybe?

    <Michael.Whitty@d...> wrote:
    > No, but speaking of that, aren't we doing a "Return" version?  ;)

    --Yeah, eventually! We have to do this one first... oh it's NOT a
    colouring book? Are you sure?

    Neil
    <.html



    <.html
    Group: potadg Message: 21478 From: Whitty, Michael Date: 10/8/2004
    Subject: Re: Something BIG for Planet of the Apes
    .html
    .html
    Neil?  Is it?
     
    Michael
    -----Original Message-----
    From: patrickmichaeltilton [patrickmichaeltilton@...]
    Sent: Friday, October 08, 2004 12:51 AM
    To: PotaDG@yahoogroups.com
    Subject: [PotaDG] Re: Something BIG for Planet of the Apes


    Hmmmm....

    I'm thinkin'....

    The "PLANET OF THE APES" part of the logo looks like it comes
    directly from the POTA TV DVD set, which might -- just MIGHT, mind
    you -- be a covert hint that this "Beyond the POTA" work concerns the
    ultimate fates of Burke/Virdon/Galen, etc.
    <.html



    <.html
    Group: potadg Message: 21479 From: Whitty, Michael Date: 10/8/2004
    Subject: Re: Something BIG for Planet of the Apes
    .html
    .html
    That's what I thought - and that sun is in the logo of the Official International Planet of the Apes Fan Club too....was this intended Neil or concidence?

    Michael
    -----Original Message-----
    From: patrickmichaeltilton [patrickmichaeltilton@...]
    Sent: Friday, October 08, 2004 12:51 AM
    To: PotaDG@yahoogroups.com
    Subject: [PotaDG] Re: Something BIG for Planet of the Apes

    The sun, too, is reminiscent of the famous POTA TV opening credits
    images, where the gorilla is holding his rifle up, the sun at his
    back.
    <.html



    <.html
    Group: potadg Message: 21480 From: Neil Date: 10/8/2004
    Subject: Re: Something BIG for Planet of the Apes
    .html
    --- In PotaDG@yahoogroups.com , "Whitty, Michael"
    <Michael.Whitty@d...> wrote:
    > Oh, he HATES OUR LANDSCAPE! 2 points all up for you Alan because
    you also got the motorbike right!

    -- Actually he loves the Aussie landscapes, it's those bloody
    ignorant Aussies he hates... NO JUST KIDDING! they are great people,
    even if they do cheat at cricket ;-)

    Well done getting the motorbike handlebars right Alan, most seem to
    have had trouble with that! Bagpipes? Ha!

    Neil
    <.html
    Group: potadg Message: 21481 From: Whitty, Michael Date: 10/8/2004
    Subject: Re: Something BIG for Planet of the Apes
    .html
    .html
    Its a motorbike - looks like a motocross racer!
     
    In the backgroud....you are about to find out!

    Michael
    -----Original Message-----
    From: patrickmichaeltilton [patrickmichaeltilton@...]
    Sent: Friday, October 08, 2004 12:51 AM
    To: PotaDG@yahoogroups.com
    Subject: [PotaDG] Re: Something BIG for Planet of the Apes

    Then there's the lamppost/streetsign on the left... and what looks
    like it kinda/sorta/might just be a... a parking meter? What IS that
    damned thing on the right!? Is its covering there intended to make it
    some sorta "scarecrow"-like thing?

    Below the "E" in "APES", on the horizon, it looks like there's some
    kind of explosion happening, sending debris up into the air. What's
    up with that? Hmmm....
    <.html



    <.html
    Group: potadg Message: 21482 From: Whitty, Michael Date: 10/8/2004
    Subject: Re: Something BIG for Planet of the Apes
    .html
    .html
    It is set in the MOVIE environment.
     
    I won't spoil the placement but I am a believer in the NON-circular timeline....I believe Taylor came from the past where Aldo said "no" and Zira and Cornelius created a new timeline.
    -----Original Message-----
    From: patrickmichaeltilton [patrickmichaeltilton@...]
    Sent: Friday, October 08, 2004 12:51 AM
    To: PotaDG@yahoogroups.com
    Subject: [PotaDG] Re: Something BIG for Planet of the Apes

    Then there's the caption: "COME TO SOMWHERE [spelling!] YOU'VE NEVER
    BEEN BEFORE... COME WITH US AS WE GO... BEYOND THE PLANET OF THE
    APES". Well, where have we NOT been before? Does the [misspelled]
    word "somewhere" indicate that this story is set in a PLACE we've
    never been/seen before? Or could it also refer to a TIME we've never
    experienced? Hmmm....

    We see Human Civilization ruins in this pic, so I'm guessing
    that "BEYOND" has nothing to do with Boulle's original novel.

    Thus, this adventure is probably set in either the Movie or TV series
    universe(s), depending on whether or not you think the 2 can be
    reconciled (like I do) or that they're "alternate" universes.
    <.html



    <.html
    Group: potadg Message: 21483 From: Whitty, Michael Date: 10/8/2004
    Subject: Re: Something BIG for Planet of the Apes
    .html
    .html
    Yeah, and I was going to really rub it in to Alan because he is Scottish.  You spoil all my fun Neil.
     
    Michael
    -----Original Message-----
    From: Neil [nfoster@...]
    Sent: Friday, October 08, 2004 5:01 PM
    To: PotaDG@yahoogroups.com
    Subject: [PotaDG] Re: Something BIG for Planet of the Apes


    --- In PotaDG@yahoogroups.com, "Whitty, Michael"
    <Michael.Whitty@d...> wrote:
    > Oh, he HATES OUR LANDSCAPE! 2 points all up for you Alan because
    you also got the motorbike right!

    -- Actually he loves the Aussie landscapes, it's those bloody
    ignorant Aussies he hates... NO JUST KIDDING! they are great people,
    even if they do cheat at cricket ;-)

    Well done getting the motorbike handlebars right Alan, most seem to
    have had trouble with that! Bagpipes? Ha!

    Neil
    <.html



    <.html
    Group: potadg Message: 21484 From: Whitty, Michael Date: 10/8/2004
    Subject: Re: Something BIG for Planet of the Apes
    .html
    .html
    The first story is not a TV Show story.  They will come though.
     
    Again, it looks like people do want to see other countries.
     
     
    -----Original Message-----
    From: patrickmichaeltilton [patrickmichaeltilton@...]
    Sent: Friday, October 08, 2004 12:51 AM
    To: PotaDG@yahoogroups.com
    Subject: [PotaDG] Re: Something BIG for Planet of the Apes


    So... is it related to the TV show, or not? If it IS about
    Virdon/Burke/Galen (etc), and it IS "somewhere" we've never been
    before, then could this story be set somewhere else on post-nuked
    Earth, somewhere the Fugitives escaped to, perhaps? Might not that
    lamppost represent a remnant of ancient human yet non-American
    civilization? I.e.: could this be set, say, in England? We've never
    been there before, unless the comic "APE CITY" (which was set in
    Europe) also had stuff happening in Britain; it's been so long since
    I read 'em, that I can't remember offhand.

    As much as my gut is telling me that this is probably something about
    the post-TV show fates of Virdon/Burke/Galen... I'm gonna go out on a
    limb (like Cornelius Jr.!) and guess that it is NOT.

    So... what do I guess it IS about?
    <.html



    <.html
    Group: potadg Message: 21485 From: Neil Date: 10/8/2004
    Subject: Re: Something BIG for Planet of the Apes
    .html
    --- In PotaDG@yahoogroups.com , "Whitty, Michael"
    <Michael.Whitty@d...> wrote:
    >> -----Original Message-----
    >>From: patrickmichaeltilton [patrickmichaeltilton@y...]
    >> The "PLANET OF THE APES" part of the logo looks like it comes
    directly from the POTA TV DVD set

    <Michael.Whitty@d...> wrote:
    > Neil? Is it?

    -- No not the TV DVD. I can't remember exactly where it was from, I
    think it was from a Beneath video cover but it has been
    extensively 'reworked' by me.

    Neil
    <.html
    Group: potadg Message: 21486 From: Neil Date: 10/8/2004
    Subject: Re: Something BIG for Planet of the Apes
    .html
    --- In PotaDG@yahoogroups.com , "Whitty, Michael"
    <Michael.Whitty@d...> wrote:
    >> -----Original Message-----
    >> From: patrickmichaeltilton [patrickmichaeltilton@y...]
    >> The sun, too, is reminiscent of the famous POTA TV opening
    credits images, where the gorilla is holding his rifle up, the sun
    at his back.

    <Michael.Whitty@d...> wrote:
    > That's what I thought - and that sun is in the logo of the Official
    International Planet of the Apes Fan Club too....was this intended
    Neil or concidence?

    -- Neither! It was in fact a happy accident. The sun was part of the
    picture and when I went to add the words later I thought it would
    look kind of cool and POTAish if I combined it with the logo.

    Neil
    <.html
    Group: potadg Message: 21487 From: Whitty, Michael Date: 10/8/2004
    Subject: Competition RESULTS!
    .html
    Attachments :
      .html
      Patrick, while Steven Roberts won this competition, you are going to get an issue too because your post just bubbles over with enthusiasm.
       
      I will speak to the printer and if he is happy to, I will organise for all entrants to get a copy.
       
      Thanks, and keep talking!
       
      Here is the first strip:
       
      Michael
       
       
       
      <.html



      <.html
      Group: potadg Message: 21488 From: MicroRob Date: 10/8/2004
      Subject: Re: Mego POTA Figures For Sale
      .html
      Attachments :
        .html
         
        Rob - can you send a photot of the BRADGATE stuff please.  I am having a mental block trying to picture these!
         
        sure there almost like the carded U.S. stuff with the cards being a diff color. the back is whats really diff. there were only 5 figures offered in that line.
         
        Astronaut is on a red card with Cornelius being on a orange card
        <.html
        <.html
        Group: potadg Message: 21489 From: Dave B Date: 10/8/2004
        Subject: Re: Competition RESULTS!
        .html
        --- In friends_and_fugitives@yahoogroups.com, "Whitty, Michael" <
        Michael.Whitty@d...> wrote:

        > Here is the first strip:

        Outstanding work guys. You've hooked the reader in just four panels. I look
        forward to seeing more.

        Dave B
        <.html
        Group: potadg Message: 21490 From: Michael Whitty Date: 10/8/2004
        Subject: Re: Competition RESULTS!
        .html
        Dave,

        Thanks - that means a lot coming from you. As you know I very much
        admire all your stories that I have read.

        I recall when we first started "Beware the Beast" you commented that
        you hope to bring out the POTA writers in the group/s. Well, you
        have certainly inspired me to put pen to paper.

        I just hope my stories can be HALF as interesting as yours.

        Neil has tighter control over me though - he has already demanded
        there be no Icarus interiors or detailed landscapes! ;)

        Michael

        --- In PotaDG@yahoogroups.com, "Dave B" <smugster@b...> wrote:
        >
        > --- In friends_and_fugitives@yahoogroups.com, "Whitty, Michael" <
        > Michael.Whitty@d...> wrote:
        >
        > > Here is the first strip:
        >
        > Outstanding work guys. You've hooked the reader in just four
        panels. I look
        > forward to seeing more.
        >
        > Dave B
        <.html
        Group: potadg Message: 21491 From: Dave B Date: 10/8/2004
        Subject: Re: Competition RESULTS!
        .html
        --- In PotaDG@yahoogroups.com , "Michael Whitty" <Michael.Whitty@d...>
        wrote:
        >
        > Dave,

        > I recall when we first started "Beware the Beast" you commented that
        > you hope to bring out the POTA writers in the group/s. Well, you
        > have certainly inspired me to put pen to paper.

        Then I'm happier than a pig in poo! Let's hope this signals just the start of
        something big.

        > Neil has tighter control over me though - he has already demanded
        > there be no Icarus interiors or detailed landscapes! ;)

        Are those pencil shadings rather than ink, Neil?

        Dave B
        <.html
        Group: potadg Message: 21492 From: Neil Date: 10/8/2004
        Subject: Re: Competition RESULTS!
        .html
        --- In PotaDG@yahoogroups.com , "Dave B" <smugster@b...> wrote:
        > Are those pencil shadings rather than ink, Neil?

        -- Yep Dave it's pencils. Makes it a lot quicker plus I like the way
        some things aren't lost when ink is plastered all over them.

        My favourite Marvel magazines were those ones in which they used Mike
        Ploog's un-inked pencils, it looks better to me even if you do lose
        some sharpness.

        Neil
        <.html
        Group: potadg Message: 21493 From: Michael Whitty Date: 10/8/2004
        Subject: Re: Competition RESULTS!
        .html
        Don't forget Elaine's poem which is a tribute to Gideon - have you
        read this?

        Michael

        --- In PotaDG@yahoogroups.com, "Dave B" <smugster@b...> wrote:
        >
        > --- In PotaDG@yahoogroups.com, "Michael Whitty"
        <Michael.Whitty@d...>
        > wrote:
        > >
        > > Dave,
        >
        > > I recall when we first started "Beware the Beast" you commented
        that
        > > you hope to bring out the POTA writers in the group/s. Well,
        you
        > > have certainly inspired me to put pen to paper.
        >
        > Then I'm happier than a pig in poo! Let's hope this signals just
        the start of something big.
        <.html
        Group: potadg Message: 21494 From: luke_the_drifter52 Date: 10/8/2004
        Subject: Mego Planet of the Apes Villiage in the Box on Ebay
        .html
        Hey all, thought I would let you all know that Ebay has the Mego
        Planet of the Apes Villiage playset in the box up for auction. This
        is like the Holy Grail of Planet of the Apes mego items. The Ebay
        listing number is 5924175159
        Luke the Drifter
        <.html
        Group: potadg Message: 21495 From: Hoknes Date: 10/8/2004
        Subject: APE CHRONICLES - online index to every issue!
        .html
        .html
        Now you can see which issues you are missing and/or see what is in the back issues
        Every article in every issue is listed
         
        A great reference point to see where certain articles have been posted in the past that are still discussed on the yahoogroups
         
         
        Jeff Krueger holds the distinction of drawing the most covers.  19 out of 39 issues (from #2-30)
         
        The most active contributors with articles and/or stories over the years are
        Terry Hoknes / Jeff Krueger / Alan Maxwell / Dave Ballard
         
        The big mailout of AC 37-39 will take place finally on Monday to all paid members - thanks for your support
        <.html
        <.html
        Group: potadg Message: 21496 From: PofTAfan@aol.com Date: 10/8/2004
        Subject: Re: Something BIG for Planet of the Apes
        .html
        I know one of the item in the panel is a lamp post and maybe either it's a street sign or a home address sign and I think the other item got to be a water spicket.
        <.html
        Group: potadg Message: 21497 From: Tim Parati Date: 10/8/2004
        Subject: Adventure Comics
        .html
        I was going to bring this up later after I have
        finished reading all the Adventure comics which for
        some reason I never have before. Haven't read the
        Scrolls article on them..(waiting til I'm
        done)....These are my thoughts......

        I don't mind the stories about Alexander, grandson of
        Caesar. But I am SO GLAD they changed artisits half
        way through. I thought the first artist wasn't very
        clear with what he was doing...they all looked alike
        (and Coure was certainly not attractive!) and he was
        sloppy. ...the later artist was a much better choice.

        The Ape Nation, Ape Riders, and Ape City stories were
        just stupid. Urchak's Folly was cool.

        Glad there was Ape material to be had but it was so
        amateurish. Neil can draw circles around those guys
        which is why I am very excited about these new
        adventures.......Just , please, no aliens or western
        themes, please!

        Also, the first few articles I did read in Scrolls had
        me frustrated. Practically every one of those guys all
        either couldn't care less about POTA or just plain
        couldn't remember anything about it! Almost got the
        feeling they were laughing at "us" for even having a
        fanzine! But I do sincerely appreciate the time and
        effort that goes into the zine...Thanks to Dave and
        all involved!

        Tim




        <.html
        Group: potadg Message: 21498 From: veetus@earthlink.net Date: 10/9/2004
        Subject: Re: Helen's Novel - or at least SUMMARY OF Chapter 2
        .html
        .html
          "Ulysse Merou, a mere journalist, has been brought along by Antelle to document the mission and perhaps to be a bit of a diversion for the professor".
         
         Helen! And you had problems with my take on Brent.  - - - Jeff
         
        ----- Original Message -----
        From: ape_mom
        Sent: Wednesday, October 06, 2004 9:03 AM
        Subject: [PotaDG] Re: Helen's Novel - or at least SUMMARY OF Chapter 2


        Ok, Michael.  Pay up!


        In chapter two we meet Ulysse Merou, a man with a family living in a
        self-sufficient spaceship.  He begins by telling us the story of his
        experiences in a voyage with two other men, Professor Antelle and
        Arthur Levain, to the distant and super gigantic star known to some
        as Betelgeuse.

        Professor Antelle, we learn, is a wealthy scientist, perhaps somewhat
        lacking in social graces and without a lot of hope for humanity, who
        puts his entire fortune on the line to pull together this mission.  
        The ship is equipped with a lovely vegetable garden and Antelle even
        thought to plant flowers.  Ulysse Merou, a mere journalist, has been
        brought along by Antelle to document the mission and perhaps to be a
        bit of a diversion for the professor.   Arthur Levaine is a young
        physician.  In addition to the crew, there are birds and butterflies
        and a young, well-trained chimp named Hector.

        The Professor's decision to travel to Betelgeuse rather than a
        closer star seems to be a good one.  They accelerate for a year
        (traveling at the speed of light minus epsilon) and decelerate for a
        year, reaching their destination in barely more than two years –
        about the time it would have taken to reach a closer star if
        traveling at a lesser speed.   (This is Patrick's turf, so I will
        leave that to him.)  The flight goes off without a hitch and the men
        soon see Betelgeuse and, we will learn in Chapter 3, its planets.







        --- In PotaDG@yahoogroups.com, "Michael Whitty" <Michael.Whitty@d...>
        wrote:
        >
        > Well, come on!  Nothing's FREE!
        >
        > Michael
        >
        > --- In PotaDG@yahoogroups.com, "ape_mom" <sand_hill_school@y...>
        > wrote:
        > >
        > > OUCH!!!
        > >
        > >
        > > --- In PotaDG@yahoogroups.com, "Whitty, Michael"
        > > <Michael.Whitty@d...> wrote:
        > > > No - just PROMISED that I WOULD!!!  ;)
        > > > 
        > > > Your next Peppermint Crisp is looking dubious!
        > > >
        > > > Michael
        > > >




        <.html
        <.html
        Group: potadg Message: 21499 From: veetus@earthlink.net Date: 10/9/2004
        Subject: Re: Helen's Novel - or at least SUMMARY OF Chapter 2
        .html
        .html
          Considering who directed POTA2001, it's ironic that Betelgeuse is pronounced "Beetlejuice". - - - Jeff
         
        ----- Original Message -----
        From: ape_mom
        Sent: Wednesday, October 06, 2004 9:03 AM
        Subject: [PotaDG] Re: Helen's Novel - or at least SUMMARY OF Chapter 2


        Ok, Michael.  Pay up!


        In chapter two we meet Ulysse Merou, a man with a family living in a
        self-sufficient spaceship.  He begins by telling us the story of his
        experiences in a voyage with two other men, Professor Antelle and
        Arthur Levain, to the distant and super gigantic star known to some
        as Betelgeuse.

        Professor Antelle, we learn, is a wealthy scientist, perhaps somewhat
        lacking in social graces and without a lot of hope for humanity, who
        puts his entire fortune on the line to pull together this mission.  
        The ship is equipped with a lovely vegetable garden and Antelle even
        thought to plant flowers.  Ulysse Merou, a mere journalist, has been
        brought along by Antelle to document the mission and perhaps to be a
        bit of a diversion for the professor.   Arthur Levaine is a young
        physician.  In addition to the crew, there are birds and butterflies
        and a young, well-trained chimp named Hector.

        The Professor's decision to travel to Betelgeuse rather than a
        closer star seems to be a good one.  They accelerate for a year
        (traveling at the speed of light minus epsilon) and decelerate for a
        year, reaching their destination in barely more than two years –
        about the time it would have taken to reach a closer star if
        traveling at a lesser speed.   (This is Patrick's turf, so I will
        leave that to him.)  The flight goes off without a hitch and the men
        soon see Betelgeuse and, we will learn in Chapter 3, its planets.







        --- In PotaDG@yahoogroups.com, "Michael Whitty" <Michael.Whitty@d...>
        wrote:
        >
        > Well, come on!  Nothing's FREE!
        >
        > Michael
        >
        > --- In PotaDG@yahoogroups.com, "ape_mom" <sand_hill_school@y...>
        > wrote:
        > >
        > > OUCH!!!
        > >
        > >
        > > --- In PotaDG@yahoogroups.com, "Whitty, Michael"
        > > <Michael.Whitty@d...> wrote:
        > > > No - just PROMISED that I WOULD!!!  ;)
        > > > 
        > > > Your next Peppermint Crisp is looking dubious!
        > > >
        > > > Michael
        > > >




        <.html
        <.html
        Group: potadg Message: 21500 From: veetus@earthlink.net Date: 10/9/2004
        Subject: Re: Murdoch Gives (Very) Green Light to Fox
        .html
        .html
          Murdoch is moving his company to the U.S. He'd do anything to make a buck. He's not an Aussie any more. He'd sell his own mother. What chance does POTA have? Fox science fiction sucks. They had quite a legacy: "Day the Earth Stood Still", "The Fly", "Fantastic Voyage", POTA, "Star Wars", "Alien". Many more. "It's all dust". The next POTA should be an allegory of how the corporations are going to turn the Middle East into a shopping mall, after everybody's done dying. Murdoch would greenlight that. - - - Jeff
         
        ----- Original Message -----
        Sent: Thursday, October 07, 2004 5:30 AM
        Subject: [PotaDG] Murdoch Gives (Very) Green Light to Fox

        Oh!  That Aussie who owns Fox!  Can't fellow Aussie Michael Whitty get this guy to do anything with APES?

        Murdoch Gives (Very) Green Light to Fox

        Saying that News Corp's Fox Entertainment Group is "on a great streak," News Corp Chairman Rupert Murdoch said Tuesday that the company plans to increase production at its 20th Century Fox film studio and its Fox Searchlight Unit. The studio, which released 11 films during it last fiscal year, has been given the go-ahead to turn out 20-25 films in the current fiscal year, while Searchlight, which released 8, will raise its total to 11. Murdoch indicated that his decision to increase production was based largely on the performance of The Day After Tomorrow, which was responsible for $540 million in ticket sales worldwide, and I, Robot, which pulled in more than $314 million.

        News Corp May Buy Up Fox Entertainment Shares
        News Corp is likely to buy out the 18 percent of Fox Entertainment Group that it doesn't already own, its chairman, Rupert Murdoch, said Tuesday. He added that at Fox's current market price, about $5 billion, "Fox would be very cheap." However, Murdoch told the Goldman Sachs investors conference that News Corp is "not in a hurry" to accomplish the buy-out. It may be hinged, analysts said, to the success -- or failure -- of Murdoch's ability to win approval from Australian investors to move News Corp's corporate headquarters from Australia to the U.S.





        <.html
        <.html
        Group: potadg Message: 21501 From: ape_mom Date: 10/9/2004
        Subject: Re: Helen's Novel - or at least SUMMARY OF Chapter 2
        .html
        Jeff!!

        You read it!!

        ==Helen


        --- In PotaDG@yahoogroups.com, <veetus@e...> wrote:
        > "Ulysse Merou, a mere journalist, has been brought along by
        Antelle to document the mission and perhaps to be a bit of a
        diversion for the professor".
        >
        > Helen! And you had problems with my take on Brent. - - - Jeff
        >
        > ----- Original Message -----
        > From: ape_mom
        > To: PotaDG@yahoogroups.com
        > Sent: Wednesday, October 06, 2004 9:03 AM
        > Subject: [PotaDG] Re: Helen's Novel - or at least SUMMARY OF
        Chapter 2
        >
        >
        >
        > Ok, Michael. Pay up!
        >
        >
        > In chapter two we meet Ulysse Merou, a man with a family living
        in a
        > self-sufficient spaceship. He begins by telling us the story of
        his
        > experiences in a voyage with two other men, Professor Antelle and
        > Arthur Levain, to the distant and super gigantic star known to
        some
        > as Betelgeuse.
        >
        > Professor Antelle, we learn, is a wealthy scientist, perhaps
        somewhat
        > lacking in social graces and without a lot of hope for humanity,
        who
        > puts his entire fortune on the line to pull together this
        mission.
        > The ship is equipped with a lovely vegetable garden and Antelle
        even
        > thought to plant flowers. Ulysse Merou, a mere journalist, has
        been
        > brought along by Antelle to document the mission and perhaps to
        be a
        > bit of a diversion for the professor. Arthur Levaine is a young
        > physician. In addition to the crew, there are birds and
        butterflies
        > and a young, well-trained chimp named Hector.
        >
        > The Professor's decision to travel to Betelgeuse rather than a
        > closer star seems to be a good one. They accelerate for a year
        > (traveling at the speed of light minus epsilon) and decelerate
        for a
        > year, reaching their destination in barely more than two years -
        > about the time it would have taken to reach a closer star if
        > traveling at a lesser speed. (This is Patrick's turf, so I will
        > leave that to him.) The flight goes off without a hitch and the
        men
        > soon see Betelgeuse and, we will learn in Chapter 3, its planets.
        >
        >
        >
        >
        >
        >
        >
        > --- In PotaDG@yahoogroups.com, "Michael Whitty"
        <Michael.Whitty@d...>
        > wrote:
        > >
        > > Well, come on! Nothing's FREE!
        > >
        > > Michael
        > >
        > > --- In PotaDG@yahoogroups.com, "ape_mom"
        <sand_hill_school@y...>
        > > wrote:
        > > >
        > > > OUCH!!!
        > > >
        > > >
        > > > --- In PotaDG@yahoogroups.com, "Whitty, Michael"
        > > > <Michael.Whitty@d...> wrote:
        > > > > No - just PROMISED that I WOULD!!! ;)
        > > > >
        > > > > Your next Peppermint Crisp is looking dubious!
        > > > >
        > > > > Michael
        > > > >
        >
        >
        >
        >
        >
        >
        >
        >
        >
        >
        >
        > --------------------------------------------------------------------
        ----------
        > Yahoo! Groups Links
        >
        > a.. To visit your group on the web, go to:
        > http://groups.yahoo.com/group/PotaDG/
        >
        > b.. To unsubscribe from this group, send an email to:
        > PotaDG-unsubscribe@yahoogroups.com
        >
        > c.. Your use of Yahoo! Groups is subject to the Yahoo! Terms of
        Service.
        <.html
        Group: potadg Message: 21502 From: Dave B Date: 10/9/2004
        Subject: Re: Adventure Comics
        .html
        --- In PotaDG@yahoogroups.com , Tim Parati <apefan23@y...>
        wrote:

        > Also, the first few articles I did read in Scrolls had
        > me frustrated. Practically every one of those guys all
        > either couldn't care less about POTA or just plain
        > couldn't remember anything about it! Almost got the
        > feeling they were laughing at "us" for even having a
        > fanzine! But I do sincerely appreciate the time and
        > effort that goes into the zine...Thanks to Dave and
        > all involved!

        Thanks Tim. Believe me the team at Scrolls share in your
        frustration. That some of the guys couldn't care less... yes I
        agree. That they were laughing at 'us'... No, I don't think so. They
        may not have given us the answers we were looking for but they
        ARE all professionals who took time out from busy schedules to
        answer our questions.

        And please, make that 'thanks to JOHN and all involved'
        otherwise he'll be on the phone and launching into one of his
        legendary tirades - and then I'll have no choice but to phone the
        police - and then... You know how it goes. :0)

        Dave B
        <.html
        Group: potadg Message: 21503 From: Kasey Taylor Cooper Date: 10/9/2004
        Subject: Re: Helen's Novel - or at least SUMMARY OF Chapter 2
        .html
        .html I does mention that Professor Antelle was going to take Ulysse's, not just because he was a journalist, but also because he was a fairly good chess player. The idea that he went along as a distraction seems okay to me. Besides the fact that he intented to write about his adventure once they got home.
         
        Kasey/Undomiel
          
         
        --- "ape_mom" <sand_hill_school@...> wrote:
         
        From: "ape_mom" <sand_hill_school@...>
        Date: Sat, 09 Oct 2004 10:53:28 -0000
        To: PotaDG@yahoogroups.com
        Subject: [PotaDG] Re: Helen's Novel - or at least SUMMARY OF Chapter 2


        Jeff!!

        You read it!!

        ==Helen


        --- In PotaDG@yahoogroups.com, <veetus@e...> wrote:
        >   "Ulysse Merou, a mere journalist, has been brought along by
        Antelle to document the mission and perhaps to be a bit of a
        diversion for the professor".
        >
        >  Helen! And you had problems with my take on Brent.  - - - Jeff
        >
        >   ----- Original Message -----
        >   From: ape_mom
        >   To: PotaDG@yahoogroups.com
        >   Sent: Wednesday, October 06, 2004 9:03 AM
        >   Subject: [PotaDG] Re: Helen's Novel - or at least SUMMARY OF
        Chapter 2
        >
        >
        >
        >   Ok, Michael.  Pay up!
        >
        >
        >   In chapter two we meet Ulysse Merou, a man with a family living
        in a
        >   self-sufficient spaceship.  He begins by telling us the story of
        his
        >   experiences in a voyage with two other men, Professor Antelle and
        >   Arthur Levain, to the distant and super gigantic star known to
        some
        >   as Betelgeuse.
        >
        >   Professor Antelle, we learn, is a wealthy scientist, perhaps
        somewhat
        >   lacking in social graces and without a lot of hope for humanity,
        who
        >   puts his entire fortune on the line to pull together this
        mission.  
        >   The ship is equipped with a lovely vegetable garden and Antelle
        even
        >   thought to plant flowers.  Ulysse Merou, a mere journalist, has
        been
        >   brought along by Antelle to document the mission and perhaps to
        be a
        >   bit of a diversion for the professor.   Arthur Levaine is a young
        >   physician.  In addition to the crew, there are birds and
        butterflies
        >   and a young, well-trained chimp named Hector.
        >
        >   The Professor's decision to travel to Betelgeuse rather than a
        >   closer star seems to be a good one.  They accelerate for a year
        >   (traveling at the speed of light minus epsilon) and decelerate
        for a
        >   year, reaching their destination in barely more than two years -
        >   about the time it would have taken to reach a closer star if
        >   traveling at a lesser speed.   (This is Patrick's turf, so I will
        >   leave that to him.)  The flight goes off without a hitch and the
        men
        >   soon see Betelgeuse and, we will learn in Chapter 3, its planets.
        >
        >
        >
        >
        >
        >
        >
        >   --- In PotaDG@yahoogroups.com, "Michael Whitty"
        <Michael.Whitty@d...>
        >   wrote:
        >   >
        >   > Well, come on!  Nothing's FREE!
        >   >
        >   > Michael
        >   >
        >   > --- In PotaDG@yahoogroups.com, "ape_mom"
        <sand_hill_school@y...>
        >   > wrote:
        >   > >
        >   > > OUCH!!!
        >   > >
        >   > >
        >   > > --- In PotaDG@yahoogroups.com, "Whitty, Michael"
        >   > > <Michael.Whitty@d...> wrote:
        >   > > > No - just PROMISED that I WOULD!!!  ;)
        >   > > > 
        >   > > > Your next Peppermint Crisp is looking dubious!
        >   > > >
        >   > > > Michael
        >   > > >
        >
        >
        >
        >
        >        
        >              
        >             
        >       
        >       
        >
        >
        > --------------------------------------------------------------------
        ----------
        >   Yahoo! Groups Links
        >
        >     a.. To visit your group on the web, go to:
        >     http://groups.yahoo.com/group/PotaDG/
        >      
        >     b.. To unsubscribe from this group, send an email to:
        >     PotaDG-unsubscribe@yahoogroups.com
        >      
        >     c.. Your use of Yahoo! Groups is subject to the Yahoo! Terms of
        Service.




        <.html
        <.html
        Group: potadg Message: 21504 From: Alan Maxwell Date: 10/9/2004
        Subject: Re: Something BIG for Planet of the Apes
        .html
        "Whitty, Michael" < Michael.Whitty@...>
        > Yeah, and I was going to really rub it in to Alan because he is Scottish.

        Give me a story about a kilted ape who discovers the delights of a
        deep-fried pizza and a bottle of Irn Bru and I'll forgive you.

        Alan
        <.html
        Group: potadg Message: 21505 From: veetus@earthlink.net Date: 10/9/2004
        Subject: Re: Adventure Comics
        .html
        I disagree about the complaints that the people interviewed in "Scrolls"
        didn't like POTA. That's a very important part of POTA history and I prefer
        it unvarnished. If the comics were produced by people who didn't care for
        POTA that's an important thing to know, and of course for MOST of the people
        who worked on POTA (whether movies, TV or comics) it was an assignment, a
        way to pay the bills. Everyone's entitled to their own opinion. To not want
        to hear from people who didn't like it, or want them to pretend they did
        like it is revisionism. That's fine for a fluff piece but not for a quality
        endeavor like "Scrolls". - - - Jeff

        ----- Original Message -----
        From: "Dave B" <smugster@...>
        To: <PotaDG@yahoogroups.com>
        Sent: Saturday, October 09, 2004 11:15 AM
        Subject: [PotaDG] Re: Adventure Comics


        >
        >
        > --- In PotaDG@yahoogroups.com, Tim Parati <apefan23@y...>
        > wrote:
        >
        > > Also, the first few articles I did read in Scrolls had
        > > me frustrated. Practically every one of those guys all
        > > either couldn't care less about POTA or just plain
        > > couldn't remember anything about it! Almost got the
        > > feeling they were laughing at "us" for even having a
        > > fanzine! But I do sincerely appreciate the time and
        > > effort that goes into the zine...Thanks to Dave and
        > > all involved!
        >
        > Thanks Tim. Believe me the team at Scrolls share in your
        > frustration. That some of the guys couldn't care less... yes I
        > agree. That they were laughing at 'us'... No, I don't think so. They
        > may not have given us the answers we were looking for but they
        > ARE all professionals who took time out from busy schedules to
        > answer our questions.
        >
        > And please, make that 'thanks to JOHN and all involved'
        > otherwise he'll be on the phone and launching into one of his
        > legendary tirades - and then I'll have no choice but to phone the
        > police - and then... You know how it goes. :0)
        >
        > Dave B
        >
        >
        >
        >
        >
        >
        >
        > Yahoo! Groups Links
        >
        >
        >
        >
        >
        >
        >
        <.html
        Group: potadg Message: 21506 From: Alan Maxwell Date: 10/9/2004
        Subject: Re: Adventure Comics
        .html
        Jeff <veetus@...> wrote:
        >
        > I disagree about the complaints that the people interviewed in "Scrolls"
        > didn't like POTA. That's a very important part of POTA history and I
        prefer
        > it unvarnished. If the comics were produced by people who didn't care for
        > POTA that's an important thing to know, and of course for MOST of the
        people
        > who worked on POTA (whether movies, TV or comics) it was an assignment, a
        > way to pay the bills. Everyone's entitled to their own opinion. To not
        want
        > to hear from people who didn't like it, or want them to pretend they did
        > like it is revisionism. That's fine for a fluff piece but not for a
        quality
        > endeavor like "Scrolls". - - - Jeff

        Well said Jeff - that's pretty much what I tried to say on the matter a
        while back but ended up rambling on a bit. Succinctly put!

        Alan
        <.html
        Group: potadg Message: 21507 From: Tim Parati Date: 10/9/2004
        Subject: Re: Adventure Comics
        .html
        I honestly meant to write "John"!...do forgive
        me...I!!

        Tim

        --- Dave B <smugster@...> wrote:

        > And please, make that 'thanks to JOHN and all
        > involved'
        > otherwise he'll be on the phone and launching into
        > one of his
        > legendary tirades - and then I'll have no choice but
        > to phone the
        > police - and then... You know how it goes. :0)
        >
        > Dave B
        >
        >
        >
        >




        <.html
        Group: potadg Message: 21508 From: veetus@earthlink.net Date: 10/9/2004
        Subject: OT: Simpsons
        .html
        .html
          Fox has announced the Season 5 DVD of "The Simpsons", for Dec. 21. This season included "Rosebud" and "Deep Space Homer", which have POTA references. The POTA musical was in Season 7, which might turn up in 2005 at this rate. "Simpsons" is the best-selling TV show on DVD and has helped make Fox the top dog of TV show DVD.
          The Sept. 2004 issue of "Lee's Toy Review" has a picture guide to all the "Simpsons" toys put out by Playmates (including "Deep Space Homer" and "Rosebud'), as well as pics of Sideshow's "Forbidden Zone Taylor" and the Taylor/Nova 2-pack. - - - Jeff
         
        <.html
        <.html
        Group: potadg Message: 21509 From: Michael Whitty Date: 10/9/2004
        Subject: Adventure Comics
        .html
        I actually agree too and it think it explains a lot that these guys were
        NOT POTA fans - it's the reason I think POTA went to ape poo-poo!

        However, my "complaint" is NOT that these guys said they were not
        fans/don't remember....that's a matter for historical record.

        My problem is that the articles then went on to glorify these guys for
        their NON-POTA stuff. And it's more a comment of PERSONAL
        DISSATISFACTION than a complaint - I would have said "OK, thanks for
        that", saved the space and run one of the comic related articles Scrolls
        has on hold.

        But I don't run Scrolls - if I did you would be lucky to get one copy
        out every 6 YEARS! ;)

        I just wanted to give you feedback that was the same reaction from every
        single person (the whole two of them) I discussed this issue of Scrolls
        with.

        I'd love to hear from John why he decided to go with the articles
        anyway. John, are you reading this? A simple "get stuffed" if you
        don't want to respond would suffice! ;)

        Michael


        >
        > ----------
        > From: Alan Maxwell[SMTP:ALAN@...]
        > Sent: Sunday, October 10, 2004 5:30:56 AM
        > To: PotaDG@yahoogroups.com
        > Subject: Re: [PotaDG] Re: Adventure Comics
        > Auto forwarded by a Rule
        >
        Jeff <veetus@...> wrote:
        >
        > I disagree about the complaints that the people interviewed in
        "Scrolls"
        > didn't like POTA. That's a very important part of POTA history and I
        prefer
        > it unvarnished. If the comics were produced by people who didn't care
        for
        > POTA that's an important thing to know, and of course for MOST of the
        people
        > who worked on POTA (whether movies, TV or comics) it was an
        assignment, a
        > way to pay the bills. Everyone's entitled to their own opinion. To not
        want
        > to hear from people who didn't like it, or want them to pretend they
        did
        > like it is revisionism. That's fine for a fluff piece but not for a
        quality
        > endeavor like "Scrolls". - - - Jeff

        Well said Jeff - that's pretty much what I tried to say on the matter a
        while back but ended up rambling on a bit. Succinctly put!

        Alan
        <.html
        Group: potadg Message: 21510 From: veetus@earthlink.net Date: 10/9/2004
        Subject: Re: Adventure Comics
        .html
        .html
          Well, modern day Apeists like Tim Burton and Adventure's Charles Marshall are self-described "fans" too, and they didn't fare much better in telling "Ape" stories than the non-fans. Charlton Heston has never pretended to be a fan; he didn't like Boulle's book but just liked the movie idea and the people he worked with. He never bothered to see the sequels. Yet he did good work. Even Roddy couldn't remember anything about "Battle" in his "Behind the POTA" Spec. Edition interview. - - - Jeff
         
        ----- Original Message -----
        Sent: Saturday, October 09, 2004 3:01 PM
        Subject: [PotaDG] Adventure Comics

        I actually agree too and it think it explains a lot that these guys were
        NOT POTA fans - it's the reason I think POTA went to ape poo-poo!

        However, my "complaint" is NOT that these guys said they were not
        fans/don't remember....that's a matter for historical record.

        My problem is that the articles then went on to glorify these guys for
        their NON-POTA stuff.  And it's more a comment of PERSONAL
        DISSATISFACTION than a complaint -  I would have said "OK, thanks for
        that", saved the space and run one of the comic related articles Scrolls
        has on hold.

        But I don't run Scrolls - if I did you would be lucky to get one copy
        out every 6 YEARS!  ;)

        I just wanted to give you feedback that was the same reaction from every
        single person (the whole two of them) I discussed this issue of Scrolls
        with.

        I'd love to hear from John why he decided to go with the articles
        anyway.  John, are you reading this?  A simple "get stuffed" if you
        don't want to respond would suffice!  ;)

        Michael


        >
        > ----------
        > From:       Alan Maxwell[SMTP:ALAN@...]
        > Sent:       Sunday, October 10, 2004 5:30:56 AM
        > To:       PotaDG@yahoogroups.com
        > Subject:       Re: [PotaDG] Re: Adventure Comics
        > Auto forwarded by a Rule
        >
        Jeff <veetus@...> wrote:
        >
        >   I disagree about the complaints that the people interviewed in
        "Scrolls"
        > didn't like POTA. That's a very important part of POTA history and I
        prefer
        > it unvarnished. If the comics were produced by people who didn't care
        for
        > POTA that's an important thing to know, and of course for MOST of the
        people
        > who worked on POTA (whether movies, TV or comics) it was an
        assignment, a
        > way to pay the bills. Everyone's entitled to their own opinion. To not
        want
        > to hear from people who didn't like it, or want them to pretend they
        did
        > like it is revisionism. That's fine for a fluff piece but not for a
        quality
        > endeavor like "Scrolls". - - - Jeff

        Well said Jeff - that's pretty much what I tried to say on the matter a
        while back but ended up rambling on a bit. Succinctly put!

        Alan



        <.html
        <.html
        Group: potadg Message: 21511 From: Michael Whitty Date: 10/9/2004
        Subject: "Real" Fans
        .html
        I don't know about Charles Marshall, but I imagine Tim Burton uses the
        term "POTA FAN" very LOOSELY, Jeff! Just like when the Brady Bunch
        movie was coming out, suddenly people who watched and hated it were
        proclaiming to be "fans", similarly I get people telling me all the time
        how they are POTA fans and they really just remember watching one of the
        TV Shows.

        I think it would be difficult for a real fan, who is also a
        professional, to get it wrong (particularly is they were applying their
        professional skill to the task at hand). But I may be wrong (although
        that would only be the second time EVER so I doubt it! ;).

        Eg Nigo from "A Bathing Ape" and his involvement in Medicoms.

        Another eg Jeff's involvement in AC; Dave's involvement in SS.

        I could keep going (and I will - Greg P's card set, Neil and Dave's
        involvement in BTB!), but I think we would agree that 99% of the time
        this is the case.

        Michael



        >
        > ----------
        > From: veetus@...[SMTP:VEETUS@...]
        > Sent: Sunday, October 10, 2004 8:20:05 AM
        > To: PotaDG@yahoogroups.com
        > Subject: Re: [PotaDG] Adventure Comics
        > Auto forwarded by a Rule
        >
        Well, modern day Apeists like Tim Burton and Adventure's Charles
        Marshall
        are self-described "fans" too, and they didn't fare much better in
        telling
        "Ape" stories than the non-fans. - - - Jeff
        <.html
        Group: potadg Message: 21512 From: Michael Whitty Date: 10/9/2004
        Subject: Mr H
        .html
        He did good ACTING!

        His arrogance and need to control nearly stopped the franchise after
        "Beneath" and that is NOT a good thing (or might it have been - RORY?).

        Michael

        >
        > ----------
        > From: veetus@...[SMTP:VEETUS@...]
        > Sent: Sunday, October 10, 2004 8:20:05 AM
        > To: PotaDG@yahoogroups.com
        > Subject: Re: [PotaDG] Adventure Comics
        > Auto forwarded by a Rule
        >
        Charlton Heston has never pretended to be a fan; he didn't like Boulle's
        book but just liked the movie idea and the people he worked with. He
        never bothered to see the sequels. Yet he did good work- - - Jeff
        <.html
        Group: potadg Message: 21513 From: Michael Whitty Date: 10/9/2004
        Subject: What is a "Real Fan"
        .html
        Maybe that was the drugs Jeff? ;)

        I wonder why. He sure remembered heaps else and I only just re-watched
        his two hour "Behind" interview - he WAS a fan!

        So....what determines a "real fan"?

        Is it the guy with the biggest toy collection?

        Is there a criteria?

        Michael

        >
        > ----------
        > From: veetus@...[SMTP:VEETUS@...]
        > Sent: Sunday, October 10, 2004 8:20:05 AM
        > To: PotaDG@yahoogroups.com
        > Subject: Re: [PotaDG] Adventure Comics
        > Auto forwarded by a Rule
        >

        Even Roddy couldn't remember anything about "Battle" in his "Behind
        the POTA" Spec. Edition interview. - - - Jeff
        <.html
        Group: potadg Message: 21514 From: Michael Whitty Date: 10/9/2004
        Subject: Time of the McFarlane
        .html
        Jeff,

        It would be great to see an interview with Todd.

        Do you think you could find him and ask him some questions?

        Michael

        -----Original Message-----
        Sent: Sunday, 10 October 2004 8:25 AM
        To: whitty@...
        Subject: Time of the McFarlane


        --- In pota@yahoogroups.com, <veetus@e...> wrote:

        I don't think Fox was as big a corporate entity in the '70's and the
        POTA era had ended around the time of "Time of the Apes". Plus, it was a

        Japanese production so maybe they decided why bother.

        I don't know how serious McFarlane was with his TV show. I remember a
        quote where he said he was a POTA fan and if Fox wasn't going to get
        their act together with the new movie, he'd do his own POTA. He could've

        probably done it if it was different enough (I can't really think of
        anything McFarlane has produced in movies or TV except some "Spawn"
        things).
        Maybe he was just trying to kick start it as a fan, and it worked. About
        a
        week later Fox announced they were moving ahead on what became POTA2001.
        - - -
        Jeff
        <.html
        Group: potadg Message: 21515 From: Haristas@aol.com Date: 10/9/2004
        Subject: Re: Mr H
        .html
        .html.html In a message dated 10/9/04 6:52:35 PM Eastern Daylight Time, whitty@... writes:


        He did good ACTING!

        His arrogance and need to control nearly stopped the franchise after
        "Beneath" and that is NOT a good thing (or might it have been - RORY?).

        Michael


        I don't know where Jeff gets his information that Heston didn't like Boulle's novel.  I've always got the impression he thought it interesting but not cinematic.

        Heston's opinion of APES has been mixed over the years.  He was obviously enthusiastic about it in the beginning and throughout the filming, otherwise he'd have made a point to say he wasn't.  He's sure put down other movies he's done easily enough.  Yet, he did write that he was initially disappointed with APES when he first saw it at a preview, but I think it was his role only that interested him and that he wished there was more to it.

        There was a time in the seventies and early eighties were I think he was trying to avoid the subject of APES.  He had as little to do with BENEATH as he possibly could (and I think he had every right to feel a sequel wasn't necessary), and had nothing to do with the rest of it.  I think he thought that everything about APES outside of his film was juvenile and the cult surrounding it silly.  Joe Russo would know more about it since he'd interviewed him during this time.  I've listened to some of a phone conversation they had and Heston seemed very open and enjoyable discussing the movie, he also thought that the real guy to talk to was Frank Schaffner but that was never to be.

        Later, I think that Heston came to appreciate the status the original movie has come to enjoy as a true movie classic, and the residual checks it brought in, but I'd never say Heston was an APES fan as we are.

        -- Rory
        <.html
        <.html
        <.html
        Group: potadg Message: 21516 From: veetus@earthlink.net Date: 10/9/2004
        Subject: Re: Mr H
        .html
        .html
          Heston was a sci-fi fan, or at least interested in it. He also took "Soylent Green" under his wing and got that made when it was just a book ("Make Room"). He was still interested in social commentary back then. Heston has said this a lot; in "Behind", in his autobiography, in interviews. Jacobs gave him the book to read and he wasn't impressed with the writing, but he thought the ape society would make a terrific movie. Rod Serling wasn't crazy about the book either, but he said it conatined a whopper of a sci-fi idea. - - - Jeff
         
        ----- Original Message -----
        Sent: Saturday, October 09, 2004 5:20 PM
        Subject: [PotaDG] Re: Mr H

        In a message dated 10/9/04 6:52:35 PM Eastern Daylight Time, whitty@... writes:


        He did good ACTING!

        His arrogance and need to control nearly stopped the franchise after
        "Beneath" and that is NOT a good thing (or might it have been - RORY?).

        Michael


        I don't know where Jeff gets his information that Heston didn't like Boulle's novel.  I've always got the impression he thought it interesting but not cinematic.

        Heston's opinion of APES has been mixed over the years.  He was obviously enthusiastic about it in the beginning and throughout the filming, otherwise he'd have made a point to say he wasn't.  He's sure put down other movies he's done easily enough.  Yet, he did write that he was initially disappointed with APES when he first saw it at a preview, but I think it was his role only that interested him and that he wished there was more to it.

        There was a time in the seventies and early eighties were I think he was trying to avoid the subject of APES.  He had as little to do with BENEATH as he possibly could (and I think he had every right to feel a sequel wasn't necessary), and had nothing to do with the rest of it.  I think he thought that everything about APES outside of his film was juvenile and the cult surrounding it silly.  Joe Russo would know more about it since he'd interviewed him during this time.  I've listened to some of a phone conversation they had and Heston seemed very open and enjoyable discussing the movie, he also thought that the real guy to talk to was Frank Schaffner but that was never to be.

        Later, I think that Heston came to appreciate the status the original movie has come to enjoy as a true movie classic, and the residual checks it brought in, but I'd never say Heston was an APES fan as we are.

        -- Rory

        <.html
        <.html
        Group: potadg Message: 21517 From: veetus@earthlink.net Date: 10/9/2004
        Subject: Re: Mr H
        .html
        .html
          What did Heston think of the sequels? He's never seen them. He claimed on TV that he was going to watch them during the 30th Anniversary marathon but I met him in '99 and he admitted he didn't. He watched only "Beneath". He's proud of the original, which is what he signed on for, but what he said in his diary in 1969, that sequels would only be "more adventures among the monkeys", was apparently his opinion into the 21st Century. And that's his right. - - - Jeff
         
        ----- Original Message -----
        Sent: Saturday, October 09, 2004 5:20 PM
        Subject: [PotaDG] Re: Mr H

        In a message dated 10/9/04 6:52:35 PM Eastern Daylight Time, whitty@... writes:


        He did good ACTING!

        His arrogance and need to control nearly stopped the franchise after
        "Beneath" and that is NOT a good thing (or might it have been - RORY?).

        Michael


        I don't know where Jeff gets his information that Heston didn't like Boulle's novel.  I've always got the impression he thought it interesting but not cinematic.

        Heston's opinion of APES has been mixed over the years.  He was obviously enthusiastic about it in the beginning and throughout the filming, otherwise he'd have made a point to say he wasn't.  He's sure put down other movies he's done easily enough.  Yet, he did write that he was initially disappointed with APES when he first saw it at a preview, but I think it was his role only that interested him and that he wished there was more to it.

        There was a time in the seventies and early eighties were I think he was trying to avoid the subject of APES.  He had as little to do with BENEATH as he possibly could (and I think he had every right to feel a sequel wasn't necessary), and had nothing to do with the rest of it.  I think he thought that everything about APES outside of his film was juvenile and the cult surrounding it silly.  Joe Russo would know more about it since he'd interviewed him during this time.  I've listened to some of a phone conversation they had and Heston seemed very open and enjoyable discussing the movie, he also thought that the real guy to talk to was Frank Schaffner but that was never to be.

        Later, I think that Heston came to appreciate the status the original movie has come to enjoy as a true movie classic, and the residual checks it brought in, but I'd never say Heston was an APES fan as we are.

        -- Rory

        <.html
        <.html
        Group: potadg Message: 21518 From: veetus@earthlink.net Date: 10/10/2004
        Subject: OT: "Twilight Zone" DVD update
        .html
        .html
          I've mentioned before that the original classic "Twilight Zone" is coming to DVD in season sets. There's some more news at www.tvshowsondvd.com  . Extras will include episode commentaries (including Ted Post; when's he gonna do one for "Beneath"?); isolated music scores (including Jerry Goldsmith). And Rod Serling extras (outtakes; a lecture at Sherwood Oaks College). And the distributor says these are remastered high definition transfers from the original negatives and soundtracks. Season One arrives Dec. 28 and the others will be here shortly. - - - Jeff
         
        <.html
        <.html
        Group: potadg Message: 21519 From: ron kenner Date: 10/10/2004
        Subject: Re: OT: "Twilight Zone" DVD update
        .html


        we have discussed a fan project that is the first pota movie compressed into TZ format.

        was wondering if there are any plans to put that on a DVD.

        (my download at home is VERY slow, and at work would be inappropriate.)

        rob/ron



        go vegetarian!

        <.html
        Group: potadg Message: 21520 From: Haristas@aol.com Date: 10/10/2004
        Subject: Re: OT: "Twilight Zone" DVD update
        .html
        .html.html In a message dated 10/10/04 1:48:03 AM Eastern Daylight Time, veetus@... writes:


        Extras will include episode commentaries (including Ted Post; when's he gonna do one for "Beneath"?)


        I don't think even Ted Post would have much good to say about BENEATH.

        -- Rory
        <.html
        <.html
        <.html
        Group: potadg Message: 21521 From: ron kenner Date: 10/10/2004
        Subject: Re: OT: "Twilight Zone" DVD update
        .html
        he was mostly a tv director, right?

        Haristas@... wrote:
        In a message dated 10/10/04 1:48:03 AM Eastern Daylight Time, veetus@... writes:


        Extras will include episode commentaries (including Ted Post; when's he gonna do one for "Beneath"?)


        I don't think even Ted Post would have much good to say about BENEATH.

        -- Rory



        go vegetarian!

        <.html
        Group: potadg Message: 21522 From: Haristas@aol.com Date: 10/10/2004
        Subject: Re: OT: "Twilight Zone" DVD update
        .html
        .html.html In a message dated 10/10/04 11:38:16 AM Eastern Daylight Time, brindlepit2002@... writes:


        he was mostly a tv director, right?


        Ted Post?  Yes, prior to BENEATH, I think the only other theatrical movie he'd done was HANG 'EM HIGH (1968).  Watch that movie and you'll see a lot of the style in BENEATH.

        Post also directed the second Dirty Harry movie MAGNUM FORCE (1973), and if you rent that DVD there's a featurette where you can watch Post directing several scenes.  From that you can imagine him working on BENEATH.

        -- Rory
        <.html
        <.html
        <.html
        Group: potadg Message: 21523 From: ron kenner Date: 10/10/2004
        Subject: Re: OT: "Twilight Zone" DVD update
        .html
        was "hang em high" a spaghetti western, or simply a western with eastwood?

        Haristas@... wrote:
        In a message dated 10/10/04 11:38:16 AM Eastern Daylight Time, brindlepit2002@... writes:


        he was mostly a tv director, right?


        Ted Post?  Yes, prior to BENEATH, I think the only other theatrical movie he'd done was HANG 'EM HIGH (1968).  Watch that movie and you'll see a lot of the style in BENEATH.

        Post also directed the second Dirty Harry movie MAGNUM FORCE (1973), and if you rent that DVD there's a featurette where you can watch Post directing several scenes.  From that you can imagine him working on BENEATH.

        -- Rory



        go vegetarian!

        <.html
        Group: potadg Message: 21524 From: veetus@earthlink.net Date: 10/10/2004
        Subject: "Tim Burton" and POTA2001
        .html
        .html
          I found a book called "Tim Burton" by Jim Smith and J. Clive Matthews. It's a U.K. book from 2002 and I guess it's available here from Virgin Megastore on their own publishing label. It's a good book, well organized with the chapters on each of his film subdivided under topics like "Source Material", "Plot Problems" "Critics", etc. It's easy for Burton fans to grab it and quickly find out about an aspect of one of his films. There's even chapters on his short films and his 2000 internet cartoon series "Stainboy". The authors know their stuff and are obviously fans. There's a forward by actor Martin Landau and an afterword by production designer Rick Heinrichs. Landau says the hardest question he gets asked is: "What is Tim Burton like?" His answer: "I can't really tell you what he's like! I can only tell you what he ISN'T like. He isn't like anyone I've ever known or worked with before. He isn't like anyone I ever expect to meet again. He doesn't see things the same way anyone else in the world sees the same thing. His vision is his alone: unique and different enough to make anyone who is allowed the gift of witnessing it, wonder how any living human being could conjure up such a vision... one would be hard - pressed to name another filmmaker in the hollywood mainstream, working regularly within the system creating big and expensive studio films, who chooses only to work on projects that attract his sensibilities and arouse his own special predilections and personal tastes. There is no other filmmaker with the latitude that Tim enjoys".
          I went through the 24 pgs. of the book on POTA2001 and here's some random bits I thought I'd share:
         
         BURTON: "All the moments I've fought for are the shining ones in every movie I've directed".
          The authors say the crashed Oberon looks from behind like the Statue of Liberty (anyone see it?) "This is a subtle and devious piece of production design from Rick Heinrichs, hinting at something that does not come to pass".
          BURTON: "I had to think about doing this movie. The original was a classic and I didn't want to do a remake. But I was intrigued by the mythology of a reverse world".
          BURTON: "What this movie should do is put new images to unanswerable questions - the ones we all love to talk about and none of us have the answer to" (I agree, but did Burton succeed?)
          GLENN SHADDIX (Sen. Nado): "He keeps the pressure that comes to bear on him away from the actors, so that we don't have to feel the pressure HE'S under - - and Tim was under, I think, more pressure on POTA than he's ever been under on any film. By the time it was over, Tim looked like he had been hit by a truck and I think he felt much the same way".
          BURTON: "It's a ridiculous kind of schedule. It took longer to greenlight than to make, but that's the way things happen on movies like this. They're such big monsters that it takes an unnatural act to get them going and keep them moving".
          SHADDIX: "It was put together and released on a schedule that was more concerned with the commercial aspects than anything else, because it was pushed for a summer release".
          BURTON: "Every day was an experiment. These big fantasy films require constant daily exploration. We can sit around in a room like this talking about apes but it's a different storywhen you're on the set. You need to experiment to see what works".
          BURTON: "The responsibility of having this crew of over 100 men waiting to shoot something unwritten was quite upsetting. Once you start shooting, you just can't be at that stage (of writing)...I'm never going to let that happen again".
          Towards the end of shooting it reportedly had 3 camera crews and a mobile editing unit. It finished on schedule and slightly under budget.
          BURTON: "I don't think about the comparisons (to the original) 'cause that'll just be a nightmare".
          MARK WAHLBERG: "There was no script. I didn't need one. When you have a guy like Tim Burton, people come".
          CHARLTON HESTON: "I have to say it helped a good deal when (Richard Zanuck) said there would be a large sum of money involved (for the role). But Burton is pretty good at his job and I think he's come up with an excellent movie".
          MATT RADZ (reviewer, the Montreal Gazette): "some of the best space sequences since Stanley Kubrick...POTA is Hollywood at it's very best - - the perfect marriage of awesome big-screen technology and storytelling excitement". (7/27/01)
          VARIETY: "Largely listless and witless, (not) very exciting or imaginative; most surprisingly, given the material, it is also Burton's most conventional and literal-minded film, the one most lacking in his trademark poetic weirdness and bracing flights of fancy".
          SIGHT AND SOUND: "Burton's shallowness and cavalier attitude towards story are at least partly responsible for turning him into a hired hand".
          Director of photography Phillippe Rousselot met Burton on the aborted "Mary Reilly" film (it was directed by someone else) and they first worked together on POTA. Since then he's done every Burton film, "Big Fish" and the current "Charlie and the Chocolate Factory". He used special Polarized lenses adapted from still photography to achieve an otherworldly look. It was very complex to shoot that way and because of the rapid schedule it didn't always work.
          QUESTIONS: What happened to the gorillas who were with Limbo when Leo captures him in the jungle? (They take Limbo as a hostage so he can't squeal on them, but what's the diff if the gorillas can?) Why did Pericles have a gun he can't use? (the one Leo uses to fight Thade at the end) Of course there's more questions than this but these are two in the book I hadn't thought of or heard before.
          AUTHORS: "People die left, right and center, but there's no real feeling to the fatalities. None of the characters are given enough personality for us to mourn their passing".
          BURTON: "As I got into it, I started thinking, well, here's a guy who doesn't really want to be here (Leo), he's trying to get out, he's got this huge responsibility that just keeps getting bigger and bigger and bigger, and finally he has to end up dealing with it, and I kind of related that to...making this movie".
          BRUCE SNYDER (Fox head of distribution): "If the truth be known, (the ending) wasn't really supposed to make sense. It was just supposed to go "whoa", make you think...It's whatever you want it to be...but you've got to remember you just watched a movie about talking monkeys in outer space. Don't look for too much logic, you know?" (We know, Bruce. The box office isn't supposed to make sense either. Don't look for too much money, you know?)
          The DVD and VHS made $ 80 million it's first week.
          The film was nominated for Best costume Design at the 2002 Golden Satellite Awards; nominated for Best Soundtrack Album at the Grammys; Rick Baker won a Special Achievement Award at the Las Vegas Film Critics Society (my add: it was nominated for Best Costumes and Best Makeup at the BAFTA awards; "Make Up Artist" magazine readers chose it # 10 of all -time makeup achievements in film)
          RICK HEINRICHS (production design): "POTA was a challenge for us all on many levels and a very gratifying experience for me".
                                                                           - - - Jeff
         
         
        <.html
        <.html
        Group: potadg Message: 21525 From: Michael Whitty Date: 10/10/2004
        Subject: Ted Post
        .html
        It was simply an early Clint Eastwood Western.

        If I am not mistaken, his first 3 starring roles were the "Spaghetti
        Westerns Trilogy" and his first starring role in a USA Movie was in
        "Hang 'Em High", where he plays a more "Rowdy Yates" (from Rawhide) like
        character.

        I'm a big Eastwood fan too.

        Michael

        >
        > ----------
        > From: ron kenner[SMTP:BRINDLEPIT2002@...]
        > Sent: Monday, October 11, 2004 3:05:51 AM
        > To: PotaDG@yahoogroups.com
        > Subject: Re: [PotaDG] Re: OT: "Twilight Zone" DVD update
        > Auto forwarded by a Rule
        >
        was "hang em high" a spaghetti western, or simply a western with
        eastwood?

        Haristas@... wrote:

        In a message dated 10/10/04 11:38:16 AM Eastern Daylight Time,
        brindlepit2002@... writes:




        he was mostly a tv director, right?




        Ted Post? Yes, prior to BENEATH, I think the only other theatrical
        movie
        he'd done was HANG 'EM HIGH (1968). Watch that movie and you'll see a
        lot
        of the style in BENEATH.
        <.html
        Group: potadg Message: 21526 From: Whitty, Michael Date: 10/10/2004
        Subject: Mego POTA Figures For Sale - BRADGATE?
        .html
        .html
        So the main difference with the Bradgate figures seems to be simply the back is different and the name "Bradgate".
         
        Is this similar to the UK figures being on a Palitoy Card?  If so, where were "Bradgate" figures distributed?
         
        Michael
        -----Original Message-----
        From: MicroRob [rjamantea@...]
        Sent: Friday, October 08, 2004 5:17 PM
        To: PotaDG@yahoogroups.com
        Subject: Re: [PotaDG] Mego POTA Figures For Sale

         
        Rob - can you send a photot of the BRADGATE stuff please.  I am having a mental block trying to picture these!
         
        sure there almost like the carded U.S. stuff with the cards being a diff color. the back is whats really diff. there were only 5 figures offered in that line.
         
        Astronaut is on a red card with Cornelius being on a orange card
        <.html



        <.html
        Group: potadg Message: 21527 From: veetus@earthlink.net Date: 10/10/2004
        Subject: OT: "Simpsons" action figures R.I.P.
        .html
        .html
         
          I never bought any, but Playmates "Simpsons" figures had an incredibly varied and long life. Many POTA fans, including myself, hoped they'd get around to a POTA musical figure or set, but they never did. No Dr. Zauis, Dr. Zauis. No Zira in a nurse's uniform. Now it's all over. Anyhoo, here's a nice tribute to the line at MWC's ever enjoyable toy review site: 
                             http://www.mwctoys.com/FEATURE_101104a.htm
                                                                                      - - - Jeff
         
        <.html
        <.html
        Group: potadg Message: 21528 From: Hoknes Date: 10/10/2004
        Subject: POTA TV SHOW SCRIPTS in Ape Chronicles
        .html
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        Many years ago in Ape Chronicles I reprinted 2 complete tv scripts that were "unused" but supposed to be credited to Rod Serling
         
        Anybody clarify which episode/stories these are:
         
        I printed this back in 1993 = Script #1 opens with VIRDON / KOVAK (diff version of pilot episode??)
        I printed this back in 1994 = Script #2 opens with 3 gorillas: AKOR / BANDO / CONDOR
         
        You can see which issues these were printed in at
        <.html
        <.html
        Group: potadg Message: 21529 From: Hoknes Date: 10/10/2004
        Subject: were there 12" POTA figures in 1974/75 ?
        .html
        .html
        does anybody have info on these?
        anybody have pictures?
        I'm sure I saw a 12" general soldier Urko? at a flea market many years ago
        <.html
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        Group: potadg Message: 21530 From: Hoknes Date: 10/10/2004
        Subject: MEGO completists?
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        anybody have any ideas on how many mego collectors collect POTA simply because its part of the mego line?
        how much does this distort the market of extra buyers for these products as opposed to other non-mego POTA stuff?
        <.html
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        Group: potadg Message: 21531 From: Whitty, Michael Date: 10/10/2004
        Subject: Re: were there 12" POTA figures in 1974/75 ?
        .html
        .html
        There were the Carnival Dolls.....
        -----Original Message-----
        From: Hoknes [hoknes@...]
        Sent: Monday, October 11, 2004 10:01 AM
        To: PotaDG@yahoogroups.com; pota@yahoogroups.com
        Subject: [PotaDG] were there 12" POTA figures in 1974/75 ?

        does anybody have info on these?
        anybody have pictures?
        I'm sure I saw a 12" general soldier Urko? at a flea market many years ago
        <.html



        <.html
        Group: potadg Message: 21532 From: Hoknes Date: 10/10/2004
        Subject: POTA toys and figures in 1975
        .html
        .html
        Many department stores advertised POTA products for the xmas of 1975
        was this because the line was still being pushed
        or was it simply that stock was still on hand and so the stores advertised them as hot property for the xmas market rather than the "bargain bins" ??
         
        Of other news France didnt start publishing their monthly POTA comic magazine until 1978 ?   any ideas on that!!
        <.html
        <.html
        Group: potadg Message: 21533 From: Hoknes Date: 10/10/2004
        Subject: Re: were there 12" POTA figures in 1974/75 ?
        .html
        .html
        hmm what do those look like?
        are they in chris' collectibles book?
         
         
         
        There were the Carnival Dolls.....
         
        <.html
        <.html
        Group: potadg Message: 21534 From: Whitty, Michael Date: 10/10/2004
        Subject: Re: were there 12" POTA figures in 1974/75 ?
        .html
        .html
        I'll try to find some photo reference.
         
        There are also those ugly things in the blue boxes but they were Galen/Corn and Zauis.
         
        There were also the INFLATIBLES.
         
        Was ANYTHING rare in Chris's book?  ;)
         
        Sorry, I thought Chris's book was very disappointing (other than the fact a lot of his photos are of toys I now own - sold to me by the guy who gave Chris the photos!).
         
        Michael
        -----Original Message-----
        From: Hoknes [hoknes@...]
        Sent: Monday, October 11, 2004 10:08 AM
        To: PotaDG@yahoogroups.com
        Subject: Re: [PotaDG] were there 12" POTA figures in 1974/75 ?

        hmm what do those look like?
        are they in chris' collectibles book?
         
         
         
        There were the Carnival Dolls.....
        <.html



        <.html
        Group: potadg Message: 21535 From: Hoknes Date: 10/10/2004
        Subject: Re: were there 12" POTA figures in 1974/75 ?
        .html
        .html
        When I was twelve I went to a fleamarket collectibles type store.
         
        They had this huge POTA gorilla figure.  I would swear it was 12".  The closest thing it reminded me of was the 12" Darth Vader figure from 1979.
         
        Note at this point I had NEVER seen a POTA figure of any type including mego.  This was in 1983.
        I have never seen that figure again
         
        I clearly recall it was $10.00 that day.  But at age 12 I could not afford such an item.
        Obviously I had enough interest in POTA by that time to have been really interested in the item. 
        Yet I did not own a single POTA item then.
        <.html
        <.html
        Group: potadg Message: 21536 From: veetus@earthlink.net Date: 10/10/2004
        Subject: Re: were there 12" POTA figures in 1974/75 ?
        .html
        .html
          I don't think there were 12" POTA figures in the '70's. The Urko you probably saw was Hasbro's 12"ers in the late '90's. I think it was Ursus. I remember they had "autograph dolls" in the '70's, but just Galen and Zauis. Those were like stuffed plush. Hasbro did 12" Cornelius, Urko, Soldier Ape (available in black or red), Taylor, Zira (I have a rare pre-production mock up) and Zauis. - - - Jeff
         
        ----- Original Message -----
        From: Hoknes
        Sent: Sunday, October 10, 2004 5:00 PM
        Subject: [PotaDG] were there 12" POTA figures in 1974/75 ?

        does anybody have info on these?
        anybody have pictures?
        I'm sure I saw a 12" general soldier Urko? at a flea market many years ago

        <.html
        <.html
        Group: potadg Message: 21537 From: veetus@earthlink.net Date: 10/10/2004
        Subject: Re: were there 12" POTA figures in 1974/75 ?
        .html
        .html
          It's possible it could've been a bootleg or knockoff, too. - - - Jeff
         
        ----- Original Message -----
        From: Hoknes
        Sent: Sunday, October 10, 2004 5:16 PM
        Subject: Re: [PotaDG] were there 12" POTA figures in 1974/75 ?

        When I was twelve I went to a fleamarket collectibles type store.
         
        They had this huge POTA gorilla figure.  I would swear it was 12".  The closest thing it reminded me of was the 12" Darth Vader figure from 1979.
         
        Note at this point I had NEVER seen a POTA figure of any type including mego.  This was in 1983.
        I have never seen that figure again
         
        I clearly recall it was $10.00 that day.  But at age 12 I could not afford such an item.
        Obviously I had enough interest in POTA by that time to have been really interested in the item. 
        Yet I did not own a single POTA item then.

        <.html
        <.html
        Group: potadg Message: 21538 From: Hoknes Date: 10/10/2004
        Subject: Re: were there 12" POTA figures in 1974/75 ?
        .html
        .html
        it is possible it wasn't authentic
        but i cant see someone likely in a smaller center making a high quality of Urko in the early 80s!?!?!
         
         
         
         
          It's possible it could've been a bootleg or knockoff, too. - - - Jeff
         
        ----- Original Message -----
        From: Hoknes
        Sent: Sunday, October 10, 2004 5:16 PM
        Subject: Re: [PotaDG] were there 12" POTA figures in 1974/75 ?

        When I was twelve I went to a fleamarket collectibles type store.
         
        They had this huge POTA gorilla figure.  I would swear it was 12".  The closest thing it reminded me of was the 12" Darth Vader figure from 1979.
         
        Note at this point I had NEVER seen a POTA figure of any type including mego.  This was in 1983.
        I have never seen that figure again
         
        I clearly recall it was $10.00 that day.  But at age 12 I could not afford such an item.
        Obviously I had enough interest in POTA by that time to have been really interested in the item. 
        Yet I did not own a single POTA item then.


        <.html
        <.html
        Group: potadg Message: 21539 From: Whitty, Michael Date: 10/10/2004
        Subject: Something BIG for Planet of the Apes
        .html
        .html
        You know the mere IMAGE of a kilted ape is one hell of an inspiration!

        Michael
        -----Original Message-----
        From: Alan Maxwell [alan@...]
        Sent: Sunday, October 10, 2004 4:49 AM
        To: PotaDG@yahoogroups.com
        Subject: Re: [PotaDG] Re: Something BIG for Planet of the Apes

        "Whitty, Michael" <Michael.Whitty@...>
        > Yeah, and I was going to really rub it in to Alan because he is Scottish.

        Give me a story about a kilted ape who discovers the delights of a
        deep-fried pizza and a bottle of Irn Bru and I'll forgive you.

        Alan
        <.html



        <.html
        Group: potadg Message: 21540 From: veetus@earthlink.net Date: 10/10/2004
        Subject: Re: were there 12" POTA figures in 1974/75 ?
        .html
        .html
          Maybe a knockoff from the '70's (there were many) that found it's way there by the '80's. The only 12" POTA figures I know of are the Hasbros, and now the Sideshows. The official big Ape figures of the '70's were more plush/"stuffed" type and wouldn't be confused with an action figure. But I couldn't find ANYTHING POTA in the '80's. They seemed to disappear. - - - Jeff
         
         
        ----- Original Message -----
        From: Hoknes
        Sent: Sunday, October 10, 2004 5:32 PM
        Subject: Re: [PotaDG] were there 12" POTA figures in 1974/75 ?

        it is possible it wasn't authentic
        but i cant see someone likely in a smaller center making a high quality of Urko in the early 80s!?!?!
         
         
         
         
          It's possible it could've been a bootleg or knockoff, too. - - - Jeff
         
        ----- Original Message -----
        From: Hoknes
        Sent: Sunday, October 10, 2004 5:16 PM
        Subject: Re: [PotaDG] were there 12" POTA figures in 1974/75 ?

        When I was twelve I went to a fleamarket collectibles type store.
         
        They had this huge POTA gorilla figure.  I would swear it was 12".  The closest thing it reminded me of was the 12" Darth Vader figure from 1979.
         
        Note at this point I had NEVER seen a POTA figure of any type including mego.  This was in 1983.
        I have never seen that figure again
         
        I clearly recall it was $10.00 that day.  But at age 12 I could not afford such an item.
        Obviously I had enough interest in POTA by that time to have been really interested in the item. 
        Yet I did not own a single POTA item then.



        <.html
        <.html
        Group: potadg Message: 21541 From: Haristas@aol.com Date: 10/10/2004
        Subject: Re: were there 12" POTA figures in 1974/75 ?
        .html
        .html.html In a message dated 10/10/04 8:20:58 PM Eastern Daylight Time, veetus@... writes:


        I don't think there were 12" POTA figures in the '70's. The Urko you probably saw was Hasbro's 12"ers in the late '90's. I think it was Ursus. I remember they had "autograph dolls" in the '70's, but just Galen and Zauis. Those were like stuffed plush. Hasbro did 12" Cornelius, Urko, Soldier Ape (available in black or red), Taylor, Zira (I have a rare pre-production mock up) and Zauis. - - - Jeff


        I had a 12" POTA figure in the early seventies, but It was a G.I. Joe I made to look like Cornelius.

        -- Rory
        <.html
        <.html
        <.html
        Group: potadg Message: 21542 From: Whitty, Michael Date: 10/10/2004
        Subject: 12" POTA figures in 1974/75 ?
        .html
        .html
        I think there was a guy who made a lot of these and called himself and his product "G.I APE".
         
        Michael
        -----Original Message-----
        From: Haristas@... [Haristas@...]
        Sent: Monday, October 11, 2004 11:28 AM
        To: PotaDG@yahoogroups.com
        Subject: [PotaDG] Re: were there 12" POTA figures in 1974/75 ?

        In a message dated 10/10/04 8:20:58 PM Eastern Daylight Time, veetus@... writes:


        I don't think there were 12" POTA figures in the '70's. The Urko you probably saw was Hasbro's 12"ers in the late '90's. I think it was Ursus. I remember they had "autograph dolls" in the '70's, but just Galen and Zauis. Those were like stuffed plush. Hasbro did 12" Cornelius, Urko, Soldier Ape (available in black or red), Taylor, Zira (I have a rare pre-production mock up) and Zauis. - - - Jeff


        I had a 12" POTA figure in the early seventies, but It was a G.I. Joe I made to look like Cornelius.

        -- Rory
        <.html



        <.html
        Group: potadg Message: 21543 From: Whitty, Michael Date: 10/10/2004
        Subject: "Simpsons" action figures R.I.P.
        .html
        .html
        I contacted them if you recall, Jeff, and they didn't want to do the line because they would need to get a "POTA" license as well as their "Simpsons" license.
         
        However, Sideshow seem to do Simpsons too - so maybe I'll bug THEM!  ;)

        Michael
        -----Original Message-----
        From: veetus@... [veetus@...]
        Sent: Monday, October 11, 2004 9:55 AM
        To: PotaDG@yahoogroups.com; the gang; pota_Phenomenon@yahoogroups.com
        Subject: [POTA_Phenomenon] OT: "Simpsons" action figures R.I.P.

         
          I never bought any, but Playmates "Simpsons" figures had an incredibly varied and long life. Many POTA fans, including myself, hoped they'd get around to a POTA musical figure or set, but they never did. No Dr. Zauis, Dr. Zauis. No Zira in a nurse's uniform. Now it's all over. Anyhoo, here's a nice tribute to the line at MWC's ever enjoyable toy review site: 
                             http://www.mwctoys.com/FEATURE_101104a.htm
                                                                                      - - - Jeff
        <.html



        <.html
        Group: potadg Message: 21544 From: veetus@earthlink.net Date: 10/10/2004
        Subject: Re: 12" POTA figures in 1974/75 ?
        .html
        .html
          That was Ape Joe. He might still be around. He had an incredible display at Starcon '96 and gave Virdon and Zauis figures to Ron Harper and Booth Colman, and a Cornelius to Bill Blake. - - - Jeff
         
        ----- Original Message -----
        Sent: Sunday, October 10, 2004 6:34 PM
        Subject: [PotaDG] 12" POTA figures in 1974/75 ?

        I think there was a guy who made a lot of these and called himself and his product "G.I APE".
         
        Michael
        -----Original Message-----
        From: Haristas@... [Haristas@...]
        Sent: Monday, October 11, 2004 11:28 AM
        To: PotaDG@yahoogroups.com
        Subject: [PotaDG] Re: were there 12" POTA figures in 1974/75 ?

        In a message dated 10/10/04 8:20:58 PM Eastern Daylight Time, veetus@... writes:


        I don't think there were 12" POTA figures in the '70's. The Urko you probably saw was Hasbro's 12"ers in the late '90's. I think it was Ursus. I remember they had "autograph dolls" in the '70's, but just Galen and Zauis. Those were like stuffed plush. Hasbro did 12" Cornelius, Urko, Soldier Ape (available in black or red), Taylor, Zira (I have a rare pre-production mock up) and Zauis. - - - Jeff


        I had a 12" POTA figure in the early seventies, but It was a G.I. Joe I made to look like Cornelius.

        -- Rory



        restrictions.



        <.html
        <.html
        Group: potadg Message: 21545 From: Whitty, Michael Date: 10/10/2004
        Subject: Re: 12" POTA figures in 1974/75 ?
        .html
        .html
        That's the one Jeff.
         
        See what I said about my memory....it is dyslexic I think!  ;)

        Michael
        -----Original Message-----
        From: veetus@... [veetus@...]
        Sent: Monday, October 11, 2004 12:01 PM
        To: PotaDG@yahoogroups.com
        Subject: Re: [PotaDG] 12" POTA figures in 1974/75 ?

          That was Ape Joe. He might still be around. He had an incredible display at Starcon '96 and gave Virdon and Zauis figures to Ron Harper and Booth Colman, and a Cornelius to Bill Blake. - - - Jeff
         
        ----- Original Message -----
        Sent: Sunday, October 10, 2004 6:34 PM
        Subject: [PotaDG] 12" POTA figures in 1974/75 ?

        I think there was a guy who made a lot of these and called himself and his product "G.I APE".
         
        Michael
        <.html



        <.html
        Group: potadg Message: 21546 From: Whitty, Michael Date: 10/10/2004
        Subject: A Bathing Ape
        .html
        .html
        A Bathing Ape

        Wednesday March 19, 2003 - Contributed by:

        With BAPE hotel wishes, BAPE Café New York dreams, and a new London boutique finally a reality, A Bathing Ape creator Nigo is the next self-appointed fashion ambassador  for trendy Tokyoites. But is the rest of the planet ready for this simian-inspired lifestyle? Roland Kelts gets the answer from the man himself.

        At 32, Nigo, designer, producer, drummer and DJ is still a bit of a boy-wonder. He's small, for one thing, in frame and in head-size, with a skullcap hiding his hairline and massive Ray-Bans encasing bulging wide eyes. He also slumps thoughtfully then jerks to attention, like a preoccupied teenager with a lot on the brain.

        More boy-wonderish, however, is Nigo's hyperkinetic enthusiasm for his chosen obsession: transforming his homegrown street-wear business into a worldwide empire. "I don't consider my brand merely a clothing brand," he explains in a soft but certain voice. "BAPE is a lifestyle company, including music, hair, even food. Everything you need to live. Tokyo has all sorts of brands. They have a boom period, then they subside. I don't want my brand to be dragged down, so I need to diversify."

        In the beginning

        Nigo is the maestro behind BAPE ("BAPE-ee"), the clothing brand he launched 10 years ago, incorporating simian images and hip-hop-inspired fashions into the now-ubiquitous array of camouflage motifs that appear on clothes, accessories, furniture, action figures, buses, Pepsi cans-and plastic tape. Nigo expertly cultivated his "underground" reputation by applying an age-old marketing tactic: limited editions. His hard-to-find, carefully stitched duds draw famously long lines to BAPE's Tokyo outlets, which themselves are hard-to-find, tucked into cul-de-sacs and often bearing no shop signs other than "Nowhere Ltd.," the name of Nigo's corporation, minutely lettered somewhere on the glass. In Tokyo's maze of oversized and often meaningless neons, Nigo found his niche with "Nowhere."

        "Originally I took an underground approach," he admits, "because in Japan, people want to believe that  something is special. But also," he adds, breaking into a conspiratorial smile, "I really didn't want a lot of people wearing my clothes."

        The contradiction is revealing. Aside from the quality of the clothing (every BAPE T-shirt is expertly stitched, the ape-head logo often discreetly positioned on a small tag), what has made Nigo and his now diverse array of products such compelling presences has been their inaccessibility-especially in Japan, the land of convenience, where 24-hr everythings ensure that you can always get what you want.

        But a decade is an eternity in the worlds of pop and commercial culture, let alone the youth-fashion business in fad-mad Tokyo. To avoid having his brand "dragged down," Nigo has  methodically planned his expansion to be all-inclusive, with  lifestyle-oriented largesse. BAPE now boasts 25 outlets, including a BAPE CUTS hair salon, BAPE café and gallery, a members-only store in Hong Kong, and a brand new boutique in central London, which opened in the Fall of 2002. There is also a record label,  APE SOUNDS, which grew out of his collaboration with England's Mo' Wax founder, James Lavelle, and BAPE TV (now broadcasting on Space Shower for two hours on the last Sunday of every month). On the horizon: a New York outlet and café next year, and someday, a Tokyo-based BAPE hotel.

        "The hotel is my dream," he says. "It's a very difficult project, and it might stay a dream, but that's what I want."

        Nigo limited

        Diversification is textbook business management, of course, but Nigo's approach has been strikingly effective for one reason: the brainchild behind the most playful clothes on the planet has retained his rarefied underground status, despite marketing tie-ups with Pepsi, the odd TV commercial for Sony and World Wrestling Entertainment, and most recently, his bold reach across the dateline to appeal to Western consumers.

        "I guess I'm not interested in [developing business in] Asia anymore. Ten or 15 years ago, the previous generation was happy just purchasing goods from the US or Europe. But my generation wants to be the creative center. We want to make what's new right here in Tokyo, and spread it to the world."

        Nigo applies a draconian hand to the scales of supply and demand. Customers are asked to purchase only one piece of  a given product line, and only clothing that matches their  sizes. This is partly to limit black-market sales. But it also preserves the aura of mystique that shrouds both the products and their hitherto media-shy maker.

        Nigo has sustained this aura ever since the launch of the first "BUSY WORKSHOP," a tiny storefront he opened in 1993. "I wasn't getting paid in those days. I just did it for fun." He was freshly out of Fashion College, where he studied fashion editing, not design, and earned his keep as a stylist and editor for Popeye magazine. "I still write today, because I enjoy it. But now I get to write about my own collections."

        A true veteran of Ura-Harajuku, Nigo grows unusually nostalgic when discussing the old days. "I have really good memories. There weren't as many people in Harajuku back then. The  store would close at eight, and all my friends would come around just to hang out and talk. We can't do that anymore. It's too crowded."

        Clearly, Nigo is one of the key reasons why today's Harajuku is less like a salon than an overstuffed supermarket for fashion victims. From the mid-'90s, Tokyo's hippest teens and 20-somethings began to go ape in every aspect, bearing Nigo's logos and motifs from head to toe, and toting his "BUSY WORKS" bags, incongruously featuring an ape head sandwiched between the circular signs for two of New York City's Westside subway lines, above the words, "Transit Authority."

        "I love New York," he explains. "It's on a different scale from any other city in the world. It's an inspiration to me." Nigo is also one of the top three collectors of Star Wars memorabilia in the world ("just  the old stuff"), and, not surprisingly the fifth largest of Planet of the Apes mementos, and he visits toy shows in New York to get the goods onsite. Honmura-an, the SoHo soba  eatery (with another branch in Ogikubo), and the celebrity-riddled Mr. Chow's in midtown are his favorite restaurants-but he hopes to open his BAPE café in decidedly funkier Chelsea.

        "I've listened to hip-hop since 1984, and I was  always drawn to the New York style. It's my favorite city."

        With pals and fans like superstar DJs Cornelius and Takagi Kan, Undercover designer Jun Takahashi, England's Ian Brown and Bob Gillespie of Primal Scream, Australia's  Ben Lee, and New York's The Beastie Boys and graffiti genius Futura 2000 on his side, Nigo's rise has been as meteoric and influential as that of his adopted neighborhood. He debuted APE SOUNDS in 2000, with help from Lavelle and the Mo' Wax label, and serves as a producer/director for his CDs, amassing numerous influences and musical talents and blending Western hip-hop with an Asian collage-making sensibility. (A kind of "down-to-earth Beck," as one critic opined.)

        "James is a good friend and he loves Japan," Nigo says of Lavelle. "He's a representative of London's new generation, the way I am a representative of Tokyo's."

        Brand of nonsense

        Nigo's opinion of the younger generation he claims to represent offers a rare insight into the philosophical paradox at the heart of his rising empire. The man who uses "BUSY  WORKS" as a label is, in fact, quite busy. He describes  himself as "a bit of a loner" who works all the time, though "my work doesn't feel like work to me. I feel like I have a lot of free time because I love what  I do."

        when asked to comment on today's youths, the so-called "freeters" and the teeming masses of brand-crazed consumers who are his chief patrons, Nigo pauses and looks troubled, his brow lowering. "The freeters like freedom," he begins, "so they find whatever job they can get and move on. But there will be problems in the future. Even people around me now-there are many who haven't got it together, who can't get going job-wise. I'm pretty negative about the future for them."

        The very phrase that constitutes Nigo's BAPE logo, "A Bathing Ape," has telling origins. "It's from  the Japanese expression: 'To bathe in lukewarm water' (Nuruma-yu-ni-tsukaru), and it's a comment on kids in Tokyo today. They're very shallow; they take things for granted, and they're not street savvy. It's sort of ironic for them to be wearing my clothing. I'm trying to show how they are incapable of being independent-minded. They have no plans, no goals, because they're just too comfortable. Like bathing in lukewarm water."

        It's an irony apparently lost on those kids, who parade just beyond Nigo's back-alley offices and storefronts bearing his logos, motifs and labels while their creator buzzes with ideas and activity both here and abroad. To watch Nigo hovering over a conveyor belt of sneakers and shoes in one of his outlets, carefully positioning and repositioning the goods so that they gleam pristinely beneath soft-glow lamps, is to understand Nigo's admixture of lordly control and personal, hands-on engagement. Willy Wonka and the clothing factory.

        "I have a very meticulous personality, and maybe that's partly a Japanese trait," he confesses, citing his mother and father, a nurse and a billboard sign-maker respectively, as major influences in the development of his character, and DJ/Head Porter designer Hiroshi Fujiwara, a generation older and one of Japan's earliest hip-hop jockeys, as his business model. (Nigo literally means "number two" in Japanese; a Harajuku shopkeeper coined the moniker when he noted the physical resemblance between the two designers 10 years ago.)

        One final irony: Nigo's obsessive, detail-oriented solemnity results in clothes that are most notable for being...fun. BAPE wear features surprises to delight a childlike curiosity-untuck a pocket in a pair of jeans and voila!, there's the tiny ape-head on the inner lining. Hold a short-sleeve button-down shirt sideways and stare into the camouflage for a few minutes: "BAPE" is spelled out, embedded in the pattern like a Rorschach inkblot.

        When I suggest that his clothes are like toys, Nigo nods approvingly. "You know, they had Rockabilly style in the '50's, Mods in the '60's and Punk in the '70s. Obviously, I haven't risen that high yet, but I'd like there to be a music-fashion connection: Ape-inspired themes, images and sounds for an entire generation."

        Heady ambitions for a kid from rural Gunma, who has clearly made good on his own goals: he now sports a shiny silver Bentley in the drive of his three-story Sendagaya office complex, showrooms and studios. Amid the BAPE wear Nigo himself dons, there's one item that stands out: a kind of jagged, cartoonish lightning bolt design in the form of a pendant dangling from his neck and an imprint in the side of his skullcap.

        "It's called 'the BAPE star,' and it's  my symbol-Nigo, aka BAPE star," says Nigo, smiling broadly: "I'm expressing myself with this. It's all about me."

        Credit: Japan Today http://metropolis.japantoday.com/

         
        <.html



        <.html
        Group: potadg Message: 21547 From: veetus@earthlink.net Date: 10/10/2004
        Subject: Re: A Bathing Ape
        .html
        .html
          A bathing ape? That ain't me babe.
          Hey, the Japanese are hot for that Rebel Ape, modeled after Che Guevara. Medicom did a rare POTA Kubrick of him, and there's shirts, etc. Those who are interested in the real dude should see "The Motorcycle Diaries", a new movie that's getting some good notices.  - - - Jeff
         
        ----- Original Message -----
        Sent: Sunday, October 10, 2004 7:11 PM
        Subject: [PotaDG] A Bathing Ape

        A Bathing Ape

        Wednesday March 19, 2003 - Contributed by:

        With BAPE hotel wishes, BAPE Café New York dreams, and a new London boutique finally a reality, A Bathing Ape creator Nigo is the next self-appointed fashion ambassador  for trendy Tokyoites. But is the rest of the planet ready for this simian-inspired lifestyle? Roland Kelts gets the answer from the man himself.

        At 32, Nigo, designer, producer, drummer and DJ is still a bit of a boy-wonder. He's small, for one thing, in frame and in head-size, with a skullcap hiding his hairline and massive Ray-Bans encasing bulging wide eyes. He also slumps thoughtfully then jerks to attention, like a preoccupied teenager with a lot on the brain.

        More boy-wonderish, however, is Nigo's hyperkinetic enthusiasm for his chosen obsession: transforming his homegrown street-wear business into a worldwide empire. "I don't consider my brand merely a clothing brand," he explains in a soft but certain voice. "BAPE is a lifestyle company, including music, hair, even food. Everything you need to live. Tokyo has all sorts of brands. They have a boom period, then they subside. I don't want my brand to be dragged down, so I need to diversify."

        In the beginning

        Nigo is the maestro behind BAPE ("BAPE-ee"), the clothing brand he launched 10 years ago, incorporating simian images and hip-hop-inspired fashions into the now-ubiquitous array of camouflage motifs that appear on clothes, accessories, furniture, action figures, buses, Pepsi cans-and plastic tape. Nigo expertly cultivated his "underground" reputation by applying an age-old marketing tactic: limited editions. His hard-to-find, carefully stitched duds draw famously long lines to BAPE's Tokyo outlets, which themselves are hard-to-find, tucked into cul-de-sacs and often bearing no shop signs other than "Nowhere Ltd.," the name of Nigo's corporation, minutely lettered somewhere on the glass. In Tokyo's maze of oversized and often meaningless neons, Nigo found his niche with "Nowhere."

        "Originally I took an underground approach," he admits, "because in Japan, people want to believe that  something is special. But also," he adds, breaking into a conspiratorial smile, "I really didn't want a lot of people wearing my clothes."

        The contradiction is revealing. Aside from the quality of the clothing (every BAPE T-shirt is expertly stitched, the ape-head logo often discreetly positioned on a small tag), what has made Nigo and his now diverse array of products such compelling presences has been their inaccessibility-especially in Japan, the land of convenience, where 24-hr everythings ensure that you can always get what you want.

        But a decade is an eternity in the worlds of pop and commercial culture, let alone the youth-fashion business in fad-mad Tokyo. To avoid having his brand "dragged down," Nigo has  methodically planned his expansion to be all-inclusive, with  lifestyle-oriented largesse. BAPE now boasts 25 outlets, including a BAPE CUTS hair salon, BAPE café and gallery, a members-only store in Hong Kong, and a brand new boutique in central London, which opened in the Fall of 2002. There is also a record label,  APE SOUNDS, which grew out of his collaboration with England's Mo' Wax founder, James Lavelle, and BAPE TV (now broadcasting on Space Shower for two hours on the last Sunday of every month). On the horizon: a New York outlet and café next year, and someday, a Tokyo-based BAPE hotel.

        "The hotel is my dream," he says. "It's a very difficult project, and it might stay a dream, but that's what I want."

        Nigo limited

        Diversification is textbook business management, of course, but Nigo's approach has been strikingly effective for one reason: the brainchild behind the most playful clothes on the planet has retained his rarefied underground status, despite marketing tie-ups with Pepsi, the odd TV commercial for Sony and World Wrestling Entertainment, and most recently, his bold reach across the dateline to appeal to Western consumers.

        "I guess I'm not interested in [developing business in] Asia anymore. Ten or 15 years ago, the previous generation was happy just purchasing goods from the US or Europe. But my generation wants to be the creative center. We want to make what's new right here in Tokyo, and spread it to the world."

        Nigo applies a draconian hand to the scales of supply and demand. Customers are asked to purchase only one piece of  a given product line, and only clothing that matches their  sizes. This is partly to limit black-market sales. But it also preserves the aura of mystique that shrouds both the products and their hitherto media-shy maker.

        Nigo has sustained this aura ever since the launch of the first "BUSY WORKSHOP," a tiny storefront he opened in 1993. "I wasn't getting paid in those days. I just did it for fun." He was freshly out of Fashion College, where he studied fashion editing, not design, and earned his keep as a stylist and editor for Popeye magazine. "I still write today, because I enjoy it. But now I get to write about my own collections."

        A true veteran of Ura-Harajuku, Nigo grows unusually nostalgic when discussing the old days. "I have really good memories. There weren't as many people in Harajuku back then. The  store would close at eight, and all my friends would come around just to hang out and talk. We can't do that anymore. It's too crowded."

        Clearly, Nigo is one of the key reasons why today's Harajuku is less like a salon than an overstuffed supermarket for fashion victims. From the mid-'90s, Tokyo's hippest teens and 20-somethings began to go ape in every aspect, bearing Nigo's logos and motifs from head to toe, and toting his "BUSY WORKS" bags, incongruously featuring an ape head sandwiched between the circular signs for two of New York City's Westside subway lines, above the words, "Transit Authority."

        "I love New York," he explains. "It's on a different scale from any other city in the world. It's an inspiration to me." Nigo is also one of the top three collectors of Star Wars memorabilia in the world ("just  the old stuff"), and, not surprisingly the fifth largest of Planet of the Apes mementos, and he visits toy shows in New York to get the goods onsite. Honmura-an, the SoHo soba  eatery (with another branch in Ogikubo), and the celebrity-riddled Mr. Chow's in midtown are his favorite restaurants-but he hopes to open his BAPE café in decidedly funkier Chelsea.

        "I've listened to hip-hop since 1984, and I was  always drawn to the New York style. It's my favorite city."

        With pals and fans like superstar DJs Cornelius and Takagi Kan, Undercover designer Jun Takahashi, England's Ian Brown and Bob Gillespie of Primal Scream, Australia's  Ben Lee, and New York's The Beastie Boys and graffiti genius Futura 2000 on his side, Nigo's rise has been as meteoric and influential as that of his adopted neighborhood. He debuted APE SOUNDS in 2000, with help from Lavelle and the Mo' Wax label, and serves as a producer/director for his CDs, amassing numerous influences and musical talents and blending Western hip-hop with an Asian collage-making sensibility. (A kind of "down-to-earth Beck," as one critic opined.)

        "James is a good friend and he loves Japan," Nigo says of Lavelle. "He's a representative of London's new generation, the way I am a representative of Tokyo's."

        Brand of nonsense

        Nigo's opinion of the younger generation he claims to represent offers a rare insight into the philosophical paradox at the heart of his rising empire. The man who uses "BUSY  WORKS" as a label is, in fact, quite busy. He describes  himself as "a bit of a loner" who works all the time, though "my work doesn't feel like work to me. I feel like I have a lot of free time because I love what  I do."

        when asked to comment on today's youths, the so-called "freeters" and the teeming masses of brand-crazed consumers who are his chief patrons, Nigo pauses and looks troubled, his brow lowering. "The freeters like freedom," he begins, "so they find whatever job they can get and move on. But there will be problems in the future. Even people around me now-there are many who haven't got it together, who can't get going job-wise. I'm pretty negative about the future for them."

        The very phrase that constitutes Nigo's BAPE logo, "A Bathing Ape," has telling origins. "It's from  the Japanese expression: 'To bathe in lukewarm water' (Nuruma-yu-ni-tsukaru), and it's a comment on kids in Tokyo today. They're very shallow; they take things for granted, and they're not street savvy. It's sort of ironic for them to be wearing my clothing. I'm trying to show how they are incapable of being independent-minded. They have no plans, no goals, because they're just too comfortable. Like bathing in lukewarm water."

        It's an irony apparently lost on those kids, who parade just beyond Nigo's back-alley offices and storefronts bearing his logos, motifs and labels while their creator buzzes with ideas and activity both here and abroad. To watch Nigo hovering over a conveyor belt of sneakers and shoes in one of his outlets, carefully positioning and repositioning the goods so that they gleam pristinely beneath soft-glow lamps, is to understand Nigo's admixture of lordly control and personal, hands-on engagement. Willy Wonka and the clothing factory.

        "I have a very meticulous personality, and maybe that's partly a Japanese trait," he confesses, citing his mother and father, a nurse and a billboard sign-maker respectively, as major influences in the development of his character, and DJ/Head Porter designer Hiroshi Fujiwara, a generation older and one of Japan's earliest hip-hop jockeys, as his business model. (Nigo literally means "number two" in Japanese; a Harajuku shopkeeper coined the moniker when he noted the physical resemblance between the two designers 10 years ago.)

        One final irony: Nigo's obsessive, detail-oriented solemnity results in clothes that are most notable for being...fun. BAPE wear features surprises to delight a childlike curiosity-untuck a pocket in a pair of jeans and voila!, there's the tiny ape-head on the inner lining. Hold a short-sleeve button-down shirt sideways and stare into the camouflage for a few minutes: "BAPE" is spelled out, embedded in the pattern like a Rorschach inkblot.

        When I suggest that his clothes are like toys, Nigo nods approvingly. "You know, they had Rockabilly style in the '50's, Mods in the '60's and Punk in the '70s. Obviously, I haven't risen that high yet, but I'd like there to be a music-fashion connection: Ape-inspired themes, images and sounds for an entire generation."

        Heady ambitions for a kid from rural Gunma, who has clearly made good on his own goals: he now sports a shiny silver Bentley in the drive of his three-story Sendagaya office complex, showrooms and studios. Amid the BAPE wear Nigo himself dons, there's one item that stands out: a kind of jagged, cartoonish lightning bolt design in the form of a pendant dangling from his neck and an imprint in the side of his skullcap.

        "It's called 'the BAPE star,' and it's  my symbol-Nigo, aka BAPE star," says Nigo, smiling broadly: "I'm expressing myself with this. It's all about me."

        Credit: Japan Today http://metropolis.japantoday.com/

         



        restrictions.



        <.html
        <.html
        Group: potadg Message: 21548 From: Whitty, Michael Date: 10/11/2004
        Subject: Army versus Security?
        .html
        .html
        When did the concept of an Ape Army find itself introduced?
         
        Was there an Army in Monkey Planet?  As I recall, there were just sporting hunters.
         
        In Planet, I think the gorillas were a Security Force rather than an Army...is this right?

        The whole idea of a General and an Army does not make a great deal of sense does it?

        Michael
        <.html



        <.html
        Group: potadg Message: 21549 From: ape_mom Date: 10/11/2004
        Subject: Re: A Bathing Ape
        .html
        From the article:

        "Nigo is also one of the top three collectors of Star Wars
        memorabilia in the world ("just the old stuff"), and, not
        surprisingly the fifth largest of Planet of the Apes mementos..."

        Is this the guy that bought the Escape Coloring Book cover painting?

        So where does this put you now, Michael?

        --Helen
        <.html
        Group: potadg Message: 21550 From: ape_mom Date: 10/11/2004
        Subject: Sideshow action figures
        .html
        Speaking of Sideshow...

        What is happening with the Zaius doll? Isn't that supposed to be out
        by now? Has anyone received theirs yet?

        http://www.sideshowtoy.com/cgi-bin/category.cgi?category=potahome

        --Helen


        --- In PotaDG@yahoogroups.com, "Whitty, Michael"
        <Michael.Whitty@d...> wrote:
        > I contacted them if you recall, Jeff, and they didn't want to do
        the line
        > because they would need to get a "POTA" license as well as
        their "Simpsons"
        > license.
        >
        > However, Sideshow seem to do Simpsons too - so maybe I'll bug
        THEM! ;)
        >
        > Michael
        <.html
        Group: potadg Message: 21551 From: patrickmichaeltilton Date: 10/11/2004
        Subject: Re: Army versus Security?
        .html
        --- In PotaDG@yahoogroups.com , "Whitty, Michael"
        <Michael.Whitty@d...> wrote:
        > When did the concept of an Ape Army find itself introduced?
        >
        > Was there an Army in Monkey Planet? As I recall, there were just
        sporting hunters.
        >
        > In Planet, I think the gorillas were a Security Force rather than
        an Army...is this right?
        >
        > The whole idea of a General and an Army does not make a great deal
        of sense does it?
        >
        > Michael

        *** The sense I get is that the Ape Army was introduced in "BENEATH",
        but that even in "PLANET" there was an inkling of the idea mixed in
        with the hunt club.

        When you watch the Hunt scene for the first time, it's the first time
        you see ANY of the Apes on the planet, and given that all the
        gorillas in the scene dress alike, the impression given is that their
        leather duds (etc) are uniforms. Compared to the Hunt scene in
        Boulle's novel, which is presented as if it a group of safari-going
        gorilla aristocrats (accompanied by chimpanzee 'commoners' who act
        like golf-caddie servant types, and by the she-gorillas who pin
        human "game" hair-clippings onto their hats as souvenirs), the movie
        is in contrast with this: the Hunt in the movie has more of a 'feel'
        of a military operation.

        It is only as the movie progresses that we get a sense of what the
        ultimate purpose of the Hunt REALLY is all about: in their Sacred
        Scrolls, the Apes are commanded to

        "Beware the beast Man, for he is the Devil's pawn! Alone among God's
        primates, he kills for sport or lust or greed. Yea! he will murder
        his brother to possess his brother's land. LET HIM NOT BREED IN GREAT
        NUMBERS, FOR HE WILL MAKE A DESERT OF HIS HOME AND YOURS. Shun him!
        Drive him back into his jungle lair, for he is the harbinger of
        Death!"

        Not the capitalized sentence: "Let [Man] not breed in great numbers,
        for he will make a desert of his home and yours." This is a de facto
        commandment to periodically "cull the herd" -- to reduce the numbers
        of humans from time-to-time, so as to prevent them from
        overpopulating like coneys and deer.

        In general, the Apes are commanded to "shun" Man... but the gorilla
        hunt club goes on periodic military-style mass-killing sprees, which
        serves to reduce the numbers of Man-beasts, and also to further
        instill in the ones who escaped a morbid fear of the Apes.

        Though the gorillas probably do enjoy going on their hunts, it is not
        merely recreation for a group of aristocrats, as it is in the novel.
        It is also a military-style action. In the original scripts, prior to
        the budget-conscious changes that were made that resulted in the Ape
        society being re-cast in a "horse-and-buggy" era (rather than in a
        modern-type setting), the Hunt scene called for helicopters and all
        that -- which was almost too obvious a parallel to the situation in
        Vietnam. They may have ditched the helicopters, but they still
        retained a militaristic feel to the scene, in my opinion. I believe
        that the artist who painted Arthur P. Jacob's synopsis/presentation
        file (the one he shopped around Hollywood) rendered the helicopter in
        his painting of the hunt scene.

        And, the gorillas have been doing this for a very long time; this
        isn't the first hunt they'd ever gone on. It is only the latest in a
        long line of coordinated attacks on the migrating herds of ape-crop-
        eating vermin. They know they don't need machine guns or artillery,
        so they use nets and rifles.

        But, after Ursus sent out his 12 scouts, and only one of 'em came
        back, "his MIND gone... shattered, no doubt, by some unsimian
        torture," Ursus now knew that SOMETHING dwelt in the Forbidden Zone,
        and that it was dangerous. When he ascended to power in Ape City, he
        had "the Incident" he needed to go on a "rampage of conquest" as
        Zaius says to Zira and Cornelius -- and, in order to be successful in
        that invasion against an UNKNOWN enemy, he takes the heavier guns. He
        brings cannons, and his soldiers bring with them automatic
        rifles/machine guns. They had never needed any of these things before
        (or, I should say, RECENTLY..), when all they were doing
        was 'culling' the herds of humans, but NOW they were up against
        something more sinister, more powerful. Something NOT simian, yet
        intelligent and cruel.

        Up until then, the gorillas were the Security force for the Apes...
        but now they had to be mustered for the invasion of the Forbidden
        Zone. It reminds me kinda of the situation happening now with the
        National Guard being sent over to Iraq -- NOT to "guard the nation"
        (which is what a "National Guard" is supposed to help to do), but to
        participate in "peace-keeping" occupation-efforts abroad. I wonder
        how many of the gorillas in Ursus' army never thought for a minute
        that they'd ever be mustered for such an event. After all, their
        neighboring desert is "taboo" -- it is FORBIDDEN to them, due to
        their Lawgiver having declared it to be "deadly". As Zaius says, the
        Forbidden Zone is a place where "only an APOSTATE would flee": no
        Scripture-believing/following, pious Ape would EVER go there... and
        no Ape would be ALLOWED to go there for any scientific purpose -- the
        necessary "travel permit" would not authorize such a trip. Cornelius
        tried to sweet-talk the President of the Assembly by saying that his
        prior trip to the Zone was "with the special permission of the
        Academy" -- but Zaius says that "He exceeded his orders" and "his
        travel permit was cancelled."

        When Ursus does finally inform the citizens of his impending
        invasion, he couches it in pseudo-religious terms, saying that "it
        is, therefore, our HOLY DUTY to enter it, to put our feet upon it"
        (etc), and to invade "the ONCE-FORBIDDEN zone".

        And the Ape religious leaders go along with this change-in-policy,
        this near-HERESY: the minister refers to the impending invasion as "a
        HOLY WAR undertaken for [God's] sake". The minister, just like Ursus
        and (probably) Zaius, assume that their Enemy is non-simian; he
        says, "... and grant, in the name of your prophet, our great
        Lawgiver, that we may aspire the more perfectly to that spiritual
        godliness and bodily beauty which You, in Your infinite mercy, have
        thought fit to deny to our BRUTISH enemies!"

        Note that Caspay, similarly, refers to the Apes as "slobbering,
        monstrous, materialistic Apes" and as "Stupid animals! They don't
        have the brain to hold our illusions!" Both sides, by "dehumanizing"
        (or "desimianizing") the Other Side, end up descending to their baser
        natures and endeavor to solve their problems with violence.

        Circular Timeline-enthusiasts take note: Ursus' army has cannons and
        machine guns for ONE reason, and one reason ONLY -- way back when,
        around 1,937 years earlier, their first ape King (Caesar) had decided
        that the fledgling Ape community would NOT destroy their armory as
        Mandemus hoped; rather, he had indicated that the armory would be
        preserved for the potentiality of there being a NEED for those
        weapons.

        I wonder if a descendant of Mandemus -- or perhaps Virgil -- kept the
        guarding of the Armory in their family, an office handed down
        generation-to-generation...?

        Patrick
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        Last updated 2026-03-31 10:43.