|
| Group: potadg |
Message: 21452 |
From: Whitty, Michael |
Date: 10/7/2004 |
| Subject: Re: Illustration Chapter 3 Monkey Planet |
|
| Group: potadg |
Message: 21453 |
From: Whitty, Michael |
Date: 10/7/2004 |
| Subject: Re: Murdoch Gives (Very) Green Light to Fox |
|
| Group: potadg |
Message: 21454 |
From: Whitty, Michael |
Date: 10/7/2004 |
| Subject: Something BIG for Planet of the Apes |
|
| Group: potadg |
Message: 21455 |
From: Whitty, Michael |
Date: 10/7/2004 |
| Subject: Re: Patrick's turf... |
|
| Group: potadg |
Message: 21456 |
From: Whitty, Michael |
Date: 10/7/2004 |
| Subject: Re: Patrick's turf... |
|
| Group: potadg |
Message: 21457 |
From: MicroRob |
Date: 10/7/2004 |
| Subject: Mego POTA Figures For Sale |
|
| Group: potadg |
Message: 21458 |
From: Whitty, Michael |
Date: 10/7/2004 |
| Subject: Re: Mego POTA Figures For Sale |
|
| Group: potadg |
Message: 21459 |
From: MicroRob |
Date: 10/7/2004 |
| Subject: Re: Mego POTA Figures For Sale |
|
| Group: potadg |
Message: 21460 |
From: Whitty, Michael |
Date: 10/7/2004 |
| Subject: Mego POTA Figures For Sale |
|
| Group: potadg |
Message: 21461 |
From: Whitty, Michael |
Date: 10/7/2004 |
| Subject: Mego POTA Figures For Sale |
|
| Group: potadg |
Message: 21462 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
|
| Group: potadg |
Message: 21463 |
From: PotaDG@yahoogroups.com |
Date: 10/8/2004 |
| Subject: New file uploaded to PotaDG |
|
| Group: potadg |
Message: 21464 |
From: Neil |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
|
| Group: potadg |
Message: 21465 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
|
| Group: potadg |
Message: 21466 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Beyond the Planet of the Apes |
|
| Group: potadg |
Message: 21467 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Beyond the Planet of the Apes |
|
| Group: potadg |
Message: 21468 |
From: Neil |
Date: 10/8/2004 |
| Subject: Re: Beyond the Planet of the Apes |
|
| Group: potadg |
Message: 21469 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes. |
|
| Group: potadg |
Message: 21470 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Something BIG for Planet of the Apes |
|
| Group: potadg |
Message: 21471 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
|
| Group: potadg |
Message: 21472 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
|
| Group: potadg |
Message: 21473 |
From: Neil |
Date: 10/8/2004 |
| Subject: Re: Beyond the Planet of the Apes |
|
| Group: potadg |
Message: 21474 |
From: Neil |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
|
| Group: potadg |
Message: 21475 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
|
| Group: potadg |
Message: 21476 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
|
| Group: potadg |
Message: 21477 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
|
| Group: potadg |
Message: 21478 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
|
| Group: potadg |
Message: 21479 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
|
| Group: potadg |
Message: 21480 |
From: Neil |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
|
| Group: potadg |
Message: 21481 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
|
| Group: potadg |
Message: 21482 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
|
| Group: potadg |
Message: 21483 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
|
| Group: potadg |
Message: 21484 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
|
| Group: potadg |
Message: 21485 |
From: Neil |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
|
| Group: potadg |
Message: 21486 |
From: Neil |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
|
| Group: potadg |
Message: 21487 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Competition RESULTS! |
|
| Group: potadg |
Message: 21488 |
From: MicroRob |
Date: 10/8/2004 |
| Subject: Re: Mego POTA Figures For Sale |
|
| Group: potadg |
Message: 21489 |
From: Dave B |
Date: 10/8/2004 |
| Subject: Re: Competition RESULTS! |
|
| Group: potadg |
Message: 21490 |
From: Michael Whitty |
Date: 10/8/2004 |
| Subject: Re: Competition RESULTS! |
|
| Group: potadg |
Message: 21491 |
From: Dave B |
Date: 10/8/2004 |
| Subject: Re: Competition RESULTS! |
|
| Group: potadg |
Message: 21492 |
From: Neil |
Date: 10/8/2004 |
| Subject: Re: Competition RESULTS! |
|
| Group: potadg |
Message: 21493 |
From: Michael Whitty |
Date: 10/8/2004 |
| Subject: Re: Competition RESULTS! |
|
| Group: potadg |
Message: 21494 |
From: luke_the_drifter52 |
Date: 10/8/2004 |
| Subject: Mego Planet of the Apes Villiage in the Box on Ebay |
|
| Group: potadg |
Message: 21495 |
From: Hoknes |
Date: 10/8/2004 |
| Subject: APE CHRONICLES - online index to every issue! |
|
| Group: potadg |
Message: 21496 |
From: PofTAfan@aol.com |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
|
| Group: potadg |
Message: 21497 |
From: Tim Parati |
Date: 10/8/2004 |
| Subject: Adventure Comics |
|
| Group: potadg |
Message: 21498 |
From: veetus@earthlink.net |
Date: 10/9/2004 |
| Subject: Re: Helen's Novel - or at least SUMMARY OF Chapter 2 |
|
| Group: potadg |
Message: 21499 |
From: veetus@earthlink.net |
Date: 10/9/2004 |
| Subject: Re: Helen's Novel - or at least SUMMARY OF Chapter 2 |
|
| Group: potadg |
Message: 21500 |
From: veetus@earthlink.net |
Date: 10/9/2004 |
| Subject: Re: Murdoch Gives (Very) Green Light to Fox |
|
| Group: potadg |
Message: 21501 |
From: ape_mom |
Date: 10/9/2004 |
| Subject: Re: Helen's Novel - or at least SUMMARY OF Chapter 2 |
|
| Group: potadg |
Message: 21502 |
From: Dave B |
Date: 10/9/2004 |
| Subject: Re: Adventure Comics |
|
| Group: potadg |
Message: 21503 |
From: Kasey Taylor Cooper |
Date: 10/9/2004 |
| Subject: Re: Helen's Novel - or at least SUMMARY OF Chapter 2 |
|
| Group: potadg |
Message: 21504 |
From: Alan Maxwell |
Date: 10/9/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
|
| Group: potadg |
Message: 21505 |
From: veetus@earthlink.net |
Date: 10/9/2004 |
| Subject: Re: Adventure Comics |
|
| Group: potadg |
Message: 21506 |
From: Alan Maxwell |
Date: 10/9/2004 |
| Subject: Re: Adventure Comics |
|
| Group: potadg |
Message: 21507 |
From: Tim Parati |
Date: 10/9/2004 |
| Subject: Re: Adventure Comics |
|
| Group: potadg |
Message: 21508 |
From: veetus@earthlink.net |
Date: 10/9/2004 |
| Subject: OT: Simpsons |
|
| Group: potadg |
Message: 21509 |
From: Michael Whitty |
Date: 10/9/2004 |
| Subject: Adventure Comics |
|
| Group: potadg |
Message: 21510 |
From: veetus@earthlink.net |
Date: 10/9/2004 |
| Subject: Re: Adventure Comics |
|
| Group: potadg |
Message: 21511 |
From: Michael Whitty |
Date: 10/9/2004 |
| Subject: "Real" Fans |
|
| Group: potadg |
Message: 21512 |
From: Michael Whitty |
Date: 10/9/2004 |
| Subject: Mr H |
|
| Group: potadg |
Message: 21513 |
From: Michael Whitty |
Date: 10/9/2004 |
| Subject: What is a "Real Fan" |
|
| Group: potadg |
Message: 21514 |
From: Michael Whitty |
Date: 10/9/2004 |
| Subject: Time of the McFarlane |
|
| Group: potadg |
Message: 21515 |
From: Haristas@aol.com |
Date: 10/9/2004 |
| Subject: Re: Mr H |
|
| Group: potadg |
Message: 21516 |
From: veetus@earthlink.net |
Date: 10/9/2004 |
| Subject: Re: Mr H |
|
| Group: potadg |
Message: 21517 |
From: veetus@earthlink.net |
Date: 10/9/2004 |
| Subject: Re: Mr H |
|
| Group: potadg |
Message: 21518 |
From: veetus@earthlink.net |
Date: 10/10/2004 |
| Subject: OT: "Twilight Zone" DVD update |
|
| Group: potadg |
Message: 21519 |
From: ron kenner |
Date: 10/10/2004 |
| Subject: Re: OT: "Twilight Zone" DVD update |
|
| Group: potadg |
Message: 21520 |
From: Haristas@aol.com |
Date: 10/10/2004 |
| Subject: Re: OT: "Twilight Zone" DVD update |
|
| Group: potadg |
Message: 21521 |
From: ron kenner |
Date: 10/10/2004 |
| Subject: Re: OT: "Twilight Zone" DVD update |
|
| Group: potadg |
Message: 21522 |
From: Haristas@aol.com |
Date: 10/10/2004 |
| Subject: Re: OT: "Twilight Zone" DVD update |
|
| Group: potadg |
Message: 21523 |
From: ron kenner |
Date: 10/10/2004 |
| Subject: Re: OT: "Twilight Zone" DVD update |
|
| Group: potadg |
Message: 21524 |
From: veetus@earthlink.net |
Date: 10/10/2004 |
| Subject: "Tim Burton" and POTA2001 |
|
| Group: potadg |
Message: 21525 |
From: Michael Whitty |
Date: 10/10/2004 |
| Subject: Ted Post |
|
| Group: potadg |
Message: 21526 |
From: Whitty, Michael |
Date: 10/10/2004 |
| Subject: Mego POTA Figures For Sale - BRADGATE? |
|
| Group: potadg |
Message: 21527 |
From: veetus@earthlink.net |
Date: 10/10/2004 |
| Subject: OT: "Simpsons" action figures R.I.P. |
|
| Group: potadg |
Message: 21528 |
From: Hoknes |
Date: 10/10/2004 |
| Subject: POTA TV SHOW SCRIPTS in Ape Chronicles |
|
| Group: potadg |
Message: 21529 |
From: Hoknes |
Date: 10/10/2004 |
| Subject: were there 12" POTA figures in 1974/75 ? |
|
| Group: potadg |
Message: 21530 |
From: Hoknes |
Date: 10/10/2004 |
| Subject: MEGO completists? |
|
| Group: potadg |
Message: 21531 |
From: Whitty, Michael |
Date: 10/10/2004 |
| Subject: Re: were there 12" POTA figures in 1974/75 ? |
|
| Group: potadg |
Message: 21532 |
From: Hoknes |
Date: 10/10/2004 |
| Subject: POTA toys and figures in 1975 |
|
| Group: potadg |
Message: 21533 |
From: Hoknes |
Date: 10/10/2004 |
| Subject: Re: were there 12" POTA figures in 1974/75 ? |
|
| Group: potadg |
Message: 21534 |
From: Whitty, Michael |
Date: 10/10/2004 |
| Subject: Re: were there 12" POTA figures in 1974/75 ? |
|
| Group: potadg |
Message: 21535 |
From: Hoknes |
Date: 10/10/2004 |
| Subject: Re: were there 12" POTA figures in 1974/75 ? |
|
| Group: potadg |
Message: 21536 |
From: veetus@earthlink.net |
Date: 10/10/2004 |
| Subject: Re: were there 12" POTA figures in 1974/75 ? |
|
| Group: potadg |
Message: 21537 |
From: veetus@earthlink.net |
Date: 10/10/2004 |
| Subject: Re: were there 12" POTA figures in 1974/75 ? |
|
| Group: potadg |
Message: 21538 |
From: Hoknes |
Date: 10/10/2004 |
| Subject: Re: were there 12" POTA figures in 1974/75 ? |
|
| Group: potadg |
Message: 21539 |
From: Whitty, Michael |
Date: 10/10/2004 |
| Subject: Something BIG for Planet of the Apes |
|
| Group: potadg |
Message: 21540 |
From: veetus@earthlink.net |
Date: 10/10/2004 |
| Subject: Re: were there 12" POTA figures in 1974/75 ? |
|
| Group: potadg |
Message: 21541 |
From: Haristas@aol.com |
Date: 10/10/2004 |
| Subject: Re: were there 12" POTA figures in 1974/75 ? |
|
| Group: potadg |
Message: 21542 |
From: Whitty, Michael |
Date: 10/10/2004 |
| Subject: 12" POTA figures in 1974/75 ? |
|
| Group: potadg |
Message: 21543 |
From: Whitty, Michael |
Date: 10/10/2004 |
| Subject: "Simpsons" action figures R.I.P. |
|
| Group: potadg |
Message: 21544 |
From: veetus@earthlink.net |
Date: 10/10/2004 |
| Subject: Re: 12" POTA figures in 1974/75 ? |
|
| Group: potadg |
Message: 21545 |
From: Whitty, Michael |
Date: 10/10/2004 |
| Subject: Re: 12" POTA figures in 1974/75 ? |
|
| Group: potadg |
Message: 21546 |
From: Whitty, Michael |
Date: 10/10/2004 |
| Subject: A Bathing Ape |
|
| Group: potadg |
Message: 21547 |
From: veetus@earthlink.net |
Date: 10/10/2004 |
| Subject: Re: A Bathing Ape |
|
| Group: potadg |
Message: 21548 |
From: Whitty, Michael |
Date: 10/11/2004 |
| Subject: Army versus Security? |
|
| Group: potadg |
Message: 21549 |
From: ape_mom |
Date: 10/11/2004 |
| Subject: Re: A Bathing Ape |
|
| Group: potadg |
Message: 21550 |
From: ape_mom |
Date: 10/11/2004 |
| Subject: Sideshow action figures |
|
| Group: potadg |
Message: 21551 |
From: patrickmichaeltilton |
Date: 10/11/2004 |
| Subject: Re: Army versus Security? |
|
| Group: potadg |
Message: 21452 |
From: Whitty, Michael |
Date: 10/7/2004 |
| Subject: Re: Illustration Chapter 3 Monkey Planet |
.html
.html
That's
because you are using your Yahoo address....send me your other email address or
look in the files under "Monkey Planet"!
Michael
monkey feces!
i didnt get a picture; just a small box with a red "x" in the center.
<.html
<.html
|
|
| Group: potadg |
Message: 21453 |
From: Whitty, Michael |
Date: 10/7/2004 |
| Subject: Re: Murdoch Gives (Very) Green Light to Fox |
.html
.html
Gee Rory,
last time he did was that Burton movie!
Michael
Oh! That
Aussie who owns Fox! Can't fellow Aussie Michael Whitty get this guy to
do anything with APES?
Murdoch Gives (Very) Green Light
to Fox
Saying that News Corp's Fox Entertainment Group is "on a
great streak," News Corp Chairman Rupert Murdoch said Tuesday that
the company plans to increase production at its 20th Century Fox film studio
and its Fox Searchlight Unit. The studio, which released 11 films during it
last fiscal year, has been given the go-ahead to turn out 20-25 films in the
current fiscal year, while Searchlight, which released 8, will raise its total
to 11. Murdoch indicated that his decision to increase production was based
largely on the performance of The
Day After Tomorrow, which was responsible for $540 million in ticket sales
worldwide, and I, Robot, which
pulled in more than $314 million.
News Corp May Buy Up Fox
Entertainment Shares News Corp is likely to buy out the 18 percent of
Fox Entertainment Group that it doesn't already own, its chairman, Rupert Murdoch, said Tuesday. He
added that at Fox's current market price, about $5 billion, "Fox would be very
cheap." However, Murdoch told the Goldman Sachs investors conference that News
Corp is "not in a hurry" to accomplish the buy-out. It may be hinged, analysts
said, to the success -- or failure -- of Murdoch's ability to win approval
from Australian investors to move News Corp's corporate headquarters from
Australia to the U.S.
<.html
<.html
|
|
| Group: potadg |
Message: 21454 |
From: Whitty, Michael |
Date: 10/7/2004 |
| Subject: Something BIG for Planet of the Apes |
.html
.html
WOW!
What an answer!
Michael
Hmmmm....
I'm thinkin'....
The "PLANET OF THE APES" part of the logo
looks like it comes directly from the POTA TV DVD set, which might -- just
MIGHT, mind you -- be a covert hint that this "Beyond the POTA" work
concerns the ultimate fates of Burke/Virdon/Galen, etc.
The sun,
too, is reminiscent of the famous POTA TV opening credits images, where
the gorilla is holding his rifle up, the sun at his back.
Then
there's the lamppost/streetsign on the left... and what looks like it
kinda/sorta/might just be a... a parking meter? What IS that damned thing
on the right!? Is its covering there intended to make it some sorta
"scarecrow"-like thing?
Below the "E" in "APES", on the horizon, it
looks like there's some kind of explosion happening, sending debris up
into the air. What's up with that? Hmmm....
Then there's the
caption: "COME TO SOMWHERE [spelling!] YOU'VE NEVER BEEN BEFORE... COME
WITH US AS WE GO... BEYOND THE PLANET OF THE APES". Well, where have we
NOT been before? Does the [misspelled] word "somewhere" indicate that this
story is set in a PLACE we've never been/seen before? Or could it also
refer to a TIME we've never experienced? Hmmm....
We see Human
Civilization ruins in this pic, so I'm guessing that "BEYOND" has nothing
to do with Boulle's original novel.
Thus, this adventure is probably
set in either the Movie or TV series universe(s), depending on whether or
not you think the 2 can be reconciled (like I do) or that they're
"alternate" universes.
So... is it related to the TV show, or not? If
it IS about Virdon/Burke/Galen (etc), and it IS "somewhere" we've never
been before, then could this story be set somewhere else on post-nuked
Earth, somewhere the Fugitives escaped to, perhaps? Might not that
lamppost represent a remnant of ancient human yet non-American
civilization? I.e.: could this be set, say, in England? We've never
been there before, unless the comic "APE CITY" (which was set in
Europe) also had stuff happening in Britain; it's been so long since I
read 'em, that I can't remember offhand.
As much as my gut is telling
me that this is probably something about the post-TV show fates of
Virdon/Burke/Galen... I'm gonna go out on a limb (like Cornelius Jr.!) and
guess that it is NOT.
So... what do I guess it IS about?
The
phrase/title "PLANET OF THE APES" represents "a world turned upside down",
where Apes rule and Humans are either enslaved or dehumanized to the point
of animality. In the 1968 film of "PLANET" and its sequel "BENEATH", that
world is destroyed by the detonation of the Doomsday Bomb. Those who argue
for a circular timeline (like me) would say that the planet Earth is no
more, from 3955 onwards (or, 3978 if you want to argue for the date given
in "PLANET").
But there are those (like Rory, for one) who favor the
notion that Caesar did indeed manage to CHANGE THE FUTURE by his actions
at the end of "BATTLE"... and I remember reading some time back a post on
one of these Yahoo groups where it is said that Taylor -- when his
ship gets back to Earth, a world whose "destiny" had been CHANGED by
Caesar's actions -- will arrive to find a world where talking Apes
live in friendship and at peace with the humans descended from the
MacDonald-led group that talked of having their own
destiny.
Thus... the "somewhere" we've "never been before" could well
refer to a locale on Earth we HAVE seen before in the pre-"changed"
timeline, yet have NOT seen in a post-"changed" timeline. This COULD be
about Taylor/Landon/Dodge encountering a peaceful community of talking
Apes AND Humans... AND, possibly, Mutants too. Thus, Zira and Cornelius
might very well be there, with there having been no "terrible secret"
guarded by Zaius and his ilk -- the entire community having been told
the tale of Caesar (from the "BATTLE" beginning-and-end scenes).
We've never seen the Movie "Ape City" circa 3955/3978 except in the
first 2 movies, the "pre-changed" timeline setting; we've yet to see
what that same setting would be like -- what
Zira/Cornelius/Zaius/Julius/Ursus/Honorius/Mendez XXVI/Albina/etc.
would be like in a "post-changed" timeline setting.
So... that's
my guess. This "BEYOND THE PLANET OF THE APES" will, I'm guessing, take us
BEYOND the situation Taylor initially found (the first 2 films) and show
us what Taylor will come to find after Caesar's "divine intervention"
supposedly CHANGED it to be a better destiny than Doomsday.
As Zira
said about Cornelius' "evolution" theory, mine might be the most BRILLIANT
hypothesis--
"--But I'm probably WRONG!"
If I'm RIGHT, though, I
get that "ash-can" edition of "BEWARE THE BEAST"...
Fingers
crossed...
Patrick Michael Tilton EARTH-TIME
10-07-2004 <.html
<.html
|
|
| Group: potadg |
Message: 21455 |
From: Whitty, Michael |
Date: 10/7/2004 |
| Subject: Re: Patrick's turf... |
.html
.html
This is
FASCINATING Patrick and I now feel quite justified in my attempt to analyse this
great novel, bit by bit.
With
revelations like this and Neil's great illustrations (can anybody else give us
some art too?) I hope we can atempt a revamp of the novel with illustrations to
present to Penguin (who are still the publisher I
think?)>
Michael
--- In PotaDG@yahoogroups.com,
"ape_mom" <sand_hill_school@y....> wrote: > > Ok,
Michael. Pay up! > > > In chapter two we meet Ulysse
Merou, a man with a family living in a self-sufficient spaceship. He
begins by telling us the story of his experiences in a voyage with two
other men, Professor Antelle and Arthur Levain, to the distant and super
gigantic star known to some as Betelgeuse. > > Professor
Antelle, we learn, is a wealthy scientist, perhaps somewhat lacking in
social graces and without a lot of hope for humanity, who puts his entire
fortune on the line to pull together this mission. >
The ship is equipped with a lovely vegetable garden and Antelle even
thought to plant flowers. Ulysse Merou, a mere journalist, has been
brought along by Antelle to document the mission and perhaps to be a bit
of a diversion for the professor.
>>>>>Arthur Levaine is a young
physician.<<<<<
In addition to the crew, there
are birds and butterflies and a young, well-trained chimp named
Hector. > > The Professor's decision to travel to Betelgeuse
rather than a closer star seems to be a good one. They accelerate
for a year (traveling at the speed of light minus epsilon) and
decelerate for a year, reaching their destination in barely more
than two years - about the time it would have taken to reach a closer star
if traveling at a lesser speed. (This is Patrick's turf,
so I will leave that to him.) The flight goes off without a
hitch and the men soon see Betelgeuse and, we will learn in Chapter
3, its planets.
*** Just one (minor?) quibble...
Arthur Levain
was -- according to the original French text of Boulle's novel -- "un
jeune physicien de grand avenir", which Xan Fielding translated as "a
young PHYSICIAN with a great future". However, this is a MIS-TRANSLATION
of the French word "physicien".. The word for "physician" in French is
"medecin" [with an acute accent mark above the first "e"]; the French word
"physicien" translates to English accurately as "physicist". Arthur Levain
was NOT a physician or doctor of medicine, as Xan Fielding's
(mis-)translation implies; he was a PHYSICIST. He wasn't on the journey to
oversee Antelle's health concerns (etc), he was there (probably) to study
PHYSICS, the physics of travelling through Space at the speed of light
minus
epsilon. <.html
<.html
|
|
| Group: potadg |
Message: 21456 |
From: Whitty, Michael |
Date: 10/7/2004 |
| Subject: Re: Patrick's turf... |
.html
.html
I think I'm
sending PATRICK your next Peppermint Crisp! ;)
Michael
Yeah. What he said.
I knew that. <.html
<.html
|
|
| Group: potadg |
Message: 21457 |
From: MicroRob |
Date: 10/7/2004 |
| Subject: Mego POTA Figures For Sale |
.html
.html
Hey guys its time for me to move some of my
collection to buy a new piece that has just came up for sale. I figured i would
off them here before going to ebay. please email me if theres anything you would
like or if you need pictures of anything. I can do alittle on the prices if you
buy a few pieces and will also do payments over a few months after a 15%
non-refundable deposit. All piece are 100% complete with original piece
unless noted. please email me at rjamantea@...
thanks rob
Loose
Cipsa / Mego Mexico
Urko $35.00
Ursus $35.00
Bill $20.00 (wrong clothes but looks
good)
U.S. Mego
Galen / Cornelius Green $25.00
Galen / Cornelius Brown $60.00
Zira $20.00
Gen Ursus $60.00
Gen Ursus $30.00 (missing 1 glove and
sword)
Dr. Zaius $50.00 (light orange hair almost
blonde)
Soldier Ape $20.00 (no gun)
Soldier Ape $30.00 (Lizard coat no
gloves)
Soldier Ape $50.00 (Brown coat no
gloves)
Boxed
Bullmark Japan
Cornelius $450.00
Complete with catalog - Rare piece
Bradgate
Astronaut $200.00
(Bubble open on top, Figure 100% complete in mint
condition)
Cornelius $500.00 Sealed and mint
U.S. Mego Boxed
General Urko $1000.00
Super Rare / Complete
Galen $225.00
Cipsa / Mego Mexico
Dr. Zaius $250.00
Sealed
General Urko $225.00
Sealed
General Ursus $225.00
Opened on bottom / 100% complete
Other
Rare Bonnie Dee Doll Dressed in Galen / Cornelius
Clothes $60.00
made in China still sealed in original
bag
<.html <.html
|
|
| Group: potadg |
Message: 21458 |
From: Whitty, Michael |
Date: 10/7/2004 |
| Subject: Re: Mego POTA Figures For Sale |
.html
.html
Hi Rob - is
the piece you are after the Treehouse with the 5 figures? ;)
Also,
may I see scans of (and can you tell me more about) the Rare Bonnie Dee
Doll?
Michael
Hey guys its time for me to move some of my
collection to buy a new piece that has just came up for sale. I figured i
would off them here before going to ebay. please email me if theres anything
you would like or if you need pictures of anything. I can do alittle on the
prices if you buy a few pieces and will also do payments over a few months
after a 15% non-refundable deposit. All piece are 100% complete
with original piece unless noted. please email me at rjamantea@...
thanks rob
Loose
Cipsa / Mego Mexico
Urko $35.00
Ursus $35.00
Bill $20.00 (wrong clothes but looks
good)
U.S. Mego
Galen / Cornelius Green $25.00
Galen / Cornelius Brown $60.00
Zira $20.00
Gen Ursus $60.00
Gen Ursus $30.00 (missing 1 glove and
sword)
Dr. Zaius $50.00 (light orange hair almost
blonde)
Soldier Ape $20.00 (no gun)
Soldier Ape $30.00 (Lizard coat no
gloves)
Soldier Ape $50.00 (Brown coat no
gloves)
Boxed
Bullmark Japan
Cornelius $450.00
Complete with catalog - Rare piece
Bradgate
Astronaut $200.00
(Bubble open on top, Figure 100% complete in mint
condition)
Cornelius $500.00 Sealed and mint
U.S. Mego Boxed
General Urko $1000.00
Super Rare / Complete
Galen $225.00
Cipsa / Mego Mexico
Dr. Zaius $250.00
Sealed
General Urko $225.00
Sealed
General Ursus $225.00
Opened on bottom / 100% complete
Other
Rare Bonnie Dee Doll Dressed in Galen / Cornelius
Clothes $60.00
made in China still sealed in original
bag
<.html
<.html
|
|
| Group: potadg |
Message: 21459 |
From: MicroRob |
Date: 10/7/2004 |
| Subject: Re: Mego POTA Figures For Sale |
.html
.html
>Hi Rob -
is the piece you are after the Treehouse with the 5 figures?
;)
no the piece
im going for is a non-apes piece
>Also, may I see scans of (and can you tell me more
about) the Rare Bonnie Dee
Doll?
hope this helps,
rob <.html <.html
|
|
| Group: potadg |
Message: 21460 |
From: Whitty, Michael |
Date: 10/7/2004 |
| Subject: Mego POTA Figures For Sale |
.html
.html
Rob - what
COMPANY made these?
I ask because I have some "ASTRO-APES" - released by
AHI (because they could not release a POTA Action Figure since Mego beat them to
it!). It looks like SIMILAR packaging and I wonder if AHI made these
clothes for their figures but were asked NOT to use
them?
CURIOUS!
I am
re-sending the list of your "FOR SALE" stuff here to the COLLECTING group Terry
set up too:
Hey guys its time for me to move some of my
collection to buy a new piece that has just came up for sale. I figured i would
off them here before going to ebay. please email me if theres anything you would
like or if you need pictures of anything. I can do alittle on the prices if you
buy a few pieces and will also do payments over a few months after a 15%
non-refundable deposit. All piece are 100% complete with original piece
unless noted. please email me at rjamantea@...
thanks rob
Loose
Cipsa / Mego Mexico
Urko $35.00
Ursus $35.00
Bill $20.00 (wrong clothes but looks
good)
U.S. Mego
Galen / Cornelius Green $25.00
Galen / Cornelius Brown $60.00
Zira $20.00
Gen Ursus $60.00
Gen Ursus $30.00 (missing 1 glove and
sword)
Dr. Zaius $50.00 (light orange hair almost
blonde)
Soldier Ape $20.00 (no gun)
Soldier Ape $30.00 (Lizard coat no
gloves)
Soldier Ape $50.00 (Brown coat no
gloves)
Boxed
Bullmark Japan
Cornelius $450.00
Complete with catalog - Rare piece
Bradgate
Astronaut $200.00
(Bubble open on top, Figure 100% complete in mint
condition)
Cornelius $500.00 Sealed and mint
U.S. Mego Boxed
General Urko $1000.00
Super Rare / Complete
Galen $225.00
Cipsa / Mego Mexico
Dr. Zaius $250.00
Sealed
General Urko $225.00
Sealed
General Ursus $225.00
Opened on bottom / 100% complete
Other
Rare Bonnie Dee Doll Dressed in Galen / Cornelius
Clothes $60.00
made in China still sealed in original
bag
Michael
>Hi Rob
- is the piece you are after the Treehouse with the 5 figures?
;)
no the
piece im going for is a non-apes piece
>Also, may I see scans of (and can you tell me more
about) the Rare Bonnie Dee
Doll?
hope this helps,
rob
<.html
<.html
|
|
| Group: potadg |
Message: 21461 |
From: Whitty, Michael |
Date: 10/7/2004 |
| Subject: Mego POTA Figures For Sale |
.html
.html
Rob - can you
send a photot of the BRADGATE stuff please. I am having a mental block
trying to picture these!
Michael
Hey guys its time for me to move some of my
collection to buy a new piece that has just came up for sale. I figured i
would off them here before going to ebay. please email me if theres anything
you would like or if you need pictures of anything. I can do alittle on the
prices if you buy a few pieces and will also do payments over a few months
after a 15% non-refundable deposit. All piece are 100% complete
with original piece unless noted. please email me at rjamantea@...
thanks rob
Boxed
Astronaut $200.00
(Bubble open on top, Figure 100% complete in mint
condition)
Cornelius $500.00 Sealed and mint <.html
<.html
|
|
| Group: potadg |
Message: 21462 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
.html
.html
OK Foster -
what the hell is it?
Whitty
"Neil" <nfoster@...>
wrote: > > --- In PotaDG@yahoogroups.com, "Kassidy Rae"
<valwp@y...> wrote: > >I don't know what that THING is on the
right - looks like a R2D2, > ape version? > > -- Yeah,
what is that thing!?!
I've got it. It's the front part of a
bike.
Alan <.html
<.html
|
|
| Group: potadg |
Message: 21463 |
From: PotaDG@yahoogroups.com |
Date: 10/8/2004 |
| Subject: New file uploaded to PotaDG |
| Group: potadg |
Message: 21464 |
From: Neil |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
.html--- In PotaDG@yahoogroups.com
, "Alan Maxwell" <alan@a...> wrote:
> I've got it. It's the front part of a bike.
> Alan
--- In PotaDG@yahoogroups.com, Tim Parati <apefan23@y...> wrote:
> The thing on the right looks like it could be a
> motorcycle buried in the sand...or something with
> handlebars.....
-- Well done Alan and Tim. Yes they are the top front part from a
motorbike. Now you have to tell me what make of bike the handle bars
are from! ;-)
Neil <.html
|
|
| Group: potadg |
Message: 21465 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
.html
.html
Jeez - I
really thought it was BAGPIPES!
Michael
--- In
PotaDG@yahoogroups.com, "Alan Maxwell" <alan@a...> wrote: > I've
got it. It's the front part of a bike. > Alan
--- In
PotaDG@yahoogroups.com, Tim Parati <apefan23@y...> wrote: > The
thing on the right looks like it could be a > motorcycle buried in the
sand...or something with > handlebars.....
-- Well done Alan and
Tim. Yes they are the top front part from a motorbike. Now you have to
tell me what make of bike the handle bars are from!
;-)
Neil <.html
<.html
|
|
| Group: potadg |
Message: 21466 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Beyond the Planet of the Apes |
.html
.html
OK - one at a
time.
Jimmy:
YES, it
certainly IS a new comic book involving Foster.
It isn't a
camera tripod, nor is it a set of bagpipes!
Thanks for
your input!
Michael
Hi. I'm guessing
it's a new comic book/graphic novel project involving Foster. Concerning
the object on the right in the drawing, it sort of looks like a camera
tripod, so maybe it's a documentary project? Can't wait to find
out!
-Jimmy <.html
<.html
|
|
| Group: potadg |
Message: 21467 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Beyond the Planet of the Apes |
.html
.html
My guess would be that Beyond the Planet of the Apes is going past
what we already know about PotA and giving us more of a view of their
world, [Whitty, Michael]
YES
a more in depth view of the
link between all the stories [Whitty, Michael]
YES
and to clear up questions
regarding endings of stories previously untold, Burke & Virdon for
starters. [Whitty, Michael]
EVENTUALLY,
possibly, but not necessarily......but you get another point for
this!
All I can say is if it is anything like
Beware the Beast it has to be good. Love your work, keep it
up. [Whitty,
Michael]
Hmmm....actually, I do believe it will be quite different to
BTB...but I also believe it will bw fun and I hope it gives us all something
to talk about (other than putting down our fellow POTA fan
friends!)
Stephen <.html
<.html
|
|
| Group: potadg |
Message: 21468 |
From: Neil |
Date: 10/8/2004 |
| Subject: Re: Beyond the Planet of the Apes |
.html--- In PotaDG@yahoogroups.com
, "Whitty, Michael"
<Michael.Whitty@d...> wrote:
> OK - one at a time.
> Jimmy:
> YES, it certainly IS a new comic book involving Foster.
> It isn't a camera tripod, nor is it a set of bagpipes!
> Thanks for your input!
-- No Whitty, definitely NOT bagpipes! Nice try Jimmy
Neil <.html
|
|
| Group: potadg |
Message: 21469 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes. |
.html
.html
2 point
Terry.
It is
actually a SERIES of stroies, but "A BRAND NEW STORY" is close
enough.
"BEYOND THE
POTA" is the name of the series of strips, the first story
being:
"Within the
Planet of the Apes".
It will be
much like the "Phantom" strips in appearance....regularity is fortnightly but it
is up to all of you - you all know how to get more out of Neil, and I already
have 20 of these strips WRITTEN, so let us know if you want more OK?
This
first story DOES take place within or beyond the Forbidden
Zone.
Michael
Hey Terry - I
should have said the answer needs to go to the GROUP! I'll lock your answer
in!
Michael
-----Original Message----- From: Hoknes
[terryhoknes@...] Sent: Thursday, 7 October 2004 11:57
AM To: Michael Whitty Subject: Re: [PotaDG] Something BIG for Planet of
the Apes.
here is my wild guess a brand new original POTA story that
takes places in or past the forbidden zone ?
<.html
<.html
|
|
| Group: potadg |
Message: 21470 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Something BIG for Planet of the Apes |
.html
.html
You probably
will now you mention it, so you get 1 point!
This is great
feedback that suggests to me fans DO want other countries to be explored - so
we'll attempt to give you that (but not in this first
story!).
Michael
looks
to me like we will see pota tv adventures set in the
UK.
<.html
<.html
|
|
| Group: potadg |
Message: 21471 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
.html
.html
No, but
speaking of that, aren't we doing a "Return" version?
;)
Michael
--- In
PotaDG@yahoogroups.com, "Whitty, Michael" <Michael.Whitty@d...>
wrote: > Then post on the group what you think "Beyond the Planet of the
Apes" actually is.
-- Hmmm... is it a new colouring book
maybe?
Neil <.html
<.html
|
|
| Group: potadg |
Message: 21472 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
.html
.html
My guess is also going to be adventures set elsewhere in the
world [Whitty, Michael]
As said
previously, it now WILL be! 1 point!
, butPatrick beat me to
posting the specifics. At least I think that's what Patrick said, I think
he covered every other possibility in that last essay as well. [Whitty,
Michael]
Yup!
Anyway, if I had to name a
country I'd say the UK. But then again, maybe Australia so it makes it
easier for Neil to get some landscapes to refer to! [Whitty,
Michael]
Oh, he
HATES OUR LANDSCAPE! 2 points all
up for you Alan because you also got the motorbike
right!
Alan <.html
<.html
|
|
| Group: potadg |
Message: 21473 |
From: Neil |
Date: 10/8/2004 |
| Subject: Re: Beyond the Planet of the Apes |
.html--- In PotaDG@yahoogroups.com
, "Whitty, Michael"
<Michael.Whitty@d...> wrote:
>
>
> -----Original Message-----
> From: stsroberts [stsroberts@b...]
> Sent: Thursday, October 07, 2004 9:04 PM
> To: PotaDG@yahoogroups.com
> Subject: [PotaDG] Beyond the Planet of the Apes
> My guess would be that Beyond the Planet of the Apes is going past
what we already know about PotA and giving us more of a view of
their world,
>> [Whitty, Michael]
>> YES
> a more in depth view of the link between all the stories
>> [Whitty, Michael]
>> YES
> and to clear up questions regarding endings of stories previously
untold, Burke & Virdon for starters.
>> [Whitty, Michael]
>> EVENTUALLY, possibly, but not necessarily......but you get
another point for this!
> All I can say is if it is anything like Beware the Beast it has to
be good. Love your work, keep it up.
>> [Whitty, Michael]
>> Hmmm....actually, I do believe it will be quite different to
BTB...but I also believe it will be fun and I hope it gives us all
something to talk about
-- Ooooh! very good!~ and not a bagpipe in sight! ;-)
Neil <.html
|
|
| Group: potadg |
Message: 21474 |
From: Neil |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
.html--- In PotaDG@yahoogroups.com
, "Whitty, Michael"
<Michael.Whitty@d...> wrote:
>> -----Original Message-----
>> From: Neil [nfoster@h...]
>>-- Hmmm... is it a new colouring book maybe?
<Michael.Whitty@d...> wrote:
> No, but speaking of that, aren't we doing a "Return" version? ;)
--Yeah, eventually! We have to do this one first... oh it's NOT a
colouring book? Are you sure?
Neil <.html
|
|
| Group: potadg |
Message: 21475 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
.html
.html
It's not
BTB.
It is Foster
art, and it is Neil, but he is adapting his style for this series so we can get
them out painlessly.
I really like
the style - of course I prefer his BTB style, but we will be getting that
TOO! The comics team is still intact (although it has changed in
personnel) and Neil is working on the TV Show comic. However, we are so
close to getting BTB published that we are holding that card close to our chests
right now (but you know what a sucker Neil is for loud
requests!).
Michael
OK, most of
the good (probable) answers have already been sent so I'm gonna stake my
ground with this answer.
"Beyond the Planet of the Apes"
is: The PRINTED version of the Official International Planet
of the Apes Fan Club's Flagship, BEWARE THE BEAST (in two
parts), containing an additional 7 pages never before seen by
people not directly involved in the project!
Has that
for a cut'n'paste answer!
The image appears to be "Foster" art, but I'm
not sure if it's Neil or that new 10 year old Foster who made their debut
on the back cover of Scrolls #9. ;)
Dario <.html
<.html
|
|
| Group: potadg |
Message: 21476 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
.html
.html
Two points
Tim - thanks.
The thing on the
right looks like it could be a motorcycle buried in the sand...or something
with handlebars.....My guess is that it is a new comic from the makers
of BTB but I can't get specific.......
Tim <.html
<.html
|
|
| Group: potadg |
Message: 21477 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
.html
.html
Well, I don't
think so, but my kids have printed it and are colouring it so.....
;)
Michael
--- In
PotaDG@yahoogroups.com, "Whitty, Michael" <Michael.Whitty@d...>
wrote: >> -----Original Message----- >> From: Neil
[nfoster@h...] >>-- Hmmm... is it a new colouring book
maybe?
<Michael.Whitty@d...> wrote: > No, but speaking of
that, aren't we doing a "Return" version? ;)
--Yeah, eventually!
We have to do this one first... oh it's NOT a colouring book? Are you
sure?
Neil <.html
<.html
|
|
| Group: potadg |
Message: 21478 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
.html
.html
Neil?
Is it?
Michael
Hmmmm....
I'm thinkin'....
The "PLANET OF THE APES" part of the logo
looks like it comes directly from the POTA TV DVD set, which might -- just
MIGHT, mind you -- be a covert hint that this "Beyond the POTA" work
concerns the ultimate fates of Burke/Virdon/Galen, etc. <.html
<.html
|
|
| Group: potadg |
Message: 21479 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
.html
.html
That's what I
thought - and that sun is in the logo of the Official International Planet of
the Apes Fan Club too....was this intended Neil or
concidence?
Michael
The sun, too,
is reminiscent of the famous POTA TV opening credits images, where the
gorilla is holding his rifle up, the sun at his back.
<.html
<.html
|
|
| Group: potadg |
Message: 21480 |
From: Neil |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
.html--- In PotaDG@yahoogroups.com
, "Whitty, Michael"
<Michael.Whitty@d...> wrote:
> Oh, he HATES OUR LANDSCAPE! 2 points all up for you Alan because
you also got the motorbike right!
-- Actually he loves the Aussie landscapes, it's those bloody
ignorant Aussies he hates... NO JUST KIDDING! they are great people,
even if they do cheat at cricket ;-)
Well done getting the motorbike handlebars right Alan, most seem to
have had trouble with that! Bagpipes? Ha!
Neil <.html
|
|
| Group: potadg |
Message: 21481 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
.html
.html
Its a
motorbike - looks like a motocross racer!
In the
backgroud....you are about to find out!
Michael
Then there's
the lamppost/streetsign on the left... and what looks like it
kinda/sorta/might just be a... a parking meter? What IS that damned thing
on the right!? Is its covering there intended to make it some sorta
"scarecrow"-like thing?
Below the "E" in "APES", on the horizon, it
looks like there's some kind of explosion happening, sending debris up
into the air. What's up with that? Hmmm.... <.html
<.html
|
|
| Group: potadg |
Message: 21482 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
.html
.html
It is set in
the MOVIE environment.
I won't spoil
the placement but I am a believer in the NON-circular timeline....I believe
Taylor came from the past where Aldo said "no" and Zira and Cornelius created a
new timeline.
Then there's
the caption: "COME TO SOMWHERE [spelling!] YOU'VE NEVER BEEN BEFORE...
COME WITH US AS WE GO... BEYOND THE PLANET OF THE APES". Well, where have
we NOT been before? Does the [misspelled] word "somewhere" indicate that
this story is set in a PLACE we've never been/seen before? Or could it
also refer to a TIME we've never experienced? Hmmm....
We see Human
Civilization ruins in this pic, so I'm guessing that "BEYOND" has nothing
to do with Boulle's original novel.
Thus, this adventure is probably
set in either the Movie or TV series universe(s), depending on whether or
not you think the 2 can be reconciled (like I do) or that they're
"alternate"
universes. <.html
<.html
|
|
| Group: potadg |
Message: 21483 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
.html
.html
Yeah, and I
was going to really rub it in to Alan because he is Scottish. You spoil
all my fun Neil.
Michael
--- In
PotaDG@yahoogroups.com, "Whitty, Michael" <Michael.Whitty@d...>
wrote: > Oh, he HATES OUR LANDSCAPE! 2 points all up for you Alan
because you also got the motorbike right!
-- Actually he loves the
Aussie landscapes, it's those bloody ignorant Aussies he hates... NO JUST
KIDDING! they are great people, even if they do cheat at cricket
;-)
Well done getting the motorbike handlebars right Alan, most seem to
have had trouble with that! Bagpipes? Ha!
Neil <.html
<.html
|
|
| Group: potadg |
Message: 21484 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
.html
.html
The first
story is not a TV Show story. They will come though.
Again, it
looks like people do want to see other countries.
So... is
it related to the TV show, or not? If it IS about Virdon/Burke/Galen
(etc), and it IS "somewhere" we've never been before, then could this
story be set somewhere else on post-nuked Earth, somewhere the Fugitives
escaped to, perhaps? Might not that lamppost represent a remnant of
ancient human yet non-American civilization? I.e.: could this be set, say,
in England? We've never been there before, unless the comic "APE CITY"
(which was set in Europe) also had stuff happening in Britain; it's been
so long since I read 'em, that I can't remember offhand.
As much as
my gut is telling me that this is probably something about the post-TV
show fates of Virdon/Burke/Galen... I'm gonna go out on a limb (like
Cornelius Jr.!) and guess that it is NOT.
So... what do I guess it IS
about? <.html
<.html
|
|
| Group: potadg |
Message: 21485 |
From: Neil |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
.html--- In PotaDG@yahoogroups.com
, "Whitty, Michael"
<Michael.Whitty@d...> wrote:
>> -----Original Message-----
>>From: patrickmichaeltilton [patrickmichaeltilton@y...]
>> The "PLANET OF THE APES" part of the logo looks like it comes
directly from the POTA TV DVD set
<Michael.Whitty@d...> wrote:
> Neil? Is it?
-- No not the TV DVD. I can't remember exactly where it was from, I
think it was from a Beneath video cover but it has been
extensively 'reworked' by me.
Neil <.html
|
|
| Group: potadg |
Message: 21486 |
From: Neil |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
.html--- In PotaDG@yahoogroups.com
, "Whitty, Michael"
<Michael.Whitty@d...> wrote:
>> -----Original Message-----
>> From: patrickmichaeltilton [patrickmichaeltilton@y...]
>> The sun, too, is reminiscent of the famous POTA TV opening
credits images, where the gorilla is holding his rifle up, the sun
at his back.
<Michael.Whitty@d...> wrote:
> That's what I thought - and that sun is in the logo of the Official
International Planet of the Apes Fan Club too....was this intended
Neil or concidence?
-- Neither! It was in fact a happy accident. The sun was part of the
picture and when I went to add the words later I thought it would
look kind of cool and POTAish if I combined it with the logo.
Neil <.html
|
|
| Group: potadg |
Message: 21487 |
From: Whitty, Michael |
Date: 10/8/2004 |
| Subject: Competition RESULTS! |
.html
.html
Patrick,
while Steven Roberts won this competition, you are going to get an issue too
because your post just bubbles over with enthusiasm.
I will speak
to the printer and if he is happy to, I will organise for all entrants to get a
copy.
Thanks, and
keep talking!
Here is the
first strip:
Michael
<.html
<.html
|
|
| Group: potadg |
Message: 21488 |
From: MicroRob |
Date: 10/8/2004 |
| Subject: Re: Mego POTA Figures For Sale |
.html
.html
Rob - can you send a photot of the BRADGATE stuff please.
I am having a mental block trying to picture these!
sure there almost like the carded U.S. stuff with the cards
being a diff color. the back is whats really diff. there were only 5 figures
offered in that line.
Astronaut is on a red card with Cornelius being on a orange
card <.html
<.html
|
|
| Group: potadg |
Message: 21489 |
From: Dave B |
Date: 10/8/2004 |
| Subject: Re: Competition RESULTS! |
.html--- In
friends_and_fugitives@yahoogroups.com, "Whitty, Michael" <
Michael.Whitty@d...> wrote:
> Here is the first strip:
Outstanding work guys. You've hooked the reader in just four panels. I look
forward to seeing more.
Dave B <.html
|
|
| Group: potadg |
Message: 21490 |
From: Michael Whitty |
Date: 10/8/2004 |
| Subject: Re: Competition RESULTS! |
.htmlDave,
Thanks - that means a lot coming from you. As you know I very much
admire all your stories that I have read.
I recall when we first started "Beware the Beast" you commented that
you hope to bring out the POTA writers in the group/s. Well, you
have certainly inspired me to put pen to paper.
I just hope my stories can be HALF as interesting as yours.
Neil has tighter control over me though - he has already demanded
there be no Icarus interiors or detailed landscapes! ;)
Michael
--- In PotaDG@yahoogroups.com, "Dave B" <smugster@b...> wrote:
>
> --- In friends_and_fugitives@yahoogroups.com, "Whitty, Michael" <
> Michael.Whitty@d...> wrote:
>
> > Here is the first strip:
>
> Outstanding work guys. You've hooked the reader in just four
panels. I look
> forward to seeing more.
>
> Dave B <.html
|
|
| Group: potadg |
Message: 21491 |
From: Dave B |
Date: 10/8/2004 |
| Subject: Re: Competition RESULTS! |
.html--- In PotaDG@yahoogroups.com
, "Michael Whitty" <Michael.Whitty@d...>
wrote:
>
> Dave,
> I recall when we first started "Beware the Beast" you commented that
> you hope to bring out the POTA writers in the group/s. Well, you
> have certainly inspired me to put pen to paper.
Then I'm happier than a pig in poo! Let's hope this signals just the start of
something big.
> Neil has tighter control over me though - he has already demanded
> there be no Icarus interiors or detailed landscapes! ;)
Are those pencil shadings rather than ink, Neil?
Dave B <.html
|
|
| Group: potadg |
Message: 21492 |
From: Neil |
Date: 10/8/2004 |
| Subject: Re: Competition RESULTS! |
.html--- In PotaDG@yahoogroups.com
, "Dave B" <smugster@b...> wrote:
> Are those pencil shadings rather than ink, Neil?
-- Yep Dave it's pencils. Makes it a lot quicker plus I like the way
some things aren't lost when ink is plastered all over them.
My favourite Marvel magazines were those ones in which they used Mike
Ploog's un-inked pencils, it looks better to me even if you do lose
some sharpness.
Neil <.html
|
|
| Group: potadg |
Message: 21493 |
From: Michael Whitty |
Date: 10/8/2004 |
| Subject: Re: Competition RESULTS! |
.htmlDon't forget Elaine's poem which is a tribute to Gideon - have you
read this?
Michael
--- In PotaDG@yahoogroups.com, "Dave B" <smugster@b...> wrote:
>
> --- In PotaDG@yahoogroups.com, "Michael Whitty"
<Michael.Whitty@d...>
> wrote:
> >
> > Dave,
>
> > I recall when we first started "Beware the Beast" you commented
that
> > you hope to bring out the POTA writers in the group/s. Well,
you
> > have certainly inspired me to put pen to paper.
>
> Then I'm happier than a pig in poo! Let's hope this signals just
the start of something big. <.html
|
|
| Group: potadg |
Message: 21494 |
From: luke_the_drifter52 |
Date: 10/8/2004 |
| Subject: Mego Planet of the Apes Villiage in the Box on Ebay |
|
.html Hey all, thought I would let you all know that Ebay has the Mego
Planet of the Apes Villiage playset in the box up for auction. This
is like the Holy Grail of Planet of the Apes mego items. The Ebay
listing number is 5924175159
Luke the Drifter <.html
|
|
| Group: potadg |
Message: 21495 |
From: Hoknes |
Date: 10/8/2004 |
| Subject: APE CHRONICLES - online index to every issue! |
.html
.html
Now you can see which issues you are missing and/or
see what is in the back issues
Every article in every issue is listed
A great reference point to see where certain
articles have been posted in the past that are still discussed on the
yahoogroups
Jeff Krueger holds the distinction of drawing the
most covers. 19 out of 39 issues (from #2-30)
The most active contributors with articles and/or
stories over the years are
Terry Hoknes / Jeff Krueger / Alan Maxwell / Dave
Ballard
The big mailout of AC 37-39 will take place finally
on Monday to all paid members - thanks for your
support <.html <.html
|
|
| Group: potadg |
Message: 21496 |
From: PofTAfan@aol.com |
Date: 10/8/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
|
.html
I know one of the item in the panel is a lamp post and maybe either it's a street sign or a home address sign and I think the other item got to be a water spicket. <.html
|
|
| Group: potadg |
Message: 21497 |
From: Tim Parati |
Date: 10/8/2004 |
| Subject: Adventure Comics |
|
.html I was going to bring this up later after I have
finished reading all the Adventure comics which for
some reason I never have before. Haven't read the
Scrolls article on them..(waiting til I'm
done)....These are my thoughts......
I don't mind the stories about Alexander, grandson of
Caesar. But I am SO GLAD they changed artisits half
way through. I thought the first artist wasn't very
clear with what he was doing...they all looked alike
(and Coure was certainly not attractive!) and he was
sloppy. ...the later artist was a much better choice.
The Ape Nation, Ape Riders, and Ape City stories were
just stupid. Urchak's Folly was cool.
Glad there was Ape material to be had but it was so
amateurish. Neil can draw circles around those guys
which is why I am very excited about these new
adventures.......Just , please, no aliens or western
themes, please!
Also, the first few articles I did read in Scrolls had
me frustrated. Practically every one of those guys all
either couldn't care less about POTA or just plain
couldn't remember anything about it! Almost got the
feeling they were laughing at "us" for even having a
fanzine! But I do sincerely appreciate the time and
effort that goes into the zine...Thanks to Dave and
all involved!
Tim
<.html
|
|
| Group: potadg |
Message: 21498 |
From: veetus@earthlink.net |
Date: 10/9/2004 |
| Subject: Re: Helen's Novel - or at least SUMMARY OF Chapter 2 |
.html
.html
"Ulysse Merou, a mere journalist, has been
brought along by Antelle to document the mission and perhaps to be a bit of a
diversion for the professor".
Helen! And you had problems with my take on
Brent. - - - Jeff
----- Original Message -----
Sent: Wednesday, October 06, 2004 9:03
AM
Subject: [PotaDG] Re: Helen's Novel - or
at least SUMMARY OF Chapter 2
Ok, Michael. Pay up!
In chapter two we
meet Ulysse Merou, a man with a family living in a self-sufficient
spaceship. He begins by telling us the story of his experiences in a
voyage with two other men, Professor Antelle and Arthur Levain, to the
distant and super gigantic star known to some as
Betelgeuse.
Professor Antelle, we learn, is a wealthy scientist,
perhaps somewhat lacking in social graces and without a lot of hope for
humanity, who puts his entire fortune on the line to pull together this
mission. The ship is equipped with a lovely vegetable garden
and Antelle even thought to plant flowers. Ulysse Merou, a mere
journalist, has been brought along by Antelle to document the mission and
perhaps to be a bit of a diversion for the professor. Arthur
Levaine is a young physician. In addition to the crew, there are
birds and butterflies and a young, well-trained chimp named
Hector.
The Professor's decision to travel to Betelgeuse rather than
a closer star seems to be a good one. They accelerate for a year
(traveling at the speed of light minus epsilon) and decelerate for a
year, reaching their destination in barely more than two years about
the time it would have taken to reach a closer star if traveling at a
lesser speed. (This is Patrick's turf, so I will leave that to
him.) The flight goes off without a hitch and the men soon see
Betelgeuse and, we will learn in Chapter 3, its
planets.
--- In PotaDG@yahoogroups.com,
"Michael Whitty" <Michael.Whitty@d...> wrote: > > Well,
come on! Nothing's FREE! > > Michael > > ---
In PotaDG@yahoogroups.com, "ape_mom" <sand_hill_school@y...> >
wrote: > > > > OUCH!!! > > > > >
> --- In PotaDG@yahoogroups.com, "Whitty, Michael" > >
<Michael.Whitty@d...> wrote: > > > No - just PROMISED that I
WOULD!!! ;) > > > > > > Your next
Peppermint Crisp is looking dubious! > > > > > >
Michael > > >
<.html
<.html
|
|
| Group: potadg |
Message: 21499 |
From: veetus@earthlink.net |
Date: 10/9/2004 |
| Subject: Re: Helen's Novel - or at least SUMMARY OF Chapter 2 |
.html
.html
Considering who directed POTA2001, it's
ironic that Betelgeuse is pronounced "Beetlejuice". - - - Jeff
----- Original Message -----
Sent: Wednesday, October 06, 2004 9:03
AM
Subject: [PotaDG] Re: Helen's Novel - or
at least SUMMARY OF Chapter 2
Ok, Michael. Pay up!
In chapter two we
meet Ulysse Merou, a man with a family living in a self-sufficient
spaceship. He begins by telling us the story of his experiences in a
voyage with two other men, Professor Antelle and Arthur Levain, to the
distant and super gigantic star known to some as
Betelgeuse.
Professor Antelle, we learn, is a wealthy scientist,
perhaps somewhat lacking in social graces and without a lot of hope for
humanity, who puts his entire fortune on the line to pull together this
mission. The ship is equipped with a lovely vegetable garden
and Antelle even thought to plant flowers. Ulysse Merou, a mere
journalist, has been brought along by Antelle to document the mission and
perhaps to be a bit of a diversion for the professor. Arthur
Levaine is a young physician. In addition to the crew, there are
birds and butterflies and a young, well-trained chimp named
Hector.
The Professor's decision to travel to Betelgeuse rather than
a closer star seems to be a good one. They accelerate for a year
(traveling at the speed of light minus epsilon) and decelerate for a
year, reaching their destination in barely more than two years about
the time it would have taken to reach a closer star if traveling at a
lesser speed. (This is Patrick's turf, so I will leave that to
him.) The flight goes off without a hitch and the men soon see
Betelgeuse and, we will learn in Chapter 3, its
planets.
--- In PotaDG@yahoogroups.com,
"Michael Whitty" <Michael.Whitty@d...> wrote: > > Well,
come on! Nothing's FREE! > > Michael > > ---
In PotaDG@yahoogroups.com, "ape_mom" <sand_hill_school@y...> >
wrote: > > > > OUCH!!! > > > > >
> --- In PotaDG@yahoogroups.com, "Whitty, Michael" > >
<Michael.Whitty@d...> wrote: > > > No - just PROMISED that I
WOULD!!! ;) > > > > > > Your next
Peppermint Crisp is looking dubious! > > > > > >
Michael > > >
<.html
<.html
|
|
| Group: potadg |
Message: 21500 |
From: veetus@earthlink.net |
Date: 10/9/2004 |
| Subject: Re: Murdoch Gives (Very) Green Light to Fox |
.html
.html
Murdoch is moving his company to the U.S.
He'd do anything to make a buck. He's not an Aussie any more. He'd sell his own
mother. What chance does POTA have? Fox science fiction sucks. They had
quite a legacy: "Day the Earth Stood Still", "The Fly", "Fantastic Voyage",
POTA, "Star Wars", "Alien". Many more. "It's all dust". The next POTA should be
an allegory of how the corporations are going to turn the Middle East into a
shopping mall, after everybody's done dying. Murdoch would greenlight that. - -
- Jeff
----- Original Message -----
Sent: Thursday, October 07, 2004 5:30
AM
Subject: [PotaDG] Murdoch Gives (Very)
Green Light to Fox
Oh! That Aussie who owns Fox!
Can't fellow Aussie Michael Whitty get this guy to do anything with
APES?
Murdoch
Gives (Very) Green Light to Fox
Saying that News Corp's Fox
Entertainment Group is "on a great streak," News Corp Chairman Rupert Murdoch said Tuesday that
the company plans to increase production at its 20th Century Fox film studio
and its Fox Searchlight Unit. The studio, which released 11 films during it
last fiscal year, has been given the go-ahead to turn out 20-25 films in the
current fiscal year, while Searchlight, which released 8, will raise its total
to 11. Murdoch indicated that his decision to increase production was based
largely on the performance of The
Day After Tomorrow, which was responsible for $540 million in ticket sales
worldwide, and I, Robot, which
pulled in more than $314 million.
News Corp May Buy Up Fox
Entertainment Shares News Corp is likely to buy out the 18 percent of
Fox Entertainment Group that it doesn't already own, its chairman, Rupert Murdoch, said Tuesday. He
added that at Fox's current market price, about $5 billion, "Fox would be very
cheap." However, Murdoch told the Goldman Sachs investors conference that News
Corp is "not in a hurry" to accomplish the buy-out. It may be hinged, analysts
said, to the success -- or failure -- of Murdoch's ability to win approval
from Australian investors to move News Corp's corporate headquarters from
Australia to the U.S.
<.html
<.html
|
|
| Group: potadg |
Message: 21501 |
From: ape_mom |
Date: 10/9/2004 |
| Subject: Re: Helen's Novel - or at least SUMMARY OF Chapter 2 |
.htmlJeff!!
You read it!!
==Helen
--- In PotaDG@yahoogroups.com, <veetus@e...> wrote:
> "Ulysse Merou, a mere journalist, has been brought along by
Antelle to document the mission and perhaps to be a bit of a
diversion for the professor".
>
> Helen! And you had problems with my take on Brent. - - - Jeff
>
> ----- Original Message -----
> From: ape_mom
> To: PotaDG@yahoogroups.com
> Sent: Wednesday, October 06, 2004 9:03 AM
> Subject: [PotaDG] Re: Helen's Novel - or at least SUMMARY OF
Chapter 2
>
>
>
> Ok, Michael. Pay up!
>
>
> In chapter two we meet Ulysse Merou, a man with a family living
in a
> self-sufficient spaceship. He begins by telling us the story of
his
> experiences in a voyage with two other men, Professor Antelle and
> Arthur Levain, to the distant and super gigantic star known to
some
> as Betelgeuse.
>
> Professor Antelle, we learn, is a wealthy scientist, perhaps
somewhat
> lacking in social graces and without a lot of hope for humanity,
who
> puts his entire fortune on the line to pull together this
mission.
> The ship is equipped with a lovely vegetable garden and Antelle
even
> thought to plant flowers. Ulysse Merou, a mere journalist, has
been
> brought along by Antelle to document the mission and perhaps to
be a
> bit of a diversion for the professor. Arthur Levaine is a young
> physician. In addition to the crew, there are birds and
butterflies
> and a young, well-trained chimp named Hector.
>
> The Professor's decision to travel to Betelgeuse rather than a
> closer star seems to be a good one. They accelerate for a year
> (traveling at the speed of light minus epsilon) and decelerate
for a
> year, reaching their destination in barely more than two years -
> about the time it would have taken to reach a closer star if
> traveling at a lesser speed. (This is Patrick's turf, so I will
> leave that to him.) The flight goes off without a hitch and the
men
> soon see Betelgeuse and, we will learn in Chapter 3, its planets.
>
>
>
>
>
>
>
> --- In PotaDG@yahoogroups.com, "Michael Whitty"
<Michael.Whitty@d...>
> wrote:
> >
> > Well, come on! Nothing's FREE!
> >
> > Michael
> >
> > --- In PotaDG@yahoogroups.com, "ape_mom"
<sand_hill_school@y...>
> > wrote:
> > >
> > > OUCH!!!
> > >
> > >
> > > --- In PotaDG@yahoogroups.com, "Whitty, Michael"
> > > <Michael.Whitty@d...> wrote:
> > > > No - just PROMISED that I WOULD!!! ;)
> > > >
> > > > Your next Peppermint Crisp is looking dubious!
> > > >
> > > > Michael
> > > >
>
>
>
>
>
>
>
>
>
>
>
> --------------------------------------------------------------------
----------
> Yahoo! Groups Links
>
> a.. To visit your group on the web, go to:
> http://groups.yahoo.com/group/PotaDG/
>
> b.. To unsubscribe from this group, send an email to:
> PotaDG-unsubscribe@yahoogroups.com
>
> c.. Your use of Yahoo! Groups is subject to the Yahoo! Terms of
Service. <.html
|
|
| Group: potadg |
Message: 21502 |
From: Dave B |
Date: 10/9/2004 |
| Subject: Re: Adventure Comics |
.html--- In PotaDG@yahoogroups.com
, Tim Parati <apefan23@y...>
wrote:
> Also, the first few articles I did read in Scrolls had
> me frustrated. Practically every one of those guys all
> either couldn't care less about POTA or just plain
> couldn't remember anything about it! Almost got the
> feeling they were laughing at "us" for even having a
> fanzine! But I do sincerely appreciate the time and
> effort that goes into the zine...Thanks to Dave and
> all involved!
Thanks Tim. Believe me the team at Scrolls share in your
frustration. That some of the guys couldn't care less... yes I
agree. That they were laughing at 'us'... No, I don't think so. They
may not have given us the answers we were looking for but they
ARE all professionals who took time out from busy schedules to
answer our questions.
And please, make that 'thanks to JOHN and all involved'
otherwise he'll be on the phone and launching into one of his
legendary tirades - and then I'll have no choice but to phone the
police - and then... You know how it goes. :0)
Dave B <.html
|
|
| Group: potadg |
Message: 21503 |
From: Kasey Taylor Cooper |
Date: 10/9/2004 |
| Subject: Re: Helen's Novel - or at least SUMMARY OF Chapter 2 |
.html.html
I does mention that Professor Antelle was going to take Ulysse's, not just because he was a journalist, but also because he was a fairly good chess player. The
idea that he went along as a distraction seems okay to me. Besides the fact that he intented to write about his adventure once they got home.
Kasey/Undomiel --- "ape_mom" <sand_hill_school@...> wrote:
From: "ape_mom" <sand_hill_school@...> Date: Sat, 09 Oct 2004 10:53:28 -0000 To: PotaDG@yahoogroups.com Subject:
[PotaDG] Re: Helen's Novel - or at least SUMMARY OF Chapter 2
Jeff!!
You read it!!
==Helen
--- In PotaDG@yahoogroups.com, <veetus@e...> wrote: > "Ulysse Merou, a mere journalist, has been brought along by
Antelle to document the mission and perhaps to be a bit of a diversion for the professor". > > Helen! And you had problems with my take on Brent. - - - Jeff >
> ----- Original Message ----- > From: ape_mom > To: PotaDG@yahoogroups.com > Sent: Wednesday, October 06, 2004 9:03 AM
> Subject: [PotaDG] Re: Helen's Novel - or at least SUMMARY OF Chapter 2 > > > > Ok, Michael. Pay up! > >
> In chapter two we meet Ulysse Merou, a man with a family living in a > self-sufficient spaceship. He begins by telling us the story of his
> experiences in a voyage with two other men, Professor Antelle and > Arthur Levain, to the distant and super gigantic star known to some > as Betelgeuse.
> > Professor Antelle, we learn, is a wealthy scientist, perhaps somewhat > lacking in social graces and without a lot of hope for humanity, who
> puts his entire fortune on the line to pull together this mission. > The ship is equipped with a lovely vegetable garden and Antelle even
> thought to plant flowers. Ulysse Merou, a mere journalist, has been > brought along by Antelle to document the mission and perhaps to be a
> bit of a diversion for the professor. Arthur Levaine is a young > physician. In addition to the crew, there are birds and butterflies
> and a young, well-trained chimp named Hector. > > The Professor's decision to travel to Betelgeuse rather than a
> closer star seems to be a good one. They accelerate for a year > (traveling at the speed of light minus epsilon) and decelerate for a
> year, reaching their destination in barely more than two years - > about the time it would have taken to reach a closer star if
> traveling at a lesser speed. (This is Patrick's turf, so I will > leave that to him.) The flight goes off without a hitch and the men
> soon see Betelgeuse and, we will learn in Chapter 3, its planets. > > > > > > >
> --- In PotaDG@yahoogroups.com, "Michael Whitty" <Michael.Whitty@d...> > wrote: > >
> > Well, come on! Nothing's FREE! > > > > Michael > >
> > --- In PotaDG@yahoogroups.com, "ape_mom" <sand_hill_school@y...> > > wrote: > > > > > > OUCH!!!
> > > > > > > > > --- In PotaDG@yahoogroups.com, "Whitty, Michael" > > > <Michael.Whitty@d...> wrote:
> > > > No - just PROMISED that I WOULD!!! ;) > > > > > > > > Your next Peppermint Crisp is looking dubious!
> > > > > > > > Michael > > > > > > > >
> >
> > > > >
> -------------------------------------------------------------------- ---------- > Yahoo! Groups Links > > a.. To visit your group on the web, go to:
> http://groups.yahoo.com/group/PotaDG/ >
> b.. To unsubscribe from this group, send an email to: > PotaDG-unsubscribe@yahoogroups.com >
> c.. Your use of Yahoo! Groups is subject to the Yahoo! Terms of Service.
<.html
<.html
|
|
| Group: potadg |
Message: 21504 |
From: Alan Maxwell |
Date: 10/9/2004 |
| Subject: Re: Something BIG for Planet of the Apes |
.html"Whitty, Michael" <
Michael.Whitty@...>
> Yeah, and I was going to really rub it in to Alan because he is Scottish.
Give me a story about a kilted ape who discovers the delights of a
deep-fried pizza and a bottle of Irn Bru and I'll forgive you.
Alan <.html
|
|
| Group: potadg |
Message: 21505 |
From: veetus@earthlink.net |
Date: 10/9/2004 |
| Subject: Re: Adventure Comics |
.htmlI disagree about the complaints that the people interviewed in "Scrolls"
didn't like POTA. That's a very important part of POTA history and I prefer
it unvarnished. If the comics were produced by people who didn't care for
POTA that's an important thing to know, and of course for MOST of the people
who worked on POTA (whether movies, TV or comics) it was an assignment, a
way to pay the bills. Everyone's entitled to their own opinion. To not want
to hear from people who didn't like it, or want them to pretend they did
like it is revisionism. That's fine for a fluff piece but not for a quality
endeavor like "Scrolls". - - - Jeff
----- Original Message -----
From: "Dave B" <smugster@...>
To: <PotaDG@yahoogroups.com>
Sent: Saturday, October 09, 2004 11:15 AM
Subject: [PotaDG] Re: Adventure Comics
>
>
> --- In PotaDG@yahoogroups.com, Tim Parati <apefan23@y...>
> wrote:
>
> > Also, the first few articles I did read in Scrolls had
> > me frustrated. Practically every one of those guys all
> > either couldn't care less about POTA or just plain
> > couldn't remember anything about it! Almost got the
> > feeling they were laughing at "us" for even having a
> > fanzine! But I do sincerely appreciate the time and
> > effort that goes into the zine...Thanks to Dave and
> > all involved!
>
> Thanks Tim. Believe me the team at Scrolls share in your
> frustration. That some of the guys couldn't care less... yes I
> agree. That they were laughing at 'us'... No, I don't think so. They
> may not have given us the answers we were looking for but they
> ARE all professionals who took time out from busy schedules to
> answer our questions.
>
> And please, make that 'thanks to JOHN and all involved'
> otherwise he'll be on the phone and launching into one of his
> legendary tirades - and then I'll have no choice but to phone the
> police - and then... You know how it goes. :0)
>
> Dave B
>
>
>
>
>
>
>
> Yahoo! Groups Links
>
>
>
>
>
>
> <.html
|
|
| Group: potadg |
Message: 21506 |
From: Alan Maxwell |
Date: 10/9/2004 |
| Subject: Re: Adventure Comics |
.htmlJeff < veetus@...> wrote:
>
> I disagree about the complaints that the people interviewed in "Scrolls"
> didn't like POTA. That's a very important part of POTA history and I
prefer
> it unvarnished. If the comics were produced by people who didn't care for
> POTA that's an important thing to know, and of course for MOST of the
people
> who worked on POTA (whether movies, TV or comics) it was an assignment, a
> way to pay the bills. Everyone's entitled to their own opinion. To not
want
> to hear from people who didn't like it, or want them to pretend they did
> like it is revisionism. That's fine for a fluff piece but not for a
quality
> endeavor like "Scrolls". - - - Jeff
Well said Jeff - that's pretty much what I tried to say on the matter a
while back but ended up rambling on a bit. Succinctly put!
Alan <.html
|
|
| Group: potadg |
Message: 21507 |
From: Tim Parati |
Date: 10/9/2004 |
| Subject: Re: Adventure Comics |
.htmlI honestly meant to write "John"!...do forgive
me...I!!
Tim
--- Dave B < smugster@...> wrote:
> And please, make that 'thanks to JOHN and all
> involved'
> otherwise he'll be on the phone and launching into
> one of his
> legendary tirades - and then I'll have no choice but
> to phone the
> police - and then... You know how it goes. :0)
>
> Dave B
>
>
>
>
<.html
|
|
| Group: potadg |
Message: 21508 |
From: veetus@earthlink.net |
Date: 10/9/2004 |
| Subject: OT: Simpsons |
.html
.html
Fox has announced the Season 5 DVD of "The
Simpsons", for Dec. 21. This season included "Rosebud" and "Deep Space Homer",
which have POTA references. The POTA musical was in Season 7, which might turn
up in 2005 at this rate. "Simpsons" is the best-selling TV show on DVD and has
helped make Fox the top dog of TV show DVD.
The Sept. 2004 issue of "Lee's Toy Review"
has a picture guide to all the "Simpsons" toys put out by Playmates (including
"Deep Space Homer" and "Rosebud'), as well as pics of Sideshow's "Forbidden Zone
Taylor" and the Taylor/Nova 2-pack. - - - Jeff
<.html <.html
|
|
| Group: potadg |
Message: 21509 |
From: Michael Whitty |
Date: 10/9/2004 |
| Subject: Adventure Comics |
.htmlI actually agree too and it think it explains a lot that these guys were
NOT POTA fans - it's the reason I think POTA went to ape poo-poo!
However, my "complaint" is NOT that these guys said they were not
fans/don't remember....that's a matter for historical record.
My problem is that the articles then went on to glorify these guys for
their NON-POTA stuff. And it's more a comment of PERSONAL
DISSATISFACTION than a complaint - I would have said "OK, thanks for
that", saved the space and run one of the comic related articles Scrolls
has on hold.
But I don't run Scrolls - if I did you would be lucky to get one copy
out every 6 YEARS! ;)
I just wanted to give you feedback that was the same reaction from every
single person (the whole two of them) I discussed this issue of Scrolls
with.
I'd love to hear from John why he decided to go with the articles
anyway. John, are you reading this? A simple "get stuffed" if you
don't want to respond would suffice! ;)
Michael
>
> ----------
> From: Alan Maxwell[SMTP:ALAN@...]
> Sent: Sunday, October 10, 2004 5:30:56 AM
> To: PotaDG@yahoogroups.com
> Subject: Re: [PotaDG] Re: Adventure Comics
> Auto forwarded by a Rule
>
Jeff < veetus@...> wrote:
>
> I disagree about the complaints that the people interviewed in
"Scrolls"
> didn't like POTA. That's a very important part of POTA history and I
prefer
> it unvarnished. If the comics were produced by people who didn't care
for
> POTA that's an important thing to know, and of course for MOST of the
people
> who worked on POTA (whether movies, TV or comics) it was an
assignment, a
> way to pay the bills. Everyone's entitled to their own opinion. To not
want
> to hear from people who didn't like it, or want them to pretend they
did
> like it is revisionism. That's fine for a fluff piece but not for a
quality
> endeavor like "Scrolls". - - - Jeff
Well said Jeff - that's pretty much what I tried to say on the matter a
while back but ended up rambling on a bit. Succinctly put!
Alan <.html
|
|
| Group: potadg |
Message: 21510 |
From: veetus@earthlink.net |
Date: 10/9/2004 |
| Subject: Re: Adventure Comics |
.html
.html
Well, modern day Apeists like Tim Burton and
Adventure's Charles Marshall are self-described "fans" too, and they didn't fare
much better in telling "Ape" stories than the non-fans. Charlton Heston has
never pretended to be a fan; he didn't like Boulle's book but just liked the
movie idea and the people he worked with. He never bothered to see the sequels.
Yet he did good work. Even Roddy couldn't remember anything about "Battle" in
his "Behind the POTA" Spec. Edition interview. - - - Jeff
----- Original Message -----
Sent: Saturday, October 09, 2004 3:01
PM
Subject: [PotaDG] Adventure Comics
I actually agree too and it think it explains a lot that
these guys were NOT POTA fans - it's the reason I think POTA went to ape
poo-poo!
However, my "complaint" is NOT that these guys said they were
not fans/don't remember....that's a matter for historical record.
My
problem is that the articles then went on to glorify these guys for their
NON-POTA stuff. And it's more a comment of PERSONAL DISSATISFACTION
than a complaint - I would have said "OK, thanks for that", saved the
space and run one of the comic related articles Scrolls has on
hold.
But I don't run Scrolls - if I did you would be lucky to get one
copy out every 6 YEARS! ;)
I just wanted to give you feedback
that was the same reaction from every single person (the whole two of them)
I discussed this issue of Scrolls with.
I'd love to hear from John
why he decided to go with the articles anyway. John, are you reading
this? A simple "get stuffed" if you don't want to respond would
suffice! ;)
Michael
> > ---------- >
From: Alan
Maxwell[SMTP:ALAN@...] > Sent:
Sunday, October 10, 2004 5:30:56 AM > To:
PotaDG@yahoogroups.com > Subject:
Re: [PotaDG] Re: Adventure Comics > Auto
forwarded by a Rule > Jeff <veetus@...>
wrote: > > I disagree about the complaints that the
people interviewed in "Scrolls" > didn't like POTA. That's a very
important part of POTA history and I prefer > it unvarnished. If the
comics were produced by people who didn't care for > POTA that's an
important thing to know, and of course for MOST of the people > who
worked on POTA (whether movies, TV or comics) it was an assignment,
a > way to pay the bills. Everyone's entitled to their own opinion. To
not want > to hear from people who didn't like it, or want them to
pretend they did > like it is revisionism. That's fine for a fluff
piece but not for a quality > endeavor like "Scrolls". - - -
Jeff
Well said Jeff - that's pretty much what I tried to say on the
matter a while back but ended up rambling on a bit. Succinctly
put!
Alan
<.html
<.html
|
|
| Group: potadg |
Message: 21511 |
From: Michael Whitty |
Date: 10/9/2004 |
| Subject: "Real" Fans |
.htmlI don't know about Charles Marshall, but I imagine Tim Burton uses the
term "POTA FAN" very LOOSELY, Jeff! Just like when the Brady Bunch
movie was coming out, suddenly people who watched and hated it were
proclaiming to be "fans", similarly I get people telling me all the time
how they are POTA fans and they really just remember watching one of the
TV Shows.
I think it would be difficult for a real fan, who is also a
professional, to get it wrong (particularly is they were applying their
professional skill to the task at hand). But I may be wrong (although
that would only be the second time EVER so I doubt it! ;).
Eg Nigo from "A Bathing Ape" and his involvement in Medicoms.
Another eg Jeff's involvement in AC; Dave's involvement in SS.
I could keep going (and I will - Greg P's card set, Neil and Dave's
involvement in BTB!), but I think we would agree that 99% of the time
this is the case.
Michael
>
> ----------
> From: veetus@...[SMTP:VEETUS@...]
> Sent: Sunday, October 10, 2004 8:20:05 AM
> To: PotaDG@yahoogroups.com
> Subject: Re: [PotaDG] Adventure Comics
> Auto forwarded by a Rule
>
Well, modern day Apeists like Tim Burton and Adventure's Charles
Marshall
are self-described "fans" too, and they didn't fare much better in
telling
"Ape" stories than the non-fans. - - - Jeff <.html
|
|
| Group: potadg |
Message: 21512 |
From: Michael Whitty |
Date: 10/9/2004 |
| Subject: Mr H |
.htmlHe did good ACTING!
His arrogance and need to control nearly stopped the franchise after
"Beneath" and that is NOT a good thing (or might it have been - RORY?).
Michael
>
> ----------
> From: veetus@...[SMTP:VEETUS@...]
> Sent: Sunday, October 10, 2004 8:20:05 AM
> To: PotaDG@yahoogroups.com
> Subject: Re: [PotaDG] Adventure Comics
> Auto forwarded by a Rule
>
Charlton Heston has never pretended to be a fan; he didn't like Boulle's
book but just liked the movie idea and the people he worked with. He
never bothered to see the sequels. Yet he did good work- - - Jeff <.html
|
|
| Group: potadg |
Message: 21513 |
From: Michael Whitty |
Date: 10/9/2004 |
| Subject: What is a "Real Fan" |
.htmlMaybe that was the drugs Jeff? ;)
I wonder why. He sure remembered heaps else and I only just re-watched
his two hour "Behind" interview - he WAS a fan!
So....what determines a "real fan"?
Is it the guy with the biggest toy collection?
Is there a criteria?
Michael
>
> ----------
> From: veetus@...[SMTP:VEETUS@...]
> Sent: Sunday, October 10, 2004 8:20:05 AM
> To: PotaDG@yahoogroups.com
> Subject: Re: [PotaDG] Adventure Comics
> Auto forwarded by a Rule
>
Even Roddy couldn't remember anything about "Battle" in his "Behind
the POTA" Spec. Edition interview. - - - Jeff <.html
|
|
| Group: potadg |
Message: 21514 |
From: Michael Whitty |
Date: 10/9/2004 |
| Subject: Time of the McFarlane |
.htmlJeff,
It would be great to see an interview with Todd.
Do you think you could find him and ask him some questions?
Michael
-----Original Message-----
Sent: Sunday, 10 October 2004 8:25 AM
To: whitty@...
Subject: Time of the McFarlane
--- In pota@yahoogroups.com, <veetus@e...> wrote:
I don't think Fox was as big a corporate entity in the '70's and the
POTA era had ended around the time of "Time of the Apes". Plus, it was a
Japanese production so maybe they decided why bother.
I don't know how serious McFarlane was with his TV show. I remember a
quote where he said he was a POTA fan and if Fox wasn't going to get
their act together with the new movie, he'd do his own POTA. He could've
probably done it if it was different enough (I can't really think of
anything McFarlane has produced in movies or TV except some "Spawn"
things).
Maybe he was just trying to kick start it as a fan, and it worked. About
a
week later Fox announced they were moving ahead on what became POTA2001.
- - -
Jeff <.html
|
|
| Group: potadg |
Message: 21515 |
From: Haristas@aol.com |
Date: 10/9/2004 |
| Subject: Re: Mr H |
.html.html .html
In a message dated 10/9/04 6:52:35 PM Eastern Daylight Time, whitty@... writes:
He did good ACTING!
His arrogance and need to control nearly stopped the franchise after
"Beneath" and that is NOT a good thing (or might it have been - RORY?).
Michael
I don't know where Jeff gets his information that Heston didn't like Boulle's novel. I've always got the impression he thought it interesting but not cinematic.
Heston's opinion of APES has been mixed over the years. He was obviously enthusiastic about it in the beginning and throughout the filming, otherwise he'd have made a point to say he wasn't.
He's sure put down other movies he's done easily enough. Yet, he did write that he was initially disappointed with APES when he first saw it at a preview, but I think it was his role only that interested
him and that he wished there was more to it.
There was a time in the seventies and early eighties were I think he was trying to avoid the subject of APES. He had as little to do with BENEATH as he possibly could (and I think he had every right to feel a
sequel wasn't necessary), and had nothing to do with the rest of it. I think he thought that everything about APES outside of his film was juvenile and the cult surrounding it silly. Joe Russo would know
more about it since he'd interviewed him during this time. I've listened to some of a phone conversation they had and Heston seemed very open and enjoyable discussing the movie, he also thought that the
real guy to talk to was Frank Schaffner but that was never to be.
Later, I think that Heston came to appreciate the status the original movie has come to enjoy as a true movie classic, and the residual checks it brought in, but I'd never say Heston was an APES fan as we are.
-- Rory<.html
<.html <.html
|
|
| Group: potadg |
Message: 21516 |
From: veetus@earthlink.net |
Date: 10/9/2004 |
| Subject: Re: Mr H |
.html
.html
Heston was a sci-fi fan, or at least
interested in it. He also took "Soylent Green" under his wing and got that made
when it was just a book ("Make Room"). He was still interested in social
commentary back then. Heston has said this a lot; in "Behind", in his
autobiography, in interviews. Jacobs gave him the book to read and he wasn't
impressed with the writing, but he thought the ape society would make a terrific
movie. Rod Serling wasn't crazy about the book either, but he said it conatined
a whopper of a sci-fi idea. - - - Jeff
----- Original Message -----
Sent: Saturday, October 09, 2004 5:20
PM
Subject: [PotaDG] Re: Mr H
In a message dated 10/9/04 6:52:35 PM
Eastern Daylight Time, whitty@...
writes:
He did good ACTING!
His arrogance and need to control
nearly stopped the franchise after "Beneath" and that is NOT a good thing
(or might it have been -
RORY?).
Michael
I don't know where Jeff
gets his information that Heston didn't like Boulle's novel. I've always
got the impression he thought it interesting but not
cinematic.
Heston's opinion of APES has been mixed over the
years. He was obviously enthusiastic about it in the beginning and
throughout the filming, otherwise he'd have made a point to say he
wasn't. He's sure put down other movies he's done easily enough.
Yet, he did write that he was initially disappointed with APES when he first
saw it at a preview, but I think it was his role only that interested him and
that he wished there was more to it.
There was a time in the seventies
and early eighties were I think he was trying to avoid the subject of
APES. He had as little to do with BENEATH as he possibly could (and I
think he had every right to feel a sequel wasn't necessary), and had nothing
to do with the rest of it. I think he thought that everything about APES
outside of his film was juvenile and the cult surrounding it silly. Joe
Russo would know more about it since he'd interviewed him during this
time. I've listened to some of a phone conversation they had and Heston
seemed very open and enjoyable discussing the movie, he also thought that the
real guy to talk to was Frank Schaffner but that was never to
be.
Later, I think that Heston came to appreciate the status the
original movie has come to enjoy as a true movie classic, and the residual
checks it brought in, but I'd never say Heston was an APES fan as we
are.
-- Rory
<.html
<.html
|
|
| Group: potadg |
Message: 21517 |
From: veetus@earthlink.net |
Date: 10/9/2004 |
| Subject: Re: Mr H |
.html
.html
What did Heston think of the sequels? He's
never seen them. He claimed on TV that he was going to watch them during the
30th Anniversary marathon but I met him in '99 and he admitted he didn't. He
watched only "Beneath". He's proud of the original, which is what he signed on
for, but what he said in his diary in 1969, that sequels would only be "more
adventures among the monkeys", was apparently his opinion into the 21st Century.
And that's his right. - - - Jeff
----- Original Message -----
Sent: Saturday, October 09, 2004 5:20
PM
Subject: [PotaDG] Re: Mr H
In a message dated 10/9/04 6:52:35 PM
Eastern Daylight Time, whitty@...
writes:
He did good ACTING!
His arrogance and need to control
nearly stopped the franchise after "Beneath" and that is NOT a good thing
(or might it have been -
RORY?).
Michael
I don't know where Jeff
gets his information that Heston didn't like Boulle's novel. I've always
got the impression he thought it interesting but not
cinematic.
Heston's opinion of APES has been mixed over the
years. He was obviously enthusiastic about it in the beginning and
throughout the filming, otherwise he'd have made a point to say he
wasn't. He's sure put down other movies he's done easily enough.
Yet, he did write that he was initially disappointed with APES when he first
saw it at a preview, but I think it was his role only that interested him and
that he wished there was more to it.
There was a time in the seventies
and early eighties were I think he was trying to avoid the subject of
APES. He had as little to do with BENEATH as he possibly could (and I
think he had every right to feel a sequel wasn't necessary), and had nothing
to do with the rest of it. I think he thought that everything about APES
outside of his film was juvenile and the cult surrounding it silly. Joe
Russo would know more about it since he'd interviewed him during this
time. I've listened to some of a phone conversation they had and Heston
seemed very open and enjoyable discussing the movie, he also thought that the
real guy to talk to was Frank Schaffner but that was never to
be.
Later, I think that Heston came to appreciate the status the
original movie has come to enjoy as a true movie classic, and the residual
checks it brought in, but I'd never say Heston was an APES fan as we
are.
-- Rory
<.html
<.html
|
|
| Group: potadg |
Message: 21518 |
From: veetus@earthlink.net |
Date: 10/10/2004 |
| Subject: OT: "Twilight Zone" DVD update |
.html
.html
I've mentioned before that the original
classic "Twilight Zone" is coming to DVD in season sets. There's some more news
at www.tvshowsondvd.com . Extras
will include episode commentaries (including Ted Post; when's he gonna do one
for "Beneath"?); isolated music scores (including Jerry Goldsmith). And Rod
Serling extras (outtakes; a lecture at Sherwood Oaks College). And the
distributor says these are remastered high definition transfers from the
original negatives and soundtracks. Season One arrives Dec. 28 and the others
will be here shortly. - - - Jeff
<.html <.html
|
|
| Group: potadg |
Message: 21519 |
From: ron kenner |
Date: 10/10/2004 |
| Subject: Re: OT: "Twilight Zone" DVD update |
.html
we have discussed a fan project that is the first pota movie compressed into TZ format.
was wondering if there are any plans to put that on a DVD.
(my download at home is VERY slow, and at work would be inappropriate.)
rob/ron go vegetarian!

<.html
|
|
| Group: potadg |
Message: 21520 |
From: Haristas@aol.com |
Date: 10/10/2004 |
| Subject: Re: OT: "Twilight Zone" DVD update |
.html.html .html
In a message dated 10/10/04 1:48:03 AM Eastern Daylight Time, veetus@... writes:
Extras will include episode commentaries (including Ted Post; when's he gonna do one for
"Beneath"?)
I don't think even Ted Post would have much good to say about BENEATH.
-- Rory<.html
<.html <.html
|
|
| Group: potadg |
Message: 21521 |
From: ron kenner |
Date: 10/10/2004 |
| Subject: Re: OT: "Twilight Zone" DVD update |
.htmlhe was mostly a tv director, right? Haristas@... wrote:
In a message dated 10/10/04 1:48:03 AM Eastern Daylight Time, veetus@... writes:
Extras will include episode commentaries (including Ted Post; when's he gonna do one for
"Beneath"?)
I don't think even Ted Post would have much good to say about BENEATH.
-- Rory
go vegetarian!

<.html
|
|
| Group: potadg |
Message: 21522 |
From: Haristas@aol.com |
Date: 10/10/2004 |
| Subject: Re: OT: "Twilight Zone" DVD update |
.html.html .html
In a message dated 10/10/04 11:38:16 AM Eastern Daylight Time, brindlepit2002@... writes:
he was mostly a tv director, right?
Ted Post? Yes, prior to BENEATH, I think the only other theatrical movie he'd done was HANG 'EM HIGH (1968). Watch that movie and you'll see a lot of the style in BENEATH.
Post also directed the second Dirty Harry movie MAGNUM FORCE (1973), and if you rent that DVD there's a featurette where you can watch Post directing several scenes. From that you can imagine him working on
BENEATH.
-- Rory<.html
<.html <.html
|
|
| Group: potadg |
Message: 21523 |
From: ron kenner |
Date: 10/10/2004 |
| Subject: Re: OT: "Twilight Zone" DVD update |
.htmlwas "hang em high" a spaghetti western, or simply a western with eastwood?
Haristas@... wrote:
In a message dated 10/10/04 11:38:16 AM Eastern Daylight Time, brindlepit2002@... writes:
he was mostly a tv director, right?
Ted Post? Yes, prior to BENEATH, I think the only other theatrical movie he'd done was HANG 'EM HIGH (1968). Watch that movie and you'll see a lot of the style in BENEATH.
Post also directed the second Dirty Harry movie MAGNUM FORCE (1973), and if you rent that DVD there's a featurette where you can watch Post directing several scenes. From that you can imagine him working on
BENEATH.
-- Rory
go vegetarian!

<.html
|
|
| Group: potadg |
Message: 21524 |
From: veetus@earthlink.net |
Date: 10/10/2004 |
| Subject: "Tim Burton" and POTA2001 |
.html
.html
I found a book called "Tim Burton" by Jim
Smith and J. Clive Matthews. It's a U.K. book from 2002 and I guess it's
available here from Virgin Megastore on their own publishing label. It's a good
book, well organized with the chapters on each of his film subdivided under
topics like "Source Material", "Plot Problems" "Critics", etc. It's easy for
Burton fans to grab it and quickly find out about an aspect of one of his films.
There's even chapters on his short films and his 2000 internet cartoon series
"Stainboy". The authors know their stuff and are obviously fans. There's a
forward by actor Martin Landau and an afterword by production designer Rick
Heinrichs. Landau says the hardest question he gets asked is: "What is Tim
Burton like?" His answer: "I can't really tell you what he's like! I can only
tell you what he ISN'T like. He isn't like anyone I've ever known or worked with
before. He isn't like anyone I ever expect to meet again. He doesn't see things
the same way anyone else in the world sees the same thing. His vision is his
alone: unique and different enough to make anyone who is allowed the gift of
witnessing it, wonder how any living human being could conjure up such a
vision... one would be hard - pressed to name another filmmaker in the hollywood
mainstream, working regularly within the system creating big and expensive
studio films, who chooses only to work on projects that attract his
sensibilities and arouse his own special predilections and personal tastes.
There is no other filmmaker with the latitude that Tim enjoys".
I went through the 24 pgs. of the book on
POTA2001 and here's some random bits I thought I'd share:
BURTON: "All the moments I've fought for are
the shining ones in every movie I've directed".
The authors say the crashed Oberon looks
from behind like the Statue of Liberty (anyone see it?) "This is a subtle and
devious piece of production design from Rick Heinrichs, hinting at something
that does not come to pass".
BURTON: "I had to think about doing this
movie. The original was a classic and I didn't want to do a remake. But I was
intrigued by the mythology of a reverse world".
BURTON: "What this movie should do is put
new images to unanswerable questions - the ones we all love to talk about and
none of us have the answer to" (I agree, but did Burton succeed?)
GLENN SHADDIX (Sen. Nado): "He keeps the
pressure that comes to bear on him away from the actors, so that we don't have
to feel the pressure HE'S under - - and Tim was under, I think, more pressure on
POTA than he's ever been under on any film. By the time it was over, Tim looked
like he had been hit by a truck and I think he felt much the same
way".
BURTON: "It's a ridiculous kind of schedule.
It took longer to greenlight than to make, but that's the way things happen on
movies like this. They're such big monsters that it takes an unnatural act to
get them going and keep them moving".
SHADDIX: "It was put together and released
on a schedule that was more concerned with the commercial aspects than anything
else, because it was pushed for a summer release".
BURTON: "Every day was an experiment. These
big fantasy films require constant daily exploration. We can sit around in a
room like this talking about apes but it's a different storywhen you're on the
set. You need to experiment to see what works".
BURTON: "The responsibility of having this
crew of over 100 men waiting to shoot something unwritten was quite upsetting.
Once you start shooting, you just can't be at that stage (of writing)...I'm
never going to let that happen again".
Towards the end of shooting it reportedly
had 3 camera crews and a mobile editing unit. It finished on schedule and
slightly under budget.
BURTON: "I don't think about the comparisons
(to the original) 'cause that'll just be a nightmare".
MARK WAHLBERG: "There was no script. I
didn't need one. When you have a guy like Tim Burton, people come".
CHARLTON HESTON: "I have to say it helped a
good deal when (Richard Zanuck) said there would be a large sum of money
involved (for the role). But Burton is pretty good at his job and I think he's
come up with an excellent movie".
MATT RADZ (reviewer, the Montreal Gazette):
"some of the best space sequences since Stanley Kubrick...POTA is Hollywood at
it's very best - - the perfect marriage of awesome big-screen technology and
storytelling excitement". (7/27/01)
VARIETY: "Largely listless and witless,
(not) very exciting or imaginative; most surprisingly, given the material, it is
also Burton's most conventional and literal-minded film, the one most lacking in
his trademark poetic weirdness and bracing flights of fancy".
SIGHT AND SOUND: "Burton's shallowness and
cavalier attitude towards story are at least partly responsible for turning him
into a hired hand".
Director of photography Phillippe Rousselot
met Burton on the aborted "Mary Reilly" film (it was directed by someone else)
and they first worked together on POTA. Since then he's done every Burton film,
"Big Fish" and the current "Charlie and the Chocolate Factory". He used special
Polarized lenses adapted from still photography to achieve an otherworldly look.
It was very complex to shoot that way and because of the rapid schedule it
didn't always work.
QUESTIONS: What happened to the gorillas who
were with Limbo when Leo captures him in the jungle? (They take Limbo as a
hostage so he can't squeal on them, but what's the diff if the gorillas can?)
Why did Pericles have a gun he can't use? (the one Leo uses to fight Thade at
the end) Of course there's more questions than this but these are two in the
book I hadn't thought of or heard before.
AUTHORS: "People die left, right and center,
but there's no real feeling to the fatalities. None of the characters are given
enough personality for us to mourn their passing".
BURTON: "As I got into it, I started
thinking, well, here's a guy who doesn't really want to be here (Leo), he's
trying to get out, he's got this huge responsibility that just keeps getting
bigger and bigger and bigger, and finally he has to end up dealing with it, and
I kind of related that to...making this movie".
BRUCE SNYDER (Fox head of distribution): "If
the truth be known, (the ending) wasn't really supposed to make sense. It was
just supposed to go "whoa", make you think...It's whatever you want it to
be...but you've got to remember you just watched a movie about talking monkeys
in outer space. Don't look for too much logic, you know?" (We know, Bruce. The
box office isn't supposed to make sense either. Don't look for too much money,
you know?)
The DVD and VHS made $ 80 million it's first
week.
The film was nominated for Best costume
Design at the 2002 Golden Satellite Awards; nominated for Best Soundtrack Album
at the Grammys; Rick Baker won a Special Achievement Award at the Las Vegas Film
Critics Society (my add: it was nominated for Best Costumes and Best Makeup at
the BAFTA awards; "Make Up Artist" magazine readers chose it # 10 of all -time
makeup achievements in film)
RICK HEINRICHS (production design): "POTA
was a challenge for us all on many levels and a very gratifying experience for
me".
- - - Jeff
<.html <.html
|
|
| Group: potadg |
Message: 21525 |
From: Michael Whitty |
Date: 10/10/2004 |
| Subject: Ted Post |
.htmlIt was simply an early Clint Eastwood Western.
If I am not mistaken, his first 3 starring roles were the "Spaghetti
Westerns Trilogy" and his first starring role in a USA Movie was in
"Hang 'Em High", where he plays a more "Rowdy Yates" (from Rawhide) like
character.
I'm a big Eastwood fan too.
Michael
>
> ----------
> From: ron kenner[SMTP:BRINDLEPIT2002@...]
> Sent: Monday, October 11, 2004 3:05:51 AM
> To: PotaDG@yahoogroups.com
> Subject: Re: [PotaDG] Re: OT: "Twilight Zone" DVD update
> Auto forwarded by a Rule
>
was "hang em high" a spaghetti western, or simply a western with
eastwood?
Haristas@... wrote:
In a message dated 10/10/04 11:38:16 AM Eastern Daylight Time,
brindlepit2002@... writes:
he was mostly a tv director, right?
Ted Post? Yes, prior to BENEATH, I think the only other theatrical
movie
he'd done was HANG 'EM HIGH (1968). Watch that movie and you'll see a
lot
of the style in BENEATH. <.html
|
|
| Group: potadg |
Message: 21526 |
From: Whitty, Michael |
Date: 10/10/2004 |
| Subject: Mego POTA Figures For Sale - BRADGATE? |
.html
.html
So the main
difference with the Bradgate figures seems to be simply the back is different
and the name "Bradgate".
Is this
similar to the UK figures being on a Palitoy Card? If so, where were
"Bradgate" figures distributed?
Michael
Rob - can you send a photot of the BRADGATE stuff
please. I am having a mental block trying to picture
these!
sure there almost like the carded U.S. stuff with the cards
being a diff color. the back is whats really diff. there were only 5 figures
offered in that line.
Astronaut is on a red card with Cornelius being on a orange card <.html
<.html
|
|
| Group: potadg |
Message: 21527 |
From: veetus@earthlink.net |
Date: 10/10/2004 |
| Subject: OT: "Simpsons" action figures R.I.P. |
.html
.html
I never bought any, but Playmates "Simpsons"
figures had an incredibly varied and long life. Many POTA fans, including
myself, hoped they'd get around to a POTA musical figure or set, but they never
did. No Dr. Zauis, Dr. Zauis. No Zira in a nurse's uniform. Now it's all over.
Anyhoo, here's a nice tribute to the line at MWC's ever enjoyable toy review
site:
- - - Jeff
<.html <.html
|
|
| Group: potadg |
Message: 21528 |
From: Hoknes |
Date: 10/10/2004 |
| Subject: POTA TV SHOW SCRIPTS in Ape Chronicles |
.html
.html
Many years ago in Ape Chronicles I reprinted 2
complete tv scripts that were "unused" but supposed to be credited to Rod
Serling
Anybody clarify which episode/stories these
are:
I printed this back in 1993 = Script #1 opens with
VIRDON / KOVAK (diff version of pilot episode??)
I printed this back in 1994 = Script #2 opens with
3 gorillas: AKOR / BANDO / CONDOR
You can see which issues these were printed in
at
<.html <.html
|
|
| Group: potadg |
Message: 21529 |
From: Hoknes |
Date: 10/10/2004 |
| Subject: were there 12" POTA figures in 1974/75 ? |
.html
.html
does anybody have info on these?
anybody have pictures?
I'm sure I saw a 12" general soldier Urko? at a
flea market many years ago <.html <.html
|
|
| Group: potadg |
Message: 21530 |
From: Hoknes |
Date: 10/10/2004 |
| Subject: MEGO completists? |
.html
.html
anybody have any ideas on how many mego collectors
collect POTA simply because its part of the mego line?
how much does this distort the market of extra
buyers for these products as opposed to other non-mego POTA
stuff? <.html <.html
|
|
| Group: potadg |
Message: 21531 |
From: Whitty, Michael |
Date: 10/10/2004 |
| Subject: Re: were there 12" POTA figures in 1974/75 ? |
.html
.html
There were
the Carnival Dolls.....
does anybody have info on these?
anybody have pictures?
I'm sure I saw a 12" general soldier Urko? at a
flea market many years
ago <.html
<.html
|
|
| Group: potadg |
Message: 21532 |
From: Hoknes |
Date: 10/10/2004 |
| Subject: POTA toys and figures in 1975 |
.html
.html
Many department stores advertised POTA products for
the xmas of 1975
was this because the line was still being pushed
or was it simply that stock was still on hand and
so the stores advertised them as hot property for the xmas market rather than
the "bargain bins" ??
Of other news France didnt start publishing their
monthly POTA comic magazine until 1978 ? any ideas on
that!! <.html <.html
|
|
| Group: potadg |
Message: 21533 |
From: Hoknes |
Date: 10/10/2004 |
| Subject: Re: were there 12" POTA figures in 1974/75 ? |
.html
.html
hmm what do those look like?
are they in chris' collectibles book?
There were
the Carnival Dolls.....
<.html
<.html
|
|
| Group: potadg |
Message: 21534 |
From: Whitty, Michael |
Date: 10/10/2004 |
| Subject: Re: were there 12" POTA figures in 1974/75 ? |
.html
.html
I'll try to
find some photo reference.
There are
also those ugly things in the blue boxes but they were Galen/Corn and
Zauis.
There were
also the INFLATIBLES.
Was ANYTHING
rare in Chris's book? ;)
Sorry, I
thought Chris's book was very disappointing (other than the fact a lot of his
photos are of toys I now own - sold to me by the guy who gave Chris the
photos!).
Michael
hmm what do those look like?
are they in chris' collectibles
book?
There
were the Carnival Dolls..... <.html
<.html
|
|
| Group: potadg |
Message: 21535 |
From: Hoknes |
Date: 10/10/2004 |
| Subject: Re: were there 12" POTA figures in 1974/75 ? |
.html
.html
When I was twelve I went to a fleamarket
collectibles type store.
They had this huge POTA gorilla figure. I
would swear it was 12". The closest thing it reminded me of was the 12"
Darth Vader figure from 1979.
Note at this point I had NEVER seen a POTA figure
of any type including mego. This was in 1983.
I have never seen that figure again
I clearly recall it was $10.00 that day.
But at age 12 I could not afford such an item.
Obviously I had enough interest in POTA by that
time to have been really interested in the item.
Yet I did not own a single POTA item
then. <.html <.html
|
|
| Group: potadg |
Message: 21536 |
From: veetus@earthlink.net |
Date: 10/10/2004 |
| Subject: Re: were there 12" POTA figures in 1974/75 ? |
.html
.html
I don't think there were 12" POTA figures in
the '70's. The Urko you probably saw was Hasbro's 12"ers in the late '90's. I
think it was Ursus. I remember they had "autograph dolls" in the '70's, but just
Galen and Zauis. Those were like stuffed plush. Hasbro did 12" Cornelius, Urko,
Soldier Ape (available in black or red), Taylor, Zira (I have a rare
pre-production mock up) and Zauis. - - - Jeff
----- Original Message -----
Sent: Sunday, October 10, 2004 5:00
PM
Subject: [PotaDG] were there 12" POTA
figures in 1974/75 ?
does anybody have info on these?
anybody have pictures?
I'm sure I saw a 12" general soldier Urko? at a
flea market many years ago
<.html
<.html
|
|
| Group: potadg |
Message: 21537 |
From: veetus@earthlink.net |
Date: 10/10/2004 |
| Subject: Re: were there 12" POTA figures in 1974/75 ? |
.html
.html
It's possible it could've been a bootleg or
knockoff, too. - - - Jeff
----- Original Message -----
Sent: Sunday, October 10, 2004 5:16
PM
Subject: Re: [PotaDG] were there 12" POTA
figures in 1974/75 ?
When I was twelve I went to a fleamarket
collectibles type store.
They had this huge POTA gorilla figure. I
would swear it was 12". The closest thing it reminded me of was the 12"
Darth Vader figure from 1979.
Note at this point I had NEVER seen a POTA figure
of any type including mego. This was in 1983.
I have never seen that figure again
I clearly recall it was $10.00 that
day. But at age 12 I could not afford such an item.
Obviously I had enough interest in POTA by that
time to have been really interested in the item.
Yet I did not own a single POTA item
then.
<.html
<.html
|
|
| Group: potadg |
Message: 21538 |
From: Hoknes |
Date: 10/10/2004 |
| Subject: Re: were there 12" POTA figures in 1974/75 ? |
.html
.html
it is possible it wasn't authentic
but i cant see someone likely in a smaller center
making a high quality of Urko in the early 80s!?!?!
It's possible it could've been a bootleg
or knockoff, too. - - - Jeff
----- Original Message -----
Sent: Sunday, October 10, 2004 5:16
PM
Subject: Re: [PotaDG] were there 12"
POTA figures in 1974/75 ?
When I was twelve I went to a fleamarket
collectibles type store.
They had this huge POTA gorilla figure. I
would swear it was 12". The closest thing it reminded me of was the
12" Darth Vader figure from 1979.
Note at this point I had NEVER seen a POTA
figure of any type including mego. This was in 1983.
I have never seen that figure
again
I clearly recall it was $10.00 that
day. But at age 12 I could not afford such an item.
Obviously I had enough interest in POTA by that
time to have been really interested in the item.
Yet I did not own a single POTA item
then.
<.html
<.html
|
|
| Group: potadg |
Message: 21539 |
From: Whitty, Michael |
Date: 10/10/2004 |
| Subject: Something BIG for Planet of the Apes |
.html
.html
You know the
mere IMAGE of a kilted ape is one hell of an
inspiration!
Michael
"Whitty, Michael"
<Michael.Whitty@...> > Yeah, and I was going to really rub
it in to Alan because he is Scottish.
Give me a story about a kilted
ape who discovers the delights of a deep-fried pizza and a bottle of Irn
Bru and I'll forgive you.
Alan <.html
<.html
|
|
| Group: potadg |
Message: 21540 |
From: veetus@earthlink.net |
Date: 10/10/2004 |
| Subject: Re: were there 12" POTA figures in 1974/75 ? |
.html
.html
Maybe a knockoff from the '70's (there were
many) that found it's way there by the '80's. The only 12" POTA figures I know
of are the Hasbros, and now the Sideshows. The official big Ape figures of the
'70's were more plush/"stuffed" type and wouldn't be confused with an action
figure. But I couldn't find ANYTHING POTA in the '80's. They seemed to
disappear. - - - Jeff
----- Original Message -----
Sent: Sunday, October 10, 2004 5:32
PM
Subject: Re: [PotaDG] were there 12" POTA
figures in 1974/75 ?
it is possible it wasn't authentic
but i cant see someone likely in a smaller center
making a high quality of Urko in the early 80s!?!?!
It's possible it could've been a bootleg
or knockoff, too. - - - Jeff
----- Original Message -----
Sent: Sunday, October 10, 2004 5:16
PM
Subject: Re: [PotaDG] were there 12"
POTA figures in 1974/75 ?
When I was twelve I went to a fleamarket
collectibles type store.
They had this huge POTA gorilla figure.
I would swear it was 12". The closest thing it reminded me of was
the 12" Darth Vader figure from 1979.
Note at this point I had NEVER seen a POTA
figure of any type including mego. This was in 1983.
I have never seen that figure
again
I clearly recall it was $10.00 that
day. But at age 12 I could not afford such an item.
Obviously I had enough interest in POTA by
that time to have been really interested in the item.
Yet I did not own a single POTA item
then.
<.html
<.html
|
|
| Group: potadg |
Message: 21541 |
From: Haristas@aol.com |
Date: 10/10/2004 |
| Subject: Re: were there 12" POTA figures in 1974/75 ? |
.html.html .html
In a message dated 10/10/04 8:20:58 PM Eastern Daylight Time, veetus@... writes:
I don't think there were 12" POTA figures in the '70's. The Urko you probably saw was
Hasbro's 12"ers in the late '90's. I think it was Ursus. I remember they had "autograph dolls" in the '70's, but just Galen and Zauis. Those were like stuffed plush. Hasbro did
12" Cornelius, Urko, Soldier Ape (available in black or red), Taylor, Zira (I have a rare pre-production mock up) and Zauis. - - - Jeff
I had a 12" POTA figure in the early seventies, but It was a G.I. Joe I made to look like Cornelius.
-- Rory<.html
<.html <.html
|
|
| Group: potadg |
Message: 21542 |
From: Whitty, Michael |
Date: 10/10/2004 |
| Subject: 12" POTA figures in 1974/75 ? |
.html
.html
I think there
was a guy who made a lot of these and called himself and his product "G.I
APE".
Michael
In a message dated 10/10/04 8:20:58 PM Eastern Daylight Time,
veetus@... writes:
I don't think there were 12" POTA figures in the '70's. The Urko
you probably saw was Hasbro's 12"ers in the late '90's. I think it was
Ursus. I remember they had "autograph dolls" in the '70's, but just Galen
and Zauis. Those were like stuffed plush. Hasbro did 12" Cornelius, Urko,
Soldier Ape (available in black or red), Taylor, Zira (I have a rare
pre-production mock up) and Zauis. - - - Jeff
I had a 12" POTA figure
in the early seventies, but It was a G.I. Joe I made to look like
Cornelius.
-- Rory <.html
<.html
|
|
| Group: potadg |
Message: 21543 |
From: Whitty, Michael |
Date: 10/10/2004 |
| Subject: "Simpsons" action figures R.I.P. |
.html
.html
I contacted
them if you recall, Jeff, and they didn't want to do the line because they would
need to get a "POTA" license as well as their "Simpsons"
license.
However,
Sideshow seem to do Simpsons too - so maybe I'll bug THEM!
;)
Michael
I never bought any, but Playmates
"Simpsons" figures had an incredibly varied and long life. Many POTA fans,
including myself, hoped they'd get around to a POTA musical figure or set, but
they never did. No Dr. Zauis, Dr. Zauis. No Zira in a nurse's uniform. Now
it's all over. Anyhoo, here's a nice tribute to the line at MWC's ever
enjoyable toy review site:
- - -
Jeff <.html
<.html
|
|
| Group: potadg |
Message: 21544 |
From: veetus@earthlink.net |
Date: 10/10/2004 |
| Subject: Re: 12" POTA figures in 1974/75 ? |
.html
.html
That was Ape Joe. He might still be around.
He had an incredible display at Starcon '96 and gave Virdon and Zauis figures to
Ron Harper and Booth Colman, and a Cornelius to Bill Blake. - - -
Jeff
----- Original Message -----
Sent: Sunday, October 10, 2004 6:34
PM
Subject: [PotaDG] 12" POTA figures in
1974/75 ?
I think
there was a guy who made a lot of these and called himself and his product
"G.I APE".
Michael
In a message dated 10/10/04 8:20:58
PM Eastern Daylight Time, veetus@... writes:
I don't think there were 12" POTA figures in the '70's. The
Urko you probably saw was Hasbro's 12"ers in the late '90's. I think it
was Ursus. I remember they had "autograph dolls" in the '70's, but just
Galen and Zauis. Those were like stuffed plush. Hasbro did 12" Cornelius,
Urko, Soldier Ape (available in black or red), Taylor, Zira (I have a rare
pre-production mock up) and Zauis. - - - Jeff
I had a 12" POTA figure
in the early seventies, but It was a G.I. Joe I made to look like
Cornelius.
-- Rory
restrictions.
<.html
<.html
|
|
| Group: potadg |
Message: 21545 |
From: Whitty, Michael |
Date: 10/10/2004 |
| Subject: Re: 12" POTA figures in 1974/75 ? |
.html
.html
That's the
one Jeff.
See what I
said about my memory....it is dyslexic I think!
;)
Michael
That was Ape Joe. He might still be
around. He had an incredible display at Starcon '96 and gave Virdon and Zauis
figures to Ron Harper and Booth Colman, and a Cornelius to Bill Blake. - - -
Jeff
----- Original Message -----
Sent: Sunday, October 10, 2004 6:34
PM
Subject: [PotaDG] 12" POTA figures in
1974/75 ?
I think
there was a guy who made a lot of these and called himself and his product
"G.I APE".
Michael <.html
<.html
|
|
| Group: potadg |
Message: 21546 |
From: Whitty, Michael |
Date: 10/10/2004 |
| Subject: A Bathing Ape |
.html
.html
A
Bathing Ape
Wednesday March 19, 2003 - Contributed by:
With BAPE hotel wishes, BAPE Café New York dreams, and a new London boutique
finally a reality, A Bathing Ape creator Nigo is the next self-appointed fashion
ambassador for trendy Tokyoites. But is the rest of the planet
ready for this simian-inspired lifestyle? Roland Kelts gets the answer from
the man himself.
At 32, Nigo, designer, producer, drummer and DJ is still a bit of a
boy-wonder. He's small, for one thing, in frame and in head-size, with a
skullcap hiding his hairline and massive Ray-Bans encasing bulging wide eyes. He
also slumps thoughtfully then jerks to attention, like a preoccupied teenager
with a lot on the brain.
More boy-wonderish, however, is Nigo's hyperkinetic enthusiasm for his chosen
obsession: transforming his homegrown street-wear business into a worldwide
empire. "I don't consider my brand merely a clothing brand," he explains in a
soft but certain voice. "BAPE is a lifestyle company, including music, hair,
even food. Everything you need to live. Tokyo has all sorts of brands. They have
a boom period, then they subside. I don't want my brand to be dragged down,
so I need to diversify."
In the beginning
Nigo is the maestro behind BAPE
("BAPE-ee"), the clothing brand he launched 10 years ago, incorporating simian
images and hip-hop-inspired fashions into the now-ubiquitous array of camouflage
motifs that appear on clothes, accessories, furniture, action figures, buses,
Pepsi cans-and plastic tape. Nigo expertly cultivated his "underground"
reputation by applying an age-old marketing tactic: limited editions. His
hard-to-find, carefully stitched duds draw famously long lines to BAPE's Tokyo
outlets, which themselves are hard-to-find, tucked into cul-de-sacs and often
bearing no shop signs other than "Nowhere Ltd.," the name of Nigo's corporation,
minutely lettered somewhere on the glass. In Tokyo's maze of oversized and often
meaningless neons, Nigo found his niche with "Nowhere."
"Originally I took an underground approach," he admits, "because in Japan,
people want to believe that something is special. But also," he adds,
breaking into a conspiratorial smile, "I really didn't want a lot of people
wearing my clothes."
The contradiction is revealing. Aside from the quality of the clothing (every
BAPE T-shirt is expertly stitched, the ape-head logo often discreetly positioned
on a small tag), what has made Nigo and his now diverse array of products such
compelling presences has been their inaccessibility-especially in Japan, the
land of convenience, where 24-hr everythings ensure that you can always get what
you want.
But a decade is an eternity in the worlds of pop and commercial culture, let
alone the youth-fashion business in fad-mad Tokyo. To avoid having his
brand "dragged down," Nigo has methodically planned his expansion to be
all-inclusive, with lifestyle-oriented largesse. BAPE now boasts 25
outlets, including a BAPE CUTS hair salon, BAPE café and gallery, a members-only
store in Hong Kong, and a brand new boutique in central London, which opened in
the Fall of 2002. There is also a record label, APE SOUNDS, which grew out
of his collaboration with England's Mo' Wax founder, James Lavelle, and BAPE TV
(now broadcasting on Space Shower for two hours on the last Sunday of every
month). On the horizon: a New York outlet and café next year, and someday, a
Tokyo-based BAPE hotel.
"The hotel is my dream," he says. "It's a very difficult project, and it
might stay a dream, but that's what I want."
Nigo limited
Diversification is textbook business management, of course, but Nigo's
approach has been strikingly effective for one reason: the brainchild behind the
most playful clothes on the planet has retained his rarefied underground status,
despite marketing tie-ups with Pepsi, the odd TV commercial for Sony and World
Wrestling Entertainment, and most recently, his bold reach across the dateline
to appeal to Western consumers.
"I guess I'm not interested in [developing business in] Asia anymore. Ten or
15 years ago, the previous generation was happy just purchasing goods from the
US or Europe. But my generation wants to be the creative center. We want to make
what's new right here in Tokyo, and spread it to the world."
Nigo applies a draconian hand to the scales of supply and demand. Customers
are asked to purchase only one piece of a given product line, and only
clothing that matches their sizes. This is partly to limit black-market
sales. But it also preserves the aura of mystique that shrouds both the products
and their hitherto media-shy maker.
Nigo has sustained this aura ever since the launch of the first "BUSY
WORKSHOP," a tiny storefront he opened in 1993. "I wasn't getting paid in those
days. I just did it for fun." He was freshly out of Fashion College, where he
studied fashion editing, not design, and earned his keep as a stylist and editor
for Popeye magazine. "I still write today, because I enjoy it. But now I get to
write about my own collections."
A true veteran of Ura-Harajuku, Nigo grows unusually nostalgic when
discussing the old days. "I have really good memories. There weren't as
many people in Harajuku back then. The store would close at eight, and all
my friends would come around just to hang out and talk. We can't do that
anymore. It's too crowded."
Clearly, Nigo is one of the key reasons why today's Harajuku is less like a
salon than an overstuffed supermarket for fashion victims. From the
mid-'90s, Tokyo's hippest teens and 20-somethings began to go ape in every
aspect, bearing Nigo's logos and motifs from head to toe, and toting his "BUSY
WORKS" bags, incongruously featuring an ape head sandwiched between the circular
signs for two of New York City's Westside subway lines, above the words,
"Transit Authority."
"I love New York," he explains. "It's on a different scale from any other
city in the world. It's an inspiration to me." Nigo is also one of the top three
collectors of Star Wars memorabilia in the world ("just the old stuff"),
and, not surprisingly the fifth largest of Planet of the Apes mementos, and he
visits toy shows in New York to get the goods onsite. Honmura-an, the SoHo
soba eatery (with another branch in Ogikubo), and the celebrity-riddled
Mr. Chow's in midtown are his favorite restaurants-but he hopes to open his BAPE
café in decidedly funkier Chelsea.
"I've listened to hip-hop since 1984, and I was always drawn to the New
York style. It's my favorite city."
With pals and fans like superstar DJs Cornelius and Takagi Kan, Undercover
designer Jun Takahashi, England's Ian Brown and Bob Gillespie of Primal Scream,
Australia's Ben Lee, and New York's The Beastie Boys and graffiti genius
Futura 2000 on his side, Nigo's rise has been as meteoric and influential as
that of his adopted neighborhood. He debuted APE SOUNDS in 2000, with help from
Lavelle and the Mo' Wax label, and serves as a producer/director for his
CDs, amassing numerous influences and musical talents and blending Western
hip-hop with an Asian collage-making sensibility. (A kind of "down-to-earth
Beck," as one critic opined.)
"James is a good friend and he loves Japan," Nigo says of Lavelle. "He's a
representative of London's new generation, the way I am a representative of
Tokyo's."
Brand of nonsense
Nigo's opinion of the younger
generation he claims to represent offers a rare insight into the philosophical
paradox at the heart of his rising empire. The man who uses "BUSY WORKS"
as a label is, in fact, quite busy. He describes himself as "a bit of a
loner" who works all the time, though "my work doesn't feel like work to me. I
feel like I have a lot of free time because I love what I do."
when asked to comment on today's youths, the so-called "freeters" and the
teeming masses of brand-crazed consumers who are his chief patrons, Nigo pauses
and looks troubled, his brow lowering. "The freeters like freedom," he begins,
"so they find whatever job they can get and move on. But there will be problems
in the future. Even people around me now-there are many who haven't got it
together, who can't get going job-wise. I'm pretty negative about the future for
them."
The very phrase that constitutes Nigo's BAPE logo, "A Bathing Ape," has
telling origins. "It's from the Japanese expression: 'To bathe in lukewarm
water' (Nuruma-yu-ni-tsukaru), and it's a comment on kids in Tokyo today.
They're very shallow; they take things for granted, and they're not street
savvy. It's sort of ironic for them to be wearing my clothing. I'm trying to
show how they are incapable of being independent-minded. They have no plans, no
goals, because they're just too comfortable. Like bathing in lukewarm water."
It's an irony apparently lost on those kids, who parade just beyond Nigo's
back-alley offices and storefronts bearing his logos, motifs and labels while
their creator buzzes with ideas and activity both here and abroad. To watch Nigo
hovering over a conveyor belt of sneakers and shoes in one of his outlets,
carefully positioning and repositioning the goods so that they gleam pristinely
beneath soft-glow lamps, is to understand Nigo's admixture of lordly control and
personal, hands-on engagement. Willy Wonka and the clothing factory.
"I have a very meticulous personality, and maybe that's partly a Japanese
trait," he confesses, citing his mother and father, a nurse and a billboard
sign-maker respectively, as major influences in the development of his
character, and DJ/Head Porter designer Hiroshi Fujiwara, a generation older and
one of Japan's earliest hip-hop jockeys, as his business model. (Nigo literally
means "number two" in Japanese; a Harajuku shopkeeper coined the moniker when he
noted the physical resemblance between the two designers 10 years ago.)
One final irony: Nigo's obsessive, detail-oriented solemnity results in
clothes that are most notable for being...fun. BAPE wear features surprises to
delight a childlike curiosity-untuck a pocket in a pair of jeans and voila!,
there's the tiny ape-head on the inner lining. Hold a short-sleeve button-down
shirt sideways and stare into the camouflage for a few minutes: "BAPE" is
spelled out, embedded in the pattern like a Rorschach inkblot.
When I suggest that his clothes are like toys, Nigo nods approvingly. "You
know, they had Rockabilly style in the '50's, Mods in the '60's and Punk in the
'70s. Obviously, I haven't risen that high yet, but I'd like there to be a
music-fashion connection: Ape-inspired themes, images and sounds for an entire
generation."
Heady ambitions for a kid from rural Gunma, who has clearly made good on his
own goals: he now sports a shiny silver Bentley in the drive of his three-story
Sendagaya office complex, showrooms and studios. Amid the BAPE wear Nigo himself
dons, there's one item that stands out: a kind of jagged, cartoonish lightning
bolt design in the form of a pendant dangling from his neck and an imprint in
the side of his skullcap.
"It's called 'the BAPE star,' and it's my symbol-Nigo, aka BAPE
star," says Nigo, smiling broadly: "I'm expressing myself with this. It's all
about me."
Credit: Japan Today http://metropolis.japantoday.com/
<.html
<.html
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| Group: potadg |
Message: 21547 |
From: veetus@earthlink.net |
Date: 10/10/2004 |
| Subject: Re: A Bathing Ape |
.html
.html
A bathing ape? That ain't me
babe.
Hey, the Japanese are hot for that Rebel
Ape, modeled after Che Guevara. Medicom did a rare POTA Kubrick of him, and
there's shirts, etc. Those who are interested in the real dude should see "The
Motorcycle Diaries", a new movie that's getting some good notices. - - -
Jeff
----- Original Message -----
Sent: Sunday, October 10, 2004 7:11
PM
Subject: [PotaDG] A Bathing Ape
A Bathing Ape
Wednesday March 19, 2003 - Contributed
by:
With BAPE hotel wishes, BAPE Café New York dreams, and a new London
boutique finally a reality, A Bathing Ape creator Nigo is the next
self-appointed fashion ambassador for trendy Tokyoites. But is the rest
of the planet ready for this simian-inspired lifestyle? Roland Kelts gets
the answer from the man himself.
At 32, Nigo, designer, producer, drummer and DJ is still a bit of a
boy-wonder. He's small, for one thing, in frame and in head-size, with a
skullcap hiding his hairline and massive Ray-Bans encasing bulging wide eyes.
He also slumps thoughtfully then jerks to attention, like a preoccupied
teenager with a lot on the brain.
More boy-wonderish, however, is Nigo's hyperkinetic enthusiasm for his
chosen obsession: transforming his homegrown street-wear business into a
worldwide empire. "I don't consider my brand merely a clothing brand," he
explains in a soft but certain voice. "BAPE is a lifestyle company, including
music, hair, even food. Everything you need to live. Tokyo has all sorts of
brands. They have a boom period, then they subside. I don't want my brand to
be dragged down, so I need to diversify."
In the beginning
Nigo is the maestro behind BAPE
("BAPE-ee"), the clothing brand he launched 10 years ago, incorporating simian
images and hip-hop-inspired fashions into the now-ubiquitous array of
camouflage motifs that appear on clothes, accessories, furniture, action
figures, buses, Pepsi cans-and plastic tape. Nigo expertly cultivated his
"underground" reputation by applying an age-old marketing tactic: limited
editions. His hard-to-find, carefully stitched duds draw famously long lines
to BAPE's Tokyo outlets, which themselves are hard-to-find, tucked into
cul-de-sacs and often bearing no shop signs other than "Nowhere Ltd.," the
name of Nigo's corporation, minutely lettered somewhere on the glass. In
Tokyo's maze of oversized and often meaningless neons, Nigo found his niche
with "Nowhere."
"Originally I took an underground approach," he admits, "because in Japan,
people want to believe that something is special. But also," he adds,
breaking into a conspiratorial smile, "I really didn't want a lot of people
wearing my clothes."
The contradiction is revealing. Aside from the quality of the clothing
(every BAPE T-shirt is expertly stitched, the ape-head logo often discreetly
positioned on a small tag), what has made Nigo and his now diverse array of
products such compelling presences has been their inaccessibility-especially
in Japan, the land of convenience, where 24-hr everythings ensure that you can
always get what you want.
But a decade is an eternity in the worlds of pop and commercial culture,
let alone the youth-fashion business in fad-mad Tokyo. To avoid having
his brand "dragged down," Nigo has methodically planned his expansion to
be all-inclusive, with lifestyle-oriented largesse. BAPE now boasts 25
outlets, including a BAPE CUTS hair salon, BAPE café and gallery, a
members-only store in Hong Kong, and a brand new boutique in central London,
which opened in the Fall of 2002. There is also a record label, APE
SOUNDS, which grew out of his collaboration with England's Mo' Wax founder,
James Lavelle, and BAPE TV (now broadcasting on Space Shower for two hours on
the last Sunday of every month). On the horizon: a New York outlet and café
next year, and someday, a Tokyo-based BAPE hotel.
"The hotel is my dream," he says. "It's a very difficult project, and it
might stay a dream, but that's what I want."
Nigo limited
Diversification is textbook business management, of course, but Nigo's
approach has been strikingly effective for one reason: the brainchild behind
the most playful clothes on the planet has retained his rarefied underground
status, despite marketing tie-ups with Pepsi, the odd TV commercial for Sony
and World Wrestling Entertainment, and most recently, his bold reach across
the dateline to appeal to Western consumers.
"I guess I'm not interested in [developing business in] Asia anymore. Ten
or 15 years ago, the previous generation was happy just purchasing goods from
the US or Europe. But my generation wants to be the creative center. We want
to make what's new right here in Tokyo, and spread it to the world."
Nigo applies a draconian hand to the scales of supply and demand. Customers
are asked to purchase only one piece of a given product line, and only
clothing that matches their sizes. This is partly to limit black-market
sales. But it also preserves the aura of mystique that shrouds both the
products and their hitherto media-shy maker.
Nigo has sustained this aura ever since the launch of the first "BUSY
WORKSHOP," a tiny storefront he opened in 1993. "I wasn't getting paid in
those days. I just did it for fun." He was freshly out of Fashion College,
where he studied fashion editing, not design, and earned his keep as a stylist
and editor for Popeye magazine. "I still write today, because I enjoy it. But
now I get to write about my own collections."
A true veteran of Ura-Harajuku, Nigo grows unusually nostalgic when
discussing the old days. "I have really good memories. There weren't as
many people in Harajuku back then. The store would close at eight, and
all my friends would come around just to hang out and talk. We can't do that
anymore. It's too crowded."
Clearly, Nigo is one of the key reasons why today's Harajuku is less like a
salon than an overstuffed supermarket for fashion victims. From the
mid-'90s, Tokyo's hippest teens and 20-somethings began to go ape in every
aspect, bearing Nigo's logos and motifs from head to toe, and toting his "BUSY
WORKS" bags, incongruously featuring an ape head sandwiched between the
circular signs for two of New York City's Westside subway lines, above the
words, "Transit Authority."
"I love New York," he explains. "It's on a different scale from any other
city in the world. It's an inspiration to me." Nigo is also one of the top
three collectors of Star Wars memorabilia in the world ("just the old
stuff"), and, not surprisingly the fifth largest of Planet of the Apes
mementos, and he visits toy shows in New York to get the goods onsite.
Honmura-an, the SoHo soba eatery (with another branch in Ogikubo), and
the celebrity-riddled Mr. Chow's in midtown are his favorite restaurants-but
he hopes to open his BAPE café in decidedly funkier Chelsea.
"I've listened to hip-hop since 1984, and I was always drawn to the
New York style. It's my favorite city."
With pals and fans like superstar DJs Cornelius and Takagi Kan, Undercover
designer Jun Takahashi, England's Ian Brown and Bob Gillespie of Primal
Scream, Australia's Ben Lee, and New York's The Beastie Boys and
graffiti genius Futura 2000 on his side, Nigo's rise has been as meteoric and
influential as that of his adopted neighborhood. He debuted APE SOUNDS in
2000, with help from Lavelle and the Mo' Wax label, and serves as a
producer/director for his CDs, amassing numerous influences and musical
talents and blending Western hip-hop with an Asian
collage-making sensibility. (A kind of "down-to-earth Beck," as one
critic opined.)
"James is a good friend and he loves Japan," Nigo says of Lavelle. "He's a
representative of London's new generation, the way I am a representative of
Tokyo's."
Brand of nonsense
Nigo's opinion of the younger
generation he claims to represent offers a rare insight into the philosophical
paradox at the heart of his rising empire. The man who uses "BUSY WORKS"
as a label is, in fact, quite busy. He describes himself as "a bit of a
loner" who works all the time, though "my work doesn't feel like work to me. I
feel like I have a lot of free time because I love what I do."
when asked to comment on today's youths, the so-called "freeters" and the
teeming masses of brand-crazed consumers who are his chief patrons, Nigo
pauses and looks troubled, his brow lowering. "The freeters like freedom," he
begins, "so they find whatever job they can get and move on. But there will be
problems in the future. Even people around me now-there are many who haven't
got it together, who can't get going job-wise. I'm pretty negative about the
future for them."
The very phrase that constitutes Nigo's BAPE logo, "A Bathing Ape," has
telling origins. "It's from the Japanese expression: 'To bathe in
lukewarm water' (Nuruma-yu-ni-tsukaru), and it's a comment on kids in Tokyo
today. They're very shallow; they take things for granted, and they're not
street savvy. It's sort of ironic for them to be wearing my clothing. I'm
trying to show how they are incapable of being independent-minded. They have
no plans, no goals, because they're just too comfortable. Like bathing in
lukewarm water."
It's an irony apparently lost on those kids, who parade just beyond Nigo's
back-alley offices and storefronts bearing his logos, motifs and labels while
their creator buzzes with ideas and activity both here and abroad. To watch
Nigo hovering over a conveyor belt of sneakers and shoes in one of his
outlets, carefully positioning and repositioning the goods so that they gleam
pristinely beneath soft-glow lamps, is to understand Nigo's admixture of
lordly control and personal, hands-on engagement. Willy Wonka and the clothing
factory.
"I have a very meticulous personality, and maybe that's partly a Japanese
trait," he confesses, citing his mother and father, a nurse and a billboard
sign-maker respectively, as major influences in the development of his
character, and DJ/Head Porter designer Hiroshi Fujiwara, a generation older
and one of Japan's earliest hip-hop jockeys, as his business model. (Nigo
literally means "number two" in Japanese; a Harajuku shopkeeper coined the
moniker when he noted the physical resemblance between the two designers 10
years ago.)
One final irony: Nigo's obsessive, detail-oriented solemnity results in
clothes that are most notable for being...fun. BAPE wear features surprises to
delight a childlike curiosity-untuck a pocket in a pair of jeans and voila!,
there's the tiny ape-head on the inner lining. Hold a short-sleeve button-down
shirt sideways and stare into the camouflage for a few minutes: "BAPE" is
spelled out, embedded in the pattern like a Rorschach inkblot.
When I suggest that his clothes are like toys, Nigo nods approvingly. "You
know, they had Rockabilly style in the '50's, Mods in the '60's and Punk in
the '70s. Obviously, I haven't risen that high yet, but I'd like there to be a
music-fashion connection: Ape-inspired themes, images and sounds for an entire
generation."
Heady ambitions for a kid from rural Gunma, who has clearly made good on
his own goals: he now sports a shiny silver Bentley in the drive of his
three-story Sendagaya office complex, showrooms and studios. Amid the BAPE
wear Nigo himself dons, there's one item that stands out: a kind of jagged,
cartoonish lightning bolt design in the form of a pendant dangling from his
neck and an imprint in the side of his skullcap.
"It's called 'the BAPE star,' and it's my symbol-Nigo, aka BAPE
star," says Nigo, smiling broadly: "I'm expressing myself with this. It's all
about me."
Credit: Japan Today http://metropolis.japantoday.com/
restrictions.
<.html
<.html
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| Group: potadg |
Message: 21548 |
From: Whitty, Michael |
Date: 10/11/2004 |
| Subject: Army versus Security? |
.html
.html
When did the concept of an
Ape Army find itself introduced?
Was there an Army in Monkey
Planet? As I recall, there were just sporting hunters.
In Planet, I think the
gorillas were a Security Force rather than an Army...is this right?
The
whole idea of a General and an Army does not make a great deal of sense does
it?
Michael <.html
<.html
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|
| Group: potadg |
Message: 21549 |
From: ape_mom |
Date: 10/11/2004 |
| Subject: Re: A Bathing Ape |
|
.html From the article:
"Nigo is also one of the top three collectors of Star Wars
memorabilia in the world ("just the old stuff"), and, not
surprisingly the fifth largest of Planet of the Apes mementos..."
Is this the guy that bought the Escape Coloring Book cover painting?
So where does this put you now, Michael?
--Helen <.html
|
|
| Group: potadg |
Message: 21550 |
From: ape_mom |
Date: 10/11/2004 |
| Subject: Sideshow action figures |
.htmlSpeaking of Sideshow...
What is happening with the Zaius doll? Isn't that supposed to be out
by now? Has anyone received theirs yet?
http://www.sideshowtoy.com/cgi-bin/category.cgi?category=potahome
--Helen
--- In PotaDG@yahoogroups.com, "Whitty, Michael"
<Michael.Whitty@d...> wrote:
> I contacted them if you recall, Jeff, and they didn't want to do
the line
> because they would need to get a "POTA" license as well as
their "Simpsons"
> license.
>
> However, Sideshow seem to do Simpsons too - so maybe I'll bug
THEM! ;)
>
> Michael <.html
|
|
| Group: potadg |
Message: 21551 |
From: patrickmichaeltilton |
Date: 10/11/2004 |
| Subject: Re: Army versus Security? |
.html--- In PotaDG@yahoogroups.com
, "Whitty, Michael"
<Michael.Whitty@d...> wrote:
> When did the concept of an Ape Army find itself introduced?
>
> Was there an Army in Monkey Planet? As I recall, there were just
sporting hunters.
>
> In Planet, I think the gorillas were a Security Force rather than
an Army...is this right?
>
> The whole idea of a General and an Army does not make a great deal
of sense does it?
>
> Michael
*** The sense I get is that the Ape Army was introduced in "BENEATH",
but that even in "PLANET" there was an inkling of the idea mixed in
with the hunt club.
When you watch the Hunt scene for the first time, it's the first time
you see ANY of the Apes on the planet, and given that all the
gorillas in the scene dress alike, the impression given is that their
leather duds (etc) are uniforms. Compared to the Hunt scene in
Boulle's novel, which is presented as if it a group of safari-going
gorilla aristocrats (accompanied by chimpanzee 'commoners' who act
like golf-caddie servant types, and by the she-gorillas who pin
human "game" hair-clippings onto their hats as souvenirs), the movie
is in contrast with this: the Hunt in the movie has more of a 'feel'
of a military operation.
It is only as the movie progresses that we get a sense of what the
ultimate purpose of the Hunt REALLY is all about: in their Sacred
Scrolls, the Apes are commanded to
"Beware the beast Man, for he is the Devil's pawn! Alone among God's
primates, he kills for sport or lust or greed. Yea! he will murder
his brother to possess his brother's land. LET HIM NOT BREED IN GREAT
NUMBERS, FOR HE WILL MAKE A DESERT OF HIS HOME AND YOURS. Shun him!
Drive him back into his jungle lair, for he is the harbinger of
Death!"
Not the capitalized sentence: "Let [Man] not breed in great numbers,
for he will make a desert of his home and yours." This is a de facto
commandment to periodically "cull the herd" -- to reduce the numbers
of humans from time-to-time, so as to prevent them from
overpopulating like coneys and deer.
In general, the Apes are commanded to "shun" Man... but the gorilla
hunt club goes on periodic military-style mass-killing sprees, which
serves to reduce the numbers of Man-beasts, and also to further
instill in the ones who escaped a morbid fear of the Apes.
Though the gorillas probably do enjoy going on their hunts, it is not
merely recreation for a group of aristocrats, as it is in the novel.
It is also a military-style action. In the original scripts, prior to
the budget-conscious changes that were made that resulted in the Ape
society being re-cast in a "horse-and-buggy" era (rather than in a
modern-type setting), the Hunt scene called for helicopters and all
that -- which was almost too obvious a parallel to the situation in
Vietnam. They may have ditched the helicopters, but they still
retained a militaristic feel to the scene, in my opinion. I believe
that the artist who painted Arthur P. Jacob's synopsis/presentation
file (the one he shopped around Hollywood) rendered the helicopter in
his painting of the hunt scene.
And, the gorillas have been doing this for a very long time; this
isn't the first hunt they'd ever gone on. It is only the latest in a
long line of coordinated attacks on the migrating herds of ape-crop-
eating vermin. They know they don't need machine guns or artillery,
so they use nets and rifles.
But, after Ursus sent out his 12 scouts, and only one of 'em came
back, "his MIND gone... shattered, no doubt, by some unsimian
torture," Ursus now knew that SOMETHING dwelt in the Forbidden Zone,
and that it was dangerous. When he ascended to power in Ape City, he
had "the Incident" he needed to go on a "rampage of conquest" as
Zaius says to Zira and Cornelius -- and, in order to be successful in
that invasion against an UNKNOWN enemy, he takes the heavier guns. He
brings cannons, and his soldiers bring with them automatic
rifles/machine guns. They had never needed any of these things before
(or, I should say, RECENTLY..), when all they were doing
was 'culling' the herds of humans, but NOW they were up against
something more sinister, more powerful. Something NOT simian, yet
intelligent and cruel.
Up until then, the gorillas were the Security force for the Apes...
but now they had to be mustered for the invasion of the Forbidden
Zone. It reminds me kinda of the situation happening now with the
National Guard being sent over to Iraq -- NOT to "guard the nation"
(which is what a "National Guard" is supposed to help to do), but to
participate in "peace-keeping" occupation-efforts abroad. I wonder
how many of the gorillas in Ursus' army never thought for a minute
that they'd ever be mustered for such an event. After all, their
neighboring desert is "taboo" -- it is FORBIDDEN to them, due to
their Lawgiver having declared it to be "deadly". As Zaius says, the
Forbidden Zone is a place where "only an APOSTATE would flee": no
Scripture-believing/following, pious Ape would EVER go there... and
no Ape would be ALLOWED to go there for any scientific purpose -- the
necessary "travel permit" would not authorize such a trip. Cornelius
tried to sweet-talk the President of the Assembly by saying that his
prior trip to the Zone was "with the special permission of the
Academy" -- but Zaius says that "He exceeded his orders" and "his
travel permit was cancelled."
When Ursus does finally inform the citizens of his impending
invasion, he couches it in pseudo-religious terms, saying that "it
is, therefore, our HOLY DUTY to enter it, to put our feet upon it"
(etc), and to invade "the ONCE-FORBIDDEN zone".
And the Ape religious leaders go along with this change-in-policy,
this near-HERESY: the minister refers to the impending invasion as "a
HOLY WAR undertaken for [God's] sake". The minister, just like Ursus
and (probably) Zaius, assume that their Enemy is non-simian; he
says, "... and grant, in the name of your prophet, our great
Lawgiver, that we may aspire the more perfectly to that spiritual
godliness and bodily beauty which You, in Your infinite mercy, have
thought fit to deny to our BRUTISH enemies!"
Note that Caspay, similarly, refers to the Apes as "slobbering,
monstrous, materialistic Apes" and as "Stupid animals! They don't
have the brain to hold our illusions!" Both sides, by "dehumanizing"
(or "desimianizing") the Other Side, end up descending to their baser
natures and endeavor to solve their problems with violence.
Circular Timeline-enthusiasts take note: Ursus' army has cannons and
machine guns for ONE reason, and one reason ONLY -- way back when,
around 1,937 years earlier, their first ape King (Caesar) had decided
that the fledgling Ape community would NOT destroy their armory as
Mandemus hoped; rather, he had indicated that the armory would be
preserved for the potentiality of there being a NEED for those
weapons.
I wonder if a descendant of Mandemus -- or perhaps Virgil -- kept the
guarding of the Armory in their family, an office handed down
generation-to-generation...?
Patrick <.html
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