|
| Group: potadg |
Message: 60732 |
From: Jeff K. |
Date: 12/3/2011 |
| Subject: D.C. critics nominate Andy Serkis |
|
| Group: potadg |
Message: 60733 |
From: Neil Moxham |
Date: 12/4/2011 |
| Subject: Return Soundtrack |
|
| Group: potadg |
Message: 60734 |
From: Sal & Mick |
Date: 12/4/2011 |
| Subject: Re: Return Soundtrack |
|
| Group: potadg |
Message: 60735 |
From: munkeyman63au |
Date: 12/4/2011 |
| Subject: Re: Return Soundtrack |
|
| Group: potadg |
Message: 60736 |
From: Blam |
Date: 12/4/2011 |
| Subject: Re: NAMEless, GUTless...... |
|
| Group: potadg |
Message: 60737 |
From: Sal & Mick |
Date: 12/4/2011 |
| Subject: Re: NAMEless, GUTless...... |
|
| Group: potadg |
Message: 60738 |
From: Jeff K. |
Date: 12/4/2011 |
| Subject: Re: NAME: Neil Foster |
|
| Group: potadg |
Message: 60739 |
From: Neil Moxham |
Date: 12/4/2011 |
| Subject: Re: Return Soundtrack |
|
| Group: potadg |
Message: 60740 |
From: PotaDG@yahoogroups.com |
Date: 12/4/2011 |
| Subject: Birthday Reminder |
|
| Group: potadg |
Message: 60741 |
From: Jeff K. |
Date: 12/4/2011 |
| Subject: "Rise" blu-ray: the opening |
|
| Group: potadg |
Message: 60742 |
From: Neil Moxham |
Date: 12/5/2011 |
| Subject: Re: Return Soundtrack |
|
| Group: potadg |
Message: 60743 |
From: PotaDG@yahoogroups.com |
Date: 12/5/2011 |
| Subject: Birthday Reminder |
|
| Group: potadg |
Message: 60744 |
From: Neil Moxham |
Date: 12/6/2011 |
| Subject: Re: Zira's Lies |
|
| Group: potadg |
Message: 60745 |
From: Neil Moxham |
Date: 12/6/2011 |
| Subject: Re: Zira's Lies |
|
| Group: potadg |
Message: 60746 |
From: Jeff K. |
Date: 12/6/2011 |
| Subject: Re: Zira's Lies |
|
| Group: potadg |
Message: 60747 |
From: Jeff K. |
Date: 12/6/2011 |
| Subject: Re: Zira's Lies |
|
| Group: potadg |
Message: 60748 |
From: Jeff K. |
Date: 12/6/2011 |
| Subject: Serkis Oscar ads |
|
| Group: potadg |
Message: 60749 |
From: munkeyman63au |
Date: 12/6/2011 |
| Subject: Re: Serkis Oscar ads |
|
| Group: potadg |
Message: 60750 |
From: Jeff K. |
Date: 12/6/2011 |
| Subject: Re: Serkis Oscar ads |
|
| Group: potadg |
Message: 60751 |
From: munkeyman63au |
Date: 12/6/2011 |
| Subject: Re: Serkis Oscar ads |
|
| Group: potadg |
Message: 60752 |
From: Jeff K. |
Date: 12/6/2011 |
| Subject: Re: Serkis Oscar ads |
|
| Group: potadg |
Message: 60753 |
From: Sal & Mick |
Date: 12/6/2011 |
| Subject: James' Lies |
|
| Group: potadg |
Message: 60754 |
From: Sal & Mick |
Date: 12/6/2011 |
| Subject: Re: Serkis Oscar ads |
|
| Group: potadg |
Message: 60755 |
From: Sal & Mick |
Date: 12/6/2011 |
| Subject: Re: Serkis Oscar ads |
|
| Group: potadg |
Message: 60756 |
From: Sal & Mick |
Date: 12/6/2011 |
| Subject: Re: Serkis Oscar ads |
|
| Group: potadg |
Message: 60757 |
From: Sal & Mick |
Date: 12/6/2011 |
| Subject: Re: Serkis Oscar ads |
|
| Group: potadg |
Message: 60758 |
From: Jeff K. |
Date: 12/6/2011 |
| Subject: Re: James' Lies |
|
| Group: potadg |
Message: 60759 |
From: Sal & Mick |
Date: 12/6/2011 |
| Subject: Re: James' Lies |
|
| Group: potadg |
Message: 60760 |
From: Jeff K. |
Date: 12/6/2011 |
| Subject: Re: Serkis Oscar ads |
|
| Group: potadg |
Message: 60761 |
From: Jeff K. |
Date: 12/6/2011 |
| Subject: Notary Republic |
|
| Group: potadg |
Message: 60762 |
From: Muppet John |
Date: 12/6/2011 |
| Subject: Re: NAMEless, GUTless...... |
|
| Group: potadg |
Message: 60763 |
From: Jeff K. |
Date: 12/6/2011 |
| Subject: Robin Williams digs Caesar |
|
| Group: potadg |
Message: 60764 |
From: Neil Moxham |
Date: 12/7/2011 |
| Subject: Re: NAMEless, GUTless...... |
|
| Group: potadg |
Message: 60765 |
From: Jeff K. |
Date: 12/7/2011 |
| Subject: Dec. 12th: Potter's Field will "Rise" in London |
|
| Group: potadg |
Message: 60766 |
From: Jeff K. |
Date: 12/7/2011 |
| Subject: "Rise" writers |
|
| Group: potadg |
Message: 60767 |
From: Jeff K. |
Date: 12/7/2011 |
| Subject: "Rise" writers Q & A on Friday 12/9 |
|
| Group: potadg |
Message: 60768 |
From: Jeff K. |
Date: 12/7/2011 |
| Subject: "Rise" blu-ray review |
|
| Group: potadg |
Message: 60769 |
From: Jeff K. |
Date: 12/9/2011 |
| Subject: Finally, some "Rise" action figures! |
|
| Group: potadg |
Message: 60770 |
From: Jeff K. |
Date: 12/9/2011 |
| Subject: "Rise" of the Top 10 lists |
|
| Group: potadg |
Message: 60771 |
From: Tim "apefan" |
Date: 12/9/2011 |
| Subject: Re: Return Soundtrack |
|
| Group: potadg |
Message: 60772 |
From: mlccougar@aol.com |
Date: 12/9/2011 |
| Subject: TERROR reprints from BOOM! |
|
| Group: potadg |
Message: 60773 |
From: PotaDG@yahoogroups.com |
Date: 12/9/2011 |
| Subject: Birthday Reminder |
|
| Group: potadg |
Message: 60774 |
From: Sal & Mick |
Date: 12/10/2011 |
| Subject: Re: TERROR reprints from BOOM! |
|
| Group: potadg |
Message: 60775 |
From: Neil Moxham |
Date: 12/10/2011 |
| Subject: Re: Return Soundtrack |
|
| Group: potadg |
Message: 60776 |
From: Jeff K. |
Date: 12/10/2011 |
| Subject: "Rise" writers Q & A |
|
| Group: potadg |
Message: 60777 |
From: Sal & Mick |
Date: 12/10/2011 |
| Subject: Re: "Rise" writers Q & A |
|
| Group: potadg |
Message: 60778 |
From: jessica rotich |
Date: 12/10/2011 |
| Subject: Re: "Rise" writers Q & A |
|
| Group: potadg |
Message: 60779 |
From: Jeff K. |
Date: 12/10/2011 |
| Subject: Re: "Rise" writers Q & A |
|
| Group: potadg |
Message: 60780 |
From: Jeff K. |
Date: 12/10/2011 |
| Subject: Q & A pic |
|
| Group: potadg |
Message: 60781 |
From: Jeff K. |
Date: 12/10/2011 |
| Subject: Q & A pics |
|
| Group: potadg |
Message: 60782 |
From: jessica rotich |
Date: 12/10/2011 |
| Subject: Re: "Rise" writers Q & A |
|
| Group: potadg |
Message: 60783 |
From: munkeyman63au |
Date: 12/10/2011 |
| Subject: Rise review with a difference |
|
| Group: potadg |
Message: 60784 |
From: munkeyman63au |
Date: 12/10/2011 |
| Subject: Re: "Rise" writers Q & A |
|
| Group: potadg |
Message: 60785 |
From: Sal & Mick |
Date: 12/10/2011 |
| Subject: Re: "Rise" writers Q & A |
|
| Group: potadg |
Message: 60786 |
From: munkeyman63au |
Date: 12/10/2011 |
| Subject: Re: "Rise" writers Q & A |
|
| Group: potadg |
Message: 60787 |
From: Jeff K. |
Date: 12/10/2011 |
| Subject: Re: "Rise" writers Q & A |
|
| Group: potadg |
Message: 60788 |
From: Jeff K. |
Date: 12/10/2011 |
| Subject: Re: "Rise" writers Q & A [1 Attachment] |
|
| Group: potadg |
Message: 60789 |
From: Jeff K. |
Date: 12/11/2011 |
| Subject: another nomination for Andy |
|
| Group: potadg |
Message: 60790 |
From: Jeff K. |
Date: 12/12/2011 |
| Subject: And the mural of the story is... |
|
| Group: potadg |
Message: 60791 |
From: Jeff K. |
Date: 12/12/2011 |
| Subject: blu-ray fever |
|
| Group: potadg |
Message: 60792 |
From: PotaDG@yahoogroups.com |
Date: 12/12/2011 |
| Subject: Birthday Reminder |
|
| Group: potadg |
Message: 60793 |
From: Jeff K. |
Date: 12/13/2011 |
| Subject: 3 Critics' Choice noms for "Rise" |
|
| Group: potadg |
Message: 60794 |
From: Jeff K. |
Date: 12/13/2011 |
| Subject: "Rise" writers q & a |
|
| Group: potadg |
Message: 60795 |
From: Sal & Mick |
Date: 12/13/2011 |
| Subject: Re: "Rise" writers q & a |
|
| Group: potadg |
Message: 60796 |
From: Sal & Mick |
Date: 12/13/2011 |
| Subject: Re: "Rise" writers q & a |
|
| Group: potadg |
Message: 60797 |
From: Dario |
Date: 12/13/2011 |
| Subject: Rise deleted scenes |
|
| Group: potadg |
Message: 60798 |
From: Jeff K. |
Date: 12/13/2011 |
| Subject: blu-ray deleted scenes |
|
| Group: potadg |
Message: 60799 |
From: Jeff K. |
Date: 12/14/2011 |
| Subject: "Koba with Shotgun" |
|
| Group: potadg |
Message: 60800 |
From: Jeff K. |
Date: 12/14/2011 |
| Subject: "Rise" director talks Cornelia |
|
| Group: potadg |
Message: 60801 |
From: munkeyman63au |
Date: 12/14/2011 |
| Subject: Re: "Rise" director talks Cornelia |
|
| Group: potadg |
Message: 60802 |
From: Jeff K. |
Date: 12/14/2011 |
| Subject: Re: "Rise" director talks Cornelia |
|
| Group: potadg |
Message: 60803 |
From: Jeff K. |
Date: 12/15/2011 |
| Subject: Rupert Wyatt commentary (spoiler warning) |
|
| Group: potadg |
Message: 60804 |
From: Jeff K. |
Date: 12/15/2011 |
| Subject: Writer commentary (spoiler warning) |
|
| Group: potadg |
Message: 60805 |
From: Neil Moxham |
Date: 12/15/2011 |
| Subject: Re: Writer commentary (spoiler warning) |
|
| Group: potadg |
Message: 60806 |
From: munkeyman63au |
Date: 12/15/2011 |
| Subject: Re: Writer commentary (spoiler warning) |
|
| Group: potadg |
Message: 60807 |
From: munkeyman63au |
Date: 12/15/2011 |
| Subject: Re: Rupert Wyatt commentary (spoiler warning) |
|
| Group: potadg |
Message: 60808 |
From: Sal & Mick |
Date: 12/15/2011 |
| Subject: Re: Rupert Wyatt commentary (spoiler warning) |
|
| Group: potadg |
Message: 60809 |
From: Jeff K. |
Date: 12/15/2011 |
| Subject: Re: Rupert Wyatt commentary (spoiler warning) |
|
| Group: potadg |
Message: 60810 |
From: jessica rotich |
Date: 12/15/2011 |
| Subject: Re: I am a calendar girl! |
|
| Group: potadg |
Message: 60811 |
From: munkeyman63au |
Date: 12/15/2011 |
| Subject: Re: Rupert Wyatt commentary (spoiler warning) |
|
| Group: potadg |
Message: 60812 |
From: Jeff K. |
Date: 12/15/2011 |
| Subject: Re: Rupert Wyatt commentary (spoiler warning) |
|
| Group: potadg |
Message: 60813 |
From: munkeyman63au |
Date: 12/15/2011 |
| Subject: Re: Rupert Wyatt commentary (spoiler warning) |
|
| Group: potadg |
Message: 60814 |
From: Jeff K. |
Date: 12/15/2011 |
| Subject: Re: Rupert Wyatt commentary (spoiler warning) |
|
| Group: potadg |
Message: 60815 |
From: Jeff K. |
Date: 12/15/2011 |
| Subject: Re: Joe Simon (spoiler warning) |
|
| Group: potadg |
Message: 60816 |
From: jessica rotich |
Date: 12/16/2011 |
| Subject: Is anybody bidding on this? |
|
| Group: potadg |
Message: 60817 |
From: Jeff K. |
Date: 12/16/2011 |
| Subject: "Rise" writers 12/9/11 q & a: the groovy stuff |
|
| Group: potadg |
Message: 60818 |
From: Neil Moxham |
Date: 12/16/2011 |
| Subject: Re: "Rise" writers 12/9/11 q & a: the groovy stuff |
|
| Group: potadg |
Message: 60819 |
From: Neil Moxham |
Date: 12/16/2011 |
| Subject: Re: "Rise" writers Q & A |
|
| Group: potadg |
Message: 60820 |
From: Alex Ruiz |
Date: 12/16/2011 |
| Subject: Re: "Rise" writers 12/9/11 q & a: the groovy stuff |
|
| Group: potadg |
Message: 60821 |
From: Dario |
Date: 12/17/2011 |
| Subject: Re: "Rise" writers 12/9/11 q & a: the groovy stuff |
|
| Group: potadg |
Message: 60822 |
From: Jeff K. |
Date: 12/17/2011 |
| Subject: 7/18/16 |
|
| Group: potadg |
Message: 60823 |
From: Tim |
Date: 12/18/2011 |
| Subject: Re: "Rise" writers Q & A [1 Attachment] |
|
| Group: potadg |
Message: 60824 |
From: Jeff K. |
Date: 12/18/2011 |
| Subject: Re: "Rise" writers Q & A |
|
| Group: potadg |
Message: 60825 |
From: Tim |
Date: 12/19/2011 |
| Subject: Re: "Rise" writers Q & A |
|
| Group: potadg |
Message: 60826 |
From: Tim |
Date: 12/19/2011 |
| Subject: Maybe they are trying to halt the "Rise".... |
|
| Group: potadg |
Message: 60827 |
From: Neil Moxham |
Date: 12/19/2011 |
| Subject: Re: "Rise" writers Q & A [1 Attachment] |
|
| Group: potadg |
Message: 60828 |
From: Tim |
Date: 12/19/2011 |
| Subject: Re: "Rise" writers Q & A |
|
| Group: potadg |
Message: 60829 |
From: Jeff K. |
Date: 12/19/2011 |
| Subject: Re: "Rise" writers Q & A |
|
| Group: potadg |
Message: 60830 |
From: Jeff K. |
Date: 12/19/2011 |
| Subject: Re: "Rise" writers Q & A |
|
| Group: potadg |
Message: 60831 |
From: Jeff K. |
Date: 12/19/2011 |
| Subject: 25 Best Movie Moments |
|
| Group: potadg |
Message: 60732 |
From: Jeff K. |
Date: 12/3/2011 |
| Subject: D.C. critics nominate Andy Serkis |
.html
.html
Andy "Caesar" Serkis got a Best Supporting Actor
nomination from the Washington D.C. critics. He's on a roll now. Is this the
last time he'll be nominated this awards season? Nooooooooo!
<.html <.html
|
|
| Group: potadg |
Message: 60733 |
From: Neil Moxham |
Date: 12/4/2011 |
| Subject: Return Soundtrack |
.html
Didn't come out as well as I would've hoped, as it was hard to find any passages longer than 20 to 30 seconds without voiceovers/sound effects. Even though I'm not much of a
soundtrack fan, there's some nice music in the series and I think I'd enjoy a proper CD of this more than some of the other POTA soundtracks. I had fun putting together the 'genuine fake' LP cover though
- wonder if it'll fool anyone...
http://rockroots.wordpress.com/2011/12/04/return-to-the-planet-of-the-apes/ <.html
|
|
| Group: potadg |
Message: 60734 |
From: Sal & Mick |
Date: 12/4/2011 |
| Subject: Re: Return Soundtrack |
.html.html
That’s awesome – well done
Moxy!!!!
From:
PotaDG@yahoogroups.com [PotaDG@yahoogroups.com] On Behalf Of Neil Moxham
Sent: Monday, 5 December 2011 6:00
AM
To: PotaDG@yahoogroups.com
Subject: [PotaDG] Return
Soundtrack
Didn't come out as well as I would've hoped, as it was
hard to find any passages longer than 20 to 30 seconds without voiceovers/sound
effects. Even though I'm not much of a soundtrack fan, there's some nice music
in the series and I think I'd enjoy a proper CD of this more than some of the
other POTA soundtracks. I had fun putting together the 'genuine fake' LP cover
though - wonder if it'll fool anyone...
http://rockroots.wordpress.com/2011/12/04/return-to-the-planet-of-the-apes/
<.html
<.html
|
|
| Group: potadg |
Message: 60735 |
From: munkeyman63au |
Date: 12/4/2011 |
| Subject: Re: Return Soundtrack |
.html
Thanks for this Neil. Funny thing is, I watched a couple of episodes of Return two nights ago and thought at the time that it would be nice to have a soundtrack CD and here it is!
Great fake cover, any chance of higher resolution copies?
Neil T.
--- In PotaDG@yahoogroups.com, "Neil Moxham" <neilmoxham@...> wrote:
>
> Didn't come out as well as I would've hoped, as it was hard to find any passages longer than 20 to 30 seconds without voiceovers/sound effects. Even though I'm not much of a soundtrack fan, there's
some nice music in the series and I think I'd enjoy a proper CD of this more than some of the other POTA soundtracks. I had fun putting together the 'genuine fake' LP cover though - wonder if it'll fool
anyone...
>
> http://rockroots.wordpress.com/2011/12/04/return-to-the-planet-of-the-apes/
> <.html
|
|
| Group: potadg |
Message: 60736 |
From: Blam |
Date: 12/4/2011 |
| Subject: Re: NAMEless, GUTless...... |
.html
Michael - You are the owner of a fan group for a major licensed property - that kind of makes you a public figure. I have been bashed by people who don't get my work - and also don't
seem to understand the appeal of apes as a franchise, and those bad reviews by bad writers are out forever on the web to gawk back at me.
In regards to Neil on BOOK 2 - I will be ready with descriptions by February - the book is still being written right now. I will throw Neil an image on spec - at least I can do that. Then it will be up to the wolves to
pull it apart or accept him into the pack.
In summation: Haters are gonna hate, Players are gonna play, and lovers are gonna, well - love.
Drew
--- In PotaDG@yahoogroups.com, "Sal & Mick" <smwhitty@...> wrote:
>
> I'm actually quite shocked to have found this on the net.
>
>
>
> So when my kids look up my name...well, gee!
>
>
>
> I hope you can give Neil a shot - I have taken it on to try to get him a
> published POTA comic one day and the GN would be just as good.
>
>
>
> Drew, just for the hell of it, shoot him a description and see what he comes
> up with..no guarantees (understood) but really, just ask him to do
> something. We were going to try to do something for you and submit it, but
> it might not have been correct for the story.
>
>
>
> Worst outcome is we can probably use it for a comic cover if you don't need
> it!
>
>
>
> Anyway, let me know what you think.
>
>
>
> Michael
>
>
>
> _____
>
> From: PotaDG@yahoogroups.com [PotaDG@yahoogroups.com
] On Behalf Of
> Blam
> Sent: Saturday, 3 December 2011 4:59 PM
> To: PotaDG@yahoogroups.com
> Subject: [PotaDG] Re: NAMEless, GUTless......
>
>
>
>
>
> Wow - out of date posting is out of date.
>
> The stuff about Neil and me is out of this world. I haven't pursued anything
> with Neil yet because I answer to a higher authority- or two. They are FOX
> and ARCHAIA, and I had to concede to their wishes for established talent on
> Conspiracy.
>
> Also, I have no quarrel with Mr. Whitty - despite him calling my cell phone
> long distance from Australia to the states 2 years ago (lol).
>
> But even if I did, I would never hold bad feeling for one person against
> another - its not Neil's fault that Michael doesn't know how much AT&T
> sucks.
>
> FYI - to clarify, I am joking here Michael - no harm intended!
>
> Neil - I might be able to do something about that for DEATH (book 2). No
> promises, but I will try...
>
> Love to all,
> Drew
>
> --- In PotaDG@yahoogroups.com <mailto:PotaDG%40yahoogroups.com> ,
> PofTAfan@ wrote:
> >
> >
> > Somebody had a hissy fit. Wow, and it wasn't me who wrote that!
> >
> > kevin
> >
> >
> >
> >
> >
> >
> > -----Original Message-----
> > From: jessica rotich <jessicarotich@>
> > To: PotaDG <PotaDG@yahoogroups.com <mailto:PotaDG%40yahoogroups.com> >
> > Sent: Fri, Nov 25, 2011 1:06 pm
> > Subject: Re: [PotaDG] NAMEless, GUTless......
> >
> >
> >
> >
> >
> > Wow. Anyway, whatever...
> >
> > Jess.
> >
> >
> > On Fri, Nov 25, 2011 at 8:02 AM, Jeff K. <veetus@> wrote:
> >
> >
> >
> >
> >
> >
> > I guess it wasn't very successful if you didn't find out about it until
> now. It was posted April 2010.
> >
> >
> >
> >
> > From: Sal & Mick
> > Sent: Friday, November 25, 2011 5:31 AM
> > To: PotaDG@yahoogroups.com <mailto:PotaDG%40yahoogroups.com>
> > Subject: [PotaDG] NAMEless, GUTless......
> >
> >
> >
> >
> >
> >
> >
> > This is kind of hilarious:
> >
> >
> http://warnerkern.blogspot.com/2010/04/planet-of-apes-discussion-group.html"
> >
> > Anyone got the balls to own up to it?
> >
> > Michael
> >
> <.html
|
|
| Group: potadg |
Message: 60737 |
From: Sal & Mick |
Date: 12/4/2011 |
| Subject: Re: NAMEless, GUTless...... |
.html.html
Well said Drew.
And thanks so much in regards to Book 2. From
myself, and all others who hope to see Neil Foster’s name on a published
work of POTA (good time to speak up now you lot!).
Many thanks yet again!
Michael
From:
PotaDG@yahoogroups.com [PotaDG@yahoogroups.com] On Behalf Of Blam
Sent: Monday, 5 December 2011
10:18 AM
To: PotaDG@yahoogroups.com
Subject: [PotaDG] Re: NAMEless,
GUTless......
Michael - You are the owner of a fan group for a major
licensed property - that kind of makes you a public figure. I have been bashed
by people who don't get my work - and also don't seem to understand the appeal
of apes as a franchise, and those bad reviews by bad writers are out forever on
the web to gawk back at me.
In regards to Neil on BOOK 2 - I will be ready with descriptions by February -
the book is still being written right now. I will throw Neil an image on spec -
at least I can do that. Then it will be up to the wolves to pull it apart or
accept him into the pack.
In summation: Haters are gonna hate, Players are gonna play, and lovers are
gonna, well - love.
Drew
--- In PotaDG@yahoogroups.com,
"Sal & Mick" <smwhitty@...> wrote:
>
> I'm actually quite shocked to have found this on the net.
>
>
>
> So when my kids look up my name...well, gee!
>
>
>
> I hope you can give Neil a shot - I have taken it on to try to get him a
> published POTA comic one day and the GN would be just as good.
>
>
>
> Drew, just for the hell of it, shoot him a description and see what he
comes
> up with..no guarantees (understood) but really, just ask him to do
> something. We were going to try to do something for you and submit it, but
> it might not have been correct for the story.
>
>
>
> Worst outcome is we can probably use it for a comic cover if you don't
need
> it!
>
>
>
> Anyway, let me know what you think.
>
>
>
> Michael
>
>
>
> _____
>
> From: PotaDG@yahoogroups.com
[PotaDG@yahoogroups.com]
On Behalf Of
> Blam
> Sent: Saturday, 3 December 2011 4:59 PM
> To: PotaDG@yahoogroups.com
> Subject: [PotaDG] Re: NAMEless, GUTless......
>
>
>
>
>
> Wow - out of date posting is out of date.
>
> The stuff about Neil and me is out of this world. I haven't pursued anything
> with Neil yet because I answer to a higher authority- or two. They are FOX
> and ARCHAIA, and I had to concede to their wishes for established talent
on
> Conspiracy.
>
> Also, I have no quarrel with Mr. Whitty - despite him calling my cell
phone
> long distance from Australia
to the states 2 years ago (lol).
>
> But even if I did, I would never hold bad feeling for one person against
> another - its not Neil's fault that Michael doesn't know how much AT&T
> sucks.
>
> FYI - to clarify, I am joking here Michael - no harm intended!
>
> Neil - I might be able to do something about that for DEATH (book 2). No
> promises, but I will try...
>
> Love to all,
> Drew
>
> --- In PotaDG@yahoogroups.com
<mailto:PotaDG%40yahoogroups.com> ,
> PofTAfan@ wrote:
> >
> >
> > Somebody had a hissy fit. Wow, and it wasn't me who wrote that!
> >
> > kevin
> >
> >
> >
> >
> >
> >
> > -----Original Message-----
> > From: jessica rotich <jessicarotich@>
> > To: PotaDG <PotaDG@yahoogroups.com
<mailto:PotaDG%40yahoogroups.com> >
> > Sent: Fri, Nov 25, 2011 1:06 pm
> > Subject: Re: [PotaDG] NAMEless, GUTless......
> >
> >
> >
> >
> >
> > Wow. Anyway, whatever...
> >
> > Jess.
> >
> >
> > On Fri, Nov 25, 2011 at 8:02 AM, Jeff K. <veetus@> wrote:
> >
> >
> >
> >
> >
> >
> > I guess it wasn't very successful if you didn't find out about it
until
> now. It was posted April 2010.
> >
> >
> >
> >
> > From: Sal & Mick
> > Sent: Friday, November 25, 2011 5:31 AM
> > To: PotaDG@yahoogroups.com
<mailto:PotaDG%40yahoogroups.com>
> > Subject: [PotaDG] NAMEless, GUTless......
> >
> >
> >
> >
> >
> >
> >
> > This is kind of hilarious:
> >
> >
> href="http://warnerkern.blogspot.com/2010/04/planet-of-apes-discussion-group.htmlquot;>http://warnerkern.blogspot.com/2010/04/planet-of-apes-discussion-group.html
> >
> > Anyone got the balls to own up to it?
> >
> > Michael
> >
>
<.html
<.html
|
|
| Group: potadg |
Message: 60738 |
From: Jeff K. |
Date: 12/4/2011 |
| Subject: Re: NAME: Neil Foster |
.html
.html
Yes, as someone who bought and enjoyed BOOK 1, I
could dig seeing Neil's art in the next one.
Sent: Sunday, December 04, 2011 4:23 PM
Subject: RE: [PotaDG] Re: NAMEless, GUTless......
Well said
Drew.
And thanks so much in
regards to Book 2. From myself, and all others who hope to see Neil
FosterÂ’s name on a published work of POTA (good time to speak up now you
lot!).
Many thanks yet
again!
Michael
From:
PotaDG@yahoogroups.com
[PotaDG@yahoogroups.com] On Behalf Of
Blam Sent: Monday, 5
December 2011 10:18 AM To: PotaDG@yahoogroups.com Subject:
[PotaDG] Re: NAMEless,
GUTless......
Michael -
You are the owner of a fan group for a major licensed property - that kind of
makes you a public figure. I have been bashed by people who don't get my work -
and also don't seem to understand the appeal of apes as a franchise, and those
bad reviews by bad writers are out forever on the web to gawk back at
me.
In regards to Neil on BOOK 2 - I will be ready with descriptions by
February - the book is still being written right now. I will throw Neil an image
on spec - at least I can do that. Then it will be up to the wolves to pull it
apart or accept him into the pack.
In summation: Haters are gonna hate,
Players are gonna play, and lovers are gonna, well -
love.
Drew
--- In PotaDG@yahoogroups.com, "Sal &
Mick" <smwhitty@...> wrote:
> > I'm actually quite shocked to
have found this on the net.
> > > > So when my kids
look up my name...well, gee!
> > > > I hope you can
give Neil a shot - I have taken it on to try to get him a
> published POTA
comic one day and the GN would be just as good.
> > >
> Drew, just for the hell of it, shoot him a description and see what he
comes
> up with..no guarantees (understood) but really, just ask him to
do
> something. We were going to try to do something for you and submit
it, but
> it might not have been correct for the story. > >
> > Worst outcome is we can probably use it for a comic cover if
you don't need
> it! > > > > Anyway, let me
know what you think.
> > > > Michael > >
> > _____ > > From: href="mailto:PotaDG%40yahoogroups.com">PotaDG@yahoogroups.com [
PotaDG@yahoogroups.com] On Behalf
Of
> Blam > Sent: Saturday, 3 December 2011 4:59 PM > To:
href="mailto:PotaDG%40yahoogroups.com">PotaDG@yahoogroups.com
>
Subject: [PotaDG] Re: NAMEless, GUTless......
> > > >
> > Wow - out of date posting is out of date. > >
The stuff about Neil and me is out of this world. I haven't pursued
anything
> with Neil yet because I answer to a higher authority- or two.
They are FOX
> and ARCHAIA, and I had to concede to their wishes for
established talent on
> Conspiracy. > > Also, I have no
quarrel with Mr. Whitty - despite him calling my cell phone
> long
distance from Australia to the states 2 years ago (lol).
> > But even if I did, I would never hold bad feeling for one
person against
> another - its not Neil's fault that Michael doesn't know
how much AT&T
> sucks. > > FYI - to clarify, I am joking
here Michael - no harm intended!
> > Neil - I might be able to do
something about that for DEATH (book 2). No
> promises, but I will
try...
> > Love to all, > Drew > > --- In
href="mailto:PotaDG%40yahoogroups.com">PotaDG@yahoogroups.com
<mailto:PotaDG%40yahoogroups.com> ,
> PofTAfan@ wrote: >
> > > > > Somebody had a hissy fit. Wow, and it wasn't me
who wrote that!
> > > > kevin > > > >
> > > > > > > > > >
-----Original Message-----
> > From: jessica rotich
<jessicarotich@>
> > To: PotaDG <
href="mailto:PotaDG%40yahoogroups.com">PotaDG@yahoogroups.com
<mailto:PotaDG%40yahoogroups.com> >
> > Sent: Fri, Nov 25,
2011 1:06 pm
> > Subject: Re: [PotaDG] NAMEless, GUTless...... >
> > > > > > > > > > > Wow.
Anyway, whatever...
> > > > Jess. > > > >
> > On Fri, Nov 25, 2011 at 8:02 AM, Jeff K. <veetus@>
wrote:
> > > > > > > > > >
> > > > I guess it wasn't very successful if you didn't find
out about it until
> now. It was posted April 2010. > > >
> > > > > > > From: Sal & Mick >
> Sent: Friday, November 25, 2011 5:31 AM > > To: href="mailto:PotaDG%40yahoogroups.com">PotaDG@yahoogroups.com
<mailto:PotaDG%40yahoogroups.com>
> > Subject: [PotaDG]
NAMEless, GUTless......
> > > > > > > >
> > > > > > > > This is kind of
hilarious:
> > > > >
href="http://warnerkern.blogspot.com/2010/04/planet-of-apes-discussion-group.htmlquot;>http://warnerkern.blogspot.com/2010/04/planet-of-apes-discussion-group.htmlbr>
>
> > > Anyone got the balls to own up to it? > > >
> Michael > > >
<.html <.html
|
|
| Group: potadg |
Message: 60739 |
From: Neil Moxham |
Date: 12/4/2011 |
| Subject: Re: Return Soundtrack |
.html
Thanks. I'll see how much of the 'work-in-progress' I kept, but the finished product was deliberately darkened and blurry to make it look aged. If you click on the pictures they
should come up a bit bigger, and hopefully readable. Again, the music there doesn't really do justice to the soundtrack but it's better than nothing I suppose.
--- In PotaDG@yahoogroups.com, "munkeyman63au" <ntfoster@...> wrote:
>
> Thanks for this Neil. Funny thing is, I watched a couple of episodes of Return two nights ago and thought at the time that it would be nice to have a soundtrack CD and here it is!
> Great fake cover, any chance of higher resolution copies?
>
> Neil T.
>
> --- In PotaDG@yahoogroups.com, "Neil Moxham" <neilmoxham@> wrote:
> >
> > Didn't come out as well as I would've hoped, as it was hard to find any passages longer than 20 to 30 seconds without voiceovers/sound effects. Even though I'm not much of a soundtrack fan,
there's some nice music in the series and I think I'd enjoy a proper CD of this more than some of the other POTA soundtracks. I had fun putting together the 'genuine fake' LP cover though - wonder if
it'll fool anyone...
> >
> > http://rockroots.wordpress.com/2011/12/04/return-to-the-planet-of-the-apes/
> >
> <.html
|
|
| Group: potadg |
Message: 60740 |
From: PotaDG@yahoogroups.com |
Date: 12/4/2011 |
| Subject: Birthday Reminder |
.html.html
| Reminder from: |
|
PotaDG Yahoo! Group |
| |
| Title: |
|
Norman Burton's Birthday |
| |
| Date: |
|
Monday December 5, 2011 |
| Time: |
|
All Day
|
| Repeats: |
|
This event repeats every year. |
| Notes: |
|
Happy Birthday Norman! (Hunt Leader: Planet of the Apes (1968) Army Officer: Escape from the Planet of the Apes (1971)
Yalu: The Interrogation, Planet of the Apes TV series (1974)) |
| |
| Yahoo! Greetings: |
|
Send a Yahoo! Greeting
|
| Yahoo! Shopping: |
|
Browse Yahoo! Shopping Gift Guide
|
| |
<.html <.html
|
|
| Group: potadg |
Message: 60741 |
From: Jeff K. |
Date: 12/4/2011 |
| Subject: "Rise" blu-ray: the opening |
.html
.html
What does the blu-ray look like in Australia? Find
out, mate!
Here's a good commercial. But I think they got it
backward.
<.html <.html
|
|
| Group: potadg |
Message: 60742 |
From: Neil Moxham |
Date: 12/5/2011 |
| Subject: Re: Return Soundtrack |
|
.html These are a bit more hi-res. <.html
|
|
|
|
| Group: potadg |
Message: 60743 |
From: PotaDG@yahoogroups.com |
Date: 12/5/2011 |
| Subject: Birthday Reminder |
| Group: potadg |
Message: 60744 |
From: Neil Moxham |
Date: 12/6/2011 |
| Subject: Re: Zira's Lies |
.html
What I mean is that another person - for example - might take Zira/Cornelius' testimony as fact, and try to reinterpret anything in the other films that contradicts that testimony.
I'm not saying that would be a very logical view to have, just that with so many contradictions involved across the five films, for someone to come up with a cohesive timeline of events requires them to add details
that aren't specified on-screen. Such as the idea that Zira and Cornelius were telling the inquiry an elaborate hoax. I can't imagine that that was Dehn's intention when he wrote the dialogue, rather that he
simply didn't think it through beyond building a suitably cinematic scene. To give another example, some could argue that the events of Beneath happen in 3978/3979 rather than 3955. Both dates are what I referred to
as 'facts', because they both appear on-screen, but only one can be correct, and it requires fan speculation to reconcile the contradiction.
--- In PotaDG@yahoogroups.com, "Patrick" <patrickmichaeltilton@...> wrote:
>
> --- In PotaDG@yahoogroups.com, "Neil Moxham" <neilmoxham@> wrote:>
> > Actually, that is a good point, and not something I'd noticed. I think
> the point is that whatever theory you follow requires you to overlook a
> certain amount of on-screen 'facts' and come up with imaginative ways of
> explaining them away.
> *** What 'facts' am I overlooking, regarding my own theorizing about the
> POTA timeline issue? I'm asking this in all honesty, cuz my goal -- for
> the sake of my own POTA project -- is to get all the on-screen details
> right under the umbrella of a 'scenario' that makes those 'facts' make
> sense.
> ------------------------------------------------------------------------\ <.html
|
|
| Group: potadg |
Message: 60745 |
From: Neil Moxham |
Date: 12/6/2011 |
| Subject: Re: Zira's Lies |
.html
...but, in an altered timeline, the 2670 Lawgiver would be remembering events caused by the appearance and death of Zira & Cornelius. This would be a 'changed future' in which he
exists. The principle of two timelines would mean that Zira & Cornelius' back-story/origin/history was different, was not caused by the actions of Hasslein, nor - paradoxically - by their own appearance in the past.
They could therefore not know about the Escape/Conquest/Battle sequence of events because in their timeline these events never happened (or happened very differently). For that reason, no amount of Sacred/Secret Scrolls
could have recorded the death of the son of a chimp called Caesar at the hands of a gorilla called Aldo, because that didn't happen until history was altered. I would even suggest that the 2670 Lawgiver was intended
to be either the same Lawgiver we see statues of in 'Planet', but with a radically changed attitude due to altered history, or an alternative kindly Lawgiver who supplanted the original Lawgiver's role in
history, again because of an altered timeline.
And that's why I think the ending of Battle is open to interpretation, because if - IF - you were to follow the logic of a second timeline (as hinted at by Virgil) then the ending would imply a very different future
for the Earth. Admittedly, the scenes with Alma and Mendez contradict that somewhat, but again, bear in mind that these scenes were cut from the original film for a reason.
--- In PotaDG@yahoogroups.com, "Patrick" <patrickmichaeltilton@...> wrote:
>
> Think of it: the scroll that the A.D. 2670 Lawgiver reads from, in
> BATTLE, says that the "parent apes" of Caesar who "descended on Earth
> from Earth's own future" were "brutally murdered." If Hasslein had not
> shot Zira in the back... which prompted Cornelius to fire bullets into
> him... which prompted a sharp-shooter to shoot Cornelius... if those
> gun-firings had not happened, then that would have changed the future!
> Assume, just for the sake of argument, that the BATTLE scroll that the
> Lawgiver recites is one of the very "Secret Scrolls" that had been kept
> hidden from the masses... and that Cornelius and Zira had been given
> access to them just after Zaius left for the Forbidden Zone with Ursus
> (and, of course, had not been brought with them in the spaceship, in
> Zira's carpet-bag, so that -- after their trip back to 1973 -- it could
> not be discovered by NASA guys, or those Marine Base guys, or by
> Hasslein and the Presidential Commission).
> If Cornelius and Zira should come to believe that that old scroll was
> not just an improbable Prehistorical tale or myth... but had actually
> been based on true history -- with themselves fulfilling the bit about
> descending on Earth from Earth's own future -- then, in order for the
> Future that they experienced to be prevented, wouldn't it be likely that
> altering the fates of Caesar's parents just might help to cause the
> Change?
> Everything Hasslein does -- in his attempt to change the future --
> serves to bring about that future, instead. And he's the guy with all
> that talk about the "infinite number of lanes" and "changing lanes" so
> as to change the Future. <.html
|
|
| Group: potadg |
Message: 60746 |
From: Jeff K. |
Date: 12/6/2011 |
| Subject: Re: Zira's Lies |
.html
.html
I don't think Cornelius and Zira were hoaxing
because they seemed too passionate about it. So the alternate timeline seems
best. You might even say Dehn is showing that the future has changed by Aldo
being the chimp that is sedated when he seems ready to speak (though I
don't recall if that was in the script and Dehn did give a circular timeline as
his model). Given all the turmoil of establishing the POTA one might even
consider that the information C & Z relate is wrong (fabricated by other
apes or just misinformation) just as what we know of our own history of the last
2000 years could be. In that sense one could include "Rise" as the prehistory of
the original if that's the way the filmmakers are going (hey, quit throwing
tomatoes at me!).
Sent: Tuesday, December 06, 2011 6:39 AM
Subject: [PotaDG] Re: Zira's Lies
What I mean is that another person - for example - might take Zira/Cornelius'
testimony as fact, and try to reinterpret anything in the other films that
contradicts that testimony. I'm not saying that would be a very logical view to
have, just that with so many contradictions involved across the five films, for
someone to come up with a cohesive timeline of events requires them to add
details that aren't specified on-screen. Such as the idea that Zira and
Cornelius were telling the inquiry an elaborate hoax. I can't imagine that that
was Dehn's intention when he wrote the dialogue, rather that he simply didn't
think it through beyond building a suitably cinematic scene. To give another
example, some could argue that the events of Beneath happen in 3978/3979 rather
than 3955. Both dates are what I referred to as 'facts', because they both
appear on-screen, but only one can be correct, and it requires fan speculation
to reconcile the contradiction.
--- In PotaDG@yahoogroups.com, "Patrick"
<patrickmichaeltilton@...> wrote:
> > --- In
href="mailto:PotaDG%40yahoogroups.com">PotaDG@yahoogroups.com, "Neil Moxham"
<neilmoxham@> wrote:> > > Actually, that is a good point, and
not something I'd noticed. I think > the point is that whatever theory you
follow requires you to overlook a > certain amount of on-screen 'facts'
and come up with imaginative ways of > explaining them away.
>
*** What 'facts' am I overlooking, regarding my own theorizing about the >
POTA timeline issue? I'm asking this in all honesty, cuz my goal -- for >
the sake of my own POTA project -- is to get all the on-screen details >
right under the umbrella of a 'scenario' that makes those 'facts' make >
sense. >
----------------------------------------------------------\ <.html <.html
|
|
| Group: potadg |
Message: 60747 |
From: Jeff K. |
Date: 12/6/2011 |
| Subject: Re: Zira's Lies |
.html
.html
Agreed, even though the bomb stuff in "Battle"
was cut simply to shorten the running time. The ending of "Battle" was meant to
convey hope that things could change. Even if the bomb was included it was more
to underline the warning of what could happen. Will the world blow up again?
That's up to humans and apes.
Sent: Tuesday, December 06, 2011 7:06 AM
Subject: [PotaDG] Re: Zira's Lies
...but, in an altered timeline, the 2670 Lawgiver would be remembering events
caused by the appearance and death of Zira & Cornelius. This would be a
'changed future' in which he exists. The principle of two timelines would mean
that Zira & Cornelius' back-story/origin/history was different, was not
caused by the actions of Hasslein, nor - paradoxically - by their own appearance
in the past. They could therefore not know about the Escape/Conquest/Battle
sequence of events because in their timeline these events never happened (or
happened very differently). For that reason, no amount of Sacred/Secret Scrolls
could have recorded the death of the son of a chimp called Caesar at the hands
of a gorilla called Aldo, because that didn't happen until history was altered.
I would even suggest that the 2670 Lawgiver was intended to be either the same
Lawgiver we see statues of in 'Planet', but with a radically changed attitude
due to altered history, or an alternative kindly Lawgiver who supplanted the
original Lawgiver's role in history, again because of an altered
timeline.
And that's why I think the ending of Battle is open to
interpretation, because if - IF - you were to follow the logic of a second
timeline (as hinted at by Virgil) then the ending would imply a very different
future for the Earth. Admittedly, the scenes with Alma and Mendez contradict
that somewhat, but again, bear in mind that these scenes were cut from the
original film for a reason.
--- In PotaDG@yahoogroups.com, "Patrick"
<patrickmichaeltilton@...> wrote:
> > Think of it: the scroll
that the A.D. 2670 Lawgiver reads from, in > BATTLE, says that the "parent
apes" of Caesar who "descended on Earth > from Earth's own future" were
"brutally murdered." If Hasslein had not > shot Zira in the back... which
prompted Cornelius to fire bullets into > him... which prompted a
sharp-shooter to shoot Cornelius... if those > gun-firings had not
happened, then that would have changed the future! > Assume, just for the
sake of argument, that the BATTLE scroll that the > Lawgiver recites is
one of the very "Secret Scrolls" that had been kept > hidden from the
masses... and that Cornelius and Zira had been given > access to them just
after Zaius left for the Forbidden Zone with Ursus > (and, of course, had
not been brought with them in the spaceship, in > Zira's carpet-bag, so
that -- after their trip back to 1973 -- it could > not be discovered by
NASA guys, or those Marine Base guys, or by > Hasslein and the
Presidential Commission). > If Cornelius and Zira should come to believe
that that old scroll was > not just an improbable Prehistorical tale or
myth... but had actually > been based on true history -- with themselves
fulfilling the bit about > descending on Earth from Earth's own future --
then, in order for the > Future that they experienced to be prevented,
wouldn't it be likely that > altering the fates of Caesar's parents just
might help to cause the > Change? > Everything Hasslein does -- in
his attempt to change the future -- > serves to bring about that future,
instead. And he's the guy with all > that talk about the "infinite number
of lanes" and "changing lanes" so > as to change the
Future. <.html <.html
|
|
| Group: potadg |
Message: 60748 |
From: Jeff K. |
Date: 12/6/2011 |
| Subject: Serkis Oscar ads |
.html
.html
I've seen these ads popping up on sites so I can
vouch Fox is putting their money where their mouth is. But for those who haven't
seen the ads yet, "the time is now".
<.html <.html
|
|
| Group: potadg |
Message: 60749 |
From: munkeyman63au |
Date: 12/6/2011 |
| Subject: Re: Serkis Oscar ads |
.htmlThere should be no Oscar for Andy as far as I'm concerned.
I agree with this Guardian article they quote from in their article:
"I'm inclined to think that Fox and Serkis have a point here. But that doesn't mean I expect, or would even like to see, the actor on the best supporting nominees list when it's announced early next
year. Here's why..."
"Apart from anything else, no one really knows how to quantify greatness in motion-captured acting yet, mostly because the number of films which have properly made use of the technology remains low. To put it
bluntly: until we've seen bad motion-captured acting, it's going to be very difficult to say just how good the good stuff is. Serkis may have to accept that his career-defining performances will only truly be
recognised as the technology becomes more commonplace, and awards bodies have a context within which to place his acting."
And if ROT POTA gets anywhere near a nomination for best picture Oscar the world (or at least the movie industry and it's customers) really has gone completely mad.
Neil T.
--- In PotaDG@yahoogroups.com, "Jeff K." <veetus@...> wrote:
>
> I've seen these ads popping up on sites so I can vouch Fox is putting their money where their mouth is. But for those who haven't seen the ads yet, "the time is now".
>
>
http://www.firstshowing.net/2011/the-time-is-now-andy-serkis-rise-oscar-campaign-has-begun/
> <.html
|
|
| Group: potadg |
Message: 60750 |
From: Jeff K. |
Date: 12/6/2011 |
| Subject: Re: Serkis Oscar ads |
.html
.html
Not even for Best Script? : )
Sent: Tuesday, December 06, 2011 2:10 PM
Subject: [PotaDG] Re: Serkis Oscar ads
There should be no Oscar for Andy as far as I'm concerned. I agree with
this Guardian article they quote from in their article:
"I'm inclined to
think that Fox and Serkis have a point here. But that doesn't mean I expect, or
would even like to see, the actor on the best supporting nominees list when it's
announced early next year. Here's why..."
"Apart from anything else, no
one really knows how to quantify greatness in motion-captured acting yet, mostly
because the number of films which have properly made use of the technology
remains low. To put it bluntly: until we've seen bad motion-captured acting,
it's going to be very difficult to say just how good the good stuff is. Serkis
may have to accept that his career-defining performances will only truly be
recognised as the technology becomes more commonplace, and awards bodies have a
context within which to place his acting."
And if ROT POTA gets anywhere
near a nomination for best picture Oscar the world (or at least the movie
industry and it's customers) really has gone completely mad.
Neil
T.
--- In PotaDG@yahoogroups.com, "Jeff K."
<veetus@...> wrote:
> > I've seen these ads popping up on
sites so I can vouch Fox is putting their money where their mouth is. But for
those who haven't seen the ads yet, "the time is now". > >
href="http://www.firstshowing.net/2011/the-time-is-now-andy-serkis-rise-oscar-campaign-has-begun/">http://www.firstshowing.net/2011/the-time-is-now-andy-serkis-rise-oscar-campaign-has-begun/
>
<.html <.html
|
|
| Group: potadg |
Message: 60751 |
From: munkeyman63au |
Date: 12/6/2011 |
| Subject: Re: Serkis Oscar ads |
.html
When I look at the 'the time is now' ad that shows Caesar's face above a picture of Serkis that is obviously intended to show him 'doing the acting', apart from the same
arch of the eyebrows I see two different expressions myself. So just how great is the acting and how much is really done by computers? And there's the problem..
Neil T.
--- In PotaDG@yahoogroups.com, "Jeff K." <veetus@...> wrote:
>
> I've seen these ads popping up on sites so I can vouch Fox is putting their money where their mouth is. But for those who haven't seen the ads yet, "the time is now".
>
>
http://www.firstshowing.net/2011/the-time-is-now-andy-serkis-rise-oscar-campaign-has-begun/
> <.html
|
|
| Group: potadg |
Message: 60752 |
From: Jeff K. |
Date: 12/6/2011 |
| Subject: Re: Serkis Oscar ads |
.html
.html
An interesting thing would be if Fox could do a
version of the movie, or maybe just the best "acting" scenes, with Andy's
performance instead of Caesar. I think they do something like that in one of the
blu-ray extras. Send that out to the Oscar voters.
But I agree, it's tricky.
Sent: Tuesday, December 06, 2011 2:35 PM
Subject: [PotaDG] Re: Serkis Oscar ads
When I look at the 'the time is now' ad that shows Caesar's face above a
picture of Serkis that is obviously intended to show him 'doing the acting',
apart from the same arch of the eyebrows I see two different expressions myself.
So just how great is the acting and how much is really done by computers? And
there's the problem..
Neil T.
--- In PotaDG@yahoogroups.com, "Jeff K."
<veetus@...> wrote:
> > I've seen these ads popping up on
sites so I can vouch Fox is putting their money where their mouth is. But for
those who haven't seen the ads yet, "the time is now". > >
href="http://www.firstshowing.net/2011/the-time-is-now-andy-serkis-rise-oscar-campaign-has-begun/">http://www.firstshowing.net/2011/the-time-is-now-andy-serkis-rise-oscar-campaign-has-begun/
>
<.html <.html
|
|
| Group: potadg |
Message: 60753 |
From: Sal & Mick |
Date: 12/6/2011 |
| Subject: James' Lies |
.html.html
Says who?
If you are referring to James Aquilla’s
comment that someone of authority told him this then think again because James
and his genuinity need only a couple of well placed questions before it all
smells really fishy.
Until he offers genuine evidence please
don’t further confuse any fans with his fantasies.
Michael
From:
PotaDG@yahoogroups.com [PotaDG@yahoogroups.com] On Behalf Of Jeff K.
Sent: Wednesday, 7 December 2011
1:50 AM
To: PotaDG@yahoogroups.com
Subject: Re: [PotaDG] Re: Zira's
Lies
Agreed, even though the bomb stuff in "
Battle " was cut
simply to shorten the running time.
<.html
<.html
|
|
| Group: potadg |
Message: 60754 |
From: Sal & Mick |
Date: 12/6/2011 |
| Subject: Re: Serkis Oscar ads |
.html.html
Thanks for the link Jeff it took me to a
preview for CABIN IN THE WOODS.
That looks friggin’ great!
From:
PotaDG@yahoogroups.com [PotaDG@yahoogroups.com] On Behalf Of Jeff K.
Sent: Wednesday, 7 December 2011
6:18 AM
To: pota@yahoogroups.com;
PotaDG@yahoogroups.com
Subject: [PotaDG] Serkis Oscar ads
I've seen these ads popping up on sites so I can
vouch Fox is putting their money where their mouth is. But for those who
haven't seen the ads yet, "the time is now".
<.html
<.html
|
|
| Group: potadg |
Message: 60755 |
From: Sal & Mick |
Date: 12/6/2011 |
| Subject: Re: Serkis Oscar ads |
.html.html
It will (so they can demonstrate how hip
they are) and it has……
From:
PotaDG@yahoogroups.com [PotaDG@yahoogroups.com] On Behalf Of munkeyman63au
Sent: Wednesday, 7 December 2011
8:10 AM
To: PotaDG@yahoogroups.com
Subject: [PotaDG] Re: Serkis Oscar
ads
And if ROT POTA gets anywhere near a nomination for best picture Oscar the
world (or at least the movie industry and it's customers) really has gone
completely mad.
Neil T.
<.html
<.html
|
|
| Group: potadg |
Message: 60756 |
From: Sal & Mick |
Date: 12/6/2011 |
| Subject: Re: Serkis Oscar ads |
.html.html
ZING!
From:
PotaDG@yahoogroups.com [PotaDG@yahoogroups.com] On Behalf Of Jeff K.
Sent: Wednesday, 7 December 2011
8:26 AM
To: PotaDG@yahoogroups.com
Subject: Re: [PotaDG] Re: Serkis
Oscar ads
Not even for Best Script? : )
Sent:
Tuesday,
December 06, 2011 2:10 PM
Subject:
[PotaDG]
Re: Serkis Oscar ads
There should be no Oscar for Andy as far as I'm
concerned.
I agree with this Guardian article they quote from in their article:
"I'm inclined to think that Fox and Serkis have a point here. But that
doesn't mean I expect, or would even like to see, the actor on the best
supporting nominees list when it's announced early next year. Here's
why..."
"Apart from anything else, no one really knows how to quantify greatness
in motion-captured acting yet, mostly because the number of films which have
properly made use of the technology remains low. To put it bluntly: until we've
seen bad motion-captured acting, it's going to be very difficult to say just
how good the good stuff is. Serkis may have to accept that his career-defining
performances will only truly be recognised as the technology becomes more
commonplace, and awards bodies have a context within which to place his
acting."
And if ROT POTA gets anywhere near a nomination for best picture Oscar the
world (or at least the movie industry and it's customers) really has gone
completely mad.
Neil T.
--- In PotaDG@yahoogroups.com,
"Jeff K." <veetus@...> wrote:
>
> I've seen these ads popping up on sites so I can vouch Fox is putting
their money where their mouth is. But for those who haven't seen the ads yet,
"the time is now".
>
>
href="http://www.firstshowing.net/2011/the-time-is-now-andy-serkis-rise-oscar-campaign-has-begun/">http://www.firstshowing.net/2011/the-time-is-now-andy-serkis-rise-oscar-campaign-has-begun/
>
<.html
<.html
|
|
| Group: potadg |
Message: 60757 |
From: Sal & Mick |
Date: 12/6/2011 |
| Subject: Re: Serkis Oscar ads |
.html.html
Yeah I think great acting is more like
David Bowie playing the Elephant Man with NO makeup or SFX.
Apparently he was so convincing he didn’t
need the rest.
Now THAT’S acting…..
From:
PotaDG@yahoogroups.com [PotaDG@yahoogroups.com] On Behalf Of munkeyman63au
Sent: Wednesday, 7 December 2011
8:36 AM
To: PotaDG@yahoogroups.com
Subject: [PotaDG] Re: Serkis Oscar
ads
When I look at the 'the time is now' ad that shows
Caesar's face above a picture of Serkis that is obviously intended to show him
'doing the acting', apart from the same arch of the eyebrows I see two
different expressions myself. So just how great is the acting and how much is
really done by computers? And there's the problem..
Neil T.
--- In PotaDG@yahoogroups.com,
"Jeff K." <veetus@...> wrote:
>
> I've seen these ads popping up on sites so I can vouch Fox is putting
their money where their mouth is. But for those who haven't seen the ads yet,
"the time is now".
>
>
href="http://www.firstshowing.net/2011/the-time-is-now-andy-serkis-rise-oscar-campaign-has-begun/">http://www.firstshowing.net/2011/the-time-is-now-andy-serkis-rise-oscar-campaign-has-begun/
>
<.html
<.html
|
|
| Group: potadg |
Message: 60758 |
From: Jeff K. |
Date: 12/6/2011 |
| Subject: Re: James' Lies |
.html
.html
No, I read a comment from someone in the
production. They said something like, "If a movie is supposed to be 93 minutes,
then it has to be 93 minutes" and something has to go. I was thinking
"Cinefantastique" but that didn't cover "Battle". Maybe the Marvel
magazine.
Sent: Tuesday, December 06, 2011 3:28 PM
Subject: [PotaDG] James' Lies
Says
who?
If you are referring to
James AquillaÂ’s comment that someone of authority told him this then think again
because James and his genuinity need only a couple of well placed questions
before it all smells really fishy.
Until he offers genuine
evidence please donÂ’t further confuse any fans with his
fantasies.
Michael
From:
PotaDG@yahoogroups.com
[PotaDG@yahoogroups.com] On Behalf Of
Jeff K. Sent:
Wednesday, 7 December 2011 1:50 AM To: PotaDG@yahoogroups.com Subject: Re: [PotaDG] Re: Zira's
Lies
Agreed, even though the
bomb stuff in " Battle " was cut simply to shorten the
running time.
<.html <.html
|
|
| Group: potadg |
Message: 60759 |
From: Sal & Mick |
Date: 12/6/2011 |
| Subject: Re: James' Lies |
.html.html
Well ok now YOU are being as specific as
James is when he’s questioned! J
From:
PotaDG@yahoogroups.com [PotaDG@yahoogroups.com] On Behalf Of Jeff K.
Sent: Wednesday, 7 December 2011
10:24 AM
To: PotaDG@yahoogroups.com
Subject: Re: [PotaDG] James' Lies
No, I read a comment from someone in the
production. They said something like, "If a movie is supposed to be 93
minutes, then it has to be 93 minutes" and something has to go. I was
thinking "Cinefantastique" but that didn't cover "
Battle ". Maybe the
Marvel magazine.
Sent:
Tuesday,
December 06, 2011 3:28 PM
Subject:
[PotaDG]
James' Lies
Says who?
If you are referring to James Aquilla’s comment that
someone of authority told him this then think again because James and his
genuinity need only a couple of well placed questions before it all smells
really fishy.
Until he offers genuine evidence please don’t further
confuse any fans with his fantasies.
Michael
From: PotaDG@yahoogroups.com
[PotaDG@yahoogroups.com] On Behalf Of Jeff
K.
Sent: Wednesday, 7 December 2011
1:50 AM
To: PotaDG@yahoogroups.com
Subject: Re: [PotaDG] Re: Zira's
Lies
Agreed, even though the bomb stuff in "
Battle " was cut simply to
shorten the running time.
<.html
<.html
|
|
| Group: potadg |
Message: 60760 |
From: Jeff K. |
Date: 12/6/2011 |
| Subject: Re: Serkis Oscar ads |
.html
.html
That's the stage. You can't do that in movies.
John Hurt had to wear makeup as the Elephant Man, and got an Oscar nomination.
In fact, some are making the comparison of Serkis to Hurt, CG vs. being
unrecognizable in makeup.
Sent: Tuesday, December 06, 2011 3:37 PM
Subject: RE: [PotaDG] Re: Serkis Oscar ads
Yeah I think great
acting is more like David Bowie playing the Elephant Man with NO makeup or
SFX.
Apparently he was so
convincing he didnÂ’t need the rest.
Now THATÂ’S
actingÂ…..
From:
PotaDG@yahoogroups.com
[PotaDG@yahoogroups.com] On Behalf Of
munkeyman63au Sent:
Wednesday, 7 December 2011 8:36 AM To: PotaDG@yahoogroups.com
Subject: [PotaDG] Re: Serkis Oscar
ads
When I look
at the 'the time is now' ad that shows Caesar's face above a picture of Serkis
that is obviously intended to show him 'doing the acting', apart from the same
arch of the eyebrows I see two different expressions myself. So just how great
is the acting and how much is really done by computers? And there's the
problem..
Neil T.
--- In PotaDG@yahoogroups.com, "Jeff K."
<veetus@...> wrote:
> > I've seen these ads popping up on
sites so I can vouch Fox is putting their money where their mouth is. But for
those who haven't seen the ads yet, "the time is now".
> >
href="http://www.firstshowing.net/2011/the-time-is-now-andy-serkis-rise-oscar-campaign-has-begun/">http://www.firstshowing.net/2011/the-time-is-now-andy-serkis-rise-oscar-campaign-has-begun/
>
<.html <.html
|
|
| Group: potadg |
Message: 60761 |
From: Jeff K. |
Date: 12/6/2011 |
| Subject: Notary Republic |
.html
.html
Here's a video, I guess from the new "Rise"
blu-ray, of Terry Notary putting the apes through their paces. Notary is a movie
movement expert and I think the only continuation from POTA2001. He ran the Ape
School for that opus. So everybody unwrap their unopened POTA2001 DVDs and look
at the extras.
<.html <.html
|
|
| Group: potadg |
Message: 60762 |
From: Muppet John |
Date: 12/6/2011 |
| Subject: Re: NAMEless, GUTless...... |
.htmlI'm excited & hope to be able to say "I knew Neil when...."
--- In PotaDG@yahoogroups.com, "Sal & Mick" <smwhitty@...> wrote:
>
> Well said Drew.
>
>
>
> And thanks so much in regards to Book 2. From myself, and all others who
> hope to see Neil Foster's name on a published work of POTA (good time to
> speak up now you lot!).
>
>
>
> Many thanks yet again!
>
>
>
> Michael
>
>
>
> _____
>
> From: PotaDG@yahoogroups.com [PotaDG@yahoogroups.com
] On Behalf Of
> Blam
> Sent: Monday, 5 December 2011 10:18 AM
> To: PotaDG@yahoogroups.com
> Subject: [PotaDG] Re: NAMEless, GUTless......
>
>
>
>
>
> Michael - You are the owner of a fan group for a major licensed property -
> that kind of makes you a public figure. I have been bashed by people who
> don't get my work - and also don't seem to understand the appeal of apes as
> a franchise, and those bad reviews by bad writers are out forever on the web
> to gawk back at me.
>
> In regards to Neil on BOOK 2 - I will be ready with descriptions by February
> - the book is still being written right now. I will throw Neil an image on
> spec - at least I can do that. Then it will be up to the wolves to pull it
> apart or accept him into the pack.
>
> In summation: Haters are gonna hate, Players are gonna play, and lovers are
> gonna, well - love.
>
> Drew
>
> --- In PotaDG@yahoogroups.com <mailto:PotaDG%40yahoogroups.com> , "Sal &
> Mick" <smwhitty@> wrote:
> >
> > I'm actually quite shocked to have found this on the net.
> >
> >
> >
> > So when my kids look up my name...well, gee!
> >
> >
> >
> > I hope you can give Neil a shot - I have taken it on to try to get him a
> > published POTA comic one day and the GN would be just as good.
> >
> >
> >
> > Drew, just for the hell of it, shoot him a description and see what he
> comes
> > up with..no guarantees (understood) but really, just ask him to do
> > something. We were going to try to do something for you and submit it, but
> > it might not have been correct for the story.
> >
> >
> >
> > Worst outcome is we can probably use it for a comic cover if you don't
> need
> > it!
> >
> >
> >
> > Anyway, let me know what you think.
> >
> >
> >
> > Michael
> >
> >
> >
> > _____
> >
> > From: PotaDG@yahoogroups.com <mailto:PotaDG%40yahoogroups.com>
> [PotaDG@yahoogroups.com <mailto:PotaDG%40yahoogroups.com> ] On Behalf
> Of
> > Blam
> > Sent: Saturday, 3 December 2011 4:59 PM
> > To: PotaDG@yahoogroups.com <mailto:PotaDG%40yahoogroups.com>
> > Subject: [PotaDG] Re: NAMEless, GUTless......
> >
> >
> >
> >
> >
> > Wow - out of date posting is out of date.
> >
> > The stuff about Neil and me is out of this world. I haven't pursued
> anything
> > with Neil yet because I answer to a higher authority- or two. They are FOX
> > and ARCHAIA, and I had to concede to their wishes for established talent
> on
> > Conspiracy.
> >
> > Also, I have no quarrel with Mr. Whitty - despite him calling my cell
> phone
> > long distance from Australia to the states 2 years ago (lol).
> >
> > But even if I did, I would never hold bad feeling for one person against
> > another - its not Neil's fault that Michael doesn't know how much AT&T
> > sucks.
> >
> > FYI - to clarify, I am joking here Michael - no harm intended!
> >
> > Neil - I might be able to do something about that for DEATH (book 2). No
> > promises, but I will try...
> >
> > Love to all,
> > Drew
> >
> > --- In PotaDG@yahoogroups.com <mailto:PotaDG%40yahoogroups.com>
> <mailto:PotaDG%40yahoogroups.com> ,
> > PofTAfan@ wrote:
> > >
> > >
> > > Somebody had a hissy fit. Wow, and it wasn't me who wrote that!
> > >
> > > kevin
> > >
> > >
> > >
> > >
> > >
> > >
> > > -----Original Message-----
> > > From: jessica rotich <jessicarotich@>
> > > To: PotaDG <PotaDG@yahoogroups.com <mailto:PotaDG%40yahoogroups.com>
> <mailto:PotaDG%40yahoogroups.com> >
> > > Sent: Fri, Nov 25, 2011 1:06 pm
> > > Subject: Re: [PotaDG] NAMEless, GUTless......
> > >
> > >
> > >
> > >
> > >
> > > Wow. Anyway, whatever...
> > >
> > > Jess.
> > >
> > >
> > > On Fri, Nov 25, 2011 at 8:02 AM, Jeff K. <veetus@> wrote:
> > >
> > >
> > >
> > >
> > >
> > >
> > > I guess it wasn't very successful if you didn't find out about it until
> > now. It was posted April 2010.
> > >
> > >
> > >
> > >
> > > From: Sal & Mick
> > > Sent: Friday, November 25, 2011 5:31 AM
> > > To: PotaDG@yahoogroups.com <mailto:PotaDG%40yahoogroups.com>
> <mailto:PotaDG%40yahoogroups.com>
> > > Subject: [PotaDG] NAMEless, GUTless......
> > >
> > >
> > >
> > >
> > >
> > >
> > >
> > > This is kind of hilarious:
> > >
> > >
> >
> http://warnerkern.blogspot.com/2010/04/planet-of-apes-discussion-group.html"
> > >
> > > Anyone got the balls to own up to it?
> > >
> > > Michael
> > >
> >
> <.html
|
|
| Group: potadg |
Message: 60763 |
From: Jeff K. |
Date: 12/6/2011 |
| Subject: Robin Williams digs Caesar |
.html
.html
Robin Williams knows
a thing or two about and creating characters (sometimes several in the span of a
few seconds). And he liked what Andy Serkis wrought with Caesar. He's also got a
vote in the Academy's acting branch (he's won an Oscar for Best
Supporting Actor himself). Here's what he had to say:
"(On "Jumanji") one of the hardest
(computer) programs to write was the monkey because of the hair and I am going,
"Wow, I'll be working for awhile (before being replaced by CG)"...(Caesar is)
one of the most vivid characters I've seen in film in recent history, and it's
done with CG but with a person behind it, driving it, which is a wonderful
combination of technology and humanity. Even though it's an ape, (Serkis) gives
it such depth and it's just powerful. That thing Coppola said years ago at the
Academy Awards - "the technology will always need great storytelling to work
together" - that's happening and it is driven by directors who know the
technology... and I am just in awe. I just become a child sometimes watching
these movies".
<.html <.html
|
|
| Group: potadg |
Message: 60764 |
From: Neil Moxham |
Date: 12/7/2011 |
| Subject: Re: NAMEless, GUTless...... |
.html
Aswell as his skills, Neil knows the mythology inside-out, which has got to be another bonus for a project like this which has so much attention to details.
--- In PotaDG@yahoogroups.com, "Sal & Mick" <smwhitty@...> wrote:
>
> Well said Drew.
>
>
>
> And thanks so much in regards to Book 2. From myself, and all others who
> hope to see Neil Foster's name on a published work of POTA (good time to
> speak up now you lot!).
>
>
>
> Many thanks yet again!
>
>
>
> Michael
>
>
>
> _____
>
> From: PotaDG@yahoogroups.com [PotaDG@yahoogroups.com
] On Behalf Of
> Blam
> Sent: Monday, 5 December 2011 10:18 AM
> To: PotaDG@yahoogroups.com
> Subject: [PotaDG] Re: NAMEless, GUTless......
>
>
>
>
>
> Michael - You are the owner of a fan group for a major licensed property -
> that kind of makes you a public figure. I have been bashed by people who
> don't get my work - and also don't seem to understand the appeal of apes as
> a franchise, and those bad reviews by bad writers are out forever on the web
> to gawk back at me.
>
> In regards to Neil on BOOK 2 - I will be ready with descriptions by February
> - the book is still being written right now. I will throw Neil an image on
> spec - at least I can do that. Then it will be up to the wolves to pull it
> apart or accept him into the pack.
>
> In summation: Haters are gonna hate, Players are gonna play, and lovers are
> gonna, well - love.
>
> Drew
>
> --- In PotaDG@yahoogroups.com <mailto:PotaDG%40yahoogroups.com> , "Sal &
> Mick" <smwhitty@> wrote:
> >
> > I'm actually quite shocked to have found this on the net.
> >
> >
> >
> > So when my kids look up my name...well, gee!
> >
> >
> >
> > I hope you can give Neil a shot - I have taken it on to try to get him a
> > published POTA comic one day and the GN would be just as good.
> >
> >
> >
> > Drew, just for the hell of it, shoot him a description and see what he
> comes
> > up with..no guarantees (understood) but really, just ask him to do
> > something. We were going to try to do something for you and submit it, but
> > it might not have been correct for the story.
> >
> >
> >
> > Worst outcome is we can probably use it for a comic cover if you don't
> need
> > it!
> >
> >
> >
> > Anyway, let me know what you think.
> >
> >
> >
> > Michael
> >
> >
> >
> > _____
> >
> > From: PotaDG@yahoogroups.com <mailto:PotaDG%40yahoogroups.com>
> [PotaDG@yahoogroups.com <mailto:PotaDG%40yahoogroups.com> ] On Behalf
> Of
> > Blam
> > Sent: Saturday, 3 December 2011 4:59 PM
> > To: PotaDG@yahoogroups.com <mailto:PotaDG%40yahoogroups.com>
> > Subject: [PotaDG] Re: NAMEless, GUTless......
> >
> >
> >
> >
> >
> > Wow - out of date posting is out of date.
> >
> > The stuff about Neil and me is out of this world. I haven't pursued
> anything
> > with Neil yet because I answer to a higher authority- or two. They are FOX
> > and ARCHAIA, and I had to concede to their wishes for established talent
> on
> > Conspiracy.
> >
> > Also, I have no quarrel with Mr. Whitty - despite him calling my cell
> phone
> > long distance from Australia to the states 2 years ago (lol).
> >
> > But even if I did, I would never hold bad feeling for one person against
> > another - its not Neil's fault that Michael doesn't know how much AT&T
> > sucks.
> >
> > FYI - to clarify, I am joking here Michael - no harm intended!
> >
> > Neil - I might be able to do something about that for DEATH (book 2). No
> > promises, but I will try...
> >
> > Love to all,
> > Drew
> >
> > --- In PotaDG@yahoogroups.com <mailto:PotaDG%40yahoogroups.com>
> <mailto:PotaDG%40yahoogroups.com> ,
> > PofTAfan@ wrote:
> > >
> > >
> > > Somebody had a hissy fit. Wow, and it wasn't me who wrote that!
> > >
> > > kevin
> > >
> > >
> > >
> > >
> > >
> > >
> > > -----Original Message-----
> > > From: jessica rotich <jessicarotich@>
> > > To: PotaDG <PotaDG@yahoogroups.com <mailto:PotaDG%40yahoogroups.com>
> <mailto:PotaDG%40yahoogroups.com> >
> > > Sent: Fri, Nov 25, 2011 1:06 pm
> > > Subject: Re: [PotaDG] NAMEless, GUTless......
> > >
> > >
> > >
> > >
> > >
> > > Wow. Anyway, whatever...
> > >
> > > Jess.
> > >
> > >
> > > On Fri, Nov 25, 2011 at 8:02 AM, Jeff K. <veetus@> wrote:
> > >
> > >
> > >
> > >
> > >
> > >
> > > I guess it wasn't very successful if you didn't find out about it until
> > now. It was posted April 2010.
> > >
> > >
> > >
> > >
> > > From: Sal & Mick
> > > Sent: Friday, November 25, 2011 5:31 AM
> > > To: PotaDG@yahoogroups.com <mailto:PotaDG%40yahoogroups.com>
> <mailto:PotaDG%40yahoogroups.com>
> > > Subject: [PotaDG] NAMEless, GUTless......
> > >
> > >
> > >
> > >
> > >
> > >
> > >
> > > This is kind of hilarious:
> > >
> > >
> >
> http://warnerkern.blogspot.com/2010/04/planet-of-apes-discussion-group.html"
> > >
> > > Anyone got the balls to own up to it?
> > >
> > > Michael
> > >
> >
> <.html
|
|
| Group: potadg |
Message: 60765 |
From: Jeff K. |
Date: 12/7/2011 |
| Subject: Dec. 12th: Potter's Field will "Rise" in London |
.html
.html
Potter's Field in London will become an "ape
playground" on Dec. 12th to celebrate the DVD release of "Rise" and to
celebrate, well, exercise and good health.
<.html <.html
|
|
| Group: potadg |
Message: 60766 |
From: Jeff K. |
Date: 12/7/2011 |
| Subject: "Rise" writers |
.html
.html
Here's an interview with the Rick Jaffa and
Amanda Silver, the writers of "Rise of the POTA", done by the website The
Forbidden Zone (remember them?). It was done around the time the movie was
released and deals with their own POTA fandom, some of the earlier drafts and
how they had to streamline things to keep it on Caesar's journey (the movie
industry edict to "keep it moving, keep it moving" is the reason for those
curious deleted scenes). They also talk about the references to the earlier
movies and how it was actually Fox exec Tom Rothman who pushed for that (whether
that stuff worked or not, it's obvious they were trying to do right by the fans,
especially after the Burton flick; Amanda says, "We really had one eye on the
fans at all times"). It's a good interview I missed the first time
around.
And I guess they will do a live interview Friday
for this site as the blu-ray prepares to hit. Maybe we'll get some news on the
sequel.
<.html <.html
|
|
| Group: potadg |
Message: 60767 |
From: Jeff K. |
Date: 12/7/2011 |
| Subject: "Rise" writers Q & A on Friday 12/9 |
.html
.html
Correction. Rick Jaffa and Amanda Silver will be
doing a Q & A after a "Rise" screening in Los Angeles.
<.html <.html
|
|
| Group: potadg |
Message: 60768 |
From: Jeff K. |
Date: 12/7/2011 |
| Subject: "Rise" blu-ray review |
.html
.html
Some good pics in this review. Some of you should
be able to pick this up now, right (Dec. 7)?
<.html <.html
|
|
| Group: potadg |
Message: 60769 |
From: Jeff K. |
Date: 12/9/2011 |
| Subject: Finally, some "Rise" action figures! |
.html
.html
Finally, some "Rise" action figures!
<.html <.html
|
|
| Group: potadg |
Message: 60770 |
From: Jeff K. |
Date: 12/9/2011 |
| Subject: "Rise" of the Top 10 lists |
.html
.html
The critics' Top 10 lists are starting to surface
and "Rise" is making a showing. David Denby of the New Yorker put it in his Top
10 and now Anne Thompson has put it in her Top 5:
10. Take Shelter
9. Win Win
8. Jane Eyre
7. A Dangerous
Method
6. The Devil
5. Rise of the
POTA
4. The Descendants
3. Melancholia
2. Weekend
1. Pina
She also says she thinks Serkis deserves a
nomination but it probably won't happen. Here's her podcast for those who dig
movie discussion:
<.html <.html
|
|
| Group: potadg |
Message: 60771 |
From: Tim "apefan" |
Date: 12/9/2011 |
| Subject: Re: Return Soundtrack |
.html.html
Neil, this is awesome! THanks so much for doing this! I'm sure it was a helluva job.....
can't wait to print out the cover and add it to my Apes CD's!! Tim
From: Neil Moxham <neilmoxham@...>
To: PotaDG@yahoogroups.com Sent: Sunday, December 4, 2011 2:59 PM Subject:
[PotaDG] Return Soundtrack
Didn't come out as well as I would've hoped, as it was hard to find any passages longer than 20 to 30 seconds without voiceovers/sound effects. Even though I'm not much of a soundtrack fan, there's
some nice music in the series and I think I'd enjoy a proper CD of this more than some of the other POTA soundtracks. I had fun putting together the 'genuine fake' LP cover though - wonder if it'll fool
anyone...
http://rockroots.wordpress.com/2011/12/04/return-to-the-planet-of-the-apes/
<.html <.html
|
|
| Group: potadg |
Message: 60772 |
From: mlccougar@aol.com |
Date: 12/9/2011 |
| Subject: TERROR reprints from BOOM! |
| Group: potadg |
Message: 60773 |
From: PotaDG@yahoogroups.com |
Date: 12/9/2011 |
| Subject: Birthday Reminder |
| Group: potadg |
Message: 60774 |
From: Sal & Mick |
Date: 12/10/2011 |
| Subject: Re: TERROR reprints from BOOM! |
.html.html
Thanks Mike.
It would be nice if they got Moench and
Ploog to get together and tie it up!
Michael
From:
PotaDG@yahoogroups.com [PotaDG@yahoogroups.com] On Behalf Of mlccougar@...
Sent: Saturday, 10 December 2011
2:25 PM
To: PotaDG@yahoogroups.com
Subject: [PotaDG] TERROR reprints
from BOOM!
<.html
<.html
|
|
| Group: potadg |
Message: 60775 |
From: Neil Moxham |
Date: 12/10/2011 |
| Subject: Re: Return Soundtrack |
.htmlThanks Tim. Yeah, I don't want to see another stinking cartoon ape for a long time!
--- In PotaDG@yahoogroups.com, "Tim \"apefan\"" <apefan23@...> wrote:
>
> Neil, this is awesome! THanks so much for doing this! I'm sure it was a helluva job.....
> can't wait to print out the cover and add it to my Apes CD's!!
> Tim
>
>
>
>
<.html
|
|
| Group: potadg |
Message: 60776 |
From: Jeff K. |
Date: 12/10/2011 |
| Subject: "Rise" writers Q & A |
.html
.html
Last night I went to Jeff Goldsmith's screening of
"Rise" followed by an Q & A with the writers Rick Jaffa and Amanda Silver.
Jeff does these screenings often and then podcasts the Q & As. So you'll be
able to hear and this one was a doozy. Goldsmith does marathon Q & As. But I
did ask about "Rise 2" coming out in 2013 and mentioned it's the 50th
anniversary of Boulle's book. Rick joked "Please don't tell the studio" and then
admitted it would be "take a lot of work" but would be cool if it could be
released that year. Of course there are a lot of variables whether it will or
not and they are currently just trying to get the script done. Which can be a
mountain in itself as the evening detailed their 5 year odyssey of writing
"Rise" (they were fired 3 times). Also, during a question about the oddity
of "Rise" being a POTA movie where the apes don't talk, Amanda said one of the
big questions for the sequel was whether they will talk (she wouldn't tell
us).
The evening was totally supported by Fox which
provided the blu-ray that was shown on a big movie screen (looked great) and
Jeff was able to watch the extras to provide more questions (besides being a big
Apes fan himself). Fox also provided us with blu-ray posters, which Rick and
Amanda patiently signed. I was also able to grab the 12/8/11 Daily Variety with
the hologram Andy Serkis on the cover from a local newsstand.
About half the audience hadn't seen "Rise" either
so that was fun. The lady next to me kept reacting vocally to the movie and
admitted later she almost had to leave the theater when Caesar was busted and
sent to the ape place, she was so wound up emotionally. Other than that I'll let
the podcast speak for itself when it hits. <.html <.html
|
|
| Group: potadg |
Message: 60777 |
From: Sal & Mick |
Date: 12/10/2011 |
| Subject: Re: "Rise" writers Q & A |
.html.html
Sounds like you had a great time Jeff.
Thanks for the update…
Michael
From:
PotaDG@yahoogroups.com [PotaDG@yahoogroups.com] On Behalf Of Jeff K.
Sent: Sunday, 11 December 2011
5:12 AM
To: pota@yahoogroups.com;
PotaDG@yahoogroups.com
Subject: [PotaDG] "Rise"
writers Q & A
Last night I went to Jeff Goldsmith's screening of
"Rise" followed by an Q & A with the writers Rick Jaffa and
Amanda Silver. Jeff does these screenings often and then podcasts the Q &
As. So you'll be able to hear and this one was a doozy. Goldsmith does marathon
Q & As. But I did ask about "Rise 2" coming out in 2013 and
mentioned it's the 50th anniversary of Boulle's book. Rick joked "Please
don't tell the studio" and then admitted it would be "take a lot of
work" but would be cool if it could be released that year. Of course there
are a lot of variables whether it will or not and they are currently just
trying to get the script done. Which can be a mountain in itself as the evening
detailed their 5 year odyssey of writing "Rise" (they were fired 3
times). Also, during a question about the oddity of "Rise" being
a POTA movie where the apes don't talk, Amanda said one of the big questions
for the sequel was whether they will talk (she wouldn't tell us).
The evening was totally supported by Fox which
provided the blu-ray that was shown on a big movie screen (looked great) and
Jeff was able to watch the extras to provide more questions (besides being a
big Apes fan himself). Fox also provided us with blu-ray posters, which Rick
and Amanda patiently signed. I was also able to grab the 12/8/11 Daily Variety
with the hologram Andy Serkis on the cover from a local newsstand.
About half the audience hadn't seen
"Rise" either so that was fun. The lady next to me kept reacting
vocally to the movie and admitted later she almost had to leave the theater
when Caesar was busted and sent to the ape place, she was so wound up emotionally.
Other than that I'll let the podcast speak for itself when it hits.
<.html
<.html
|
|
| Group: potadg |
Message: 60778 |
From: jessica rotich |
Date: 12/10/2011 |
| Subject: Re: "Rise" writers Q & A |
.htmlFunny about that lady's reaction. :) Jess.
On Sat, Dec 10, 2011 at 11:20 AM, Sal & Mick <smwhitty@...> wrote:
Sounds like you had a great time Jeff.
Thanks for the update…
Michael
From:
PotaDG@yahoogroups.com [PotaDG@yahoogroups.com]
On Behalf Of Jeff K.
Sent: Sunday, 11 December 2011
5:12 AM
To: pota@yahoogroups.com;
PotaDG@yahoogroups.com
Subject: [PotaDG] "Rise"
writers Q & A
Last night I went to Jeff Goldsmith's screening of
"Rise" followed by an Q & A with the writers Rick Jaffa and
Amanda Silver. Jeff does these screenings often and then podcasts the Q &
As. So you'll be able to hear and this one was a doozy. Goldsmith does marathon
Q & As. But I did ask about "Rise 2" coming out in 2013 and
mentioned it's the 50th anniversary of Boulle's book. Rick joked "Please
don't tell the studio" and then admitted it would be "take a lot of
work" but would be cool if it could be released that year. Of course there
are a lot of variables whether it will or not and they are currently just
trying to get the script done. Which can be a mountain in itself as the evening
detailed their 5 year odyssey of writing "Rise" (they were fired 3
times). Also, during a question about the oddity of "Rise" being
a POTA movie where the apes don't talk, Amanda said one of the big questions
for the sequel was whether they will talk (she wouldn't tell us).
The evening was totally supported by Fox which
provided the blu-ray that was shown on a big movie screen (looked great) and
Jeff was able to watch the extras to provide more questions (besides being a
big Apes fan himself). Fox also provided us with blu-ray posters, which Rick
and Amanda patiently signed. I was also able to grab the 12/8/11 Daily Variety
with the hologram Andy Serkis on the cover from a local newsstand.
About half the audience hadn't seen
"Rise" either so that was fun. The lady next to me kept reacting
vocally to the movie and admitted later she almost had to leave the theater
when Caesar was busted and sent to the ape place, she was so wound up emotionally.
Other than that I'll let the podcast speak for itself when it hits.
<.html
|
|
| Group: potadg |
Message: 60779 |
From: Jeff K. |
Date: 12/10/2011 |
| Subject: Re: "Rise" writers Q & A |
.html
.html
Yeah, it was good especially since Jeff knows his
"Apes". One thing he mentioned was that Caesar's symbol (the window) looks like
the warning in the Forbidden Zone in the original. I don't know what he means by
that.
Sent: Saturday, December 10, 2011 11:20 AM
Subject: RE: [PotaDG] "Rise" writers Q & A
Sounds like you had a
great time Jeff.
Thanks for the
updateÂ…
Michael
From:
PotaDG@yahoogroups.com
[PotaDG@yahoogroups.com] On Behalf Of
Jeff K. Sent:
Sunday, 11 December 2011 5:12 AM To: pota@yahoogroups.com;
PotaDG@yahoogroups.com Subject: [PotaDG] "Rise" writers Q &
A
Last night I went to Jeff
Goldsmith's screening of "Rise" followed by an Q & A with the writers Rick
Jaffa and Amanda Silver. Jeff does these screenings often and then podcasts the
Q & As. So you'll be able to hear and this one was a doozy. Goldsmith does
marathon Q & As. But I did ask about "Rise 2" coming out in 2013 and
mentioned it's the 50th anniversary of Boulle's book. Rick joked "Please don't
tell the studio" and then admitted it would be "take a lot of work" but would be
cool if it could be released that year. Of course there are a lot of variables
whether it will or not and they are currently just trying to get the script
done. Which can be a mountain in itself as the evening detailed their 5 year
odyssey of writing "Rise" (they were fired 3 times). Also, during a
question about the oddity of "Rise" being a POTA movie where the apes don't
talk, Amanda said one of the big questions for the sequel was whether they will
talk (she wouldn't tell us).
The evening was totally
supported by Fox which provided the blu-ray that was shown on a big movie screen
(looked great) and Jeff was able to watch the extras to provide more questions
(besides being a big Apes fan himself). Fox also provided us with blu-ray
posters, which Rick and Amanda patiently signed. I was also able to grab the
12/8/11 Daily Variety with the hologram Andy Serkis on the cover from a local
newsstand.
About half the audience
hadn't seen "Rise" either so that was fun. The lady next to me kept reacting
vocally to the movie and admitted later she almost had to leave the theater when
Caesar was busted and sent to the ape place, she was so wound up emotionally.
Other than that I'll let the podcast speak for itself when it
hits.
<.html <.html
|
|
| Group: potadg |
Message: 60780 |
From: Jeff K. |
Date: 12/10/2011 |
| Subject: Q & A pic |
.html
.html
Fox is twittering pics from the Q & A. That's
me behind Amanda (if the link works):
<.html <.html
|
|
| Group: potadg |
Message: 60781 |
From: Jeff K. |
Date: 12/10/2011 |
| Subject: Q & A pics |
.html
.html
Well, I can't get Twitter to link. Someone is
also painting a POTA mural in Hollywood.
<.html <.html
|
|
| Group: potadg |
Message: 60782 |
From: jessica rotich |
Date: 12/10/2011 |
| Subject: Re: "Rise" writers Q & A |
.html
I found this photo from Conquest, and thought it looked similar to the window...but I could be reaching. Jess.
On Sat, Dec 10, 2011 at 12:28 PM, Jeff K. <veetus@...> wrote:
Yeah, it was good especially since Jeff knows his
"Apes". One thing he mentioned was that Caesar's symbol (the window) looks like
the warning in the Forbidden Zone in the original. I don't know what he means by
that.
Sent: Saturday, December 10, 2011 11:20 AM
Subject: RE: [PotaDG] "Rise" writers Q & A
Sounds like you had a
great time Jeff.
Thanks for the
update…
Michael
From:
PotaDG@yahoogroups.com
[PotaDG@yahoogroups.com] On Behalf Of
Jeff K. Sent:
Sunday, 11 December 2011 5:12 AM To: pota@yahoogroups.com;
PotaDG@yahoogroups.com
Subject: [PotaDG] "Rise" writers Q &
A
Last night I went to Jeff
Goldsmith's screening of "Rise" followed by an Q & A with the writers Rick
Jaffa and Amanda Silver. Jeff does these screenings often and then podcasts the
Q & As. So you'll be able to hear and this one was a doozy. Goldsmith does
marathon Q & As. But I did ask about "Rise 2" coming out in 2013 and
mentioned it's the 50th anniversary of Boulle's book. Rick joked "Please don't
tell the studio" and then admitted it would be "take a lot of work" but would be
cool if it could be released that year. Of course there are a lot of variables
whether it will or not and they are currently just trying to get the script
done. Which can be a mountain in itself as the evening detailed their 5 year
odyssey of writing "Rise" (they were fired 3 times). Also, during a
question about the oddity of "Rise" being a POTA movie where the apes don't
talk, Amanda said one of the big questions for the sequel was whether they will
talk (she wouldn't tell us).
The evening was totally
supported by Fox which provided the blu-ray that was shown on a big movie screen
(looked great) and Jeff was able to watch the extras to provide more questions
(besides being a big Apes fan himself). Fox also provided us with blu-ray
posters, which Rick and Amanda patiently signed. I was also able to grab the
12/8/11 Daily Variety with the hologram Andy Serkis on the cover from a local
newsstand.
About half the audience
hadn't seen "Rise" either so that was fun. The lady next to me kept reacting
vocally to the movie and admitted later she almost had to leave the theater when
Caesar was busted and sent to the ape place, she was so wound up emotionally.
Other than that I'll let the podcast speak for itself when it
hits.
<.html
|
|
|
|
| Group: potadg |
Message: 60783 |
From: munkeyman63au |
Date: 12/10/2011 |
| Subject: Rise review with a difference |
| Group: potadg |
Message: 60784 |
From: munkeyman63au |
Date: 12/10/2011 |
| Subject: Re: "Rise" writers Q & A |
.html
Maybe he means one of the scarecrows tipped over a bit? I can't think of any other symbols in the FZ.
And it looks like someone has already been making money off of it:
http://www.etsy.com/listing/80500881/caesars-window-rise-of-the-planet-of-the
Neil T.
--- In PotaDG@yahoogroups.com, "Jeff K." <veetus@...> wrote:
>he mentioned was that Caesar's symbol (the window) looks like the warning in the Forbidden Zone in the original. I don't know what he means by that. <.html
|
|
| Group: potadg |
Message: 60785 |
From: Sal & Mick |
Date: 12/10/2011 |
| Subject: Re: "Rise" writers Q & A |
.html.html
Oh now you’ve gone and ruined your
Xmas present Neil!
From:
PotaDG@yahoogroups.com [PotaDG@yahoogroups.com] On Behalf Of munkeyman63au
Sent: Sunday, 11 December 2011
10:08 AM
To: PotaDG@yahoogroups.com
Subject: [PotaDG] Re:
"Rise" writers Q & A
<.html
<.html
|
|
| Group: potadg |
Message: 60786 |
From: munkeyman63au |
Date: 12/10/2011 |
| Subject: Re: "Rise" writers Q & A |
.html
And here I was thinking you were getting me the Rise DVD and some Clockwork Orange eye clamps so I would have to sit and watch it endlessly until I finally started to like it! ;-)
Neil T.
--- In PotaDG@yahoogroups.com, "Sal & Mick" <smwhitty@...> wrote:
>
> Oh now you've gone and ruined your Xmas present Neil!
>
>
>
> _____
>
> From: PotaDG@yahoogroups.com [PotaDG@yahoogroups.com
] On Behalf Of
> munkeyman63au
> Sent: Sunday, 11 December 2011 10:08 AM
> To: PotaDG@yahoogroups.com
> Subject: [PotaDG] Re: "Rise" writers Q & A
>
>
>
>
>
> Maybe he means one of the scarecrows tipped over a bit? I can't think of any
> other symbols in the FZ.
>
> And it looks like someone has already been making money off of it:
> http://www.etsy.com/listing/80500881/caesars-window-rise-of-the-planet-of-th
> e
>
> Neil T.
>
>
> --- In PotaDG@yahoogroups.com <mailto:PotaDG%40yahoogroups.com> , "Jeff K."
> <veetus@> wrote:
> >he mentioned was that Caesar's symbol (the window) looks like the warning
> in the Forbidden Zone in the original. I don't know what he means by that.
> <.html
|
|
| Group: potadg |
Message: 60787 |
From: Jeff K. |
Date: 12/10/2011 |
| Subject: Re: "Rise" writers Q & A |
.html
.html
You got him one too?! >: (
Sent: Saturday, December 10, 2011 4:13 PM
Subject: RE: [PotaDG] Re: "Rise" writers Q & A
Oh now youÂ’ve gone and
ruined your Xmas present Neil!
From:
PotaDG@yahoogroups.com
[PotaDG@yahoogroups.com] On Behalf Of
munkeyman63au Sent:
Sunday, 11 December 2011 10:08 AM To: PotaDG@yahoogroups.com
Subject: [PotaDG] Re: "Rise" writers Q
& A
<.html <.html
|
|
| Group: potadg |
Message: 60788 |
From: Jeff K. |
Date: 12/10/2011 |
| Subject: Re: "Rise" writers Q & A [1 Attachment] |
.html
.html
Good pic. I like the peace sign. I think the
extra "The Mythology of the Apes" will run down all the references.
Sent: Saturday, December 10, 2011 1:59 PM
Subject: Re: [PotaDG] "Rise" writers Q & A [1
Attachment]
I found this photo from Conquest, and thought it looked similar to the
window...but I could be reaching.
Jess.
On Sat, Dec 10, 2011 at 12:28 PM, Jeff K. <veetus@...>
wrote:
Yeah, it was good especially since Jeff knows
his "Apes". One thing he mentioned was that Caesar's symbol (the window) looks
like the warning in the Forbidden Zone in the original. I don't know what he
means by that.
Sent: Saturday, December 10, 2011 11:20 AM
Subject: RE: [PotaDG] "Rise" writers Q & A
Sounds like you had a
great time Jeff.
Thanks for the
update…
Michael
From:
PotaDG@yahoogroups.com
[PotaDG@yahoogroups.com] On Behalf Of Jeff K. Sent:
Sunday, 11 December 2011 5:12
AM To: pota@yahoogroups.com;
PotaDG@yahoogroups.com Subject: [PotaDG] "Rise" writers Q &
A
Last night I went to Jeff
Goldsmith's screening of "Rise" followed by an Q & A with the writers Rick
Jaffa and Amanda Silver. Jeff does these screenings often and then podcasts
the Q & As. So you'll be able to hear and this one was a doozy. Goldsmith
does marathon Q & As. But I did ask about "Rise 2" coming out in 2013 and
mentioned it's the 50th anniversary of Boulle's book. Rick joked "Please don't
tell the studio" and then admitted it would be "take a lot of work" but would
be cool if it could be released that year. Of course there are a lot of
variables whether it will or not and they are currently just trying to get the
script done. Which can be a mountain in itself as the evening detailed their 5
year odyssey of writing "Rise" (they were fired 3 times). Also, during a
question about the oddity of "Rise" being a POTA movie where the apes don't
talk, Amanda said one of the big questions for the sequel was whether they
will talk (she wouldn't tell us).
The evening was totally
supported by Fox which provided the blu-ray that was shown on a big movie
screen (looked great) and Jeff was able to watch the extras to provide more
questions (besides being a big Apes fan himself). Fox also provided us with
blu-ray posters, which Rick and Amanda patiently signed. I was also able to
grab the 12/8/11 Daily Variety with the hologram Andy Serkis on the cover from
a local newsstand.
About half the audience
hadn't seen "Rise" either so that was fun. The lady next to me kept reacting
vocally to the movie and admitted later she almost had to leave the theater
when Caesar was busted and sent to the ape place, she was so wound up
emotionally. Other than that I'll let the podcast speak for itself when it
hits.
<.html
<.html
|
|
| Group: potadg |
Message: 60789 |
From: Jeff K. |
Date: 12/11/2011 |
| Subject: another nomination for Andy |
.html
.html
The Houston film critics gave Andy Serkis a best
supporting actor nomination, the only "Rise" mention in a big day of awarding.
That makes 2; if he gets 4 more you won't be able to count the number of
nominations he got on one hand.
The Los Angeles film critics, Boston film critics,
New York online critics and San Francisco film critics all announced today.
Looks like Christopher Plumber ("Beginners") and especially Albert Brooks
("Drive") are the frontrunners for "that" category.
Also the AFI did their Top Ten of the Year, with
some surprising choices ("Bridesmaids"?) but nothing for "Rise". That's OK. I
did my research and found they didn't pick "District 9", the "Rise" awards role
model, either but it still got a Best Picture nom.
Meanwhile, the apetastic doc "Project Nim" is
turning into a player. "Rise" and "Nim" would make a nice duo come Oscar
time.
<.html <.html
|
|
| Group: potadg |
Message: 60790 |
From: Jeff K. |
Date: 12/12/2011 |
| Subject: And the mural of the story is... |
.html
.html
Here's that freshly painted "Rise" mural in
Hollywood.
<.html <.html
|
|
| Group: potadg |
Message: 60791 |
From: Jeff K. |
Date: 12/12/2011 |
| Subject: blu-ray fever |
.html
.html
Here's a review of the "Rise" blu-ray with a
generous helping of screen captures.
And... it's here!
<.html <.html
|
|
| Group: potadg |
Message: 60792 |
From: PotaDG@yahoogroups.com |
Date: 12/12/2011 |
| Subject: Birthday Reminder |
| Group: potadg |
Message: 60793 |
From: Jeff K. |
Date: 12/13/2011 |
| Subject: 3 Critics' Choice noms for "Rise" |
.html
.html
"Rise of the POTA" got 3 nominations for the
(Broadcast) Critics' Choice Movie Awards, which air on VH1 Jan. 12th. Andy
Serkis is up for Best Supporting Actor, and it also got Best FX and Best Action
Movie nods.
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| Group: potadg |
Message: 60794 |
From: Jeff K. |
Date: 12/13/2011 |
| Subject: "Rise" writers q & a |
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As if there's not enough Apeness going on today,
you might want to take a break from listening to Rick Jaffa and Amanda Silver's
DVD commentary and listen to their long ass q & a from Friday, which is up
now.
If you like what you hear, Jeff Goldsmith has his
other q & as (aes?) up for movie fans.
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| Group: potadg |
Message: 60795 |
From: Sal & Mick |
Date: 12/13/2011 |
| Subject: Re: "Rise" writers q & a |
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“q&a”s
From:
PotaDG@yahoogroups.com [PotaDG@yahoogroups.com] On Behalf Of Jeff K.
Sent: Wednesday, 14 December 2011
8:07 AM
To: pota@yahoogroups.com;
PotaDG@yahoogroups.com
Subject: [PotaDG] "Rise"
writers q & a
As if there's not enough Apeness going on today,
you might want to take a break from listening to Rick Jaffa and Amanda Silver's
DVD commentary and listen to their long ass q & a from Friday, which is up
now.
If you like what you hear, Jeff Goldsmith has his
other q & as (aes?) up for movie fans.
<.html
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| Group: potadg |
Message: 60796 |
From: Sal & Mick |
Date: 12/13/2011 |
| Subject: Re: "Rise" writers q & a |
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Or probably more like “q”s &
“a”s…..
From:
PotaDG@yahoogroups.com [PotaDG@yahoogroups.com] On Behalf Of Sal & Mick
Sent: Wednesday, 14 December 2011
8:11 AM
To: PotaDG@yahoogroups.com
Subject: RE: [PotaDG]
"Rise" writers q & a
“q&a”s
From: PotaDG@yahoogroups.com
[PotaDG@yahoogroups.com] On Behalf Of Jeff
K.
Sent: Wednesday, 14 December 2011
8:07 AM
To: pota@yahoogroups.com;
PotaDG@yahoogroups.com
Subject: [PotaDG] "Rise"
writers q & a
As
if there's not enough Apeness going on today, you might want to take a break
from listening to Rick Jaffa and Amanda Silver's DVD commentary and listen to
their long ass q & a from Friday, which is up now.
If
you like what you hear, Jeff Goldsmith has his other q & as (aes?) up for
movie fans.
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| Group: potadg |
Message: 60797 |
From: Dario |
Date: 12/13/2011 |
| Subject: Rise deleted scenes |
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Well by now I'm sure all of you have bought your Rise of the Planet of the Apes Blu-Rays/DVDs and have watched not only the movie but the deleted scenes. Did everyone spot yet another
POTA hommage in the deleted scenes? A nice one I thought.
Unfortunately the deleted scenes did not really add to any significant changes to the movie as I had hoped. I hoped that there would be more to the Cornelia relationship. As far as I can tell, most of the deleted scenes
were indeed just clutter and deservedly cut.
I was hoping that there was a more sanguine 'Director's cut' in the future. oh well.
Dario
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| Group: potadg |
Message: 60798 |
From: Jeff K. |
Date: 12/13/2011 |
| Subject: blu-ray deleted scenes |
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The deleted scenes on the blu-ray are a
mixed bag. There's still no sign of stuff that was glimpsed in the trailers,
like the Cornelia stuff, or Caesar blowing up the lab, or the little girl
waving. Or the original finale of Franco getting killed. If Franco decides
not to come back they could probably use that to open the sequel. But it doesn't
seem they put all the deleted scenes on here.
Obviously they only had time and money to
complete the stuff they needed to finish the movie. So the deleted scenes are
mostly the ape actors sans CG. No prob. Mostly the scenes aren't needed. Some of
them are Caesar as a child and as far as I'm concerned, the less with Caesar as
a child the better. Also a scene with the Rodney character. Rodney works best in
small doses too. Though it's kind of cool that Caesar is strapped down in that
scene. Reminds me of Caesar on the shock table in "Conquest". Would've liked to
have seen the final CG on that. But not necessary. A little too much
cookie.
The two scenes I dig involve Koba. In one he
gives Jacobs a taste of his own medicine (literally). But I think it would've
been a little too similar to Koba pushing the helicopter over. But it's too bad
they didn't include the scene where Koba examines a gun. Put it at the end after
all the credits. Would've rocked.
I have a feeling they're holding stuff back,
maybe for a "director's cut" or new blu-ray when the sequel comes out. Maybe
they can finish these deleted scenes for that. <.html <.html
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| Group: potadg |
Message: 60799 |
From: Jeff K. |
Date: 12/14/2011 |
| Subject: "Koba with Shotgun" |
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I tried it, it works. After the end credits, flip
immediately to this deleted scene. It starts with the neighbor's plane flying
overhead and then the first ape uses a gun. That's how they should've ended the
movie. Shotgun blast and then the Fox logo. Why don't they consult me on these
things? <.html <.html
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| Group: potadg |
Message: 60800 |
From: Jeff K. |
Date: 12/14/2011 |
| Subject: "Rise" director talks Cornelia |
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The "Rise of the POTA" blu-ray hit and whatever
went on with Caesar's love interest Cornelia didn't make an ape-pearance in the
deleted scenes. Director Rupert Wyatt explains to Ape Central about Cornelia and
that the subplot was taken out of the film because they were afraid it would be
too campy. He also says it's his preferred version of the film so don't expect a
director's cut.
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| Group: potadg |
Message: 60801 |
From: munkeyman63au |
Date: 12/14/2011 |
| Subject: Re: "Rise" director talks Cornelia |
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Really? What with all the terrible cuts and plot holes and other major flaws he prefers it that way!? And no cut scenes that actually make a difference to those flaws and bad cuts on the
blu-ray extras? So the bad cutting has no explanation other than sloppy and bad film making it seems.
I saw his other movie recently. the Escape or whatever it's called and found that to be another movie that flatters to deceive. Seems like an okay story until you get to the end of it when it becomes completely dumb.
I don't care how 'hot' he is at the moment, I personally don't think he's a very good director.
Neil T.
--- In PotaDG@yahoogroups.com, "Jeff K." <veetus@...> wrote:
>
> The "Rise of the POTA" blu-ray hit and whatever went on with Caesar's love interest Cornelia didn't make an ape-pearance in the deleted scenes. Director Rupert Wyatt explains to Ape Central about
Cornelia and that the subplot was taken out of the film because they were afraid it would be too campy. He also says it's his preferred version of the film so don't expect a director's cut.
>
>
http://www.apecentral.net/2011/12/deleted-scenes-exclusive-interview-with-rise-director-rupert-wyatt.html
> <.html
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| Group: potadg |
Message: 60802 |
From: Jeff K. |
Date: 12/14/2011 |
| Subject: Re: "Rise" director talks Cornelia |
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In his commentary, the director does admit he
blew the Franco/Pinto relationship. And that she shouldn't have been that
clueless after 5 years. But that's about it.
Sent: Wednesday, December 14, 2011 3:23 PM
Subject: [PotaDG] Re: "Rise" director talks
Cornelia
Really? What with all the terrible cuts and plot holes and other major flaws
he prefers it that way!? And no cut scenes that actually make a difference to
those flaws and bad cuts on the blu-ray extras? So the bad cutting has no
explanation other than sloppy and bad film making it seems. I saw his other
movie recently. the Escape or whatever it's called and found that to be another
movie that flatters to deceive. Seems like an okay story until you get to the
end of it when it becomes completely dumb. I don't care how 'hot' he is at the
moment, I personally don't think he's a very good director.
Neil
T.
--- In PotaDG@yahoogroups.com, "Jeff K."
<veetus@...> wrote:
> > The "Rise of the POTA" blu-ray hit and
whatever went on with Caesar's love interest Cornelia didn't make an
ape-pearance in the deleted scenes. Director Rupert Wyatt explains to Ape
Central about Cornelia and that the subplot was taken out of the film because
they were afraid it would be too campy. He also says it's his preferred version
of the film so don't expect a director's cut. > >
href="http://www.apecentral.net/2011/12/deleted-scenes-exclusive-interview-with-rise-director-rupert-wyatt.htmlquot;>http://www.apecentral.net/2011/12/deleted-scenes-exclusive-interview-with-rise-director-rupert-wyatt.htmlbr> >
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| Group: potadg |
Message: 60803 |
From: Jeff K. |
Date: 12/15/2011 |
| Subject: Rupert Wyatt commentary (spoiler warning) |
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Is there such a thing as a blu-ray commentary
spoiler? Anyway, I listened to the "Rise" commentaries so you don't have to, and
compiled the grooviest stuff. If you want to experience the magic for yourself,
ignore this.
Rupert Wyatt - Director
This is the lesser of the commentaries. He's
enthusiastic and that's important for a commentary, but also important is
keeping the factoids coming. Mostly he just sticks to what's on the screen and
what his intent was. Not much in the way of behind-the-scenes, why things were
cut or war stories. An OK commentary but nothing great.
The opening wasn't shot in Africa, just so you
know. It was meant to reflect back on the Hunt from the original. He would've
liked to have the hunters on horses but that's not how it's done. He feels the
beginning and the end reflect on each other, being taken from nature and
returning.
Franco's first scene was shot during
post-production (Bright Eyes acing the test). The director felt they needed a
"Eureka! moment" so they had to go back and get it. He liked Franco in the lead
because he has an "everyman" quality. He felt the early scenes should keep
building and moving things forward. There was time to stop and reflect later
when Caesar came home.
Chimps love fizzy drinks, especially Gatorade.
Wyatt loved the line, "You're the chimp handler, handle it!".
He says the main theme of the movie is "home".
What is home?
His cinematographer Andrew Lesnie
wanted bright lighting to contrast the dark story
He wanted Caesar to discover things like early Man
did. Shot a scene (it's in the deleted scenes) of Caesar exploring a bike
(discovering the wheel) and wanted one where he discovers fire.
Prison and escape is another theme (and one that
got him the job, since his previous movie was "The Escapist"). Will's home is a
prison too for Caesar.
The moment where Caesar refuses to get in the back
of the car was improvised by Andy Serkis, it wasn't in the script. Give that man
an Oscar!
Freida Pinto is not a trained actress and he felt
that brought a freshness to her acting. She had the Dr. Dolittle role and
her warning about chimps is an important moment. Wyatt feels he didn't develop
the relationship of Franco and Pinto enough to reflect their years together.
There's no way she'd be that clueless after 5 years. He was concentrating on
Caesar's story.
The first day of filming was the attack on the
neighbor. There were long debates on portraying the finger biting.
The woman at the Animal Control window ("You're
lucky they didn't put that animal down") is Karin Konoval, who plays the
orangutan Maurice.
Wyatt really digs Koba as a counterpoint to
Caesar. You can be sure we haven't seen the last of Koba.
The main ape sounds were done by the actors
themselves.
Koba was supposed to use a mechanical arm in the
scene that shows his increased intelligence, but the arm didn't arrive in time
so they had to improvise. If it had arrived we might not have had that cool
"JACOBS" reference.
It's tougher to create CG characters when there's
something in front of them, like cage bars. Obviously that was a situation in
this movie.
Wyatt feels he should've explained better the
difference between ALZ-112 (the drug Will gives his dad) and ALZ-113 (the newer
formula that leads to the virus). That confused audiences.
The great scene where Caesar becomes a leader
through the power of cookies was almost another one for the deleted pile. There
was a big debate over whether it was needed or whether it was stupid,
etc.
It wasn't until about 5 months after shooting when
they received their first finished shot of a CG ape and realized it could work.
People wonder could there really be that many apes
in San Francisco but Wyatt says there's an actual ape sanctuary in San Bruno
that houses 70 -80 apes
The Golden Gate Bridge worked great as a dividing
line between the human world and the natural world ("the bridge to
freedom")
The ape characters were individuals and he points
out Wolfie, the ape who gets shot and falls off the bridge (he lived in the
cage next to Rocket and smashes the camera during the lab breakout)
It was important to him to have an ape on
horseback because that gave him nightmares for weeks when he saw it in the
original (beast harnessing beast) and he goes so far as to say that's why he
wanted to do the movie
the sequel: wants it to be on a much bigger scale
and to use a lot more real locations; Caesar vs. Koba
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| Group: potadg |
Message: 60804 |
From: Jeff K. |
Date: 12/15/2011 |
| Subject: Writer commentary (spoiler warning) |
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Rick Jaffa/ Amanda Silver - writers
This commentary is better because, well, they keep
talking and bringing interesting things up. Probably it helps that there are two
of them (and husband and wife at that; watch out!). These two are nice, humble
folks who went on a long journey bringing "Rise" to the screen and seeing it
succeed. Fox had no interest in going back to POTA until they brought in their
story idea. If it wasn't for them POTA would still be in Burton purgatory. When
Amanda opens the commentary by saying, "We're really happy to be here", it's
heartfelt. Here's to them.
What's the deal with Caesar's birthmark. They
point out that his father Alpha had the same birthmark and originally died
trying to protect his mother (even though that wasn't shown ultimately). It's
the birthmark of a warrior. But it still came in handy when Caesar was
nekid.
The early concept was a "Pinocchio" story; the ape
who longed to be a real (human) boy. All that's really left of that is Caesar
and his window.
Originally there were subtitles for Caesar when he
uses sign language but it works better without 'em. Even the ones for Maurice
the orangutan was the subject of much debate (subtitles in a POTA movie, of all
things)
The ape sanctuary was always seen as "the Ranch",
a rural setting, and the geography of the script was always confused. When the
director came on he wanted the sanctuary in the urban, human world (like a
prison) and then the idea of the Golden Gate Bridge with humanity on one
side and nature on the other side (the redwoods) clicked
They credit their son Joe with the discovery of
the "supplicating gesture" the apes use to establish trust
They liken what Caesar goes through to teenage
angst and listened to a lot of the Who and Pink Floyd when writing the
script
The basis for the ape sanctuary was the Black
Beauty Ranch in Athens, Texas where the famous Nim spent his final
years
The theme "Rise" shares with the original: "Man's
hubris will be his downfall"
The name "Koba" was Stalin's name in the Communist
Party
Caesar was a darker character in earlier scripts,
a Michael Corleone type (from "The Godfather"), even going so far as to spread
the virus on purpose
Maurice the orangutan signing was debated. There's
evidence apes can sign and even teach signing to each other but the studio
worried people would have a problem with it
They got the idea of Caesar's first word from
Cornelius' history lesson in "Escape" and built the script around that
moment
When Caesar visits Will's house to get the ALZ he
leaves his pants there as a goodbye to humanity, but it wasn't shown in the
movie
Fox exec Tom Rothman wanted an iconic image like
the Statue of Liberty, thus the Golden Gate Bridge
They say their writer friend Charlie Fletcher had
the idea of Caesar ape-pearing on horseback
Rocket was supposed to be the one who is
sacrificed protecting Caesar but everyone felt it should be Buck the gorilla's
fate (hey, is it just me or does Buck's face seem to shrink into a POTA gorilla
when he dies?)
Richard Ridings, a cult actor from Terry Gilliam
movies, played Buck
The director wanted an uplifting
ending
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| Group: potadg |
Message: 60805 |
From: Neil Moxham |
Date: 12/15/2011 |
| Subject: Re: Writer commentary (spoiler warning) |
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I picked up on that from the early script I read. If you look at the online comic prequel from BOOM, they gave Caesar's father the same birthmark, which was some nice attention to
detail.
--- In PotaDG@yahoogroups.com, "Jeff K." <veetus@...> wrote:
>
> What's the deal with Caesar's birthmark. They point out that his father Alpha had the same birthmark and originally died trying to protect his mother (even though that wasn't shown ultimately). It's
the birthmark of a warrior. But it still came in handy when Caesar was nekid. <.html
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| Group: potadg |
Message: 60806 |
From: munkeyman63au |
Date: 12/15/2011 |
| Subject: Re: Writer commentary (spoiler warning) |
.html
But it appeared in the film unexplained making it confusing and ultimately pointless for people that did notice it (like me)
What a pity the film makers didn't show as much attention to detail as the comic creators.
Neil T.
--- In PotaDG@yahoogroups.com, "Neil Moxham" <neilmoxham@...> wrote:
>
> I picked up on that from the early script I read. If you look at the online comic prequel from BOOM, they gave Caesar's father the same birthmark, which was some nice attention to detail.
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| Group: potadg |
Message: 60807 |
From: munkeyman63au |
Date: 12/15/2011 |
| Subject: Re: Rupert Wyatt commentary (spoiler warning) |
.html
If you slow it right down and watch it Caesar doesn't just ride the horse he magically morphs from it. Also just noticed, after he has charged them on the horse it just disappears never
to be seen on the bridge again, sloppy.
Neil T.
--- In PotaDG@yahoogroups.com, "Jeff K." <veetus@...> wrote:
> It was important to him to have an ape on horseback because that gave him nightmares for weeks when he saw it in the original (beast harnessing beast) and he goes so far as to say that's why he wanted to do the
movie <.html
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| Group: potadg |
Message: 60808 |
From: Sal & Mick |
Date: 12/15/2011 |
| Subject: Re: Rupert Wyatt commentary (spoiler warning) |
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But it’s not a horse man it’s
a CGI horse – they CAN disappear!!!!
From:
PotaDG@yahoogroups.com [PotaDG@yahoogroups.com] On Behalf Of munkeyman63au
Sent: Friday, 16 December 2011
7:51 AM
To: PotaDG@yahoogroups.com
Subject: [PotaDG] Re: Rupert Wyatt
commentary (spoiler warning)
If you slow it right down and watch it Caesar doesn't
just ride the horse he magically morphs from it. Also just noticed, after he
has charged them on the horse it just disappears never to be seen on the bridge
again, sloppy.
Neil T.
--- In PotaDG@yahoogroups.com,
"Jeff K." <veetus@...> wrote:
> It was important to him to have an ape on horseback because that gave him
nightmares for weeks when he saw it in the original (beast harnessing beast)
and he goes so far as to say that's why he wanted to do the movie
<.html
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| Group: potadg |
Message: 60809 |
From: Jeff K. |
Date: 12/15/2011 |
| Subject: Re: Rupert Wyatt commentary (spoiler warning) |
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Caesar is riding low on the horse (so they don't
see him until the last minute) and presumably the horse gets out of Dodge. I
would!
Ha! I said "Dodge". I could write a POTA
script!
Sent: Thursday, December 15, 2011 1:50 PM
Subject: [PotaDG] Re: Rupert Wyatt commentary (spoiler
warning)
If you slow it right down and watch it Caesar doesn't just ride the horse he
magically morphs from it. Also just noticed, after he has charged them on the
horse it just disappears never to be seen on the bridge again,
sloppy.
Neil T.
--- In PotaDG@yahoogroups.com, "Jeff K."
<veetus@...> wrote:
> It was important to him to have an ape on
horseback because that gave him nightmares for weeks when he saw it in the
original (beast harnessing beast) and he goes so far as to say that's why he
wanted to do the movie <.html <.html
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| Group: potadg |
Message: 60810 |
From: jessica rotich |
Date: 12/15/2011 |
| Subject: Re: I am a calendar girl! |
.html
Just wanted to let you know that the first wave of calendars have already been sent out. The next wave of calendars will be sent out tomorrow...in case you were wondering. Jess.
On Fri, Nov 11, 2011 at 9:34 PM, jessica rotich <
jessicarotich@...> wrote:
The calendar starts with December of
2011, and goes through until March of 2013. Each page features between 4
and 5 pictures of the lady costumers of the Replica Prop Forum (RPF). The calendar will be professionally printed and will be available by this December. Matt Munson is planning on making a print run of only 100
calendars, $20 shipped within the US, $22 shipped on foreign soil. Shrink wrapped. Will help to raise funds for the R2-KT Charity.
Information on ordering will be up here soon: Matt Munson on the web!
with ordering instructions, and maybe more pictures and some more details of the participants for those that do not have access to the RPF or the junkyard on the RPF.
<.html
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| Group: potadg |
Message: 60811 |
From: munkeyman63au |
Date: 12/15/2011 |
| Subject: Re: Rupert Wyatt commentary (spoiler warning) |
.html
I know he's meant to be hiding/riding low but slow it right down and watch it Jeff, before it cuts to the closer image of him on the horse when it's further back there is plainly no
ape on the horse. Even if he was "riding low" you would still be able to see some part of him but there is nothing until he 'emerges' from it.
Neil T.
--- In PotaDG@yahoogroups.com, "Jeff K." <veetus@...> wrote:
>
> Caesar is riding low on the horse (so they don't see him until the last minute) and presumably the horse gets out of Dodge. I would!
> Ha! I said "Dodge". I could write a POTA script!
>
>
> From: munkeyman63au
> Sent: Thursday, December 15, 2011 1:50 PM
> To: PotaDG@yahoogroups.com
> Subject: [PotaDG] Re: Rupert Wyatt commentary (spoiler warning)
>
>
>
> If you slow it right down and watch it Caesar doesn't just ride the horse he magically morphs from it. Also just noticed, after he has charged them on the horse it just disappears never to be seen on the bridge
again, sloppy.
>
> Neil T.
>
> --- In PotaDG@yahoogroups.com, "Jeff K." <veetus@> wrote:
> > It was important to him to have an ape on horseback because that gave him nightmares for weeks when he saw it in the original (beast harnessing beast) and he goes so far as to say that's why he wanted to do
the movie
> <.html
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| Group: potadg |
Message: 60812 |
From: Jeff K. |
Date: 12/15/2011 |
| Subject: Re: Rupert Wyatt commentary (spoiler warning) |
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They short-cutted it but it works for me. I'm
more bothered when he swings around and kicks the neighbor, he disappears.
But they were up against time and budget. That's
CG biz. Overall they did an incredible job and will probably win the FX
Oscar.
Sent: Thursday, December 15, 2011 4:17 PM
Subject: [PotaDG] Re: Rupert Wyatt commentary (spoiler
warning)
I know he's meant to be hiding/riding low but slow it right down and watch it
Jeff, before it cuts to the closer image of him on the horse when it's further
back there is plainly no ape on the horse. Even if he was "riding low" you would
still be able to see some part of him but there is nothing until he 'emerges'
from it.
Neil T.
--- In PotaDG@yahoogroups.com, "Jeff K."
<veetus@...> wrote:
> > Caesar is riding low on the horse (so
they don't see him until the last minute) and presumably the horse gets out of
Dodge. I would! > Ha! I said "Dodge". I could write a POTA
script! > > > From: munkeyman63au > Sent: Thursday,
December 15, 2011 1:50 PM > To: href="mailto:PotaDG%40yahoogroups.com">PotaDG@yahoogroups.com
>
Subject: [PotaDG] Re: Rupert Wyatt commentary (spoiler warning) > >
> > If you slow it right down and watch it Caesar doesn't just
ride the horse he magically morphs from it. Also just noticed, after he has
charged them on the horse it just disappears never to be seen on the bridge
again, sloppy. > > Neil T. > > --- In
href="mailto:PotaDG%40yahoogroups.com">PotaDG@yahoogroups.com, "Jeff K."
<veetus@> wrote: > > It was important to him to have an ape on
horseback because that gave him nightmares for weeks when he saw it in the
original (beast harnessing beast) and he goes so far as to say that's why he
wanted to do the movie >
<.html <.html
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| Group: potadg |
Message: 60813 |
From: munkeyman63au |
Date: 12/15/2011 |
| Subject: Re: Rupert Wyatt commentary (spoiler warning) |
.html
I reckon the Captain America people should get it, especially for shrinking the main actor's body down and making it look so natural before he becomes the Cap'.
Neil T.
--- In PotaDG@yahoogroups.com, "Jeff K." <veetus@...> wrote:
>Overall they did an incredible job and will probably win the FX Oscar. <.html
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| Group: potadg |
Message: 60814 |
From: Jeff K. |
Date: 12/15/2011 |
| Subject: Re: Rupert Wyatt commentary (spoiler warning) |
.html
.html
That's kid stuff. The old head switch. Even more
impressive in "The Social Network". Making "Rise" work was a breakthrough. It'll
win.
Sent: Thursday, December 15, 2011 5:02 PM
Subject: [PotaDG] Re: Rupert Wyatt commentary (spoiler
warning)
I reckon the Captain America people should get it, especially for shrinking
the main actor's body down and making it look so natural before he becomes the
Cap'.
Neil T.
--- In PotaDG@yahoogroups.com, "Jeff K."
<veetus@...> wrote:
>Overall they did an incredible job and will
probably win the FX Oscar. <.html <.html
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| Group: potadg |
Message: 60815 |
From: Jeff K. |
Date: 12/15/2011 |
| Subject: Re: Joe Simon (spoiler warning) |
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.html
Speaking of Cap, his co-creator Joe Simon just
died at 98. RIP. : (
Sent: Thursday, December 15, 2011 5:02 PM
Subject: [PotaDG] Re: Rupert Wyatt commentary (spoiler
warning)
I reckon the Captain America people should get it, especially for shrinking
the main actor's body down and making it look so natural before he becomes the
Cap'.
Neil T.
--- In PotaDG@yahoogroups.com, "Jeff K."
<veetus@...> wrote:
>Overall they did an incredible job and will
probably win the FX Oscar. <.html <.html
|
|
| Group: potadg |
Message: 60816 |
From: jessica rotich |
Date: 12/16/2011 |
| Subject: Is anybody bidding on this? |
| Group: potadg |
Message: 60817 |
From: Jeff K. |
Date: 12/16/2011 |
| Subject: "Rise" writers 12/9/11 q & a: the groovy stuff |
.html
.html
I went to the "Rise of the POTA" screening and q
& a featuring writer/producers Rick Jaffa and Amanda Silver. And this is
some of what they talked about. To listen to it, go here (it's over 90
minutes):
They began by talking about their beginnings in
the industry. They are a husband and wife screenwriting team. Their first
production was the hit "The Hand That Rocks the Cradle" (1992), which began as
Amanda's film school thesis. It was a pretty big break but it was downhill from
there until "Rise". They did the Sally Field kicking ass movie "An Eye For
an Eye"(1996) and then were called in 8 days before filming to save "The Relic"
(1997). "The Relic" was directed by Peter Hyams, who would soon be courted by
James Cameron to direct his POTA. Isn't it a small world?
"Relic" was Jaffa and Silver's last
produced until "Rise" 14 years later. Meanwhile they were writing scripts they
were proud of, such as the book adaptations "California Fire and Life" and
"Birdsong", but they couldn't catch a break as far as getting something into
production. And it looked like that would be the case with their POTA idea which
eventually became "Rise". Here's my mini timeline of the script based on what
they said and my own recollections:
2006 - Rick Jaffa combines some articles he
had in his idea file (chimps raised in human homes, genetics) and decides it
might make a great POTA story. They had done some projects for Fox and took the
idea to their friend, Fox exec Peter Kang. They gave Fox a brief 10 -15 minute
pitch and the basics remained the same in "Rise", though the details changed.
The basic idea was a "Pinocchio" story of a genetically enhanced chimp who
longed to be human. Amanda remembers the main image was of a child on a swing
who swings higher and higher and sees children in another yard playing and wants
to join them but can't. Eventually we see that the child is a chimpanzee. The
writers had told Fox the plan was to restart on of their franchises and they
knew immediately it was POTA. They loved it. The studio had no plans to revisit
POTA after the disappointing Tim Burton version and this project wasn't a high
priority so the writers were pretty much left alone to research and write it.
Rick Jaffa had been a fan of POTA but it had been awhile since he had seen the
movies. He remembered the name Caesar, and when they had an "Apes" marathon the
history lesson from "Escape" stayed with them (the ape who said "No!") and
became the centerpiece of the script. Such elements as Caesar being sent to an
ape sanctuary ("the Ranch") where he leads his own kind in rebellion and a
neighbor named Hunsiker who winds up spreading a deadly virus were around from
the beginning. They also had a theme this movie would share with the original
1968 model: "Man's hubris will be his downfall".
2007 - In early drafts the geneticist had a wife,
who would eventually be replaced by a grandfather (the Lithgow character). These
early scripts were darker, with Caesar as a Michael Corleone figure (from "The
Godfather") who, in some drafts, unleashes the virus himself, even personally
contaminating his geneticist "father". At this time they were much more
interested in Caesar living with the human family and it was a bigger part of
the script. Eventually that aspect would get pushed back as Pinocchio became
Moses, Michael Corleone became Che Guevara. Though the story was far afield from
what "Ape" fans might expect, they peppered their drafts with references to the
original movies. As Rick says, "We took it very seriously, not just to pay
homage but to really honor the films. And it was a big concern of ours to have
the fans really embrace the movie". After a while the studio even told them to
stop with the references so they just used more obscure references that went
over the studio's head. Amanda remembers they came up with the idea of including
Taylor's ship the Icarus around the 3rd or 4rth draft of the script, about the
time of the writer's strike (late 2007). This is also around where they hit on
the idea of the Alzheimer's cure (in previous drafts, the geneticist was just
working on a "smart drug").
2008 - Somewhere towards the end of this year,
writer Scott Frank came aboard as director. He had directed his first film, "The
Lookout" (2007) and had producer Scott Rudin in his corner. Jaffa and Silver
wrote "a draft and a half" for Scott Frank and then he decided to write his own
draft. This was the first time they were pushed aside as writers on the project
they created. They were still involved as producers but, according to Amanda,
being replaced as writers was "a heartbreaker every time". Also, at the end of
'08 word was getting out about the new "Apes". The website Chud sent the first
volley on Halloween:
The POTA blu-ray set came out for the 40th
anniversary and to celebrate the Fox Movie Channel had a Thanksgiving "Apes"
marathon, wherein Fox's Tom Rothman announced they were working on an "Apes"
prequel. And in December, Chud got the goods from Scott Frank
himself:
2009 - Fox and Scott Frank didn't see eye to
eye and decided to part company. He took producer Rudin with him and, according
to Jaffa & Silver, the project was dead in the water. Another writer was
brought in, Jamie Moss ("Street Kings"), to no avail. Then at Christmas, Jaffa
and Silver were told Fox wanted a new draft by January 5th, and they don't mean
maybe. They put their holiday plans aside and did so.
2010 - They delivered their January draft, which
pleased Fox very much and became known as the "Christmas miracle draft".
"Caesar" was now on again. What did it? Amanda says the main improvement was the
integration of the Charles character (Lithgow), making him more important to the
story both as a recipient of Will's Alzheimer's cure and improving his
relationship with Caesar, especially the fork scene. They were also able to give
the script a geography by making the Golden Gate Bridge the focal point of the
ending (though the story was always set in San Francisco). This would be the
year the movie would go from zero to production. Former Fox honcho Peter Chernin
was brought on as producer and Rupert Wyatt was picked to direct it. Even though
they had written a "miracle" draft that saved the movie, apparently another
writer was brought on to do the usual tweaking. This writer, Mark Bomback ("Live
Free or Die hard") added the touch of Caesar drawing the window in his cage
to remind him of home (Jaffa/Silver had the further idea that he erase it when
he rejects his human father). The director took it further and used the window
as Caesar's "symbol" via graffiti (the q & a interviewer noted Caesar's
symbol is similar to the warning in the Forbidden Zone in the originals,
whatever that means).
And so, the movie was made. Despite all the ups
and downs, Rick and Amanda were able to see the idea they spearheaded
become a very successful film. And their two kids, who lived through the ups and
downs with them, got to see how perseverance and adversity sometimes work out if
you hang in there. They were able to go to the premiere as a family. Says Rick:
"One of the greatest gifts Caesar has given us is we'll always have that night
as a family".
Here's some of the other things that were
discussed in the q & a:
The alternate ending - Caesar tells Will, "Caesar
home" and then Brian Cox shows up with a shotgun and Will gets killed taking a
bullet to protect Caesar. Cox is killed by the apes. The test audience was shown
this ending and they couldn't get past it, it was too much of a bummer, man. So
on the July 4rth 2011 weekend in Griffith Park they shot the ending as it is
now. Both writers feel it was the right choice (Rick: "It made it better";
Amanda: "It lends the ending closure that it didn't have"). But it
also made the Koba coda, where the ape finds Cox's gun (seen in the deleted
scenes), unusable. Probably this ending has finished CG, since it was shown to
an audience. Maybe the alternate version will be released some
day.
The writers give props to Fox for backing the
movie and spending big dough without being certain whether the CG apes would
work or not. It was back to the age old POTA question: would the audience laugh?
Amanda: "Tom Rothman really rolled the dice".
I asked them if the sequel might be ready for the
50th anniversary of Boulle's book in 2013. Rick: "Maybe. I think everyone would
be happy if that could work out". There's no title for the sequel yet that they
could reveal. Asked about how these films relate to the original's timeline,
Rick said they haven't made any decisions about that. He said their two biggest
concerns about "Rise" as far as fan expectations was that it didn't have the war
scenario portrayed in the Heston film (has a virus instead) and that it didn't
deal with time travel.
And that's the way the cookie crumbles after you
cookie Rocket.
<.html <.html
|
|
| Group: potadg |
Message: 60818 |
From: Neil Moxham |
Date: 12/16/2011 |
| Subject: Re: "Rise" writers 12/9/11 q & a: the groovy stuff |
.html
They also seemed to say fairly definitely that Franco's character has caught the virus and will suffer it's effects after the close of the movie. Whether that means he will die
off-screen before the sequel, or whether they might re-think that theory to bring Franco back is another question, but I felt they were saying Franco was finished with POTA.
--- In PotaDG@yahoogroups.com, "Jeff K." <veetus@...> wrote:
>
> Maybe the alternate version will be released some day.
> <.html
|
|
| Group: potadg |
Message: 60819 |
From: Neil Moxham |
Date: 12/16/2011 |
| Subject: Re: "Rise" writers Q & A |
.html
There's also this Ape Management armband logo from Conquest that someone pointed out before (Jeff?). > >
> I found this photo from Conquest, and thought it looked similar to the window...but I could be reaching.
> > Jess. > > > > On Sat, Dec 10, 2011 at 12:28 PM, Jeff K. <veetus@...> wrote: > > >
> Yeah, it was good especially since Jeff knows his "Apes". One thing he mentioned was that Caesar's symbol (the window) looks like the warning in the Forbidden Zone in the original. I don't
know what he means by that.
> >
<.html
|
|
|
|
| Group: potadg |
Message: 60820 |
From: Alex Ruiz |
Date: 12/16/2011 |
| Subject: Re: "Rise" writers 12/9/11 q & a: the groovy stuff |
.html.html
Great listening to the audio Q&A.
Thanks.
Al
From: Jeff K. <veetus@...> To:
pota@yahoogroups.com; PotaDG@yahoogroups.com Sent: Friday, December 16, 2011 5:24 AM Subject:
[PotaDG] "Rise" writers 12/9/11 q & a: the groovy stuff
I went to the "Rise of the POTA" screening and q & a featuring writer/producers Rick Jaffa and Amanda Silver. And this is some of what they talked about. To listen to it, go here
(it's over 90 minutes):
http://www.theqandapodcast.com/2011/12/rise-of-planet-of-apes-q.html
They began by talking about their beginnings in the industry. They are a husband and wife screenwriting team. Their first production was the hit "The Hand That Rocks the Cradle"
(1992), which began as Amanda's film school thesis. It was a pretty big break but it was downhill from there until "Rise". They did the Sally Field kicking ass movie "An Eye For an
Eye"(1996) and then were called in 8 days before filming to save "The Relic" (1997). "The Relic" was directed by Peter Hyams, who would soon be courted by James Cameron to direct his POTA.
Isn't it a small world?
"Relic" was Jaffa and Silver's last produced until "Rise" 14 years later. Meanwhile they were writing scripts they were proud of, such as the book adaptations
"California Fire and Life" and "Birdsong", but they couldn't catch a break as far as getting something into production. And it looked like that would be the case with their POTA idea which
eventually became "Rise". Here's my mini timeline of the script based on what they said and my own recollections:
2006 - Rick Jaffa combines some articles he had in his idea file (chimps raised in human homes, genetics) and decides it might make a great POTA story. They had done some projects for Fox
and took the idea to their friend, Fox exec Peter Kang. They gave Fox a brief 10 -15 minute pitch and the basics remained the same in "Rise", though the details changed. The basic idea was a
"Pinocchio" story of a genetically enhanced chimp who longed to be human. Amanda remembers the main image was of a child on a swing who swings higher and higher and sees children in another yard playing and
wants to join them but can't. Eventually we see that the child is a chimpanzee. The writers had told Fox the plan was to restart on of their franchises and they knew immediately it was POTA. They loved it. The
studio had no plans to revisit POTA after the disappointing Tim Burton version and this project wasn't a high priority so the writers
were pretty much left alone to research and write it. Rick Jaffa had been a fan of POTA but it had been awhile since he had seen the movies. He remembered the name Caesar, and when they had an "Apes" marathon
the history lesson from "Escape" stayed with them (the ape who said "No!") and became the centerpiece of the script. Such elements as Caesar being sent to an ape sanctuary ("the
Ranch") where he leads his own kind in rebellion and a neighbor named Hunsiker who winds up spreading a deadly virus were around from the beginning. They also had a theme this movie would share with the
original 1968 model: "Man's hubris will be his downfall".
2007 - In early drafts the geneticist had a wife, who would eventually be replaced by a grandfather (the Lithgow character). These early scripts were darker, with Caesar as a Michael Corleone
figure (from "The Godfather") who, in some drafts, unleashes the virus himself, even personally contaminating his geneticist "father". At this time they were much more interested in Caesar living
with the human family and it was a bigger part of the script. Eventually that aspect would get pushed back as Pinocchio became Moses, Michael Corleone became Che Guevara. Though the story was far afield from what
"Ape" fans might expect, they peppered their drafts with references to the original movies. As Rick says, "We took it very seriously, not just to pay homage but to really honor the films. And it was a big
concern of ours to have the fans really embrace the movie". After a while the studio even told them to stop with the references so
they just used more obscure references that went over the studio's head. Amanda remembers they came up with the idea of including Taylor's ship the Icarus around the 3rd or 4rth draft of the script, about the
time of the writer's strike (late 2007). This is also around where they hit on the idea of the Alzheimer's cure (in previous drafts, the geneticist was just working on a "smart drug").
2008 - Somewhere towards the end of this year, writer Scott Frank came aboard as director. He had directed his first film, "The Lookout" (2007) and had producer Scott Rudin in his
corner. Jaffa and Silver wrote "a draft and a half" for Scott Frank and then he decided to write his own draft. This was the first time they were pushed aside as writers on the project they created. They were
still involved as producers but, according to Amanda, being replaced as writers was "a heartbreaker every time". Also, at the end of '08 word was getting out about the new "Apes". The website
Chud sent the first volley on Halloween:
The POTA blu-ray set came out for the 40th anniversary and to celebrate the Fox Movie Channel had a Thanksgiving "Apes" marathon, wherein Fox's Tom Rothman announced they were
working on an "Apes" prequel. And in December, Chud got the goods from Scott Frank himself:
2009 - Fox and Scott Frank didn't see eye to eye and decided to part company. He took producer Rudin with him and, according to Jaffa & Silver, the project was dead in the water.
Another writer was brought in, Jamie Moss ("Street Kings"), to no avail. Then at Christmas, Jaffa and Silver were told Fox wanted a new draft by January 5th, and they don't mean maybe. They put their
holiday plans aside and did so.
2010 - They delivered their January draft, which pleased Fox very much and became known as the "Christmas miracle draft". "Caesar" was now on again. What did it? Amanda says
the main improvement was the integration of the Charles character (Lithgow), making him more important to the story both as a recipient of Will's Alzheimer's cure and improving his relationship with Caesar,
especially the fork scene. They were also able to give the script a geography by making the Golden Gate Bridge the focal point of the ending (though the story was always set in San Francisco). This would be the year the
movie would go from zero to production. Former Fox honcho Peter Chernin was brought on as producer and Rupert Wyatt was picked to direct it. Even though they had written a "miracle" draft that saved the movie,
apparently another writer was brought on to do the usual tweaking. This writer, Mark Bomback ("Live Free or Die hard") added
the touch of Caesar drawing the window in his cage to remind him of home (Jaffa/Silver had the further idea that he erase it when he rejects his human father). The director took it further and used the window as
Caesar's "symbol" via graffiti (the q & a interviewer noted Caesar's symbol is similar to the warning in the Forbidden Zone in the originals, whatever that means).
And so, the movie was made. Despite all the ups and downs, Rick and Amanda were able to see the idea they spearheaded become a very successful film. And their two kids, who lived through
the ups and downs with them, got to see how perseverance and adversity sometimes work out if you hang in there. They were able to go to the premiere as a family. Says Rick: "One of the greatest gifts Caesar has
given us is we'll always have that night as a family".
Here's some of the other things that were discussed in the q & a:
The alternate ending - Caesar tells Will, "Caesar home" and then Brian Cox shows up with a shotgun and Will gets killed taking a bullet to protect Caesar. Cox is killed by the apes.
The test audience was shown this ending and they couldn't get past it, it was too much of a bummer, man. So on the July 4rth 2011 weekend in Griffith Park they shot the ending as it is now. Both writers feel it was
the right choice (Rick: "It made it better"; Amanda: "It lends the ending closure that it didn't have"). But it also made the Koba coda, where the ape finds Cox's gun (seen in the
deleted scenes), unusable. Probably this ending has finished CG, since it was shown to an audience. Maybe the alternate version will be released some day.
The writers give props to Fox for backing the movie and spending big dough without being certain whether the CG apes would work or not. It was back to the age old POTA question: would the
audience laugh? Amanda: "Tom Rothman really rolled the dice".
I asked them if the sequel might be ready for the 50th anniversary of Boulle's book in 2013. Rick: "Maybe. I think everyone would be happy if that could work out". There's no
title for the sequel yet that they could reveal. Asked about how these films relate to the original's timeline, Rick said they haven't made any decisions about that. He said their two biggest concerns about
"Rise" as far as fan expectations was that it didn't have the war scenario portrayed in the Heston film (has a virus instead) and that it didn't deal with time travel.
And that's the way the cookie crumbles after you cookie Rocket.
<.html <.html
|
|
| Group: potadg |
Message: 60821 |
From: Dario |
Date: 12/17/2011 |
| Subject: Re: "Rise" writers 12/9/11 q & a: the groovy stuff |
.html.html Thanks for the nice writeup Jeff. Lots of info, but I'll also give the podcast a listen.
Dario
Sent from my iPad On Dec 16, 2011, at 5:24 AM, "Jeff K." <
veetus@...> wrote:
I went to the "Rise of the POTA" screening and q
& a featuring writer/producers Rick Jaffa and Amanda Silver. And this is
some of what they talked about. To listen to it, go here (it's over 90
minutes):
They began by talking about their beginnings in
the industry. They are a husband and wife screenwriting team. Their first
production was the hit "The Hand That Rocks the Cradle" (1992), which began as
Amanda's film school thesis. It was a pretty big break but it was downhill from
there until "Rise". They did the Sally Field kicking ass movie "An Eye For
an Eye"(1996) and then were called in 8 days before filming to save "The Relic"
(1997). "The Relic" was directed by Peter Hyams, who would soon be courted by
James Cameron to direct his POTA. Isn't it a small world?
"Relic" was Jaffa and Silver's last
produced until "Rise" 14 years later. Meanwhile they were writing scripts they
were proud of, such as the book adaptations "California Fire and Life" and
"Birdsong", but they couldn't catch a break as far as getting something into
production. And it looked like that would be the case with their POTA idea which
eventually became "Rise". Here's my mini timeline of the script based on what
they said and my own recollections:
2006 - Rick Jaffa combines some articles he
had in his idea file (chimps raised in human homes, genetics) and decides it
might make a great POTA story. They had done some projects for Fox and took the
idea to their friend, Fox exec Peter Kang. They gave Fox a brief 10 -15 minute
pitch and the basics remained the same in "Rise", though the details changed.
The basic idea was a "Pinocchio" story of a genetically enhanced chimp who
longed to be human. Amanda remembers the main image was of a child on a swing
who swings higher and higher and sees children in another yard playing and wants
to join them but can't. Eventually we see that the child is a chimpanzee. The
writers had told Fox the plan was to restart on of their franchises and they
knew immediately it was POTA. They loved it. The studio had no plans to revisit
POTA after the disappointing Tim Burton version and this project wasn't a high
priority so the writers were pretty much left alone to research and write it.
Rick Jaffa had been a fan of POTA but it had been awhile since he had seen the
movies. He remembered the name Caesar, and when they had an "Apes" marathon the
history lesson from "Escape" stayed with them (the ape who said "No!") and
became the centerpiece of the script. Such elements as Caesar being sent to an
ape sanctuary ("the Ranch") where he leads his own kind in rebellion and a
neighbor named Hunsiker who winds up spreading a deadly virus were around from
the beginning. They also had a theme this movie would share with the original
1968 model: "Man's hubris will be his downfall".
2007 - In early drafts the geneticist had a wife,
who would eventually be replaced by a grandfather (the Lithgow character). These
early scripts were darker, with Caesar as a Michael Corleone figure (from "The
Godfather") who, in some drafts, unleashes the virus himself, even personally
contaminating his geneticist "father". At this time they were much more
interested in Caesar living with the human family and it was a bigger part of
the script. Eventually that aspect would get pushed back as Pinocchio became
Moses, Michael Corleone became Che Guevara. Though the story was far afield from
what "Ape" fans might expect, they peppered their drafts with references to the
original movies. As Rick says, "We took it very seriously, not just to pay
homage but to really honor the films. And it was a big concern of ours to have
the fans really embrace the movie". After a while the studio even told them to
stop with the references so they just used more obscure references that went
over the studio's head. Amanda remembers they came up with the idea of including
Taylor's ship the Icarus around the 3rd or 4rth draft of the script, about the
time of the writer's strike (late 2007). This is also around where they hit on
the idea of the Alzheimer's cure (in previous drafts, the geneticist was just
working on a "smart drug").
2008 - Somewhere towards the end of this year,
writer Scott Frank came aboard as director. He had directed his first film, "The
Lookout" (2007) and had producer Scott Rudin in his corner. Jaffa and Silver
wrote "a draft and a half" for Scott Frank and then he decided to write his own
draft. This was the first time they were pushed aside as writers on the project
they created. They were still involved as producers but, according to Amanda,
being replaced as writers was "a heartbreaker every time". Also, at the end of
'08 word was getting out about the new "Apes". The website Chud sent the first
volley on Halloween:
The POTA blu-ray set came out for the 40th
anniversary and to celebrate the Fox Movie Channel had a Thanksgiving "Apes"
marathon, wherein Fox's Tom Rothman announced they were working on an "Apes"
prequel. And in December, Chud got the goods from Scott Frank
himself:
2009 - Fox and Scott Frank didn't see eye to
eye and decided to part company. He took producer Rudin with him and, according
to Jaffa & Silver, the project was dead in the water. Another writer was
brought in, Jamie Moss ("Street Kings"), to no avail. Then at Christmas, Jaffa
and Silver were told Fox wanted a new draft by January 5th, and they don't mean
maybe. They put their holiday plans aside and did so.
2010 - They delivered their January draft, which
pleased Fox very much and became known as the "Christmas miracle draft".
"Caesar" was now on again. What did it? Amanda says the main improvement was the
integration of the Charles character (Lithgow), making him more important to the
story both as a recipient of Will's Alzheimer's cure and improving his
relationship with Caesar, especially the fork scene. They were also able to give
the script a geography by making the Golden Gate Bridge the focal point of the
ending (though the story was always set in San Francisco). This would be the
year the movie would go from zero to production. Former Fox honcho Peter Chernin
was brought on as producer and Rupert Wyatt was picked to direct it. Even though
they had written a "miracle" draft that saved the movie, apparently another
writer was brought on to do the usual tweaking. This writer, Mark Bomback ("Live
Free or Die hard") added the touch of Caesar drawing the window in his cage
to remind him of home (Jaffa/Silver had the further idea that he erase it when
he rejects his human father). The director took it further and used the window
as Caesar's "symbol" via graffiti (the q & a interviewer noted Caesar's
symbol is similar to the warning in the Forbidden Zone in the originals,
whatever that means).
And so, the movie was made. Despite all the ups
and downs, Rick and Amanda were able to see the idea they spearheaded
become a very successful film. And their two kids, who lived through the ups and
downs with them, got to see how perseverance and adversity sometimes work out if
you hang in there. They were able to go to the premiere as a family. Says Rick:
"One of the greatest gifts Caesar has given us is we'll always have that night
as a family".
Here's some of the other things that were
discussed in the q & a:
The alternate ending - Caesar tells Will, "Caesar
home" and then Brian Cox shows up with a shotgun and Will gets killed taking a
bullet to protect Caesar. Cox is killed by the apes. The test audience was shown
this ending and they couldn't get past it, it was too much of a bummer, man. So
on the July 4rth 2011 weekend in Griffith Park they shot the ending as it is
now. Both writers feel it was the right choice (Rick: "It made it better";
Amanda: "It lends the ending closure that it didn't have"). But it
also made the Koba coda, where the ape finds Cox's gun (seen in the deleted
scenes), unusable. Probably this ending has finished CG, since it was shown to
an audience. Maybe the alternate version will be released some
day.
The writers give props to Fox for backing the
movie and spending big dough without being certain whether the CG apes would
work or not. It was back to the age old POTA question: would the audience laugh?
Amanda: "Tom Rothman really rolled the dice".
I asked them if the sequel might be ready for the
50th anniversary of Boulle's book in 2013. Rick: "Maybe. I think everyone would
be happy if that could work out". There's no title for the sequel yet that they
could reveal. Asked about how these films relate to the original's timeline,
Rick said they haven't made any decisions about that. He said their two biggest
concerns about "Rise" as far as fan expectations was that it didn't have the war
scenario portrayed in the Heston film (has a virus instead) and that it didn't
deal with time travel.
And that's the way the cookie crumbles after you
cookie Rocket.
<.html <.html
|
|
| Group: potadg |
Message: 60822 |
From: Jeff K. |
Date: 12/17/2011 |
| Subject: 7/18/16 |
.html
.html
July 18, 2016. That's the beginning of the end of
humanity (one...two...three: Awwwww!) and the rise of the POTA. So says the
"Lost in space" newspaper in the movie. I was hoping they'd leave dates out of
it so it wouldn't become dated. As it stands I guess that will be a good POTA
party day. <.html <.html
|
|
| Group: potadg |
Message: 60823 |
From: Tim |
Date: 12/18/2011 |
| Subject: Re: "Rise" writers Q & A [1 Attachment] |
.html.html
That wAs me but wasn't quite sure...i meant to get a screen cap but just haven't had time. Looking at it though it's not really the same... Tim
There's also this Ape Management armband logo from Conquest that someone pointed out before (Jeff?). > >
> I found this photo from Conquest, and thought it looked similar to the window...but I could be reaching.
> > Jess. > > > > On Sat, Dec 10, 2011 at 12:28 PM, Jeff K. <veetus@...> wrote: > > >
> Yeah, it was good especially since Jeff knows his "Apes". One thing he mentioned was that Caesar's symbol (the window) looks like the warning in the Forbidden Zone in the original. I don't
know what he means by that.
> >
<.html <.html
|
|
| Group: potadg |
Message: 60824 |
From: Jeff K. |
Date: 12/18/2011 |
| Subject: Re: "Rise" writers Q & A |
.html
.html
You're letting your Ape duties slip,
Tim. >: (
Sent: Sunday, December 18, 2011 3:47 AM
Subject: Re: [PotaDG] Re: "Rise" writers Q & A
That wAs me but wasn't quite sure...i meant to get a screen cap but
just haven't had time. Looking at it though it's not really the same...
Tim
There's also this Ape Management armband logo from Conquest that
someone pointed out before (Jeff?).
>
> > I found this photo from Conquest, and thought it
looked similar to the window...but I could be reaching. > >
Jess. > > > > On Sat, Dec 10, 2011 at 12:28 PM,
Jeff K. <veetus@...> wrote: > >
> > Yeah, it was good especially since Jeff knows his
"Apes". One thing he mentioned was that Caesar's symbol (the window) looks
like the warning in the Forbidden Zone in the original. I don't know what he
means by that. > >
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| Group: potadg |
Message: 60825 |
From: Tim |
Date: 12/19/2011 |
| Subject: Re: "Rise" writers Q & A |
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I know but had a good reason!....for the last two weeks have been designing and painting two rooms in an "Extreme Makeover: Home Edition" house (one of the last few as it is cancelled!) which took
every bit of my energy and time! I did manage to buy "Rise" and watch delted scenes and now that I'm done look forward to all the other extras and commentaries...! Tim
Sent from my iPhone
On Dec 18, 2011, at 10:25 AM, "Jeff K." <veetus@...> wrote:
You're letting your Ape duties slip,
Tim. >: (
Sent: Sunday, December 18, 2011 3:47 AM
Subject: Re: [PotaDG] Re: "Rise" writers Q & A
That wAs me but wasn't quite sure...i meant to get a screen cap but
just haven't had time. Looking at it though it's not really the same...
Tim
There's also this Ape Management armband logo from Conquest that
someone pointed out before (Jeff?).
>
> > I found this photo from Conquest, and thought it
looked similar to the window...but I could be reaching. > >
Jess. > > > > On Sat, Dec 10, 2011 at 12:28 PM,
Jeff K. <veetus@...> wrote: > >
> > Yeah, it was good especially since Jeff knows his
"Apes". One thing he mentioned was that Caesar's symbol (the window) looks
like the warning in the Forbidden Zone in the original. I don't know what he
means by that. > >
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| Group: potadg |
Message: 60826 |
From: Tim |
Date: 12/19/2011 |
| Subject: Maybe they are trying to halt the "Rise".... |
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NIH to cut use of chimps in research
McClatchy Newspapers (Chris Adams)
Published: Dec 16, 2011 12:04 AM
The National Institutes of Health said Thursday that it would curtail its use of chimpanzees in medical research, suspending new chimp research grants and agreeing to accept the
recommendations of an outside panel that found the apes are "not necessary for most biomedical research." NIH Director Francis Collins said he'd decided to accept the recommendations of the Institute of
Medicine, which had weighed in earlier Thursday on the contentious issue of whether chimps - one of man's closest genetic cousins - should be used to help medical researchers understand and combat human disease. The
panel decided that most of the time, the answer was no.
The NIH's Collins said he'd follow their guidance. "I think it was a very thoughtful set of recommendations from a distinguished group of experts who spent many months
taking in input from lots of different perspectives," said Collins, who oversees the nation's premier biomedical research facility, based in Bethesda, Md.
Animal rights activists generally cheered the institute's report and the NIH's reaction to it. While neither institution went as far as the outright ban on chimp research
that activists desired, they did acknowledge that science was moving away from chimps as a necessary research model. "The NIH has funded a lot of research that's just been deemed unnecessary," said Jarrod
Bailey, the science director for the chimp-release campaign of the anti-animal testing New England Anti-Vivisection Society. "Even though they have stopped short of the ban, it's a welcome first step."
Chimps deemed nonessential After reviewing the current state of science and the demand for chimps in research, the institute concluded that changes in science "have rendered chimpanzees largely nonessential as
research subjects."
The 190-page report didn't rule out chimps for research, saying there are some situations in which they still could prove useful. Beyond that, chimp experimentation could be
indicated in later years if new diseases emerge. For the most part, however, the panel determined that chimps as research subjects weren't as valuable as they once were. "Science is evolving. We have
alternative ways of testing drugs," said committee member Warner Greene, the director of the Gladstone Institute of Virology and Immunology at the University of California, San Francisco. He noted that the last two
blockbuster hepatitis drugs were produced without using chimpanzees, and said that under the committee's new guidelines "many existing studies that use chimps would not clear the bar." The NIH, which funds
much of the nation's chimp research, had said previously that using the animals was crucial to understanding and combating diseases, particularly hepatitis C.
There are more than 900 chimps at the main research labs in the U.S. While the number of chimpanzee experiments at any time is small, the chimps have lived a lifetime of research
that involves dart-gun knock-downs, biopsies and repeated infections. On Thursday, the NIH said it would appoint a committee to implement the institute's recommendations. The NIH won't issue any new awards for
research that involves chimpanzees until that review is complete. Protests last year The Institute of Medicine's report said committee members were split on whether chimpanzees were necessary to develop a preventive
hepatitis C vaccine. The committee concluded that research to develop a therapeutic vaccine for people who already had been infected with hepatitis C can be performed without using chimps. It also established guidelines
for any use of chimps, saying they should be used in biomedical research only if there's "no other suitable model available," if the research "cannot be performed ethically on human subjects" and
if forgoing chimps would "significantly slow or prevent" important advances.
The institute's findings largely echoed an April McClatchy series that examined the ethics and science of chimpanzee research. While controversies over chimpanzee research have
simmered for years, the issue boiled over last year when the NIH said it planned to move about 180 chimps from a facility in New Mexico - where they'd been withheld from experimentation - to one in Texas, where
they'd be thrown into the testing mix. Animal rights groups protested, saying the chimps should be retired to a grassy sanctuary. Under pressure from activists and some members of Congress, the NIH asked for the
Institute of Medicine study that was released Thursday. The institute held public meetings, and took in more than 5,700 comments.
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| Group: potadg |
Message: 60827 |
From: Neil Moxham |
Date: 12/19/2011 |
| Subject: Re: "Rise" writers Q & A [1 Attachment] |
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Sorry Tim. This is a scan from the Blu-Ray book, with some photoshop tweaking. It looks more like a flag, or an egg-timer on it's side - I wonder if there's any significance to the
design?
--- In PotaDG@yahoogroups.com, Tim <apefan23@...> wrote:
>
>
> That wAs me but wasn't quite sure...i meant to get a screen cap but just haven't had time. Looking at it though it's not really the same...
> Tim
>
>
>
> On Dec 16, 2011, at 7:27 AM, Neil Moxham <neilmoxham@...> wrote:
>
> > [Attachment(s) from Neil Moxham included below]
> > There's also this Ape Management armband logo from Conquest that someone pointed out before (Jeff?).
> >
> >
> > >
> > >
> > > I found this photo from Conquest, and thought it looked similar to the window...but I could be reaching.
> > >
> > > Jess.
> > >
> > >
> > >
> > > On Sat, Dec 10, 2011 at 12:28 PM, Jeff K. <veetus@> wrote:
> > >
> > >
> > >
> > > Yeah, it was good especially since Jeff knows his "Apes". One thing he mentioned was that Caesar's symbol (the window) looks like the warning in the Forbidden Zone in the original. I
don't know what he means by that.
> > >
> > >
> >
> <.html
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| Group: potadg |
Message: 60828 |
From: Tim |
Date: 12/19/2011 |
| Subject: Re: "Rise" writers Q & A |
.html.html
I was trying to figure out a meaning in there too but couldn't think of anything....it was probably just a generic patch the Fox wardrobe had in a box or something! Too bad it wasn't a precursor for the
glyphs on clohes to come! Tim
Sent from my iPhone
Sorry Tim. This is a scan from the Blu-Ray book, with some photoshop tweaking. It looks more like a flag, or an egg-timer on it's side - I wonder if there's any significance to the design?
--- In PotaDG@yahoogroups.com, Tim <apefan23@...> wrote:
>
>
> That wAs me but wasn't quite sure...i meant to get a screen cap but just haven't had time. Looking at it though it's not really the same...
> Tim
>
>
>
> On Dec 16, 2011, at 7:27 AM, Neil Moxham <neilmoxham@...> wrote:
>
> > [Attachment(s) from Neil Moxham included below]
> > There's also this Ape Management armband logo from Conquest that someone pointed out before (Jeff?).
> >
> >
> > >
> > >
> > > I found this photo from Conquest, and thought it looked similar to the window...but I could be reaching.
> > >
> > > Jess.
> > >
> > >
> > >
> > > On Sat, Dec 10, 2011 at 12:28 PM, Jeff K. <veetus@> wrote:
> > >
> > >
> > >
> > > Yeah, it was good especially since Jeff knows his "Apes". One thing he mentioned was that Caesar's symbol (the window) looks like the warning in the Forbidden Zone in the original. I
don't know what he means by that.
> > >
> > >
> >
>
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| Group: potadg |
Message: 60829 |
From: Jeff K. |
Date: 12/19/2011 |
| Subject: Re: "Rise" writers Q & A |
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If those two rooms are Ape themed, you're off the
hook. : )
Sent: Monday, December 19, 2011 12:23 AM
Subject: Re: [PotaDG] Re: "Rise" writers Q & A
I know but had a good reason!....for the last two weeks have been designing
and painting two rooms in an "Extreme Makeover: Home Edition" house (one of the
last few as it is cancelled!) which took every bit of my energy and time!
I did manage to buy "Rise" and watch delted scenes and now that I'm done look
forward to all the other extras and commentaries...!
Tim
Sent from my iPhone
On Dec 18, 2011, at 10:25 AM, "Jeff K." < veetus@...>
wrote:
You're letting your Ape duties slip,
Tim. >: (
Sent: Sunday, December 18, 2011 3:47 AM
Subject: Re: [PotaDG] Re: "Rise" writers Q &
A
That wAs me but wasn't quite sure...i meant to get a screen cap but
just haven't had time. Looking at it though it's not really the same...
Tim
There's also this Ape Management armband logo from Conquest that
someone pointed out before (Jeff?).
>
> > I found this photo from Conquest, and thought it
looked similar to the window...but I could be reaching. > >
Jess. > > > > On Sat, Dec 10, 2011 at 12:28 PM,
Jeff K. <veetus@...> wrote: > >
> > Yeah, it was good especially since Jeff knows his
"Apes". One thing he mentioned was that Caesar's symbol (the window) looks
like the warning in the Forbidden Zone in the original. I don't know what he
means by that. > >
<.html
<.html
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| Group: potadg |
Message: 60830 |
From: Jeff K. |
Date: 12/19/2011 |
| Subject: Re: "Rise" writers Q & A |
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I don't think the window design was based on any
previous "Apes" symbol. It was just a window based on that type of house. It was
a last minute decision on the set to turn it into Caesar's symbol. Even the
writers didn't know about it.
Sent: Monday, December 19, 2011 4:44 AM
Subject: [PotaDG] Re: "Rise" writers Q & A
Sorry Tim. This is a scan from the Blu-Ray book, with some photoshop
tweaking. It looks more like a flag, or an egg-timer on it's side - I wonder if
there's any significance to the design?
--- In PotaDG@yahoogroups.com, Tim
<apefan23@...> wrote:
> > > That wAs me but wasn't
quite sure...i meant to get a screen cap but just haven't had time. Looking at
it though it's not really the same... > Tim > > >
> On Dec 16, 2011, at 7:27 AM, Neil Moxham <neilmoxham@...>
wrote: > > > [Attachment(s) from Neil Moxham included
below] > > There's also this Ape Management armband logo from Conquest
that someone pointed out before (Jeff?). > > > > >
> > > > > > > > I found this photo from Conquest,
and thought it looked similar to the window...but I could be reaching. >
> > > > > Jess. > > > > > > >
> > > > > On Sat, Dec 10, 2011 at 12:28 PM, Jeff K.
<veetus@> wrote: > > > > > > > > >
> > > Yeah, it was good especially since Jeff knows his "Apes". One
thing he mentioned was that Caesar's symbol (the window) looks like the warning
in the Forbidden Zone in the original. I don't know what he means by
that. > > > > > > >
> >
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| Group: potadg |
Message: 60831 |
From: Jeff K. |
Date: 12/19/2011 |
| Subject: 25 Best Movie Moments |
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Indie Wire picked their 25 Best Movie Moments of
2011. Did "Rise" miss out? Noooo!
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