|
| Group: pota |
Message: 25715 |
From: ujwqfxqrfkcb |
Date: 12/10/2002 |
| Subject: new pictures here... |
|
| Group: pota |
Message: 25716 |
From: patrickmichaeltilton
| Date: 12/10/2002 |
|
| Subject: It's a FANFIC, Mike! |
|
| Group: pota |
Message: 25717 |
From: Haristas@aol.com |
Date: 12/10/2002 |
| Subject: Re: [Planet of the Apes] PAT'S Theories |
|
| Group: pota |
Message: 25718 |
From: Haristas@aol.com |
Date: 12/10/2002 |
| Subject: Re: [Planet of the Apes] It's a FANFIC, Mike! |
|
| Group: pota |
Message: 25719 |
From: patrickmichaeltilton
| Date: 12/10/2002 |
|
| Subject: Taylor's Nest, etc. |
|
| Group: pota |
Message: 25720 |
From: LordTZer0@AOL.com |
Date: 12/10/2002 |
| Subject: Re: [Planet of the Apes] Mad Max (OT) |
|
| Group: pota |
Message: 25721 |
From: Rich Handley |
Date: 12/10/2002 |
| Subject: Re: [Planet of the Apes] Digest Number 1497 |
|
| Group: pota |
Message: 25722 |
From: mlccougar |
Date: 12/10/2002 |
| Subject: Re: PLANET'S prophecies (Melkor) |
|
| Group: pota |
Message: 25723 |
From: patrickmichaeltilton
| Date: 12/10/2002 |
|
| Subject: Re: [Planet of the Apes] BENEATH is not that bad... (LONG POST) |
|
| Group: pota |
Message: 25724 |
From: mlccougar |
Date: 12/10/2002 |
| Subject: Re: Zira's wardrobe |
|
| Group: pota |
Message: 25725 |
From: mlccougar |
Date: 12/10/2002 |
| Subject: Re: Taylor's Nest, etc. |
|
| Group: pota |
Message: 25726 |
From: Michael Whitty |
Date: 12/10/2002 |
| Subject: Re: [Planet of the Apes] PAT'S Theories |
|
| Group: pota |
Message: 25727 |
From: veetus@earthlink.net |
Date: 12/10/2002 |
| Subject: Re: [Planet of the Apes] BENEATH & BATTLE |
|
| Group: pota |
Message: 25728 |
From: mtotsky |
Date: 12/10/2002 |
| Subject: Re: [Planet of the Apes] Digest Number 1497 |
|
| Group: pota |
Message: 25729 |
From: veetus@earthlink.net |
Date: 12/10/2002 |
| Subject: Re: [Planet of the Apes] Mad Max (OT) |
|
| Group: pota |
Message: 25730 |
From: patrickmichaeltilton
| Date: 12/10/2002 |
|
| Subject: Re: Taylor's Nest, etc. |
|
| Group: pota |
Message: 25731 |
From: veetus@earthlink.net |
Date: 12/10/2002 |
| Subject: Re: [Planet of the Apes] Mad Max (OT) |
|
| Group: pota |
Message: 25732 |
From: veetus@earthlink.net |
Date: 12/10/2002 |
| Subject: Re: [Planet of the Apes] Digest Number 1497 |
|
| Group: pota |
Message: 25733 |
From: veetus@earthlink.net |
Date: 12/10/2002 |
| Subject: Re: [Planet of the Apes] Re: Zira's wardrobe |
|
| Group: pota |
Message: 25734 |
From: Stuart Drucker |
Date: 12/10/2002 |
| Subject: Re: [Planet of the Apes] BENEATH & BATTLE |
|
| Group: pota |
Message: 25735 |
From: Haristas@aol.com |
Date: 12/10/2002 |
| Subject: Re: [Planet of the Apes] BENEATH & BATTLE |
|
| Group: pota |
Message: 25736 |
From: mlccougar@aol.com |
Date: 12/10/2002 |
| Subject: "Special Edition" commentary tracks? |
|
| Group: pota |
Message: 25737 |
From: LordTZer0@AOL.com |
Date: 12/11/2002 |
| Subject: Re: [Planet of the Apes] Mad Max (OT) |
|
| Group: pota |
Message: 25738 |
From: Michael Whitty |
Date: 12/11/2002 |
| Subject: Re: [Planet of the Apes] It's a poofta, Mike! |
|
| Group: pota |
Message: 25739 |
From: Michael Whitty |
Date: 12/11/2002 |
| Subject: Re: [Planet of the Apes] It's GAY, Mike! |
|
| Group: pota |
Message: 25740 |
From: Michael Whitty |
Date: 12/11/2002 |
| Subject: Re: [Planet of the Apes] Re: Taylor's Nest, etc. |
|
| Group: pota |
Message: 25741 |
From: Haristas@aol.com |
Date: 12/11/2002 |
| Subject: Re: [Planet of the Apes] It's a poofta, Mike! |
|
| Group: pota |
Message: 25742 |
From: Michael Whitty |
Date: 12/11/2002 |
| Subject: Re: [Planet of the Apes] Mad Max (OT) |
|
| Group: pota |
Message: 25743 |
From: LordTZer0@AOL.com |
Date: 12/11/2002 |
| Subject: Re: [Planet of the Apes] Mad Max (OT) |
|
| Group: pota |
Message: 25744 |
From: mlccougar |
Date: 12/11/2002 |
| Subject: Re: Zira's wardrobe |
|
| Group: pota |
Message: 25745 |
From: thvvertgynae |
Date: 12/12/2002 |
| Subject: check this out!... |
|
| Group: pota |
Message: 25746 |
From: Melkor |
Date: 12/12/2002 |
| Subject: Re: [Planet of the Apes] BENEATH & BATTLE |
|
| Group: pota |
Message: 25747 |
From: Melkor |
Date: 12/12/2002 |
| Subject: Re: [Planet of the Apes] BENEATH is not that bad... (LONG POST) |
|
| Group: pota |
Message: 25748 |
From: mlccougar |
Date: 12/12/2002 |
| Subject: The Lawgiver |
|
| Group: pota |
Message: 25749 |
From: Menluth |
Date: 12/12/2002 |
| Subject: Welcome to Simian Fiction! |
|
| Group: pota |
Message: 25750 |
From: Stuart Drucker |
Date: 12/12/2002 |
| Subject: Re: [Planet of the Apes] BENEATH & BATTLE |
|
| Group: pota |
Message: 25751 |
From: veetus@earthlink.net |
Date: 12/12/2002 |
| Subject: Re: [Planet of the Apes] BENEATH & BATTLE |
|
| Group: pota |
Message: 25752 |
From: Melkor |
Date: 12/13/2002 |
| Subject: Re: [Planet of the Apes] The Lawgiver |
|
| Group: pota |
Message: 25753 |
From: Melkor |
Date: 12/13/2002 |
| Subject: Re: [Planet of the Apes] BENEATH & BATTLE |
|
| Group: pota |
Message: 25754 |
From: patrickmichaeltilton
| Date: 12/14/2002 |
|
| Subject: The Lawgiver's "Hope" and Kolp's Intentions (screenplay cited) |
|
| Group: pota |
Message: 25755 |
From: Haristas@aol.com |
Date: 12/14/2002 |
| Subject: Re: [Planet of the Apes] The Lawgiver's "Hope" and Kolp's Intention |
|
| Group: pota |
Message: 25756 |
From: Melkor |
Date: 12/14/2002 |
| Subject: Re: [Planet of the Apes] The Lawgiver's "Hope" and Kolp's Intention |
|
| Group: pota |
Message: 25757 |
From: patrickmichaeltilton
| Date: 12/14/2002 |
|
| Subject: Re: [Planet of the Apes] Fox, Anamorphic transfers, etc. |
|
| Group: pota |
Message: 25758 |
From: patrickmichaeltilton
| Date: 12/14/2002 |
|
| Subject: Re: [Planet of the Apes] The Lawgiver's "Hope" and Kolp's Intention |
|
| Group: pota |
Message: 25759 |
From: Haristas@aol.com |
Date: 12/14/2002 |
| Subject: Re: [Planet of the Apes] Fox, Anamorphic transfers, etc. |
|
| Group: pota |
Message: 25760 |
From: Haristas@aol.com |
Date: 12/14/2002 |
| Subject: Re: [Planet of the Apes] The Lawgiver's "Hope" and Kolp's Intention |
|
| Group: pota |
Message: 25761 |
From: mlccougar@aol.com |
Date: 12/14/2002 |
| Subject: A correction to the list |
|
| Group: pota |
Message: 25762 |
From: mlccougar@aol.com |
Date: 12/14/2002 |
| Subject: Apes soundtrack CDs... |
|
| Group: pota |
Message: 25763 |
From: Haristas@aol.com |
Date: 12/15/2002 |
| Subject: Re: [Planet of the Apes] Apes soundtrack CDs... |
|
| Group: pota |
Message: 25764 |
From: patrickmichaeltilton
| Date: 12/15/2002 |
|
| Subject: "Let's do the Time-Warp again...!" |
|
| Group: pota |
Message: 25765 |
From: mlccougar@aol.com |
Date: 12/15/2002 |
| Subject: My letter to fox |
|
| Group: pota |
Message: 25766 |
From: mlccougar@aol.com |
Date: 12/15/2002 |
| Subject: My letter to fox |
|
| Group: pota |
Message: 25767 |
From: mlccougar@aol.com |
Date: 12/15/2002 |
| Subject: Re: [PotaDG] My letter to fox |
|
| Group: pota |
Message: 25768 |
From: mlccougar |
Date: 12/15/2002 |
| Subject: Re: Apes soundtrack CDs... |
|
| Group: pota |
Message: 25769 |
From: Haristas@aol.com |
Date: 12/15/2002 |
| Subject: Re: [Planet of the Apes] Re: Apes soundtrack CDs... |
|
| Group: pota |
Message: 25770 |
From: LordTZer0@AOL.com |
Date: 12/15/2002 |
| Subject: Re: [Planet of the Apes] Re: Apes soundtrack CDs... |
|
| Group: pota |
Message: 25771 |
From: mlccougar@aol.com |
Date: 12/15/2002 |
| Subject: Varese Sarabande Records address |
|
| Group: pota |
Message: 25772 |
From: Haristas@aol.com |
Date: 12/15/2002 |
| Subject: Re: [Planet of the Apes] Re: Apes soundtrack CDs... |
|
| Group: pota |
Message: 25773 |
From: mlccougar |
Date: 12/15/2002 |
| Subject: Re: Apes soundtrack CDs... |
|
| Group: pota |
Message: 25774 |
From: mlccougar@aol.com |
Date: 12/15/2002 |
| Subject: An ESCAPE request letter... |
|
| Group: pota |
Message: 25775 |
From: Melkor |
Date: 12/16/2002 |
| Subject: Re: [Planet of the Apes] The Lawgiver's "Hope" and Kolp's Intention |
|
| Group: pota |
Message: 25776 |
From: xinphpgcxvxx |
Date: 12/16/2002 |
| Subject: check this out! |
|
| Group: pota |
Message: 25777 |
From: Haristas@aol.com |
Date: 12/16/2002 |
| Subject: POTA mini busts |
|
| Group: pota |
Message: 25778 |
From: veetus@earthlink.net |
Date: 12/16/2002 |
| Subject: Re: [Planet of the Apes] POTA mini busts |
|
| Group: pota |
Message: 25779 |
From: mlccougar |
Date: 12/16/2002 |
| Subject: Questioning the ship's computers... |
|
| Group: pota |
Message: 25780 |
From: veetus@earthlink.net |
Date: 12/16/2002 |
| Subject: Re: [Planet of the Apes] POTA mini busts |
|
| Group: pota |
Message: 25781 |
From: Melkor |
Date: 12/16/2002 |
| Subject: Re: [Planet of the Apes] Questioning the ship's computers... |
|
| Group: pota |
Message: 25782 |
From: mlccougar |
Date: 12/16/2002 |
| Subject: An ESCAPE Question |
|
| Group: pota |
Message: 25783 |
From: Haristas@aol.com |
Date: 12/17/2002 |
| Subject: Re: [Planet of the Apes] POTA mini busts |
|
| Group: pota |
Message: 25784 |
From: Haristas@aol.com |
Date: 12/17/2002 |
| Subject: Re: [Planet of the Apes] POTA mini busts |
|
| Group: pota |
Message: 25785 |
From: Haristas@aol.com |
Date: 12/17/2002 |
| Subject: Re: [Planet of the Apes] An ESCAPE Question |
|
| Group: pota |
Message: 25786 |
From: LordTZer0@AOL.com |
Date: 12/17/2002 |
| Subject: Re: [Planet of the Apes] An ESCAPE Question |
|
| Group: pota |
Message: 25787 |
From: LordTZer0@AOL.com |
Date: 12/17/2002 |
| Subject: Re: [Planet of the Apes] An ESCAPE Question |
|
| Group: pota |
Message: 25788 |
From: patrickmichaeltilton
| Date: 12/17/2002 |
|
| Subject: Re: [Planet of the Apes] An ESCAPE Question |
|
| Group: pota |
Message: 25789 |
From: patrickmichaeltilton
| Date: 12/17/2002 |
|
| Subject: Re: [Planet of the Apes] Questioning the ship's computers... |
|
| Group: pota |
Message: 25790 |
From: patrickmichaeltilton
| Date: 12/17/2002 |
|
| Subject: Re: Questioning the ship's computers... |
|
| Group: pota |
Message: 25791 |
From: LordTZer0@AOL.com |
Date: 12/17/2002 |
| Subject: Re: [Planet of the Apes] An ESCAPE Question |
|
| Group: pota |
Message: 25792 |
From: patrickmichaeltilton
| Date: 12/17/2002 |
|
| Subject: The "giver of Laws", the Laws, and how Times change |
|
| Group: pota |
Message: 25793 |
From: Melkor |
Date: 12/17/2002 |
| Subject: Hasslein's position |
|
| Group: pota |
Message: 25794 |
From: patrickmichaeltilton
| Date: 12/17/2002 |
|
| Subject: Re: [Planet of the Apes] The Lawgiver's "Hope" and Kolp's Intention |
|
| Group: pota |
Message: 25795 |
From: Melkor |
Date: 12/17/2002 |
| Subject: CIA interrogation |
|
| Group: pota |
Message: 25796 |
From: mtotsky |
Date: 12/17/2002 |
| Subject: Kubricks |
|
| Group: pota |
Message: 25797 |
From: patrickmichaeltilton
| Date: 12/17/2002 |
|
| Subject: Re: Hasslein's position |
|
| Group: pota |
Message: 25798 |
From: Alan Maxwell |
Date: 12/17/2002 |
| Subject: Re: [Planet of the Apes] Re: Apes soundtrack CDs... |
|
| Group: pota |
Message: 25799 |
From: Alan Maxwell |
Date: 12/17/2002 |
| Subject: Re: [Planet of the Apes] Questioning the ship's computers... |
|
| Group: pota |
Message: 25800 |
From: mlccougar |
Date: 12/17/2002 |
| Subject: Re: Questioning the ship's computers... |
|
| Group: pota |
Message: 25801 |
From: veetus@earthlink.net |
Date: 12/18/2002 |
| Subject: Re: [Planet of the Apes] Kubricks |
|
| Group: pota |
Message: 25802 |
From: veetus@earthlink.net |
Date: 12/18/2002 |
| Subject: National Film Registry (OT) |
|
| Group: pota |
Message: 25803 |
From: Melkor |
Date: 12/18/2002 |
| Subject: Re: [Planet of the Apes] Re: Hasslein's position |
|
| Group: pota |
Message: 25804 |
From: mtotsky |
Date: 12/18/2002 |
| Subject: Re: National Film Registry (OT) |
|
| Group: pota |
Message: 25805 |
From: Haristas@aol.com |
Date: 12/18/2002 |
| Subject: Re: [Planet of the Apes] Kubricks |
|
| Group: pota |
Message: 25806 |
From: patrickmichaeltilton
| Date: 12/18/2002 |
|
| Subject: [Planet of the Apes] Re: Hasslein's position |
|
| Group: pota |
Message: 25807 |
From: Michael Whitty |
Date: 12/18/2002 |
| Subject: $15 |
|
| Group: pota |
Message: 25808 |
From: libraryape |
Date: 12/18/2002 |
| Subject: What is missing in the picture ??? a contradiction ideed |
|
| Group: pota |
Message: 25809 |
From: veetus@earthlink.net |
Date: 12/18/2002 |
| Subject: Re: [Planet of the Apes] Kubricks |
|
| Group: pota |
Message: 25810 |
From: LordTZer0@AOL.com |
Date: 12/19/2002 |
| Subject: Re: [Planet of the Apes] What is missing in the picture ??? a contr |
|
| Group: pota |
Message: 25811 |
From: Haristas@aol.com |
Date: 12/20/2002 |
| Subject: Check out Film Score Monthly . COM |
|
| Group: pota |
Message: 25812 |
From: patrickmichaeltilton
| Date: 12/20/2002 |
|
| Subject: Re: Check out Film Score Monthly . COM |
|
| Group: pota |
Message: 25813 |
From: patrickmichaeltilton
| Date: 12/20/2002 |
|
| Subject: Infinite Regression |
|
| Group: pota |
Message: 25814 |
From: westminster54 |
Date: 12/20/2002 |
| Subject: IF YOU WANT TO SELL YOUR FANTASY BOOKS AND MOVIES |
|
| Group: pota |
Message: 25715 |
From: ujwqfxqrfkcb |
Date: 12/10/2002 |
| Subject: new pictures here... |
| Group: pota |
Message: 25716 |
From: patrickmichaeltilton
| Date: 12/10/2002 |
|
| Subject: It's a FANFIC, Mike! |
.html*** I've itemized my comments below.
> I think a "flame" is a PERSONAL attack (like when I call Patty an
idiot). But I guess the word "idiotic" is enough to start a flame war
too (that's why I like to DEFINE things), because it is a very strong
word and can easily be read as "this guy is calling me an idiot". I
also think that, given the history of Patricia's reaction to anyone
playing with his name, using any name other than "Patrick" is also a
flame, or an invitation to flame (but I just can't help myself - I
can be rather naughty at times..
*** So, Mike, YOU think that "playing with" someone's name "is also a
flame"... and then go right on ahead and call me "Patty"
and "Patricia" in quick succession. How the fuck is
this "constructive" criticism, Mike? It's just you being an asshole
for the sake of being an asshole. You "just can't help" yourself? So
we should just consider you a victim of Tourette's Syndrome and shrug
it off as inconsequential? One of the main reasons I considered your
decision to start that POTA-DG site to be suspect was your supposed
intent at REDUCING "flames"--but this latest drivel only proves that
you THRIVE on spewing them out.
> I also have a rather large bug in my ass about the (what seems to
be) gutless attitudes of a lot of people in both groups. I am left to
make statements based on what people say in private about Patrick,
but at the critical time I get no support (even when I'm not flaming,
just trying to identify what the problem is and do something about
it). Much like Jeff's call to arms, it seems that there are often a
lot of crickets about (just background chirping noise). This is
extremely frustrating.
*** So, when people in this group (and in the other one?) do NOT jump
on your anti-Patrick bandwagon, that means they're "gutless"? Perhaps
they just think you're full of shit, and don't agree at all with you.
> As far as I can tell Patrick hasn't stopped, but nobody makes a
statement like "Hey Patrick, can't you just stop flaming?". When I
recently asked you to do this Rory, you painted me as a mindless
subordinate of Adolph Hitler (not the soup Nazi, unless he had
generals I don't know of?). Why? Is it because you know there's no
reasoning with Patrick? If that is the case, say so.
*** There's a difference between "flaming" somebody (just being MEAN)
and pointing out a valid criticism--such as when somebody wielding
dictatorial powers abuses his power and commits CENSORSHIP and then
throws out the "troublemaker" undemocratically. Such BEHAVIOR, Mike,
is worthy of condemnation. Why you asked RORY (of all people!) to
make a statement to me to "stop flaming", is a wonder! Have you
forgotten WHY he would call you "a mindless subordinate of Adolph
Hitler"? YOU PERSONALLY CENSORED HIS INPUT (at the POTA-DG) AND
KICKED HIM OUT. You behaved like a Nazi--don't be so astonished that
you were referred to derogatorily as one.
> There's nothing wrong with having a sense of humour, but when there
are serious issues at hand it sometimes a good idea to be serious for
a short time. I don't want to crucify Patrick, I just want people to
be honest about how they feel about his "kooky" (that's a direct Rory
quote) ideas, and explain why. I have been brought up to deal with a
problem then get over it. Pushing it aside and pretending it never
happened just means the same issues come up later.
>
> So how about it? Can we now hear what individuals really think of
the USS Earth, pole shifted Australia, Roswell on the POTA and the
other theories Patrick has forwarded? And, without anybody accusing
me of being a Nazi, can we try to keep it nice and constructive?
*** Hey, Mike, I suggest you surf the POTA-TV Yahoo site,
called "Friends and Fugitives"; it's chock-full of "fan-fics" written
by fans of the TV series. None of it's "canon", of course, but it is
often fun to read. The writers of those original stories obviously
care about the characters Galen, Virdon, and (especially) Burke
[there are a number of girls over there (like Kassidy) who have long
been head-over-heels for James Naughton]. And--get this, Mike--those
stories they've been writing are FAN FICTION. Intrinsically, they are
NO DIFFERENT THAN THE NOVEL PROJECT THAT I AM WORKING ON, excepting
that my project is one big-ass mega-novel (re-)telling ALL of the
live-action POTA stories. Why don't you go surf THAT site, Mike, read
their fanfics, and give THEM a hard time for a fucking change? You
seem to have this fixation on getting everybody on THIS site to join
you in one collective condemnation of the plot(s)/unflubbings/etc.
that I'm developing for MY fanfic. Why? Because you don't want your
beloved nation to be pole-shifted in a work of FICTION? Jeezus H.
Christ! In the POTA films, MY beloved nation has been reduced
to "radioactive rubble". There weren't any long lines of Catholic
protestors protesting the "misuse" of one of their cathedrals in
BENEATH, now, were there? So why the fuck do you have to go on and on
and on harping against a FICTIONAL scenario for a work of FICTION?
Where does it get you, Mike? NOWHERE!
> I'm asking for honesty here, but I'm not expecting it because there
is a political agenda..."Be nice to Pat and say you always loved to
hear from him, but when you called him a freak it was a term of
endearment". Now that's a real trait of evil dictators..re-writing
history (read the archives, it's all there). The other reason your
honesty doesn't matter is that, no matter how constructive, lengthy,
scientific it is, Patrick will not want to listen, but will set out
to PROVE YOU WRONG. There is evidence of this too.
>
> Michael
*** I listen PLENTY, Mike! I've said it numerous times before, but
I'll say it again, if it'll get through your thick skull: For the
sake of the novel I'm writing, I've developed a "scenario" (an
extensive Plot) which--for the sake of Consistency--required me
to "unflub" as much of the "inconsistent" details of the films &
episodes as is possible. AFTER having developed this Scenario, I have
divulged enough of it to this Yahoo POTA group, just to see if
anybody could shoot holes through it with LOGICAL argument. I want my
book's Plot to be coherent and consistent, and I do NOT wish to alter
ANY of the details as they were presented on screen (eg. the dialogue
from the 5 movies & 14 episodes will be VERBATIM, not "changed" in
any way, but (at times) RE-INTERPRETED, as when Taylor (in PLANET)
and Skipper (in BENEATH) refer to "Earth": in MY scenario, for the
sake of simple logic, it doesn't make ANY sense for them to be
referring to the planet Earth, which they both believe to be
LIGHTYEARS away, uncontactable via radio.
It's a FANFIC, Mike. It ain't "canon", and nobody MUST accept it as
such. I, for one, have never insisted on that! The first "published"
POTA item I ever wrote (prior, that is, to posting on this site) was
a 4-page article for issue #2 of "APESFAN" called "A Chronology of
the Planet of the Apes", and IN that article I went out of my way to
point out that it was titled "A Chronology..." rather than "THE
Chronology..." because the information presented in it represented MY
take on the POTA saga. It was not presented as THE chronology that
EVERY fan of POTA absolutely HAD to accept.
The same goes for my book's Scenario. Nobody else has to accept it
as "canon", let alone like it. I don't care if anybody else ever
does, Mike, especially YOU. Just as scientific theories which FIT THE
FACTS are USEFUL to scientists, so too is my scenario for POTA useful
to me... because it was DESIGNED to "fit the facts" as presented on-
screen.
But you don't like that Australia gets pole-shifted... BOO-HOO!
Remember when Zira refers to Taylor's trek from Dead Lake across the
Forbidden Zone (during the infamous Map scene), and says that
he "reached the jungle"? The JUNGLE. What is a jungle, Mike? She
could have said "forest", but she said "jungle". And WHAT is the
difference between a "forest" and a "jungle"? A jungle is a TROPICAL
rain forest. A TROPICAL one, Mike! And WHERE, pray tell, are the
TROPICS located? Between the Tropic of Cancer (23.5 degrees North of
the Equator) and the Tropic of Capricorn (23.5 degrees South of the
Equator). New York City is at around 41 degrees North latitude, which
puts the "jungle" Zira's referring to as TOO FAR NORTH... UNLESS,
that is, the crust of the planet Earth has shifted catastrophically,
so that the North American tectonic plate has somehow shifted
SOUTHWARDS, putting what once was 41 degrees North, in the TEMPERATE
zone, into the tropical zone, at least 18 degrees or so. And if North
America has shifted at least 18 degrees SOUTHWARD, then the antipodal
location on the Earth's crust (about 700 miles SW of Perth,
Australia) would subsequently be shifted NORTHWARD by the same amount
of degrees of latitude. Zira's use of the word "jungle" in PLANET
provides reason enough to deduce that Earth's geodetics are DIFFERENT
in the 40th Century than they were in the 20th. Between Nuclear War
and an "Earth-Crust-Displacement" event, our planet gets the "Shake-N-
Bake" treatment... and, somehow, the MEMORY of this sort of tectonic
activity is perpetuated from generation-to-generation amongst the
community of Bomb-worshipping Mutants, who inflict an Illusion on
Taylor and Nova (and their horse) in BENEATH.
Anybody else is free to interpret Zira's "jungle" line differently.
It wouldn't surprise me if YOU, Mike, came up with one JUST to
be "against" my interpretation of it. So be it. Ain't no thang.
But get it through your Australopithecoid skull: it's a FANFIC!
Patrick <.html
|
|
| Group: pota |
Message: 25717 |
From: Haristas@aol.com |
Date: 12/10/2002 |
| Subject: Re: [Planet of the Apes] PAT'S Theories |
.html.html In a message dated 12/10/02 4:36:34 PM Eastern Standard Time, whitty@... writes:
I hardly know when you are serious, but I'll assume until you say otherwise that you ARE being serious here.
I'm serious and I wish you would seriously chill out. Pull that bug out of your ass and stop being such a wet blanket around here.
By the way, Kassidy has received the tapes I sent her, and it cost $5 to mail them. That leaves $15 left over. What do you want me to do with it, Mr. Whitty? (And don't say shove it up your ass!)
-- Rory<.html
<.html
|
|
| Group: pota |
Message: 25718 |
From: Haristas@aol.com |
Date: 12/10/2002 |
| Subject: Re: [Planet of the Apes] It's a FANFIC, Mike! |
|
.html .htmlBoth of you clowns, Mike and Patrick, don't seem to get it. I said "Flamer" wars, as in a "flamer," a raging queen. You guys have had hard-ons for each other long enough. I'm getting sick of this endless cycle of repressed homosexual obsession and wish that you two would both just SHUT UP!!!!!!!!!!
You hear? Neither mention one another anymore, you closet queens! SHUT UP!
-- Rory<.html <.html
|
|
| Group: pota |
Message: 25719 |
From: patrickmichaeltilton
| Date: 12/10/2002 |
|
| Subject: Taylor's Nest, etc. |
.html--- In pota@yahoogroups.com, Melkor <melkor@e...> wrote:
> >
> > Yeah, Zaius says, "Where's your nest, Taylor?" If he knew who
Taylor was, he wouldn't be asking all those questions. It'd
be "Hello, goodbye". "All my life I've awaited your coming and
dreaded it" refers to the resurgence of Man. On the other hand, when
Michael says, "All my life I've awaited your coming and dreaded it",
he's referring specifically to Patrick. - - Jeff
*** Hah! Chortle! Guffaw!
Remember when Zaius finds the toy airplane? "What is this?" he asks.
Zira says, "A toy... it FLOATS on the AIR... try it!" And Zaius,
obviously disturbed at this, crumples it up and declares, "Nonsense."
What does this tell us? Not too long before, he had crossed out
Taylor's half-effaced writing in the sand, in the outdoor cage. And
NOW he sees this piece of paper folded up into a "toy" which
can "float on the air". Zaius, who knows the Truth about Man's past
Wisdom (as expressed through Technology, which turned a "paradise"
into a "desert"), knows enough about Taylor, now, to order him to be
gelded.
As I see it, Zaius knew that in the distant past, Humans had sent
people in "flying machines" into Outer Space... and that eventually
some of them (or their descendants) just MIGHT return one day. The
paper airplane would remind him of this prospect--a flying machine on
which an intelligent human from the Past would return, to threaten
the peaceful Ape civilization with the curse of his dangerous
Technology. That is why Knowledge must "stand still", as Lucius
laments at the end of the movie.
Why, then, does Zaius insist that Taylor "confess" to him that he
belongs to a "tribe" or "nest" perhaps from beyond the Forbidden
Zone? "Where are your women?" and all that? Just taking PLANET into
account, might it not be just WISHFUL THINKING on Zaius' part? He
doesn't WANT to believe that Taylor came to them from Earth's distant
Past, so he tries to come up with a logical alternative: he MUST,
then, come from somewhere on this world... but from where? Perhaps
there's another jungle, beyond the Forbidden Zone... And IF Taylor's
lying (during the Trial) about that Spaceship nonsense, then he'll
need to send the gorilla army out to that "nest" in order to wipe out
any intelligent humans that might be there.
However, at the End of the movie, when Zaius says, "You may not like
what you'll find", it seems obvious (to me, if not to some others
here) that he KNOWS that that iconic Statue of Liberty is further
down the beach, and that Taylor--heading in that direction--would
ultimately encounter it. And he would know that Taylor will recognize
it... since, by this time, it seems as if Zaius has come to believe
that Taylor really IS from the Past--and, seeing the ruins of the
Statue, would "not like" what he found.
Taking the sequels into account, though, it seems to me that after
Caesar & Virgil & MacDonald hear Zira say that the End of the World
would be in 3950, then IF that information is passed down (perhaps
secretively, from Virgil to his protege, etc.), it follows that an
Ape who is privy to the Truth about the Human past AND who knows that
the world is "prophesied" to end in 3950, AND is actually alive
during that date (which Zaius most certainly was), then he might have
been "awaiting" the "coming" of a spaceship-flying human astronaut...
and DREADED IT, LIKE 'DEATH' ITSELF! Why so? Because, perhaps, Zaius
knew that the ancient Chimp King named Caesar was born to parents who
time-travelled back FROM 3950 (or so) to 1973, when he was born...
and that those unnamed parents (unnamed, that is, by the BATTLE
Lawgiver, when he reads from his scroll) had witnessed the
destruction of the planet from space... in a spaceship which had to
have landed for them to take up into space to begin with. So, then,
taking the sequels into account, it seems to me that Zaius was
specifically anticipating the arrival of a HUMAN ASTRONAUT, whose
spaceship would be flown up into space by the father and pregnant
mother of the pre-Sacred Scrolls "savior" Caesar... a "history" he'd
read about in one of those "history scrolls" which Cornelius mentions
had been kept hidden from the masses. But not from Zaius.
Patrick <.html
|
|
| Group: pota |
Message: 25720 |
From: LordTZer0@AOL.com |
Date: 12/10/2002 |
| Subject: Re: [Planet of the Apes] Mad Max (OT) |
|
.html .htmlIt'll probably be more "Thunderdome" than "Road Warrior". This story comes from "Variety", it's not a rumor. - - - Jeff
How to make a proper Mad Max Movie!
1. Do NOT, under any circumstances, cast Tina Turner, or any other Pop singer.
2. DO cast though guys for villains, like Wez and The Humungus. NOT skinheads with Kabuki mask stuck down the back of their shirts, or giant Baby Huey's with diving helmets on that can't stand whistles.
3. Give Max a cool gun that actually works! And plenty of shells! Once the body count is high enough he can ditch the gun and come up with more creative ways to kill the bad guys. Maybe some Lethal Weapon Kung Fu moves or just run them over with The Car.
4. Have at least one hot chick in the film. No aging pop stars! (See rule 1) Preferably some Robo-Babe like in the second film. He should have sex with her at least once before she gets crossbowed or run over.
5. Most important!!! What ever you do...DO have a Super Cool Black V-8 Interceptor with side-pipes and a massive Weiand Supercharger with a Scott Scoop on it, sticking through the hood, and use it throughout the film. DO NOT keep it in the garage until the end of the film. DO NOT wreck it and then blow it up after one good scene. And, under NO circumstances, try and pass off some nitrous-fed engine on a truck chassis, or a Stanley Steamer on methane as the Cool Car of the flick! "Check out the blower, man! THE BLOWER!"
<.html <.html
|
|
| Group: pota |
Message: 25721 |
From: Rich Handley |
Date: 12/10/2002 |
| Subject: Re: [Planet of the Apes] Digest Number 1497 |
|
.html Man, I'm gone for a few months, and I come back to find the group filled
with in-fighting. What the hell happened here? This used to be a cool
place. Why don't those of you involved in the fight just ignore each other
instead of perpetuating this ridiculous penis-pulling competition? <.html
|
|
| Group: pota |
Message: 25722 |
From: mlccougar |
Date: 12/10/2002 |
| Subject: Re: PLANET'S prophecies (Melkor) |
|
.html *Since all five movies are in the same universe you have to consider
the evidence from ALL the movies in my view. Whether they intended
sequels or not is irrelevent because the sequels are part of
the "canon".*
-Like I said last night, what you said about the lightning with no
rain being Mutant made, I DID say to you that what you said there
made sense, "from a sequel point of view..."-
<younger brother saying "Look, a hinny..." Were you that damn ashamed
of him that you didn't catch these revelations?!? What's it gonna
take to make you see these things?!?>
*Huh?*
-This was pointed at Rory, because he said when he seen Planet,
during the water hole swimming scene, his lil brother said that I
believe... (Rory, if I was wrong in thinking you're the one who said
it, all I can say is "Oops...")Actually, my whole post last night was
just kidding with Rory and his feeling a headache (or whatever)
coming on because of what you said about the thunder/rain
being "explained" in Beneath...
*Neither can I. Patrick said that (I think) not me. Zaius sure as
hell didn't know about Taylor coming. That's damn idiotic!*
-I know you didn't say that one!!! Again, I was just playing with
Rory saying (and being RIGHT when he says it) that when the made
Planet, they only made Planet... They weren't thinking sequels, they
weren't thinking timelines, they weren't thinking of scenarios that
would be made up from dialog said in the Planet script... All they
were doing is making that ONE movie... <.html
|
|
| Group: pota |
Message: 25723 |
From: patrickmichaeltilton
| Date: 12/10/2002 |
|
| Subject: Re: [Planet of the Apes] BENEATH is not that bad... (LONG POST) |
.html--- In pota@yahoogroups.com, Haristas@a... wrote:
> In a message dated 12/8/02 10:45:54 PM Eastern Standard Time,
> melkor@e... writes:
>
>
> > They even explain some things in BENEATH that PLANET never does,
like the lightning with no rain.
> >
> >
>
> Oh NO!!!! Now wait a minute! You're not telling me that
the "lightning without rain" in the first film was caused by the
mutants in the second, even though when they made the first movie
they had no idea they'd make the second? Please tell me you're not
saying that. I feel another brain seizure coming on!
>
> -- Rory
*** In my scenario, Taylor's ship (after Time-Travelling back from
3978 to 3955, those 320 lightyears) lands in Dead Lake on July 1st of
3955 and is captured by the gorillas during the Hunt on July 4th,
3955 (ironically, just after making his "imperialistic" comment
about "running this planet" in just 6 months).
Two days earlier, on July 2nd, the Earth-Moon-Sun alignment of what
ordinarily is a "new moon" occurs (according to a website listing the
ephemeris data for our Solar System). But, since Dodge says "there's
no moon" in the sky, and there's a "strange luminosity" instead...
yet Cornelius later refers to "high tide" which prevents riding along
the shore... that means that the Moon may not be visible, yet its
mass still exerts a gravitational pull on the Earth's oceans
(the "high tide"). In my scenario, the Moon suffers a "Doomsday Bomb"
event sometime after the events of "The Liberator" (when the Full
Moon is visible) in 3085, yet hundreds of years prior to 3955. The
Moon is turned into a Black Hole, its mass shrunk down to a ring-
shaped Singularity spinning hyperfast, with its Event Horizon
stretched into a nearly flat pancake-shaped disk, around which swirls
a miasma of dust (an "Accretion Disk"). And when this Black Hole is
in-between the Sun and the Earth, the solar wind hits it, sending
ions into the Accretion Disk. The spinning disk "slingshots" a jet of
charged particles directly away from the direction the solar wind
blasts it--that is, towards the Earth when it's between the Earth and
the Sun. And THIS is what causes the "lightning" storm which the
astronauts see on the second day of their trip through the Forbidden
Zone. The Moon may not be visible (so that Dodge thinks there IS no
moon), but it is surrounded by a miasma of swirling dust and just as
a comet's tail streams away from the Sun, so too does a jet of ions
stream away from the Black Hole Moon (the "strange luminosity"),
which blasts straight at Earth when in the "New Moon" position
between Earth and Sun.
It is this regular ("monthly") phenomenon which the Mutants
telepathically witness, and "inflict" on Taylor & Nova just prior to
the fake "earthquake" illusion and just after the "wall of fire"
illusion. But, in my scenario, the "thunder and lightning" Taylor,
Dodge, & Landon experience is NOT an illusion by the Mutants; it's a
regular thing that happens every 29.53 days, when what once was our
Moon gravitationally "lenses" the Sun and its solar wind.
Patrick <.html
|
|
| Group: pota |
Message: 25724 |
From: mlccougar |
Date: 12/10/2002 |
| Subject: Re: Zira's wardrobe |
.html--- In pota@yahoogroups.com, Melkor <melkor@e...> wrote:
<they had Zira saying (even) she thought they were ugly... I still
think it woulda been better to have those two look at the human
society as something they'd want to hold at arms length, and that
includes clothing...>
*** Why? Zira and Cornelius like humans and in PLANET Zira seems to
have some special fascination with humans. I think we would expect
Zira to be extremely curious about human society, not to 'hold it at
arms length'.Zira was the first to talk to humans because she was
impatient with Milo's advice to stay silent.**
< Not entirely true... She is "fascinated with them" as people might
be fascinated by an "intelligent" animal... She dissected them,
experimented with them, and treated them as the beasts they are in
her time... And I'm not quite sure where you think Cornelius likes
humans... Yes, he studied them, but studying something doesn't mean
you actually "like" them, not when you're doing it from a scientific
point of view... > <.html
|
|
| Group: pota |
Message: 25725 |
From: mlccougar |
Date: 12/10/2002 |
| Subject: Re: Taylor's Nest, etc. |
|
.html Tilton, I have to say this... I agree with some of what you said in
your posting here... I may not agree with the last part of it, but a
few ideas you put forth actually are plausible... <.html
|
|
| Group: pota |
Message: 25726 |
From: Michael Whitty |
Date: 12/10/2002 |
| Subject: Re: [Planet of the Apes] PAT'S Theories |
.html.html
Rory
I'm not trying to fight with you
(actually, I thought you and I were pretty much over our hostilities, correct?),
but be fair (and honest).
My comment was:
"Tom, are you saying
that Patrick's statement is idiotic?"
I think that's a fair question
(particularly when so many jump hypocritically to Patrick's defense and say
they LIKE hearing Patrick's ideas, when they have said the OPPOSITE to me).
Your response was:
Whitty what's it going
to take for you to stop bring in these "flamer" wars to this group?
If you were being serious, please explain
why this is a "flamer" war. Actually,
you seem to be trying to stop me from clarifying a legitimate observation……and
this would be rather hypocritical if it is the case. I also have a point to make – some (and I
would say the majority of) people find Patrick's ideas outrageous and offensive. If that is "flaming"
then you need to re-define.
Can't I have an opinion? Or even worse, can't I clarify Tom's opinion? And how come you can tell me not to be a wet
blanket but I can't ask you to stay on topic?
There seems to be something amiss still.
Hold on to the $15 for the moment.
Michael
-----Original Message-----
From: Haristas@...
[Haristas@...]
Sent:
Wednesday, 11 December 2002
11:40 AM
To: pota@yahoogroups.com
Subject: Re: [Planet of the Apes]
PAT'S Theories
In a message dated 12/10/02 4:36:34 PM
Eastern Standard Time, whitty@... writes:
I hardly
know when you are serious, but I'll assume until you say otherwise that you ARE
being serious here.
I'm serious and I wish you would seriously chill out. Pull that bug out
of your ass and stop being such a wet blanket around here.
By the way, Kassidy has received the tapes I sent her, and it cost $5 to mail
them. That leaves $15 left over. What do you want me to do with it,
Mr. Whitty? (And don't say shove it up your ass!)
-- Rory
Your
use of Yahoo! Groups is subject to the .
<.html <.html
|
|
| Group: pota |
Message: 25727 |
From: veetus@earthlink.net |
Date: 12/10/2002 |
| Subject: Re: [Planet of the Apes] BENEATH & BATTLE |
.html
.html
Stuart, did you vote for your favorite "Ape"
movie? I don't think you did. - - - Jeff
----- Original Message -----
Sent: Tuesday, December 10, 2002 10:00
AM
Subject: Re: [Planet of the Apes] BENEATH
& BATTLE
----- Original Message ----- From: "Melkor" <melkor@...> To:
<pota@yahoogroups.com> Sent:
Tuesday, December 10, 2002 11:19 AM Subject: [Planet of the Apes] BENEATH
& BATTLE
> > > only. Then BENEATH comes out
and warps the impression of the first and far > > superior
movie. It was HORRIBLE!
The biggest problem with Beneath was that
the whole script approach had to change when Charlton Heston refused to
play more than a cameo role in the movie. They couldn't do a complete
rehash of the first movie with another astronaut because it would have been
repetitive, and I'd imagine that the obvious direction was to explore a
post-nuclear human society.
Having said that, the movie was a dated
mirror of the times. Transferring the whole anti-war motif to the chimps
was ludicrious, not to mention the studio-issue mutant dialogue and makeup,
and that sing-along bomb song (if there was ever a MST3K moment in the POTA
series , it was the service in St. Patricks). While the overall movie was
awful, I thought the ending's message was powerful: lack of interspecies
(interracial?) trust leading to thermonuclear destruction. It ties
neatly into the speech made by Taylor about there having to be something
"better than man", in that there wasn't, at least on Earth.
Some of
the other script ideas were better, like the one where Taylor ultimately
led the re-educated humans in overthrowing the ape order, and turning the
apes back into semi-articulate brutes. That would have had an equally
pessimistic message as the final movie (the more things change...), but one
a little more hopeful for humanity.
> BENEATH has two conservatives
arguing about war. BATTLE has two liberals > arguing about
war. Urses wants to launch an attack. Zaius wants to
wait until > they have more information. Mandemus is in favor
of unilateral disarmament. > Caesar wants to keep their weapons
stockpile for self-defense. Between the > four of them you have
almost the full range of opinions about war.
Likewise for Kolp vs.
Mendez in the underground city. Mendex gave a strong argument about letting
neighbors living in peace, and (at least in the novelization and the
Japanese laserdisc), he argues that the bomb should be left undetonated, if
not venerated, as a symbol that mankind can learn its lesson and become
"something better". Other than xenophobia and paranoia, his descendants
might have done that (at least among one another).
Of cousre, if you
consider POTA history to be elliptical, the "liberals" (Mendex on the human
side and Caesar) lost in the end. Caesar keeping the weapons because the
"danger always remains" led to the gorilla army, stratification of the apes
(those with the guns and power vs. not), and ultimately the invasion of the
Forbidden Zone in BENEATH. Mendex keeping the bomb led to its worship as
the "holy weapon of peace" and the destruction
of Earth.
Your use of Yahoo! Groups is subject to
the Yahoo! Terms of
Service.
<.html
<.html
|
|
| Group: pota |
Message: 25728 |
From: mtotsky |
Date: 12/10/2002 |
| Subject: Re: [Planet of the Apes] Digest Number 1497 |
.html--- In pota@yahoogroups.com, Rich Handley <handleyr@o...> wrote:
> Man, I'm gone for a few months, and I come back to find the group
filled
> with in-fighting. What the hell happened here? This used to be a
cool
> place. Why don't those of you involved in the fight just ignore
each other
> instead of perpetuating this ridiculous penis-pulling competition?
You said it Rich. Some people seem to obsessed with getting the last
word. To the rest of us who could care less, it gets quite dull. <.html
|
|
| Group: pota |
Message: 25729 |
From: veetus@earthlink.net |
Date: 12/10/2002 |
| Subject: Re: [Planet of the Apes] Mad Max (OT) |
.html
.html
They say the script is ready and it shoots
in May. Miller spent 3 years writing it. This has been going on a long time. I
remember at one point the movie would be about Max's son and Gibson would cameo,
followed by a TV series. Now with Ford doing Indie Jones and Ah-nold doing
Conan, it must be a status symbol to go back to an '80's movie franchise. - -
Jeff
----- Original Message -----
Sent: Tuesday, December 10, 2002 12:41
PM
Subject: RE: [Planet of the Apes] Mad Max
(OT)
All they need now is
a script.
I think Miller
learned from Thunderdome (hope so).
-----Original
Message----- From: veetus@...
[veetus@...] Sent: Wednesday, 11 December 2002 3:59
AM To: pota@yahoogroups.com Subject: [Planet of the Apes] Mad Max
(OT)
T already mentioned this on
another group. Mel Gibson has signed to do another "Mad Max" for $25 million.
We've talked "Mad Max" in this group before, I considered it the POTA of the
'80's. Anyway, it's going to cost $104 million and is being made by FOX (tying
in to what I said yesterday about their search for a franchise). George
Miller, who directed all 3 previous Maxs, got the rights back from Warner
Bros. in '97 (for giving up the directing of "Contact" to Zemeckis). I'm a big
fan, but with that price tag who knows what will happen. It'll probably be
more "Thunderdome" than "Road Warrior". This story comes from "Variety", it's
not a rumor. - - - Jeff
----- Original Message -----
Sent:
Tuesday, December 10, 2002 8:49 AM
Subject: Re:
[Planet of the Apes] orangutan astronaut
That was the Sam Hamm
script for Chris Columbus. The Oliver Stone script was "Lord of the Rings"
influenced and was set in ancient Africa. - -
Jeff
----- Original Message -----
Sent:
Tuesday, December 10, 2002 8:37 AM
Subject:
[Planet of the Apes] orangutan
astronaut
One of the scripts I read (Oliver Stone's?) began with
an orangutan astronaut crash
landing in New York City.
> > Yeah, or Ursus! Someone should write
an alternate history where Zauis and= > Ursus find out about the ship and go back in
it. - - - Jeff >
>
>
>
> they had Zira saying (even) she thought they were ugly...
I still=3D2= >
0 >
> think it woulda been better to have those two look at the
human=3D20 >
> society as something they'd want to hold at arms length,
and that=3D2= >
0 >
> includes clothing... > > Why? Zira and Cornelius like humans
and in PLANET Zira seems to have > some special fascination with
humans. I think we would expect Zira to be > extremely curious about human society,
not to 'hold it at arms length'. > Zira was the first to talk to humans
because she was impatient with Milo'= > s=20 > advice to stay
silent. >
> Now if Zaius
had went back in time (that would be interesting!) he
would > look at
human society as something to hold at arms
length. >
--
Get yourself kicked out of
the Stalinist group without even posting there in
two easy
steps...
Step 1: Quote in
this group what the owner posted about Trouble
Makers in order to get
put on strict moderation without notice where posts have
taken up to 5 hours to
go through. Step 2: Report in
this group that you were threatened by the owner and put
on strict moderation
for Step 1.
Your use of Yahoo! Groups is subject
to the Yahoo! Terms of
Service.
Your use of Yahoo!
Groups is subject to the Yahoo!
Terms of Service.
Your use of Yahoo!
Groups is subject to the Yahoo!
Terms of Service.
Your
use of Yahoo! Groups is subject to the .
<.html
<.html
|
|
| Group: pota |
Message: 25730 |
From: patrickmichaeltilton
| Date: 12/10/2002 |
|
| Subject: Re: Taylor's Nest, etc. |
.html--- In pota@yahoogroups.com, "mlccougar <mlccougar@a...>"
<mlccougar@a...> wrote:
> Tilton, I have to say this... I agree with some of what you said in
your posting here... I may not agree with the last part of it, but a
few ideas you put forth actually are plausible...
*** Only SOME? How dare you--!
Just kidding. Thanks. By the way, you CAN call me by my first name,
though at least you spelled my last name right. And, as long as we're
being all nicey-nice here, how would YOU prefer to be referred to?
As "mlccougar"? As "Cougar"? As "mlc"? Something else, your real
first name, perhaps? Howzabout signing your preferred "name" below
your next posting, and just to show you how swell I can be, I'll use
that... okey-dokey?
Patrick
P.S. Speaking of names, here's a lame joke. If Homer Simpson were in
CONQUEST OF THE PLANET OF THE APES, who would he play? Our Man D'oh! <.html
|
|
| Group: pota |
Message: 25731 |
From: veetus@earthlink.net |
Date: 12/10/2002 |
| Subject: Re: [Planet of the Apes] Mad Max (OT) |
.html
.html
It'll be interesting to see if Miller gets
self-conscious, since Mad Max is now an Oscar-winning director. - -
Jeff
----- Original Message -----
Sent: Tuesday, December 10, 2002 2:17
PM
Subject: Re: [Planet of the Apes] Mad Max
(OT)
I think Miller learned from
"Thunderdome" (hope so).
I would have thought Lucas learned from Return of the Jedi
and the Ewoks, but then he came back with Jar Jar Binks!
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| Group: pota |
Message: 25732 |
From: veetus@earthlink.net |
Date: 12/10/2002 |
| Subject: Re: [Planet of the Apes] Digest Number 1497 |
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.html
Oh, hi Rich! We're just fighting like apes.
- - Jeff
----- Original Message -----
Sent: Tuesday, December 10, 2002 5:19
PM
Subject: Re: [Planet of the Apes] Digest
Number 1497
Man, I'm gone for a few months, and I come back to find the
group filled with in-fighting. What the hell happened here?
This used to be a cool place. Why don't those of you involved in the
fight just ignore each other instead of perpetuating this ridiculous
penis-pulling competition?
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| Group: pota |
Message: 25733 |
From: veetus@earthlink.net |
Date: 12/10/2002 |
| Subject: Re: [Planet of the Apes] Re: Zira's wardrobe |
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In "Escape" Cornelius says to Zira, "You
don't like (humans) very much, do you?". - - - Jeff
----- Original Message -----
Sent: Tuesday, December 10, 2002 5:44
PM
Subject: [Planet of the Apes] Re: Zira's
wardrobe
--- In pota@yahoogroups.com, Melkor <melkor@e...> wrote:
<they had Zira
saying (even) she thought they were ugly... I still think it woulda been
better to have those two look at the human society as something they'd
want to hold at arms length, and that includes clothing...>
***
Why? Zira and Cornelius like humans and in PLANET Zira seems to have some
special fascination with humans. I think we would expect Zira to be
extremely curious about human society, not to 'hold it at arms
length'.Zira was the first to talk to humans because she was impatient
with Milo's advice to stay silent.**
< Not entirely true... She is
"fascinated with them" as people might be fascinated by an "intelligent"
animal... She dissected them, experimented with them, and treated them as
the beasts they are in her time... And I'm not quite sure where you think
Cornelius likes humans... Yes, he studied them, but studying something
doesn't mean you actually "like" them, not when you're doing it from a
scientific point of view... >
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| Group: pota |
Message: 25734 |
From: Stuart Drucker |
Date: 12/10/2002 |
| Subject: Re: [Planet of the Apes] BENEATH & BATTLE |
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Well, since you asked.....
I'd go with the original. It had the best developed
human characters in Taylor (rather than stereotypes like the humans in Escape or
Conquest), the most interesting plot, and an ending which still
is shocking, even today. Also, the motives of the simian characters are
much deeper and three-dimensional than they are in any of the other
movies.
Sent: Tuesday, December 10, 2002 10:03
PM
Subject: Re: [Planet of the Apes] BENEATH
& BATTLE
Stuart, did you vote for your favorite
"Ape" movie? I don't think you did. - - - Jeff
----- Original Message -----
Sent: Tuesday, December 10, 2002 10:00
AM
Subject: Re: [Planet of the Apes]
BENEATH & BATTLE
----- Original Message ----- From: "Melkor" <melkor@...> To:
<pota@yahoogroups.com> Sent:
Tuesday, December 10, 2002 11:19 AM Subject: [Planet of the Apes] BENEATH
& BATTLE
> > > only. Then BENEATH comes out
and warps the impression of the first and far > > superior
movie. It was HORRIBLE!
The biggest problem with Beneath was
that the whole script approach had to change when Charlton Heston refused
to play more than a cameo role in the movie. They couldn't do a complete
rehash of the first movie with another astronaut because it would have
been repetitive, and I'd imagine that the obvious direction was to
explore a post-nuclear human society.
Having said that, the movie was
a dated mirror of the times. Transferring the whole anti-war motif to the
chimps was ludicrious, not to mention the studio-issue mutant dialogue
and makeup, and that sing-along bomb song (if there was ever a MST3K
moment in the POTA series , it was the service in St. Patricks). While
the overall movie was awful, I thought the ending's message was powerful:
lack of interspecies (interracial?) trust leading to thermonuclear
destruction. It ties neatly into the speech made by Taylor about
there having to be something "better than man", in that there wasn't, at
least on Earth.
Some of the other script ideas were better, like the
one where Taylor ultimately led the re-educated humans in overthrowing
the ape order, and turning the apes back into semi-articulate brutes.
That would have had an equally pessimistic message as the final movie
(the more things change...), but one a little more hopeful for
humanity.
> BENEATH has two conservatives arguing about war.
BATTLE has two liberals > arguing about war. Urses wants to
launch an attack. Zaius wants to wait until > they have more
information. Mandemus is in favor of
unilateral disarmament. > Caesar wants to keep their weapons
stockpile for self-defense. Between the > four of them you
have almost the full range of opinions about war.
Likewise for Kolp
vs. Mendez in the underground city. Mendex gave a strong argument about
letting neighbors living in peace, and (at least in the novelization and
the Japanese laserdisc), he argues that the bomb should be left
undetonated, if not venerated, as a symbol that mankind can learn
its lesson and become "something better". Other than xenophobia and
paranoia, his descendants might have done that (at least among one
another).
Of cousre, if you consider POTA history to be elliptical,
the "liberals" (Mendex on the human side and Caesar) lost in the end.
Caesar keeping the weapons because the "danger always remains" led to the
gorilla army, stratification of the apes (those with the guns and power
vs. not), and ultimately the invasion of the Forbidden Zone in BENEATH.
Mendex keeping the bomb led to its worship as the "holy weapon of peace"
and the destruction of Earth.
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Groups is subject to the Yahoo!
Terms of Service.
Your use of Yahoo! Groups
is subject to the Yahoo! Terms of
Service.
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| Group: pota |
Message: 25735 |
From: Haristas@aol.com |
Date: 12/10/2002 |
| Subject: Re: [Planet of the Apes] BENEATH & BATTLE |
.html.html In a message dated 12/11/02 12:09:26 AM Eastern Standard Time, sdrucker@... writes:
Well, since you asked.....
I'd go with the original. It had the best developed human characters in Taylor (rather than stereotypes like the humans in Escape or Conquest), the most interesting plot, and an ending which still is shocking, even today. Also, the motives of the simian characters are much deeper and three-dimensional than they are in any of the other movies.
Yeah, you said it!
-- Rory<.html
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| Group: pota |
Message: 25736 |
From: mlccougar@aol.com |
Date: 12/10/2002 |
| Subject: "Special Edition" commentary tracks? |
|
.html .htmlIt has been pointed out by Jeff that now two more of the APES bigger names are gone, those being Kim Hunter and J. Lee Thompson... I am wondering though, even if they are gone, couldn't they use the interviews they did for BEHIND the POTA as the "commentary tracks" on any future special edition DVDs? You gotta know they talked to them longer than what was shown in the documentary, and maybe they gave more insight/details in what was left out of the documentary...
Do you think this could be done? Do you think it'd be a good idea? (Personally, I think it'd be alright... Maybe we wouldn't be getting their comments "as they watched it" or as currently as if and when they'd do a special edition, but at least it'd be something...)
Maybe it couldn't even be done for legal reasons or because of residual matters, but it's an idea.... Any comments?<.html <.html
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|
| Group: pota |
Message: 25737 |
From: LordTZer0@AOL.com |
Date: 12/11/2002 |
| Subject: Re: [Planet of the Apes] Mad Max (OT) |
|
.html .htmlThey say the script is ready and it shoots in May. Miller spent 3 years writing it. This has been going on a long time.
Mel said he's wanted to work with Miller again, even if it was just a shaving commercial. Then again seems like if he wanted to work with him that bad he'd take 5 million less for it. All three films have only made $69 million combined stateside. I guess the profits from the first film's DVD will pay his salery.<.html <.html
|
|
| Group: pota |
Message: 25738 |
From: Michael Whitty |
Date: 12/11/2002 |
| Subject: Re: [Planet of the Apes] It's a poofta, Mike! |
.html.html
Come to think of it, this
does feel a bit like Patrick just won’t ever accept my rejection.
Now to test Rory’s theory I went and
had sex with a guy.
I didn’t enjoy it.
There was a definite hygiene issue and the
smell of poo was prominent.
Sorry Rory, I’m not gay (and now I
can’t say I haven’t tried it …. OW! Just sat down….how do you guys do
it?).
-----Original Message-----
From: Haristas@...
[Haristas@...]
Sent: Wednesday, 11 December 2002
11:45 AM
To: pota@yahoogroups.com
Subject: Re: [Planet of the Apes]
It's a FANFIC, Mike!
Both of you clowns, Mike and Patrick,
don't seem to get it. I said "Flamer" wars, as in a
"flamer," a raging queen. You guys have had hard-ons for each
other long enough. I'm getting sick of this endless cycle of repressed
homosexual obsession and wish that you two would both just SHUT UP!!!!!!!!!!
You hear? Neither mention one another anymore, you closet queens!
SHUT UP!
-- Rory
Your
use of Yahoo! Groups is subject to the .
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| Group: pota |
Message: 25739 |
From: Michael Whitty |
Date: 12/11/2002 |
| Subject: Re: [Planet of the Apes] It's GAY, Mike! |
.htmlI started to read this but it is the SAME SHIT.
Change the record DJ.
Now would you like to have the last word (or is it going to be a
sentence...or an essay...or a thesis....zzzzz.....zzzzzz.....zzzzzz)?
-----Original Message-----
From: patrickmichaeltilton < patrickmichaeltilton@...>
[ patrickmichaeltilton@...]
Sent: Wednesday, 11 December 2002 11:23 AM
To: pota@yahoogroups.com
Subject: [Planet of the Apes] It's a FANFIC, Mike!
*** I've itemized my comments below.
> I think a "flame" is a PERSONAL attack (like when I call Patty an
idiot). But I guess the word "idiotic" is enough to start a flame war
too (that's why I like to DEFINE things), because it is a very strong
word and can easily be read as "this guy is calling me an idiot". I
also think that, given the history of Patricia's reaction to anyone
playing with his name, using any name other than "Patrick" is also a
flame, or an invitation to flame (but I just can't help myself - I
can be rather naughty at times..
*** So, Mike, YOU think that "playing with" someone's name "is also a
flame"... and then go right on ahead and call me "Patty"
and "Patricia" in quick succession. How the fuck is
this "constructive" criticism, Mike? It's just you being an asshole
for the sake of being an asshole. You "just can't help" yourself? So
we should just consider you a victim of Tourette's Syndrome and shrug
it off as inconsequential? One of the main reasons I considered your
decision to start that POTA-DG site to be suspect was your supposed
intent at REDUCING "flames"--but this latest drivel only proves that
you THRIVE on spewing them out.
> I also have a rather large bug in my ass about the (what seems to
be) gutless attitudes of a lot of people in both groups. I am left to
make statements based on what people say in private about Patrick,
but at the critical time I get no support (even when I'm not flaming,
just trying to identify what the problem is and do something about
it). Much like Jeff's call to arms, it seems that there are often a
lot of crickets about (just background chirping noise). This is
extremely frustrating.
*** So, when people in this group (and in the other one?) do NOT jump
on your anti-Patrick bandwagon, that means they're "gutless"? Perhaps
they just think you're full of shit, and don't agree at all with you.
> As far as I can tell Patrick hasn't stopped, but nobody makes a
statement like "Hey Patrick, can't you just stop flaming?". When I
recently asked you to do this Rory, you painted me as a mindless
subordinate of Adolph Hitler (not the soup Nazi, unless he had
generals I don't know of?). Why? Is it because you know there's no
reasoning with Patrick? If that is the case, say so.
*** There's a difference between "flaming" somebody (just being MEAN)
and pointing out a valid criticism--such as when somebody wielding
dictatorial powers abuses his power and commits CENSORSHIP and then
throws out the "troublemaker" undemocratically. Such BEHAVIOR, Mike,
is worthy of condemnation. Why you asked RORY (of all people!) to
make a statement to me to "stop flaming", is a wonder! Have you
forgotten WHY he would call you "a mindless subordinate of Adolph
Hitler"? YOU PERSONALLY CENSORED HIS INPUT (at the POTA-DG) AND
KICKED HIM OUT. You behaved like a Nazi--don't be so astonished that
you were referred to derogatorily as one.
> There's nothing wrong with having a sense of humour, but when there
are serious issues at hand it sometimes a good idea to be serious for
a short time. I don't want to crucify Patrick, I just want people to
be honest about how they feel about his "kooky" (that's a direct Rory
quote) ideas, and explain why. I have been brought up to deal with a
problem then get over it. Pushing it aside and pretending it never
happened just means the same issues come up later.
>
> So how about it? Can we now hear what individuals really think of
the USS Earth, pole shifted Australia, Roswell on the POTA and the
other theories Patrick has forwarded? And, without anybody accusing
me of being a Nazi, can we try to keep it nice and constructive?
*** Hey, Mike, I suggest you surf the POTA-TV Yahoo site,
called "Friends and Fugitives"; it's chock-full of "fan-fics" written
by fans of the TV series. None of it's "canon", of course, but it is
often fun to read. The writers of those original stories obviously
care about the characters Galen, Virdon, and (especially) Burke
[there are a number of girls over there (like Kassidy) who have long
been head-over-heels for James Naughton]. And--get this, Mike--those
stories they've been writing are FAN FICTION. Intrinsically, they are
NO DIFFERENT THAN THE NOVEL PROJECT THAT I AM WORKING ON, excepting
that my project is one big-ass mega-novel (re-)telling ALL of the
live-action POTA stories. Why don't you go surf THAT site, Mike, read
their fanfics, and give THEM a hard time for a fucking change? You
seem to have this fixation on getting everybody on THIS site to join
you in one collective condemnation of the plot(s)/unflubbings/etc.
that I'm developing for MY fanfic. Why? Because you don't want your
beloved nation to be pole-shifted in a work of FICTION? Jeezus H.
Christ! In the POTA films, MY beloved nation has been reduced
to "radioactive rubble". There weren't any long lines of Catholic
protestors protesting the "misuse" of one of their cathedrals in
BENEATH, now, were there? So why the fuck do you have to go on and on
and on harping against a FICTIONAL scenario for a work of FICTION?
Where does it get you, Mike? NOWHERE!
> I'm asking for honesty here, but I'm not expecting it because there
is a political agenda..."Be nice to Pat and say you always loved to
hear from him, but when you called him a freak it was a term of
endearment". Now that's a real trait of evil dictators..re-writing
history (read the archives, it's all there). The other reason your
honesty doesn't matter is that, no matter how constructive, lengthy,
scientific it is, Patrick will not want to listen, but will set out
to PROVE YOU WRONG. There is evidence of this too.
>
> Michael
*** I listen PLENTY, Mike! I've said it numerous times before, but
I'll say it again, if it'll get through your thick skull: For the
sake of the novel I'm writing, I've developed a "scenario" (an
extensive Plot) which--for the sake of Consistency--required me
to "unflub" as much of the "inconsistent" details of the films &
episodes as is possible. AFTER having developed this Scenario, I have
divulged enough of it to this Yahoo POTA group, just to see if
anybody could shoot holes through it with LOGICAL argument. I want my
book's Plot to be coherent and consistent, and I do NOT wish to alter
ANY of the details as they were presented on screen (eg. the dialogue
from the 5 movies & 14 episodes will be VERBATIM, not "changed" in
any way, but (at times) RE-INTERPRETED, as when Taylor (in PLANET)
and Skipper (in BENEATH) refer to "Earth": in MY scenario, for the
sake of simple logic, it doesn't make ANY sense for them to be
referring to the planet Earth, which they both believe to be
LIGHTYEARS away, uncontactable via radio.
It's a FANFIC, Mike. It ain't "canon", and nobody MUST accept it as
such. I, for one, have never insisted on that! The first "published"
POTA item I ever wrote (prior, that is, to posting on this site) was
a 4-page article for issue #2 of "APESFAN" called "A Chronology of
the Planet of the Apes", and IN that article I went out of my way to
point out that it was titled "A Chronology..." rather than "THE
Chronology..." because the information presented in it represented MY
take on the POTA saga. It was not presented as THE chronology that
EVERY fan of POTA absolutely HAD to accept.
The same goes for my book's Scenario. Nobody else has to accept it
as "canon", let alone like it. I don't care if anybody else ever
does, Mike, especially YOU. Just as scientific theories which FIT THE
FACTS are USEFUL to scientists, so too is my scenario for POTA useful
to me... because it was DESIGNED to "fit the facts" as presented on-
screen.
But you don't like that Australia gets pole-shifted... BOO-HOO!
Remember when Zira refers to Taylor's trek from Dead Lake across the
Forbidden Zone (during the infamous Map scene), and says that
he "reached the jungle"? The JUNGLE. What is a jungle, Mike? She
could have said "forest", but she said "jungle". And WHAT is the
difference between a "forest" and a "jungle"? A jungle is a TROPICAL
rain forest. A TROPICAL one, Mike! And WHERE, pray tell, are the
TROPICS located? Between the Tropic of Cancer (23.5 degrees North of
the Equator) and the Tropic of Capricorn (23.5 degrees South of the
Equator). New York City is at around 41 degrees North latitude, which
puts the "jungle" Zira's referring to as TOO FAR NORTH... UNLESS,
that is, the crust of the planet Earth has shifted catastrophically,
so that the North American tectonic plate has somehow shifted
SOUTHWARDS, putting what once was 41 degrees North, in the TEMPERATE
zone, into the tropical zone, at least 18 degrees or so. And if North
America has shifted at least 18 degrees SOUTHWARD, then the antipodal
location on the Earth's crust (about 700 miles SW of Perth,
Australia) would subsequently be shifted NORTHWARD by the same amount
of degrees of latitude. Zira's use of the word "jungle" in PLANET
provides reason enough to deduce that Earth's geodetics are DIFFERENT
in the 40th Century than they were in the 20th. Between Nuclear War
and an "Earth-Crust-Displacement" event, our planet gets the "Shake-N-
Bake" treatment... and, somehow, the MEMORY of this sort of tectonic
activity is perpetuated from generation-to-generation amongst the
community of Bomb-worshipping Mutants, who inflict an Illusion on
Taylor and Nova (and their horse) in BENEATH.
Anybody else is free to interpret Zira's "jungle" line differently.
It wouldn't surprise me if YOU, Mike, came up with one JUST to
be "against" my interpretation of it. So be it. Ain't no thang.
But get it through your Australopithecoid skull: it's a FANFIC!
Patrick
<.html
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| Group: pota |
Message: 25740 |
From: Michael Whitty |
Date: 12/11/2002 |
| Subject: Re: [Planet of the Apes] Re: Taylor's Nest, etc. |
.htmlThat wasn't lame, it was hilarious.
Whoops, I hope nobody heard that....
UMmmm...Goob
-----Original Message-----
From: patrickmichaeltilton < patrickmichaeltilton@...>
[ patrickmichaeltilton@...]
Sent: Wednesday, 11 December 2002 3:15 PM
To: pota@yahoogroups.com
Subject: [Planet of the Apes] Re: Taylor's Nest, etc.
--- In pota@yahoogroups.com, "mlccougar <mlccougar@a...>"
<mlccougar@a...> wrote:
> Tilton, I have to say this... I agree with some of what you said in
your posting here... I may not agree with the last part of it, but a
few ideas you put forth actually are plausible...
*** Only SOME? How dare you--!
Just kidding. Thanks. By the way, you CAN call me by my first name,
though at least you spelled my last name right. And, as long as we're
being all nicey-nice here, how would YOU prefer to be referred to?
As "mlccougar"? As "Cougar"? As "mlc"? Something else, your real
first name, perhaps? Howzabout signing your preferred "name" below
your next posting, and just to show you how swell I can be, I'll use
that... okey-dokey?
Patrick
P.S. Speaking of names, here's a lame joke. If Homer Simpson were in
CONQUEST OF THE PLANET OF THE APES, who would he play? Our Man D'oh!
<.html
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| Group: pota |
Message: 25741 |
From: Haristas@aol.com |
Date: 12/11/2002 |
| Subject: Re: [Planet of the Apes] It's a poofta, Mike! |
.html.html In a message dated 12/11/02 6:42:32 AM Eastern Standard Time, whitty@... writes:
Sorry Rory, I'm not gay (and now I can't say I haven't tried it …. OW! Just sat down….how do you guys do it?).
Ahhhhh, go suckle your children on your ample breasts! You bitch like a bitch, you beeeotch!
-- Rory<.html
<.html
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|
| Group: pota |
Message: 25742 |
From: Michael Whitty |
Date: 12/11/2002 |
| Subject: Re: [Planet of the Apes] Mad Max (OT) |
.html.html
You forgot to add getting
Mel to talk like Max again (otherwise we will need someone to unflub his strong
American accent).
-----Original Message-----
From: LordTZer0@...
[LordTZer0@...]
Sent: Wednesday, 11 December 2002
12:01 PM
To: pota@yahoogroups.com
Subject: Re: [Planet of the Apes]
Mad Max (OT)
It'll probably be more
"Thunderdome" than "Road Warrior". This story comes from
"Variety", it's not a rumor. - - - Jeff
How to make a proper Mad Max Movie!
1. Do NOT, under any circumstances, cast Tina Turner, or any other Pop singer.
2. DO cast though guys for villains, like Wez and The Humungus. NOT
skinheads with Kabuki mask stuck down the back of their shirts, or giant Baby
Huey's with diving helmets on that can't stand whistles.
3. Give Max a cool gun that actually works! And plenty of shells!
Once the body count is high enough he can ditch the gun and come up with more
creative ways to kill the bad guys. Maybe some Lethal Weapon Kung Fu
moves or just run them over with The Car.
4. Have at least one hot chick in the film. No aging pop
stars! (See rule 1) Preferably some Robo-Babe like in the second
film. He should have sex with her at least once before she gets
crossbowed or run over.
5. Most important!!! What ever you do...DO have a Super Cool Black
V-8 Interceptor with side-pipes and a massive Weiand Supercharger with a Scott
Scoop on it, sticking through the hood, and use it throughout the film.
DO NOT keep it in the garage until the end of the film. DO NOT wreck it
and then blow it up after one good scene. And, under NO circumstances,
try and pass off some nitrous-fed engine on a truck chassis, or a Stanley
Steamer on methane as the Cool Car of the flick! "Check out the
blower, man! THE BLOWER!"
Your
use of Yahoo! Groups is subject to the .
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|
|
| Group: pota |
Message: 25743 |
From: LordTZer0@AOL.com |
Date: 12/11/2002 |
| Subject: Re: [Planet of the Apes] Mad Max (OT) |
|
.html .html
GIBSON TO RETURN FOR 'MAD MAX 4'
Mel Gibson will reportedly earn a whopping $25 million to star
in a fourth installment of the Mad Max action series. Word
from the trade newspaper Daily Variety is the $104 million pro-
ject, called "Fury Road," will start shooting in Australia next
May. George Miller, who directed and co-wrote the first three
films, will helm the latest futuristic thriller, based on a
script he has been crafting for the past three years.
<.html <.html
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|
| Group: pota |
Message: 25744 |
From: mlccougar |
Date: 12/11/2002 |
| Subject: Re: Zira's wardrobe |
|
.html *** Why? Zira and Cornelius like humans and in PLANET Zira seems to
have some special fascination with humans. I think we would expect
Zira to be extremely curious about human society, not to 'hold it at
arms length'.Zira was the first to talk to humans because she was
impatient with Milo's advice to stay silent.**
< I got thinking about your comment here and have more I wanted to
say... Zira didn't speak because she "liked" Stevie and Lewis... She
spoke because she was tired of being treated like an inferior beast,
locked in a cage...> <.html
|
|
| Group: pota |
Message: 25745 |
From: thvvertgynae |
Date: 12/12/2002 |
| Subject: check this out!... |
| Group: pota |
Message: 25746 |
From: Melkor |
Date: 12/12/2002 |
| Subject: Re: [Planet of the Apes] BENEATH & BATTLE |
.html>
> Having said that, the movie was a dated mirror of the times. Transferring
> the whole anti-war motif to the chimps was ludicrious, not to mention the
> studio-issue mutant dialogue and makeup, and that sing-along bomb song (if
> there was ever a MST3K moment in the POTA series , it was the service in St.
I didn't like the singing part, but I loved the mutant leader doing the
Mass service. That was eerie.
> Likewise for Kolp vs. Mendez in the underground city. Mendex gave a strong
> argument about letting neighbors living in peace, and (at least in the
> novelization and the Japanese laserdisc), he argues that the bomb should be
> left undetonated, if not venerated, as a symbol that mankind can learn its
> lesson and become "something better". Other than xenophobia and paranoia,
> his descendants might have done that (at least among one another).
Yes. BATTLE was interesting because BOTH sides had militeristic and
pacifistic people.
> Of cousre, if you consider POTA history to be elliptical, the "liberals"
> (Mendex on the human side and Caesar) lost in the end. Caesar keeping the
> weapons because the "danger always remains" led to the gorilla army,
> stratification of the apes (those with the guns and power vs. not), and
> ultimately the invasion of the Forbidden Zone in BENEATH. Mendex keeping the
> bomb led to its worship as the "holy weapon of peace" and the destruction of
> Earth.
I don't believe in the circular timeline idea because I think that the BATTLE
Lawgiver is supposed to be the PLANET Lawgiver or else they wouldn't have called
him Lawgiver. Also if Kolp had survived instead of being killed by Aldo I
don't think he would have used the Bomb.
--
Get yourself kicked out of the DG group without even posting there in
two easy steps...
Step 1: Quote in this group what the owner posted about Trouble Makers
in order to get put on strict moderation without notice where posts have
taken up to 5 hours to go through.
Step 2: Report in this group that you were threatened by the owner and put
on strict moderation for Step 1. <.html
|
|
| Group: pota |
Message: 25747 |
From: Melkor |
Date: 12/12/2002 |
| Subject: Re: [Planet of the Apes] BENEATH is not that bad... (LONG POST) |
.html> (the "high tide"). In my scenario, the
[deleted]
> Moon is turned into a Black Hole, its mass shrunk down to a ring-
>
> Patrick
Cool! I love this one!! This one is worthy of the greatest hits collection
with Mothership Earth, pole-shifted Australia, and the Roswell Aliens.
--
Get yourself kicked out of the DG group without even posting there in
two easy steps...
Step 1: Quote in this group what the owner posted about Trouble Makers
in order to get put on strict moderation without notice where posts have
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Step 2: Report in this group that you were threatened by the owner and put
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|
|
| Group: pota |
Message: 25748 |
From: mlccougar |
Date: 12/12/2002 |
| Subject: The Lawgiver |
.html--- In pota@yahoogroups.com, Melkor <melkor@e...> wrote:
<I don't believe in the circular timeline idea because I think that
the BATTLE Lawgiver is supposed to be the PLANET Lawgiver or else
they wouldn't have called him Lawgiver. Also if Kolp had survived
instead of being killed by Aldo I don't think he would have used the
Bomb.>
Good to hear that you don't believe in the circular timeline, but
your reasoning behind it strikes me as very odd... You say you don't
believe in it because of the whole Lawgiver thing... Most that
believe in the circular time line believe in it for exactly you say
you don't: Because they think the BATTLE Lawgiver is supposed to be
the same one mentioned in PLANET... (I know, I don't get that
either...)
Could you please clarify what you mean though?
And as far as Kolp, no he wouldn't have used the bomb had he won...
There'd be no need for him to use it if he had "exterminated the
entire zoo" as he wanted to... <.html
|
|
| Group: pota |
Message: 25749 |
From: Menluth |
Date: 12/12/2002 |
| Subject: Welcome to Simian Fiction! |
.htmlDear Simian Fans,
This is an open invitation to join the new Yahoo discussion
group "Simian Fiction". Stop by and talk like apes!
Discuss novels, stories, films, comics that feature non-human
primates anything from prosimians (lemurs, tarsiers), monkeys
(marmosets, baboons, mandrills, macaques, etc.) the apes (gibbons,
gorillas, chimpanzees, orangutans, bonobos) or even the prehistoric
gigantopithecus! Think of Crichton's Congo, King Kong, Planet of the
Apes, Mighty Joe Young, Monkey Shines, Eva, Jennie, Grodd, Tarzan &
Cheetah, Cy-gor, Hackenfeller's Ape, Brin's Uplift novels, the
Monkey King (Sun Wu Kong/Hanuman), Bonzo, A.P.E. Force, Monkian
There are so many. Book and movie reviews are welcome. Enjoy the
discussions!
To join the group, go to http://groups.yahoo.com/group/simianfiction
Yours,
Menluth, Moderator <.html
|
|
| Group: pota |
Message: 25750 |
From: Stuart Drucker |
Date: 12/12/2002 |
| Subject: Re: [Planet of the Apes] BENEATH & BATTLE |
.html----- Original Message -----
From: "Melkor" <melkor@...>
> >
> > Having said that, the movie was a dated mirror of the times.
Transferring
> > the whole anti-war motif to the chimps was ludicrious, not to mention
the
> > studio-issue mutant dialogue and makeup, and that sing-along bomb song
(if
> > there was ever a MST3K moment in the POTA series , it was the service in
St.
>
> I didn't like the singing part, but I loved the mutant leader doing the
> Mass service. That was eerie.
It _was_ errrie, but there's something about the whole scene that just cries
out for a sing-along, if you have a very warped sense of humor. The idea of
singing along to a song about the Bomb, and the Bomb as a god, strikes me as
classic MST3K. All you need is superimposed lyrics, with one of those moving
dots :-).
> I don't believe in the circular timeline idea because I think that the
BATTLE
> Lawgiver is supposed to be the PLANET Lawgiver or else they wouldn't have
called
> him Lawgiver. Also if Kolp had survived instead of being killed by Aldo I
> don't think he would have used the Bomb.
I agree that they're supposed to be the same Lawgiver, but we still can't
settle on whether or not Caesar succeeded from the epilogue. Like you, I
would like to think that the world has changed. It would be the most
rational conclusion to draw if you're watching the movie superfically.
However, there's still the word of Paul Dehn and the Harringtons in the book
about POTA to contend with. They both say explicitly that the tear in the
eye of Caesar's statue is because he "knows" that history can't be changed,
after the epiligue scene with the human girl and chimp fighting.
That's part of the fun of fandom: whether we take the movie as canon
(subject to interpretation of course) or take the writer's word for what
he/she meant. Since at this point, Dehn is dead, and I doubt Fox really
cares about what the ending of Battle meant unless they come up with a
sequel to do it, we'll never have proof one way or the other. That's how
someone can logically rationalize such things as a post-nuclear Australia
serving as "New America" to justify the TV series, and the moon somehow
blowing up between the series and 3955, or 3978 depending on your taste. <.html
|
|
| Group: pota |
Message: 25751 |
From: veetus@earthlink.net |
Date: 12/12/2002 |
| Subject: Re: [Planet of the Apes] BENEATH & BATTLE |
.html
.html
Ultimately, it's what works best for each
fan. If taking Dehn at his word makes it unbelievable or less enjoyable than
what's the point? I'm sure the writers themselves care most that people
enjoy and get value out of the movies. - - - Jeff
----- Original Message -----
Sent: Thursday, December 12, 2002 4:27
PM
Subject: Re: [Planet of the Apes] BENEATH
& BATTLE
----- Original Message ----- From: "Melkor" <melkor@...> >
> > > Having said that, the movie was a dated mirror of the
times. Transferring > > the whole anti-war motif to the chimps was
ludicrious, not to mention the > > studio-issue mutant dialogue
and makeup, and that sing-along bomb song (if > > there was ever a
MST3K moment in the POTA series , it was the service in St. > >
I didn't like the singing part, but I loved the mutant leader doing
the > Mass service. That was eerie.
It _was_ errrie, but
there's something about the whole scene that just cries out for a
sing-along, if you have a very warped sense of humor. The idea of singing
along to a song about the Bomb, and the Bomb as a god, strikes me
as classic MST3K. All you need is superimposed lyrics, with one of those
moving dots :-).
> I don't believe in the circular timeline idea
because I think that the BATTLE > Lawgiver is supposed to be the
PLANET Lawgiver or else they wouldn't have called > him
Lawgiver. Also if Kolp had survived instead of being killed by Aldo
I > don't think he would have used the Bomb.
I agree that they're
supposed to be the same Lawgiver, but we still can't settle on whether or
not Caesar succeeded from the epilogue. Like you, I would like to
think that the world has changed. It would be the most rational
conclusion to draw if you're watching the movie superfically. However,
there's still the word of Paul Dehn and the Harringtons in the book about
POTA to contend with. They both say explicitly that the tear in the eye of
Caesar's statue is because he "knows" that history can't be changed, after
the epiligue scene with the human girl and chimp fighting.
That's part
of the fun of fandom: whether we take the movie as canon (subject to
interpretation of course) or take the writer's word for what he/she meant.
Since at this point, Dehn is dead, and I doubt Fox really cares about what
the ending of Battle meant unless they come up with a sequel to do it,
we'll never have proof one way or the other. That's how someone can
logically rationalize such things as a post-nuclear Australia serving as
"New America" to justify the TV series, and the moon somehow blowing up
between the series and 3955, or 3978 depending on your
taste.
Your use of Yahoo! Groups is
subject to the Yahoo! Terms of
Service.
<.html
<.html
|
|
| Group: pota |
Message: 25752 |
From: Melkor |
Date: 12/13/2002 |
| Subject: Re: [Planet of the Apes] The Lawgiver |
.html>
> --- In pota@yahoogroups.com, Melkor <melkor@e...> wrote:
>
> <I don't believe in the circular timeline idea because I think that
> the BATTLE Lawgiver is supposed to be the PLANET Lawgiver or else
> they wouldn't have called him Lawgiver. Also if Kolp had survived
> instead of being killed by Aldo I don't think he would have used the
> Bomb.>
>
> Good to hear that you don't believe in the circular timeline, but
> your reasoning behind it strikes me as very odd... You say you don't
> believe in it because of the whole Lawgiver thing... Most that
> believe in the circular time line believe in it for exactly you say
> you don't: Because they think the BATTLE Lawgiver is supposed to be
> the same one mentioned in PLANET... (I know, I don't get that
> either...)
>
> Could you please clarify what you mean though?
If Jesus had been a bigot in a different timeline would history have still been
the same afterwards? For me the ending of BATTLE was as much of a shock as the
ending of PLANET the first time you see it. The Lawgiver has as much influence
in the ape culture in PLANET and BENEATH as Confucius or Jesus. To contradict
what the Lawgiver said is heresy which is a state crime. When Taylor asks
Zaius why he hates and fears humans Zaius says it is because of what the
Lawgiver wrote in his Sacred Scrolls. But the BATTLE Lawgiver's views about
humans and apes living in harmony are the polar opposite of the PLANET
Lawgiver's views to shun humans. I believe that the main purpose for having
the Lawgiver scene in BATTLE almost 700 years after the rest of the movie is to
prove beyond doubt that the timeline has changed DRASTICALLY as a result of the
preceding scene where Caesar kills Aldo. Individual prejudice will still exist
but no longer sanctified by the state. This change would be so monumental as
to erase all of the events of the first two movies including the Earth's
destruction. The Caesar statue in BATTLE reminds us of the Lawgiver statue in
the first two movies and tells us the Caesar had as much influence over the
Lawgiver in the altered timeline as the Lawgiver did over Zaius and others in
the original timeline. In the earlier script version seen in the Marvel
adaptation Caesar not only makes it his goal to alter the timeline to save the
world he also knows that he must stop Aldo in order to do this. Caesar was
a Christ like figure whose purpose was to save the world from Aldo's Original
Sin and I believe the purpose of the final scene in the Corrington's BATTLE
script was to prove that he suceeded.
> And as far as Kolp, no he wouldn't have used the bomb had he won... >
There'd be no need for him to use it if he had "exterminated the > entire zoo"
as he wanted to...
I think Kolp wouldn't have used the bomb if he had lost but still survived.
-- Get yourself kicked out of the DG group without even posting there in two
easy steps...
Step 1: Quote in this group what the owner posted about Trouble Makers in order
to get put on strict moderation without notice where posts have taken up to 5
hours to go through. Step 2: Report in this group that you were threatened by
the owner and put on strict moderation for Step 1. <.html
|
|
| Group: pota |
Message: 25753 |
From: Melkor |
Date: 12/13/2002 |
| Subject: Re: [Planet of the Apes] BENEATH & BATTLE |
.html>
> > I don't believe in the circular timeline idea because I think that the
> BATTLE
> > Lawgiver is supposed to be the PLANET Lawgiver or else they wouldn't have
> called
> > him Lawgiver. Also if Kolp had survived instead of being killed by Aldo I
> > don't think he would have used the Bomb.
>
> I agree that they're supposed to be the same Lawgiver, but we still can't
> settle on whether or not Caesar succeeded from the epilogue. Like you, I
See my reply to mlccougar on this subject that makes the case that we can.
> would like to think that the world has changed. It would be the most
> rational conclusion to draw if you're watching the movie superfically.
> However, there's still the word of Paul Dehn and the Harringtons in the book
> about POTA to contend with. They both say explicitly that the tear in the
> eye of Caesar's statue is because he "knows" that history can't be changed,
> after the epiligue scene with the human girl and chimp fighting.
Which book? Paul Dehn put the tear in as part of his last minute tinkering
with the Corrington's script. He did other late changes too that made the the
story harder to understand than it had been earlier. Joyce Corrington said
"Wasn't that stupid?" about the tear. The quote I saw from the Corringtons was
Joyce Corrington merely making a guess about why Dehn put it in.
You can't go by what Dehn said about BATTLE. The Corrington's wrote a story
about Caesar as a Christ like figure saving the world from Aldo's original sin
and then Dehn's late tinkering confused the story but never made any
significant changes to it. The tear (looks like a mutant illusion)
doesn't cancel out the fact that the BATTLE Lawgiver is his polar opposite
from PLANET and so I take it as a tear of joy.
Even though I think BATTLE neatly wraps up the movie saga with Caesar saving
the world they left a little room for a sequel if they wanted one. Although
things seem to have clearly improved from the original timeline BATTLE
doesn't eliminate individual prejudice, free will, uncertainty "who
knows the future?", and the bomb.
--
Get yourself kicked out of the DG group without even posting there in
two easy steps...
Step 1: Quote in this group what the owner posted about Trouble Makers
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|
|
| Group: pota |
Message: 25754 |
From: patrickmichaeltilton
| Date: 12/14/2002 |
|
| Subject: The Lawgiver's "Hope" and Kolp's Intentions (screenplay cited) |
.html*** The trouble with the "Lawgiver identity" hypothesis stated below
(i.e. that the BATTLE Lawgiver somehow "is" the same Lawgiver whose
statue is seen in PLANET and BENEATH, yet is "changed" to be pro-
Human due to Caesar's actions), is that the chronology as presented
on-film seems (to me) to be against it.
Zaius tells Taylor that the "Sacred Scrolls" were written 1,200 years
prior to PLANET (i.e. roundabout 2755 or 2778, depending on when you
wish to believe PLANET takes place--3955 or 3978). Yet the BATTLE
Lawgiver scenes are dated to 2670, about a century EARLIER. This
date, 2670 A.D., is a mere 3 "Earth-Time" years prior to the opening
scene of PLANET, when Taylor--in March of 2673--is giving his "final
report" before going into hibernation. Chronologically, the film
series comes "full circle", starting in 2673 (EARTH-TIME)... going
back through Time from 3955 to 1973... then finishing in 2670, with
the Lawgiver admitting that "perhaps only the Dead" truly know what
the Future holds. Why doesn't the Lawgiver confidently state
that "God" has definitely saved the world, through sending Caesar
back from the "former" End of the World? Why does he admit
that "perhaps only the Dead" truly know the Future? Even HE is not so
sure how events will unfold... he merely HOPES that things will
remain peaceful, just as Caesar, Virgil, Mandemus, and MacDonald
could only Hope. MacDonald says he heard that changing the Future is
POSSIBLE... but they still "must be patient and WAIT".
Remember what Taylor asked, rhetorically, just before signing
off? "Does Man, that marvel of the universe... that glorious paradox
who sent me to the stars... STILL make war against his brother? Keep
his neighbour's children starving?" He asks this in 2673, just a few
EARTH-TIME years after the final scene of BATTLE... the last image of
which (prior to the weeping Caesar statue), is of an ape-&-human
fight. CONFLICT. War in the microcosm, with one person pulling at
another's hair and the other pushing back. Imagine how different this
debate would be if, instead, that duo of chimpanzee and human
children were, instead, sitting with their arms around each other,
like "pals". The inclusion of imagery of CONFLICT strikes a
discordant tone amongst the "friendship, harmony, and... peace" the
Lawgiver mentions. No wonder the statue of Caesar weeps. Even after
hearing this sad tale of War and of how Ape-Has-Killed-Ape, there
STILL is conflict; the Lawgiver's trying to perpetuate a peaceful co-
existence for the Apes and Humans he preaches to... but despite this
sermon, a chimp yanks on a human girl's hair and she retaliates
against him! Will they ever learn?
And, again, at this time(2670 A.D.), the "Sacred Scrolls" (according
to Zaius' remark to Taylor) have not yet been written; there's
another century of "future history" yet to unfold before a DIFFERENT
Lawgiver, with an anti-human agenda, puts pen to parchment. So, if
the "Sacred Scrolls" aren't written until c. 2755-2778, then what is
this "Genesis"-like scroll from which the BATTLE Lawgiver reads? Ah,
that would probably be one of the "history scrolls kept hidden from
the masses" mentioned by Cornelius in ESCAPE. A scroll which mentions
the Pet Plague, the Ape Slavery, the Revolution... and an ape named
Aldo. Cornelius also referred to these scrolls as "the Secret
Scrolls", specifically mentioning that the day on which Aldo
said "No" is "a historic day commemorated by my species and fully
documented in the secret scrolls" ("ESCAPE" screenplay, page 55).
Evidently, aside from the pro-Caesar scroll from which the BATTLE
Lawgiver reads, there is ALSO a pro-Aldo scroll, perhaps written by a
gorilla in defense of Aldo's motives for opposing Caesar (and,
perhaps, white-washing Aldo's murder of Caesar's son).
I've pointed it out before (and nobody, as yet, as bothered to chime
in to discuss it), but THERE ARE NO GORILLAS in the "Lawgiver scenes"
in BATTLE: the Lawgiver teaches & preaches to a congregation of human
and ape children, yet NONE of the ape children are gorillas. I find
that telling. What self-respecting gorilla parent would want their
child to be subjected to the "blame"-stares of other kids when the
Lawgiver got to that part of the story where Aldo (a gorilla) murders
another ape--and ape CHILD, no less? Think of how the harsh truth of
history during World War II is not told fully to Germans and Japanese
school-goers. It is an embarrassment, evidently, which school
teachers don't wish to expose their classes to, because most if not
all of the kids going to school in Germany and Japan have fathers,
uncles, grandfathers (etc.) who committed the kinds of atrocities
that we've all seen in documentary footage. The masses in Germany and
Japan, before the tide turned against them, were all enthusiastically
pro-Nazi, pro-Imperial, pro-Fascism. God forbid that subsequent
generations should learn fully how such zeal for Hitler & Hirohito
led to the horrors of the Holocaust and the Rape of Nanking.
-------------------------------------------------------------
Concerning the last bit, regarding whether or not Kolp would have
used the Doomsday Bomb had he been able to return to his city, the
dialogue from the screenplay firmly implies exactly that:
From the BATTLE screenplay, pages 61ff.
------------
MED. SHOT - KOLP AND ALMA [scene] 171
Kolp is in a state of fanatical euphoria. They walk amidst huge piles
of supplies and scavenged materials from the city: rusty tin cans,
pieces of ancient automobiles, tires, bottles, stone columns, street
and highway signs, street lights, and other useful and useless debris
from the dead civilization. The area appears to be a blasted tunnel
or subway station, now used as a storage warehouse. MUTANTS move
almost mechanically in frenzied preparation for the attack, pulling
supplies from piles, loading trucks, etc.
KOLP: "Either we have to cage the beast, Alma..."
Kolp stops, seizes Alma's shoulder, CAMERA MOVES IN TO CLOSE TWO-SHOT.
KOLP: "...or destroy the whole Zoo..."
She thrills to his touch, but without fathoming his meaning.
ALMA: "I don't quite..."
KOLP: "You will."
He pulls Alma through a side passage into a missile silo.
INT. CHAMBER - MED. LONG SHOT - KOLP AND ANNA (sic. read "ALMA") 172
The missile (though only Kolp knows it) is the Alpha and Omega bomb,
but without any of the religious trappings of BENEATH. Kolp gestures
at the nose cone of the almost concealed missile.
KOLP: "Alma, we've worked together for eleven years."
ALMA: "And three months, Mr. Kolp."
KOLP: "There's trust between us, and more than trust."
Alma's eyes widen in anticipation.
KOLP: "There's... friendship."
ALMA (regaining composure): "Yes, Mr. Kolp."
KOLP: "Will you undertake a task that I can only entrust to a true
friend?"
ALMA: "What task, Mr. Kolp?"
KOLP (indicating missile): "You know what this is?"
ALMA: "Of course, Mr. Kolp. It's our nuclear missile.
KOLP (stroking it): "It's also operational."
To Alma's intense pleasure, he takes her hand.
KOLP: "If the impossible happens... if we're defeated by the Apes...
I will not surrender to an animal. Neither will my soldiers. If
retreat seems necessary, I shall send you a coded radio-signal.
Fifteen minutes after its receipt, you will range this missile on Ape
City and activate it--"
ALMA (calmly): "--from the control console. Yes, Mr. Kolp. And what
will be the signal?"
KOLP: "Alpha and Omega."
---------------------------------------------------
Kolp, when he says, "destroy the whole Zoo", is bring Alma to the
missile silo where the Doomsday Bomb awaits. The destruction he's
talking about as their last resort (provided they don't succeed
in "caging the beast") is the detonation of the Bomb. Had Kolp failed
to win against Caesar AND had he also lived, he would have sent Alma
that "coded radio signal", and 15 minutes later, Alma was to activate
the Bomb. But when Aldo and his gorillas slaughtered Kolp at that
schoolbus, the radio signal could not get sent. Later (in scene A-
389), after a Mutant Soldier has returned to Alma and Mendez to tell
them that "It's over... We lost....", Alma asks: "And Governor Kolp?"
----------
The wounded Mutant shrugs ignorance--and winces, as he shrugs.
ALMA (calmly rising): "Then I know what I have to do."
MENDEZ (appalled): "He said wait for his signal."
ALMA (indicating wounded Mutant): "I've just received it."
She moves briskly away, followed by the horrified Mendez.
MISSILE SILO - MENDEZ AND ALMA (HYPERION PLANT) B-389
CAMERA MOVES IN with Alma and Mendez. Alma's hand reaches out,
touches the control console. Simultaneously CAMERA BEGINS TO DRIFT
SLOWLY TOWARD THE BOMB as dialogue continues.
MENDEZ: "Alma, in God's name, wait for the Governor's signal!"
ALMA: "My heart knows he's dead. This is how he would have wished it."
Silence for a moment. CAMERA EASES around the base of the bomb, and
for the first time we (and they) see on its fin the SYMBOLS ALPHA-
OMEGA. Mendez freezes. Alma cringes as though whipped, and covers her
eyes.
ALMA: "He never told me."
MENDEZ (quietly): "If he couldn't win, he was going to let the whole
world lose! He was mad."
Gently, he takes Alma's hands from her eyes, so that she can face
what should be faced.
MENDEZ: "This is the Alpha-and-Omega bomb. It can destroy not only
Ape City but the entire earth. Activate it, and we become nothing.
Leave it, and its very presence will insure that at least we remain
something--and may become something better."
He has taken her arm and is trying to guide her away from the
console; but Alma resists. As she pulls her arm away: CUT TO:
A FEW PATHETIC-LOOKING MUTANTS C-389
(who obviously followed Alma and Mendez into the MISSILE SILO area)
stand in the shadows, watching, listening. We PAN their marred faces.
MENDEZ (o.s.): "It must never be exploded. It must be respected--even
venerated. For one of its ancestors made us what we are..."
We PAN BACK to Mendez and Alma.
MENDEZ: "And what we are, shall, from this day forward, be called
beautiful."
-------------------
Remember the hymn "All things bright and BEAUTIFUL / All creatures
great and small / All things wise and wonderful / THE GOOD BOMB MADE
US ALL... ?
If Kolp couldn't win, Mendez tells Alma, he was going to let "the
whole world lose"--he was MAD. Insane. As Supertramp said, "NOT QUITE
RIGHT!" Kolp WOULD have sent a radio signal, but Aldo killed him.
Despite not having received the signal, Alma--after hearing that
they'd lost the battle from a wounded Mutant soldier--says "I've just
received [the signal]", adding that "this is how [Kolp] would have
wished it".
Mendez, by instilling the first inklings of religious feeling towards
this Bomb-icon, saves the world from destruction at the press of a
button... but, ironically, this instilling of reverence for the Bomb
causes this group to be the "keepers of the divine Bomb", as Mendez
XXVI calls his people. Mendez cautions Alma against activating it...
but--rather than acting to DISMANTLE it, to render it INCAPABLE of
destroying the planet--he begins the "bomb-worshipping" religion then
and there... which, ultimately will lead to SOMEBODY detonating it,
when interspecies conflict rears its ugly head. Had Ursus' sergeant
not gunned him down, Mendez XXVI would have detonated it. Had Brent
not diverted his attention (by slamming the organ-keys with the
rifle), Ursus would have unwittingly detonated it. But then... after
the senseless death of the only woman whom Taylor could find "to hold
him"... after the refusal of Zaius to "Help me...!", Taylor spits out
blood, saying: "You bloody bastard!"... and triggers the Bomb. If
only an earlier Mendez had just dismantled the damn thing, the planet
of the apes would not have been wiped out! But, alas, that didn't
happen...
Patrick
> > --- In pota@yahoogroups.com, Melkor <melkor@e...> wrote:
> >
> > <I don't believe in the circular timeline idea because I think
that the BATTLE Lawgiver is supposed to be the PLANET Lawgiver or
else they wouldn't have called him Lawgiver. Also if Kolp had
survived instead of being killed by Aldo I don't think he would have
used the Bomb.>
> >
> > Good to hear that you don't believe in the circular timeline, but
your reasoning behind it strikes me as very odd... You say you don't
believe in it because of the whole Lawgiver thing... Most that
believe in the circular time line believe in it for exactly you say
you don't: Because they think the BATTLE Lawgiver is supposed to be
the same one mentioned in PLANET... (I know, I don't get that
either...)
> >
> > Could you please clarify what you mean though?
>
> If Jesus had been a bigot in a different timeline would history
have still been the same afterwards? For me the ending of BATTLE was
as much of a shock as the ending of PLANET the first time you see
it. The Lawgiver has as much influence in the ape culture in PLANET
and BENEATH as Confucius or Jesus. To contradict what the Lawgiver
said is heresy which is a state crime. When Taylor asks Zaius why he
hates and fears humans Zaius says it is because of what the Lawgiver
wrote in his Sacred Scrolls. But the BATTLE Lawgiver's views about
humans and apes living in harmony are the polar opposite of the
PLANET Lawgiver's views to shun humans. I believe that the main
purpose for having the Lawgiver scene in BATTLE almost 700 years
after the rest of the movie is to prove beyond doubt that the
timeline has changed DRASTICALLY as a result of the preceding scene
where Caesar kills Aldo. Individual prejudice will still exist but
no longer sanctified by the state. This change would be so
monumental as to erase all of the events of the first two movies
including the Earth's destruction. The Caesar statue in BATTLE
reminds us of the Lawgiver statue in the first two movies and tells
us the Caesar had as much influence over the Lawgiver in the altered
timeline as the Lawgiver did over Zaius and others in the original
timeline. In the earlier script version seen in the Marvel
adaptation Caesar not only makes it his goal to alter the timeline to
save the world he also knows that he must stop Aldo in order to do
this. Caesar was a Christ like figure whose purpose was to save the
world from Aldo's Original Sin and I believe the purpose of the final
scene in the Corrington's BATTLE script was to prove that he suceeded.
>
>
> > And as far as Kolp, no he wouldn't have used the bomb had he
won... There'd be no need for him to use it if he had "exterminated
the entire zoo" as he wanted to...
>
> I think Kolp wouldn't have used the bomb if he had lost but still
survived.
> <.html
|
|
| Group: pota |
Message: 25755 |
From: Haristas@aol.com |
Date: 12/14/2002 |
| Subject: Re: [Planet of the Apes] The Lawgiver's "Hope" and Kolp's Intention |
|
.html .htmlThank you Patrick for doing tyour part in keeping this group alive. It's been deader than the Dead Sea around here lately.
I've been up to something lately involving trying to outwit those bastards at Fox who seem hell bent on pissing me off.
As you've read here I've recently purchased a digital 16X9 TV, all the better to watch widescreen DVDs on, and I've bitched about how the PLANET OF THE APES movies aren't in anamorphic transfers on DVD and how on my new TV if it ain't in anamorphic the movie transfer doesn't look as good as it could.
Well, in the UK (which in the world of DVD is region 2, as opposed to our Region 1) the entire APES series WAS released in anamorphic, and not only that but the Dolby Digital 5.1 soundtrack to PLANET is supposed to be mixed better too! Well, what I've done is order this UK Region 2 APES boxed set from Amazon.com.uk. In fact, I got a perfectly fine used copy there at what equals $50.
In order to watch these discs I've just bought on eBay an Apex 1500 DVD player that is "Region Free" and has component outputs (and is cheap at just $90).
So, I'm hoping that as soon as I have both items in my hands I'll be watching POTA as it should be seen on current consumer video.
In the meantime I'm still hot for writing to Fox and bitching that for them it's a BIG IF if they ever revisit the APES movies on DVD for the US market. I'm still trying to figure out where you leave comments on that Home Theatre site, and I'm working on a new form letter to Fox in light of the recent comments by Fox president Peter Staddon.
Stay tuned.
-- Rory<.html <.html
|
|
| Group: pota |
Message: 25756 |
From: Melkor |
Date: 12/14/2002 |
| Subject: Re: [Planet of the Apes] The Lawgiver's "Hope" and Kolp's Intention |
.html> *** The trouble with the "Lawgiver identity" hypothesis stated below
> (i.e. that the BATTLE Lawgiver somehow "is" the same Lawgiver whose
> statue is seen in PLANET and BENEATH, yet is "changed" to be pro-
> Human due to Caesar's actions), is that the chronology as presented
> on-film seems (to me) to be against it.
It's close enough to be within some margin of error or perhaps the dates in
PLANET were just guesses. If they (the Corringtons) hadn't meant for him to
be the same Lawgiver they wouldn't have called him that, and the scene would
have served no purpose.
> Zaius tells Taylor that the "Sacred Scrolls" were written 1,200 years
1200 years is probably only meant to be an approximate guess, not an exact
figure. We only have estimates of when the New Testament books were written,
not exact years or even decades. Zaius didn't give a more precise figure
because he didn't know the exact number of years.
> prior to PLANET (i.e. roundabout 2755 or 2778, depending on when you
> wish to believe PLANET takes place--3955 or 3978). Yet the BATTLE
Since the 2 dates were different the calculations must have had some margin of
error. The computer probably made a guess on the "Earth Time" based on the
locations of stars and couldn't get the exact year.
> the Future holds. Why doesn't the Lawgiver confidently state
> that "God" has definitely saved the world, through sending Caesar
> back from the "former" End of the World? Why does he admit
> that "perhaps only the Dead" truly know the Future?
The Lawgiver does not know key pieces of information that we know, such as that
he himself was a bigot and that his own bigotry, solidified into dogma, was
part of the chain of events that destroyed the world. I don't even think that
the BATTLE Lawgiver KNOWS that the world was destroyed in the timeline of
Cornelius and Zira. I never assumed that the Lawgiver has had any divine
revelations when he said "God sent the world a Saviour", although I guess we
don't really know why he claims that. It works either way, but probably the
Corringtons hadn't thought things through that far or expected anyone else
to. They just wanted to (greatly) further the parallels between Caesar and
Christ from the two earlier movies.
> Even HE is not so
> sure how events will unfold... he merely HOPES that things will
> remain peaceful, just as Caesar, Virgil, Mandemus, and MacDonald
> could only Hope. MacDonald says he heard that changing the Future is
> POSSIBLE... but they still "must be patient and WAIT".
That's right. Neither the Lawgiver nor we know exactly what will happen
after BATTLE. But we know that the new timeline, with almost 700 years
of "humans and apes living together in...harmony", is a huge improvement.
> EARTH-TIME years after the final scene of BATTLE... the last image of
> which (prior to the weeping Caesar statue), is of an ape-&-human
> fight. CONFLICT. War in the microcosm, with one person pulling at
> another's hair and the other pushing back. Imagine how different this
> debate would be if, instead, that duo of chimpanzee and human
That signifies that individual prejudice still exists and will always
exists. But in the BATTLE timeline it is no longer encouraged by
the state like it is in PLANET. Compare the Middle East, where
prejudice is still encouraged, with the US, where it no longer is.
A huge difference.
> Evidently, aside from the pro-Caesar scroll from which the BATTLE
> Lawgiver reads, there is ALSO a pro-Aldo scroll, perhaps written by a
> gorilla in defense of Aldo's motives for opposing Caesar (and,
> perhaps, white-washing Aldo's murder of Caesar's son).
Then the character wouldn't have been called Lawgiver. He would have
been called "teacher" or something.
> I've pointed it out before (and nobody, as yet, as bothered to chime
> in to discuss it), but THERE ARE NO GORILLAS in the "Lawgiver scenes"
> in BATTLE: the Lawgiver teaches & preaches to a congregation of human
Nor orangutans. But the Lawgiver says "humans and apes living in harmony."
and not "humans and chimpanzees living in harmony." A non-issue.
> Concerning the last bit, regarding whether or not Kolp would have
> used the Doomsday Bomb had he been able to return to his city, the
> dialogue from the screenplay firmly implies exactly that:
>
> >From the BATTLE screenplay, pages 61ff.
>
> KOLP: "If the impossible happens... if we're defeated by the Apes...
> I will not surrender to an animal. Neither will my soldiers. If
> retreat seems necessary, I shall send you a coded radio-signal.
> Fifteen minutes after its receipt, you will range this missile on Ape
> City and activate it--"
Kolp wasn't being chased when he left (until Aldo did oo) so there was
originally no risk of him surrendering "to an animal". His plan sounds like
he would have signaled a 15 minute countdown if he had to start retreating
and if he was captured (surrendered) the countdown would have gone through,
otherwise he would have aborted. Kolp knew what Alma did not, that there
was no legitimate need for a 15 minute countdown. The only possible reason
for having a countdown was a sneaky way to guarantee that the world would be
destroyed if and only if Kolp himself was killed or captured.
--
Get yourself kicked out of the DG group without even posting there in
two easy steps...
Step 1: Quote in this group what the owner posted about Trouble Makers
in order to get put on strict moderation without notice where posts have
taken up to 5 hours to go through.
Step 2: Report in this group that you were threatened by the owner and put
on strict moderation for Step 1. <.html
|
|
| Group: pota |
Message: 25757 |
From: patrickmichaeltilton
| Date: 12/14/2002 |
|
| Subject: Re: [Planet of the Apes] Fox, Anamorphic transfers, etc. |
.html--- In pota@yahoogroups.com, Haristas@a... wrote:
> Thank you Patrick for doing your part in keeping this group alive.
It's been deader than the Dead Sea around here lately.
>
> I've been up to something lately involving trying to outwit those
bastards at Fox who seem hell bent on pissing me off.
>
> As you've read here I've recently purchased a digital 16X9 TV, all
the better to watch widescreen DVDs on, and I've bitched about how
the PLANET OF THE APES movies aren't in anamorphic transfers on DVD
and how on my new TV if it ain't in anamorphic the movie transfer
doesn't look as good as it could.
>
> Well, in the UK (which in the world of DVD is region 2, as opposed
to our Region 1) the entire APES series WAS released in anamorphic,
and not only that but the Dolby Digital 5.1 soundtrack to PLANET is
supposed to be mixed better too! Well, what I've done is order this
UK Region 2 APES boxed set from Amazon.com.uk. In fact, I got a
perfectly fine used copy there at what equals $50.
>
> In order to watch these discs I've just bought on eBay an Apex 1500
DVD player that is "Region Free" and has component outputs (and is
cheap at just $90).
>
> So, I'm hoping that as soon as I have both items in my hands I'll
be watching POTA as it should be seen on current consumer video.
>
> In the meantime I'm still hot for writing to Fox and bitching that
for them it's a BIG IF if they ever revisit the APES movies on DVD
for the US market.
> I'm still trying to figure out where you leave comments on that
Home Theatre site, and I'm working on a new form letter to Fox in
light of the recent comments by Fox president Peter Staddon.
>
> Stay tuned.
>
> -- Rory
*** Hey, Rory. I wish you the best of luck in this endeavor. Just
don't fritz the power grid when you plug all that hardware in for the
first time!
I live in an apartment, so I've never had the option of cranking up
the sound (neighbours and all) to appreciate--or not--the sound
quality currently available on DVD. And the picture quality, well, as
seen on my 27" Toshiba TV (which is, oh, about 15 years old now!) is
as good as I've ever been able to hope for (the current DVDs).
However, when I eventually do decide to fork over the cash for a
better TV, it'll be one-a those big-ass flatscreen HDTV super-duper
ones, for the "home theater" feel. This won't be any time SOON, of
course... but when that day DOES arrive, I'll be wanting the state-of-
the-art DVD of "PLANET", and we can only hope that Fox will have
given the deluxe treatment to this film (and its sequels!) by that
time.
I'm still a trifle peeved at all the cash I spent on laserdiscs and a
LD player. Had I known that DVDs were on the horizon, I wouldn't have
gone whole-hog on 'em... but the ONLY way to get PLANET in
widescreen, for a time, was to go for the laserdisc. I hear rumors,
now and again, that a NEWER format is on the horizon, which'll make
DVDs seem like laserdiscs. Hmmm... I think there's a conspiracy
afoot! As I recall, it's a S-VHS-like format with line resolution
around 3 times better than DVDs; you can bet that even better DVDs
will then be cooked up to equal or better that new tape format. From
what I hear, the superduper VHS thing being developed will play on
new machines... but you'll be able to watch your old VHS tapes on it
also; the main hassle would be with rewinding (and with tapes
getting "eaten" by a VCR), a problem DVDs don't have. However, these
newer mega-VHS tapes will be like any other VHS tape--you'll be able
to record on blank ones, erase/re-tape over old ones, etc.
I just hope to hell that Fox releases ALL the APES films in the best
possible format & quality, and ALSO releases every frame of archival
footage (lost scenes, etc.). That's my long-term dream.
All things considered, we've come a long way from back in the early
1980's, when home video was a rarity, when BETAMAX was the top
format, when hardly anything was available (especially in widescreen
format)... when the only way I could experience ESCAPE, CONQUEST, or
BATTLE was by reading the novelizations, the Marvel adaptations, that
sort of thing. I remember seeing the latter three films for the first
time in around a decade when they finally came out on VHS, and being
happy just to get to see them (I hardly remembered them from their
first showings on CBS). When they finally came out letterboxed, a few
years ago, I was happy as a clam. When the DVDs finally came out, I
was even happier. Seen from this perspective, "it's getting better
all the time" (to quote Lennon & McCartney). It may take a while, and
it may take guys like you & me & the rest of us shaved monkeys here
to bitch & moan to Fox to do POTA justice... but it'll get done.
Eventually.
Patrick <.html
|
|
| Group: pota |
Message: 25758 |
From: patrickmichaeltilton
| Date: 12/14/2002 |
|
| Subject: Re: [Planet of the Apes] The Lawgiver's "Hope" and Kolp's Intention |
.html--- In pota@yahoogroups.com, Melkor <melkor@e...> wrote:
> > *** The trouble with the "Lawgiver identity" hypothesis stated
below (i.e. that the BATTLE Lawgiver somehow "is" the same Lawgiver
whose statue is seen in PLANET and BENEATH, yet is "changed" to be
pro-Human due to Caesar's actions), is that the chronology as
presented on-film seems (to me) to be against it.
>
> It's close enough to be within some margin of error or perhaps the
dates in PLANET were just guesses. If they (the Corringtons) hadn't
meant for him to be the same Lawgiver they wouldn't have called him
that, and the scene would have served no purpose.
*** We can agree to disagree here, but in my opinion the
word "Lawgiver" is not a name that only one person can ever have:
it's a TITLE. Remember, Caesar, the first Ape king, also gave them
their first laws ("Ape shall never kill Ape"; "A Human may never
again say No to an Ape")--making him the very first "Lawgiver". In my
scenario, the "Lawgiver" Title is handed down throughout the
centuries (from just after Caesar's time) until ONE particular
Lawgiver so radically transforms things (in a negative way) by
writing the earliest of the Sacred Scrolls in 2755 (or so) that he is
from that time forward thought of as THE Lawgiver... the Lawgiver to
end all Lawgivers. The simian equivalent of Mohammed--who was a
prophet (just as were many others before him)... but, as Muslims
declare, the LAST and GREATEST prophet.
And I have to disagree on the dates. If anyone would know the
timeframe of the writing of simian religious literature, it would be
Zaius--who is privy to information kept hidden from the masses. And
the ANSA chronometers are reliable (in my opinion), due to the fact
that the ONLY way that Zira could accurately say that the "date
meter" said 1973 AFTER the "bright light & tornado" was if the
chronometer was in working condition. ESCAPE takes place in 1973, and
the ship's clock accurately clicked back from 3955 to 1973. If it got
the "1973" date right AFTER the Time-Traveling, then it must've
gotten the "3955" date right BEFORE it.
----------------------------------------------------------------
> > Zaius tells Taylor that the "Sacred Scrolls" were written 1,200
years
>
> 1200 years is probably only meant to be an approximate guess, not
an exact figure. We only have estimates of when the New Testament
books were written, not exact years or even decades. Zaius didn't
give a more precise figure because he didn't know the exact number of
years.
*** If Zaius says this in 3955-3978, and if the Lawgiver in question
is the BATTLE one (as you prefer), then an approximate guess would be
that the Scrolls were written 1300 years ago, not 1200. The year 2670
is smack dab in the middle of the range of years 3955-3978 minus
1300. True, we don't know EXACTLY what decade (let along YEAR) the
New Testament books were written, but we DO have it pinned down to
the century. I would argue that Zaius is uniquely qualified to know
the number of years with a fair degree of accuracy.
----------------------------------------------------------
> > prior to PLANET (i.e. roundabout 2755 or 2778, depending on when
you wish to believe PLANET takes place--3955 or 3978). Yet the BATTLE
>
> Since the 2 dates were different the calculations must have had
some margin of error. The computer probably made a guess on
the "Earth Time" based on the locations of stars and couldn't get the
exact year.
*** See above; the computer wasn't sentient (like HAL 9000), so it
couldn't "make a guess". It could only do what it had been programmed
to do (Landon mentions their ship wasn't "programmed" to land in the
water, and Taylor says their ship was "in the hands of the
computers"). Somehow, the ANSA clocks were programmed to register
Back-through-Time travel when such events were occurring--otherwise,
the clock would not have clicked back (as Milo reminds his friends,
in the Zoo cell, that it had), it would just have kept on ticking
away. SOMEHOW, the ship's computer was programmed to translate
telemetric information from the navigational computer into relative
EARTH-TIME chronometric information (relative, that is, to the SHIP-
TIME clock). SOMEHOW, the ship's computer "knew" when it was going
BACKWARDS through EARTH-TIME... because it was programmed to display
those dates under certain given circumstances.
>
>
> > the Future holds. Why doesn't the Lawgiver confidently state
> > that "God" has definitely saved the world, through sending Caesar
> > back from the "former" End of the World? Why does he admit
> > that "perhaps only the Dead" truly know the Future?
>
> The Lawgiver does not know key pieces of information that we know,
such as that he himself was a bigot and that his own bigotry,
solidified into dogma, was part of the chain of events that destroyed
the world. I don't even think that the BATTLE Lawgiver KNOWS that
the world was destroyed in the timeline of Cornelius and Zira. I
never assumed that the Lawgiver has had any divine revelations when
he said "God sent the world a Saviour", although I guess we don't
really know why he claims that. It works either way, but probably
the Corringtons hadn't thought things through that far or expected
anyone else to. They just wanted to (greatly) further the parallels
between Caesar and Christ from the two earlier movies.
*** There are things the BATTLE Lawgiver could not know (for
instance, the content of the conversations between Kolp & Mendez,
which were not witnessed by Caesar, Virgil, or MacDonald), but since
he is telling a historical tale about "true" events, the only
witnesses to those events would be Caesar, Virgil, and MacDonald
(and, perhaps, Lisa & Mandemus). The 3 who went to the Forbidden City
to view the Archive tapes of the Ape-onauts were exposed to
information regarding the End of the World--the Future which Caesar
wishes to change. I think the BATTLE Lawgiver DOES know that the End
of the World is scheduled to be in "Thirty Nine Fifty" (as Caesar
hears it from his long-dead mother--truncated from "3950-something"),
but he--as did Caesar/Virgil/MacDonal--HOPES that that outcome can be
avoided. He can't KNOW for certain that the Future IS changed--he can
only wait and hope--but that doesn't preclude him from doing his part
to TRY to create the "saved" future that Caesar hoped to bring about.
Whether or not he (and his successors) are ultimately successful is a
matter of HOPE. Not of certainty, hence the last line: "perhaps only
the Dead" know the Future.
---------------------------------------------------------------
--------------------------------------------------------------
<.html
|
|
| Group: pota |
Message: 25759 |
From: Haristas@aol.com |
Date: 12/14/2002 |
| Subject: Re: [Planet of the Apes] Fox, Anamorphic transfers, etc. |
.html.html In a message dated 12/14/02 1:08:57 PM Eastern Standard Time, patrickmichaeltilton@... writes:
I live in an apartment, so I've never had the option of cranking up the sound (neighbours and all) to appreciate--or not--the sound quality currently available on DVD.
I live in an apartment too, and I couldn't give a shit less if I'm disturbing anyone. All they have to do is knock on my door and tell me to turn it down and I'll turn it down. It's only happened once and that was this little Latino girl that lived below me for a while, but she was a bitch who used to play her Mambo, or whatever, music so loud it would sometime vibrate my floor. I never complained to her, so.... whatever. Actually, I was kind of clever when I moved into my apartment. It's only a two-story building and I'm on a corner on the second floor just above the trash dumpster. Now why anyone would want to live in the apartment below me with the building's trash dumpster right outside their window is beyond me, and in fact most of the time no one has -- which is just what I planned! In fact, the apartment is currently empty. Oh, I crank it when I wish, and I have a subwoofer! Humanity be damned!
And the picture quality, well, as seen on my 27" Toshiba TV (which is, oh, about 15 years old now!) is as good as I've ever been able to hope for (the current DVDs).
You really ought to look into getting a new TV. They're cheaper now than ever before. You can pick up (well not literally!) a 36" TV with component inputs for less than $600 these days, and DVD players with component outputs for less than $100!!!! It's amazing! Component video gives you the best possible picture, short of progressive scan, that you can currently get from DVDs.
I'm still a trifle peeved at all the cash I spent on laserdiscs and a LD player.
Me too, but back in the day laserdiscs were the bomb and I loved them. I'm glad I stopped buying after I had a hundred titles or so. I still have titles that won't be on DVD for a while, so I still watch them. Do I wish I had the money back I spent on them? Hell yes, especially the $800.00 I spent on my last high-end LD player, but all good things have to end sometime. Now I just hope the player doesn't break because that'll be it for the LDs.
I hear rumors, now and again, that a NEWER format is on the horizon, which'll make
DVDs seem like laserdiscs. Hmmm... I think there's a conspiracy afoot! As I recall, it's a S-VHS-like format with line resolution around 3 times better than DVDs; you can bet that even better DVDs will then be cooked up to equal or better that new tape format.
This is already underway. The new VHS format is called D-VHS and delivers a true high definition picture to your HD set, without all the digital look of DVDs. Current D-VHS VCRs run around $900, but HD DVDs are also on the way as soon as everyone can agree on the format. It'll use a blue-light laser to deliver high definition video. I think it will bury D-VHS, which doesn't have the storage capacity of discs and carry no extras but the movie. D-VHS is just the current fad of the REALLY high-end guys.
I just hope to hell that Fox releases ALL the APES films in the best
possible format & quality, and ALSO releases every frame of archival
footage (lost scenes, etc.). That's my long-term dream.
All things considered, we've come a long way from back in the early
1980's, when home video was a rarity, when BETAMAX was the top
format, when hardly anything was available (especially in widescreen
format)... when the only way I could experience ESCAPE, CONQUEST, or
BATTLE was by reading the novelizations, the Marvel adaptations, that
sort of thing. I remember seeing the latter three films for the first
time in around a decade when they finally came out on VHS, and being
happy just to get to see them (I hardly remembered them from their
first showings on CBS). When they finally came out letterboxed, a few
years ago, I was happy as a clam. When the DVDs finally came out, I
was even happier. Seen from this perspective, "it's getting better
all the time" (to quote Lennon & McCartney). It may take a while, and
it may take guys like you & me & the rest of us shaved monkeys here
to bitch & moan to Fox to do POTA justice... but it'll get done.
Eventually.
Patrick
Write to Fox, Patrick. WRITE!!!!
<.html <.html
|
|
| Group: pota |
Message: 25760 |
From: Haristas@aol.com |
Date: 12/14/2002 |
| Subject: Re: [Planet of the Apes] The Lawgiver's "Hope" and Kolp's Intention |
.html.html In a message dated 12/14/02 2:20:05 PM Eastern Standard Time, patrickmichaeltilton@... writes:
ESCAPE takes place in 1973, and
the ship's clock accurately clicked back from 3955 to 1973. If it got
the "1973" date right AFTER the Time-Traveling, then it must've
gotten the "3955" date right BEFORE it.
Patrick, go get your DVD of PLANET out and look at it again. The year on the clock is 3978. That was the first movie, made without any sequel in mind and THAT'S THAT! PLANET took place in 3978. As far as what the sequels say, frankly I couldn't care less. POTA is not a saga for me -- it's a SERIES of movies, each BASED on what came before. Nuf said!
-- Rory<.html
<.html
|
|
| Group: pota |
Message: 25761 |
From: mlccougar@aol.com |
Date: 12/14/2002 |
| Subject: A correction to the list |
|
.html .htmlI forgot to add Battle in there, so it should read:
Conquest of the Planet of the Apes/Battle for the Planet of the Apes: Film Score Monthly (FSM Vol.4, No.1)<.html <.html
|
|
| Group: pota |
Message: 25762 |
From: mlccougar@aol.com |
Date: 12/14/2002 |
| Subject: Apes soundtrack CDs... |
|
.html .htmlI am wondering if anyone can provide a list of all the APES soundtrack cds they are aware of...
I know of these releases:
Planet of the Apes: Project3 (PRD 5023)
Planet of the Apes: Intrada (FMT 8006D)
Planet of the Apes: Masters (1249)
Planet of the Apes/Escape from the Planet of the Apes: Varese Sarabande (VSD-5848)
Beneath the Planet of the Apes: Film Score Monthly (FSM Vol.3, No.3)
Conquest of the Planet of the Apes: Film Score Monthly (FSM Vol.4, No.1)
It seems like I heard there was a bootleg of the complete ESCAPE soundtrack if I'm not mistaken... Is this right, and are there any others out there?<.html <.html
|
|
| Group: pota |
Message: 25763 |
From: Haristas@aol.com |
Date: 12/15/2002 |
| Subject: Re: [Planet of the Apes] Apes soundtrack CDs... |
.html.html In a message dated 12/14/02 7:55:10 PM Eastern Standard Time, mlccougar@... writes:
It seems like I heard there was a bootleg of the complete ESCAPE soundtrack if I'm not mistaken... Is this right, and are there any others out there?
Yes, there are several bootleg ESCAPE CDs out there, some also including music from another Goldsmith score. My copy of the ESCAPE music is a bootleg of a bootleg that Joe Russo made for me. The audio is good, but like ESCAPE on DVD it's all mono. The Varese PLANET/ESCAPE CD is the only place where you can hear some of ESCAPE's score in true stereo.
-- Rory<.html
<.html
|
|
| Group: pota |
Message: 25764 |
From: patrickmichaeltilton
| Date: 12/15/2002 |
|
| Subject: "Let's do the Time-Warp again...!" |
.html--- In pota@yahoogroups.com, Haristas@a... wrote:
> In a message dated 12/14/02 2:20:05 PM Eastern Standard Time,
> patrickmichaeltilton@y... writes:
>
> > ESCAPE takes place in 1973, and the ship's clock accurately
clicked back from 3955 to 1973. If it got the "1973" date right AFTER
the Time-Traveling, then it must've gotten the "3955" date right
BEFORE it.
> >
> Patrick, go get your DVD of PLANET out and look at it again. The
year on the clock is 3978. That was the first movie, made without any
sequel in mind and THAT'S THAT! PLANET took place in 3978. As far as
what the sequels say, frankly I couldn't care less. POTA is not a
saga for me -- it's a SERIES of movies, each BASED on what came
before. Nuf said!
>
> -- Rory
*** Now, Rory, you KNOW that this Earth-Time date "flub" is what
initially got me on the fast track to "unflubbing" the annoying
mistakes of the POTA saga. I agree that IF only PLANET had been made,
and IF no sequels were ever made, that the events subsequent to
Taylor's ship splashing down in Dead Lake all took place on 11-25-
3978 and following (a number of "weeks", as Taylor tells Zira right
before the Tribunal). However, since these events take place right by
a desert near what once was New York City, then doesn't it seem odd
that late NOVEMBER would be as toasty warm as it undoubtedly is
portrayed? Several weeks after 11-25-3978 would be in mid-December,
and around that time the upper east coast of the continental U.S.A.
is rather chilly... yet Taylor doesn't appear to have any goosebumps
on his loincloth-clad body. Sure, we can postulate that a pole-shift
has somehow catastrophically slided the North American tectonic plate
towards the Equator (so that this area, in the 40th Century, is in
the tropics--hence, Zira's referring to the "jungle" which Taylor
reached after "many days and nights" of travel through the desert &
mountains). But, still, for PLANET to take place in late-November
through at least mid-December (rather than in the Summer), seems
rather odd.
Taking the TV show dates at face value, the "time warp" which zipped
Virdon's ship into the future went from 8-19-1980 to 7-14-3085 (about
a month short of 1105 years)--see the opening credit sequence... in
particular, the top right hand corner of the screen. However, the day
after they crashlanded, Virdon & Burke see the EARTH-TIME date 3-21-
3085 frozen on the clock... about 115 Earth-Time days EARLIER. They
had to travel from Alpha Centauri (where they were when they
were "time-warped" 1105 years into their future) back to Earth (after
Jones activated the Automatic Homing Device, on Virdon's order)...
and SOMEHOW, in doing so, they zipped BACK IN TIME about 115 Earth-
Time days, over 4.34 LightYears of distance, their Earth-Time
chronometer clicking back from 7-14-3085 to 3-21-3085.
Taylor's mission was to "an unnamed planet in orbit around a star in
the constellation of Orion", a distance of 320 LightYears away from
Earth. SOMEHOW Taylor's ship ended up back on Earth, rather than
staying hundreds of lightyears away; HOW could it do this? Of all the
millions of stars in the galaxy, WHY would his ship end up back at
Sol, and NOT just the Sol System, but SPECIFICALLY back at Earth?
Perhaps a similar "Automatic Homing Device" was activated, somehow,
on Taylor's ship--purposely sending it away from its destination back
to Earth.
If a similar "backwards-through-Time" jump happened to Taylor (as it
did to Virdon), then the equivalent amount of "retrotime-per-
lightyear" should be at work, don't you think? (Well, I think so,
even if nobody else does!) Virdon's ship zips back 115 Earth-Time
days during its 4.34 LightYear "jump" back to Earth, a rate of about
26.5 Negative Earth-Time days per LightYear. Multiply 26.5 days by
the amount of LightYears that Taylor's ship would had to have gone in
order to get back to Earth from its unnamed destination star &
planet: 26.5 x 320 = 8480. So, then, IF Taylor's ship got back to
Earth in the same manner that Virdon's ship did (i.e. Automatic
Homing Device... a "jump" back in time of 26.5 Negative Earth-Time
days per LightYear... etc.), then his ship would have "jumped" that
320 LightYears distance in 8,480 days of "Negative Time". It is a
marvelous coincidence that 8480 days is equal to about 23.2 years...
which, when subtracted from 11-25-3978 puts you smack dab in the year
3955 (in the summer)!
The first movie ("that's that!") was not the ONLY movie they made,
Rory... it may have been the BEST of 'em, but they continued making
stories... and the "flubbing" sequels established that the "timewarp"
which sends the Ape-onauts back to Earth's past began in the year
3955 and ended in 1973. We KNOW that the "1973" date was on the
money, since the Chairman of the Presidential Commission of Inquiry
bangs the gavel dissolving it "in the year of our Lord NINETEEN
HUNDRED SEVENTY THREE". If the ANSA clock on the Ape-onauts' ship was
accurate enough to STOP clicking backward on the date "1973", then
it's a fair bet that the date it read BEFORE the "back-through-Time"
journey was ALSO correct... and THAT date was 3955. Not 3978.
It's a good thing I'm such a POTA fanatic that I wracked my brain to
come up with a logical way to reconcile the two "competing" dates.
Taylor's clock read 3978 when they were 320 LightYears away from
Earth, and (for some reason, unknown to all except for ME due to my
scenario of events) did NOT register the 23.2 years of Negative Time
after the Automatic Homing Device was triggered... HOWEVER, the other
ships attached to the larger, "mother" ship DID register this 23.2
year Negative Time "jump", making the Earth-Time chronometer click
back to 3955 (so that Brent could take an Earth-Time reading prior to
re-entry of "3955", rather than "3978").
Somehow these ANSA computers KNOW when the ship is going BACK-IN-TIME
(i.e. "Earth-Time" goes backwards while "Ship-Time" keeps clicking
forwards)--we KNOW this, because Milo and his pals had witnessed the
clock in the ship they were in do exactly this:
-----------ESCAPE screenplay, page 10 (scene 30)-----------------
MILO: "I know where we are. I know what has happened."
ZIRA and CORNELIUS stare at him.
MILO: "In some fashion--and I lack the intellect to know precisely
how--we have travelled from Earth's future into Earth's past.
CORNELIUS: "But we saw Earth destroyed."
MILO: "And Earth WILL be destroyed--just as we saw it. Only, since
seeing it, we have passed through a.... backward disturbance in time--
did you notice the Date Meter clicking down after the shock wave hit
our ship? --and we have returned to Earth almost two thousand years
BEFORE its destruction."
(solemnly)
"That is another reason for keeping silence. Our human captors would
not be edified to know that, one day, their world will crack like an
egg and fry to a cinder, because of an Ape war of agression."
------------------------------------------------------------
HOW the ANSA ships know that they're going back-through-Time is a
mystery. In my scenario, the ship's navigational computer is tied in
to the "Hassleinian hyperdrive" which warps spacetime around the
ships to begin with (allowing them to travel hundreds of lightyears
in mere months of Ship-Time); not only SPACE is warped by the
hyperdrive engine, but TIME as well ("spacetime"), so that
a "backward disturbance in time" (as Milo calls it) can happen,
theoretically, if the ship is somehow going FASTER THAN LIGHT... and
you'll recall that scene in the beginning of BATTLE, when Virgil is
teaching his pupils about Relativity...
----------------BATTLE screenplay, page 7ff (scene B-10ff)--------
CHIMP: "But, Virgil, can we ALTER destiny?"
ORANGUTAN 1: "Can we tamper with time?"
VIRGIL (mischievous smile): "Accept my premise, and I will prove it
logically."
CHIMP: "What premise?"
VIRGIL: "That, since Man once learned to travel faster than sound, he
could later have learned to travel faster than light."
CHIMP (smiling): "We accept."
VIRGIL: "Then imagine a musician giving a live broadcast from what
was once London to what was once New York--on a Wednesday. He then
travels faster than light from London to New York where he arrives
(as physicists would confirm) on the previous Tuesday; listens to his
own broadcast on the Wednesday; dislikes its quality intensely, and
travels back faster than light to London in time for him to decide
NOT to give his broadcast."
Over a SHOUT of laughter at this dubious but invigorating hypothesis,
we WHIP PAN back to:
[...........]
------------------------------------
Remember, now, that Virgil gives this "hypothetical" scenario to his
pupils BEFORE he accompanied Caesar and MacDonald to the Archives of
the Forbidden City... BEFORE he found out about how Caesar's parents
came back through Time from the Future. Unless, that is, Caesar had
told Virgil this privately beforehand; perhaps he did, and it was
this revelation which prompted Virgil to contemplate the possibility
of changing the Past/Future. Perhaps Virgil was told (by Mandemus,
his teacher?) about the Eyewitness News broadcast with Hasslein,
where he told Bill Bonds about "changing lanes" from one path to
Future A to a different path to a changed Future B. Who knows?
Actually, Virgil's hypothetical time-traveling musician would have to
convince his "past self" to decide not to give his broadcast (perhaps
after playing him an audio/video tape of it, to convince his Past
Self that the performance is destined to be a bad one... unless he
chooses to avoid doing it, which would "alter destiny". In any case,
there would be TWO selves present: the Past Self who didn't
anticipate a visit from his own Future Self, and the Future Self who
didn't remember having had a visit from a Future Self when he was the
Past Self! If he can change his Past Self's "destiny", then he will
have erased the Future out of which he travelled... and, perhaps, he
will vanish from Existence... unless an Infinity of universes does
exist, and one can travel from one of the infinite Futures into a
shared Past (at a "cusp" point in SpaceTime) and then continue on in
that different Path leading to a different Future...
It's one thing to go back in Time and convince your Past Self to do
things differently... after all, if you have no memory of your Future
Self coming back through Time to warn you, you've already effectively
become part of a "tampered-with Time", an "altered destiny".
But does Caesar have what it takes to "alter destiny" (which Armando
called "the unalterable will of God"--UNalterable!), using his
knowledge of the "Doomsday" future his parents witnessed to "jump"
the planet out of the rut of Fate? Armando said that he "hate[s]
those who try to alter Destiny, which is the unalterable will of
God"; would Armando hate Caesar for trying to do something which
(from an ethical standpoint) is not all that different from what
Hasslein was trying to do? Hasslein wanted to save Humanity from a
Future of brute, animal existence, dominated by Apes. Caesar wants to
save Apes and Humans--the very planet itself--from the destruction
his parents witnessed in 3955. Caesar, who longed to have known his
own parents, expresses sympathy with Hasslein (et al.) when he hears
his long-dead parents describe the destruction of the Earth: "No
wonder all Mankind thirsted for my blood and wanted my birth aborted.
In the year 3950, Apes will destroy the Earth" (BATTLE screenplay,
page 44, scene B-96).
Herod tried to alter "prophesied" Destiny, by slaughtering the
Innocents... yet Christ survived, as the President tells Hasslein.
Hasslein reminds him that "Herod lacked our facilities". Yet Hasslein
also failed, despite the slaughter of Salome (a true innocent), Zira
and Cornelius. Caesar, who lacks the facilities that Hasslein had at
his disposal, wishes to accomplish what seems to be impossible--he
wants to change the Future, even though it would require abolishing
the racial animosities which have plagued the human race since Time
immemorial.
It's been pointed out that Caesar ("a Savior", according to the
BATTLE Lawgiver) is a "Christ-figure"... yet Christ--who taught that
people should Love their Enemies--failed to get Enemies to love each
other. Less than 40 years after his "ministry" is supposed to have
happened (around 30 A.D.), the war of the Jewish Zealots against Rome
caused Jerusalem to be annihilated, around 70 A.D. Christians will
argue that Christ will have a "Second Coming" in Glory, to begin his
ruling of God's Kingdom on Earth... and THEN those who are able to
truly love their enemies will survive to be citizens of
this "kingdom"--and everybody else will be either killed or
subjugated (probably the former). There's a limit to the "Christ-
figure" status of Caesar: he isn't a supernatural being, capable of
returning to Earth millennia after his death, with the Power of God
to give him the ability to force his Will on all Apekind & Mankind...
he was just a mortal intelligent chimpanzee, who made enough of an
impression on his community that his story (embellished by religious
scripture-writers) is still taught 600 years later, as a warning
about where violent conflict will inevitably end... unless people
change--unless ALL people change.
Otherwise, in 3950... that is, "Thirty-Nine Fifty...something"...
that is, "Thirty-Nine Fifty-FIVE... A.D., presumably", Taylor's gonna
reach for that "ruby button" (as Michael Avallone calls it in his
novelization), and trigger "Alpha and Omega".
Ka-BOOM!!!
Patrick
EARTH-TIME 12-15-2002 <.html
|
|
| Group: pota |
Message: 25765 |
From: mlccougar@aol.com |
Date: 12/15/2002 |
| Subject: My letter to fox |
|
.html .htmlYesterday afternoon, I wrote letters to Fox (both Dunn and Staddon) requesting they release the APES films as a Special Edition box set. Below you'll find a copy of what I wrote, and you're more than welcome to copy this letter and send it in... It's basically just a rewrite of the previous letter to Fox posted in the pota group. I sent the author of that letter a copy of my rewrite, and he suggested I post it to both groups.
Here then is what I wrote to them:
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Sir,
It has come to my attention that you recently announced that "If there's going to be new Planet of the Apes DVDs, it won't be before 2004" (at the earliest).
I'm writing to request that TCFHE rethink this position and give serious consideration to doing the 5 original APES movies as a deluxe, Special Edition box set.
As I'm sure you know, the current DVD editions of these classic films have a fine picture transfer, but unfortunately they were done before your company made the commitment to doing only anamorphic transfers. The PLANET OF THE APES Collection enhanced for 16X9 displays is greatly desired by fans, and a remastering of this series would also allow you to make digital improvements to their look on video.
In remastering these films, you could also improve the audio, giving them an improved Dolby Digital 5.1 or DTS remix. Improving the soundtrack would result in better stereo separation and improvement in the directional dialogue. This would be a great selling point for the new, improved set.
I would also hope that when you do decide to do a Special Edition of the APES series on DVD that you'll include the same kind of supplemental features found on many other Special/Collector's Edition DVDs. It is known that the inclusion of any surviving out-takes or unused footage is greatly desired by fans of the series. Other wanted features would be commentary/interviews with any surviving cast/crew/production team members, as well as an extensive photo gallery of behind the scenes shots.
In addition to the "extras" I just mentioned, it is known that the following improvements would be appreciated:
1)Planet of the Apes: A "5 STAR" edition, or more precisely, the new equivalent of this line, since it has been discontinued by Fox.
2)Beneath the Planet of the Apes: Same treatment as above.
3)Escape from the Planet of the Apes: Again, the equivalent of the former "5 STAR" line, with the addition of a *stereo* soundtrack.
4)Conquest of the Planet of the Apes: A "Director's Cut" of J. Lee Thompson's original version of the film is highly sought after by fans and is one of their most wanted releases.
5)Battle for the Planet of the Apes: An American release of the long version of this film (which is currently only available on the Japanese laser disc version) is highly desired and it's release here would be appreciated.
The year 2003 will mark the 35th Anniversary of the release of PLANET OF THE APES and a Special Edition box set of this classic film and it's sequels would certainly be a fitting tribute to a great 20th Century Fox series, don't you agree?
Sincerely,
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
So far, I only know of one person other than myself who has taken the time to write in to them making this request. Have any of you written letters? If so, what did you request/ask for? Maybe if you don't write the whole letter and post it, you could at least say what the content was so others can get an idea of what they could/should be requesting...<.html <.html
|
|
| Group: pota |
Message: 25766 |
From: mlccougar@aol.com |
Date: 12/15/2002 |
| Subject: My letter to fox |
|
.html .htmlYesterday afternoon, I wrote letters to Fox (both Dunn and Staddon) requesting they release the APES films as a Special Edition box set. Below you'll find a copy of what I wrote, and you're more than welcome to copy this letter and send it in... It's basically just a rewrite of the previous letter to Fox posted in the pota group. I sent the author of that letter a copy of my rewrite, and he suggested I post it to both groups.
Here then is what I wrote to them:
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Sir,
It has come to my attention that you recently announced that "If there's going to be new Planet of the Apes DVDs, it won't be before 2004" (at the earliest).
I'm writing to request that TCFHE rethink this position and give serious consideration to doing the 5 original APES movies as a deluxe, Special Edition box set.
As I'm sure you know, the current DVD editions of these classic films have a fine picture transfer, but unfortunately they were done before your company made the commitment to doing only anamorphic transfers. The PLANET OF THE APES Collection enhanced for 16X9 displays is greatly desired by fans, and a remastering of this series would also allow you to make digital improvements to their look on video.
In remastering these films, you could also improve the audio, giving them an improved Dolby Digital 5.1 or DTS remix. Improving the soundtrack would result in better stereo separation and improvement in the directional dialogue. This would be a great selling point for the new, improved set.
I would also hope that when you do decide to do a Special Edition of the APES series on DVD that you'll include the same kind of supplemental features found on many other Special/Collector's Edition DVDs. It is known that the inclusion of any surviving out-takes or unused footage is greatly desired by fans of the series. Other wanted features would be commentary/interviews with any surviving cast/crew/production team members, as well as an extensive photo gallery of behind the scenes shots.
In addition to the "extras" I just mentioned, it is known that the following improvements would be appreciated:
1)Planet of the Apes: A "5 STAR" edition, or more precisely, the new equivalent of this line, since it has been discontinued by Fox.
2)Beneath the Planet of the Apes: Same treatment as above.
3)Escape from the Planet of the Apes: Again, the equivalent of the former "5 STAR" line, with the addition of a *stereo* soundtrack.
4)Conquest of the Planet of the Apes: A "Director's Cut" of J. Lee Thompson's original version of the film is highly sought after by fans and is one of their most wanted releases.
5)Battle for the Planet of the Apes: An American release of the long version of this film (which is currently only available on the Japanese laser disc version) is highly desired and it's release here would be appreciated.
The year 2003 will mark the 35th Anniversary of the release of PLANET OF THE APES and a Special Edition box set of this classic film and it's sequels would certainly be a fitting tribute to a great 20th Century Fox series, don't you agree?
Sincerely,
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
So far, I only know of one person other than myself who has taken the time to write in to them making this request. Have any of you written letters? If so, what did you request/ask for? Maybe if you don't write the whole letter and post it, you could at least say what the content was so others can get an idea of what they could/should be requesting...<.html <.html
|
|
| Group: pota |
Message: 25767 |
From: mlccougar@aol.com |
Date: 12/15/2002 |
| Subject: Re: [PotaDG] My letter to fox |
|
.html .htmlThat last post wasn't meant to be posted twice... I wasn't sure if it was sent out the first time, so it got sent again... <.html <.html
|
|
| Group: pota |
Message: 25768 |
From: mlccougar |
Date: 12/15/2002 |
| Subject: Re: Apes soundtrack CDs... |
.html--- In pota@yahoogroups.com, Haristas@a... wrote:
Yes, there are several bootleg ESCAPE CDs out there, some also
including music from another Goldsmith score. My copy of the ESCAPE
music is a bootleg of a bootleg that Joe Russo made for me. The
audio is good, but like ESCAPE on DVD it's all mono. The Varese
PLANET/ESCAPE CD is the only place where you can hear some of
ESCAPE's score in true stereo.
-- Rory
I'm going to guess you have "no idea" but do you know where to send
letters to Film Score Monthly to request that they release the
complete ESCAPE score? (Or, more importantly, "who" to send the
letters to at FSM?) Or do you think that Varese Sarabande is the only
one that has the rights to release the Goldsmith APES music? <.html
|
|
| Group: pota |
Message: 25769 |
From: Haristas@aol.com |
Date: 12/15/2002 |
| Subject: Re: [Planet of the Apes] Re: Apes soundtrack CDs... |
.html.html In a message dated 12/15/02 12:47:49 PM Eastern Standard Time, mlccougar@... writes:
I'm going to guess you have "no idea" but do you know where to send
letters to Film Score Monthly to request that they release the
complete ESCAPE score? (Or, more importantly, "who" to send the
letters to at FSM?) Or do you think that Varese Sarabande is the only
one that has the rights to release the Goldsmith APES music?
Oh, I've done this and FSM told me that Varese has the rights to the ESCAPE music and it'll be up to them if the entire score is ever released in stereo. Writing to them to request that they do so couldn't hurt of course. They have a website: Click here: VareseSarabande.com -- Varese Sarabande Home. We have the catalog of over 600 soundtracks and film music titles an
And can be contacted at: Soundtracks@...
Let's flood them with requests for a complete ESCAPE score! (I don't know why I didn't think of this before?)
-- Rory<.html
<.html
|
|
| Group: pota |
Message: 25770 |
From: LordTZer0@AOL.com |
Date: 12/15/2002 |
| Subject: Re: [Planet of the Apes] Re: Apes soundtrack CDs... |
|
.html .htmlThe only problem with this is it's all of about 18 minutes long. If they include the Shopping Theme they might stretch it to 22. What I'd like to see is a boxed set of all the movies soundtracks. Now that would have me reaching for my wallet!<.html <.html
|
|
| Group: pota |
Message: 25771 |
From: mlccougar@aol.com |
Date: 12/15/2002 |
| Subject: Varese Sarabande Records address |
.html.html For those who'd rather mail their request(s) to them, their mailing address is:
Varese Sarabande Records
11846 Ventura Boulevard, Suite 130
Studio City, CA 91604
<.html <.html
|
|
| Group: pota |
Message: 25772 |
From: Haristas@aol.com |
Date: 12/15/2002 |
| Subject: Re: [Planet of the Apes] Re: Apes soundtrack CDs... |
.html.html In a message dated 12/15/02 2:06:02 PM Eastern Standard Time, LordTZer0@... writes:
The only problem with this is it's all of about 18 minutes long. If they include the Shopping Theme they might stretch it to 22. What I'd like to see is a boxed set of all the movies soundtracks. Now that would have me reaching for my wallet!
Well then, FSM and Varese could probably get together for that, BUT is the demand for it there?
-- Rory<.html
<.html
|
|
| Group: pota |
Message: 25773 |
From: mlccougar |
Date: 12/15/2002 |
| Subject: Re: Apes soundtrack CDs... |
|
.html In a message dated 12/15/02 2:06:02 PM Eastern Standard Time,
LordTZer0@A... writes:
<The only problem with this is it's all of about 18 minutes long. If
they include the Shopping Theme they might stretch it to 22.>
***Regardless of how long this score is, I'd still like to see
it "legitimately" released with nice packaging, etc... And, do you
know if there are any unused cues from it? If that's the case, they
could pad it out with those to make it longer in length. Another
possibility would be to pair it with another Goldsmith score (as the
bootleg version is,) just so long as ESCAPE is the one prominently
featured on the graphics, etc...
I'm sure some will "boo" my suggestion here, but yet another way it
could be released would be to release it along with music from the
television series (and maybe include the RETURN to the POTA music
too, at least the theme...) I'd guess this wouldn't be likely,
because it seems as though Verese wouldn't want to pair it with music
from other composers for one thing, and I'm guessing that if anyone
would be allowed to release the tv series music, it'd be FSM, because
they already released the tv theme (so they probabaly have the rights
to it).*** <.html
|
|
| Group: pota |
Message: 25774 |
From: mlccougar@aol.com |
Date: 12/15/2002 |
| Subject: An ESCAPE request letter... |
|
.html .htmlI have sent an email to Varese Sarabande asking that they release the ESCAPE soundtrack in it's entirety (and in stereo)... Below you will see the email I sent them, and you all are more than welcome to copy it and send it to them as your request email too...
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
VareseSarabande,
It has come to my attention that you have the rights to Jerry Goldsmith's score for the classic film Escape from the Planet of the Apes.
Would you please consider releasing the entire soundtrack (in stereo) on CD? It is well known that this soundtrack is one of the most desired soundtracks in the Apes film canon, but unfortunately, it has yet to see a complete, stereo release.
I have the Planet of the Apes soundtrack CD you released (with the EFTPOTA "Suite" on it) and I think it's excellent. Knowing how well you did the Planet of the Apes soundtrack, I feel you could do the complete Escape soundtrack equally well.
I think it would make a great addition to your collection of soundtrack releases. Will you please look into releasing it soon?
Thank you for your consideration,
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Send your emails to them at : Soundtracks@...
Let's flood them with requests for a complete ESCAPE score!
<.html <.html
|
|
| Group: pota |
Message: 25775 |
From: Melkor |
Date: 12/16/2002 |
| Subject: Re: [Planet of the Apes] The Lawgiver's "Hope" and Kolp's Intention |
.html> *** We can agree to disagree here, but in my opinion the
> word "Lawgiver" is not a name that only one person can ever have:
Zaius called him "the greatest ape of all, our Lawgiver".
> ----------------------------------------------------------------
> > > Zaius tells Taylor that the "Sacred Scrolls" were written 1,200
> years
> >
> > 1200 years is probably only meant to be an approximate guess, not
> an exact figure. We only have estimates of when the New Testament
> books were written, not exact years or even decades. Zaius didn't
> give a more precise figure because he didn't know the exact number of
> years.
>
> *** If Zaius says this in 3955-3978, and if the Lawgiver in question
> is the BATTLE one (as you prefer), then an approximate guess would be
> that the Scrolls were written 1300 years ago, not 1200. The year 2670
> is smack dab in the middle of the range of years 3955-3978 minus
> 1300. True, we don't know EXACTLY what decade (let along YEAR) the
> New Testament books were written, but we DO have it pinned down to
> the century. I would argue that Zaius is uniquely qualified to know
> the number of years with a fair degree of accuracy.
And some of the New Testament books weren't written down until over 100
years after the words in them were spoken. (How did they know the
exact quotations of Jesus 100 years later?) Zaius only says the words
were "written" (approximately) "1200 years ago". They could easily have
been spoken approximately 1285 years ago. OR, Zaius could easily have
rounded down from 1235 years and been off by 50 years.
To sum up, there are four things that could more than account for the
85 year difference, if the Sacred Scrolls are like the New Testament.
- Gap between when Lawgiver spoke and when his words were written down; 0-150
year difference
- Zaius not knowing the exact decade; 0-100 year difference
- Zaius rounding down from 1200+ years; 0-35 year difference
- Ship's computer not getting the exact year right. 0-30 year difference
>
> *** See above; the computer wasn't sentient (like HAL 9000), so it
> couldn't "make a guess". It could only do what it had been programmed
> to do (Landon mentions their ship wasn't "programmed" to land in the
Computers make guesses all the time, without being sentient. These guesses
are as good as (1) the input data and (2) the assumptions programmed into
the software.
> TIME clock). SOMEHOW, the ship's computer "knew" when it was going
> BACKWARDS through EARTH-TIME... because it was programmed to display
> those dates under certain given circumstances.
The computer can make a guess based on the locations of stars. PLANET didn't
look like it actually occured in November. On the other hand the Icarus
computer presumebly got the exact date right in ESCAPE. That could be because
it was close to the time it launched and so it was much more accurate because
the computer had reference data from 1972. Such a program to compute EARTH
TIME could be written today, but all we know for sure is that the time is not
always accurate and can be off by decades.
> wishes to change. I think the BATTLE Lawgiver DOES know that the End
> of the World is scheduled to be in "Thirty Nine Fifty" (as Caesar
Then if there had been a circular timeline Zaius would know about it too
and would have stopped the war.
> hears it from his long-dead mother--truncated from "3950-something"),
> but he--as did Caesar/Virgil/MacDonal--HOPES that that outcome can be
> avoided. He can't KNOW for certain that the Future IS changed--he can
> only wait and hope--but that doesn't preclude him from doing his part
> to TRY to create the "saved" future that Caesar hoped to bring about.
Again the Lawgiver does not know what WE know. There is no evidence that he
knows about the destruction of the Earth (or why didn't he put THAT in the
Scrolls). And he surely didn't realize that in the alternate timeline he
himself was a bigot who played a crucial role in the bigotry that led to
Earth's destruction.
> *** Well, the "humans and apes" living together in THEIR neck-of-the-
> woods. What about the rest of the world? Or just the rest of the
> continent? Just because one little community is in harmony doesn't
> mean that it's that way everywhere else. For all they know, just a
What happens elsewhere is completely irrelevent. Why? Because the
Earth's destruction in BENEATH was caused by the exact same two
cultures as BATTLE, one of which is the Lawgiver's culture.
> *** Again, I see the word "Lawgiver" as a Title, not a Name. Jesus
> wasn't the first "Christ" ("Messiah", "anointed one"), but Christians
There are plenty of things Dehn COULD have done to eliminate the Corrington's
alternate timeline ending, but did not. Dehn might have had Aldo kill Caesar
He wanted to do just that in his earlier script which the Corrington's
"completely discarded". Or Dehn could have simply left out the Lawgiver scene
entirely to introduce ambiguity in the timeline. But when Dehn left the
Lawgiver scene in BATTLE he left in evidence that the timeline has changed
DRASTICALLY and nothing else he did cancels that out.
> > Nor orangutans. But the Lawgiver says "humans and apes living in
> harmony." and not "humans and chimpanzees living in harmony." A non-
> issue.
>
> *** A "non-issue"? Can we not speculate that the absence of gorillas
> matters, especially when the story/"scripture" this Lawgiver relates
> has a distinct "anti-gorilla" flavor to it? Remember Zira's gorilla-
> bashing in BENEATH and ESCAPE? Even here, in BATTLE, Virgil (who is
> supposedly "enlightened", and knows "everything about everything") is
> not above making a slur against gorillas when he "corrects" Caesar's
> exclamation that "in 3950 APES will destroy the
> Earth!": "Not 'apes'... GORILLAS." Hey, Virgil... aren't gorillas
> Apes, as are Chimps and Orangs? The story the Lawgiver tells to his
> congregation is "slanted" against Aldo and his "faction" (as when
> Aldo & the gorillas refuse to sit in council "with humans"). The LACK
> of gorillas in the Lawgiver's congregation is very much an "issue",
> at least with me.
The Lawgiver explicitly says that humans and apes live in "harmony".
> > > KOLP: "If the impossible happens... if we're defeated by the
> Apes... I will not surrender to an animal. Neither will my soldiers.
> If retreat seems necessary, I shall send you a coded radio-signal.
> Fifteen minutes after its receipt, you will range this missile on Ape
> City and activate it--"
> >
> > Kolp wasn't being chased when he left (until Aldo did so) so there
> was originally no risk of him surrendering "to an animal". His plan
> sounds like he would have signaled a 15 minute countdown if he had to
> start retreating and if he was captured (surrendered) the countdown
> would have gone through, otherwise he would have aborted. Kolp knew
> what Alma did not, that there was no legitimate need for a 15 minute
> countdown. The only possible reason for having a countdown was a
> sneaky way to guarantee that the world would be destroyed if and only
> if Kolp himself was killed or captured.
>
> "If retreat seems necessary..." Kolp says. He was IN retreat when
> Aldo's forces intercepted his, and gunned them all down. It doesn't
> get any plainer than that.
Kolp says he will "not surrender". It doesn't get any plainer than that.
Kolp was ALREADY in retreat before Aldo started chasing him and yet never
radioed the signal even though he had plenty of time if he had wanted to.
Why not? Because he didn't think he was in personal danger at that time.
--
Get yourself kicked out of the DG group without even posting there in
two easy steps...
Step 1: Quote in this group what the owner posted about Trouble Makers
in order to get put on strict moderation without notice where posts have
taken up to 5 hours to go through.
Step 2: Report in this group that you were threatened by the owner and put
on strict moderation for Step 1. <.html
|
|
| Group: pota |
Message: 25776 |
From: xinphpgcxvxx |
Date: 12/16/2002 |
| Subject: check this out! |
| Group: pota |
Message: 25777 |
From: Haristas@aol.com |
Date: 12/16/2002 |
| Subject: POTA mini busts |
|
.html .htmlWell, I got those POTA mini busts today, and I have to say I find them rather lackluster. It's not the paint jobs that are the problem, it's the sculpts. They look amateurish. Dr. Zaius looks like he's having a stroke! Anyway, I should have saved my money, but maybe they'll be collectibles. I'm sure as hell not taking them out of the box.
Oh well.
-- Rory<.html <.html
|
|
| Group: pota |
Message: 25778 |
From: veetus@earthlink.net |
Date: 12/16/2002 |
| Subject: Re: [Planet of the Apes] POTA mini busts |
.html
.html
Yeah, I saw the busts when I was Christmas
shopping and they were, well, a bust. Haven't seen the gorilla, though. Looked
good in the ads. But I got 5 Medicoms for $ 8 each, a new record! Aldo, Astro
Taylor, "Conquest" gorilla, Ursus and Caesar. - - - Jeff
----- Original Message -----
Sent: Monday, December 16, 2002 3:37
PM
Subject: [Planet of the Apes] POTA mini
busts
Well, I got those POTA mini busts
today, and I have to say I find them rather lackluster. It's not the
paint jobs that are the problem, it's the sculpts. They look
amateurish. Dr. Zaius looks like he's having a stroke! Anyway, I
should have saved my money, but maybe they'll be collectibles. I'm sure
as hell not taking them out of the box.
Oh well.
--
Rory
<.html
<.html
|
|
| Group: pota |
Message: 25779 |
From: mlccougar |
Date: 12/16/2002 |
| Subject: Questioning the ship's computers... |
|
.html <<<The computer wasn't sentient (like HAL 9000), so it couldn't "make
a guess". It could only do what it had been programmed to do (Landon
mentions their ship wasn't "programmed" to land in the water.)
SOMEHOW, the ship's computer "knew" when it was going BACKWARDS
through EARTH-TIME... because it was programmed to display those
dates under certain given circumstances.
On the other hand the Icarus computer presumebly got the exact date
right in ESCAPE. That could be because it was close to the time it
launched and so it was much more accurate because the computer had
reference data from 1972. Such a program to compute EARTH-TIME could
be written today, but all we know for sure is that the time is not
always accurate and can be off by decades.>>>
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Ok, question here: While watching an APES clips tape I have, it came
to the part about ESCAPE, and it got me thinking... "IF" the ship's
computers/timeclock/homing devices are supposed to be "so accurate,"
then how did the Ape-O-Nauts end up in southern California, rather
than out on the east coast? (The east coast presumably is
where "home" was, since that's where the two ships crashed in the
first two films...)
Yes, Landon says they "weren't programmed to land in the water", but
maybe the water is near the location where an Air Force base or an
ANSA base,(or even an airport) was, and the ship landed in the area
that it was supposed to land, but because of the holocaust, and all
the land shifts, etc. the base it was supposed to land at is no
longer there. The homing device could certainly have been correct in
PLANET (if we're even saying it was in use at all during that
mission's "problems",)but how do we account for it in ESCAPE? Even if
Milo did very little, if any, actual piloting and relied on the
ship's homing device to pilot the ship, shouldn't the ship have
landed in at least the same general area that was programmed into
it's memory? (As I said, I'd guess it's "home base" was the east
coast.)In ESCAPE,Why would it's homing device be off by not only a
few miles, but an entire continent? Something got messed up BIG TIME
in the ship's memory somewhere along the line, so I can't even give
you that the ship "knew" it was going back in time... <.html
|
|
| Group: pota |
Message: 25780 |
From: veetus@earthlink.net |
Date: 12/16/2002 |
| Subject: Re: [Planet of the Apes] POTA mini busts |
.html
.html
I noticed in the new "Previews" that the
Medicoms and Kubricks are being offered again to stores, in case they under
ordered the first time. Looks like they were a hit. Also, the new "Entertainment
Weekly" has a full page "Suncoast" ad that hypes the perfect DVD box sets for
gifts. Along with "The Simpsons" and "24" and "The Mary Tyler Moore Show",
they're plugging the POTA TV show. Must be selling OK for them to bother. - - -
Jeff
----- Original Message -----
Sent: Monday, December 16, 2002 5:04
PM
Subject: Re: [Planet of the Apes] POTA
mini busts
Yeah, I saw the busts when I was Christmas
shopping and they were, well, a bust. Haven't seen the gorilla, though. Looked
good in the ads. But I got 5 Medicoms for $ 8 each, a new record! Aldo, Astro
Taylor, "Conquest" gorilla, Ursus and Caesar. - - - Jeff
----- Original Message -----
Sent: Monday, December 16, 2002 3:37
PM
Subject: [Planet of the Apes] POTA mini
busts
Well, I got those POTA mini busts
today, and I have to say I find them rather lackluster. It's not the
paint jobs that are the problem, it's the sculpts. They look
amateurish. Dr. Zaius looks like he's having a stroke! Anyway, I
should have saved my money, but maybe they'll be collectibles. I'm
sure as hell not taking them out of the box.
Oh well.
--
Rory
Your
use of Yahoo! Groups is subject to the .
<.html
<.html
|
|
| Group: pota |
Message: 25781 |
From: Melkor |
Date: 12/16/2002 |
| Subject: Re: [Planet of the Apes] Questioning the ship's computers... |
.htmlAssuming it had a homing device, the Icarus probably was not programed to land
near New York City. Probably a (big) coincidence. Why did the second ship
land near there too? Because it followed the exact same trajectory.
> Ok, question here: While watching an APES clips tape I have, it came
> to the part about ESCAPE, and it got me thinking... "IF" the ship's
> computers/timeclock/homing devices are supposed to be "so accurate,"
> then how did the Ape-O-Nauts end up in southern California, rather
> than out on the east coast? (The east coast presumably is
> where "home" was, since that's where the two ships crashed in the
> first two films...)
>
> Yes, Landon says they "weren't programmed to land in the water", but
> maybe the water is near the location where an Air Force base or an
> ANSA base,(or even an airport) was, and the ship landed in the area
> that it was supposed to land, but because of the holocaust, and all
> the land shifts, etc. the base it was supposed to land at is no
> longer there. The homing device could certainly have been correct in
> PLANET (if we're even saying it was in use at all during that
> mission's "problems",)but how do we account for it in ESCAPE? Even if
> Milo did very little, if any, actual piloting and relied on the
> ship's homing device to pilot the ship, shouldn't the ship have
> landed in at least the same general area that was programmed into
> it's memory? (As I said, I'd guess it's "home base" was the east
> coast.)In ESCAPE,Why would it's homing device be off by not only a
> few miles, but an entire continent? Something got messed up BIG TIME
> in the ship's memory somewhere along the line, so I can't even give
> you that the ship "knew" it was going back in time...
--
Get yourself kicked out of the DG group without even posting there in
two easy steps...
Step 1: Quote in this group what the owner posted about Trouble Makers
in order to get put on strict moderation without notice where posts have
taken up to 5 hours to go through.
Step 2: Report in this group that you were threatened by the owner and put
on strict moderation for Step 1. <.html
|
|
| Group: pota |
Message: 25782 |
From: mlccougar |
Date: 12/16/2002 |
| Subject: An ESCAPE Question |
|
.html OK, question of the night... IF ESCAPE is supposed to be in
CALIFORNIA, then what is the President of the United States doing out
there all the time? (Or are we supposed to think Hasslein is flying
cross country to consult w/ the President all the time?)
How about the Presidential Commission and all the other US government
types? Are they all sent out to Cali. for this assignment of
interrogating the Apes? Wouldn't it have been easier just to send the
Ape-o-nauts to Washington? (I guess even in the world of movies the
Government isn't always the most cost efficient...) <.html
|
|
| Group: pota |
Message: 25783 |
From: Haristas@aol.com |
Date: 12/17/2002 |
| Subject: Re: [Planet of the Apes] POTA mini busts |
.html.html In a message dated 12/16/02 8:03:05 PM Eastern Standard Time, veetus@... writes:
Haven't seen the gorilla, though. Looked good in the ads
The gorilla is the best one.<.html
<.html
|
|
| Group: pota |
Message: 25784 |
From: Haristas@aol.com |
Date: 12/17/2002 |
| Subject: Re: [Planet of the Apes] POTA mini busts |
.html.html In a message dated 12/16/02 8:11:27 PM Eastern Standard Time, veetus@... writes:
Also, the new "Entertainment Weekly" has a full page "Suncoast" ad that hypes the perfect DVD box sets for gifts. Along with "The Simpsons" and "24" and "The Mary Tyler Moore Show", they're plugging the POTA TV show. Must be selling OK for them to bother. - - - Jeff
It's so weird that stuff you watch on TV is being hyped on DVD. You have cable or satellite and nothings on but these TV shows, then you go buy the DVDs to watch the same thing? Strange.
I would buy a DVD set of the complete two seasons of THE MUNSTERS though, but only if the print quality was excellent.
-- Rory<.html
<.html
|
|
| Group: pota |
Message: 25785 |
From: Haristas@aol.com |
Date: 12/17/2002 |
| Subject: Re: [Planet of the Apes] An ESCAPE Question |
.html.html In a message dated 12/16/02 11:18:27 PM Eastern Standard Time, mlccougar@... writes:
OK, question of the night... IF ESCAPE is supposed to be in
CALIFORNIA, then what is the President of the United States doing out
there all the time?
We never see the President outside of the Oval Office. What you talkin' bout?
-- Rory<.html
<.html
|
|
| Group: pota |
Message: 25786 |
From: LordTZer0@AOL.com |
Date: 12/17/2002 |
| Subject: Re: [Planet of the Apes] An ESCAPE Question |
.html.html Wver heard of the Western White House? Nixon used to stay in San Clamente all the time.
OK, question of the night... IF ESCAPE is supposed to be in
CALIFORNIA, then what is the President of the United States doing out
there all the time? (Or are we supposed to think Hasslein is flying
cross country to consult w/ the President all the time?)
<.html <.html
|
|
| Group: pota |
Message: 25787 |
From: LordTZer0@AOL.com |
Date: 12/17/2002 |
| Subject: Re: [Planet of the Apes] An ESCAPE Question |
|
.html .html(Or are we supposed to think Hasslein is flying cross country to consult w/ the President all the time?)
I don't see why not. People do it all the time. Anyway, he's the President of the United States. And since Hasslein is a big shot at the POTA equivalent of NASA they's fly him out special.<.html <.html
|
|
| Group: pota |
Message: 25788 |
From: patrickmichaeltilton
| Date: 12/17/2002 |
|
| Subject: Re: [Planet of the Apes] An ESCAPE Question |
.html--- In pota@yahoogroups.com, LordTZer0@A... wrote:
> Ever heard of the Western White House? Nixon used to stay in San
Clemente all the time.
>
> > OK, question of the night... IF ESCAPE is supposed to be in
CALIFORNIA, then what is the President of the United States doing out
there all the time? (Or are we supposed to think Hasslein is flying
cross country to consult w/ the President all the time?)
> >
*** This is from Jerry Pournelle's novelization of ESCAPE:
---------from Chapter 1-------------
A phone rang. A black one. Hamilton picked it up. "SAC Duty
Commander."
"SAC, this is Air Defense. We have a bandit re-entry coming in
over the South Pole. I say again we have a bandit on re-entry course
over the South Pole. Probable place of impact, vicinity of San Diego,
California. Estimated time, plus 26 minutes."
Hamilton tensed. "NORAD, this is SAC. Are you sure you have a
bandit?"
"Affirmative, SAC. We have no previous plot. Bandit has no
previous orbital flight. Launch point unknown. This is a big one.
Estimated excess of 35,000 pounds."
"My God!" Ray Hamilton looked across at the enormous screens of
the opposite wall. His staff had already projected a map of the
Western Hemisphere and the predicted path of the intruder. The red
dotted line led from the bandit's position over Chile up to a large
circle just north of San Diego. Hamilton scowled. The Soviets had
tested a 100 megaton bomb, and a vehicle that size could carry one.
That thing would take out most of Southern California, including
Oceanside. Hamilton's status board showed Executive One in residence
at the Western White House.
----------------------------------------
And, in Chapter Two:
----------------
"Mister President, this is General Brody." The president nodded.
Brody was White House Chief of Staff. He wouldn't be calling with a
war message. "Sir, we've got a small problem out your way. One of
NASA's manned space capsules came in over the Pole and splashed just
offshore from you, and SAC went to Yellow Alert."
------------------
Although Pournelle's novelization takes many liberties with the
screenplay (including having an aircraft carrier use a crane to lift
the ship onto its flight deck--rather than having it "beached" by
frogmen from the Army, using a tow-line to bring it in), he does make
some interesting additions, utilizing his knowledge of things
military to make the story he tells in HIS way somewhat more
plausible. This "Western White House" bit is, I think, based on a
real Executive residence--though I don't think it has the same "look"
as the real White House in Washington D.C. Unless I'm mistaken, the
President's non-Washington residence in California would be
called "the Western White House" just as, similarly, any plane
carrying the President is designated "Air Force One"--even if it's
not the famous blue-and-white jet with the Presidential Seal on it.
In the actual film, of course, there is no mention made of the
President being in California at his "Western White House"; indeed,
the Oval Office set they use implies that he's in Washington. I don't
find it implausible that Hasslein jets back and forth from Washington
(where, in the Oval Office, we first see him) to California (where
the Ape-Onauts are being cared for in the Los Angeles Zoo, at first).
Thus, in the scenario for my project, the President is actually in
Washington when the ship re-enters and lands in the ocean "in the
southeast corner of sector Alpha Charlie" (which is just south of
Ventura, California). As much as I like Pournelle's ability to tell
the ESCAPE story with more-than-adequate knowledge and understanding
of how the military works (those opening scenes, especially), since
he DOES deviate from the details as presented on-screen, I'm going
with a different take on it, one that doesn't conflict with the
film's details.
Patrick <.html
|
|
| Group: pota |
Message: 25789 |
From: patrickmichaeltilton
| Date: 12/17/2002 |
|
| Subject: Re: [Planet of the Apes] Questioning the ship's computers... |
.html--- In pota@yahoogroups.com, Melkor <melkor@e...> wrote:
>
> Assuming it had a homing device, the Icarus probably was not
programmed to land near New York City. Probably a (big)
coincidence. Why did the second ship land near there too? Because
it followed the exact same trajectory.
*** Landon says that the ship--which WAS programmed--was NOT
programmed to "land in the water". He was in a position to know this,
I'm willing to guess; he was probably the "top-gun" pilot of the ship
during its surface-to-orbit flight, and WOULD have been the one to
fly it from orbit-to-surface, on the "re-entry" trajectory.
Thus, in my scenario (and what I think makes more sense),
the "Automatic Homing Device" on these ANSA vessels is designed to
return the ships from their locations LIGHTYEARS away from Earth
(4.34 LY in Virdon's case, and 320 LY in Taylor's case) to "near-
Earth" space. Sending the ship (up to hundreds of) lightyears across
spacetime is the purpose of the "homing" device--to get them
back "home" to Earth, homing in on the "gravity well" of the planet,
after it has negotiated the cartesian coordinates back to the Sol
system, found the "gravity signature" of Earth at its appropriate
distance from the Sun, and then "de-warped" so that when it begins
to "fall", it does so not towards the Sun (or the Moon, or Jupiter,
etc.) but towards the Earth.
Once the ship's Hassleinian warpdrive is cancelled, and the ship is
in Earth's gravity well, then it will begin to fall to the surface of
the planet--and it is then that the astronauts should be awakened
from hibernation, so that they can MANUALLY pilot the ship down to a
landing wherever they deem appropriate. Taylor's ship (i.e.
his "shuttlecraft") was not programmed to land "in the water", and
doesn't appear to be operating under any programming AT ALL in
the "landing sequence". It's retro-rockets are firing (and can be
heard), and it does various maneuvers (rolling, pitching, and yawing)
which suggests that SOMEBODY is steering it in to a landing... but
when the terrain makes a landing impossible--due to the craggy mesas
& buttes of the landscape--the "water-landing" in Dead Lake is the
most viable objective. Thus, even though the ship hadn't been
programmed to do a water-landing, the fact that it DID suggests that
the ship was NOT under its programming during the re-entry and
landing phase: SOMEBODY ELSE who was NOT in hibernation caused their
ship to purposely splash down in that lake... via REMOTE CONTROL.
I've gone into detail in past postings to show that Brent's "re-
entry" trajectory down to the surface near to Taylor's location had
to have been a result of knowing WHEN Taylor's ship re-entered the
planet's atmosphere and WHERE it was in "near-Earth space" when it
did this. Only then could Brent know when to do a "burn" in order to
get his ship on a trajectory which would end up in the desert near
enough to Taylor's landing area; it's like any ballistic problem,
where you have to land a cannonball on its target: you have to know
what angle to aim the barrel of the cannon, how much explosive thrust
the cannon can impart to the ball, etc.
Besides, IF Brent had followed Taylor's ship across 320 lightyears
and back (!) and gotten back to Earth AFTER Taylor's ship landed (at
least "weeks" later), he would have no idea WHERE on the surface of
the planet Taylor had landed. ONLY if they BOTH landed on the surface
FROM THE SAME ORBIT could Brent have landed so precisely.
Patrick <.html
|
|
| Group: pota |
Message: 25790 |
From: patrickmichaeltilton
| Date: 12/17/2002 |
|
| Subject: Re: Questioning the ship's computers... |
.html--- In pota@yahoogroups.com, "mlccougar <mlccougar@a...>"
<mlccougar@a...> wrote:
> <<<The computer wasn't sentient (like HAL 9000), so it
couldn't "make a guess". It could only do what it had been programmed
to do (Landon mentions their ship wasn't "programmed" to land in the
water.)
>
> SOMEHOW, the ship's computer "knew" when it was going BACKWARDS
> through EARTH-TIME... because it was programmed to display those
> dates under certain given circumstances.
>
> On the other hand the Icarus computer presumebly got the exact date
> right in ESCAPE. That could be because it was close to the time it
> launched and so it was much more accurate because the computer had
> reference data from 1972. Such a program to compute EARTH-TIME
could
> be written today, but all we know for sure is that the time is not
> always accurate and can be off by decades.>>>
>
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
> Ok, question here: While watching an APES clips tape I have, it
came to the part about ESCAPE, and it got me thinking... "IF" the
ship's computers/timeclock/homing devices are supposed to be "so
accurate, then how did the Ape-O-Nauts end up in southern California,
rather than out on the east coast? (The east coast presumably is
where "home" was, since that's where the two ships crashed in the
first two films...)
>
> Yes, Landon says they "weren't programmed to land in the water",
but maybe the water is near the location where an Air Force base or
an ANSA base,(or even an airport) was, and the ship landed in the
area that it was supposed to land, but because of the holocaust, and
all the land shifts, etc. the base it was supposed to land at is no
longer there. The homing device could certainly have been correct in
PLANET (if we're even saying it was in use at all during that
mission's "problems",)but how do we account for it in ESCAPE? Even if
Milo did very little, if any, actual piloting and relied on the
ship's homing device to pilot the ship, shouldn't the ship have
landed in at least the same general area that was programmed into
it's memory? (As I said, I'd guess it's "home base" was the east
coast.)In ESCAPE,Why would it's homing device be off by not only a
few miles, but an entire continent? Something got messed up BIG TIME
in the ship's memory somewhere along the line, so I can't even give
you that the ship "knew" it was going back in time...
*** Zira (for one) saw the "Earth-Time" chronometer reading the year
3955 "before the Bright Light and the Tornado". Afterwards, she saw
the date 1973 on it ("thirty-nine... fifty... something" she says).
If the ship did NOT "know" it was going back in time, why would it
mysteriously STOP telling the year-date as 3955, in favor of 1973?
Besides, Milo reminds Zira and Cornelius (and I quoted the screenplay
the other day, from a scene which WAS in the film) before Zira's
outburst reveals their ability to speak, that the "Date Meter [had
been] clicking down after the shockwave hit [the] ship". The ONLY way
it could do this is if the computer "knew" that Time ("Earth-Time")
was going in Reverse, some 1,982 years of it during a relatively
short amount of "Ship-Time". The clock ENDED on the right date
(1973), so it must have STARTED on the correct date (3955), a date
which Brent had seen on HIS "Earth-Time" reading just prior to his re-
entry flight down to where he crashed his ship. The clock wasn't off
at all (1973 on the nose, and 3955 on the nose), let alone "by
decades".
Again, the "homing" device, in my opinion, is meant to get the ship
back to Earth-space, into Earth's gravity well, and that AFTER it had
accomplished this the ship's warpdrive is disengaged, requiring the
astronauts to manually pilot their ships down to wherever it is they
wish to land, using ordinary rocket power (look at the engine bell on
the aft-end of Brent's ship).
The "Automatic Homing Device" is used as an emergency, I think, since
when Virdon orders Jones to activate theirs it is right as they're
being subjected to "radioactive turbulence" on their approach to
Alpha Centauri. In other words, their ship was in trouble, and Virdon
thought something like "Holy Moley, we're gettin' knocked around out
here... the ship'll be destroyed if this keeps up... so, we better
get our asses back to Earth, pronto!--Hey, Jonesy! Ya see that button
over there, for the Automatic Homing Device? PRESS IT NOW!"... and
then he passes out, not knowing IF Jones actually managed to activate
it, although (he tells Burke): "Well, we landed SOMEwhere... it COULD
be Earth..."
It was an emergency situation, so the "AHD" got activated. In my
scenario, a similar emergency situation happens to Taylor's mission,
320 lightyears away, and SOMEBODY on his big-ship activates a
similar "AHD"... which is why instead of landing on one of MILLIONS
of planets in one of the MILLIONS of star systems they COULD have
wound up in, they instead land back on planet Earth specifically.
But that's just me & my scenario.
Patrick <.html
|
|
| Group: pota |
Message: 25791 |
From: LordTZer0@AOL.com |
Date: 12/17/2002 |
| Subject: Re: [Planet of the Apes] An ESCAPE Question |
.html.html
Unless I'm mistaken, the President's non-Washington residence in California would be called "the Western White House" just as, similarly, any plane carrying the President is designated "Air Force One"--even if it's not the famous blue-and-white jet with the Presidential Seal on it.
YOU ARE CORRECT SIR.... <.html
<.html
|
|
| Group: pota |
Message: 25792 |
From: patrickmichaeltilton
| Date: 12/17/2002 |
|
| Subject: The "giver of Laws", the Laws, and how Times change |
.html--- In pota@yahoogroups.com, Melkor <melkor@e...> wrote:
> > *** We can agree to disagree here, but in my opinion the
> > word "Lawgiver" is not a name that only one person can ever have:
>
> Zaius called him "the greatest ape of all, our Lawgiver".
*** Just as a Christian would refer to Jesus Christ as "the greatest
man of all, our Messiah/Savior". The term "our Lawgiver" means (well,
to ME, anyway), "our Giver-of-Laws". "The One who gave us our Laws".
Remember (I keep saying this!), that the orangutan played by John
Huston is NOT the first ape to give laws to the Apes. CAESAR was the
first Ape (we know of) to do this. It was Caesar who "forbade" travel
to the Forbidden City--in other words, he made it ILLEGAL to do so,
after having declared it so (the privileges of true Monarchy are such
that the One in Charge gets to make the laws). There's also
that "first law", that "a human may never again say NO to an Ape"...
and "our most sacred law" that "Ape shall not kill Ape". These laws
PREDATE the Lawgiver from BATTLE by over 600 years. Ergo, the
word "Lawgiver" is a TITLE given to an Ape who "gives laws" to the
community. Caesar was A lawgiver... so was that orangutan in 2670.
And, by the same token, so too is that LATER orangutan (circa 2755)
who will be the one whom Zaius refers to as "the greatest ape of
all"... THE Lawgiver. The one who gave laws that are STILL being
followed. After all, the law that "a Human shall never say No to an
Ape" would not be "on the books" in 3955, would it? Humans can't
write, let alone TALK, in 3955... and it goes against the Articles of
Faith to even SUGGEST that Humans EVER could talk--they're ANIMALS,
and have always BEEN animals. The "old" law about Humans not being
allowed to say the word "No" had been thrown out, obviously, and NEW
laws were written in place of it. At some time prior to 3085, a law
was passed making it illegal (and punishable by death) for a Human to
ride a horse ("The Horse Race"). Was THAT law still on the books in
3955? Wouldn't such a law imply that humans could READ the law
(written down somewhere), or UNDERSTAND it if told it were a law? How
could an ANIMAL do such a thing?
Every society, down the line, needs NEW laws on occasion... which
requires that SOMEBODY write them, enact them, etc. A society which
has an official "lawgiver" would give HIM the task. Unfortunately for
the human race, one particular lawgiver would write a "scripture"
that was so anti-human and persuasive to the Apes that he would be
deemed the most important Lawgiver of all--just as Mohammed is
claimed by Muslims to be the most important Prophet of Allah (and the
Last prophet), even though there were OTHER prophets before (like
Musa [Moses] and Issa [Jesus]). After "our Lawgiver" wrote HIS laws
and HIS scriptures (the Sacred Scrolls), it was felt that there was
no need for any newer laws... which fits in with the type of society
we see in PLANET and BENEATH: a stagnant, set-in-stone community
where Lucius lamentably asks "Why must knowledge stand still?" The
entire Ape society is at a standstill, due to the Orthodoxy put in
place by the Lawgiver whose statue looms over the amphitheater.
Patrick <.html
|
|
| Group: pota |
Message: 25793 |
From: Melkor |
Date: 12/17/2002 |
| Subject: Hasslein's position |
.html>
> I don't see why not. People do it all the time. Anyway, he's the President
> of the United States. And since Hasslein is a big shot at the POTA
> equivalent of NASA they's fly him out special.
Hasslein is the President's Science Advisor, not a NASA employee. There is
a picture of that position's current occupant here.
http://www.npaci.edu/online/v6.5/marburger.html"
--
Get yourself kicked out of the DG group without even posting there in
two easy steps...
Step 1: Quote in this group what the owner posted about Trouble Makers
in order to get put on strict moderation without notice where posts have
taken up to 5 hours to go through.
Step 2: Report in this group that you were threatened by the owner and put
on strict moderation for Step 1. <.html
|
|
| Group: pota |
Message: 25794 |
From: patrickmichaeltilton
| Date: 12/17/2002 |
|
| Subject: Re: [Planet of the Apes] The Lawgiver's "Hope" and Kolp's Intention |
.html> > wishes to change. I think the BATTLE Lawgiver DOES know that the
End of the World is scheduled to be in "Thirty Nine Fifty" (as Caesar
>
> Then if there had been a circular timeline Zaius would know about
it too and would have stopped the war.
*** He would have TRIED to stop the war. Zaius tells Cornelius and
Zira that Ursus has the "incident" he needs to go on a "rampage of
conquest". The disappearance of 11 of the 12 scouts (coupled with
that 12th scout's description of his experiences in the Forbidden
Zone) have alerted Ursus to the existence of an "unsimian" population
in their neighboring territory. They're probably under Martial Law,
where Ursus can do whatever he wants to do--and not even Zaius or
the "Academy" in charge has the power to stop him.
Perhaps Zaius feels that IF he accompanies Ursus on his march into
the FZone, then MAYBE he can prevent the unknown "trigger" which
is "destined" to destroy the planet. Since Ursus is calling the
shots, Zaius can't do anything else to accomplish that goal, of
PREVENTING the destructing that the "secret scrolls" kept hidden from
the masses had described.
Unfortunately, in refusing to give help to Taylor (who specifically
ASKED for it), saying instead that "Man is evil... capable of nothing
but destruction!", Zaius is unsuccessful at preventing that
Destruction. His own racial hatred of Man is as much the cause of
Earth's destruction. He had privately courted "heretical" notions
before (when he seemingly agreed with Cornelius' claim that Taylor
was a mutant), but his philosophical agreement with "the spirit of
the Lawgiver" (that Man is Evil, the "devil's pawn") causes him to
reject Taylor at the crucial moment. Who knows what might have
happened if Zaius had rejected the Lawgiver's dogma about Man... and
HAD helped Taylor? Maybe Taylor would not have been so inclined to
detonate the Doomsday Bomb, seeing his former enemy willingly
choosing to give him help, rather than a verbal slap in the face.
---------------------
>
>
> > hears it from his long-dead mother--truncated from "3950-
something"), but he--as did Caesar/Virgil/MacDonal--HOPES that that
outcome can be avoided. He can't KNOW for certain that the Future IS
changed--he can only wait and hope--but that doesn't preclude him
from doing his part to TRY to create the "saved" future that Caesar
hoped to bring about.
>
> Again the Lawgiver does not know what WE know. There is no
evidence that he knows about the destruction of the Earth (or why
didn't he put THAT in the Scrolls).
*** If, as you claim, the BATTLE Lawgiver is THE Lawgiver (albeit in
an altered timeline), he MUST have known about the "parent apes who
had descended on Earth from Earth's own future". And the story he
tells to his congregation includes how Caesar heard his parents'
taped testimony about how the world ended in "3950". He KNEW.
And who is to say that the destruction of the Earth is NOT written
somewhere in the Sacred Scrolls? There are only TWO quotations from
the Scrolls given (both in PLANET):
"And Proteus brought the upright beast into the garden, and chained
him to a tree, and the children did make sport of him" (13th Scroll)
"Beware the beast Man..." (29th Scroll, 6th verse).
For all we know, there was not only a "Genesis"-like scroll depicting
how God created the Ape in His image (etc.), but also a "Revelation"-
like scroll, telling in cryptic fashion about the End of the World.
No two churches agree on what "Revelation" actually means (it's all
in the interpretation); maybe the equivalent scroll of the Apes'
scriptures is written in so symbolical & cryptic language that no two
Apes agree on how IT should be interpreted.
Regardless, IF there were an "end-time" scroll in the
official "Sacred Scrolls", then it could only have gotten CORRECT
information from the "secret scrolls" Cornelius mentions to Hasslein,
the ones "kept hidden from the masses" which tell the truth about the
Pet Plague, Ape Slavery, "Aldo", etc. The BATTLE Lawgiver reads from
a "Genesis"-like scroll ("In the beginning..." it begins, just like
Genesis)... and the statue of Caesar seen at the very end has him
holding a Scroll, too. Caesar was a writer of Scrolls, it seems... at
least, that's how a sculptor depicts him (or, perhaps, merely a
READER or HOLDER of scrolls! Nah... he would have written SOMETHING
down, if he wanted to have an influence on later generations, to
prevent the Earth's destruction.).
---------------------------------------------
> > *** Well, the "humans and apes" living together in THEIR neck-of-
the-woods. What about the rest of the world? Or just the rest of the
continent? Just because one little community is in harmony doesn't
mean that it's that way everywhere else. For all they know, just a
>
> What happens elsewhere is completely irrelevent. Why? Because the
> Earth's destruction in BENEATH was caused by the exact same two
> cultures as BATTLE, one of which is the Lawgiver's culture.
*** The Earth's destruction in BENEATH was caused by racial animosity
between two cultures--ONE of which possessed a Bomb capable of
destroying an entire planet. Just for the sake of argument, let's
suppose that somewhere on another continent a DIFFERENT society
exists (Human? Ape? Something Else?), and THEY develop the technology
to build a device in principle no different from the Alpha Omega
bomb. If Caesar's post-life influence is to "save" the Earth, it MUST
extend over the entire planet, and NOT just over the local area--not
even just over the North American continent. He must somehow change
the hearts and minds of EVERYBODY on the planet indefinitely into the
Future. So, the community in 2670 is relatively peaceful and
in "harmony" (despite the hair-pulling and fighting we see!); will
this isolated group still be so harmonious in the future? They can
only hope. They can't be certain. Perhaps only the Dead know for
certain WHAT the Future holds... and if Caesar (who is one of the
Dead, by that time) is any indication, then it's a SAD future,
prompting that stone face to shed, unaccountably, a tear.
Patrick <.html
|
|
| Group: pota |
Message: 25795 |
From: Melkor |
Date: 12/17/2002 |
| Subject: CIA interrogation |
.html>
> How about the Presidential Commission and all the other US government
> types? Are they all sent out to Cali. for this assignment of
Anyone notice that the CIA was violating its charter in ESCAPE by taking part
in a domestic intelligence operation? The interrogation of Zira would legally
be done by the FBI or possibly NSA, but I think Dehn used the CIA on purpose.
In 1971 people were afraid of the CIA, even Americans. We now know that the
CIA did violate its charter by operating in the USA in the 1950's, 1960's, and
early 1970's. But most of that wasn't disclosed until a congressional
investigation during the Carter Administration. There was for example,
operation MK Ultra where the CIA secretly drugged Americans with LSD to see
what would happen:
http://www.parascope.com/ds/mkultra0.htm
How much of those incidents did Dehn know about when he wrote ESCAPE? I wish I
could ask him. Did Dehn use the CIA in the story because he know about some of
those things, or because people were more afraid of the CIA than the FBI, or
both?
--
Get yourself kicked out of the DG group without even posting there in
two easy steps...
Step 1: Quote in this group what the owner posted about Trouble Makers
in order to get put on strict moderation without notice where posts have
taken up to 5 hours to go through.
Step 2: Report in this group that you were threatened by the owner and put
on strict moderation for Step 1. <.html
|
|
| Group: pota |
Message: 25796 |
From: mtotsky |
Date: 12/17/2002 |
| Subject: Kubricks |
|
.html Hey Jeff,
What are the prices of the Kubricks when you've seen them at the store? I've
always been curious about these, but have never seen them in person so I'm
hesitant about picking them up. Of course, if the price is right...
The medicoms for $8 kills me. If only I had waited I could have gotten my
whole set for about 25% of what I originally paid for them. Oh well, I still love
those things.
Matt <.html
|
|
| Group: pota |
Message: 25797 |
From: patrickmichaeltilton
| Date: 12/17/2002 |
|
| Subject: Re: Hasslein's position |
.html--- In pota@yahoogroups.com, Melkor <melkor@e...> wrote:
> >
> > I don't see why not. People do it all the time. Anyway, he's
the President of the United States. And since Hasslein is a big shot
at the POTA equivalent of NASA they's fly him out special.
>
> Hasslein is the President's Science Advisor, not a NASA employee.
There is a picture of that position's current occupant here.
>
> http://www.npaci.edu/online/v6.5/marburger.html"
*** True, in ESCAPE Hasslein is "a senior science advisor" to the
President (according to the screenplay--the actual film dialogue by
Bill Bonds might be slightly different). But before the election in
1972, perhaps Otto Hasslein was just one of many top-notch
professional scientists involved in the ANSA missions. It was
his "learned dissertations on Time" which led to his "theory of Time
in a vehicle travelling nearly the speed of Light" being adopted for
the programming of the Earth-Time chronometers, as Taylor says.
Hasslein may or may not have been in charge of ANSA, but he did
contribute to the design of the near-light "hyperdrive"--or at least,
to the theoretical workings of such a design. Perhaps, after the
missions had been sent out (by January of 1972), he was awarded a
post as one of the new President's science advisors. The
unanticipated return of an ANSA ship, and the subsequent discovery
that it had gone backwards-through-Time, would prompt the President
to include Hasslein in the Commission of Inquiry, to find out just
how the bejeezus the Ape-onauts could've landed where they did... and
WHEN they did.
Patrick <.html
|
|
| Group: pota |
Message: 25798 |
From: Alan Maxwell |
Date: 12/17/2002 |
| Subject: Re: [Planet of the Apes] Re: Apes soundtrack CDs... |
.html< mlccougar@...> wrote:
> ***Regardless of how long this score is, I'd still like to see
> it "legitimately" released with nice packaging, etc... And, do you
> know if there are any unused cues from it? If that's the case, they
> could pad it out with those to make it longer in length. Another
> possibility would be to pair it with another Goldsmith score (as the
> bootleg version is,) just so long as ESCAPE is the one prominently
> featured on the graphics, etc...
There are more than one bootleg available that use this tactic. Escape
has been coupled with "The Mephisto Waltz" on one bootleg as well as
"Damnation Alley" on another. Personally I'd love to see an official
release of the latter. "Damnation Alley" is a fantastic score and, as
an example of what Goldsmith could achieve when combining synths with
orchestra, I think it was an appetising precursor to "Logan's Run". An
offical release coupling this score with Escape would be perfect.
Alan <.html
|
|
| Group: pota |
Message: 25799 |
From: Alan Maxwell |
Date: 12/17/2002 |
| Subject: Re: [Planet of the Apes] Questioning the ship's computers... |
.html< mlccougar@...> wrote:
> Ok, question here: While watching an APES clips tape I have, it came
> to the part about ESCAPE, and it got me thinking... "IF" the ship's
> computers/timeclock/homing devices are supposed to be "so accurate,"
> then how did the Ape-O-Nauts end up in southern California, rather
> than out on the east coast?
I would think it's probably because the timeclock and the homing
device are completely independent of each other. I don't see why there
couldn't be a chronometer on board that performed its own job without
concerning itself with the location of the ship as well.
Alan <.html
|
|
| Group: pota |
Message: 25800 |
From: mlccougar |
Date: 12/17/2002 |
| Subject: Re: Questioning the ship's computers... |
|
.html <I would think it's probably because the timeclock and the homing
device are completely independent of each other. I don't see why there
couldn't be a chronometer on board that performed its own job without
concerning itself with the location of the ship as well.>
I wasn't questioning if they work independently of each other, I was
questioning the accuracy of all on board devices (clock, homing
device, etc...) <.html
|
|
| Group: pota |
Message: 25801 |
From: veetus@earthlink.net |
Date: 12/18/2002 |
| Subject: Re: [Planet of the Apes] Kubricks |
.html
.html
Hi Matt. The Kubricks and the Medicoms
go for $12.99 at Tower, that's where I picked them up. A friend of mine runs a
comic book store and sold me his remaining Medicoms for $8. He originally sold
them for $14.95 and said they sold well. - - - Jeff
----- Original Message -----
Sent: Tuesday, December 17, 2002 8:31
AM
Subject: [Planet of the Apes]
Kubricks
Hey Jeff,
What are the prices of the Kubricks when
you've seen them at the store? I've always been curious about these, but
have never seen them in person so I'm hesitant about picking them up. Of
course, if the price is right...
The medicoms for $8 kills me. If only
I had waited I could have gotten my whole set for about 25% of what I
originally paid for them. Oh well, I still love those
things.
Matt
Your
use of Yahoo! Groups is subject to the .
<.html
<.html
|
|
| Group: pota |
Message: 25802 |
From: veetus@earthlink.net |
Date: 12/18/2002 |
| Subject: National Film Registry (OT) |
.html
.html
Has it really been a year since
POTA was added to the National Film Registry and declared a national treasure?
The new list is out, including "Alien" and "Boys N the Hood". Films in the list
have a print stored at the Library of Congress to be preserved. Cornelius is
sure to find them. - - - Jeff
----- Original Message -----
Sent: Tuesday, December 17, 2002 8:31
AM
Subject: [Planet of the Apes]
Kubricks
Hey Jeff,
What are the prices of the Kubricks when
you've seen them at the store? I've always been curious about these, but
have never seen them in person so I'm hesitant about picking them up. Of
course, if the price is right...
The medicoms for $8 kills me. If only
I had waited I could have gotten my whole set for about 25% of what I
originally paid for them. Oh well, I still love those
things.
Matt
Your
use of Yahoo! Groups is subject to the .
<.html
<.html
|
|
| Group: pota |
Message: 25803 |
From: Melkor |
Date: 12/18/2002 |
| Subject: Re: [Planet of the Apes] Re: Hasslein's position |
.html> >
> > Hasslein is the President's Science Advisor, not a NASA employee.
> There is a picture of that position's current occupant here.
> >
> > http://www.npaci.edu/online/v6.5/marburger.html"
>
> *** True, in ESCAPE Hasslein is "a senior science advisor" to the
> President (according to the screenplay--the actual film dialogue by
> Bill Bonds might be slightly different). But before the election in
I thought Hasslein was the "President's Science Advisor" in ESCAPE. Anyone
want to check? Even if they identified him as "a senior science advisor",
the President's Science Advisor is a political appointee with direct access to
the President, and that's what I think Hasslein's position was.
> 1972, perhaps Otto Hasslein was just one of many top-notch
> professional scientists involved in the ANSA missions. It was
Probably not. Most people at ANSA either didn't believe in Hasslein's theory
(like Landon), never heard of Hasslein's theory (like Brent), were unsure of
Hasslein's theory (like Taylor) or else didn't expect the Icarus to enter a
Hasslein curve. In BENEATH ANSA sent a rescue mission after the Icarus and
in ESCAPE *nobody* seemed surprised when the Icarus returned. Even after
Zira connected the dots for everyone in ESCAPE by saying they were from the
future nobody except Hasslein's himself seemed to believe her. But someone at
ANSA must have recognized the possibility enough to add the Earth-Time clock.
> Hasslein may or may not have been in charge of ANSA, but he did
> contribute to the design of the near-light "hyperdrive"--or at least,
> to the theoretical workings of such a design. Perhaps, after the
Evidence? What hyperdrive? Hasslein probably never worked at NASA/ANSA, and
surely wasn't in charge of it. None of the astronauts (Brent, Skipper,
Taylor, Landon) seemed to expect they were going to the future, and only
Taylor seemed to realize the possibility beforehand.
--
Get yourself kicked out of the DG group without even posting there in
two easy steps...
Step 1: Quote in this group what the owner posted about Trouble Makers
in order to get put on strict moderation without notice where posts have
taken up to 5 hours to go through.
Step 2: Report in this group that you were threatened by the owner and put
on strict moderation for Step 1. <.html
|
|
| Group: pota |
Message: 25804 |
From: mtotsky |
Date: 12/18/2002 |
| Subject: Re: National Film Registry (OT) |
|
.html Jeff,
Can you post the complete list at Film Emporium so we can discuss it there?
Matt <.html
|
|
| Group: pota |
Message: 25805 |
From: Haristas@aol.com |
Date: 12/18/2002 |
| Subject: Re: [Planet of the Apes] Kubricks |
.html.html In a message dated 12/18/02 11:06:10 AM Eastern Standard Time, veetus@... writes:
Hi Matt. The Kubricks and the Medicoms go for $12.99 at Tower, that's where I picked them up. A friend of mine runs a comic book store and sold me his remaining Medicoms for $8. He originally sold them for $14.95 and said they sold well. - - - Jeff
When are they going to release a Kubrick figure of Stanely Kubrick?
-- Rory<.html
<.html
|
|
| Group: pota |
Message: 25806 |
From: patrickmichaeltilton
| Date: 12/18/2002 |
|
| Subject: [Planet of the Apes] Re: Hasslein's position |
.html> > 1972, perhaps Otto Hasslein was just one of many top-notch
> > professional scientists involved in the ANSA missions. It was
>
> Probably not. Most people at ANSA either didn't believe in
Hasslein's theory (like Landon), never heard of Hasslein's theory
(like Brent), were unsure of Hasslein's theory (like Taylor) or else
didn't expect the Icarus to enter a Hasslein curve. In BENEATH ANSA
sent a rescue mission after the Icarus and in ESCAPE *nobody* seemed
surprised when the Icarus returned. Even after Zira connected the
dots for everyone in ESCAPE by saying they were from the future
nobody except Hasslein's himself seemed to believe her. But someone
at ANSA must have recognized the possibility enough to add the Earth-
Time clock.
*** Why do you say that Brent "never heard of Hasslein's theory"?
It's Brent who tells his "Skipper" that "we must have passed through
a Hasslein Curve... a bend in Time..."
Earlier (in PLANET), Taylor mentions how "Time bends... Space is
boundless." Just after he had mentioned "Doctor Hasslein's theory of
Time in a vehicle travelling nearly the speed of light". Time
bends... a Bend in Time... it's the same thing: the dilation of Earth-
Time in an accelerating vehicle relative to the initial Ship-Time
prior to the acceleration. Hasslein Curvature is nothing more than
the Dilation of Time experienced by a spaceship which has undergone
acceleration to near-light velocities. Unlike Antelle's ship
(according to EINSTEIN's theory), which had to accelerate THROUGH
space for about a year prior to the Time Dilation effect to kick in,
Taylor's ship undergoes INSTANTANEOUS Time Dilation effects (see
below).
As to whether or not anybody "seemed surprised" that this ANSA ship
had returned, I'd have to disagree. Taylor's mission was intended to
be to a different solar system 320 lightyears away (which Taylor knew
they wouldn't reach until 18 months of Ship-Time later...
corresponding to about 2000 years of Earth-Time). Six months into
their trip they've already gone a third of the way there (the
screenplay has it that they've gone "a mere hundred and five
lightyears from our base" during the opening scene). They're less
than an hour away from completing their "sixth month" since lift-off
from Cape Kennedy, and 105 lightyears into their trip. They're gone
(as Landon mentions) a total of 18 months of Ship-Time, and Taylor
thinks that they've gone the total 320 lightyears their mission was
planned to do.
Taylor, during his "final report" seems to think that Hasslein's
Theory MAY be true ("... maybe so..." he says). "This much is
PROBABLY true: the men who sent us on this journey are long since
dead and forgotten..."
However, by the time he and Landon start arguing, on the beach of
Dead Lake, Taylor says the theory is "a FACT, Landon... buy it:
you'll sleep better."
>
> > Hasslein may or may not have been in charge of ANSA, but he did
contribute to the design of the near-light "hyperdrive"--or at least,
to the theoretical workings of such a design. Perhaps, after the
>
> Evidence? What hyperdrive? Hasslein probably never worked at
NASA/ANSA, and surely wasn't in charge of it. None of the astronauts
(Brent, Skipper, Taylor, Landon) seemed to expect they were going to
the future, and only Taylor seemed to realize the possibility
beforehand.
*** "What hyperdrive?" you ask? Taylor refers to "the men who sent us
on this journey" as "Man, that marvel of the universe... that
glorious paradox WHO SENT ME TO THE STARS..." The ONLY way that
Taylor could have been sent TO THE STARS is if his ship had a
propulsion system capable of accelerating to a velocity fast enough
to traverse at the very least the 4.34 lightyears it would take to
get to the NEAREST star system (the trinary Alpha Centauri). Taylor
says the trip is to a location 320 lightyears away, in Orion. Unlike
Antelle's "Einsteinian" Relativity-utilizing propulsion system (which
Boulle never explicitly describes, except for the Time Dilation
effects at top velocity), Taylor's ship leaves Cape Kennedy and in
less than 6 months is already at its top velocity, and Time has been
dilating for "nearly 700 years" of Earth-Time.
Just by analyzing the details as given in the opening scene of
PLANET, one can deduce that some sort of spacetime-warping propulsion
system is at work. The ship passes through interstellar nebulae, like
a car driver going through a fog bank, or a jet pilot passing through
a cloud. Stars go flying by, past the field-of-vision through the
front windows of the ship, like a car passing by mile-markers along a
highway. This effect--seen from the cockpit--can ONLY be happening if
the ship is going at such a velocity that, relative to the Ship-Time
clock's ticking (as experienced by the astronauts), they are
travelling faster than light. They aren't actually travelling faster
than light, due to the Time Dilation factor (the divergence of their
accelerated Ship's Time with the original frame-of-reference Earth
Time). But, since Ship-Time is slowed down (compared with Earth-Time,
which is why the Earth-Time chronometer clicks through several days
during only a few minutes as Taylor makes his Final Report), those
lightyears of distance their ship is eating up are being traversed
over the course of many actual "Earth-Time" years.
Patrick <.html
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| Group: pota |
Message: 25807 |
From: Michael Whitty |
Date: 12/18/2002 |
| Subject: $15 |
.html.html
Hi Rory
I'm back from vacation, but I have not
bothered reading the messages I missed.
I've changed my status to "receive no posts" now so I'll just go in
through the Yahoo site to read them when I have time.
I ended up finding a TV Series DVD set for
$30 on ebay – that's cheap! I'm going to
try to find either the Evolution set or the Behind DVDs (or both) for Helen
now, so the $15 can go to that when the time comes…I'll let you know when
(should be rather soon).
Michael
-----Original Message-----
From: Haristas@...
[Haristas@...]
Sent:
Wednesday, 11 December 2002
11:40 AM
To: pota@yahoogroups.com
Subject: Re: [Planet of the Apes]
PAT'S Theories
By the way, Kassidy has
received the tapes I sent her, and it cost $5 to mail them. That leaves
$15 left over. What do you want me to do with it, Mr. Whitty? (And
don't say shove it up your ass!)
-- Rory
<.html <.html
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| Group: pota |
Message: 25808 |
From: libraryape |
Date: 12/18/2002 |
| Subject: What is missing in the picture ??? a contradiction ideed |
|
.html I am rather a physics buff, for a hobby of course. What I want to
verify is what is missing the 'Artist picture' Hasslein uses to
explain time travel to the news media, and is it a black hole. I
believe the first thing that is missing in the second regression is
the landscape. Most might disagree with me, as would Hasslein that in
the thrid regression the orginal artist painting a picture of himself
is absent. As Hasslein explains it, it is the observer observing the
observed or the time traveler and the landscape. But how can that be
since both original objects are missing? Such explanation indicates
that traveling in time, especially backwards is indeed a paradox and
what IS will never be since both the landscape and artist and even
time is no more. I think this is rather interestng because back then,
most writers then if not scientist believe traveling back in time was
possible. These days we know better. Of course the writers in this
instance has made it so to create ape lore, creating the casualty
paradox - Zira and Cornelius going into the past to create themselves
thus making the paradox quite real if not relevant. It is indeed mind
boggling to the point that in thinking on the level of paradox, such
contradictions burns up a lot of brain cells when mulling of these
possibilties. Yet the picture being example to such contradictions
and regression is proof that such possibilites can occure beyond the
partical level,(Particals are the only thing capable of traveling
travel back in time or black holes). Interestingly enough the
picture, the very exsistance of it is much like a model of blackhole.
I hope I haven't confussed anyone. I am terrible in writing and
explainig the details of my theories. <.html
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|
| Group: pota |
Message: 25809 |
From: veetus@earthlink.net |
Date: 12/18/2002 |
| Subject: Re: [Planet of the Apes] Kubricks |
.html
.html
I read that they did do a Stanley Kubrick
Kubrick, but I forget the details. They should do a set for each of his films. -
- - Jeff
----- Original Message -----
Sent: Wednesday, December 18, 2002 11:37
AM
Subject: Re: [Planet of the Apes]
Kubricks
In a message dated 12/18/02
11:06:10 AM Eastern Standard Time, veetus@...
writes:
Hi Matt. The Kubricks and the Medicoms go for
$12.99 at Tower, that's where I picked them up. A friend of mine runs a
comic book store and sold me his remaining Medicoms for $8. He originally
sold them for $14.95 and said they sold well. - - - Jeff
When are they going to release a Kubrick figure of
Stanely Kubrick?
-- Rory Your use of Yahoo! Groups
is subject to the Yahoo! Terms of
Service.
<.html
<.html
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|
| Group: pota |
Message: 25810 |
From: LordTZer0@AOL.com |
Date: 12/19/2002 |
| Subject: Re: [Planet of the Apes] What is missing in the picture ??? a contr |
.html.html
I am terrible in writing and explainig the details of my theories.
I have no idea what you're talking about. <.html
<.html
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|
| Group: pota |
Message: 25811 |
From: Haristas@aol.com |
Date: 12/20/2002 |
| Subject: Check out Film Score Monthly . COM |
| Group: pota |
Message: 25812 |
From: patrickmichaeltilton
| Date: 12/20/2002 |
|
| Subject: Re: Check out Film Score Monthly . COM |
.html--- In pota@yahoogroups.com, Haristas@a... wrote:
> Take the Jerry Goldsmith poll found within!
>
> <A HREF="http://filmscoremonthly.com/">Click here: Film Score
Monthly . COM</A>
*** Looks like the goddamned Trek-fanatics have chimed in! Well, I
voted for POTA, though the vote was for "best main theme" (I think),
and it was a toss-up for me: I really really like the "GREAT TRAIN
ROBBERY" opening music. But, being an Ape-fanatic, I put my money on
POTA.
Call me a heretic, but although I liked Goldsmith's STAR TREK theme
music (the Movie, of course), I prefer Horner's score to Wrath of
Khan. Horner's music conveyed a "nautical" feel to it that was
missing in Goldsmith's.
Say, Rory, which one did you vote for?
Patrick <.html
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|
| Group: pota |
Message: 25813 |
From: patrickmichaeltilton
| Date: 12/20/2002 |
|
| Subject: Infinite Regression |
.html--- In pota@yahoogroups.com, "libraryape <toosexy4u54@h...>"
<toosexy4u54@h...> wrote:
> I am rather a physics buff, for a hobby of course. What I want to
verify is what is missing the 'Artist picture' Hasslein uses to
explain time travel to the news media, and is it a black hole. I
believe the first thing that is missing in the second regression is
the landscape. Most might disagree with me, as would Hasslein that in
the thrid regression the orginal artist painting a picture of himself
is absent. As Hasslein explains it, it is the observer observing the
observed or the time traveler and the landscape. But how can that be
since both original objects are missing? Such explanation indicates
that traveling in time, especially backwards is indeed a paradox and
what IS will never be since both the landscape and artist and even
time is no more. I think this is rather interestng because back then,
most writers then if not scientist believe traveling back in time was
possible. These days we know better. Of course the writers in this
instance has made it so to create ape lore, creating the casualty
paradox - Zira and Cornelius going into the past to create themselves
thus making the paradox quite real if not relevant. It is indeed mind
boggling to the point that in thinking on the level of paradox, such
contradictions burns up a lot of brain cells when mulling of these
possibilties. Yet the picture being example to such contradictions
and regression is proof that such possibilites can occure beyond the
partical level,(Particals are the only thing capable of traveling
travel back in time or black holes). Interestingly enough the
picture, the very exsistance of it is much like a model of blackhole.
I hope I haven't confussed anyone. I am terrible in writing and
explainig the details of my theories.
*** I get the impression that English is a second language for you...
am I right? Well, what you're saying IS a little bit confusing, but I
think I know what you're referring to in regards to Black Holes and
what Hasslein was talking about (in ESCAPE) to Bill Bonds, about that
painting of the artist painting a landscape and "infinite
regression".
In regards to Black Holes, if an observer (say, in a spaceship) were
parked in a circular orbit around a Black Hole (outside the Event
Horizon, of course), perhaps in one of the two stable Lagrangian
libration points of a "two-body" system (that is, the Black Hole and
an orbiting star), then that Observer might see the occasional
meteorite fall towards the center-of-mass of the Black Hole. As each
meteorite falls down that gravity well, it accelerates faster and
faster until--when it hits the Event Horizon--it has "disappeared"
from the observable universe (since not even Light itself can escape
the gravitational clutch of the warped spacetime of a Singularity).
HOWEVER... the IMAGE of that meteorite will have become "frozen" at
the Event Horizon, even though the actual meteorite had continued on
down the "trough" towards the Singularity. The "image" of the
meteorite at the moment it hit the Event Horizon is, itself,
comprised of Light--so, at that border where the escape velocity IS
that of Light, that Image would be stuck there, like an insect
trapped in amber. And, in the moments just prior to the object's
falling through that Event Horizon, the images of the object
would "pile up" along the red-shifted line-of-sight (the "red-shift"
being caused by the intense gravitation, bending Light towards the
Singularity). This is what Hasslein's "infinite regression" seems to
be discussing: what an Observer outside a Black Hole would see of an
object which has fallen inside a Black Hole's Event Horizon. It would
actually be a "blur" of successive images (rather than the series
of "quantum" images suggested by Hasslein--the "paintings-within-
paintings" portrayal), but that's harder to picture than the visual
representation Hasslein had brought to Bill Bonds' TV station in
order to explain Infinite Regression, and an Observer's observation
of Time.
Patrick
P.S. I hope this maybe helped you understand some of this admittedly
confusing stuff, T. It's hard enough to comprehend when someone
fluent in English tries explaining it! <.html
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|
| Group: pota |
Message: 25814 |
From: westminster54 |
Date: 12/20/2002 |
| Subject: IF YOU WANT TO SELL YOUR FANTASY BOOKS AND MOVIES |
|
.html Check out this new place for Auctions and Fixed price Sales (no
listing fee).
I personally liked the amazing : "AUTO-RELIST UNTIL SOLD" option.
HTTP://www.sellatonce.com/cgi-bin/auction/main.pl
regards
Fred <.html
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