|
| Group: pota |
Message: 25915 |
From: patrickmichaeltilton
| Date: 1/4/2003 |
|
| Subject: Caesar: a writer of scripture? |
|
| Group: pota |
Message: 25916 |
From: Haristas@aol.com |
Date: 1/4/2003 |
| Subject: Re: [Planet of the Apes] Caesar: a writer of scripture? |
|
| Group: pota |
Message: 25917 |
From: Haristas@aol.com |
Date: 1/4/2003 |
| Subject: This month on Fox Movie Channel |
|
| Group: pota |
Message: 25918 |
From: kidro85@aol.com |
Date: 1/5/2003 |
| Subject: [Planet of the Apes] FMC's APES |
|
| Group: pota |
Message: 25919 |
From: Michael Whitty |
Date: 1/6/2003 |
| Subject: Fan Club |
|
| Group: pota |
Message: 25920 |
From: libraryape |
Date: 1/6/2003 |
| Subject: A trivial question |
|
| Group: pota |
Message: 25921 |
From: Haristas@aol.com |
Date: 1/6/2003 |
| Subject: Re: [Planet of the Apes] Fan Club |
|
| Group: pota |
Message: 25922 |
From: Haristas@aol.com |
Date: 1/6/2003 |
| Subject: Re: [Planet of the Apes] A trivial question |
|
| Group: pota |
Message: 25923 |
From: Haristas@aol.com |
Date: 1/7/2003 |
| Subject: Fwd: (GAPNews) New York Times article on "retired chimps" |
|
| Group: pota |
Message: 25924 |
From: patrickmichaeltilton
| Date: 1/8/2003 |
|
| Subject: ESCAPE timeline pondering |
|
| Group: pota |
Message: 25925 |
From: Haristas@aol.com |
Date: 1/8/2003 |
| Subject: Fwd: GAPNews Alert: "Man vs. Beast" show |
|
| Group: pota |
Message: 25926 |
From: libraryape |
Date: 1/8/2003 |
| Subject: Re: [Planet of the Apes] A trivial question |
|
| Group: pota |
Message: 25927 |
From: libraryape |
Date: 1/8/2003 |
| Subject: Re: ESCAPE timeline pondering |
|
| Group: pota |
Message: 25928 |
From: libraryape |
Date: 1/8/2003 |
| Subject: Re: ESCAPE timeline pondering |
|
| Group: pota |
Message: 25929 |
From: Haristas@aol.com |
Date: 1/8/2003 |
| Subject: Fwd: (GAPNews) Article on Kanzi the bonobo |
|
| Group: pota |
Message: 25930 |
From: Michael Whitty |
Date: 1/9/2003 |
| Subject: Fan Numbers |
|
| Group: pota |
Message: 25931 |
From: CheeseGOTAS@aol.com |
Date: 1/9/2003 |
| Subject: Re: [Planet of the Apes] Fan Numbers |
|
| Group: pota |
Message: 25932 |
From: LordTZer0@AOL.com |
Date: 1/9/2003 |
| Subject: Re: [Planet of the Apes] Fan Numbers |
|
| Group: pota |
Message: 25933 |
From: Haristas@aol.com |
Date: 1/9/2003 |
| Subject: Re: [Planet of the Apes] ESCAPE timeline pondering |
|
| Group: pota |
Message: 25934 |
From: Michael Whitty |
Date: 1/9/2003 |
| Subject: Re: [Planet of the Apes] Fan Numbers |
|
| Group: pota |
Message: 25935 |
From: syzfhyeopbeqv |
Date: 1/10/2003 |
| Subject: check this out! |
|
| Group: pota |
Message: 25936 |
From: jim diamond |
Date: 1/10/2003 |
| Subject: Re: [Planet of the Apes] Re: ESCAPE timeline pondering |
|
| Group: pota |
Message: 25937 |
From: jim diamond |
Date: 1/10/2003 |
| Subject: Re: [Planet of the Apes] Re: ESCAPE timeline pondering |
|
| Group: pota |
Message: 25938 |
From: patrickmichaeltilton
| Date: 1/11/2003 |
|
| Subject: Timelines, Technologies, and Trips thru Trans-Am Tubes |
|
| Group: pota |
Message: 25939 |
From: patrickmichaeltilton
| Date: 1/11/2003 |
|
| Subject: Timeline Brain Fart! Oops! D'oh! |
|
| Group: pota |
Message: 25940 |
From: Haristas@aol.com |
Date: 1/11/2003 |
| Subject: Re: [Planet of the Apes] Timelines, Technologies, and Trips thru Tr |
|
| Group: pota |
Message: 25941 |
From: Kassidy Rae |
Date: 1/11/2003 |
| Subject: New fan fiction up on site, and link to the fan club details |
|
| Group: pota |
Message: 25942 |
From: mlccougar@aol.com |
Date: 1/11/2003 |
| Subject: Locations |
|
| Group: pota |
Message: 25943 |
From: mlccougar@aol.com |
Date: 1/11/2003 |
| Subject: Numbers... |
|
| Group: pota |
Message: 25944 |
From: patrickmichaeltilton
| Date: 1/11/2003 |
|
| Subject: Re: [Planet of the Apes] Timelines, Technologies, and Trips thru Tr |
|
| Group: pota |
Message: 25945 |
From: patrickmichaeltilton
| Date: 1/11/2003 |
|
| Subject: Re: Numbers... |
|
| Group: pota |
Message: 25946 |
From: Michael Whitty |
Date: 1/11/2003 |
| Subject: Dates |
|
| Group: pota |
Message: 25947 |
From: Haristas@aol.com |
Date: 1/11/2003 |
| Subject: Re: [Planet of the Apes] Locations |
|
| Group: pota |
Message: 25948 |
From: Haristas@aol.com |
Date: 1/11/2003 |
| Subject: Re: [Planet of the Apes] Timelines, Technologies, and Trips thru Tr |
|
| Group: pota |
Message: 25949 |
From: mlccougar@aol.com |
Date: 1/11/2003 |
| Subject: Huggermugger huh? |
|
| Group: pota |
Message: 25950 |
From: Haristas@aol.com |
Date: 1/12/2003 |
| Subject: Re: [Planet of the Apes] Huggermugger huh? |
|
| Group: pota |
Message: 25951 |
From: patrickmichaeltilton
| Date: 1/12/2003 |
|
| Subject: Re: Dates |
|
| Group: pota |
Message: 25952 |
From: mlccougar@aol.com |
Date: 1/12/2003 |
| Subject: (no subject) |
|
| Group: pota |
Message: 25953 |
From: Haristas@aol.com |
Date: 1/12/2003 |
| Subject: Re: [Planet of the Apes] (no subject) |
|
| Group: pota |
Message: 25954 |
From: libraryape |
Date: 1/12/2003 |
| Subject: Re: Timelines, Technologies, and Trips thru Trans-Am Tubes |
|
| Group: pota |
Message: 25955 |
From: Haristas@aol.com |
Date: 1/14/2003 |
| Subject: Check out Cold Fusion Review: Planet of the Apes Revisited |
|
| Group: pota |
Message: 25956 |
From: libraryape |
Date: 1/14/2003 |
| Subject: Re: Dates |
|
| Group: pota |
Message: 25957 |
From: patrickmichaeltilton
| Date: 1/14/2003 |
|
| Subject: Re: Timelines, Technologies, and Trips thru Trans-Am Tubes |
|
| Group: pota |
Message: 25958 |
From: Mary Downes |
Date: 1/14/2003 |
| Subject: Re: Check out Cold Fusion Review: Planet of the Apes Revisited |
|
| Group: pota |
Message: 25959 |
From: mlccougar@aol.com |
Date: 1/14/2003 |
| Subject: The cities... |
|
| Group: pota |
Message: 25960 |
From: Mary Downes |
Date: 1/14/2003 |
| Subject: Re: The cities... |
|
| Group: pota |
Message: 25961 |
From: mlccougar@aol.com |
Date: 1/14/2003 |
| Subject: Re: The cities... (Well, now the timelines...) |
|
| Group: pota |
Message: 25962 |
From: yizqerfbdfuux |
Date: 1/15/2003 |
| Subject: Great Website Here! |
|
| Group: pota |
Message: 25963 |
From: patrickmichaeltilton
| Date: 1/15/2003 |
|
| Subject: Re: The cities... |
|
| Group: pota |
Message: 25964 |
From: Haristas@aol.com |
Date: 1/16/2003 |
| Subject: Re: [Planet of the Apes] Re: The cities... |
|
| Group: pota |
Message: 25965 |
From: libraryape |
Date: 1/16/2003 |
| Subject: Re: The cities... |
|
| Group: pota |
Message: 25966 |
From: libraryape |
Date: 1/16/2003 |
| Subject: Re: Timelines, Technologies, and Trips thru Trans-Am Tubes |
|
| Group: pota |
Message: 25967 |
From: qspewarrjiupb |
Date: 1/17/2003 |
| Subject: check this out! |
|
| Group: pota |
Message: 25968 |
From: Haristas@aol.com |
Date: 1/18/2003 |
| Subject: Check out eBay item 2153837878 (Ends Jan-18-03 23:30:18 PST ) - Pla |
|
| Group: pota |
Message: 25969 |
From: Alan Maxwell |
Date: 1/19/2003 |
| Subject: Re: [Planet of the Apes] Re: The cities... |
|
| Group: pota |
Message: 25970 |
From: Haristas@aol.com |
Date: 1/19/2003 |
| Subject: Re: [Planet of the Apes] Re: The cities... |
|
| Group: pota |
Message: 25971 |
From: Alan Maxwell |
Date: 1/20/2003 |
| Subject: Re: [Planet of the Apes] Re: The cities... |
|
| Group: pota |
Message: 25972 |
From: Michael Whitty |
Date: 1/20/2003 |
| Subject: Custom Simpsons Zaius Figure |
|
| Group: pota |
Message: 25973 |
From: Haristas@aol.com |
Date: 1/20/2003 |
| Subject: Check out eBay item 3108953751 (Ends Jan-28-03 12:28:28 PST ) - Pla |
|
| Group: pota |
Message: 25974 |
From: patrickmichaeltilton
| Date: 1/21/2003 |
|
| Subject: [Planet of the Apes] Re: The cities... |
|
| Group: pota |
Message: 25975 |
From: Stuart Drucker |
Date: 1/21/2003 |
| Subject: Re: [Planet of the Apes] Re: The cities... |
|
| Group: pota |
Message: 25976 |
From: patrickmichaeltilton
| Date: 1/21/2003 |
|
| Subject: [Planet of the Apes] Re: The cities... |
|
| Group: pota |
Message: 25977 |
From: Stuart Drucker |
Date: 1/21/2003 |
| Subject: Re: [Planet of the Apes] Re: The cities... |
|
| Group: pota |
Message: 25978 |
From: pota@yahoogroups.com |
Date: 1/22/2003 |
| Subject: New file uploaded to pota |
|
| Group: pota |
Message: 25979 |
From: Dave B <4print@atlas.co.uk> |
Date: 1/22/2003 |
| Subject: Boulle's Screenplay |
|
| Group: pota |
Message: 25980 |
From: Kassidy Rae |
Date: 1/22/2003 |
| Subject: Mark Lenard - interview with Ann Lenard (IMF newsletter) BIG TIME C |
|
| Group: pota |
Message: 25981 |
From: Kassidy Rae |
Date: 1/22/2003 |
| Subject: Planet of the Men |
|
| Group: pota |
Message: 25982 |
From: libraryape |
Date: 1/23/2003 |
| Subject: Lisa, Ms. Riley's ape ???? |
|
| Group: pota |
Message: 25983 |
From: Stuart Drucker |
Date: 1/23/2003 |
| Subject: Re: [Planet of the Apes] Lisa, Ms. Riley's ape ???? |
|
| Group: pota |
Message: 25984 |
From: patrickmichaeltilton
| Date: 1/24/2003 |
|
| Subject: Lisa, slave of Mrs. Riley AND of the State... Also, Breck's Car. |
|
| Group: pota |
Message: 25985 |
From: Dave B <4print@atlas.co.uk> |
Date: 1/24/2003 |
| Subject: Just Ask Pat! |
|
| Group: pota |
Message: 25986 |
From: Haristas@aol.com |
Date: 1/24/2003 |
| Subject: Re: [Planet of the Apes] Just Ask Pat! |
|
| Group: pota |
Message: 25987 |
From: patrickmichaeltilton
| Date: 1/24/2003 |
|
| Subject: Half-Breeds |
|
| Group: pota |
Message: 25988 |
From: LordTZer0@AOL.com |
Date: 1/24/2003 |
| Subject: Re: [Planet of the Apes] Lisa, slave of Mrs. Riley AND of the State |
|
| Group: pota |
Message: 25989 |
From: LordTZer0@AOL.com |
Date: 1/24/2003 |
| Subject: Re: [Planet of the Apes] Just Ask Pat! |
|
| Group: pota |
Message: 25990 |
From: LordTZer0@AOL.com |
Date: 1/24/2003 |
| Subject: Re: [Planet of the Apes] Half-Breeds |
|
| Group: pota |
Message: 25991 |
From: Haristas@aol.com |
Date: 1/24/2003 |
| Subject: Re: [Planet of the Apes] Just Ask Pat! |
|
| Group: pota |
Message: 25992 |
From: LordTZer0@AOL.com |
Date: 1/24/2003 |
| Subject: Re: [Planet of the Apes] Just Ask Pat! |
|
| Group: pota |
Message: 25993 |
From: Haristas@aol.com |
Date: 1/25/2003 |
| Subject: Re: [Planet of the Apes] Just Ask Pat! |
|
| Group: pota |
Message: 25994 |
From: LordTZer0@AOL.com |
Date: 1/25/2003 |
| Subject: Re: [Planet of the Apes] Just Ask Pat! |
|
| Group: pota |
Message: 25995 |
From: Michael Whitty |
Date: 1/25/2003 |
| Subject: Medicom Apes and Zippo Lighters (Take 2) |
|
| Group: pota |
Message: 25996 |
From: Haristas@aol.com |
Date: 1/25/2003 |
| Subject: Re: [Planet of the Apes] Just Ask Pat! |
|
| Group: pota |
Message: 25997 |
From: veetus@earthlink.net |
Date: 1/25/2003 |
| Subject: Re: [Planet of the Apes] Half-Breeds |
|
| Group: pota |
Message: 25998 |
From: LordTZer0@AOL.com |
Date: 1/26/2003 |
| Subject: Re: [Planet of the Apes] Just Ask Pat! |
|
| Group: pota |
Message: 25999 |
From: Haristas@aol.com |
Date: 1/26/2003 |
| Subject: Re: [Planet of the Apes] Just Ask Pat! |
|
| Group: pota |
Message: 26000 |
From: Haristas@aol.com |
Date: 1/26/2003 |
| Subject: Re: [Planet of the Apes] Half-Breeds |
|
| Group: pota |
Message: 26001 |
From: patrickmichaeltilton
| Date: 1/26/2003 |
|
| Subject: Half-Breeds, Evolution, & Taxonomy |
|
| Group: pota |
Message: 26002 |
From: veetus@earthlink.net |
Date: 1/26/2003 |
| Subject: Re: [Planet of the Apes] Half-Breeds |
|
| Group: pota |
Message: 26003 |
From: LordTZer0@AOL.com |
Date: 1/26/2003 |
| Subject: Re: [Planet of the Apes] Just Ask Pat! |
|
| Group: pota |
Message: 26004 |
From: libraryape |
Date: 1/26/2003 |
| Subject: Re: Lisa, slave of Mrs. Riley AND of the State... Also, Breck's Ca |
|
| Group: pota |
Message: 26005 |
From: LordTZer0@AOL.com |
Date: 1/26/2003 |
| Subject: Re: [Planet of the Apes] Re: Lisa, slave of Mrs. Riley AND of the S |
|
| Group: pota |
Message: 26006 |
From: Haristas@aol.com |
Date: 1/26/2003 |
| Subject: Re: [Planet of the Apes] Just Ask Pat! |
|
| Group: pota |
Message: 26007 |
From: Haristas@aol.com |
Date: 1/26/2003 |
| Subject: Re: [Planet of the Apes] Re: Lisa, slave of Mrs. Riley AND of the S |
|
| Group: pota |
Message: 26008 |
From: Haristas@aol.com |
Date: 1/26/2003 |
| Subject: Re: [Planet of the Apes] Re: Lisa, slave of Mrs. Riley AND of the S |
|
| Group: pota |
Message: 26009 |
From: veetus@earthlink.net |
Date: 1/26/2003 |
| Subject: Re: [Planet of the Apes] Re: Lisa, slave of Mrs. Riley AND of the S |
|
| Group: pota |
Message: 26010 |
From: Haristas@aol.com |
Date: 1/26/2003 |
| Subject: Re: [Planet of the Apes] Re: Lisa, slave of Mrs. Riley AND of the S |
|
| Group: pota |
Message: 26011 |
From: LordTZer0@AOL.com |
Date: 1/26/2003 |
| Subject: Re: [Planet of the Apes] Re: Lisa, slave of Mrs. Riley AND of the S |
|
| Group: pota |
Message: 26012 |
From: veetus@earthlink.net |
Date: 1/27/2003 |
| Subject: Neutrino telescope |
|
| Group: pota |
Message: 26013 |
From: patrickmichaeltilton
| Date: 1/27/2003 |
|
| Subject: POTA tech, etc. |
|
| Group: pota |
Message: 26014 |
From: qspewarrjiupb |
Date: 1/28/2003 |
| Subject: new pictures here... |
|
| Group: pota |
Message: 25915 |
From: patrickmichaeltilton
| Date: 1/4/2003 |
|
| Subject: Caesar: a writer of scripture? |
|
.html Ain't much going on here in POTADOM, but a thought crossed my mind,
and I thought I'd share it.
In the beginning of BATTLE, the Lawgiver (circa 2670 A.D.) reads from
a "scripture" which goes (according to the screenplay):
-----------------
"In the beginning, God created beast and Man, so that both might live
in friendship and share dominion over a world at peace. And in the
fullness of time evil men betrayed God's trust and, in disobedience
to His holy word, waged bloody wars not only against their own kind
but also against the Apes whom they reduced to slavery.
"Then God in his wrath sent the world a savior, miraculously born of
two Apes who had descended on Earth from Earth's own future. And Man
was afraid, for both parent-Apes possessed the power of speech. So
both were betrayed and killed. But their son survived, to grow to
adulthood. And he rose up an army of Apes and gave them speech, and
won freedom from their oppressors.
"Yet, in the aftermath of his victory, the surface of the world was
ravaged by the vilest war in human history. The great cities of the
world split asunder and were flattened; and out of one such city our
savior led a remnant of those who survived--in search of greener
pastures where Ape and Human might forever live in friendship
according to divine will. His name was Caesar, and this is his story
from those far-off days."
------------------------
The very last image of the movie is a statue of Caesar, who had died
nearly 600 years before (i.e. circa 2070), and the statue image is of
Caesar HOLDING A SCROLL. When the Lawgiver said, "... and this is HIS
story from those far-off days", was he referring to a TEXT which
Caesar himself had written? Might not the text which the Lawgiver had
read prior to this ("In the beginning..." through "... and this is
his story...") actually be a preamble (written later) to
a "scripture" written by Caesar, wherein he tells his own story
autobiographically?
He's portrayed, in sculpture, as holding a scroll. Might that not be
THE scroll on which he wrote his own story? Just as Moses is said to
have written the Torah/Pentateuch, and is portrayed as holding the
tablets of the Ten Commandments, or (at times) the Torah scroll, so
too would the simian "Moses", Caesar, be portrayed in sculptural
iconography with HIS scroll, containing the "most sacred law" ("Ape
shall never kill Ape") on it.
The reason I'm making a big fuss over this is that the implication
here is that Caesar himself may have told "his story" in a way that
was religiously embellished. The bit about "God" sending a "savior"
to the world from Earth's future--as "true" as it is, insofar as Zira
was pregnant with Caesar prior to going back-through-Time to 1973--
is, perhaps, an embellishment that Caesar intended "his people" to
believe. He may have fostered a religious belief that wasn't
necessarily true... although he may have come to believe it of
himself, in time.
Never in the story does Caesar pray to any "God" to give him guidance
during those times of trouble (at least, we never explicitly hear him
call upon any God, not even when his son is dying). Caesar tells
MacDonald: "My dear, dead, human foster-father--when he wasn't
training me to be a bareback rider in his circus--taught me the sum
of all human virtues, which is that we must love one another or die.
The lion-tamer was allowed to crack his whip, provided he didn't whip
the lion."
MacDonald: "And if the lion attacked the tamer?"
Caesar: "The lion never did. That's how I thought it would be in the
world outside. If my father and mother (whom I was too young to
remember) had only lived, they might have taught me whether it was
right to kill an evil enemy so that good should prevail."
MacDonald gives Caesar the ability to find out "from the lips of
[his] own parents" secret information about the Future. Caesar would
try to get from that information the Wisdom regarding "whether it was
right to kill an evil enemy so that good should prevail".
But Caesar is never shown on-screen explicitly calling upon God to
give him the Wisdom he needs to rule wisely, like Solomon allegedly
did (and look what good it did him!). Caesar references Armando's
teachings of "the sum of all HUMAN virtues", and the "most SACRED
law" of "Ape shall never kill Ape" implies there IS a "divine law", a
set of "divine virtues"... but there is no single "Ape virtue" agreed
on by ALL Apes. The gorillas, like Aldo, seem to have a different
view as to what is or is not "virtuous": "Shall Ape ever kill Man?"
asks Aldo.
Eventually, centuries later, the Ape-dominated world has a religious
leader who tells Caesar's story, a story with elements of Religion
having been injected into it. The Ape-onauts didn't just come out of
the Future... GOD SENT THEM, carrying the simian Savior. Did
this "Lawgiver" write this, interpreting what he knew from his
sources? Or did CAESAR HIMSELF promulgate this belief that he had
been sent by God Himself into the Past (from a doomed possible
Future) in order to "save" the World? If Caesar DID promulgate this
belief, did he do so out of a conviction that it somehow was actually
true? Or did he feel it was justifiable to tell a religion-based lie
in order to bring about that "changed" Future, so that the "means" he
uses--no matter how false--are worth using, justified by the hoped-
for "end" of Peace on Earth for all Apes and Humans?
Patrick <.html
|
|
| Group: pota |
Message: 25916 |
From: Haristas@aol.com |
Date: 1/4/2003 |
| Subject: Re: [Planet of the Apes] Caesar: a writer of scripture? |
.html.html In a message dated 1/4/03 4:46:48 PM Eastern Standard Time, patrickmichaeltilton@... writes:
Might that not be THE scroll on which he wrote his own story?
Perhaps.
Anyway, I was watching some of the Fox Movie Channel today and saw their promo for "The Channel of the Apes." It was pretty cool. They had all the titles to the theatrical movies AND the TV show compilation movies done in the type style of the original logo, and I love it when they end the APES clip fest with Heston in PLANET going "The whole thing's insane!" Pretty good promo. Oh, and Super Bowl Sunday will be APES day on the channel with all the movies run in original order and then repeated. They're also promoting every day of January as one of the APES characters birthday (I don't know who thought that up).
-- Rory<.html
<.html
|
|
| Group: pota |
Message: 25917 |
From: Haristas@aol.com |
Date: 1/4/2003 |
| Subject: This month on Fox Movie Channel |
.html.html 
<.html <.html
|
|
| Group: pota |
Message: 25918 |
From: kidro85@aol.com |
Date: 1/5/2003 |
| Subject: [Planet of the Apes] FMC's APES |
|
.html Hello Ape Fans,
To those out there who have access to the Fox Movie Channel are you taping
the Ape footage that a lot of us want to get our hands on? Mainly Battle
uncut. Or anything else they may show that we haven't seen.
Thanks
Tony <.html
|
|
| Group: pota |
Message: 25919 |
From: Michael Whitty |
Date: 1/6/2003 |
| Subject: Fan Club |
|
.html Well, the "Fan Club" title has opened a few doors at Fox already. I
got straight through to the Product Manager for Retail and her boss
is checking up whether Fox actually HAS the deleted scenes and
alternate Conquest. They have also assured me that a "Fan Club"
could be able to buy a "Special License" to produce limited copies of
the alternate Conquest or Battle as a "Fan Club Exclusive" (yet to
determine COST). The Fan Club can also get a limited license for
toys (e.g. do a "Fan Club Exclusive" Medicom much as the Star Wars
Fan Club does limited action figures).
This is really exciting stuff, however it depends on numbers. I need
more people to join the Fan Club. I have artfully avoided giving
numbers as yet but I believe I will eventually be asked. In answer
to Helen's philosophical question " How many people do you need to
start a fan club?", I think you only need 2 or more
members....however, the more members, the more seriously the Club is
considered. So if you have not joined yet, please send me your
mailing details so I can add you to the list.
Michael <.html
|
|
| Group: pota |
Message: 25920 |
From: libraryape |
Date: 1/6/2003 |
| Subject: A trivial question |
|
.html Okay, here I go again. I was looking at the POTA timeline for the
Caesar's birth date. The timeline says he was born in June. I
disagree as the date isn't congruent with what Armando said when Zira
and Cornelius had to leave. He said something like this "Just one
more month and we leave for our Florida, winter chorridors ..." The
circuses' season generally ends in late summer, early fall. If this
is so, then wouldn't Caesar have been born in August, maybe even
September? <.html
|
|
| Group: pota |
Message: 25921 |
From: Haristas@aol.com |
Date: 1/6/2003 |
| Subject: Re: [Planet of the Apes] Fan Club |
.html.html In a message dated 1/6/03 4:25:21 PM Eastern Standard Time, whitty@... writes:
This is really exciting stuff, however it depends on numbers. I need
more people to join the Fan Club. I have artfully avoided giving
numbers as yet but I believe I will eventually be asked. In answer
to Helen's philosophical question " How many people do you need to
start a fan club?", I think you only need 2 or more
members....however, the more members, the more seriously the Club is
considered. So if you have not joined yet, please send me your
mailing details so I can add you to the list.
Michael
Well, you know my name and address!
-- Rory<.html
<.html
|
|
| Group: pota |
Message: 25922 |
From: Haristas@aol.com |
Date: 1/6/2003 |
| Subject: Re: [Planet of the Apes] A trivial question |
.html.html In a message dated 1/6/03 4:30:49 PM Eastern Standard Time, toosexy4u54@... writes:
Okay, here I go again. I was looking at the POTA timeline for the
Caesar's birth date. The timeline says he was born in June.
What timeline? Where?
-- Rory<.html
<.html
|
|
| Group: pota |
Message: 25923 |
From: Haristas@aol.com |
Date: 1/7/2003 |
| Subject: Fwd: (GAPNews) New York Times article on "retired chimps" |
| Group: pota |
Message: 25924 |
From: patrickmichaeltilton
| Date: 1/8/2003 |
|
| Subject: ESCAPE timeline pondering |
.html--- In pota@yahoogroups.com, "libraryape <toosexy4u54@h...>"
<toosexy4u54@h...> wrote:
> Okay, here I go again. I was looking at the POTA timeline for the
Caesar's birth date. The timeline says he was born in June. I
disagree as the date isn't congruent with what Armando said when Zira
and Cornelius had to leave. He said something like this "Just one
more month and we leave for our Florida, winter chorridors
[quarters] ..." The circuses' season generally ends in late summer,
early fall. If this is so, then wouldn't Caesar have been born in
August, maybe even September?
*** It seems to me that any traveling circus which travelled across
the entire country (from California to Florida), would have to save
the optimal spring & summer months for those northerly states which
experience the seasonal temperature extremes (for example, in Fargo
[where I live] you never see the circus come to town in February or
October, since it is apt to be 'wintry conditions' here then). If
Armando's circus, on its route from Florida-to-Florida goes through
the northern states (possibly even through Canada), then once it got
down to southern California it could still enjoy moderate
temperatures, even if by that time there were blizzards in the Plains
states.
Armando says that his circus will be moving "in one month" for their
winter quarters in Florida. Does he mean that they'll travel all the
way from the Los Angeles area to the Everglades without stopping to
put on a circus show at any point in between? Is he just going to
travel through Southern California, Arizona, New Mexico, Texas,
Louisiana, Mississippi, Alabama, (possibly Georgia), and THEN get
into Florida WITHOUT doing a single show? Isn't it more likely that
Armando's circus will put on shows in those states while he's
traveling in the general direction of their winter quarters in
Florida? Or will they merely be just "passing through"?
By "one month", does Armando mean that his circus is just going to
hang around in Southern California for 4 weeks and THEN start
travelling eastward?
Unfortunately, there just aren't enough data given in ESCAPE to judge
the timeline of events precisely. My own estimation is that the birth
of Salome (a month prior to the landing of the Ape-onauts) was
perhaps in August-to-September; that the landing of the Ape-onauts
was around September-to-October; and that the circus would be moving
out on its Florida-bound journey sometime in late October. Remember,
his circus must spend an inordinate amount of time in the California
area, since Lewis Dixon helped deliver Heloise's daughter, Salome. If
that's the case, then before ESCAPE begins, Armando's circus was
probably already near enough to Los Angeles, so that Dixon could be
in the vicinity to deliver the baby chimp ("the FIRST chimpanzee ever
to be born in a circus!"). The events of ESCAPE take up about a month
of time (I'm guessing), so that Armando's circus may have just
arrived in the vicinity of Southern California about a month before
the Ape-onauts landed. There are a lot of places in So-Cal where a
traveling circus could put on shows; in fact, Dixon could have
delivered Salome when Armando's circus was in Sacramento or San
Francisco, and during the next month the circus could have been
travelling around the state (doing shows in Modesto, Fresno, Visalia,
Bakersfield, Santa Barbara, San Bernardino, etc.) prior to setting up
their tents to do shows in the Los Angeles area where--a month later--
Dixon has Armando help out with his fugitive Chimp friends.
How nice it would've been if Bill Bonds, at the start of his
Eyewitness News segment, had given the DATE of the broadcast, just as
the announcer does at the beginning of Tom Brokaw's broadcasts every
night! About the only other possible "clue" as to when certain events
take place is that Disneyland "jungle cruise" ride which Cornelius
helps to inaugurate. I wonder if Disneyland actually DID have a
jungle cruise ride commence operations in 1973... if so, then exactly
what date might it have been "christened"? Also, it would've been
nice if the Chairman of the Presidential Commission would've
mentioned the date in a more specific way than just "the year of our
Lord Nineteen Hundred Seventy Three"... why not give the MONTH and
the DAY while you're at it, buster?! I guess that would've been too
convenient for us POTA fans.
Since winter doesn't officially begin until late December (the 21st,
usually), then One Month prior to that would be late November,
meaning that Armando's circus COULD have been in the Los Angeles area
up until mid-November or so, where temperatures are still relatively
nice (Latitude 34 N), while simultaneously a northerly city like
Fargo (at Latitude 47 N) is often under a foot or more of snow. Thus,
we have an August-to-November window of opportunity in which to place
the events of ESCAPE, with late September/early October as
the "mean".
Hey, if anybody has a super-duper pristine High Def TV on which to
watch it, try to see if there's anything telling on that chalkboard
in the Zoo with the names of the personnel listed on it (i.e.
Branton, Dixon, etc.). Anything with a date on it which my 27" TV
can't pick up? Is there a "timecard" there, perchance? If a pristine
transfer of "A Hard Day's Night" could prove that the Beatles stole
some coat-hangers from a specific hotel, due to the now-legible small
details seen on the latest transfer to DVD, might not there be some
previously illegible, blurred image which a High Def DVD image could
make legible in ESCAPE? I don't have the equipment at home to do it,
but I know that Rory has a nicer set-up than I do...
Patrick <.html
|
|
| Group: pota |
Message: 25925 |
From: Haristas@aol.com |
Date: 1/8/2003 |
| Subject: Fwd: GAPNews Alert: "Man vs. Beast" show |
| Group: pota |
Message: 25926 |
From: libraryape |
Date: 1/8/2003 |
| Subject: Re: [Planet of the Apes] A trivial question |
.htmlA few years back I found the timeline will surfing the web. If you
enter planet of the apes on your server (I think that is what you
call it. Forgive me, I'm heading for fifty years so I do not have
computer thumb) Anyway, the site says Planet of the Apes Timeline or
POTA Timeline. Also I think another site has one but the name escapes
me at this time. --- In pota@yahoogroups.com, Haristas@a... wrote:
> In a message dated 1/6/03 4:30:49 PM Eastern Standard Time,
> toosexy4u54@h... writes:
>
>
> > Okay, here I go again. I was looking at the POTA timeline for the
> > Caesar's birth date. The timeline says he was born in June.
>
> What timeline? Where?
>
> -- Rory <.html
|
|
| Group: pota |
Message: 25927 |
From: libraryape |
Date: 1/8/2003 |
| Subject: Re: ESCAPE timeline pondering |
.htmlThanks Patrick. Yeah, you're right. It's quarters. I picked
chorridors because that's all my brain could think up when I was
writing out the question. I don't think I even got Armando's line
right. Yes, it is too bad ESCAPE had no indicator as to what date or
month it was. I guess it wasn't important other than the year.I agree
that September or October is the appropiate time Caesar was born.
One thing I am sure about is that Armando and Caesar in "Conquest
arrived in Breck's city in early spring. The trees in bloom is proof
enough. Another thing I would like to bring up is the technology
in "Conquest". I've been iventing my own technology, calling the
phone-computer a telemonitor. Much of what I put into my tangent of
POTA is close to what we have today, such as remote, disk and so on.
In my story I have hoover cars that are in introduction stage as are
hybird electric cars are in our reality. You have any disputes or
ideas? Should I limit myself or just keep inventing technology and
the names that go with it? ahoogroups.com, "patrickmichaeltilton
<patrickmichaeltilton@y...>" <patrickmichaeltilton@y...> wrote:
> --- In pota@yahoogroups.com, "libraryape <toosexy4u54@h...>"
> <toosexy4u54@h...> wrote:
> > Okay, here I go again. I was looking at the POTA timeline for the
> Caesar's birth date. The timeline says he was born in June. I
> disagree as the date isn't congruent with what Armando said when
Zira
> and Cornelius had to leave. He said something like this "Just one
> more month and we leave for our Florida, winter chorridors
> [quarters] ..." The circuses' season generally ends in late summer,
> early fall. If this is so, then wouldn't Caesar have been born in
> August, maybe even September?
>
> *** It seems to me that any traveling circus which travelled across
> the entire country (from California to Florida), would have to save
> the optimal spring & summer months for those northerly states which
> experience the seasonal temperature extremes (for example, in Fargo
> [where I live] you never see the circus come to town in February or
> October, since it is apt to be 'wintry conditions' here then). If
> Armando's circus, on its route from Florida-to-Florida goes through
> the northern states (possibly even through Canada), then once it
got
> down to southern California it could still enjoy moderate
> temperatures, even if by that time there were blizzards in the
Plains
> states.
> Armando says that his circus will be moving "in one month" for
their
> winter quarters in Florida. Does he mean that they'll travel all
the
> way from the Los Angeles area to the Everglades without stopping to
> put on a circus show at any point in between? Is he just going to
> travel through Southern California, Arizona, New Mexico, Texas,
> Louisiana, Mississippi, Alabama, (possibly Georgia), and THEN get
> into Florida WITHOUT doing a single show? Isn't it more likely that
> Armando's circus will put on shows in those states while he's
> traveling in the general direction of their winter quarters in
> Florida? Or will they merely be just "passing through"?
> By "one month", does Armando mean that his circus is just going to
> hang around in Southern California for 4 weeks and THEN start
> travelling eastward?
> Unfortunately, there just aren't enough data given in ESCAPE to
judge
> the timeline of events precisely. My own estimation is that the
birth
> of Salome (a month prior to the landing of the Ape-onauts) was
> perhaps in August-to-September; that the landing of the Ape-onauts
> was around September-to-October; and that the circus would be
moving
> out on its Florida-bound journey sometime in late October.
Remember,
> his circus must spend an inordinate amount of time in the
California
> area, since Lewis Dixon helped deliver Heloise's daughter, Salome.
If
> that's the case, then before ESCAPE begins, Armando's circus was
> probably already near enough to Los Angeles, so that Dixon could be
> in the vicinity to deliver the baby chimp ("the FIRST chimpanzee
ever
> to be born in a circus!"). The events of ESCAPE take up about a
month
> of time (I'm guessing), so that Armando's circus may have just
> arrived in the vicinity of Southern California about a month before
> the Ape-onauts landed. There are a lot of places in So-Cal where a
> traveling circus could put on shows; in fact, Dixon could have
> delivered Salome when Armando's circus was in Sacramento or San
> Francisco, and during the next month the circus could have been
> travelling around the state (doing shows in Modesto, Fresno,
Visalia,
> Bakersfield, Santa Barbara, San Bernardino, etc.) prior to setting
up
> their tents to do shows in the Los Angeles area where--a month
later--
> Dixon has Armando help out with his fugitive Chimp friends.
>
> How nice it would've been if Bill Bonds, at the start of his
> Eyewitness News segment, had given the DATE of the broadcast, just
as
> the announcer does at the beginning of Tom Brokaw's broadcasts
every
> night! About the only other possible "clue" as to when certain
events
> take place is that Disneyland "jungle cruise" ride which Cornelius
> helps to inaugurate. I wonder if Disneyland actually DID have a
> jungle cruise ride commence operations in 1973... if so, then
exactly
> what date might it have been "christened"? Also, it would've been
> nice if the Chairman of the Presidential Commission would've
> mentioned the date in a more specific way than just "the year of
our
> Lord Nineteen Hundred Seventy Three"... why not give the MONTH and
> the DAY while you're at it, buster?! I guess that would've been too
> convenient for us POTA fans.
>
> Since winter doesn't officially begin until late December (the
21st,
> usually), then One Month prior to that would be late November,
> meaning that Armando's circus COULD have been in the Los Angeles
area
> up until mid-November or so, where temperatures are still
relatively
> nice (Latitude 34 N), while simultaneously a northerly city like
> Fargo (at Latitude 47 N) is often under a foot or more of snow.
Thus,
> we have an August-to-November window of opportunity in which to
place
> the events of ESCAPE, with late September/early October as
> the "mean".
>
> Hey, if anybody has a super-duper pristine High Def TV on which to
> watch it, try to see if there's anything telling on that chalkboard
> in the Zoo with the names of the personnel listed on it (i.e.
> Branton, Dixon, etc.). Anything with a date on it which my 27" TV
> can't pick up? Is there a "timecard" there, perchance? If a
pristine
> transfer of "A Hard Day's Night" could prove that the Beatles stole
> some coat-hangers from a specific hotel, due to the now-legible
small
> details seen on the latest transfer to DVD, might not there be some
> previously illegible, blurred image which a High Def DVD image
could
> make legible in ESCAPE? I don't have the equipment at home to do
it,
> but I know that Rory has a nicer set-up than I do...
>
> Patrick <.html
|
|
| Group: pota |
Message: 25928 |
From: libraryape |
Date: 1/8/2003 |
| Subject: Re: ESCAPE timeline pondering |
.htmlBy the way its hover cars not hoover. Sorry.--- In
pota@yahoogroups.com, "libraryape <toosexy4u54@h...>"
<toosexy4u54@h...> wrote:
> Thanks Patrick. Yeah, you're right. It's quarters. I picked
> chorridors because that's all my brain could think up when I was
> writing out the question. I don't think I even got Armando's line
> right. Yes, it is too bad ESCAPE had no indicator as to what date
or
> month it was. I guess it wasn't important other than the year.I
agree
> that September or October is the appropiate time Caesar was born.
> One thing I am sure about is that Armando and Caesar in "Conquest
> arrived in Breck's city in early spring. The trees in bloom is
proof
> enough. Another thing I would like to bring up is the technology
> in "Conquest". I've been iventing my own technology, calling the
> phone-computer a telemonitor. Much of what I put into my tangent of
> POTA is close to what we have today, such as remote, disk and so
on.
> In my story I have hoover cars that are in introduction stage as
are
> hybird electric cars are in our reality. You have any disputes or
> ideas? Should I limit myself or just keep inventing technology and
> the names that go with it? ahoogroups.com, "patrickmichaeltilton
> <patrickmichaeltilton@y...>" <patrickmichaeltilton@y...> wrote:
> > --- In pota@yahoogroups.com, "libraryape <toosexy4u54@h...>"
> > <toosexy4u54@h...> wrote:
> > > Okay, here I go again. I was looking at the POTA timeline for
the
> > Caesar's birth date. The timeline says he was born in June. I
> > disagree as the date isn't congruent with what Armando said when
> Zira
> > and Cornelius had to leave. He said something like this "Just
one
> > more month and we leave for our Florida, winter chorridors
> > [quarters] ..." The circuses' season generally ends in late
summer,
> > early fall. If this is so, then wouldn't Caesar have been born in
> > August, maybe even September?
> >
> > *** It seems to me that any traveling circus which travelled
across
> > the entire country (from California to Florida), would have to
save
> > the optimal spring & summer months for those northerly states
which
> > experience the seasonal temperature extremes (for example, in
Fargo
> > [where I live] you never see the circus come to town in February
or
> > October, since it is apt to be 'wintry conditions' here then). If
> > Armando's circus, on its route from Florida-to-Florida goes
through
> > the northern states (possibly even through Canada), then once it
> got
> > down to southern California it could still enjoy moderate
> > temperatures, even if by that time there were blizzards in the
> Plains
> > states.
> > Armando says that his circus will be moving "in one month" for
> their
> > winter quarters in Florida. Does he mean that they'll travel all
> the
> > way from the Los Angeles area to the Everglades without stopping
to
> > put on a circus show at any point in between? Is he just going to
> > travel through Southern California, Arizona, New Mexico, Texas,
> > Louisiana, Mississippi, Alabama, (possibly Georgia), and THEN get
> > into Florida WITHOUT doing a single show? Isn't it more likely
that
> > Armando's circus will put on shows in those states while he's
> > traveling in the general direction of their winter quarters in
> > Florida? Or will they merely be just "passing through"?
> > By "one month", does Armando mean that his circus is just going
to
> > hang around in Southern California for 4 weeks and THEN start
> > travelling eastward?
> > Unfortunately, there just aren't enough data given in ESCAPE to
> judge
> > the timeline of events precisely. My own estimation is that the
> birth
> > of Salome (a month prior to the landing of the Ape-onauts) was
> > perhaps in August-to-September; that the landing of the Ape-
onauts
> > was around September-to-October; and that the circus would be
> moving
> > out on its Florida-bound journey sometime in late October.
> Remember,
> > his circus must spend an inordinate amount of time in the
> California
> > area, since Lewis Dixon helped deliver Heloise's daughter,
Salome.
> If
> > that's the case, then before ESCAPE begins, Armando's circus was
> > probably already near enough to Los Angeles, so that Dixon could
be
> > in the vicinity to deliver the baby chimp ("the FIRST chimpanzee
> ever
> > to be born in a circus!"). The events of ESCAPE take up about a
> month
> > of time (I'm guessing), so that Armando's circus may have just
> > arrived in the vicinity of Southern California about a month
before
> > the Ape-onauts landed. There are a lot of places in So-Cal where
a
> > traveling circus could put on shows; in fact, Dixon could have
> > delivered Salome when Armando's circus was in Sacramento or San
> > Francisco, and during the next month the circus could have been
> > travelling around the state (doing shows in Modesto, Fresno,
> Visalia,
> > Bakersfield, Santa Barbara, San Bernardino, etc.) prior to
setting
> up
> > their tents to do shows in the Los Angeles area where--a month
> later--
> > Dixon has Armando help out with his fugitive Chimp friends.
> >
> > How nice it would've been if Bill Bonds, at the start of his
> > Eyewitness News segment, had given the DATE of the broadcast,
just
> as
> > the announcer does at the beginning of Tom Brokaw's broadcasts
> every
> > night! About the only other possible "clue" as to when certain
> events
> > take place is that Disneyland "jungle cruise" ride which
Cornelius
> > helps to inaugurate. I wonder if Disneyland actually DID have a
> > jungle cruise ride commence operations in 1973... if so, then
> exactly
> > what date might it have been "christened"? Also, it would've been
> > nice if the Chairman of the Presidential Commission would've
> > mentioned the date in a more specific way than just "the year of
> our
> > Lord Nineteen Hundred Seventy Three"... why not give the MONTH
and
> > the DAY while you're at it, buster?! I guess that would've been
too
> > convenient for us POTA fans.
> >
> > Since winter doesn't officially begin until late December (the
> 21st,
> > usually), then One Month prior to that would be late November,
> > meaning that Armando's circus COULD have been in the Los Angeles
> area
> > up until mid-November or so, where temperatures are still
> relatively
> > nice (Latitude 34 N), while simultaneously a northerly city like
> > Fargo (at Latitude 47 N) is often under a foot or more of snow.
> Thus,
> > we have an August-to-November window of opportunity in which to
> place
> > the events of ESCAPE, with late September/early October as
> > the "mean".
> >
> > Hey, if anybody has a super-duper pristine High Def TV on which
to
> > watch it, try to see if there's anything telling on that
chalkboard
> > in the Zoo with the names of the personnel listed on it (i.e.
> > Branton, Dixon, etc.). Anything with a date on it which my 27" TV
> > can't pick up? Is there a "timecard" there, perchance? If a
> pristine
> > transfer of "A Hard Day's Night" could prove that the Beatles
stole
> > some coat-hangers from a specific hotel, due to the now-legible
> small
> > details seen on the latest transfer to DVD, might not there be
some
> > previously illegible, blurred image which a High Def DVD image
> could
> > make legible in ESCAPE? I don't have the equipment at home to do
> it,
> > but I know that Rory has a nicer set-up than I do...
> >
> > Patrick <.html
|
|
| Group: pota |
Message: 25929 |
From: Haristas@aol.com |
Date: 1/8/2003 |
| Subject: Fwd: (GAPNews) Article on Kanzi the bonobo |
| Group: pota |
Message: 25930 |
From: Michael Whitty |
Date: 1/9/2003 |
| Subject: Fan Numbers |
|
.html Rory
Any way you could ask Russo how many books he sold?
Michael <.html
|
|
| Group: pota |
Message: 25931 |
From: CheeseGOTAS@aol.com |
Date: 1/9/2003 |
| Subject: Re: [Planet of the Apes] Fan Numbers |
.htmlIn a message dated 1/9/03 7:39:43 AM Central Standard Time,
whitty@... writes:
<< Any way you could ask Russo how many books he sold?
Michael >>
Well, I bought it, and I'm assuming everyone else here did... heh.
-Joe <.html
|
|
| Group: pota |
Message: 25932 |
From: LordTZer0@AOL.com |
Date: 1/9/2003 |
| Subject: Re: [Planet of the Apes] Fan Numbers |
.html.html
Well, I bought it, and I'm assuming everyone else here did... heh.
I bought a couple of Apes books when the new film came out. No doubt his was one of them. I wonder if he mentioned this group in it. Probably not since he himself is not a member.
<.html <.html
|
|
| Group: pota |
Message: 25933 |
From: Haristas@aol.com |
Date: 1/9/2003 |
| Subject: Re: [Planet of the Apes] ESCAPE timeline pondering |
.html.html In a message dated 1/8/03 6:46:45 AM Eastern Standard Time, patrickmichaeltilton@... writes:
Hey, if anybody has a super-duper pristine High Def TV on which to
watch it, try to see if there's anything telling on that chalkboard
in the Zoo with the names of the personnel listed on it (i.e.
Branton, Dixon, etc.). Anything with a date on it which my 27" TV
can't pick up? Is there a "timecard" there, perchance? If a pristine
transfer of "A Hard Day's Night" could prove that the Beatles stole
some coat-hangers from a specific hotel, due to the now-legible small
details seen on the latest transfer to DVD, might not there be some
previously illegible, blurred image which a High Def DVD image could
make legible in ESCAPE? I don't have the equipment at home to do it,
but I know that Rory has a nicer set-up than I do...
Patric k
I don't think I'll be able to see anything, but I'll let you know.
-- Rory
<.html <.html
|
|
| Group: pota |
Message: 25934 |
From: Michael Whitty |
Date: 1/9/2003 |
| Subject: Re: [Planet of the Apes] Fan Numbers |
.htmlWhat I am trying to get at is that anyone who bought that book would
have to be a fan, and if it sold 20,000 copies, then one could assume
there are at least 20,000 fans.
Make sense?
I realize some would have been sold to libraries etc, but not too many I
don't think.
Michael
-----Original Message-----
From: CheeseGOTAS@... [ CheeseGOTAS@...]
Sent: Friday, 10 January 2003 9:03 AM
To: pota@yahoogroups.com
Subject: Re: [Planet of the Apes] Fan Numbers
In a message dated 1/9/03 7:39:43 AM Central Standard Time,
whitty@... writes:
<< Any way you could ask Russo how many books he sold?
Michael >>
Well, I bought it, and I'm assuming everyone else here did... heh.
-Joe
<.html
|
|
| Group: pota |
Message: 25935 |
From: syzfhyeopbeqv |
Date: 1/10/2003 |
| Subject: check this out! |
| Group: pota |
Message: 25936 |
From: jim diamond |
Date: 1/10/2003 |
| Subject: Re: [Planet of the Apes] Re: ESCAPE timeline pondering |
.htmlHow bout just checking the spike in sales of "grape juice plus", seemed to be a popular drink at the time....
"libraryape <toosexy4u54@...>" <toosexy4u54@...> wrote:
By the way its hover cars not hoover. Sorry.--- In pota@yahoogroups.com, "libraryape <toosexy4u54@h...>" <toosexy4u54@h...> wrote: > Thanks Patrick. Yeah, you're right. It's quarters. I picked > chorridors because that's all my brain could think up when I was > writing out the question. I don't think I even got Armando's line > right. Yes, it is too bad ESCAPE had no indicator as to what date or > month it was. I guess it wasn't important other than the year.I agree > that September or October is the appropiate time Caesar was born. > One thing I am sure about is that Armando and Caesar in "Conquest > arrived in Breck's city in early spring. The trees in bloom is proof
> enough. Another thing I would like to bring up is the technology > in "Conquest". I've been iventing my own technology, calling the > phone-computer a telemonitor. Much of what I put into my tangent of > POTA is close to what we have today, such as remote, disk and so on. > In my story I have hoover cars that are in introduction stage as are > hybird electric cars are in our reality. You have any disputes or > ideas? Should I limit myself or just keep inventing technology and > the names that go with it? ahoogroups.com, "patrickmichaeltilton > <patrickmichaeltilton@y...>" <patrickmichaeltilton@y...> wrote: > > --- In pota@yahoogroups.com, "libraryape <toosexy4u54@h...>" > > <toosexy4u54@h...> wrote: > > > Okay, here I go again. I was looking at the POTA timeline for the
> > Caesar's birth date. The timeline says he was born in June. I > > disagree as the date isn't congruent with what Armando said when > Zira > > and Cornelius had to leave. He said something like this "Just one > > more month and we leave for our Florida, winter chorridors > > [quarters] ..." The circuses' season generally ends in late summer, > > early fall. If this is so, then wouldn't Caesar have been born in > > August, maybe even September? > > > > *** It seems to me that any traveling circus which travelled across > > the entire country (from California to Florida), would have to save > > the optimal spring & summer months for those northerly states which > > experience the seasonal temperature extremes (for example, in Fargo
> > [where I live] you never see the circus come to town in February or > > October, since it is apt to be 'wintry conditions' here then). If > > Armando's circus, on its route from Florida-to-Florida goes through > > the northern states (possibly even through Canada), then once it > got > > down to southern California it could still enjoy moderate > > temperatures, even if by that time there were blizzards in the > Plains > > states. > > Armando says that his circus will be moving "in one month" for > their > > winter quarters in Florida. Does he mean that they'll travel all > the > > way from the Los Angeles area to the Everglades without stopping to > > put on a circus show at any point in between? Is he just going to > > travel through Southern California, Arizona, New Mexico, Texas,
> > Louisiana, Mississippi, Alabama, (possibly Georgia), and THEN get > > into Florida WITHOUT doing a single show? Isn't it more likely that > > Armando's circus will put on shows in those states while he's > > traveling in the general direction of their winter quarters in > > Florida? Or will they merely be just "passing through"? > > By "one month", does Armando mean that his circus is just going to > > hang around in Southern California for 4 weeks and THEN start > > travelling eastward? > > Unfortunately, there just aren't enough data given in ESCAPE to > judge > > the timeline of events precisely. My own estimation is that the > birth > > of Salome (a month prior to the landing of the Ape-onauts) was > > perhaps in August-to-September; that the landing of the Ape- onauts
> > was around September-to-October; and that the circus would be > moving > > out on its Florida-bound journey sometime in late October. > Remember, > > his circus must spend an inordinate amount of time in the > California > > area, since Lewis Dixon helped deliver Heloise's daughter, Salome. > If > > that's the case, then before ESCAPE begins, Armando's circus was > > probably already near enough to Los Angeles, so that Dixon could be > > in the vicinity to deliver the baby chimp ("the FIRST chimpanzee > ever > > to be born in a circus!"). The events of ESCAPE take up about a > month > > of time (I'm guessing), so that Armando's circus may have just > > arrived in the vicinity of Southern California about a month before > > the Ape-onauts landed. There are a lot of places in So-Cal where
a > > traveling circus could put on shows; in fact, Dixon could have > > delivered Salome when Armando's circus was in Sacramento or San > > Francisco, and during the next month the circus could have been > > travelling around the state (doing shows in Modesto, Fresno, > Visalia, > > Bakersfield, Santa Barbara, San Bernardino, etc.) prior to setting > up > > their tents to do shows in the Los Angeles area where--a month > later-- > > Dixon has Armando help out with his fugitive Chimp friends. > > > > How nice it would've been if Bill Bonds, at the start of his > > Eyewitness News segment, had given the DATE of the broadcast, just > as > > the announcer does at the beginning of Tom Brokaw's broadcasts > every > > night! About the only other possible "clue" as to when certain > events
> > take place is that Disneyland "jungle cruise" ride which Cornelius > > helps to inaugurate. I wonder if Disneyland actually DID have a > > jungle cruise ride commence operations in 1973... if so, then > exactly > > what date might it have been "christened"? Also, it would've been > > nice if the Chairman of the Presidential Commission would've > > mentioned the date in a more specific way than just "the year of > our > > Lord Nineteen Hundred Seventy Three"... why not give the MONTH and > > the DAY while you're at it, buster?! I guess that would've been too > > convenient for us POTA fans. > > > > Since winter doesn't officially begin until late December (the > 21st, > > usually), then One Month prior to that would be late November,
> > meaning that Armando's circus COULD have been in the Los Angeles > area > > up until mid-November or so, where temperatures are still > relatively > > nice (Latitude 34 N), while simultaneously a northerly city like > > Fargo (at Latitude 47 N) is often under a foot or more of snow. > Thus, > > we have an August-to-November window of opportunity in which to > place > > the events of ESCAPE, with late September/early October as > > the "mean". > > > > Hey, if anybody has a super-duper pristine High Def TV on which to > > watch it, try to see if there's anything telling on that chalkboard > > in the Zoo with the names of the personnel listed on it (i.e. > > Branton, Dixon, etc.). Anything with a date on it which my 27" TV
<.html
|
|
| Group: pota |
Message: 25937 |
From: jim diamond |
Date: 1/10/2003 |
| Subject: Re: [Planet of the Apes] Re: ESCAPE timeline pondering |
.htmlHow bout just checking the spike in sales of "grape juice plus", seemed to be a popular drink at the time....
"libraryape <toosexy4u54@...>" <toosexy4u54@...> wrote:
By the way its hover cars not hoover. Sorry.--- In pota@yahoogroups.com, "libraryape <toosexy4u54@h...>" <toosexy4u54@h...> wrote: > Thanks Patrick. Yeah, you're right. It's quarters. I picked > chorridors because that's all my brain could think up when I was > writing out the question. I don't think I even got Armando's line > right. Yes, it is too bad ESCAPE had no indicator as to what date or > month it was. I guess it wasn't important other than the year.I agree > that September or October is the appropiate time Caesar was born. > One thing I am sure about is that Armando and Caesar in "Conquest > arrived in Breck's city in early spring. The trees in bloom is proof
> enough. Another thing I would like to bring up is the technology > in "Conquest". I've been iventing my own technology, calling the > phone-computer a telemonitor. Much of what I put into my tangent of > POTA is close to what we have today, such as remote, disk and so on. > In my story I have hoover cars that are in introduction stage as are > hybird electric cars are in our reality. You have any disputes or > ideas? Should I limit myself or just keep inventing technology and > the names that go with it? ahoogroups.com, "patrickmichaeltilton > <patrickmichaeltilton@y...>" <patrickmichaeltilton@y...> wrote: > > --- In pota@yahoogroups.com, "libraryape <toosexy4u54@h...>" > > <toosexy4u54@h...> wrote: > > > Okay, here I go again. I was looking at the POTA timeline for the
> > Caesar's birth date. The timeline says he was born in June. I > > disagree as the date isn't congruent with what Armando said when > Zira > > and Cornelius had to leave. He said something like this "Just one > > more month and we leave for our Florida, winter chorridors > > [quarters] ..." The circuses' season generally ends in late summer, > > early fall. If this is so, then wouldn't Caesar have been born in > > August, maybe even September? > > > > *** It seems to me that any traveling circus which travelled across > > the entire country (from California to Florida), would have to save > > the optimal spring & summer months for those northerly states which > > experience the seasonal temperature extremes (for example, in Fargo
> > [where I live] you never see the circus come to town in February or > > October, since it is apt to be 'wintry conditions' here then). If > > Armando's circus, on its route from Florida-to-Florida goes through > > the northern states (possibly even through Canada), then once it > got > > down to southern California it could still enjoy moderate > > temperatures, even if by that time there were blizzards in the > Plains > > states. > > Armando says that his circus will be moving "in one month" for > their > > winter quarters in Florida. Does he mean that they'll travel all > the > > way from the Los Angeles area to the Everglades without stopping to > > put on a circus show at any point in between? Is he just going to > > travel through Southern California, Arizona, New Mexico, Texas,
> > Louisiana, Mississippi, Alabama, (possibly Georgia), and THEN get > > into Florida WITHOUT doing a single show? Isn't it more likely that > > Armando's circus will put on shows in those states while he's > > traveling in the general direction of their winter quarters in > > Florida? Or will they merely be just "passing through"? > > By "one month", does Armando mean that his circus is just going to > > hang around in Southern California for 4 weeks and THEN start > > travelling eastward? > > Unfortunately, there just aren't enough data given in ESCAPE to > judge > > the timeline of events precisely. My own estimation is that the > birth > > of Salome (a month prior to the landing of the Ape-onauts) was > > perhaps in August-to-September; that the landing of the Ape- onauts
> > was around September-to-October; and that the circus would be > moving > > out on its Florida-bound journey sometime in late October. > Remember, > > his circus must spend an inordinate amount of time in the > California > > area, since Lewis Dixon helped deliver Heloise's daughter, Salome. > If > > that's the case, then before ESCAPE begins, Armando's circus was > > probably already near enough to Los Angeles, so that Dixon could be > > in the vicinity to deliver the baby chimp ("the FIRST chimpanzee > ever > > to be born in a circus!"). The events of ESCAPE take up about a > month > > of time (I'm guessing), so that Armando's circus may have just > > arrived in the vicinity of Southern California about a month before > > the Ape-onauts landed. There are a lot of places in So-Cal where
a > > traveling circus could put on shows; in fact, Dixon could have > > delivered Salome when Armando's circus was in Sacramento or San > > Francisco, and during the next month the circus could have been > > travelling around the state (doing shows in Modesto, Fresno, > Visalia, > > Bakersfield, Santa Barbara, San Bernardino, etc.) prior to setting > up > > their tents to do shows in the Los Angeles area where--a month > later-- > > Dixon has Armando help out with his fugitive Chimp friends. > > > > How nice it would've been if Bill Bonds, at the start of his > > Eyewitness News segment, had given the DATE of the broadcast, just > as > > the announcer does at the beginning of Tom Brokaw's broadcasts > every > > night! About the only other possible "clue" as to when certain > events
> > take place is that Disneyland "jungle cruise" ride which Cornelius > > helps to inaugurate. I wonder if Disneyland actually DID have a > > jungle cruise ride commence operations in 1973... if so, then > exactly > > what date might it have been "christened"? Also, it would've been > > nice if the Chairman of the Presidential Commission would've > > mentioned the date in a more specific way than just "the year of > our > > Lord Nineteen Hundred Seventy Three"... why not give the MONTH and > > the DAY while you're at it, buster?! I guess that would've been too > > convenient for us POTA fans. > > > > Since winter doesn't officially begin until late December (the > 21st, > > usually), then One Month prior to that would be late November,
> > meaning that Armando's circus COULD have been in the Los Angeles > area > > up until mid-November or so, where temperatures are still > relatively > > nice (Latitude 34 N), while simultaneously a northerly city like > > Fargo (at Latitude 47 N) is often under a foot or more of snow. > Thus, > > we have an August-to-November window of opportunity in which to > place > > the events of ESCAPE, with late September/early October as > > the "mean". > > > > Hey, if anybody has a super-duper pristine High Def TV on which to > > watch it, try to see if there's anything telling on that chalkboard > > in the Zoo with the names of the personnel listed on it (i.e. > > Branton, Dixon, etc.). Anything with a date on it which my 27" TV
<.html
|
|
| Group: pota |
Message: 25938 |
From: patrickmichaeltilton
| Date: 1/11/2003 |
|
| Subject: Timelines, Technologies, and Trips thru Trans-Am Tubes |
.html--- In pota@yahoogroups.com, "libraryape <toosexy4u54@h...>"
<toosexy4u54@h...> wrote:
> Thanks Patrick. Yeah, you're right. It's quarters. I picked
chorridors because that's all my brain could think up when I was
writing out the question. I don't think I even got Armando's line
right. Yes, it is too bad ESCAPE had no indicator as to what date or
month it was. I guess it wasn't important other than the year.I agree
that September or October is the appropriate time Caesar was born.
> One thing I am sure about is that Armando and Caesar in "Conquest"
arrived in Breck's city in early spring. The trees in bloom is proof
enough.
*** Hmmm. Interesting point. However, a lot of this depends upon
exactly WHERE Breck's city is situated... and, if you've read through
the archives of this POTA site, you'll know that there's been a big
disagreement over that. There are those who think that Breck's city
is on the East Coast (even that it is somehow a part of New York City
itself), because they feel that the Mutants who have the Doomsday
Bomb [in BATTLE] wouldn't have trekked any great distance from
the "silo" in old "Ape Management" (where it's at in BATTLE) to St.
Patrick's Cathedral (where it ends up, in BENEATH).
However, the impression that I always got was that Breck's city was
on the West coast of America, for two reasons, the first being that
in John Jakes' novelization, he has a paragraph in the "Prologue"
which I'll quote below:
-------
The policeman drew in a breath of the cool, fresh air. Two years
ago, in 1989, the last of the huge air-scrubbing plants, constructed
at a cost of billions along the mountain chain a hundred miles
eastward, had, in combination with stringent laws, made it pleasant
to breathe again--at least in this American city. The policeman
couldn't speak for others, never having traveled much.
-------
Now, if you look at a map of the United States (the title sequence
says that it's "North America: 1991", and this paragraph narrows it
down to "this American city"--meaning, it ain't in either Canada or
Mexico, etc.), and if you take into account the fact that the city
MUST be on the coast, since SHIPMENTS of Apes arrive from overseas
(in, of course, SHIPS, which require ports), then in order for this
city to have an "air-scrubbing plant" at a distance of 100 miles
EASTWARD, then the port city MUST be WESTWARD of the mountain chain
where the air-scrubbing plant is... right? Of course!
There are TWO mountain ranges which are about 100 miles eastward of
specific locales on the West coast of the United States: the Cascades
(descending from the middle of north Washington state to about Mt.
Shasta in northern California) and the Sierra Nevada Range, from
about Lake Tahoe down to Bakersfield, in southern California. There
are NO cities (or sites for "futuristic" cities) on the East coast
where there could conceivably be a mountain range 100 miles eastward,
unless you suppose that the shipments of Apes sailed up the St.
Lawrence seaway and into Lake Ontario: that little stretch of beach
on the eastern coastline of Lake Ontario (look for a town called
Pulaski) is about 100 miles west of the Adirondack Mountains... but
it's kind of ridiculous (I think) to suppose that a transoceanic
shipment would bother going that far out of the way, when it would be
much easier for a shipment bound for the East coast of America to
dock either at Boston, or New York City, and THEN for the shipment to
be offloaded onto overland transportation westward (or northwestward)
to any locale near Pulaski, New York.
So, then, I think it's more likely that Breck's city (taking John
Jakes' "air-scrubbing plants" into account, 100 miles EAST of the
place) is on the West coast--probably in southern California, about
100 miles west of the Sierra Nevada Range.
The other reason (I did say there were two) that I've always thought
Breck's city was on the West coast is due to an article in
MARVEL's "POTA" magazine (issue #11), "OUTLINES OF TOMORROW: A
CHRONOLOGY OF THE PLANET OF THE APES". Mind you, I don't take this
article as "gospel" by any means; for example, after checking out the
mountain ranges that are about 100 miles EAST of the West coast, I
found only two: the Cascades and the Sierra Nevadas... but in the
article, Jim Whitmore mentions that "Pollution in many areas brought
under control. A massive air purification plant in the Rockies keeps
California air perfectly clean." Unfortunately, the Rocky Mountains
are about 500 miles east of California! Jim Whitmore, the author of
the Marvel article, obviously had John Jakes' novelization in mind
when he mentions the "air purification plant"... but he must not have
bothered to look at a map, which clearly shows the Sierra Nevada
range to be the likely bunch of mountains where the "air-scrubbing
plant" is located, rather than the Rockies, which are 5 times as far
away!
Anyway, in the article (under the year-date heading of "1991")
Whitmore mentions that in "April: Armando decides that Caesar, now
nearly eighteen and an accomplished performer, is old enough to see
the truth of the Ape Condition. He brings the circus in to play at an
unnamed city on the West Coast, very likely San Francisco (judging
from interior data.) Events of CONQUEST OF THE PLANET OF THE APES
begin."
And, "June: Eighteen years after his birth Caesar comes of age at the
head of the Ape Rebellion."
Mind you, Whitmore dates the events of ESCAPE from April-to-June of
1973, so that June of 1991 would be when Caesar "comes of age".
So, then, I've always considered CONQUEST and BATTLE to have taken
place at a city somewhere on the West Coast of the United States,
although I don't take the Marvel article by Whitmore nor the John
Jakes novelization of CONQUEST as "gospel". Whitmore's article was
designed to be a Timeline of the POTA movies and TV show, AND two of
the Marvel stories ("Terror on the Planet of the Apes"--dated from
2070 A.D.--and "Evolution's Nightmare"--dated at 2220 A.D.). In the
Marvel story "Terror on the POTA", they have a "rival" group of
Mutants, the huge "Gestalt" Brains which control populations of
bionic drones; according to Whitmore's article, the "mutants are
splitting into factions under the leadership of Mendez and the being
destined Become One of the Gestalt mind" (although I'd always thought
of the "B" in "B-One" [etc.] to stand for "Brain", rather
than "Become"!); "In the city, the mutant factions have gone into war
with one another, Be-One winning out. Mendez and his loyal followers
manage to escape into trans-national transport tubes and work their
way towards an unknown new home. They carry with them the Alpha-Omega
device, which has begun to carry an almost religious significance
with it" (all of this from "2040-to-2052").
Although I don't take either the Whitmore "Timeline" article or
Jakes' novelization as "gospel", I DO like certain ideas in them, to
wit: the "air-scrubbing plants" in the Sierra Nevada Mts., and
the "trans-national transport tubes". For the purposes of the POTA
project that I'm working on, CONQUEST takes place at an "arcology"
about halfway between San Francisco and Los Angeles, a site which
subsumes the towns of San Simeon and Cambria, and is called "San
Simeon" (the press-packet for BATTLE was a faux newspaper called
the "San Simian Sentinel", due--if I'm not mistaken--to the fact that
BATTLE was screened at the Hearst Castle at San Simeon, punning
on "Simeon"/"Simian". The reason I don't have Breck's city (which I
place at "San Simeon") as either Los Angeles or San Francisco is due
to the fact that the streetnames mentioned in CONQUEST and BATTLE
("the corner of Breck and Ackerman", etc.) don't jive with either
city, and San Francisco is seen (in the TV episode "The Trap") to be
in far better condition in 3085 than the nuked wreck seen in BATTLE
from more than a millennium before: in other words, San Francisco
somehow did NOT get nuked, since the buildings are still standing,
some of them with their windows intact (a nuke would've blasted out
and/or melted any glass within ten miles of Ground Zero), in 3085.
You mentioned your belief that CONQUEST takes place in early spring,
due to the "trees in bloom". However, if this takes place in southern
California (as I prefer), then the trees could well be "in bloom"
throughout the year, since winter doesn't set in along the coast. I
would suspect that IF it took place in springtime, then people in the
city would be acclimated to the slightly cooler temperatures of the
southern California winter season, and in spring it would feel much
warmer--meaning that people would be wearing warm-weather clothing,
like shorts and t-shirts. However, even in the outdoors scenes,
people seem to be dressing in more skin-covering clothing than you
would expect for southern California... unless the summer season was
over and it was getting slightly chillier out, say in October or so.
And, keeping in mind that Armando's circus heads from California to
Florida around October or so (see my last posting), then IF Breck's
city IS in S. California, CONQUEST might very likely be taking place
at the same relative time as ESCAPE, albeit 18 years later, around
September or October. So, then, I date the events of CONQUEST to
September-to-October or so of 1991. But, hey, feel free to devise
your own chronology. Mine is "gospel" only for ME.
However, I should also point out that in CONQUEST there is mention of
two specific dates: May 5th and May 9th. The shipment into which
Caesar sneaks is called "Shipment five-oh-seven I-for-Indonesia ex
Borneo", and another shipment, which arrived the same day, is
called "Shipment five-oh-nine A-for-Africa ex French Cameroons".
The "five-oh-seven" and "five-oh-nine" stand for May 5th and May 9th,
in my opinion. But, since they both arrived the same day, it must
mean (or, it PROBABLY means) that those shipments were LOADED at
their respective locations (Borneo and French Cameroons) on those
dates in May, NOT that they arrived on those dates (since they arrive
the SAME day, yet one is 5-07 and the other is 5-09), and that the
ships went on their transoceanic routes to their various ports-of-
call, stopping at cities along the way, and ending up at Breck's port
city perhaps MONTHS later. The guy at Ape Management, whom Kolp
phones to check on the Borneo shipment, calls out for "the Indonesia
file from LAST MONTH", meaning that CONQUEST takes place in a 2-month
period, starting when the shipment arrived at Breck's city and ending
sometime in the next month.
So, it all depends on how long it would take a ship full of cargo
from Indonesia/Borneo to travel along its transoceanic route to
Breck's city. I work at a MEDIA PLAY store, and help unload & sort
the truck delivery, and our store is the last one on the truck's
route; the truck makes stops at two or three other stores before
getting to our store. Similarly, the ship which delivered the
orangutans to Breck's city might very well have made stops at DOZENS
of port cities between Borneo and southern California (Caesar
mentions "apes on the FIVE CONTINENTS" taking part in the Rebellion),
so that the ship, having left on 5 May 1991, might have taken MONTHS
to reach Breck's city--perhaps even as late as September or October.
Did it go "clockwise" around the Pacific Ocean (i.e. Northward, to
Japan, East Russia, Alaska, Canada, Seattle, Portland, San
Francisco, "Breck's City", etc.), or did it go "counter-clockwise"
(i.e. Southward, to Australia, New Zealand, South America, Central
America, Mexico, Los Angeles, "Breck's City", etc.)? There's just no
way of knowing for sure... but if it did leave Borneo on 5 May 1991,
then CONQUEST most probably could not have taken place in "early
spring", since spring goes from ~21 March to ~20 June, and by early
May it's usually pretty damn warm in southern California. Since it
appears to be NOT so damn warm during the events of CONQUEST, then
I'd guess that it's cooling off, in the autumn of 1991, months after
that shipment first left Borneo on 5 May 1991. And, after doing
circus shows in this southern California area (just like 18 years
earlier), Armando hoped to go back to their winter quarters in
Florida... but, alas, that was not to be...
> Another thing I would like to bring up is the technology
in "Conquest". I've been inventing my own technology, calling the
phone-computer a telemonitor. Much of what I put into my tangent of
POTA is close to what we have today, such as remote, disk and so on.
> In my story I have hover cars that are in introduction stage as
hybrid electric cars are in our reality. You have any disputes or
ideas? Should I limit myself or just keep inventing technology and
the names that go with it?
*** Disputes? Not really. In CONQUEST, there's no evidence of "hover
cars" (Armando gets to Breck's city via Helicopter, and an old-
fashioned truck brings a cage-full of orangutans (and one
chimpanzee!) from the ship-dock to Ape Management), although you
could suppose that in the time between CONQUEST and the Nuke War, as
the Ape Rebellion is springing up here-and-there, that hovercars are
developed and utilized for a few years before the nukes start
blastin' away. I date BATTLE at 2018 (autumn), due to Mandemus' line
about being the guardian of the Armory for 27 years (added to 1991,
it equals 2018), and Mendez tells Kolp that it's been "12 years of
peace", which means that SOMETHING non-peaceful happened 12 years
before 2018, in 2006, which is when I date the Nuke War. So, then, in
the 15 years between CONQUEST (in 1991) and the Nuke War (which I
date at 2006), there could have been hovercars around... but, alas,
Kolp never did get any "off the ground", so to speak, for use against
Caesar during his invasion of Caesar's tree-fort village "Ape City".
In CONQUEST, they showcased an invention that we--as yet--do not have
at our disposal: the "Authenticator". It seems to me that any science
fictional extrapolation of the POTA saga should feel free to add to
the "inventions" that are already in it: the Authenticator, the
Doomsday Bomb, the Hassleinian starship propulsion drive, etc. You go
right on ahead inventing technologies, and I promise that I, for one,
won't be bothered in the slightest as long as it is technologically
feasible (and not just some goofy implausible/improbable/impossible
gadget). Hovercars have been done in other SF stories, so I don't see
any problem with incorporating them into the POTA saga, though the
only hovercar-like technology that my scenario will have is for the
futuristic civilization which publishes the Book that Farrow kept out
of his fireplace, due to its pictures: one of which shows a "city of
the future" called "New York City" in the year 2503, though it can
NOT be the same NYC seen in ruins in BENEATH (ruins from the late
20th/early 21st century). But THAT is a whole nuther topic!
Patrick
P.S. Incidentally, the reason that I dig Marvel's idea of
those "trans-national transport tubes" (through which Whitmore
speculates Mendez' group takes the Alpha Omega bomb, from California
to New York City, eventually), is that the Bomb was NOT in Breck's
city during CONQUEST (as far as anybody knows... and WHY would it
have been there, anyway? It belongs at a MILITARY base, doesn't it?),
but it somehow ends up there prior to the time that BATTLE takes
place. How DOES it get to Breck's city (now, Kolp's city)? WHY does
the Bomb get brought to a CITY, rather than remain at a military
facility?
Between the Nuke War (in 2006, according to my chronology) and BATTLE
(in 2018, my chronology again), there's 12 years of events we know
little about, including the "event" which led to the U.S. military
forces relinquishing the Doomsday Bomb, which winds up in the hands
of "Governor Kolp" (Governor Breck died, Kolp mentions, during the
Nuke War). How might the Bomb have arrived in Kolp's city, and did it
arrive there BEFORE or AFTER the Nuke War? Would the U.S. Army have
shipped it there overland, on a flat-bed truck? Or... would they have
made use of subsurface "trans-national transport tubes", which enemy
nations could not track via satellite imaging?
That's why I like that cross-country tunnel idea--it makes sense
militarily for the U.S. government to ship top-secret military stuff
around from place-to-place UNDERGROUND, where enemy nations CAN'T
know where it is at any given time. I envision a remnant of U.S.
military types in one of these underground tunnels (which link
military bases to each other and to major cities where the military
might need its presence "inserted"), carting the Doomsday Bomb from
one site to another... yet the nearest site feasible just happens to
be a certain port city which WAS nuked, but which still has a
SUBLEVEL intact, since (as MacDonald tells Caesar in BATTLE) "many
sections of the underground city... were designed to survive the
impact of a ten-megaton overblast". Thus, the Bomb is brought to
Kolp's city, where he--being the new Governor--is in command under
Martial Law. After Kolp's death, Mendez--who would know about the
underground tunnel system--would be in a position to use those
tunnels later on, in order to evacuate Breck's/Kolp's "Forbidden"
city, in search of a better place to build a future for his Bomb-
worshipping cult. Over the course of several years, such
a "pilgrimage" from a southern California coastal city to the
underground remnant of New York City would transpire. Perhaps they
fled the Southern California region for the same reason that Burke
didn't want to go to San Francisco in "The Trap": "a building might
fall down on us" due to earthquakes. If Mendez' group remains in that
ruined city, they might have to deal with earthquakes too much of the
time... so why not just pack up and leave? Migrate through those
tunnels to a better location, bringing their Bomb-God with them, just
like the Israelites bringing the Ark of the Covenant along from the
Tabernacle at Mt. Sinai to Jerusalem (eventually), where they build a
Temple for it... a "temple" which was once St. Patrick's Cathedral. <.html
|
|
| Group: pota |
Message: 25939 |
From: patrickmichaeltilton
| Date: 1/11/2003 |
|
| Subject: Timeline Brain Fart! Oops! D'oh! |
.htmlIn my last posting I had a "brain-fart" and mistakenly referred to
the date "5-07-1991" as "5 May" numerous times. The two shipment
dates should read as 7 May 1991 and 9 May 1991, the former of the two
being the SEVENTH of May, not--as I erringly goofed--on the FIFTH. I
transposed the fifth month (May) with the fifth DAY of the month. To
quote Homer Simpson... "D'OH!"
The section where I goofed is repeated below, with my chagrined
editorials added...
> However, I should also point out that in CONQUEST there is mention
of two specific dates: May 5th [OOPS! Should be May 7th] and May 9th.
The shipment into which Caesar sneaks is called "Shipment five-oh-
seven I-for-Indonesia ex Borneo", and another shipment, which arrived
the same day, is called "Shipment five-oh-nine A-for-Africa ex French
Cameroons". The "five-oh-seven" and "five-oh-nine" stand for May 5th
[OOPS! Should be May 7th, again!] and May 9th, in my opinion. But,
since they both arrived the same day, it must mean (or, it PROBABLY
means) that those shipments were LOADED at their respective locations
(Borneo and French Cameroons) on those dates in May, NOT that they
arrived on those dates (since they arrive the SAME day, yet one is 5-
07 [GOT IT RIGHT THAT TIME!]and the other is 5-09), and that the
ships went on their transoceanic routes to their various ports-of-
call, stopping at cities along the way, and ending up at Breck's port
city perhaps MONTHS later. The guy at Ape Management, whom Kolp
phones to check on the Borneo shipment, calls out for "the Indonesia
file from LAST MONTH", meaning that CONQUEST takes place in a 2-month
period, starting when the shipment arrived at Breck's city and ending
sometime in the next month.
> So, it all depends on how long it would take a ship full of cargo
from Indonesia/Borneo to travel along its transoceanic route to
Breck's city. I work at a MEDIA PLAY store, and help unload & sort
the truck delivery, and our store is the last one on the truck's
route; the truck makes stops at two or three other stores before
getting to our store. Similarly, the ship which delivered the
orangutans to Breck's city might very well have made stops at DOZENS
of port cities between Borneo and southern California (Caesar
mentions "apes on the FIVE CONTINENTS" taking part in the Rebellion),
so that the ship, having left on 5 May 1991 [OOPS! Read "7 May 1991"
instead!], might have taken MONTHS to reach Breck's city--perhaps
even as late as September or October.
> Did it go "clockwise" around the Pacific Ocean (i.e. Northward, to
Japan, East Russia, Alaska, Canada, Seattle, Portland, San
Francisco, "Breck's City", etc.), or did it go "counter-clockwise"
(i.e. Southward, to Australia, New Zealand, South America, Central
America, Mexico, Los Angeles, "Breck's City", etc.)? There's just no
way of knowing for sure... but if it did leave Borneo on 5 May 1991
[OOPS! Read "7 May 1991" again!], then CONQUEST most probably could
not have taken place in "early spring", since spring goes from ~21
March to ~20 June, and by early May it's usually pretty damn warm in
southern California. Since it appears to be NOT so damn warm during
the events of CONQUEST, then I'd guess that it's cooling off, in the
autumn of 1991, months after that shipment first left Borneo on 5 May
1991 [DAMN! AGAIN! Read "7 May 1991" instead, por favor...]. And,
after doing circus shows in this southern California area (just like
18 years earlier), Armando hoped to go back to their winter quarters
in Florida... but, alas, that was not to be...
Patrick <.html
|
|
| Group: pota |
Message: 25940 |
From: Haristas@aol.com |
Date: 1/11/2003 |
| Subject: Re: [Planet of the Apes] Timelines, Technologies, and Trips thru Tr |
.html.html In a message dated 1/11/03 11:30:50 AM Eastern Standard Time, patrickmichaeltilton@... writes:
if you take into account the fact that the city
MUST be on the coast, since SHIPMENTS of Apes arrive from overseas
(in, of course, SHIPS, which require ports),
Doesn't it then make more sense that shipments of apes, mostly from Africa, would arrive at East Coast cities, other than West Coast ones?
Also, since the mutants in BENEATH are supposed to be the descendants of the ones in BATTLE than it makes the MOST logical sense that CONQUEST and BATTLE take place near the East Coast of the US, and I contend that trumps any novelization or Marvel comic.
AND THAT's THAT!!!!
-- Rory<.html
<.html
|
|
| Group: pota |
Message: 25941 |
From: Kassidy Rae |
Date: 1/11/2003 |
| Subject: New fan fiction up on site, and link to the fan club details |
.htmlI'm sorry about all the cross-posting, but I wanted you all to know that I've put up Dave Ballard's newest POTA tv series fan fiction up at this url on my pota tv series fan site: http://planetoftheapestv.150m.com/sleepinggods.html" . It's called "Sleeping Gods". It's really a great story, dealing with a new adventure a the astronauts and Galen travel further away from Central City. Y'all probably know Dave is THE most prolific POTA fan fic author out there, and it doesn't hurt that his stories are so good! Hope you enjoy.
Also, I've been lazy and made a link on the first page of my site referring to Mez's info re: the new pota club - hope that's okay. Her information said it all, so I thought it best, and most efficient.
<.html
|
|
| Group: pota |
Message: 25942 |
From: mlccougar@aol.com |
Date: 1/11/2003 |
| Subject: Locations |
.html.html From: Haristas@a...
Date: Sat Jan 11, 2003 5:22 pm
Subject: Re: [Planet of the Apes] Timelines, Technologies, and Trips thru Trans-Am Tubes
Doesn't it then make more sense that shipments of apes, mostly from Africa, would arrive at East Coast cities, other than West Coast ones?
Also, since the mutants in BENEATH are supposed to be the descendants of the ones in BATTLE than it makes the MOST logical sense that CONQUEST and BATTLE take place near the East Coast of the US, and I contend that trumps any novelization or Marvel comic.
AND THAT's THAT!!!!
I have to say that I think the last two films are WEST COAST because they are the start of a new timeline (well really Escape starts it, but that's not the point at issue here...)
And because it's a new timeline, it can be in a new location... Sort of a new beginning...
<.html <.html
|
|
| Group: pota |
Message: 25943 |
From: mlccougar@aol.com |
Date: 1/11/2003 |
| Subject: Numbers... |
|
.html .htmlFrom: "patrickmichaeltilton"
The shipment into which Caesar sneaks is called "Shipment five-oh-seven I-for-Indonesia ex Borneo", and another shipment, which arrived the same day, is called "Shipment five-oh-nine A-for-Africa ex French Cameroons". The "five-oh-seven" and "five-oh-nine" stand for May 5th [OOPS! Should be May 7th, again!] and May 9th, in my opinion.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Whatever the numbers are, I always guess that the 5-0-7, etc. are the SHIPMENT numbers, not anything having to do with dates... The 5-0-7 would be the 507th shipment of apes received at that particular Ape Management center...<.html <.html
|
|
| Group: pota |
Message: 25944 |
From: patrickmichaeltilton
| Date: 1/11/2003 |
|
| Subject: Re: [Planet of the Apes] Timelines, Technologies, and Trips thru Tr |
.html--- In pota@yahoogroups.com, Haristas@a... wrote:
> In a message dated 1/11/03 11:30:50 AM Eastern Standard Time,
> patrickmichaeltilton@y... writes:
>
>
> > if you take into account the fact that the city MUST be on the
coast, since SHIPMENTS of Apes arrive from overseas (in, of course,
SHIPS, which require ports),
>
> Doesn't it then make more sense that shipments of apes, mostly from
Africa, would arrive at East Coast cities, other than West Coast ones?
>
> Also, since the mutants in BENEATH are supposed to be the
descendants of the ones in BATTLE then it makes the MOST logical
sense that CONQUEST and BATTLE take place near the East Coast of the
US, and I contend that trumps any novelization or Marvel comic.
>
> AND THAT's THAT!!!!
>
> -- Rory
*** Rory, Rory, Rory... sure, the shipment from the French Cameroons
would probably have gone across the Atlantic Ocean--going through the
Panama Canal to get to the West Coast, if it needed to--but the
shipment from Borneo? IF its destination were, say, New York, and IF
that was the only stop it had to make (the ENTIRE shipment going to
NYC, or wherever), THEN sure, a jaunt through the Indian Ocean, round
the Cape of Good Hope, and across the entire Atlantic Ocean to NYC
might be probable. But if the West Coast is the destination, then a
trip from Borneo would best be done across the Pacific. Even a trip
from Borneo to the East Coast would best be done by going eastward
across the Pacific and through the Panama Canal then over to Florida
(where you could wave at it) and up the coast to NYC. It's a shorter
trip than west from Borneo to NYC.
This whole "East Coast/West Coast" argument (sounds like a Rap war,
don't it?) hinges on such paltry internal evidence that ANY choice is
correct, depending on which details you think are logical or not. I
haven't "proven" that CONQUEST & BATTLE take place in California:
it's just what makes the most sense to me. So what if the Mendez
Mutant Community is the same in both BENEATH and BATTLE (the former
being the descendants of the latter)? Between 2018 and 3955 there's
1,937 years of history. They moved the Bomb from its pseudo-"silo" in
the old "Ape Management" building (in BATTLE) to the Cathedral in NYC
(in BENEATH), but nobody knows exactly where it was between those two
times & places, let alone how long it was in any time or place.
For me, I like the idea of a group of goofy Bomb-God worshipping
psychotelepaths carting around their ridiculous "God" through a
series of abandoned military-delved tunnels, making stops along the
way wherever the remnant of some military base once had been. There's
a website somewhere (I'll try & look it up) which shows a map of a
network of alleged tunnels that the U.S. government has already
supposedly carved out, dating back to the early years of the Cold
War. Supposedly, it's all classified information (making the website
info rather suspect), but even so it wouldn't surprise me to know
that our own military has been making such underground tunnels (not
to mention vast underground bases & testing facilities); after all,
when Project "Paperclip" brought a shitload of Nazi scientists to the
U.S. at the end of WW2, the guys in charge of that knew the extent of
Nazi underground tunneling (as at Nordhausen, and the mythic "Last
Redoubt" thought to be in the Alps, or the Harz Mts.). As long as we
were making off with the cream of the crop of Nazi scientists, why
not also adopt their effective way of conducting top-secret military
materiel manufacture: in underground bases?
Our military has to worry about Russian (and other) satellites
peeking at our top-secret stuff... wouldn't it make sense to
go "underground", away from prying eyes? Imagine a continent-spanning
system of tunnels like the "Chunnel" (through which I had the
pleasure of traveling a few years back, from London to Paris and
back). Whatcha wanna bet that our Gov't has contingency plans to
safeguard bigwigs in the chain-of-command by evacuating Washington
into deep down tunnels that nobody outside the "need-to-know" knows
about?
Incidentally, the idea of vast underground tunnels carved for
strategic military reasons goes back a looooong time. Underneath
Jerusalem, there's what's called "Hezekiah's tunnel", which has been
used throughout history for its military value. Some folks think that
the Ark of the Covenant was hidden away in there sometime after the
reign of Solomon (nobody really knows where it went to, assuming it
ever existed at all). I've compared the Doomsday Bomb to the Ark of
the Covenant before, so this sort of connection to underground
tunnels appeals to me.
Patrick <.html
|
|
| Group: pota |
Message: 25945 |
From: patrickmichaeltilton
| Date: 1/11/2003 |
|
| Subject: Re: Numbers... |
.html--- In pota@yahoogroups.com, mlccougar@a... wrote:
> From: "patrickmichaeltilton"
>
> The shipment into which Caesar sneaks is called "Shipment five-oh-
seven I-for-Indonesia ex Borneo", and another shipment, which arrived
the same day, is called "Shipment five-oh-nine A-for-Africa ex French
Cameroons". The "five-oh-seven" and "five-oh-nine" stand for May 5th
[OOPS! Should be May 7th, again!] and May 9th, in my opinion.
>
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Whatever
the numbers are, I always guess that the 5-0-7, etc. are the SHIPMENT
numbers, not anything having to do with dates... The 5-0-7 would be
the 507th shipment of apes received at that particular Ape Management
center...
*** Yeah, it's a possibility. Still, I prefer a calendrical
explanation. Aside from the military (which usually states a date
as "Day-Month-Year", as in 7 May 1991), most other people go "May
Seventh, 1991", and write it numerically as "5-07-1991" pronouncing
the "07" as "oh-seven" rather than "zero-seven". Look at the
chronometers in Taylor's ship's cockpit: each "date", whether Earth-
Time or Ship-Time is in the form "Month-Day-Year", as in "11-25-3978"
which Taylor sees before his ship sinks.
Your explanation's just as valid as mine, though. To each their own.
Patrick <.html
|
|
| Group: pota |
Message: 25946 |
From: Michael Whitty |
Date: 1/11/2003 |
| Subject: Dates |
.htmlI hate to tell you, but "most people" say 7th May 1991. The USA is the
only place in the world where it was 9/11. Everywhere else, it was 11/9
(or the eleventh of September).
Please correct me if I am wrong, internationals.
Michael
-----Original Message-----
From: patrickmichaeltilton < patrickmichaeltilton@...>
[ patrickmichaeltilton@...]
Sent: Sunday, 12 January 2003 6:31 AM
To: pota@yahoogroups.com
Subject: [Planet of the Apes] Re: Numbers...
>
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Whatever
the numbers are, I always guess that the 5-0-7, etc. are the SHIPMENT
numbers, not anything having to do with dates... The 5-0-7 would be
the 507th shipment of apes received at that particular Ape Management
center...
*** Yeah, it's a possibility. Still, I prefer a calendrical
explanation. Aside from the military (which usually states a date
as "Day-Month-Year", as in 7 May 1991), most other people go "May
Seventh, 1991", and write it numerically as "5-07-1991" pronouncing
the "07" as "oh-seven" rather than "zero-seven". Look at the
chronometers in Taylor's ship's cockpit: each "date", whether Earth-
Time or Ship-Time is in the form "Month-Day-Year", as in "11-25-3978"
which Taylor sees before his ship sinks.
Your explanation's just as valid as mine, though. To each their own.
Patrick
<.html
|
|
| Group: pota |
Message: 25947 |
From: Haristas@aol.com |
Date: 1/11/2003 |
| Subject: Re: [Planet of the Apes] Locations |
.html.html In a message dated 1/11/03 2:12:38 PM Eastern Standard Time, mlccougar@... writes:
I have to say that I think the last two films are WEST COAST because they are the start of a new timeline (well really Escape starts it, but that's not the point at issue here...)
And because it's a new timeline, it can be in a new location... Sort of a new beginning...
What a load of huggermugger!
-- Rory<.html
<.html
|
|
| Group: pota |
Message: 25948 |
From: Haristas@aol.com |
Date: 1/11/2003 |
| Subject: Re: [Planet of the Apes] Timelines, Technologies, and Trips thru Tr |
.html.html In a message dated 1/11/03 2:22:09 PM Eastern Standard Time, patrickmichaeltilton@... writes:
For me, I like the idea of a group of goofy Bomb-God worshipping
psychotelepaths carting around their ridiculous "God" through a
series of abandoned military-delved tunnels, making stops along the
way wherever the remnant of some military base once had been.
You would!
-- Rory<.html
<.html
|
|
| Group: pota |
Message: 25949 |
From: mlccougar@aol.com |
Date: 1/11/2003 |
| Subject: Huggermugger huh? |
.html.html > Also, since the mutants in BENEATH are supposed to be the
descendants of the ones in BATTLE then it makes the MOST logical
sense that CONQUEST and BATTLE take place near the East Coast of the
US, and I contend that trumps any novelization or Marvel comic.
>
> AND THAT's THAT!!!!
I have to say that I think the last two films are WEST COAST because they are the start of a new timeline (well really Escape starts it, but that's not the point at issue here...)
And because it's a new timeline, it can be in a new location... Sort of a new beginning...
What a load of huggermugger!
-- Rory
Well, then if you "really believe" that those mutants are "the same ones" whose descendants are "the same ones" that are in Beneath, then that puts you in the "circular timeline" group with all those others that think everything will be the same constant with no changes, no chance of different outcome, etc...<.html
<.html
|
|
| Group: pota |
Message: 25950 |
From: Haristas@aol.com |
Date: 1/12/2003 |
| Subject: Re: [Planet of the Apes] Huggermugger huh? |
.html.html In a message dated 1/11/03 8:15:15 PM Eastern Standard Time, mlccougar@... writes:
Well, then if you "really believe" that those mutants are "the same ones" whose descendants are "the same ones" that are in Beneath, then that puts you in the "circular timeline" group with all those others that think everything will be the same constant with no changes, no chance of different outcome, etc...
No, it doesn't. You don't seem to understand the complexity of a noncircular timeline view of the series. I pity such POTA fans.
-- Rory<.html
<.html
|
|
| Group: pota |
Message: 25951 |
From: patrickmichaeltilton
| Date: 1/12/2003 |
|
| Subject: Re: Dates |
.html*** Well, I wouldn't know which version is used by "most people" in
the entire world; perhaps I should've specified "in the U.S.A." Pick
up any major (or minor) newspaper in the U.S.A. and you'll find the
date on the front page (and, usually, also on the top corner of every
other page) in the format "January 12, 2003" (as it happens to be on
the local paper in my town, as well as the other neighbouring city
papers).
I prefer the military format, where it's "Day-Month-Year", since that
is in ascending increments of time (a Day is less than a Month which
is less than a Year). Chronologically, the same could be said
for "Year-Month-Day" (i.e. descending increments), as when I wrote my
article for "APESFAN #2" ("A Chronology of the Planet of the Apes").
That way, you can specify an exact time (for example, the exact
moment that Farrow presses the button to open the hatch on Virdon's
ship):
3085 March 21 07:46:27 (Year Month Day Hour:Minute:Second)
Mind you, I'm merely suggesting that the event in question took place
at 7:46 AM (and 27 seconds) on March 21st, 3085... it ain't canonical
by any means! And, ideally, one would use GMT (Global [or Greenwich]
Mean Time), a.k.a. UT (Universal Time), so that the "time" of day
would really be around 8 hours "later" (i.e. "15:46:27" GMT, since
Greenwich is almost exactly 120 degrees of longitude east of
California, and 120 degrees divided by 15 degrees per Time Zone
equals 8 Time Zones difference), if the ANSA chronometers were to
bother to keep Time by GMT/UT reckoning. That time of "15:46" (and 27
seconds) would mean it's "3:46 PM" over in the nuked remnants of
London, whereas near Chalo in what once was California it's just an
hour and a half or so after dawn.
Considering that the POTA saga (despite being loosely based on a
French novel) was made in the U.S., depicting U.S. astronauts
involved in adventures on territories which were once U.S. soil
(before the Nuke War), then it ain't surprising that the movie makers
had the ships' chronometers reading Month-Day-Year, even though a
U.S. military spaceship would undoubtedly have used the Day-Month-
Year format. Even the EARTH-TIME & SHIP-TIME clocks in the upper
right corner of the screen on the TV show's opening credits has Month-
Day-Year ("AUG 19 1980" zipping ahead to "JUL 14 3085").
Patrick
P.S. I wish they wouldn't have called the WTC area "Ground Zero",
which is more properly reserved for the epicenter of a nuclear
explosion. Yeah, the WTC attacks were horrendous, but a nuke going
off at that location would've killed a hell of a lot more people,
upwards of 10,000 times as many people at least. And I'd have
prefered it if they would've picked a "better" term to define those
coordinated attacks than "Nine Eleven"/"9-11". I've heard TV news
pundits refer to it as "Nine-One-One" (like the telephone emergency
number), even though NOBODY refers to the eleventh day of any month
as "one-one"... it's "eleven", fer cryin' out loud. Offhand, I can't
think of a more appropriate term to define that tragic day, but
there's gotta be a better term than the "date" it took place on. From
this day forward, every September 11th will be overshadowed by the
memory of this event, just as December 7th has been for the Pearl
Harbor attack. At least THAT event is usually called "Pearl Harbor";
but the "9-11" attacks were on two separate targets, the WTC and the
Pentagon... and there's that other plane that got downed in
Pennsylvania, let's not forget about that.
Hmmm... here's a thought. The "American calendar" began on the 4th of
July, 1776 (which is carved onto the plaque held by the Statue of
Liberty), and the Constitution mentions that it was ratified "the
Seventeenth Day of September in the Year of our Lord one thousand
seven hundred and Eighty seven" (i.e. Monday, 17 September 1787) "and
of the Independence of the United States of America the Twelfth"; in
other words, the "calendar of the Independence of the U.S.A." could
be said to have its beginning on 4 July 1776, so that Independence
Day ("the Fourth of July") is actually the "New Year's Day" of our
specific national calendar. If you call 4 July 1776 "Day One", and
just go on adding days, then that infamous date of Tuesday, 11 Sept
2001 could also be called "Day 82,249", the Eighty-Second Thousand,
Two-Hundred Forty-Ninth day of American Independence. Every year in
the Gregorian calendar has a September 11th in it, but if the
specific September 11th that took place in 2001 is isolated from all
other years (i.e. "a day which we will never allow to happen again",
that sorta thing), then it could be called by that number "82,249", a
number which will never be repeated, since an on-going day-count
(like the "julian dates" astronomers use) has a beginning yet does
NOT have an ending, as long as there's always another tomorrow.
I doubt if "82,249" will ever catch on, though. "Nine-Eleven" is too
ingrained in popular discourse, which is too bad.
--- In pota@yahoogroups.com, "Michael Whitty" <whitty@c...> wrote:
> I hate to tell you, but "most people" say 7th May 1991. The USA is
the only place in the world where it was 9/11. Everywhere else, it
was 11/9 (or the eleventh of September).
>
> Please correct me if I am wrong, internationals.
>
> Michael
>
> -----Original Message-----
> From: patrickmichaeltilton <patrickmichaeltilton@y...>
> [patrickmichaeltilton@y...]
> Sent: Sunday, 12 January 2003 6:31 AM
> To: pota@yahoogroups.com
> Subject: [Planet of the Apes] Re: Numbers...
> >
> ~~~~~~Whatever the numbers are, I always guess that the 5-0-7, etc.
are the SHIPMENT numbers, not anything having to do with dates... The
5-0-7 would be the 507th shipment of apes received at that particular
Ape Management center...
>
> *** Yeah, it's a possibility. Still, I prefer a calendrical
explanation. Aside from the military (which usually states a date
as "Day-Month-Year", as in 7 May 1991), most other people go "May
Seventh, 1991", and write it numerically as "5-07-1991" pronouncing
the "07" as "oh-seven" rather than "zero-seven". Look at the
chronometers in Taylor's ship's cockpit: each "date", whether Earth-
Time or Ship-Time is in the form "Month-Day-Year", as in "11-25-3978"
which Taylor sees before his ship sinks.
> Your explanation's just as valid as mine, though. To each their
own.
>
> Patrick <.html
|
|
| Group: pota |
Message: 25952 |
From: mlccougar@aol.com |
Date: 1/12/2003 |
| Subject: (no subject) |
.html.html From: Haristas@a...
Date: Sun Jan 12, 2003 1:57 pm
Subject: Re: [Planet of the Apes] Huggermugger huh?
In a message dated 1/11/03 8:15:15 PM Eastern Standard Time, mlccougar@... writes:
Well, then if you "really believe" that those mutants are "the same ones" whose descendants are "the same ones" that are in Beneath, then that puts you in the "circular timeline" group with all those others that think everything will be the same constant with no changes, no chance of different outcome, etc...
No, it doesn't. You don't seem to understand the complexity of a noncircular timeline view of the series. I pity such POTA fans.
-- Rory
What the he**? Are ya nuts?! I am not of the circular timeline belief at all... I was suggesting that it seems you may be after all, because you can't see that in a new (i.e. 2nd) timeline things are going to be different... Locations being a start...<.html
<.html
|
|
| Group: pota |
Message: 25953 |
From: Haristas@aol.com |
Date: 1/12/2003 |
| Subject: Re: [Planet of the Apes] (no subject) |
.html.html In a message dated 1/12/03 11:37:20 AM Eastern Standard Time, mlccougar@... writes:
No, it doesn't. You don't seem to understand the complexity of a noncircular timeline view of the series. I pity such POTA fans.
-- Rory
What the he**? Are ya nuts?! I am not of the circular timeline belief at all... I was suggesting that it seems you may be after all, because you can't see that in a new (i.e. 2nd) timeline things are going to be different... Locations being a start...
I'm just yanking your chain!<.html
<.html
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|
| Group: pota |
Message: 25954 |
From: libraryape |
Date: 1/12/2003 |
| Subject: Re: Timelines, Technologies, and Trips thru Trans-Am Tubes |
.htmlPatrick,
I believe Breck's city is north of San Fansico, or is in fact San
Fransico. By conceiving this fact as an abslute, I have placed my
character's residence in the down-side of the city near Fisherman's
Warf. I have never been in the city, so I am not sure exactly if the
down-side or the ghettos are even near "Fisherman's Warf" - thus I am
presuming. Basicly I am using "Pioneer Square" in Seattle that is
the birth place of the term "Skid Rough" as back drop and/or matrix
to where my character lives.
It is hard to know exactly where "Conquest" and "Battle" took place".
To pin-point the exact location is an exact science of a hit and a
miss. To make the geography logical we can only piece together the
evidence shown on maps, and commonsense. You and I as writers feels
that such attributes are important to the continuity of the
storyline. (That is why I am asking you all these questions.)
Betting my money that "Conquest" took place on the West coast,
northern California , I have adopted an idea I label as a presumable-
parallel-unity. (In fact I am almost tempeted to rename my tangent
as "The battle of the Alternate Unviserses" or "The Golden Number" as
stated in your math equation of the so called singlarity or paradox.
Paradox in my tangent is very much a simile or metaphore depending if
you use the word 'like' or not.) Having read Phil Pullman's "Dark
Material Series" I almost want to take the traditional route of
paralell universes but I am not. Too predictable as is the redundant
worm holes in the new POTA. Using presumable-parallel-unity I have
renamed Seattle as Evergreen City, the San Jauns as
the "Soundreaches", the Olympic mountians the "Myths" where my
character eventually ends up in her attempt to free the apes from
slavery. As you can see my tangent is a facet,adding to the many
events, out side of Caesar coming to the city, that can occure
during "Conquest". I am uncertain of the title name of the comic
series that involved the "mud people"( I learned about this from Eric
Greene's "American Myth" .), but I am aiming that the Soundreach apes
and humans are a part, a branch to, the mud people that are human-
ape hybrids created from the inspiration of the ethos of "Tylorism".
(I know, it's hybrid not hybird and chorridors is really spelled,
corridors - I'm learning ;0))(Oh yes, in Harry Potter the term "mud
people" is used in referrance to "mud bloods"- half wizard, half
muggles. I wonder if it is a common term used in decribing a half-
breeds.)In doing so, I am in the process of creating a history of the
mud people or someting adjacent to them, keeping my character removed
from any other stories that have been written or is in the process
like yours Patrick. In fact I have mine so removed, it can stand on
its own thus creating my own univserse. Having trouble with Fox
already, I have considered this idea heavily but has decided to keep
my story in POTA universe.
I rather like your statement about the mutant's moving their bomb via
tunnel. Of course there was a comic series about that. YOu might have
mentioned this your letter. (Please forgive me, I am not into
comics, never was. I hate waiting for the next issue which I usaully
miss.)
The idea that the bomb came from the East coast isn't revelant in my
book. In my ten years in reading and writing novels, I have learned
that building a story, even a world, is vitally important and that I
must construct an interesting yet compliant history of world in which
my character lives. (We all know that, right?) In doing so makes the
people (characters) more dimensional. In Pota, the muntants moving
the bomb through the a vast array of tunnels while in conflict with
each other not only makes sense, but such a feat really adds flavor
to the background of the story, which also includes the details as to
how the Gesalt Mind developed into what Brent will find in "Beneath".
(Talking about tunnels they are a good referrence to the worm holes
or Hasslein's "lanes of time" ) The bomb just ending up in St.
Patrick's Catherdal or have the bomb JUST showup - its origins
stemming from the East coast, is far too convenient and is a
coincidence that can lead to the tragic, crash and burn, predictabal
end of of a story.
In regards to hover cars? Well, in my mind the cars are still in the
stages of developement. I want to thank you Patrick for giving me
the feel that I can move freely in something that, for the most
part, has been set in stone.
I am rather curious as to what set off the nuclear war. Luckily in my
tangent my timeline only goes as far as the ape revolt. Depending on
the ending I will perhaps go as far as a month to year after the
revolt. I don't know.
ONe thing I would like to bring up Patrick is your book. YOU said it
was pretty long. Don't worry. Each book, like "Peace and War" must
have its length. Yet I might ask if maybe your tangent is perhaps a
trilogy. I find most drivative books, like Star Wars, are trilogies.
It makes reasonable sense for you to write for yourself, although I
suspect, by judging in way you write, that you really must have
something. My philo on my tangent is "I was born to write this".
There is much truth to my words as well as my learning a lot that
will help me in my future novels. :0)
Wendy
PS. A few weeks ago I was watching Far Scape that was about worm
holes and paradoxes. As Criton talks to Einstien there is a term in
which Einstien uses - the unrealized reality. Is this phrase generic
or is it Far Scape based?
- In pota@yahoogroups.com, "patrickmichaeltilton
<patrickmichaeltilton@y...>" <patrickmichaeltilton@y...> wrote:
> --- In pota@yahoogroups.com, "libraryape <toosexy4u54@h...>"
> <toosexy4u54@h...> wrote:
> > Thanks Patrick. Yeah, you're right. It's quarters. I picked
> chorridors because that's all my brain could think up when I was
> writing out the question. I don't think I even got Armando's line
> right. Yes, it is too bad ESCAPE had no indicator as to what date
or
> month it was. I guess it wasn't important other than the year.I
agree
> that September or October is the appropriate time Caesar was born.
>
> > One thing I am sure about is that Armando and Caesar
in "Conquest"
> arrived in Breck's city in early spring. The trees in bloom is
proof
> enough.
>
> *** Hmmm. Interesting point. However, a lot of this depends upon
> exactly WHERE Breck's city is situated... and, if you've read
through
> the archives of this POTA site, you'll know that there's been a big
> disagreement over that. There are those who think that Breck's city
> is on the East Coast (even that it is somehow a part of New York
City
> itself), because they feel that the Mutants who have the Doomsday
> Bomb [in BATTLE] wouldn't have trekked any great distance from
> the "silo" in old "Ape Management" (where it's at in BATTLE) to St.
> Patrick's Cathedral (where it ends up, in BENEATH).
> However, the impression that I always got was that Breck's city was
> on the West coast of America, for two reasons, the first being that
> in John Jakes' novelization, he has a paragraph in the "Prologue"
> which I'll quote below:
>
> -------
> The policeman drew in a breath of the cool, fresh air. Two years
> ago, in 1989, the last of the huge air-scrubbing plants,
constructed
> at a cost of billions along the mountain chain a hundred miles
> eastward, had, in combination with stringent laws, made it pleasant
> to breathe again--at least in this American city. The policeman
> couldn't speak for others, never having traveled much.
> -------
>
> Now, if you look at a map of the United States (the title sequence
> says that it's "North America: 1991", and this paragraph narrows it
> down to "this American city"--meaning, it ain't in either Canada or
> Mexico, etc.), and if you take into account the fact that the city
> MUST be on the coast, since SHIPMENTS of Apes arrive from overseas
> (in, of course, SHIPS, which require ports), then in order for this
> city to have an "air-scrubbing plant" at a distance of 100 miles
> EASTWARD, then the port city MUST be WESTWARD of the mountain chain
> where the air-scrubbing plant is... right? Of course!
>
> There are TWO mountain ranges which are about 100 miles eastward of
> specific locales on the West coast of the United States: the
Cascades
> (descending from the middle of north Washington state to about Mt.
> Shasta in northern California) and the Sierra Nevada Range, from
> about Lake Tahoe down to Bakersfield, in southern California. There
> are NO cities (or sites for "futuristic" cities) on the East coast
> where there could conceivably be a mountain range 100 miles
eastward,
> unless you suppose that the shipments of Apes sailed up the St.
> Lawrence seaway and into Lake Ontario: that little stretch of beach
> on the eastern coastline of Lake Ontario (look for a town called
> Pulaski) is about 100 miles west of the Adirondack Mountains... but
> it's kind of ridiculous (I think) to suppose that a transoceanic
> shipment would bother going that far out of the way, when it would
be
> much easier for a shipment bound for the East coast of America to
> dock either at Boston, or New York City, and THEN for the shipment
to
> be offloaded onto overland transportation westward (or
northwestward)
> to any locale near Pulaski, New York.
>
> So, then, I think it's more likely that Breck's city (taking John
> Jakes' "air-scrubbing plants" into account, 100 miles EAST of the
> place) is on the West coast--probably in southern California, about
> 100 miles west of the Sierra Nevada Range.
>
> The other reason (I did say there were two) that I've always
thought
> Breck's city was on the West coast is due to an article in
> MARVEL's "POTA" magazine (issue #11), "OUTLINES OF TOMORROW: A
> CHRONOLOGY OF THE PLANET OF THE APES". Mind you, I don't take this
> article as "gospel" by any means; for example, after checking out
the
> mountain ranges that are about 100 miles EAST of the West coast, I
> found only two: the Cascades and the Sierra Nevadas... but in the
> article, Jim Whitmore mentions that "Pollution in many areas
brought
> under control. A massive air purification plant in the Rockies
keeps
> California air perfectly clean." Unfortunately, the Rocky Mountains
> are about 500 miles east of California! Jim Whitmore, the author of
> the Marvel article, obviously had John Jakes' novelization in mind
> when he mentions the "air purification plant"... but he must not
have
> bothered to look at a map, which clearly shows the Sierra Nevada
> range to be the likely bunch of mountains where the "air-scrubbing
> plant" is located, rather than the Rockies, which are 5 times as
far
> away!
>
> Anyway, in the article (under the year-date heading of "1991")
> Whitmore mentions that in "April: Armando decides that Caesar, now
> nearly eighteen and an accomplished performer, is old enough to see
> the truth of the Ape Condition. He brings the circus in to play at
an
> unnamed city on the West Coast, very likely San Francisco (judging
> from interior data.) Events of CONQUEST OF THE PLANET OF THE APES
> begin."
> And, "June: Eighteen years after his birth Caesar comes of age at
the
> head of the Ape Rebellion."
> Mind you, Whitmore dates the events of ESCAPE from April-to-June of
> 1973, so that June of 1991 would be when Caesar "comes of age".
>
> So, then, I've always considered CONQUEST and BATTLE to have taken
> place at a city somewhere on the West Coast of the United States,
> although I don't take the Marvel article by Whitmore nor the John
> Jakes novelization of CONQUEST as "gospel". Whitmore's article was
> designed to be a Timeline of the POTA movies and TV show, AND two
of
> the Marvel stories ("Terror on the Planet of the Apes"--dated from
> 2070 A.D.--and "Evolution's Nightmare"--dated at 2220 A.D.). In the
> Marvel story "Terror on the POTA", they have a "rival" group of
> Mutants, the huge "Gestalt" Brains which control populations of
> bionic drones; according to Whitmore's article, the "mutants are
> splitting into factions under the leadership of Mendez and the
being
> destined Become One of the Gestalt mind" (although I'd always
thought
> of the "B" in "B-One" [etc.] to stand for "Brain", rather
> than "Become"!); "In the city, the mutant factions have gone into
war
> with one another, Be-One winning out. Mendez and his loyal
followers
> manage to escape into trans-national transport tubes and work their
> way towards an unknown new home. They carry with them the Alpha-
Omega
> device, which has begun to carry an almost religious significance
> with it" (all of this from "2040-to-2052").
>
> Although I don't take either the Whitmore "Timeline" article or
> Jakes' novelization as "gospel", I DO like certain ideas in them,
to
> wit: the "air-scrubbing plants" in the Sierra Nevada Mts., and
> the "trans-national transport tubes". For the purposes of the POTA
> project that I'm working on, CONQUEST takes place at an "arcology"
> about halfway between San Francisco and Los Angeles, a site which
> subsumes the towns of San Simeon and Cambria, and is called "San
> Simeon" (the press-packet for BATTLE was a faux newspaper called
> the "San Simian Sentinel", due--if I'm not mistaken--to the fact
that
> BATTLE was screened at the Hearst Castle at San Simeon, punning
> on "Simeon"/"Simian". The reason I don't have Breck's city (which I
> place at "San Simeon") as either Los Angeles or San Francisco is
due
> to the fact that the streetnames mentioned in CONQUEST and BATTLE
> ("the corner of Breck and Ackerman", etc.) don't jive with either
> city, and San Francisco is seen (in the TV episode "The Trap") to
be
> in far better condition in 3085 than the nuked wreck seen in BATTLE
> from more than a millennium before: in other words, San Francisco
> somehow did NOT get nuked, since the buildings are still standing,
> some of them with their windows intact (a nuke would've blasted out
> and/or melted any glass within ten miles of Ground Zero), in 3085.
>
> You mentioned your belief that CONQUEST takes place in early
spring,
> due to the "trees in bloom". However, if this takes place in
southern
> California (as I prefer), then the trees could well be "in bloom"
> throughout the year, since winter doesn't set in along the coast. I
> would suspect that IF it took place in springtime, then people in
the
> city would be acclimated to the slightly cooler temperatures of the
> southern California winter season, and in spring it would feel much
> warmer--meaning that people would be wearing warm-weather clothing,
> like shorts and t-shirts. However, even in the outdoors scenes,
> people seem to be dressing in more skin-covering clothing than you
> would expect for southern California... unless the summer season
was
> over and it was getting slightly chillier out, say in October or
so.
> And, keeping in mind that Armando's circus heads from California to
> Florida around October or so (see my last posting), then IF Breck's
> city IS in S. California, CONQUEST might very likely be taking
place
> at the same relative time as ESCAPE, albeit 18 years later, around
> September or October. So, then, I date the events of CONQUEST to
> September-to-October or so of 1991. But, hey, feel free to devise
> your own chronology. Mine is "gospel" only for ME.
>
> However, I should also point out that in CONQUEST there is mention
of
> two specific dates: May 5th and May 9th. The shipment into which
> Caesar sneaks is called "Shipment five-oh-seven I-for-Indonesia ex
> Borneo", and another shipment, which arrived the same day, is
> called "Shipment five-oh-nine A-for-Africa ex French Cameroons".
> The "five-oh-seven" and "five-oh-nine" stand for May 5th and May
9th,
> in my opinion. But, since they both arrived the same day, it must
> mean (or, it PROBABLY means) that those shipments were LOADED at
> their respective locations (Borneo and French Cameroons) on those
> dates in May, NOT that they arrived on those dates (since they
arrive
> the SAME day, yet one is 5-07 and the other is 5-09), and that the
> ships went on their transoceanic routes to their various ports-of-
> call, stopping at cities along the way, and ending up at Breck's
port
> city perhaps MONTHS later. The guy at Ape Management, whom Kolp
> phones to check on the Borneo shipment, calls out for "the
Indonesia
> file from LAST MONTH", meaning that CONQUEST takes place in a 2-
month
> period, starting when the shipment arrived at Breck's city and
ending
> sometime in the next month.
> So, it all depends on how long it would take a ship full of cargo
> from Indonesia/Borneo to travel along its transoceanic route to
> Breck's city. I work at a MEDIA PLAY store, and help unload & sort
> the truck delivery, and our store is the last one on the truck's
> route; the truck makes stops at two or three other stores before
> getting to our store. Similarly, the ship which delivered the
> orangutans to Breck's city might very well have made stops at
DOZENS
> of port cities between Borneo and southern California (Caesar
> mentions "apes on the FIVE CONTINENTS" taking part in the
Rebellion),
> so that the ship, having left on 5 May 1991, might have taken
MONTHS
> to reach Breck's city--perhaps even as late as September or
October.
> Did it go "clockwise" around the Pacific Ocean (i.e. Northward, to
> Japan, East Russia, Alaska, Canada, Seattle, Portland, San
> Francisco, "Breck's City", etc.), or did it go "counter-clockwise"
> (i.e. Southward, to Australia, New Zealand, South America, Central
> America, Mexico, Los Angeles, "Breck's City", etc.)? There's just
no
> way of knowing for sure... but if it did leave Borneo on 5 May
1991,
> then CONQUEST most probably could not have taken place in "early
> spring", since spring goes from ~21 March to ~20 June, and by early
> May it's usually pretty damn warm in southern California. Since it
> appears to be NOT so damn warm during the events of CONQUEST, then
> I'd guess that it's cooling off, in the autumn of 1991, months
after
> that shipment first left Borneo on 5 May 1991. And, after doing
> circus shows in this southern California area (just like 18 years
> earlier), Armando hoped to go back to their winter quarters in
> Florida... but, alas, that was not to be...
>
>
> > Another thing I would like to bring up is the technology
> in "Conquest". I've been inventing my own technology, calling the
> phone-computer a telemonitor. Much of what I put into my tangent of
> POTA is close to what we have today, such as remote, disk and so
on.
> > In my story I have hover cars that are in introduction stage as
> hybrid electric cars are in our reality. You have any disputes or
> ideas? Should I limit myself or just keep inventing technology and
> the names that go with it?
>
> *** Disputes? Not really. In CONQUEST, there's no evidence
of "hover
> cars" (Armando gets to Breck's city via Helicopter, and an old-
> fashioned truck brings a cage-full of orangutans (and one
> chimpanzee!) from the ship-dock to Ape Management), although you
> could suppose that in the time between CONQUEST and the Nuke War,
as
> the Ape Rebellion is springing up here-and-there, that hovercars
are
> developed and utilized for a few years before the nukes start
> blastin' away. I date BATTLE at 2018 (autumn), due to Mandemus'
line
> about being the guardian of the Armory for 27 years (added to 1991,
> it equals 2018), and Mendez tells Kolp that it's been "12 years of
> peace", which means that SOMETHING non-peaceful happened 12 years
> before 2018, in 2006, which is when I date the Nuke War. So, then,
in
> the 15 years between CONQUEST (in 1991) and the Nuke War (which I
> date at 2006), there could have been hovercars around... but, alas,
> Kolp never did get any "off the ground", so to speak, for use
against
> Caesar during his invasion of Caesar's tree-fort village "Ape
City".
>
> In CONQUEST, they showcased an invention that we--as yet--do not
have
> at our disposal: the "Authenticator". It seems to me that any
science
> fictional extrapolation of the POTA saga should feel free to add to
> the "inventions" that are already in it: the Authenticator, the
> Doomsday Bomb, the Hassleinian starship propulsion drive, etc. You
go
> right on ahead inventing technologies, and I promise that I, for
one,
> won't be bothered in the slightest as long as it is technologically
> feasible (and not just some goofy implausible/improbable/impossible
> gadget). Hovercars have been done in other SF stories, so I don't
see
> any problem with incorporating them into the POTA saga, though the
> only hovercar-like technology that my scenario will have is for the
> futuristic civilization which publishes the Book that Farrow kept
out
> of his fireplace, due to its pictures: one of which shows a "city
of
> the future" called "New York City" in the year 2503, though it can
> NOT be the same NYC seen in ruins in BENEATH (ruins from the late
> 20th/early 21st century). But THAT is a whole nuther topic!
>
> Patrick
>
> P.S. Incidentally, the reason that I dig Marvel's idea of
> those "trans-national transport tubes" (through which Whitmore
> speculates Mendez' group takes the Alpha Omega bomb, from
California
> to New York City, eventually), is that the Bomb was NOT in Breck's
> city during CONQUEST (as far as anybody knows... and WHY would it
> have been there, anyway? It belongs at a MILITARY base, doesn't
it?),
> but it somehow ends up there prior to the time that BATTLE takes
> place. How DOES it get to Breck's city (now, Kolp's city)? WHY does
> the Bomb get brought to a CITY, rather than remain at a military
> facility?
> Between the Nuke War (in 2006, according to my chronology) and
BATTLE
> (in 2018, my chronology again), there's 12 years of events we know
> little about, including the "event" which led to the U.S. military
> forces relinquishing the Doomsday Bomb, which winds up in the hands
> of "Governor Kolp" (Governor Breck died, Kolp mentions, during the
> Nuke War). How might the Bomb have arrived in Kolp's city, and did
it
> arrive there BEFORE or AFTER the Nuke War? Would the U.S. Army have
> shipped it there overland, on a flat-bed truck? Or... would they
have
> made use of subsurface "trans-national transport tubes", which
enemy
> nations could not track via satellite imaging?
> That's why I like that cross-country tunnel idea--it makes sense
> militarily for the U.S. government to ship top-secret military
stuff
> around from place-to-place UNDERGROUND, where enemy nations CAN'T
> know where it is at any given time. I envision a remnant of U.S.
> military types in one of these underground tunnels (which link
> military bases to each other and to major cities where the military
> might need its presence "inserted"), carting the Doomsday Bomb from
> one site to another... yet the nearest site feasible just happens
to
> be a certain port city which WAS nuked, but which still has a
> SUBLEVEL intact, since (as MacDonald tells Caesar in BATTLE) "many
> sections of the underground city... were designed to survive the
> impact of a ten-megaton overblast". Thus, the Bomb is brought to
> Kolp's city, where he--being the new Governor--is in command under
> Martial Law. After Kolp's death, Mendez--who would know about the
> underground tunnel system--would be in a position to use those
> tunnels later on, in order to evacuate Breck's/Kolp's "Forbidden"
> city, in search of a better place to build a future for his Bomb-
> worshipping cult. Over the course of several years, such
> a "pilgrimage" from a southern California coastal city to the
> underground remnant of New York City would transpire. Perhaps they
> fled the Southern California region for the same reason that Burke
> didn't want to go to San Francisco in "The Trap": "a building might
> fall down on us" due to earthquakes. If Mendez' group remains in
that
> ruined city, they might have to deal with earthquakes too much of
the
> time... so why not just pack up and leave? Migrate through those
> tunnels to a better location, bringing their Bomb-God with them,
just
> like the Israelites bringing the Ark of the Covenant along from the
> Tabernacle at Mt. Sinai to Jerusalem (eventually), where they build
a
> Temple for it... a "temple" which was once St. Patrick's Cathedral. <.html
|
|
| Group: pota |
Message: 25955 |
From: Haristas@aol.com |
Date: 1/14/2003 |
| Subject: Check out Cold Fusion Review: Planet of the Apes Revisited |
| Group: pota |
Message: 25956 |
From: libraryape |
Date: 1/14/2003 |
| Subject: Re: Dates |
.htmlI still think Caesar arrived in Breck's city in April. Call me
stubbrn but I know spring has arrived when the I hear the lawn mowers
start up and the smell of cut grass fills the air. The blossoms on
the trees is a true indicatiom that date or time is early April.
Living in temperature zone much like Northern Cal. I find the trees
in my location bloom in early april or later depending what kind of
winter we had. I don't know. I like listening to mother nature. she
right most of the time. By the way- since you brought up 911 I'd like
to point something out in "Beneath" Take a good look at the numbers
and letters on the archway when Brent enters the room where Mendez
and his consorts are waiting to interogate him. Not to say these
numbers mean anything, but I do find the 'writing on the wall' quite
fasinating. --- In pota@yahoogroups.com, "Michael Whitty"
<whitty@c...> wrote:
> I hate to tell you, but "most people" say 7th May 1991. The USA is
the
> only place in the world where it was 9/11. Everywhere else, it was
11/9
> (or the eleventh of September).
>
> Please correct me if I am wrong, internationals.
>
> Michael
>
> -----Original Message-----
> From: patrickmichaeltilton <patrickmichaeltilton@y...>
> [patrickmichaeltilton@y...]
> Sent: Sunday, 12 January 2003 6:31 AM
> To: pota@yahoogroups.com
> Subject: [Planet of the Apes] Re: Numbers...
> >
>
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Whatever
> the numbers are, I always guess that the 5-0-7, etc. are the
SHIPMENT
> numbers, not anything having to do with dates... The 5-0-7 would be
> the 507th shipment of apes received at that particular Ape
Management
> center...
>
> *** Yeah, it's a possibility. Still, I prefer a calendrical
> explanation. Aside from the military (which usually states a date
> as "Day-Month-Year", as in 7 May 1991), most other people go "May
> Seventh, 1991", and write it numerically as "5-07-1991" pronouncing
> the "07" as "oh-seven" rather than "zero-seven". Look at the
> chronometers in Taylor's ship's cockpit: each "date", whether Earth-
> Time or Ship-Time is in the form "Month-Day-Year", as in "11-25-
3978"
> which Taylor sees before his ship sinks.
> Your explanation's just as valid as mine, though. To each their
own.
>
> Patrick
>
>
>
>
>
>
> <.html
|
|
| Group: pota |
Message: 25957 |
From: patrickmichaeltilton
| Date: 1/14/2003 |
|
| Subject: Re: Timelines, Technologies, and Trips thru Trans-Am Tubes |
.htmlHi, Wendy. I haven't seen every episode of "Farscape", though I've
liked what I have seen. As for that Einsteinian remark
about "unrealized reality", I didn't see that particular episode, but
the impression I get is that it's a term original to "Farscape"--that
is, I don't recall ever seeing such a term in any "textbook"
discussion of Einstein's theories. It actually sounds a little bit
like the Hasslein theory about Time being like "a highway with an
infinite number of lanes, all leading from the Past into the
Future..." where the Future HE hopes WILL happen will be a CHANGED
one, so that the "other" Future (from which the Ape-onauts came)--
however "real" it was to them--will NOT come to pass... and, hence,
would remain an "unrealized reality", to use the "Farscape" term.
----------------------------------------------------------
By the way, is your story (and your POTA scenario) taking into
account only the movies? Or are you also considering the TV series to
be part of the "canon" of the "official" POTA history? The reason I'm
wondering this is in regards to your having Breck's city "in fact San
Francisco"; I mentioned in my last posting that I don't consider the
two cities to be the same, due to the fact that Breck's city
undergoes a nuclear bombardment (the radioactive rubble seen in
BATTLE), whereas the TV episode "The Trap" takes place in San
Francisco, a good chunk of it in a "Bay Area Rapid Transit" (BART)
subway station which has an exit onto "Sutton Street", and the
condition of that city--almost 1,100 years after the nuclear war--is
nowhere near as bad as what Breck's city endured. As I said before,
if San Francisco had been hit by a nuke, there's no way in hell that
any glass in the city would survive (i.e. the windows in the
buildings, etc.): they would all be melted by the intense heat and/or
blasted out by the shockwave. And, of course, the episode "The
Legacy" takes place just across the Bay, in Oakland (remember
the "Oakland Science Institute"?), so that both of these "Bay Area"
cities--though in ruins--are NOT in nuclear-bombed-out ruins. It
looks more like they were just abandoned and then subjected to
occasional earthquakes (like the one in "The Trap" which caused the
side of a building to fall down on the hole in the ground into which
Urko & Burke fell).
The ONLY type of "nuclear" attack these cities seem to have suffered
(and only POSSIBLY) is a "neutron bomb" attack: a device which, when
detonated, only sends out a deadly pulse of radiation which kills all
the people in the city yet leaves the real estate intact. Yet Breck's
city--unlike San Francisco & Oakland--is definitely hit by at least
one nuclear bomb, since Virgil describes it (as we can see it) as if
it had all melted and then resolidified.
Of course, if you don't consider the TV show "canon", then you're
free to think that Breck's city IS San Francisco, and that it is the
bombed-out remains of S.F. which are seen in BATTLE... and that "The
Trap" is irrelevant to your scenario.
-------------------------------------------------------------
In regards to the term "Mud people", it is generally considered a
derogatory term used by "white"-skinned people (Caucasians) to refer
to those with "dark" skin (skin the color of mud). "Mud" also
connotes the "savage" aspect, as in the Aboriginal "Stone Age"
populations of "backward", uncivilized places. A white racist might
look at a black person--even if that person was wearing a 3-piece
suit and carrying a briefcase & talking on a cellphone--and think of
him as "just another member of a Mud-race". As for it possibly
meaning a "human-and-ape hybrid" race (a sort of cross-species
version of the white-and-black "mulatto"), I don't think that the
term "Mud people" has ever had that connotation--although, in the
context of a POTA story in which there actually WAS a hybrid half-
human/half-ape person, undoubtedly the racists of either species
would come up with some derogatory word to label him/her. Are you
aware that in BENEATH they were going to have just such a half-
human/ape child, in the Forbidden Zone? The even went so far as to do
makeup tests of this human-simian hybrid child... but that idea was
ultimately nixed due to the controversy that such "bestiality" might
have occurred; after all, it would take the mating of a human and an
ape to create such a lifeform--unless the Mutants had the ability to
transgenically combine the genome of a human with an ape, selecting
for certain traits from each genome, all via some sort of
surgical "test-tube-baby" procedure (without the coitus).
-------------------------------------------------------------
You wonder about how the Nuclear War is initiated, and it's something
I've wondered myself (it was discussed on this site around a year ago
or so, but I couldn't tell you which Message # it was). We know that
Taylor knew about the "Alpha and Omega" bomb project (though it may
have only been in the planning stages by the time he left in January
of 1972); we also know that the U.S.A. ultimately DID create the
Doomsday Bomb, and that it somehow ended up in the possession of Kolp
in the ruins of Breck's city (in the extended version of BATTLE).
Yet, IF the U.S. had a Doomsday Bomb at its disposal... why didn't
the U.S. actually USE it? In Kubrick's film "Dr. Strangelove", the
Soviets have a "Doomsday Weapon" which is designed to be triggered if
the U.S.S.R. is subjected to a nuclear attack: the whole point of
HAVING a "Doomsday" weapon/bomb is DETERRENCE. You make the "Enemy"
so afraid of attacking you (due to the INEVITABLE activation of a
Weapon which will kill EVERYBODY) that they DON'T ever risk an
attack, "Mutually Assured Destruction" taken to an extreme. If the
U.S. actually built a "Doomsday Bomb" (as it did, in the POTA
universe), then it's purpose was to be detonated if an enemy nation
(like the U.S.S.R.) were to wage a nuclear attack on America.
So, then, is this circumstantial evidence that the U.S. was NOT
attacked by another country (since the activation of the Doomsday
Bomb is RETALIATORY) in a "first strike"? Does this mean that the
U.S. is the guilty party, that America waged a "first strike"? Not
necessarily; after all, even IF America struck first, its enemies DID
retaliate (since American cities ARE subjected to nuclear
bombardment, creating the "Forbidden" Zone(s) seen in the movies),
and such a retaliatory strike would undoubtedly be as much of
a "trigger" for the Doomsday Bomb as would a "first strike".
I think that the most likely conclusion is that the personnel
immediately in control of the Doomsday Bomb (and we're assuming that
only one of 'em was ever built, right?) did NOT want it to be
detonated, despite the fact that THAT was its very purpose. Just like
the soldier in the opening scene of the movie "WARGAMES" who refuses
to "turn his key" in a "nuclear war scenario" test, there must've
been those in the U.S. military who did not want the entire planet to
be wiped out, even if their own country had suffered a nuclear
attack... so they, perhaps, "absconded" with the Doomsday Bomb,
taking it away from those who wished it to be detonated. I suspect
(and my POTA novel scenario has it this way) that the
character "Mendez" in BATTLE was the guiding force behind this
activity. Somehow, Mendez (bringing the Bomb with him) and a force of
soldiers loyal to him, gets through one of those "transnational
transport tubes" burrowed-out by the U.S. military during the last
half-century, and winds up in Breck's city--now run by Kolp, since
Breck died during the nuclear war. In Dehn's original story for
BENEATH (which was originally called "PLANET OF THE APES REVISITED"),
Mendez XXVI is the descendant of "Mendez I" (Mendez the First), as
these paragraphs from page 50 of Dehn's screenplay shows:
- - - - - - - - - - - -
[Scene] 132 GUARDS LEADING BRENT
leading Brent down a long white corridor lined on one side by head-
and-shoulder portraits--each titled and dated. We PAN them slowly
from BRENT'S P.O.V., for they visually encapsule an aspect of the
City's history.
We START on an antique, cracked canvas in an old-fashioned gilded
frame, labelled: MENDEZ I: 1997-B.3. The portrait is that of a
handsome, strong-jawed, dark-haired, military-moustached soldier in
the 20th century uniform of a U.S. Army five-star General. His
likeness survives in the portrait of MENDEZ II-V, though the uniform
has been replaced by clothes and (later) robes of advancing fashion.
The style of painting and framing advances, too; for the portraits
are all by different hands.
- - - - - - - - - - -
I'm not saying that the Mendez in BATTLE must necessarily have been
an Army 5-star General, as Dehn's screenplay originally suggested,
but it DOES make sense to me that Mendez (who, in BATTLE, seems to be
some sort of "peace-nik") had been affiliated with the military,
since the Bomb had to get to Breck/Kolp's city SOMEHOW, since it's
doubtful it was there during CONQUEST (it would've probably been at a
top-secret military base then), and SOMEBODY had to have been the
guiding force behind the moving of the Bomb from whatever Base it had
been in to Breck's city. Mendez wasn't portrayed in CONQUEST;
he "shows up" in BATTLE as somebody who--although "under" Governor
Kolp in the Chain-of-Command--is clearly the "next highest" person of
Authority in the ruined city.
On page 64 of Dehn's screenplay, he quotes Mendez XXVI as saying
that "It is written that, in the First Year of the Bomb--when my
remote forefather led his few, surviving people out of the Captivity
of war on Earth's surface--the blessing of the Holy Fall Out
descended on them from above... and they built this white, new City
out of the blackened bowels of the old. And generation succeeded to
generation. But the Spirit of the Holy Fall Out, still working within
us, has made our inmost selves so to shine, that none might behold
such brightness save only the Bomb, our Creator. Blessed be the Bomb
Everlasting... To whom alone we may reveal our inmost truth and...
whom we have served all our days in peace."
So, Mendez XXVI's "remote forefather", a military guy high enough up
in the ranks to have had access to the Bomb, "led his few, surviving
people"... probably taking the Bomb with him. At first, they get to
Breck's city, now run by Governor Kolp; then, eventually, they remove
the Bomb from the old "Ape Management" site area (where it is in
BATTLE) and, perhaps several YEARS later, in time either Mendez or
his "son" (Mendez II) or grandson leads at least a remnant of those
still alive after Kolp's debacle on a journey which will take them
all the way to the underground ruins of New York City.
As for how the Nuke War is started, and WHO starts it, of late I've
been of the opinion that the likeliest perpetrator of any
nuclear "first strike" would be a totalitarian theocracy which had
acquired nuclear weapons technology, and had surreptitiously filtered
some tactical nukes to a terrorist group which would do the actual
nuking (via "briefcase" bombs, rather than using ballistic missiles
to deliver them to their targets). Think of Iraq, or some similar
religion-dominated country, getting ahold of ex-Soviet nukes (or
having former Soviet scientists on their payroll to make nukes for
them), and giving them to Al-Qaeda or Hamas or Islamic Jihad. Does
anybody doubt that any of those terrorist groups would actually use
nukes, if they had access to them? I think they would, in a
heartbeat. The Cuban Missile Crisis notwithstanding, the World was a
hell of a lot safer when only the "superpowers" had the Bomb. India
and Pakistan are on the verge... and North Korea's leaders have gone
insane...
----------------------------------------------------------
You also asked about my POTA book project, and about its length, and
if it was going to be a trilogy. It's been a while since I described
the basic set-up I'm using for my book, but I'll recap it for your
sake.
My original plan was to only write a prose adaptation of the first
film, PLANET, since it was the only one of 'em which was NOT
available as a novel (the movie was BASED on a novel, but of course
the novel was not a "novelization" of the screenplay, as were the
books of BENEATH through BATTLE). The more I thought about it,
though, the more I realized that the story did not end with Taylor at
the Statue of Liberty... that HIS story goes on to him detonating the
Bomb--and Michael Avallone's novelization of BENEATH, in my mind,
although "based" on Dehn's screenplay, was not as true to the actual
movie as it could've been. Nor, for that matter, were the other
films' novelizations (which sometimes differed drastically from the
filmed versions--for example, Hasslein's first name in ESCAPE [the
movie] is "Otto", but in Pournelle's novelization, it's "Victor").
So, then, I decided to RE-ADAPT the four sequels, in addition to
adapting PLANET... and since Effinger only adapted 8 of the 14 TV
episodes, I thought to myself, "What the hell... why not re-adapt
those 8 stories, too... AND adapt the other 6 while I'm at it?"
Thus, my novel will tell the stories in this order:
1. ESCAPE, CONQUEST, BATTLE
2. PLANET "prologue" (= Taylor's "final report"), POTA-tv episodes
3. PLANET, BENEATH
and, yes, it will be a "trilogy" of sorts. The entire novel will be
1000 pages long, subdivided in a pseudo-Dantean format, with each of
the 3 "books" having a 3-page prologue followed by 33 ten-page
chapters, the 3rd Book having a 1-page epilogue to round out the
grand total to 1000 pages. Or, ((3 + (33 x 10)) x 3) + 1 = 1000. Each
page will be magazine-sized, 8.5 by 11 inches, with the long side
horizontal, with 3 columns of text on each page, at 8-point typesize,
so that each page will have the equivalent of about 4 pages of text
of an average mass-market paperback book. For example, John Jakes'
novelization of CONQUEST (the actual text of it) goes from page 5-to-
187, so that it's 183-pages-worth of text; if I were to reformat it
like I'm doing my book, those 183-pages-worth of text would fit onto
about 45 pages, or about 4 and a half 10-page chapters. My own re-
novelizations will be more in-depth (partly due to my addition of
other, original, characters who will be involved "behind-the-scenes"
with the overarching story of the POTA saga), so that CONQUEST will
actually be covered by 6 chapters of the 33 chapters in Book One of
the Trilogy.
Similarly, each of the 14 TV episodes will be covered in 2 chapters,
making 28 of the 33 chapters of Book 2 novelization, and the other 5
chapters telling about what happens with the "As-tro-nauts" mentioned
by Zaius & Urko, as well as the ultimate fates of Virdon, Burke, and
Galen...
Why am I formatting my book in this way? As I said, this "pseudo-
Dantean" format is comparable to the design of Dante's "Divine
Comedy", which is 100 chapters ("cantos") long, each book
("canticle") having 33 cantos in it (except for the "Inferno", which
has 34, its 1st canto being an introductory canto to the whole poem).
Given the amount of ground my book has to cover, I wanted an
aesthetically pleasing (to me) scheme which would similarly be able
to be subdivided into not-too-big sized chunks. Each 10-page chapter
will correspond to about a 40-page mass-market paperback book-sized
story, like a short story or novella.
In addition to the live-action POTA movies (and TV episodes) which
I'm adapting, there'll be--of course--a whole bunch of other stuff
added to the Saga, not only to help make sense of it all (as I see
it) but to explore various other subjects and themes which interest
me in particular, and which I can--with little effort--introduce into
the POTA scenario. This book'll be my "magnum opus" in addition to
being my tribute to my favorite movie of all time.
The "trilogy" aspect, by the way, is a convenient way to present the
material (from a chronological standpoint), since the 1st Book will
cover the events of the "Fall of Human Civilization", from the end of
World War 2 until the "calm before the storm" of 2670, when a group
of Apes and Humans are living in harmony and at peace, just prior to
the writing of the human-bashing scriptures called "The Sacred
Scrolls"...
Book 2 will cover the "adventures" of Virdon, Burke, and Galen (who
represent the solution to the race-hatred problems perpetuated by the
theology-based totalitarian Ape Civilization run by Zaius & Urko), in
addition to the untold story of the OTHER astronauts who landed more
than 10 years before 3085 (mentioned by Zaius & Urko in "Escape From
Tomorrow")...
And Book 3 will tell the story of Taylor (etc.), including the untold
story of the other astronauts who landed the "third ship" which Milo
finds (the one which--unlike either Taylor's (which sank in a lake)
or Brent's (which ended up a wreck with a "shot" computer)--had
a "gull-wing-hatch" on its cabin's port side (similar to Virdon's
ship), and was still fully functional and able to be flown into
orbit...
It's an ambitious project which will probably never be
published "officially" (due to copyright reasons and because it's
gonna be a BIG honkin' tome!)... but, hey, it's a "labor of love"
that I enjoy working on. Even if it DOES get published, and even if
I'm the ONLY guy who likes it, it'll still be worth it to me: I'm
writing it for my own enjoyment & appreciation. If others dig it,
that'd be nice... but I'm not counting on it. Chances are, I'll piss
off so many people (and NOT just certain other POTA fans out there!),
due to my "take" on Politics, Religion, etc., that I'll probably make
a bunch of enemies. Ah, but since one of my heroes is Cyrano de
Bergerac (as Rostand re-conceived the historical Cyrano in his
dramaticized version), then I'd rather not "make friends... as a dog
makes friends..." I mark these "canine courtesies" and say to
myself, 'Thank God, another enemy!'
Patrick
P.S. By the way, the title of the mega-BigAssed-POTA-saga-book I'm
writing will be "DESTINY OF THE PLANET OF THE APES", which I first
mentioned on this site in one of my first postings, well over a year
ago. The word "destiny" crops up in the POTA Saga numerous times:
1.) Zira: "What will he find out there, Doctor?" Zaius: "His destiny."
2.) Armando: "I hate those who try to alter Destiny, which is the
unalterable will of God."
3.) Caesar: "Destiny is the will of God... and if it IS Man's destiny
to be dominated, then it is God's Will that he be dominated with
Compassion, and Understanding..."
Although I'm partial to the "circular timeline" (which some, like
Rory, don't cotton to), which is in the form of a "vicious circle" of
endless cycles of race-violence (read the end of chapter 4 of Eric
Greene's book for more on that), a literal kind of "destiny", this
does NOT mean that I personally believe that the REAL universe is
governed by any Plan, whether that of a "god" or of a conspiratorial
cabal whose metaphorical "hand" controls the "destiny" of our planet.
As Joyce Corrington says (in Greene's book), the Bomb represents "our
destiny, if we don't work things out this is going to destroy us".
Ultimately, the forces which end up destroying everything (in the
POTA universe) are Nuclear (i.e. "Atomic", as Brent says), in the
hands of Religious fanatics who are Racist, in conflict with others
who are equally racist and fanatical in Religious matters.
It is our curse to live in "interesting times", as the Chinese
aphorism goes...
--------------------------------------------------------------------
--- In pota@yahoogroups.com, "libraryape <toosexy4u54@h...>"
<toosexy4u54@h...> wrote:
> Patrick,
>
> I believe Breck's city is north of San Fansico, or is in fact San
Fransico. By conceiving this fact as an abslute, I have placed my
character's residence in the down-side of the city near Fisherman's
Warf. I have never been in the city, so I am not sure exactly if the
down-side or the ghettos are even near "Fisherman's Warf" - thus I am
presuming. Basicly I am using "Pioneer Square" in Seattle that is
the birth place of the term "Skid Rough" as back drop and/or matrix
to where my character lives.
>
> It is hard to know exactly where "Conquest" and "Battle" took
place". To pin-point the exact location is an exact science of a hit
and a miss. To make the geography logical we can only piece together
the evidence shown on maps, and commonsense. You and I as writers
feels that such attributes are important to the continuity of the
storyline. (That is why I am asking you all these questions.) Betting
my money that "Conquest" took place on the West coast, northern
California , I have adopted an idea I label as a presumable-parallel-
unity. (In fact I am almost tempted to rename my tangent as "The
battle of the Alternate Unviserses" or "The Golden Number" as stated
in your math equation of the so called singlarity or paradox. Paradox
in my tangent is very much a simile or metaphore depending if you use
the word 'like' or not.) Having read Phil Pullman's "Dark Material
Series" I almost want to take the traditional route of paralell
universes but I am not. Too predictable as is the redundant worm
holes in the new POTA. Using presumable-parallel-unity I have renamed
Seattle as Evergreen City, the San Jauns as the "Soundreaches", the
Olympic mountians the "Myths" where my character eventually ends up
in her attempt to free the apes from slavery. As you can see my
tangent is a facet,adding to the many events, out side of Caesar
coming to the city, that can occure during "Conquest". I am
uncertain of the title name of the comic series that involved
the "mud people"( I learned about this from Eric Greene's "American
Myth" .), but I am aiming that the Soundreach apes and humans are a
part, a branch to, the mud people that are human-ape hybrids created
from the inspiration of the ethos of "Tylorism". (I know, it's hybrid
not hybird and chorridors is really spelled, corridors - I'm
learning ;0))(Oh yes, in Harry Potter the term "mud people" is used
in referrance to "mud bloods"- half wizard, half muggles. I wonder if
it is a common term used in decribing a half-breeds.)In doing so, I
am in the process of creating a history of the mud people or someting
adjacent to them, keeping my character removed from any other stories
that have been written or is in the process like yours Patrick. In
fact I have mine so removed, it can stand on its own thus creating my
own univserse. Having trouble with Fox already, I have considered
this idea heavily but has decided to keep my story in POTA universe.
>
> I rather like your statement about the mutant's moving their bomb
via tunnel. Of course there was a comic series about that. YOu might
have mentioned this your letter. (Please forgive me, I am not into
comics, never was. I hate waiting for the next issue which I usaully
miss.)
>
> The idea that the bomb came from the East coast isn't revelant in
my book. In my ten years in reading and writing novels, I have
learned that building a story, even a world, is vitally important and
that I must construct an interesting yet compliant history of world
in which my character lives. (We all know that, right?) In doing so
makes the people (characters) more dimensional. In Pota, the muntants
moving the bomb through the a vast array of tunnels while in conflict
with each other not only makes sense, but such a feat really adds
flavor to the background of the story, which also includes the
details as to how the Gesalt Mind developed into what Brent will find
in "Beneath". (Talking about tunnels they are a good referrence to
the worm holes or Hasslein's "lanes of time" ) The bomb just ending
up in St. Patrick's Catherdal or have the bomb JUST showup - its
origins stemming from the East coast, is far too convenient and is a
coincidence that can lead to the tragic, crash and burn, predictabal
end of of a story.
>
> In regards to hover cars? Well, in my mind the cars are still in
the stages of developement. I want to thank you Patrick for giving
me the feel that I can move freely in something that, for the most
part, has been set in stone.
>
> I am rather curious as to what set off the nuclear war. Luckily in
my tangent my timeline only goes as far as the ape revolt. Depending
on the ending I will perhaps go as far as a month to year after the
revolt. I don't know.
>
> ONe thing I would like to bring up Patrick is your book. YOU said
it was pretty long. Don't worry. Each book, like "Peace and War" must
have its length. Yet I might ask if maybe your tangent is perhaps a
trilogy. I find most drivative books, like Star Wars, are trilogies.
It makes reasonable sense for you to write for yourself, although I
suspect, by judging in way you write, that you really must have
something. My philo on my tangent is "I was born to write this".
There is much truth to my words as well as my learning a lot that
will help me in my future novels. :0)
>
> Wendy
>
> PS. A few weeks ago I was watching Far Scape that was about worm
holes and paradoxes. As Criton talks to Einstien there is a term in
which Einstien uses - the unrealized reality. Is this phrase generic
or is it Far Scape based?
> <.html
|
|
| Group: pota |
Message: 25958 |
From: Mary Downes |
Date: 1/14/2003 |
| Subject: Re: Check out Cold Fusion Review: Planet of the Apes Revisited |
| Group: pota |
Message: 25959 |
From: mlccougar@aol.com |
Date: 1/14/2003 |
| Subject: The cities... |
.html.html From: "patrickmichaeltilton <patrickmichaeltilton@y...>" <patrickmichaeltilton@y...>
Date: Wed Jan 15, 2003 12:58 am
Subject: Re: Timelines, Technologies, and Trips thru Trans-Am Tubes
By the way, is your story (and your POTA scenario) taking into
account only the movies? Or are you also considering the TV series to
be part of the "canon" of the "official" POTA history? The reason I'm
wondering this is in regards to your having Breck's city "in fact San
Francisco"; I mentioned in my last posting that I don't consider the
two cities to be the same, due to the fact that Breck's city
undergoes a nuclear bombardment (the radioactive rubble seen in
BATTLE), whereas the TV episode "The Trap" takes place in San
Francisco, a good chunk of it in a "Bay Area Rapid Transit" (BART)
subway station which has an exit onto "Sutton Street", and the
condition of that city--almost 1,100 years after the nuclear war--is
nowhere near as bad as what Breck's city endured. As I said before,
if San Francisco had been hit by a nuke, there's no way in hell that
any glass in the city would survive (i.e. the windows in the
buildings, etc.): they would all be melted by the intense heat and/or
blasted out by the shockwave. And, of course, the episode "The
Legacy" takes place just across the Bay, in Oakland (remember
the "Oakland Science Institute"?), so that both of these "Bay Area"
cities--though in ruins--are NOT in nuclear-bombed-out ruins. It
looks more like they were just abandoned and then subjected to
occasional earthquakes...
Did it ever occur to you that the reason the cities aren't melted, etc. in the tv series is because they didn't have a matte shot painted to depict the way they looked in BATTLE/BENEATH... I'm sure they didn't want to spend needlessly on "melting" any sets, so they just opted to use what was available (and painted the matte shots to match what they were going to use...) My guess is that it "was supposed to be nuked", but because of budgetary constraints they went for a more cost effective setting.<.html <.html
|
|
| Group: pota |
Message: 25960 |
From: Mary Downes |
Date: 1/14/2003 |
| Subject: Re: The cities... |
.htmlThis is certainly a plausible explanation, and perhaps even the
correct one. But my personal preference is to take this and all the
discrepancies between the films and the tv series literally. There
are so darned many of them, and they're so curious, that it seems a
shame to throw them all out just to reconcile a circular timeline.
(Mind you, I'm not 'accusing' you of trying to uphold a circular
timeline with what you wrote below...I don't know offhand what your
opinion is. Just sharing my POV. :)
/Mez
--- In pota@yahoogroups.com, mlccougar@a... wrote:
>
> Did it ever occur to you that the reason the cities aren't melted,
> etc. in the tv series is because they didn't have a matte shot
> painted to depict the way they looked in BATTLE/BENEATH... I'm sure
> they didn't want to spend needlessly on "melting" any sets, so they
> just opted to use what was available (and painted the matte shots
> to match what they were going to use...) My guess is that it "was
> supposed to be nuked", but because of budgetary constraints they
> went for a more cost effective setting. <.html
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|
| Group: pota |
Message: 25961 |
From: mlccougar@aol.com |
Date: 1/14/2003 |
| Subject: Re: The cities... (Well, now the timelines...) |
.html.html From: "Mary Downes <mezzers@e...>" <mezzers@e...>
Date: Wed Jan 15, 2003 3:27 am
Subject: Re: The cities...
This is certainly a plausible explanation, and perhaps even the
correct one. But my personal preference is to take this and all the
discrepancies between the films and the tv series literally. There
are so darned many of them, and they're so curious, that it seems a
shame to throw them all out just to reconcile a circular timeline.
(Mind you, I'm not 'accusing' you of trying to uphold a circular
timeline with what you wrote below...I don't know offhand what your
opinion is. Just sharing my POV. :)
/Mez
Just so you know, I AM NOT of the "circular timeline" set... I believe there are 2 of them... The first one, whch led up to the world of Planet/Beneath, and then the 2nd one whch is started by the arrival of Zira and Cornelius...<.html <.html
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|
| Group: pota |
Message: 25962 |
From: yizqerfbdfuux |
Date: 1/15/2003 |
| Subject: Great Website Here! |
| Group: pota |
Message: 25963 |
From: patrickmichaeltilton
| Date: 1/15/2003 |
|
| Subject: Re: The cities... |
.html> Did it ever occur to you that the reason the cities aren't melted,
etc. in the tv series is because they didn't have a matte shot
painted to depict the way they looked in BATTLE/BENEATH... I'm sure
they didn't want to spend needlessly on "melting" any sets, so they
just opted to use what was available (and painted the matte shots to
match what they were going to use...) My guess is that it "was
supposed to be nuked", but because of budgetary constraints they went
for a more cost effective setting.
*** Hmmm... it seems to me that with the money they spent to dress up
the "set" (which they used in both "The Trap" and "The Legacy") as it
appears, covering several city blocks of "ruins", they could have
probably spent the same money to dress up a set of an even more
ruined city. Hell, they could have done a few matte paintings
to "establish" the whole area as a nuked city, and THAT would not
have cost them much: a matte painting is the EASIEST type of special
effect to do--all you have to do is PAINT, for Pete's sake (and for
Alan's sake, to boot!). That one matte painting of the ruined NYC
skyline they used in BENEATH (right before the Mutant church service
scene) was an EASY effect to do, and a similar one could've been done
for the TV show.
As for the actual exterior sets, they COULD have gone "minimalist" on
this, too. Rather than show several city blocks, they might have just
built a relatively few portions of skyscrapers sticking out of the
sand; we could've imagined that the little bit that's still visible
on the surface has been filled in by buildings which've fallen into
the streets, over which the dust blown in by winds over the past 1000
years has covered up MOST of what had been there to point to the
presence of artifacts of an ancient civilization.
Other shows did "post-nuclear-war" imagery ("The Twilight Zone" for
one) in cost-effective ways, so the POTA-TV show could have done a
similar job of it. I find it somewhat telling that although Virdon &
Burke mention that those ruins represent a "disaster", they do NOT
talk about any post-NUKE effects, like any possible radiation danger
(remember Virgil and that Geiger counter, in BATTLE?). When Urko,
in "The Trap" mentions that the air is evil, Burke speculates that it
might be Gas or something. He doesn't ever speculate that they're
being exposed to dangerous levels of radiation.
And that leads me to wonder: WHY don't the astronauts have any fear
of radiation exposure? When Virdon wants to go to the city where
Miller's daughter found those artifacts, and when they make their
approach, WHY doesn't Burke (who isn't all that thrilled about going
there, for fear of an Earthquake which might cause "a building to
fall on us") warn Virdon & Galen about any possible residual
radiation they might be exposed to? If he thinks it's a site which
had been NUKED, then it's a legitimate worry--yet, as they approached
it, I suspect that they could tell that it, although a ruin, had NOT
suffered a nuclear blast. Quite frankly, TOO MANY BUILDINGS are still
standing, with rather little damage having happened to them! We've
all seen footage of nuclear testing: that famous footage of a
blastwave putting the smackdown on a two-story building... I'm sure
you know what I'm talking about.
Look at that dream sequence from "Terminator 2" of Sarah Conner's
precognitive vision of a nuke going off. THAT is the kind of effect
that Burke & Virdon KNOW a nuke has. What THEY and what WE (the
audience) see of the ruins of San Francisco and Oakland is NOT what
one would expect from a supposedly nuked site. The effects for BATTLE
(a project that was done on a shoestring budget!) more accurately
reflect what one would expect of a truly nuked city.
That's my take on it, anyway. Plenty of other sites all over America
suffered nukes melting & blasting away everything... but THESE two
neighboring cities somehow were SPARED a nuclear death, unless it had
been a Neutron Bomb which was used there, to kill the people, yet
allow the buildings to remain standing. The occasional earthquakes
that part of the country routinely experiences, stretched out over
the course of another 1000 years, would easily account for all the
visible damage we see. And one of Urko's gorillas mention that "the
earth shakes OFTEN... many die". Over the course of that one episode
("The Trap"), there are at least THREE earthquakes: the one when Urko
& his pals are cooking their food, the one which happens as Urko is
trying to lasso Burke, AND that last one "for the road" at the end of
the episode. If such a frequency of tectonic activity is present
then, and HAD been going on for the last millennium, then it's a
wonder that MORE damage hasn't happened to these "ruined" cities.
Patrick <.html
|
|
| Group: pota |
Message: 25964 |
From: Haristas@aol.com |
Date: 1/16/2003 |
| Subject: Re: [Planet of the Apes] Re: The cities... |
.html.html In a message dated 1/15/03 9:13:49 PM Eastern Standard Time, patrickmichaeltilton@... writes:
the money they spent to dress up
the "set" (which they used in both "The Trap" and "The Legacy")
They didn't dress it up. That's the way it was. That's why they shot there.
-- Rory<.html
<.html
|
|
| Group: pota |
Message: 25965 |
From: libraryape |
Date: 1/16/2003 |
| Subject: Re: The cities... |
.htmlsomething just occured to me when I was reading all of your
suggestions and theories. I don't know if this means anything but in
the movie "Testiment" (a nuke movie) the main character lived in the
the outer towns or satelite city. Although the city was nuke the
houses and biuldings remained in tack. I'm wondering if the city San
Fransico wasn't actually a target as would an air force base like
Longpoke (I know I have this misspelled) would. Living in
Albuquerque for most of my years, we were always on the alert of
Nuclear Strike that was aimed at the base and Sandia labs. Los Alamos
would have been targeted as well. Maybe Breck's city isn't San
Fransico but is satelite city like Bellevue is to Seattle. Maybe
Breck's city took a direct hit because (like Sandia Labs and Kirkland
Base at the base of the Monzano Mountians) there is a arsenal of nuke
weapons underneath the city as are the secret tapes of Zira and
Cornelius were kept in the archives. As commom sense dictacts, the
Governors having more power to rule their province would most likely
remove these weapons from the base and use them for his/hers own
means.( in a way this might be happening in Russia) This seems
relative since during "Conquest" there is feuding going on in the
country side, thus driving everyone back to the cities. (the effect
of the plague???) I can only suspect that the US of A in "Conquest"
isn't united as we are reality. Just a thought. --- In
pota@yahoogroups.com, "patrickmichaeltilton
<patrickmichaeltilton@y...>" <patrickmichaeltilton@y...> wrote:
> > Did it ever occur to you that the reason the cities aren't
melted,
> etc. in the tv series is because they didn't have a matte shot
> painted to depict the way they looked in BATTLE/BENEATH... I'm sure
> they didn't want to spend needlessly on "melting" any sets, so they
> just opted to use what was available (and painted the matte shots
to
> match what they were going to use...) My guess is that it "was
> supposed to be nuked", but because of budgetary constraints they
went
> for a more cost effective setting.
>
> *** Hmmm... it seems to me that with the money they spent to dress
up
> the "set" (which they used in both "The Trap" and "The Legacy") as
it
> appears, covering several city blocks of "ruins", they could have
> probably spent the same money to dress up a set of an even more
> ruined city. Hell, they could have done a few matte paintings
> to "establish" the whole area as a nuked city, and THAT would not
> have cost them much: a matte painting is the EASIEST type of
special
> effect to do--all you have to do is PAINT, for Pete's sake (and for
> Alan's sake, to boot!). That one matte painting of the ruined NYC
> skyline they used in BENEATH (right before the Mutant church
service
> scene) was an EASY effect to do, and a similar one could've been
done
> for the TV show.
> As for the actual exterior sets, they COULD have gone "minimalist"
on
> this, too. Rather than show several city blocks, they might have
just
> built a relatively few portions of skyscrapers sticking out of the
> sand; we could've imagined that the little bit that's still visible
> on the surface has been filled in by buildings which've fallen into
> the streets, over which the dust blown in by winds over the past
1000
> years has covered up MOST of what had been there to point to the
> presence of artifacts of an ancient civilization.
> Other shows did "post-nuclear-war" imagery ("The Twilight Zone" for
> one) in cost-effective ways, so the POTA-TV show could have done a
> similar job of it. I find it somewhat telling that although Virdon
&
> Burke mention that those ruins represent a "disaster", they do NOT
> talk about any post-NUKE effects, like any possible radiation
danger
> (remember Virgil and that Geiger counter, in BATTLE?). When Urko,
> in "The Trap" mentions that the air is evil, Burke speculates that
it
> might be Gas or something. He doesn't ever speculate that they're
> being exposed to dangerous levels of radiation.
> And that leads me to wonder: WHY don't the astronauts have any fear
> of radiation exposure? When Virdon wants to go to the city where
> Miller's daughter found those artifacts, and when they make their
> approach, WHY doesn't Burke (who isn't all that thrilled about
going
> there, for fear of an Earthquake which might cause "a building to
> fall on us") warn Virdon & Galen about any possible residual
> radiation they might be exposed to? If he thinks it's a site which
> had been NUKED, then it's a legitimate worry--yet, as they
approached
> it, I suspect that they could tell that it, although a ruin, had
NOT
> suffered a nuclear blast. Quite frankly, TOO MANY BUILDINGS are
still
> standing, with rather little damage having happened to them! We've
> all seen footage of nuclear testing: that famous footage of a
> blastwave putting the smackdown on a two-story building... I'm sure
> you know what I'm talking about.
> Look at that dream sequence from "Terminator 2" of Sarah Conner's
> precognitive vision of a nuke going off. THAT is the kind of effect
> that Burke & Virdon KNOW a nuke has. What THEY and what WE (the
> audience) see of the ruins of San Francisco and Oakland is NOT what
> one would expect from a supposedly nuked site. The effects for
BATTLE
> (a project that was done on a shoestring budget!) more accurately
> reflect what one would expect of a truly nuked city.
>
> That's my take on it, anyway. Plenty of other sites all over
America
> suffered nukes melting & blasting away everything... but THESE two
> neighboring cities somehow were SPARED a nuclear death, unless it
had
> been a Neutron Bomb which was used there, to kill the people, yet
> allow the buildings to remain standing. The occasional earthquakes
> that part of the country routinely experiences, stretched out over
> the course of another 1000 years, would easily account for all the
> visible damage we see. And one of Urko's gorillas mention that "the
> earth shakes OFTEN... many die". Over the course of that one
episode
> ("The Trap"), there are at least THREE earthquakes: the one when
Urko
> & his pals are cooking their food, the one which happens as Urko is
> trying to lasso Burke, AND that last one "for the road" at the end
of
> the episode. If such a frequency of tectonic activity is present
> then, and HAD been going on for the last millennium, then it's a
> wonder that MORE damage hasn't happened to these "ruined" cities.
>
> Patrick <.html
|
|
| Group: pota |
Message: 25966 |
From: libraryape |
Date: 1/16/2003 |
| Subject: Re: Timelines, Technologies, and Trips thru Trans-Am Tubes |
.html--- In pota@yahoogroups.com, "patrickmichaeltilton
<patrickmichaeltilton@y...>" <patrickmichaeltilton@y...> wrote:
> Hi, Wendy.
Hi Patrick,
I haven't seen every episode of "Farscape", though I've
> liked what I have seen. As for that Einsteinian remark
> about "unrealized reality", I didn't see that particular episode,
but
> the impression I get is that it's a term original to "Farscape"--
that
> is, I don't recall ever seeing such a term in any "textbook"
> discussion of Einstein's theories.
Actually the alien's name was Einstien. I think Criton gave the alien
that name. I was in and out --- multitasking while watching, so I
wasn't as focused as I should have been.
It actually sounds a little bit
> like the Hasslein theory about Time being like "a highway with an
> infinite number of lanes, all leading from the Past into the
> Future..." where the Future HE hopes WILL happen will be a CHANGED
> one, so that the "other" Future (from which the Ape-onauts came)--
> however "real" it was to them--will NOT come to pass... and, hence,
> would remain an "unrealized reality", to use the "Farscape" term.
To bad. I would really like to use this term in my story. You are
right that such a term is relevant to Hasslien's theory.
> ----------------------------------------------------------
>
> By the way, is your story (and your POTA scenario) taking into
> account only the movies? Or are you also considering the TV series
to
> be part of the "canon" of the "official" POTA history? The reason
I'm
> wondering this is in regards to your having Breck's city "in fact
San
> Francisco"; I mentioned in my last posting that I don't consider
the
> two cities to be the same, due to the fact that Breck's city
> undergoes a nuclear bombardment (the radioactive rubble seen in
> BATTLE), whereas the TV episode "The Trap" takes place in San
> Francisco, a good chunk of it in a "Bay Area Rapid Transit" (BART)
> subway station which has an exit onto "Sutton Street", and the
> condition of that city--almost 1,100 years after the nuclear war--
is
> nowhere near as bad as what Breck's city endured. As I said before,
> if San Francisco had been hit by a nuke, there's no way in hell
that
> any glass in the city would survive (i.e. the windows in the
> buildings, etc.): they would all be melted by the intense heat
and/or
> blasted out by the shockwave.
Like I posted in "Cities", I'm beginning to agree with your
assesment. Sorry my post is repeat of your explanation. I am though
going to keep my character in the San Fransico area. What I have so
far I haven't really said exactly as what the city is called as my
character just calls it "The City" or "Breck's City" like the
streets, Breck Avenue and Agima mentioned in "Battle". I think I will
leave it at that.
And, of course, the episode "The
> Legacy" takes place just across the Bay, in Oakland (remember
> the "Oakland Science Institute"?), so that both of these "Bay Area"
> cities--though in ruins--are NOT in nuclear-bombed-out ruins. It
> looks more like they were just abandoned and then subjected to
> occasional earthquakes (like the one in "The Trap" which caused the
> side of a building to fall down on the hole in the ground into
which
> Urko & Burke fell).
>
> The ONLY type of "nuclear" attack these cities seem to have
suffered
> (and only POSSIBLY) is a "neutron bomb" attack: a device which,
when
> detonated, only sends out a deadly pulse of radiation which kills
all
> the people in the city yet leaves the real estate intact. Yet
Breck's
> city--unlike San Francisco & Oakland--is definitely hit by at least
> one nuclear bomb, since Virgil describes it (as we can see it) as
if
> it had all melted and then resolidified.
> Of course, if you don't consider the TV show "canon", then you're
> free to think that Breck's city IS San Francisco, and that it is
the
> bombed-out remains of S.F. which are seen in BATTLE... and
that "The
> Trap" is irrelevant to your scenario.
It is a good thing you brought this irrelevance to my attention as I
was going to mention Burk's and Alan's mission. Yet because they are
somehow tied into the ending I am going to have to dismiss the San
Fransico idea while remaining somewhat vague, renaming places with
fictional names like "Evergreen City." or my favorite "The
Soundreaches". I am glad I have the opprotunity to share and read
everyone insite and theories of the POTA world.
> -------------------------------------------------------------
>
> In regards to the term "Mud people", it is generally considered a
> derogatory term used by "white"-skinned people (Caucasians) to
refer
> to those with "dark" skin (skin the color of mud). "Mud" also
> connotes the "savage" aspect, as in the Aboriginal "Stone Age"
> populations of "backward", uncivilized places. A white racist might
> look at a black person--even if that person was wearing a 3-piece
> suit and carrying a briefcase & talking on a cellphone--and think
of
> him as "just another member of a Mud-race". As for it possibly
> meaning a "human-and-ape hybrid" race (a sort of cross-species
> version of the white-and-black "mulatto"), I don't think that the
> term "Mud people" has ever had that connotation--although, in the
> context of a POTA story in which there actually WAS a hybrid half-
> human/half-ape person, undoubtedly the racists of either species
> would come up with some derogatory word to label him/her. Are you
> aware that in BENEATH they were going to have just such a half-
> human/ape child, in the Forbidden Zone?
No. I have a picture of the hybrid in "POTA Revisited" but I thought
that was for the first movie.
The even went so far as to do
> makeup tests of this human-simian hybrid child... but that idea was
> ultimately nixed due to the controversy that such "bestiality"
might
> have occurred; after all, it would take the mating of a human and
an
> ape to create such a lifeform--unless the Mutants had the ability
to
> transgenically combine the genome of a human with an ape, selecting
> for certain traits from each genome, all via some sort of
> surgical "test-tube-baby" procedure (without the coitus).
>
> -------------------------------------------------------------
>
> You wonder about how the Nuclear War is initiated, and it's
something
> I've wondered myself (it was discussed on this site around a year
ago
> or so, but I couldn't tell you which Message # it was). We know
that
> Taylor knew about the "Alpha and Omega" bomb project (though it may
> have only been in the planning stages by the time he left in
January
> of 1972); we also know that the U.S.A. ultimately DID create the
> Doomsday Bomb, and that it somehow ended up in the possession of
Kolp
> in the ruins of Breck's city (in the extended version of BATTLE).
> Yet, IF the U.S. had a Doomsday Bomb at its disposal... why didn't
> the U.S. actually USE it? In Kubrick's film "Dr. Strangelove", the
> Soviets have a "Doomsday Weapon" which is designed to be triggered
if
> the U.S.S.R. is subjected to a nuclear attack: the whole point of
> HAVING a "Doomsday" weapon/bomb is DETERRENCE. You make the "Enemy"
> so afraid of attacking you (due to the INEVITABLE activation of a
> Weapon which will kill EVERYBODY) that they DON'T ever risk an
> attack, "Mutually Assured Destruction" taken to an extreme. If the
> U.S. actually built a "Doomsday Bomb" (as it did, in the POTA
> universe), then it's purpose was to be detonated if an enemy nation
> (like the U.S.S.R.) were to wage a nuclear attack on America.
>
> So, then, is this circumstantial evidence that the U.S. was NOT
> attacked by another country (since the activation of the Doomsday
> Bomb is RETALIATORY) in a "first strike"? Does this mean that the
> U.S. is the guilty party, that America waged a "first strike"? Not
> necessarily; after all, even IF America struck first, its enemies
DID
> retaliate (since American cities ARE subjected to nuclear
> bombardment, creating the "Forbidden" Zone(s) seen in the movies),
> and such a retaliatory strike would undoubtedly be as much of
> a "trigger" for the Doomsday Bomb as would a "first strike".
>
> I think that the most likely conclusion is that the personnel
> immediately in control of the Doomsday Bomb (and we're assuming
that
> only one of 'em was ever built, right?) did NOT want it to be
> detonated, despite the fact that THAT was its very purpose. Just
like
> the soldier in the opening scene of the movie "WARGAMES" who
refuses
> to "turn his key" in a "nuclear war scenario" test, there must've
> been those in the U.S. military who did not want the entire planet
to
> be wiped out, even if their own country had suffered a nuclear
> attack... so they, perhaps, "absconded" with the Doomsday Bomb,
> taking it away from those who wished it to be detonated. I suspect
> (and my POTA novel scenario has it this way) that the
> character "Mendez" in BATTLE was the guiding force behind this
> activity. Somehow, Mendez (bringing the Bomb with him) and a force
of
> soldiers loyal to him, gets through one of those "transnational
> transport tubes" burrowed-out by the U.S. military during the last
> half-century, and winds up in Breck's city--now run by Kolp, since
> Breck died during the nuclear war. In Dehn's original story for
> BENEATH (which was originally called "PLANET OF THE APES
REVISITED"),
> Mendez XXVI is the descendant of "Mendez I" (Mendez the First), as
> these paragraphs from page 50 of Dehn's screenplay shows:
I had plans for my character to have a short or casaul encounter with
Mendez. Thanks to your wisdom and knowledge, I will have to put him
in a uniform. Thanks.
> - - - - - - - - - - - -
>
> [Scene] 132 GUARDS LEADING BRENT
>
> leading Brent down a long white corridor lined on one side by head-
> and-shoulder portraits--each titled and dated. We PAN them slowly
> from BRENT'S P.O.V., for they visually encapsule an aspect of the
> City's history.
> We START on an antique, cracked canvas in an old-fashioned gilded
> frame, labelled: MENDEZ I: 1997-B.3. The portrait is that of a
> handsome, strong-jawed, dark-haired, military-moustached soldier in
> the 20th century uniform of a U.S. Army five-star General. His
> likeness survives in the portrait of MENDEZ II-V, though the
uniform
> has been replaced by clothes and (later) robes of advancing
fashion.
> The style of painting and framing advances, too; for the portraits
> are all by different hands.
>
> - - - - - - - - - - -
>
> I'm not saying that the Mendez in BATTLE must necessarily have been
> an Army 5-star General, as Dehn's screenplay originally suggested,
> but it DOES make sense to me that Mendez (who, in BATTLE, seems to
be
> some sort of "peace-nik") had been affiliated with the military,
> since the Bomb had to get to Breck/Kolp's city SOMEHOW, since it's
> doubtful it was there during CONQUEST (it would've probably been at
a
> top-secret military base then), and SOMEBODY had to have been the
> guiding force behind the moving of the Bomb from whatever Base it
had
> been in to Breck's city. Mendez wasn't portrayed in CONQUEST;
> he "shows up" in BATTLE as somebody who--although "under" Governor
> Kolp in the Chain-of-Command--is clearly the "next highest" person
of
> Authority in the ruined city.
>
> On page 64 of Dehn's screenplay, he quotes Mendez XXVI as saying
> that "It is written that, in the First Year of the Bomb--when my
> remote forefather led his few, surviving people out of the
Captivity
> of war on Earth's surface--the blessing of the Holy Fall Out
> descended on them from above... and they built this white, new City
> out of the blackened bowels of the old. And generation succeeded to
> generation. But the Spirit of the Holy Fall Out, still working
within
> us, has made our inmost selves so to shine, that none might behold
> such brightness save only the Bomb, our Creator. Blessed be the
Bomb
> Everlasting... To whom alone we may reveal our inmost truth and...
> whom we have served all our days in peace."
>
> So, Mendez XXVI's "remote forefather", a military guy high enough
up
> in the ranks to have had access to the Bomb, "led his few,
surviving
> people"... probably taking the Bomb with him. At first, they get to
> Breck's city, now run by Governor Kolp; then, eventually, they
remove
> the Bomb from the old "Ape Management" site area (where it is in
> BATTLE) and, perhaps several YEARS later, in time either Mendez or
> his "son" (Mendez II) or grandson leads at least a remnant of those
> still alive after Kolp's debacle on a journey which will take them
> all the way to the underground ruins of New York City.
>
> As for how the Nuke War is started, and WHO starts it, of late I've
> been of the opinion that the likeliest perpetrator of any
> nuclear "first strike" would be a totalitarian theocracy which had
> acquired nuclear weapons technology, and had surreptitiously
filtered
> some tactical nukes to a terrorist group which would do the actual
> nuking (via "briefcase" bombs, rather than using ballistic missiles
> to deliver them to their targets). Think of Iraq, or some similar
> religion-dominated country, getting ahold of ex-Soviet nukes (or
> having former Soviet scientists on their payroll to make nukes for
> them), and giving them to Al-Qaeda or Hamas or Islamic Jihad. Does
> anybody doubt that any of those terrorist groups would actually use
> nukes, if they had access to them? I think they would, in a
> heartbeat. The Cuban Missile Crisis notwithstanding, the World was
a
> hell of a lot safer when only the "superpowers" had the Bomb. India
> and Pakistan are on the verge... and North Korea's leaders have
gone
> insane...
>
> ----------------------------------------------------------
>
> You also asked about my POTA book project, and about its length,
and
> if it was going to be a trilogy. It's been a while since I
described
> the basic set-up I'm using for my book, but I'll recap it for your
> sake.
> My original plan was to only write a prose adaptation of the first
> film, PLANET, since it was the only one of 'em which was NOT
> available as a novel (the movie was BASED on a novel, but of course
> the novel was not a "novelization" of the screenplay, as were the
> books of BENEATH through BATTLE). The more I thought about it,
> though, the more I realized that the story did not end with Taylor
at
> the Statue of Liberty... that HIS story goes on to him detonating
the
> Bomb--and Michael Avallone's novelization of BENEATH, in my mind,
> although "based" on Dehn's screenplay, was not as true to the
actual
> movie as it could've been. Nor, for that matter, were the other
> films' novelizations (which sometimes differed drastically from the
> filmed versions--for example, Hasslein's first name in ESCAPE [the
> movie] is "Otto", but in Pournelle's novelization, it's "Victor").
> So, then, I decided to RE-ADAPT the four sequels, in addition to
> adapting PLANET... and since Effinger only adapted 8 of the 14 TV
> episodes, I thought to myself, "What the hell... why not re-adapt
> those 8 stories, too... AND adapt the other 6 while I'm at it?"
>
> Thus, my novel will tell the stories in this order:
>
> 1. ESCAPE, CONQUEST, BATTLE
>
> 2. PLANET "prologue" (= Taylor's "final report"), POTA-tv episodes
>
> 3. PLANET, BENEATH
>
> and, yes, it will be a "trilogy" of sorts. The entire novel will be
> 1000 pages long, subdivided in a pseudo-Dantean format, with each
of
> the 3 "books" having a 3-page prologue followed by 33 ten-page
> chapters, the 3rd Book having a 1-page epilogue to round out the
> grand total to 1000 pages. Or, ((3 + (33 x 10)) x 3) + 1 = 1000.
Each
> page will be magazine-sized, 8.5 by 11 inches, with the long side
> horizontal, with 3 columns of text on each page, at 8-point
typesize,
> so that each page will have the equivalent of about 4 pages of text
> of an average mass-market paperback book. For example, John Jakes'
> novelization of CONQUEST (the actual text of it) goes from page 5-
to-
> 187, so that it's 183-pages-worth of text; if I were to reformat it
> like I'm doing my book, those 183-pages-worth of text would fit
onto
> about 45 pages, or about 4 and a half 10-page chapters. My own re-
> novelizations will be more in-depth (partly due to my addition of
> other, original, characters who will be involved "behind-the-
scenes"
> with the overarching story of the POTA saga), so that CONQUEST will
> actually be covered by 6 chapters of the 33 chapters in Book One of
> the Trilogy.
> Similarly, each of the 14 TV episodes will be covered in 2
chapters,
> making 28 of the 33 chapters of Book 2 novelization, and the other
5
> chapters telling about what happens with the "As-tro-nauts"
mentioned
> by Zaius & Urko, as well as the ultimate fates of Virdon, Burke,
and
> Galen...
>
> Why am I formatting my book in this way? As I said, this "pseudo-
> Dantean" format is comparable to the design of Dante's "Divine
> Comedy", which is 100 chapters ("cantos") long, each book
> ("canticle") having 33 cantos in it (except for the "Inferno",
which
> has 34, its 1st canto being an introductory canto to the whole
poem).
> Given the amount of ground my book has to cover, I wanted an
> aesthetically pleasing (to me) scheme which would similarly be able
> to be subdivided into not-too-big sized chunks. Each 10-page
chapter
> will correspond to about a 40-page mass-market paperback book-sized
> story, like a short story or novella.
>
> In addition to the live-action POTA movies (and TV episodes) which
> I'm adapting, there'll be--of course--a whole bunch of other stuff
> added to the Saga, not only to help make sense of it all (as I see
> it) but to explore various other subjects and themes which interest
> me in particular, and which I can--with little effort--introduce
into
> the POTA scenario. This book'll be my "magnum opus" in addition to
> being my tribute to my favorite movie of all time.
>
> The "trilogy" aspect, by the way, is a convenient way to present
the
> material (from a chronological standpoint), since the 1st Book will
> cover the events of the "Fall of Human Civilization", from the end
of
> World War 2 until the "calm before the storm" of 2670, when a group
> of Apes and Humans are living in harmony and at peace, just prior
to
> the writing of the human-bashing scriptures called "The Sacred
> Scrolls"...
>
> Book 2 will cover the "adventures" of Virdon, Burke, and Galen (who
> represent the solution to the race-hatred problems perpetuated by
the
> theology-based totalitarian Ape Civilization run by Zaius & Urko),
in
> addition to the untold story of the OTHER astronauts who landed
more
> than 10 years before 3085 (mentioned by Zaius & Urko in "Escape
From
> Tomorrow")...
>
> And Book 3 will tell the story of Taylor (etc.), including the
untold
> story of the other astronauts who landed the "third ship" which
Milo
> finds (the one which--unlike either Taylor's (which sank in a lake)
> or Brent's (which ended up a wreck with a "shot" computer)--had
> a "gull-wing-hatch" on its cabin's port side (similar to Virdon's
> ship), and was still fully functional and able to be flown into
> orbit...
>
> It's an ambitious project which will probably never be
> published "officially" (due to copyright reasons and because it's
> gonna be a BIG honkin' tome!)... but, hey, it's a "labor of love"
> that I enjoy working on.
I feel the same way about my project. It is too bad the published
authors don't see POTA in this fashion. Basically POTA is just
pocket money for them. I have nothing against "Dark Horse" comics
but I stopped reading their POTA series when the editor of the comic
thought gorillas are apes and chimpanzees are monkeys. At that point
did I throw the comic at the wall. And I thought my grammar was bad.
These people don't do their homework.
I wish some one, and maybe that is you, would write a POTA story that
brings it past the adventure comic mode and the sake of merchandise,
to a classic level. I guess that is what I am trying to do. There is
so much room to move in the POTA universe. I am suprised no one in
Hollywood saw such a potential. Burton's remark was that the reason
why they didn't do a sequel was because they didn't want POTA to go
on and on and on like Star Trek and Star Wars. (Well, let me see, ST
and SW are pretty successful, aren't they? Not to mention that all
the stories, books and movies, make a lot of sense. Right??? Because
POTA was over blown version of a Twilightzone, Fox decided to
recreate POTA, feeling the concept can stand on its own. Maybe so,
but no one doesn't know how to write. Not to blame Byoles but it
seemed he didn't care when someone took a part his work only to
create a tangled mess. For me, I like Burton's tangent but to see
what Fox missed in the classic is beyond me. I have seen this
potential and in my labor of love is expanding on it.
Have you ever read "Family Tree" by Sheri Trepper? I think her book
first started out as POTA only to be changed when Fox said no. I've
never talked to her personally so I am assuming this. Anyhow, this is
one of my favorite books.
Even if it DOES get published, and even if
> I'm the ONLY guy who likes it, it'll still be worth it to me: I'm
> writing it for my own enjoyment & appreciation. If others dig it,
> that'd be nice... but I'm not counting on it. Chances are, I'll
piss
> off so many people (and NOT just certain other POTA fans out
there!),
I wouldn't worry. Everyone has their own idea as to what POTA and how
it should be presented. We all have our ideas and views. What matters
is creating something that makes sense and is a good read.
> due to my "take" on Politics, Religion, etc., that I'll probably
make
> a bunch of enemies. Ah, but since one of my heroes is Cyrano de
> Bergerac (as Rostand re-conceived the historical Cyrano in his
> dramaticized version), then I'd rather not "make friends... as a
dog
> makes friends..." I mark these "canine courtesies" and say to
> myself, 'Thank God, another enemy!'
> Patrick
>
> P.S. By the way, the title of the mega-BigAssed-POTA-saga-book I'm
> writing will be "DESTINY OF THE PLANET OF THE APES", which I first
> mentioned on this site in one of my first postings, well over a
year
> ago. The word "destiny" crops up in the POTA Saga numerous times:
> 1.) Zira: "What will he find out there, Doctor?" Zaius: "His
destiny."
> 2.) Armando: "I hate those who try to alter Destiny, which is the
> unalterable will of God."
> 3.) Caesar: "Destiny is the will of God... and if it IS Man's
destiny
Funny you brought this up. There is a saying I use with my
version, "Destiny is where your heart takes you'" which is reference
to where my character will eventually end up or find herself. "We
know what we are but not know what we can be" (Shakespear) also is
used adding another element to the context of the story.
> to be dominated, then it is God's Will that he be dominated with
> Compassion, and Understanding..."
> Although I'm partial to the "circular timeline" (which some, like
> Rory, don't cotton to), which is in the form of a "vicious circle"
of
> endless cycles of race-violence (read the end of chapter 4 of Eric
> Greene's book for more on that), a literal kind of "destiny", this
> does NOT mean that I personally believe that the REAL universe is
> governed by any Plan, whether that of a "god" or of a
conspiratorial
> cabal whose metaphorical "hand" controls the "destiny" of our
planet.
When you guys talk about this I see all the books I have read on time
travel and physics crashing into each other. The destiny philo
generally points in the direction of "The block of Time" (plan) which
is governed by the facts that time can only go foward and cannot be
reversed. Seeing how we have a cicular time line I am invisioning
the "block of time" falling to pieces while Taylor and the apes are
hopping all over the place to alter the future. My belief is that no
matter what time it is, goodness wins over evil, love over hate. The
very idea that the world is destoried can only push us in either
direction - embrass your enemy or kill him. If you kill him then the
vicious cycle will continue. (you cannot right something with a
wrong. Hasslien tried this fell flat on his face) In putting this
idea into action one alter the future, thus Caesar being one of these
people. "The Block of Time" versus "Circular Time" is nothing but a
term used for the physical world that contains us. As Beings we are
somewhat in control of our own destinies because of free will which
allows us to make choices. Thus both "Circular and block" is relevant.
> As Joyce Corrington says (in Greene's book), the Bomb
represents "our
> destiny, if we don't work things out this is going to destroy us".
> Ultimately, the forces which end up destroying everything (in the
> POTA universe) are Nuclear (i.e. "Atomic", as Brent says), in the
> hands of Religious fanatics who are Racist, in conflict with others
> who are equally racist and fanatical in Religious matters.
>
> It is our curse to live in "interesting times", as the Chinese
> aphorism goes...
Ditto. Thank you Patrick. YOu really have a good head on your
shoulders. I think you would really like talking with Alan Cozad who
wrote a fantastic story, "Saving Nova's Child". I consider him, like
you, a POTA Wiseman (I hope you don't me saying this). I've been
trying hard to get him to join the group but he's reluctant because
he's conscientious over his not beng able to spell too well. I told
him not to worry but he does.
Wendy
> --------------------------------------------------------------------
> --- In pota@yahoogroups.com, "libraryape <toosexy4u54@h...>"
> <toosexy4u54@h...> wrote:
> > Patrick,
> >
> > I believe Breck's city is north of San Fansico, or is in fact San
> Fransico. By conceiving this fact as an abslute, I have placed my
> character's residence in the down-side of the city near Fisherman's
> Warf. I have never been in the city, so I am not sure exactly if
the
> down-side or the ghettos are even near "Fisherman's Warf" - thus I
am
> presuming. Basicly I am using "Pioneer Square" in Seattle that is
> the birth place of the term "Skid Rough" as back drop and/or matrix
> to where my character lives.
> >
> > It is hard to know exactly where "Conquest" and "Battle" took
> place". To pin-point the exact location is an exact science of a
hit
> and a miss. To make the geography logical we can only piece
together
> the evidence shown on maps, and commonsense. You and I as writers
> feels that such attributes are important to the continuity of the
> storyline. (That is why I am asking you all these questions.)
Betting
> my money that "Conquest" took place on the West coast, northern
> California , I have adopted an idea I label as a presumable-
parallel-
> unity. (In fact I am almost tempted to rename my tangent as "The
> battle of the Alternate Unviserses" or "The Golden Number" as
stated
> in your math equation of the so called singlarity or paradox.
Paradox
> in my tangent is very much a simile or metaphore depending if you
use
> the word 'like' or not.) Having read Phil Pullman's "Dark Material
> Series" I almost want to take the traditional route of paralell
> universes but I am not. Too predictable as is the redundant worm
> holes in the new POTA. Using presumable-parallel-unity I have
renamed
> Seattle as Evergreen City, the San Jauns as the "Soundreaches", the
> Olympic mountians the "Myths" where my character eventually ends up
> in her attempt to free the apes from slavery. As you can see my
> tangent is a facet,adding to the many events, out side of Caesar
> coming to the city, that can occure during "Conquest". I am
> uncertain of the title name of the comic series that involved
> the "mud people"( I learned about this from Eric Greene's "American
> Myth" .), but I am aiming that the Soundreach apes and humans are a
> part, a branch to, the mud people that are human-ape hybrids
created
> from the inspiration of the ethos of "Tylorism". (I know, it's
hybrid
> not hybird and chorridors is really spelled, corridors - I'm
> learning ;0))(Oh yes, in Harry Potter the term "mud people" is used
> in referrance to "mud bloods"- half wizard, half muggles. I wonder
if
> it is a common term used in decribing a half-breeds.)In doing so, I
> am in the process of creating a history of the mud people or
someting
> adjacent to them, keeping my character removed from any other
stories
> that have been written or is in the process like yours Patrick. In
> fact I have mine so removed, it can stand on its own thus creating
my
> own univserse. Having trouble with Fox already, I have considered
> this idea heavily but has decided to keep my story in POTA universe.
> >
> > I rather like your statement about the mutant's moving their bomb
> via tunnel. Of course there was a comic series about that. YOu
might
> have mentioned this your letter. (Please forgive me, I am not into
> comics, never was. I hate waiting for the next issue which I
usaully
> miss.)
> >
> > The idea that the bomb came from the East coast isn't revelant in
> my book. In my ten years in reading and writing novels, I have
> learned that building a story, even a world, is vitally important
and
> that I must construct an interesting yet compliant history of world
> in which my character lives. (We all know that, right?) In doing so
> makes the people (characters) more dimensional. In Pota, the
muntants
> moving the bomb through the a vast array of tunnels while in
conflict
> with each other not only makes sense, but such a feat really adds
> flavor to the background of the story, which also includes the
> details as to how the Gesalt Mind developed into what Brent will
find
> in "Beneath". (Talking about tunnels they are a good referrence to
> the worm holes or Hasslein's "lanes of time" ) The bomb just
ending
> up in St. Patrick's Catherdal or have the bomb JUST showup - its
> origins stemming from the East coast, is far too convenient and is
a
> coincidence that can lead to the tragic, crash and burn,
predictabal
> end of of a story.
> >
> > In regards to hover cars? Well, in my mind the cars are still in
> the stages of developement. I want to thank you Patrick for giving
> me the feel that I can move freely in something that, for the most
> part, has been set in stone.
> >
> > I am rather curious as to what set off the nuclear war. Luckily
in
> my tangent my timeline only goes as far as the ape revolt.
Depending
> on the ending I will perhaps go as far as a month to year after the
> revolt. I don't know.
> >
> > ONe thing I would like to bring up Patrick is your book. YOU said
> it was pretty long. Don't worry. Each book, like "Peace and War"
must
> have its length. Yet I might ask if maybe your tangent is perhaps a
> trilogy. I find most drivative books, like Star Wars, are
trilogies.
> It makes reasonable sense for you to write for yourself, although I
> suspect, by judging in way you write, that you really must have
> something. My philo on my tangent is "I was born to write this".
> There is much truth to my words as well as my learning a lot that
> will help me in my future novels. :0)
> >
> > Wendy
> >
> > PS. A few weeks ago I was watching Far Scape that was about worm
> holes and paradoxes. As Criton talks to Einstien there is a term
in
> which Einstien uses - the unrealized reality. Is this phrase
generic
> or is it Far Scape based?
> > <.html
|
|
| Group: pota |
Message: 25967 |
From: qspewarrjiupb |
Date: 1/17/2003 |
| Subject: check this out! |
| Group: pota |
Message: 25968 |
From: Haristas@aol.com |
Date: 1/18/2003 |
| Subject: Check out eBay item 2153837878 (Ends Jan-18-03 23:30:18 PST ) - Pla |
| Group: pota |
Message: 25969 |
From: Alan Maxwell |
Date: 1/19/2003 |
| Subject: Re: [Planet of the Apes] Re: The cities... |
.html< patrickmichaeltilton@...> wrote:
> That one matte painting of the ruined NYC
> skyline they used in BENEATH (right before the Mutant church service
> scene) was an EASY effect to do, and a similar one could've been
done
> for the TV show.
I wonder why they didn't just re-use it, albeit changed slightly so it
wasn't instantly recognisable as NYC (since that would have been a bit
at odds with their location!). Given the recycling that went on from
film to film (e.g. the famous re-use of the Hello Dolly set), film to
TV series (e.g. Ape City footage, reusing the spaceship from Escape
and if I'm not mistaken some of the ruins were from the film
"Earthquake") and from TV series to other things (e.g. "The
Gladiators" arena being reused in Logan's Run), I'm surprised that
they didn't think of reusing the matte from Beneath, or even the
less-recognisable city from Battle.
I actually noticed recently that at least two other post-apocalyptic
films ("The Ravagers" and "She") both re-use the painting from
Beneath, so it seems odd that the Apes TV series didn't even employ
such a tactic! (Although they must have at least painted/re-used a
couple of matte paintings for the skyscraper backgrounds in the
city-set episodes)
> Look at that dream sequence from "Terminator 2" of Sarah Conner's
> precognitive vision of a nuke going off. THAT is the kind of effect
> that Burke & Virdon KNOW a nuke has. What THEY and what WE (the
> audience) see of the ruins of San Francisco and Oakland is NOT what
> one would expect from a supposedly nuked site.
We don't necessarily know that these cities were nuked though.
Possible explanations might be that either (a) they were involved in a
nuclear exchange but were not sufficiently close to the blast centre
to be completely razed to the ground, or (b) they might not have been
nuked at all. Maybe they were destroyed by rioting, or by earthquakes
or by other non-nuclear events that may or may not have been brought
about by the war.
Alan <.html
|
|
| Group: pota |
Message: 25970 |
From: Haristas@aol.com |
Date: 1/19/2003 |
| Subject: Re: [Planet of the Apes] Re: The cities... |
.html.html In a message dated 1/19/03 11:54:35 AM Eastern Standard Time, alan@... writes:
I actually noticed recently that at least two other post-apocalyptic
films ("The Ravagers" and "She") both re-use the painting from
Beneath.
This is news to me. I'll have to try and catch these movies somehow. The SHE you're talking about must be a newer version?
-- Rory<.html
<.html
|
|
| Group: pota |
Message: 25971 |
From: Alan Maxwell |
Date: 1/20/2003 |
| Subject: Re: [Planet of the Apes] Re: The cities... |
.htmlRory < Haristas@...> wrote:
> This is news to me. I'll have to try and catch these movies
somehow. The
> SHE you're talking about must be a newer version?
Yep, "She" is a pretty poor film from the 80s featuring Sandahl
Bergman and music by the likes of Rick Wakeman. Poor, but I had to
have it anyway, just to add to my ever increasing collection of
post-apocalyptic rubbish on video (most of which seem to be
straight-to-video made-in-Italy rip-offs of Mad Max 2).
("The Ravagers" isn't much cop either, come to think of it - another
seventies effort that I'd bundle together with the likes of "Damnation
Alley" and "Ultimate Warrior")
And talking of recycling, has anyone else got Leonard Rosenman's score
to the animated Lord of the Rings feature film? If you liked Beneath's
music, you'll like this.
Alan <.html
|
|
| Group: pota |
Message: 25972 |
From: Michael Whitty |
Date: 1/20/2003 |
| Subject: Custom Simpsons Zaius Figure |
| Group: pota |
Message: 25973 |
From: Haristas@aol.com |
Date: 1/20/2003 |
| Subject: Check out eBay item 3108953751 (Ends Jan-28-03 12:28:28 PST ) - Pla |
| Group: pota |
Message: 25974 |
From: patrickmichaeltilton
| Date: 1/21/2003 |
|
| Subject: [Planet of the Apes] Re: The cities... |
.html--- In pota@yahoogroups.com, "Alan Maxwell" <alan@a...> wrote:
> <patrickmichaeltilton@y...> wrote:
> > That one matte painting of the ruined NYC skyline they used in
BENEATH (right before the Mutant church service scene) was an EASY
effect to do, and a similar one could've been done for the TV show.
>
> I wonder why they didn't just re-use it, albeit changed slightly so
it wasn't instantly recognisable as NYC (since that would have been a
bit at odds with their location!). Given the recycling that went on
from film to film (e.g. the famous re-use of the Hello Dolly set),
film to TV series (e.g. Ape City footage, reusing the spaceship from
Escape and if I'm not mistaken some of the ruins were from the
film "Earthquake") and from TV series to other things (e.g. "The
Gladiators" arena being reused in Logan's Run), I'm surprised that
they didn't think of reusing the matte from Beneath, or even the less-
recognisable city from Battle.
>
> I actually noticed recently that at least two other post-
apocalyptic films ("The Ravagers" and "She") both re-use the painting
from Beneath, so it seems odd that the Apes TV series didn't even
employ such a tactic! (Although they must have at least painted/re-
used a couple of matte paintings for the skyscraper backgrounds in
the city-set episodes)
>
> > Look at that dream sequence from "Terminator 2" of Sarah Conner's
precognitive vision of a nuke going off. THAT is the kind of effect
that Burke & Virdon KNOW a nuke has. What THEY and what WE (the
audience) see of the ruins of San Francisco and Oakland is NOT what
one would expect from a supposedly nuked site.
>
> We don't necessarily know that these cities were nuked though.
Possible explanations might be that either (a) they were involved in
a nuclear exchange but were not sufficiently close to the blast
centre to be completely razed to the ground, or (b) they might not
have been nuked at all. Maybe they were destroyed by rioting, or by
earthquakes or by other non-nuclear events that may or may not have
been brought about by the war.
>
> Alan
***In my POTA novel project, the San Francisco/Oakland area is not
subjected to an actual nuking, due to the "non-nuked" look of the
ruins in those two episodes. It MAY have been hit by a Neutron Bomb,
though, since those buggers are designed only to give off a blast of
killing radiation, leaving the buildings in one piece. Of course,
that would mean that people would drop dead of radiation poisoning
rather quickly (i.e. within a few days, I'd estimate), so that maybe
there should be more evidence of BODIES (or what's left of 'em) lying
around in the streets. There'd also probably be huge lines of bumper-
to-bumper traffic-jammed cars clogging the streets, since there HAD
to have been some kind of advance knowledge that World War III was
underway... yet little (if any) of the rubble in the streets in "The
Trap" or "The Legacy" is of rusted-out automobiles.
That would suggest that both of these neighboring cities were
probably abandoned to a certain degree prior to WW3. In the John
Jakes novelization of CONQUEST (and in Whitmore's "Chronology"
article from the MARVEL magazine), there's talk about
the "provinces", as opposed to the "cities". In chapter 5 of
Jakes' "CONQUEST" novelization, where Breck (& Kolp & Hoskyns) are
interrogating Armando, Breck asks: "Your circus travels mainly out in
the provinces, correct?"
"Yes, sir."
"Then you are probably unaware of the rising tide of disobedience--
of downright defiance--among the servant apes. It's happening not
only here, Senor, but in every major metro complex across the
country."
And, in chapter 6, Jakes has two paragraphs that read:
His [Caesar's] excellent time sense told him the journey lasted
about half an hour. Evidently they were driving into the thinly
populated green spaces surrounding the metro complex. He recalled
Armando telling him that, once, such areas had sprawled with ugly row
houses and huge shopping malls. But with the rise of powerful
centralized government, strictly enforced law and order had been
restored to the cities, and a rebuilding process had begun in the
decayed central cores.
Gradually, a reverse migration took place. Mile after mile of
emptied suburban slums were leveled, and returned to parklands and
agriculture. City dwellers now called such exurban areas "the
provinces."
Could it be that the "major metro complexes" aren't all necessarily
the "old" cities, but are "state-of-the-art" New cities, with all the
latest long-term planning and "futuristic" designs built into them?
Might not there be a preference among the "movers & shakers" of the
totalitarianized U.S.A. to live in cities like Breck's, rather than
in an old & "outdated" city (like San Francisco), which would
require "retrofitting" (like Los Angeles in "BLADE-RUNNER")?
We might also wonder if, perhaps, before WW3 there might not have
been a terrorist incident (similar to "9/11") in which anti-American
jerks either built their own Neutron Bomb or had one smuggled into
San Francisco Bay... and detonated it. That "radiation bomb" would
have killed off everybody within, perhaps, a twenty-mile radius--
rendering both San Francisco and Oakland "ghost towns" full of
corpses. IF something like that were to happen, would anybody want to
ever live there again? Even if, say, a decade were to pass by, and
all the corpses were loaded onto flatbed trucks & carted off for
burial by Radiation Suit-wearing "clean-up" crews, and if the
radiation level were to gradually die down to "tolerable" levels...
would anybody want to "move in" to either of those cities? Would they
not remain abandoned, with people preferring to live in the "modern"
cities, like the one Breck governs?
And wouldn't the fact that those two cities WERE abandoned remove
them from lists of "target cities" from the U.S.A.'s enemies? When
the Nuke War starts, and ICBMs are launched by whichever nations want
to hit America, would they bother hitting those abandoned cities in
the S.F. bay area?
Well, that's one possible reason why both "The Trap" and "The Legacy"
take place in relatively "intact" San Francisco and Oakland, which
seem only to have suffered from earthquakes, rather than from nuclear
devastation. Those cities MAY have been spared a hit by a nuclear
bomb due to having been the site of a terrorist-planned Neutron Bomb
attack. They were already dead enough, and not a military target for
Russian or Chinese or Iraqi nukes.
Patrick <.html
|
|
| Group: pota |
Message: 25975 |
From: Stuart Drucker |
Date: 1/21/2003 |
| Subject: Re: [Planet of the Apes] Re: The cities... |
.html----- Original Message -----
From: <patrickmichaeltilton@...>
To: <pota@yahoogroups.com>
Sent: Tuesday, January 21, 2003 9:31 AM
Subject: [Planet of the Apes] Re: The cities...
> --- In pota@yahoogroups.com, "Alan Maxwell" <alan@a...> wrote:
> > <patrickmichaeltilton@y...> wrote:
. Of course,
> that would mean that people would drop dead of radiation poisoning
> rather quickly (i.e. within a few days, I'd estimate), so that maybe
> there should be more evidence of BODIES (or what's left of 'em) lying
> around in the streets. There'd also probably be huge lines of bumper-
> to-bumper traffic-jammed cars clogging the streets, since there HAD
> to have been some kind of advance knowledge that World War III was
> underway... yet little (if any) of the rubble in the streets in "The
> Trap" or "The Legacy" is of rusted-out automobiles.
Here's a thought:
How do we know that the "Nuke War" was completely nuclear? Why not also a
surprise attack with Ebola, smallpox or some other chemical agent like that
used in "Omega Man"? Throw in something that might have long-term genetic
effects on offspring, and that could explain the decline of the human race
after the War to first lethargy, then declining intelligence (as per the
POTA TV series), and finally muteness? I could see a very sadistic dictator,
or desperate Soviet biotech, trying to come up with a weapon that would
limit the capacity of the enemy to recover from a war. Maybe they didn't
know the full impact, or it boomeranged to destroy most of the human race.
Perhaps the Mutants' anti-radiation drugs aided resistance to the bioweapon,
and also explains their development of telepathic powers (IIRC, I have a
hazy memory of somebody trying experiments in things like ESP during the
Cold War). It's a reach, but we are talking alternate history after all.
> And, in chapter 6, Jakes has two paragraphs that read:
>
> His [Caesar's] excellent time sense told him the journey lasted
> about half an hour. Evidently they were driving into the thinly
> populated green spaces surrounding the metro complex. He recalled
> Armando telling him that, once, such areas had sprawled with ugly row
> houses and huge shopping malls. But with the rise of powerful
> centralized government, strictly enforced law and order had been
> restored to the cities, and a rebuilding process had begun in the
> decayed central cores.
> Gradually, a reverse migration took place. Mile after mile of
> emptied suburban slums were leveled, and returned to parklands and
> agriculture. City dwellers now called such exurban areas "the
> provinces."
And of course the exurban provinces were the future locale of Ape City. I
envy you having a copy of Jakes' novelization. I finally ran across a used
copy of Battle at a sci-fi bookstore a while back, but didn't remember ever
seeing a copy of Conquest anywhere (even when I was a kid in the 70's).
>
> Could it be that the "major metro complexes" aren't all necessarily
> the "old" cities, but are "state-of-the-art" New cities, with all the
> latest long-term planning and "futuristic" designs built into them?
Explain the rusted out autos and transportation used by the survivors of
Breck's City in Battle, and the melted remnants of 70's model cars in the
nuked ruins. You'd think that even in a bomb shelter, they'd have had more
recent transportation available to save from the impact of nuclear war. I
could see restoring antique transportation that survived EMP, but there
wouldn't have been clearly ancient cars in the ruins.
By the way, after driving from San Francisco to Monterrey a few times on
Highway 101, I had an image of Caesar's Ape City being located around one of
those agricultural communities south of San Jose (maybe in the mountains
west of 101). <.html
|
|
| Group: pota |
Message: 25976 |
From: patrickmichaeltilton
| Date: 1/21/2003 |
|
| Subject: [Planet of the Apes] Re: The cities... |
.html> And of course the exurban provinces were the future locale of Ape
City. I envy you having a copy of Jakes' novelization. I finally ran
across a used copy of Battle at a sci-fi bookstore a while back, but
didn't remember ever seeing a copy of Conquest anywhere (even when I
was a kid in the 70's).
*** Keep lookin' around, like on EBAY, or on the "Ape Chronicles"
Yahoo site. It shouldn't be too rough finding a copy of
Jakes' "CONQUEST" novelization.
One thing that I'm having a hard time finding is the screenplay of
CONQUEST, by Paul Dehn. SCRIPTCITY has PLANET, BENEATH, ESCAPE, and
BATTLE (plus a bunch of the TV episodes, though not all of 'em)...
but no CONQUEST (argh!). I think Jeff's got a copy (didn't he once
mention that it was Natalie Trundy's copy, or something? perhaps a
copy of her original?), and if I'm not mistaken Rory once mentioned
he had a copy of the CONQUEST script.
If either of you guys is listening... hey, go to a Kinko's copy store
(or the nearest equivalent) and make me a copy of your copy... then
send it to me at the address below, with a copy of the receipt
showing how much it cost ya to do. Add the shipping charges, etc.,
and send it over to me... and I'll pay ya THRICE what it cost ya to
do. That's THREE TIMES the monetary cost of a simple copy job on an
original CONQUEST script. Let's do some bidness, you buncha monkeys!
Patrick
> Explain the rusted out autos and transportation used by the
survivors of Breck's City in Battle, and the melted remnants of 70's
model cars in the nuked ruins. You'd think that even in a bomb
shelter, they'd have had more recent transportation available to save
from the impact of nuclear war. I could see restoring antique
transportation that survived EMP, but there wouldn't have been
clearly ancient cars in the ruins.
*** In CONQUEST, you'll recall, Caesar snuck into a shipment of
Orangutans from Borneo down in the "lower levels" of Breck's city,
where the ships off-load their cargo. Then a TRUCK brings that cage
full of apes over to Ape Management.
So, then, even though there ain't a whole lotta vehicular traffic in
Breck's city (and NONE among the plazas & shops, where everybody
seems to be a pedestrian), there IS at least one type of automotive
traffic allowed, bringing cargo from the port to various parts of the
city.
And who knows? Perhaps there's an outlying area where commuters park
their cars (from "suburban" areas outside the city limits of Breck's
city), and where bus-loads of kids from those same areas park, so
that Breck's city is a "hub" of activity which outlying areas make
use of. Maybe there's an "automobile museum", too... so that citizens
who don't use cars anymore can still see their old-forms of
transportation in "showcases" and displays. It might be funny to
imagine Kolp raiding a Museum in order to acquire his Bus and those
other vehicles he uses to invade Ape City. Remember
the "archaeological" museum of the 20th Century in that Stallone
flick "DEMOLITION MAN"? Stallone has a big shoot-out with Wesley
Snipes in it.
Patrick, again.
>
> By the way, after driving from San Francisco to Monterrey a few
times on Highway 101, I had an image of Caesar's Ape City being
located around one of those agricultural communities south of San
Jose (maybe in the mountains west of 101).
*** Heyyy, that's not too far off from where I place Caesar's "Ape
City". Kolp's captain tells him that Caesar headed North after he &
Virgil & MacDonald escaped Kolp's forces' clutches. I place Breck's
(or, Kolp's) city at about LATITUDE 35 deg 30-to-40 min N (a little
over 11 miles, north-to-south) and LONGITUDE 121 deg 00-to-10 min W
(around 9 and a half miles, east-to-west, in its northmost reaches,
although the coastline slopes SouthEastward down from the Lighthouse
on "Point Piedras Biancas" along the William R. Hearst Memorial State
Beach, the San Simeon State Park, etc.). Breck's city subsumes the
little town of Cambria, in my scenario. After Caesar defeats Breck at
the end of CONQUEST, I'm having him lead the Apes (with Mandemus &
all those guns, of course) northward into the Los Padres National
Forest area (where they, being Apes, will be able to take refuge in
trees, if need be). Hence, when the trio of Caesar, Virgil, and
MacDonald makes their journey back to the "Forbidden City", it's
about a 20-mile trip, where the 1st of the 3-days-journey is spent
getting to the outskirts of the desertified area (they're on foot,
you'll recall, so around 15 miles of walking would get them there at
the leisurely pace we see 'em take), and the 3rd day is spent gettin'
back. That leaves the 2nd (middle) day for the Entry into the City.
Interestingly, one place that a bunch of Apes might've hidden in,
during the years in which they were "fugitives" from their Human
slavemasters (after CONQUEST and before the Nuclear War), is
the "Polar Star Mine", about 3 miles due east of Ragged Point, and
about 8 miles Northwest of the Hearst Castle. A mine would be a good
place to be if a Nuke War were going on in the world, provided it
wasn't an "old abandoned" mine subjected to cave-ins and the like.
Some day I'm gonna go on a roadtrip out there and check out the
scenery. I've got a pal who lives in L.A., so maybe I'll go visit him
soon. Ye gods, I need a vacation!
Patrick
my address (for sending me that CONQUEST script, if possible...)
1206 2nd Street East #36
West Fargo, ND 58078 <.html
|
|
| Group: pota |
Message: 25977 |
From: Stuart Drucker |
Date: 1/21/2003 |
| Subject: Re: [Planet of the Apes] Re: The cities... |
.html----- Original Message -----
From: <patrickmichaeltilton@...>
> *** Keep lookin' around, like on EBAY, or on the "Ape Chronicles"
> Yahoo site. It shouldn't be too rough finding a copy of
> Jakes' "CONQUEST" novelization.
I checked on Zbooks, and just found a bookstore that's not too far from
where I live (OK, in the metro area) with the book, so we'll see. Thanks
anyway.
> *** In CONQUEST, you'll recall, Caesar snuck into a shipment of
> Orangutans from Borneo down in the "lower levels" of Breck's city,
> where the ships off-load their cargo. Then a TRUCK brings that cage
> full of apes over to Ape Management.
Hey, I was taking you at your word about hovercars being in use before the
War :-).
All I know is that if Breck's City is advanced enough to have the
Authenticator, I doubt that cars that look old by 1991 standards would be in
serious use. Of course the real explanations are a) no budget to create
"futuristic" cars, b) they used whatever was laying around the lot for the
Kolp's Army scenes and c) wanting something that looks familiar to the
audience, but there's nothing wrong with minor nit-picking. Geez, you'd
think they'd have a Patton tank or two in their armory, but noo.....
Nuke War aside, I always wondered why the apes completely wanted to live in
19th Century or earlier technology. For one thing, Caesar must have enjoyed
modern comforts (TV, radio, flushing toilets) while he was raised by
Armando. Even with the War, you'd think he'd understand the value of
setting up a modern hospital, getting medical supplies and a generator (or
finding a couple of technicians that knew about how things worked) to give
them basic hygiene, avoid infant mortality, help spread education, better
communications, etc.
Even under the rule of apes, practical experts would be worth their weight
in gold after a devastating war. The other apes were scared of electricity
due to the conditioning process, but they still lived in a modern city until
the Rebellion. I'd think Caesar's benevolent dictactor status would be
enough for them to accept limited use of useful technology. I guess
"Lucifer's Hammer" wasn't written in the Apes TL.
). Hence, when the trio of Caesar, Virgil, and
> MacDonald makes their journey back to the "Forbidden City", it's
> about a 20-mile trip, where the 1st of the 3-days-journey is spent
> getting to the outskirts of the desertified area (they're on foot,
> you'll recall, so around 15 miles of walking would get them there at
> the leisurely pace we see 'em take), and the 3rd day is spent gettin'
> back. That leaves the 2nd (middle) day for the Entry into the City.
Hmmm..maybe it was a Neutron Bomb that was detonated. Didn't it cause an
enormous amount of destruction around Ground Zero, but much less devastation
around the blast radius than a conventional nuke? Otherwise, I don't know if
20 miles would be enough to avoid serious effects of fallout from whatever
megatons were visited on Breck's City? Methinks the writers didn't know
about blast effects either.
All McDonald says is that parts of the underground city were designed to
survive an x megaton overblast. He couldn't have known how many megs were
used by the enemy (my guess is he was already working with Caesar as a
"advisor" before the War, not sitting in the archives waiting for the Bomb).
Maybe you explain how he got to work with him in your fanfic. One
explanation: his brother (Hari Rhodes) had saved Breck from the Ape mob, and
in gratitude, Breck merely put him in prison rather than had him executed
for treason. Then the brother told him where the apes went, and he searched
them out when war was imminent. Just a thought.
>
> Interestingly, one place that a bunch of Apes might've hidden in,
> during the years in which they were "fugitives" from their Human
> slavemasters (after CONQUEST and before the Nuclear War), is
> the "Polar Star Mine", about 3 miles due east of Ragged Point, and
> about 8 miles Northwest of the Hearst Castle. A mine would be a good
> place to be if a Nuke War were going on in the world, provided it
> wasn't an "old abandoned" mine subjected to cave-ins and the like.
Caesar might have been smart enough to envision nuclear holocaust, but
you're giving him a little too much credit without help from humans. Maybe
he was intelligent, but he was living with a circus for almost 20 years, not
getting a college education from Mr. Rich Cornithian Leather. You'd think he
could have given them a little more equality if he was depending on them to
help survive than having three or four of them as "house slaves", and the
rest as benevolently treated field workers. <.html
|
|
| Group: pota |
Message: 25978 |
From: pota@yahoogroups.com |
Date: 1/22/2003 |
| Subject: New file uploaded to pota |
| Group: pota |
Message: 25979 |
From: Dave B <4print@atlas.co.uk> |
Date: 1/22/2003 |
| Subject: Boulle's Screenplay |
.htmlDear members,
Uploaded to the file section you can now find Pierre Boulle's screenplay for `Planet of the Men'.
free for all Ape fans to share and enjoy. Before you read it may I bring two things to your
attention.
1: This is one of the more difficult screenplays to obtain and it took me a long time to track a copy
down. When I did receive it I was very disappointed by it's condition. My copy looked as
though it were an upteenth, generation xerox. Many pages were faded and some sections
almost unreadable.
My solution was to try and `restore' the document. I scanned all the pages into an OCR program
(a job in itself!) and began to reassemble the pieces. What you have here is, I'm confident
about 98% the original document but there were one or two (Or more like 20-30!) places where
I had to guess at a word and often an entire sentence.
2: This is only speculation on my part but I would imagine that Boulles original manuscript would
have been in his native French. My feeling is that this screenplay is a translation and not a
particularly `sympathetic' one. If some of the dialogue seems ridiculous I doubt that Boulle is
entirely to blame.
Enjoy
Dave
..
..
..
> men. <.html
|
|
| Group: pota |
Message: 25980 |
From: Kassidy Rae |
Date: 1/22/2003 |
| Subject: Mark Lenard - interview with Ann Lenard (IMF newsletter) BIG TIME C |
.htmlMark Lenard: A Class Act By The Unknown Patient 6.1.97
An Interview with Ann Lenard
Mark Lenard the actor, was best known as Sarek, Spock's father, and as a succession of noble aliens in Star Trek television and motion picture outings. He became forever linked to the IMF this past December, when he died after a short, valiant battle with that ogre that haunts our existence� multiple myeloma. His wife, Ann, talked with the Unknown Patient about her life with Mark and their struggle with myeloma.
Unknown Patient: How did you and Mark meet?
Ann Lenard: We were in an acting class together. I was working as a fashion model, Mark as an actor. We were not immediately drawn together. I thought, �Here�s a typical conceited actor.� At the same time, Mark was thinking, �Here�s a typical vapid model.� But, we quickly got over our first impressions.
UP: Were you a model and an actress?
AL: Actually, neither. I dipped one toe into the theater for about two years, but modeling helped pay tuition bills while I was studying to be an Art Historian. I eventually worked in this field for several museums, specializing in 19th Century French art.
UP: How did Mark get into acting?
AL: Mark�s parents ran a resort and had sent him to school at the tender age of 4. He graduated from high school at age 16 and wanted to enter the Foreign Service. Mark wound up going off to fight World War II. When he came back, he wanted to be an author and moved to New York to write. Oddly enough, a friend was producing a play about James Joyce (�Exiles�) and wanted a writer to play the lead. Mark gave it a try and found his calling. Mark loved the classics. He performed Ibsen, Chekhov and Shakespeare with notables such as Gielgud and Olivier. He starred in the national company of �A Far Country� as Sigmund Freud.
UP: How did he ever wind up cast in Star Trek?
AL: Mark never wanted to leave New York. He wanted to be a Broadway actor. For two years running in the mid-60�s, there was only one dramatic play mounted. Prospects did not look bright for a serious actor so we decided to move. Mark was born in the country and thought Los Angeles would be like moving to the country, so we moved to Los Angeles. We thought it would be fun for a year or two. Then, one month later, Mark was offered the role of the Romulan commander in the original Star Trek series.
UP: And the rest was history?
AL: Well, not quite. Mark was quite active outside of Star Trek. He was a regular on �Here Comes The Brides,� and �Planet Of The Apes.� He guest starred in other series, including �Gunsmoke� and �Mission Impossible�. A highlight of his career was appearing with Laurence Olivier in �The Power and the Glory.� His other films included �Annie Hall,� �The Greatest Story Ever Told,� and �Hang �Em High.�
UP: He had a very successful and varied career. As for Star Trek, Mark must hold the record for number of incarnations, playing prominent characters belonging to no less than three alien races.
AL: He began as the Romulan commander in �Balance of Terror.� His second year in California, he started his most memorable role in Star Trek � Sarek, the Vulcan Ambassador, Spock�s father. Mark played Sarek in the original series(�Journey to Babel�), in the Star Trek movies, and in the Next Generation TV series. He also played a Klingon Commander.
UP: His roots in classical theater certainly showed in his on-screen persona. Just last week, I flipped on the TV and saw him as Sarek, in that scene from �The Next Generation� where he�s listening to the string quartet and is slowly moved to tears. What a regal presence he was!
AL: Mark loved the classics and always kept his hand in the theater. He and Walter K�enig (�Chekhov� of Star Trek fame) often worked together in �Actors� and �The Boys of Autumn.� They performed these plays at Star Trek conventions and on short tours. In �The Boys of Autumn,� Mark would play Huck Finn and Walter would play Tom Sawyer.
UP: Eventually, you did move back to New York.
AL: Mark became the spokesman for SAAB , and most of those commercials were taped in New York. So, we got to spend several months a year in New York.
UP: How and when did multiple myeloma enter into your lives?
AL: It was October, 1995. Mark came home from a massage and thought the therapist had broken his rib. He went to his doctor and had an X-ray and it looked fine. So, he went about his business. And then, at the beginning of December, he had been running around taping commercials and he came home very tired and complaining of severe back pain. The doctor admitted him to the hospital to find out what was wrong. They did all sorts of tests over a four day period. One test showed that he was anemic. So, they called in a hematologist. The hematologist did a bone marrow biopsy and discovered multiple myeloma.
UP: It sounds like you found out what was going on very quickly. Many people who present with serious symptoms go for months without getting an accurate diagnosis. In my case, it was the better part of eight months from first symptom to diagnosis. Mark, however, was anemic, fatigued and had bone pain at diagnosis.
AL: Yes. I remember what the doctor said after the diagnosis. He said that the prognosis was excellent. He said they would give Mark plasmapheresis and chemotherapy and he should be fine for several years. It seems like such a contradiction now, given that Mark was Stage III at that point.
UP: Well, not necessarily, I've been Stage III for years now. It really depends on how well you respond to treatment and how much your body chemistry is disrupted by the disease. Did he have any kidney problems when he was diagnosed?
AL: No. They found that it had not affected any of the other organs at that time.
UP: It sounds as if he was what is called Stage III A, which has a better prognosis than Stage III B, which is when people are in Stage III and also have kidney problems. So, what did they recommend?
AL: They put him on melphalan and prednisone, which he seemed to tolerate just fine with the first treatment. The second cycle, though, he had a very bad reaction. It seemed to affect his stomach and he lost weight. Because Mark had diabetes, they kept him in the hospital for each cycle to monitor the dosages very closely and also manage his insulin and blood sugar levels. After the second cycle, he came home and seemed to feel somewhat better, although the back pain was still severe. But then, it seemed to get into the nervous system and affected his ability to swallow. And, from that point on, the struggle wasn't only against the myeloma. It was also against the aspiration pneumonia that developed because he was swallowing into his lungs.
UP: He had a neuropathy that affected the swallowing mechanism?
AL: Yes. We were told that it was very rare. Whatever the reason, he continued to swallow into his lungs. So, he kept getting these pneumonias. They kept pulling him out of one pneumonia after another. He was in the hospital and tested often to see what bacteria were present and what antibiotic they could give him. It was like this virtually from March 1996 until November, when he died.
UP: That�s more severe and faster than almost any experience I've heard about.
AL: It was this constant problem with pneumonia. The myeloma went into partial remission after three more cycles of chemotherapy, this time with Vincristine and Adriamycin (VAD).
UP: When Mark was diagnosed, what did you do, other than what you had to do immediately to deal with the disease?
AL: Well, because of the pain, he felt exhausted. So, we just tried to conserve his energy. He didn't really want to talk to a lot of people. He just wanted to block everything out and save his energy. One of my daughters was very interested in alternative approaches. She sent me all of these books about alternative therapies� not that we would have considered that as a substitute for traditional therapy, but really in addition to the other things we were doing. We started massaging him every day, doing physical therapy and playing tapes, trying to keep him entertained. But, basically, he wanted to close out the world and concentrate on fighting the illness.
UP: How did you deal with it?
AL: I just tried to think of ways to keep his morale up. For the first two cycles of chemotherapy, his morale was excellent. But after he went back into the hospital for the third time and started with the continual pneumonias, he got very tired. I would go to the hospital every day to play tapes for him and to massage him. He couldn't deal with physical therapy at that point. So, they taught me how to do parts of the physical therapy.
UP: How did Mark handle the situation?
AL: Mark was a very intelligent man and he had a tremendous amount of pride. I think that whatever he felt about it, he didn't want other people to know, including me. Occasionally, I was aware that he was scared, but he�d try not to show that.
UP: How did you deal with it?
AL: I tried to stay positive because I felt it was the only thing that I could do to help Mark. The doctors started giving a poor prognosis at the end of March, 1996. I really just tried to do everything I could to keep both of us positive. I wanted to feel that if Mark died, he would at least have lived in hope. Many of our family and friends were very supportive. What I found the most supportive were notes they would send. I was spending each day with Mark in the hospital. And, when I came home, I found that I was tired and needed time to recharge my own energy. I didn't want to talk on the phone. So, everyone kept sending Mark such nice cards and personal notes.
UP: How widely known was it that Mark had myeloma?
AL: We didn't tell any of Mark�s professional friends that he had myeloma. When he was diagnosed, we got the impression that it would be like the diabetes� that it could be controlled via medications and that he would be able to go on working. In March, when he had to be hospitalized for pneumonia and the outlook changed, I decided not to go public because I felt it would be too hard for me to keep everyone updated and I wanted to focus on Mark. So, we didn't tell anyone, except for a few member of our family, anything until the last month.
UP: As �The Unknown Patient�, I certainly respect that point of view. So, eventually, Mark succumbed to the infections?
AL: Eventually, the stress on his liver from the infections and the effects of malnutrition became too much for him. Throughout it all, Mark was determined to hold on. And, until his kidneys began to fail, he could hold on. His doctors would tell me that they couldn't believe how strong he was. My daughter wanted him to be seen by a faith healer. So, we had him seen in the hospital by a woman who was a faith healer. After she saw Mark, she told me that he was holding on for me and that I needed to let him know that he had a choice. Mark died shortly thereafter from kidney failure.
UP: How did Mark�s fans react to the news of his death?
AL: They sent thousands of cards and really wonderful letters. People said such nice things about Mark. Some even said that the character of Sarek had inspired them to change their lives.
UP: When I learned that Mark had died of complications of myeloma, I went into our database and found that you contacted the IMF last April. How did you come to find out about the IMF?
AL: I had questions that I didn't think it was reasonable to take up the doctor�s time with. So, I called the National Cancer Institute (NCI) and the NCI gave me information about how to reach the IMF. I called the IMF several times. I wanted to fill in the gaps in what the doctors had told me and I relied heavily on the NCI and the IMF for this information. I had questions about chemotherapy options. I also wanted to find out whether anything could be done about the neuropathy. So, I called organizations dealing with other conditions that affect the nerves. I called organizations dealing with AIDS, Alzheimer�s, strokes, Parkinson�s Disease, hoping to find out something that we could do.
UP: If you were to give advice to people who were newly diagnosed, or had a loved one who was recently diagnosed, what would you say to them?
AL: I think I�d emphasize something that Dr. Thompson said in Myeloma Today, which is that you don�t only want to be an informed patient, you also want to be included in the decisions. If they tell you they want to give Alkeran instead of Vincristine, you are in on the decision. And, be sure you understand why it�s necessary to do something before you do it. I would also advise people to call the IMF and write to the IMF, as well as the NCI, and their local cancer center to get as much information as possible.
UP: Well, thank you. We appreciate your taking the time to tell your story. I�m pleased that the IMF was able to be of help. And, as one of Mark�s many fans, I�d like to thank you for sharing him with us. He was a class act!
<.html
|
|
| Group: pota |
Message: 25981 |
From: Kassidy Rae |
Date: 1/22/2003 |
| Subject: Planet of the Men |
|
.html Dave, just started on "Planet of the Men" and wanted to say THANKS
BUDDY! You put a lot of effort into doing this, and I appreciate it.
Kass <.html
|
|
| Group: pota |
Message: 25982 |
From: libraryape |
Date: 1/23/2003 |
| Subject: Lisa, Ms. Riley's ape ???? |
|
.html Hey Patrick, another trivia question. I hope you don't mind me
asking. Damn if I just had the book I would leave everyone alone.
Anyway, I was wondering if Lisa, Caesar's wife to be, was sold to
Breck on the same day the Governor purchased Caesar? Seeing how Lisa
is working in the command post and delivering books, I can only
conclued that Ms. Riley must be time-sharing Lisa's labor with the
Government. <.html
|
|
| Group: pota |
Message: 25983 |
From: Stuart Drucker |
Date: 1/23/2003 |
| Subject: Re: [Planet of the Apes] Lisa, Ms. Riley's ape ???? |
.html----- Original Message -----
From: <toosexy4u54@...>
To: <pota@yahoogroups.com>
Sent: Thursday, January 23, 2003 4:36 PM
Subject: [Planet of the Apes] Lisa, Ms. Riley's ape ????
> Hey Patrick, another trivia question. I hope you don't mind me
> asking. Damn if I just had the book I would leave everyone alone.
> Anyway, I was wondering if Lisa, Caesar's wife to be, was sold to
> Breck on the same day the Governor purchased Caesar? Seeing how Lisa
> is working in the command post and delivering books, I can only
> conclued that Ms. Riley must be time-sharing Lisa's labor with the
> Government.
How do we know it's the same Lisa? Either that, or Ape Management is
leasing their slaves out, not selling exclusive ownership. OTOH, we are
talking about an increasingly authoritarian gov't, so maybe they had some
sort of override policy.
Outside of the film's reality, I bet it was a continuity lapse.
Maybe Ape Management is selling leases, not ownership.
>
>
>
>
>
>
> <.html
|
|
| Group: pota |
Message: 25984 |
From: patrickmichaeltilton
| Date: 1/24/2003 |
|
| Subject: Lisa, slave of Mrs. Riley AND of the State... Also, Breck's Car. |
.html*** The first time we see Lisa is when she's at that bookshop in
order to pick up her Mistress' order for "A Young Queen Falls"; at
least at THIS moment, Lisa seems to belong to Mrs. Riley (the "Mrs."
indicating, of course, that she's married to a "Mr. Riley", whose
name we later find out is "Leland").
Then, Caesar sees Lisa enter a shop called "Mr. Phyllis--Coiffures",
where she brings that book to Mrs. Riley who, upon receiving the
book, orders: "Home, Lisa."
We next see Mrs. Riley (according to the novelization, "an hour
later") at a restaurant with a guy named "Charles" with whom she
seems to be having an affair, that lil' adulteress!
Incidentally, at the beginning of Chapter 9 of Jakes' novelization,
which deals with the Slave Auction scene, the text begins:
- - - - - - - -
Governor Jason Breck's European-made airlift limousine came
sweeping into the curve of the parkway preceded by half a dozen
helmeted state security policement riding conventionally powered
cycles. Behind Breck's vehicle, a second, less ostentatious limousine
followed.
Fender flashers rotating, sirens screaming, the braking cycles
announced the arrival of an important personage. The pennants on
Breck's limousine came to rest as the airjets shut off. The gleaming
vehicle settled to the ground on its chassis cushion. The policemen
parked their cycles in three rows of two each, deployed quickly.
- - - - - - - -
Hmmm... well, at least according to John Jakes' book version of
CONQUEST, it seems that there IS some sort of "hovercar" technology
around in 1991. It seems more like Luke Skywalker's "landspeeder"
(from "STAR WARS") than those flying "spinners" from "BLADE-RUNNER",
though. Otherwise, the six cycles (presumably "motorcycles") which
accompany Breck's vehicle and the other limousine behind his, would
also have to have "airjets" and all that. It seems there's a company
in Europe (Ferrari? Peugeot? one wonders...) which makes
these "airlift limousines" for those wealthy enough to afford it. I
wonder if the airjets make as much noise as a standard hovercraft
vehicle does, since those things use an array of huge fans pointed
downward in order to get just enough "lift" off the ground so that
other fans, pointed backward, can propel them forward.
Incidentally, when Breck gets out of his limousine, it's said that
the "national, state, and city flags, as well as Breck's own personal
ensign of office, snapped on gleaming poles above the gallery. The
sky was deep blue, the surrounding exurban countryside a pleasant
green."
Those "city flags" and the Governor's "own personal ensign" remind me
of medieval-era City-States and the so-called "nobility", or "titled"
families, which wielded autocratic control over them (like Florence,
in the time of Dante, for instance).
Anyway, back to Lisa.
Before the Auction commences, Breck goes over "to favor an
acquaintance with a personal word. One such was an orange-coiffured
lady attended by an attractive female chimp.
"Mrs. Riley," Breck nodded. "It was a shame about Leland's
coronary. Is he still in intensive care?"
Mrs. Riley said that was correct, adding, "But I try not to dwell
on it, Mr. Governor."
"Good for you," Breck smiled, squeezing her shoulder and hurrying
on--but not before he caught an almost human glint of amusement in
the eyes of the girl chimp. That damned ape was laughing at her
mistress! Or was it only a trick of the slanting sun and Breck's
growing, almost maniacal concern about the simian population?
A few paragraphs later:
For some reason, Breck swiveled around and stared up at the girl
chimp sitting beside Mrs. Riley. Thinking the attention was for her,
the lady simpered and waved. But Breck's eyes were on the animal. And
something in his mind roared, Now she's mocking ME!
Instantly he faced front. He willed his hand to stop tapping the
program on his knee. Guarded, secure, powerful, he was still victim
of a nameless, gnawing fear.
So, then, Lisa was present--accompanying Mr. Leland Riley's wife, her
mistress--at the Auction where Breck purchased Caesar. The next time
she appears (in Jakes' novelization) is in Chapter 10 "in the Command
Post beneath the Civic Center Plaza" where Caesar had been "fitted
with a civilian defense armband".
So that was the significance of the arm bands, Caesar deduced.
Extra duty. Service to the state, over and above the regular work of
many of the apes, whose slow pace Caesar matched with little effort.
His mind constantly sorted and analyzed the incoming sensory data.
Not all the apes were working here in addition to laboring for human
masters. Aldo, who came and went frequently with message pouches,
wore no armband. Caesar therefore decided he was on permanent
assignment.
As he was leaving the file chamber, he saw a new arrival--Mrs.
Riley's Lisa. She wore one of the armbands, so in her case, too, it
was slavery piled upon slavery. He gave Lisa a warm look of
acknowledgement and admiration as they passed one another. Lisa
reciprocated with her soft, round eyes.
So, then, Lisa was still the property of Mrs. Riley, and was NOT sold
at that Auction... but she WAS given those extra duties ("slavery
piled upon slavery") to perform as a sort of "civic duty" (presumably
a "duty" for her mistress, and not her own, since the armband is
for "civilian defense"--and the Slave Apes are NOT "civilians"! Mrs.
Riley has "civilian" status, and her "duty" involves volunteering the
services of her personal slave, Lisa, for the "good" of the State).
I find John Jakes' explanation, given in his novelization, to be more
than satisfactory for this matter. In fact, other than a few
quibbling details (which differ with the actual film), I think that
Jakes' novelization of CONQUEST is the very best of the
novelizations, not just of the movie ones but also of the TV and
cartoon series. Jakes has a terrific prose style, and he really makes
the story feel more effectively oppressive--even more so than the
actual movie did, in my opinion. A better-than-average novelization.
And just think: had the Apes movies come out a decade later, who
would've done the novelizations for 'em? Probably Alan Dean Foster,
whose published "oeuvre" seems to consist of more novelizations than
original novels. From ghost-writing the novelization of "STAR WARS"
to doing the "Alien" movies, etc., Foster seemed to be THE go-to guy
for cranking out paperback book versions of pop-movies in the SciFi
genre. Aside from Michael Avallone's mediocre version of BENEATH, the
POTA saga had some pretty good writers doing novelizations, from
Jerry Pournelle for ESCAPE, David Gerrold for BATTLE, George Alec
Effinger for 8 of the 14 TV episodes, and William Arrow (a.k.a.
Rotsler) for the cartoon series. But John Jakes was easily the best
writer of the bunch, because CONQUEST is the best novelized of the
bunch.
Patrick
> > Hey Patrick, another trivia question. I hope you don't mind me
asking. Damn if I just had the book I would leave everyone alone.
Anyway, I was wondering if Lisa, Caesar's wife to be, was sold to
Breck on the same day the Governor purchased Caesar? Seeing how Lisa
is working in the command post and delivering books, I can only
conclued that Ms. Riley must be time-sharing Lisa's labor with the
Government.
>
> How do we know it's the same Lisa? Either that, or Ape Management
is leasing their slaves out, not selling exclusive ownership. OTOH,
we are talking about an increasingly authoritarian gov't, so maybe
they had some sort of override policy.
>
> Outside of the film's reality, I bet it was a continuity lapse.
>
> Maybe Ape Management is selling leases, not ownership. <.html
|
|
| Group: pota |
Message: 25985 |
From: Dave B <4print@atlas.co.uk> |
Date: 1/24/2003 |
| Subject: Just Ask Pat! |
|
.html Patrick, it looks like you've been nominated as THE man to answer all
our ape related questions.
So Pat, can apes (That would be the genetically tinkered, POTA style
of apes) crossbreed?
Dave
..
.. <.html
|
|
| Group: pota |
Message: 25986 |
From: Haristas@aol.com |
Date: 1/24/2003 |
| Subject: Re: [Planet of the Apes] Just Ask Pat! |
.html.html In a message dated 1/24/03 7:20:22 AM Eastern Standard Time, 4print@... writes:
So Pat, can apes (That would be the genetically tinkered, POTA style
of apes) crossbreed?
Dave
I don't know what Patrick will say, but I believe it's impossible, otherwise man would have already done it to apes.
-- Rory<.html
<.html
|
|
| Group: pota |
Message: 25987 |
From: patrickmichaeltilton
| Date: 1/24/2003 |
|
| Subject: Half-Breeds |
.html--- In pota@yahoogroups.com, Haristas@a... wrote:
> In a message dated 1/24/03 7:20:22 AM Eastern Standard Time,
> 4print@a... writes:
>
>
> > So Pat, can apes (That would be the genetically tinkered, POTA
style of apes) crossbreed?
> >
> > Dave
> I don't know what Patrick will say, but I believe it's impossible,
otherwise man would have already done it to apes.
>
> -- Rory
*** Ordinarily, I'd say that No, the Chimps/Orangs/Gorillas cannot
interbreed with each respective species. In Burton's POTA2K, he has
an orangutan gettin' it on with a chimp, but there's no hint of
any "crossbreed" half-Orang/half-Chimp offspring.
Is it absolutely impossible for a primate to breed offspring with a
primate of another species? Usually, the word "species" is used to
denote a population of creatures which CAN breed offspring, so that
creatures of DIFFERING species--by definition--could NOT breed.
And yet... related species, such as Horses & Donkeys, CAN interbreed
to a certain limited extent. When a Horse and a Donkey are interbred,
the offspring is a MULE; however, the Mule is born infertile,
incapable of either bearing or begetting offspring of its own.
Rory suggests that Man would already have done such "bestiality" with
Apes... and there is the possibility that such a deed has happened.
On an episode of "UNSOLVED MYSTERIES" a few years back (they rerun it
on the LIFETIME channel), they did a story about a chimpanzee which
was part of a traveling circus; the chimp had uncanny features which
suggested that somehow it had not only chimp ancestry... but also
HUMAN. On the "U.M." show, they re-united the chimp with its former
owner, who had somehow lost custody years before when the circus went
out of business.
Now, I'm not declaring unequivocally that the chimp in that true
story actually was half-Chimp/half-Human; but I'd go so far as to
suggest that MAYBE it was. If so, then it too (like a Mule) would
probably be infertile.
How it was bred (if, indeed, it WAS the result of crossbreeding),
well, who knows? Did a male chimp impregnate a female human? Did a
male human "do it" with a female chimp? I think it would be
interesting if they were to do DNA testing on that "chimp", just to
see if there are any tell-tale signs that it either is or
isn't "purely" a chimpanzee. Also, since Chimps and Humans have
different numbers of chromosomes (I believe Humans have 2 more than
Chimps), then that might also be something for experts to look at.
As for whether or not the genetically "tinkered" Apes of the POTA
saga could interbreed or not, I don't see any evidence that such a
thing DID happen (outside, that is, of the "cut" scene from BENEATH
involving that half-Ape/Mutant hybrid), but perhaps the Apes have a
religious belief regarding the ancestries of the three respective
species. When Honorius spouts the official doctrine during
Taylor's "hearing" that "God created the Ape in His own image... He
gave him a soul and a mind... He set him apart from the beasts of the
jungle, and made him the Lord of the planet", he doesn't say whether
or not that primordial Ape was a Chimp, an Orang, or a Gorilla.
Perhaps they believe that the "original" Ape was NEITHER of the three
distinct species, but a "pure" one which existed before some pivotal
moment.
In Judeo-Christian myth, the three "races" (Caucasian, Negro, and
Asian) are thought to descend from the offspring of the three sons of
Noah; Japheth, the ancestor of the European civilizations (Japheth =
Iapetus, of Greek legend); Ham, the ancestor of the African
civilizations (including Mizraim, one of Ham's sons, the eponymous
ancestor of the Egyptians); and Shem, the ancestor of the Asian
civilizations (i.e. the NEAR asian groups, including the Arabs &
Jews).
Perhaps the Apes have a "Deluge" myth of their own, and a "Flood-
hero" figure, like Noah/Ziusudra/Utnapishtim/Deucalion/etc., whose
three sons became the ancestors of the three main "races"
(actually, "species") of Apes: the Chimpanzees, the Orangutans, and
the Gorillas. After all, if God created the Ape in His own image,
then how can it be that each species looks different from one
another?
In my Project, the Apes who re-write the scriptures after 2670
(BATTLE), in order to invent a literary basis for discriminating
against Humans ("The Sacred Scrolls", which paints the Human Race as
a "Beast"/"the Devil's pawn"), have a belief that the God which
created the "first Ape" (named Proteus) later on had to deal with
some subsequent crisis of those "original"/"pure" apes by punishing
them with a "Flood"-like catastrophe. And the single breed of "Ape",
once represented by the Primary Colors of the Simian Trinitarian
Godhead (RED, BLUE, and YELLOW), later on branches out into the three
separate species of Chimpanzees, Orangutans, and Gorillas... each
with a characteristic Secondary Color associated with the group:
GREEN for the Chimps, ORANGE for the Orangutans, and PURPLE/VIOLET
for the Gorillas. On a color-wheel, Green is Blue+Yellow, the
opposite of Red... Orange is Red+Yellow, the opposite of Blue... and
Violet is Blue+Red, the opposite of Yellow.
The re-writing of Myth, by the anti-human Lawgiver (and his pals) is
done as a way of trying to explain the ancestry of the three ape
species as if they once had been all part of a single kind of
Original Ape, as well as an explanation for the characteristic colors
associated with each kind (Green/Orange/Violet). This type of myth is
called an "etiological" myth: a story invented for the purpose of
explaining something which is not entirely understood. An example of
an etiological myth in the Bible is the bit after the Flood, where
God promises to send a "sign" (a Rainbow) whenever it rains, to
remind people that He shall never again send a Flood to wipe out ALL
human life again; so, everytime it rains, and people see a Rainbow,
they are expected to believe that it is one of God's miraculous
signs, rather than attempt to explain it scientifically.
Maybe the Ape writers of Simian Myth felt that they had to come up
with SOME explanation as to why Apes are not a SINGLE species, but
THREE, all sharing the same culture, though they may not all
currently be the same "kind". Remember when Lewis Dixon tells Zira
that the gorilla which killed Milo was one of her kind--an Ape? She
makes the distinction that he is a Gorilla, whereas she is a Chimp.
In BATTLE, Aldo wants to return to Ape City after finishing off Kolp,
but he wants to rename it as "Gorilla City". Evidently, the "Simian
solidarity" that Caesar had established back in CONQUEST, to unite
all the Apes against their Human masters, would soon fragment into
the schismatic turmoil of Ape-vs-Ape civil war, if Aldo had had his
way.
Patrick <.html
|
|
| Group: pota |
Message: 25988 |
From: LordTZer0@AOL.com |
Date: 1/24/2003 |
| Subject: Re: [Planet of the Apes] Lisa, slave of Mrs. Riley AND of the State |
|
.html .html
Ithought that rather than volunteering Lisa's services to the state, that Lisa was sent back to Ape Management for reconditioning -- probably for her bad behavior, i.e. dawdling every time Caesar was around. (She always seemed to have a lot on her mind that she couldn't talk about, since she couldn't talk yet). -- and that the filing jobs were extra duties given to her as part of her reconditioning. <.html <.html
|
|
| Group: pota |
Message: 25989 |
From: LordTZer0@AOL.com |
Date: 1/24/2003 |
| Subject: Re: [Planet of the Apes] Just Ask Pat! |
.html.html In a message dated 1/24/2003 6:49:33 AM Central Standard Time, Haristas@... writes:
I don't know what Patrick will say, but I believe it's impossible, otherwise man would have already done it to apes.
I think he meant between each other . . .<.html
<.html
|
|
| Group: pota |
Message: 25990 |
From: LordTZer0@AOL.com |
Date: 1/24/2003 |
| Subject: Re: [Planet of the Apes] Half-Breeds |
.html.html
Usually, the word "species" is used to
denote a population of creatures which CAN breed offspring, so that
creatures of DIFFERING species--by definition--could NOT breed.
And yet... related species, such as Horses &Donkeys, CAN interbreed
to a certain limited extent. When a Horse and a Donkey are interbred,
the offspring is a MULE; however, the Mule is born infertile,
Yeah, actually the word species denotes creatures which can produce fertile offspring. There are animals like Tigons or Ligers, Zeedonks and Zorses, Wholphins, who's parents aren't likely to meet each other in the wild, much less mate with each other. There was a Liger at the Hogle Zoo for example. But as to the question of, can they reproduce? Many of these offspring are fertile. Like in mules, the females are quite often fertile, whereas fertile male offspring are more rare. <.html
<.html
|
|
| Group: pota |
Message: 25991 |
From: Haristas@aol.com |
Date: 1/24/2003 |
| Subject: Re: [Planet of the Apes] Just Ask Pat! |
.html.html In a message dated 1/24/03 3:13:07 PM Eastern Standard Time, LordTZer0@... writes:
I don't know what Patrick will say, but I believe it's impossible, otherwise man would have already done it to apes.
I think he meant between each other . . .
I didn't mean Man "doing it" with apes!!! I meant Man interbreeding the different species of apes, mating chimps with orangs and such. It's impossible. The sperm from one species will not penetrate the egg of another. Their genes don't match!
Now, of course, Patrick has and will again argue that it "could" be possible, but that's because he really "wants" it to be. But we all know he's.......
POTA CRAZY!!!!!!
<.html <.html
|
|
| Group: pota |
Message: 25992 |
From: LordTZer0@AOL.com |
Date: 1/24/2003 |
| Subject: Re: [Planet of the Apes] Just Ask Pat! |
|
.html .htmlIt's impossible. The sperm from one species will not penetrate the egg of another. Their genes don't match!
Yes it is. Didn't you just read the think I sent? Or do you olny read the stuff you write? Or even that?
<.html <.html
|
|
| Group: pota |
Message: 25993 |
From: Haristas@aol.com |
Date: 1/25/2003 |
| Subject: Re: [Planet of the Apes] Just Ask Pat! |
.html.html In a message dated 1/24/03 9:47:41 PM Eastern Standard Time, LordTZer0@... writes:
It's impossible. The sperm from one species will not penetrate the egg of another. Their genes don't match
!
Yes it is. Didn't you just read the think I sent? Or do you olny read the stuff you write? Or even that?
Nice typing, T! We're talking apes here, OK? Apes don't interbreed, haven't interbred, can't interbreed. Nuf said.<.html
<.html
|
|
| Group: pota |
Message: 25994 |
From: LordTZer0@AOL.com |
Date: 1/25/2003 |
| Subject: Re: [Planet of the Apes] Just Ask Pat! |
.html.html
Nice typing, T! We're talking apes here, OK? Apes don't interbreed, haven't interbred, can't interbreed. Nuf said.
Making fun of my dyslexia again, eh?
So your a genetics expert this week, are you?
Well, remember, you forced me to play this card.
What are your thoughts Patrick?<.html
<.html
|
|
| Group: pota |
Message: 25995 |
From: Michael Whitty |
Date: 1/25/2003 |
| Subject: Medicom Apes and Zippo Lighters (Take 2) |
| Group: pota |
Message: 25996 |
From: Haristas@aol.com |
Date: 1/25/2003 |
| Subject: Re: [Planet of the Apes] Just Ask Pat! |
.html.html In a message dated 1/25/03 4:47:14 PM Eastern Standard Time, LordTZer0@... writes:
Making fun of my dyslexia again, eh?
Wasn't that James excuse for typos? What, is everybody on the web dyslexic?
So your a genetics expert this week, are you?
So, what are you saying, T? That a chimp and a gorilla can get together and have a Chimprilla! Ain't gonna happen!
Well, remember, you forced me to play this card.
What are your thoughts Patrick?
Yeah Patrick, I can't wait to hear from you again.
-- Rory<.html
<.html
|
|
| Group: pota |
Message: 25997 |
From: veetus@earthlink.net |
Date: 1/25/2003 |
| Subject: Re: [Planet of the Apes] Half-Breeds |
.html
.html
Interesting stuff there, Pat. The difference
being the different human races are not species and can interbreed, while the
ape species presumably cannot. There was a documentary on PBS last week I taped
and watched called "The Journey of Man". It's about how through DNA we can trace
our ancestry back to Africa 20,000 years ago or so. This is similar to the "Eve"
theory or "Out of Africa" theory put forth in 1987 (and a basis for Oliver
Stone's POTA story) but instead of using mitochondrial DNA, which stays intact
from mother to daughter, they traced the Y-chromosone, from father to son, and
was more an "Adam" theory. Anyway, interesting stuff, worth watching. And when
the host illustrates the evolutionary process, he uses a Hasbro 12" POTA figure
(the gorilla soldier in the red outfit that was available online). - - -
Jeff
----- Original Message -----
Sent: Friday, January 24, 2003 8:19
AM
Subject: [Planet of the Apes]
Half-Breeds
--- In pota@yahoogroups.com, Haristas@a... wrote: > In a message dated
1/24/03 7:20:22 AM Eastern Standard Time, > 4print@a... writes: > > > >
So Pat, can apes (That would be the genetically tinkered, POTA style of
apes) crossbreed? > > > > Dave
> I don't know
what Patrick will say, but I believe it's impossible, otherwise man would
have already done it to apes. > > -- Rory
*** Ordinarily,
I'd say that No, the Chimps/Orangs/Gorillas cannot interbreed with each
respective species. In Burton's POTA2K, he has an orangutan gettin' it on
with a chimp, but there's no hint of any "crossbreed"
half-Orang/half-Chimp offspring.
Is it absolutely impossible for a
primate to breed offspring with a primate of another species? Usually, the
word "species" is used to denote a population of creatures which CAN breed
offspring, so that creatures of DIFFERING species--by definition--could
NOT breed.
And yet... related species, such as Horses & Donkeys,
CAN interbreed to a certain limited extent. When a Horse and a Donkey are
interbred, the offspring is a MULE; however, the Mule is born infertile,
incapable of either bearing or begetting offspring of its own.
Rory suggests that Man would already have done such "bestiality" with
Apes... and there is the possibility that such a deed has happened. On
an episode of "UNSOLVED MYSTERIES" a few years back (they rerun it on the
LIFETIME channel), they did a story about a chimpanzee which was part of a
traveling circus; the chimp had uncanny features which suggested that
somehow it had not only chimp ancestry... but also HUMAN. On the "U.M."
show, they re-united the chimp with its former owner, who had somehow lost
custody years before when the circus went out of business.
Now,
I'm not declaring unequivocally that the chimp in that true story actually
was half-Chimp/half-Human; but I'd go so far as to suggest that MAYBE it
was. If so, then it too (like a Mule) would probably be infertile. How
it was bred (if, indeed, it WAS the result of crossbreeding), well, who
knows? Did a male chimp impregnate a female human? Did a male human "do
it" with a female chimp? I think it would be interesting if they were to
do DNA testing on that "chimp", just to see if there are any tell-tale
signs that it either is or isn't "purely" a chimpanzee. Also, since Chimps
and Humans have different numbers of chromosomes (I believe Humans have 2
more than Chimps), then that might also be something for experts to look
at.
As for whether or not the genetically "tinkered" Apes of the POTA
saga could interbreed or not, I don't see any evidence that such a
thing DID happen (outside, that is, of the "cut" scene from BENEATH
involving that half-Ape/Mutant hybrid), but perhaps the Apes have a
religious belief regarding the ancestries of the three respective
species. When Honorius spouts the official doctrine during Taylor's
"hearing" that "God created the Ape in His own image... He gave him a soul
and a mind... He set him apart from the beasts of the jungle, and made him
the Lord of the planet", he doesn't say whether or not that primordial Ape
was a Chimp, an Orang, or a Gorilla. Perhaps they believe that the
"original" Ape was NEITHER of the three distinct species, but a "pure" one
which existed before some pivotal moment.
In Judeo-Christian myth,
the three "races" (Caucasian, Negro, and Asian) are thought to descend
from the offspring of the three sons of Noah; Japheth, the ancestor of the
European civilizations (Japheth = Iapetus, of Greek legend); Ham, the
ancestor of the African civilizations (including Mizraim, one of Ham's
sons, the eponymous ancestor of the Egyptians); and Shem, the ancestor of
the Asian civilizations (i.e. the NEAR asian groups, including the Arabs
& Jews).
Perhaps the Apes have a "Deluge" myth of their own,
and a "Flood- hero" figure, like Noah/Ziusudra/Utnapishtim/Deucalion/etc.,
whose three sons became the ancestors of the three main "races"
(actually, "species") of Apes: the Chimpanzees, the Orangutans, and
the Gorillas. After all, if God created the Ape in His own image, then
how can it be that each species looks different from one another?
In my Project, the Apes who re-write the scriptures after 2670
(BATTLE), in order to invent a literary basis for discriminating
against Humans ("The Sacred Scrolls", which paints the Human Race as a
"Beast"/"the Devil's pawn"), have a belief that the God which created the
"first Ape" (named Proteus) later on had to deal with some subsequent
crisis of those "original"/"pure" apes by punishing them with a
"Flood"-like catastrophe. And the single breed of "Ape", once represented
by the Primary Colors of the Simian Trinitarian Godhead (RED, BLUE, and
YELLOW), later on branches out into the three separate species of
Chimpanzees, Orangutans, and Gorillas... each with a characteristic
Secondary Color associated with the group: GREEN for the Chimps, ORANGE
for the Orangutans, and PURPLE/VIOLET for the Gorillas. On a color-wheel,
Green is Blue+Yellow, the opposite of Red... Orange is Red+Yellow, the
opposite of Blue... and Violet is Blue+Red, the opposite of Yellow.
The re-writing of Myth, by the anti-human Lawgiver (and his pals) is
done as a way of trying to explain the ancestry of the three ape
species as if they once had been all part of a single kind of Original
Ape, as well as an explanation for the characteristic colors associated
with each kind (Green/Orange/Violet). This type of myth is called an
"etiological" myth: a story invented for the purpose of explaining
something which is not entirely understood. An example of an etiological
myth in the Bible is the bit after the Flood, where God promises to send a
"sign" (a Rainbow) whenever it rains, to remind people that He shall never
again send a Flood to wipe out ALL human life again; so, everytime it
rains, and people see a Rainbow, they are expected to believe that it is
one of God's miraculous signs, rather than attempt to explain it
scientifically.
Maybe the Ape writers of Simian Myth felt that they had
to come up with SOME explanation as to why Apes are not a SINGLE species,
but THREE, all sharing the same culture, though they may not all
currently be the same "kind". Remember when Lewis Dixon tells Zira
that the gorilla which killed Milo was one of her kind--an Ape? She
makes the distinction that he is a Gorilla, whereas she is a Chimp.
In BATTLE, Aldo wants to return to Ape City after finishing off Kolp,
but he wants to rename it as "Gorilla City". Evidently, the "Simian
solidarity" that Caesar had established back in CONQUEST, to unite all
the Apes against their Human masters, would soon fragment into the
schismatic turmoil of Ape-vs-Ape civil war, if Aldo had had his
way.
Patrick
Your
use of Yahoo! Groups is subject to the .
<.html
<.html
|
|
| Group: pota |
Message: 25998 |
From: LordTZer0@AOL.com |
Date: 1/26/2003 |
| Subject: Re: [Planet of the Apes] Just Ask Pat! |
.html.html
So, what are you saying, T? That a chimp and a gorilla can get together and have a Chimprilla!
I dunno. I'm not the one who's claiming to be a genetics expert. I'm just saying that if there are Ligers and Tigons, and Wholphins and Zeedonks and Zorses, then a Chimprilla isn't that big a jump. But I'll leave any further research on the subject to Patrick. That seems to be his forte.<.html
<.html
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|
| Group: pota |
Message: 25999 |
From: Haristas@aol.com |
Date: 1/26/2003 |
| Subject: Re: [Planet of the Apes] Just Ask Pat! |
.html.html In a message dated 1/26/03 2:44:50 AM Eastern Standard Time, LordTZer0@... writes:
So, what are you saying, T? That a chimp and a gorilla can get together and have a Chimprilla!
I dunno.
Then shut up, because I know it ain't possible. If it were it would have happened long ago.<.html
<.html
|
|
| Group: pota |
Message: 26000 |
From: Haristas@aol.com |
Date: 1/26/2003 |
| Subject: Re: [Planet of the Apes] Half-Breeds |
.html.html In a message dated 1/25/03 9:59:55 PM Eastern Standard Time, veetus@... writes:
And when the host illustrates the evolutionary process, he uses a Hasbro 12" POTA figure (the gorilla soldier in the red outfit that was available online). - - - Jeff
No he doesn't!<.html
<.html
|
|
| Group: pota |
Message: 26001 |
From: patrickmichaeltilton
| Date: 1/26/2003 |
|
| Subject: Half-Breeds, Evolution, & Taxonomy |
.htmlIt's been years since I read it, but an SF novel called "FATHER TO
THE MAN" came out around a decade ago, written by John Gribbin, a
writer of books popularizing science ("IN SEARCH OF SCHRODINGER'S
CAT", "IN SEARCH OF THE BIG BANG", "IN SEARCH OF THE DOUBLE
HELIX", "THE JUPITER EFFECT", and a host of others). I can't say that
I thought much of his abilities as a science FICTION writer, but his
science fact books are okay and informative.
Part of the plot of his novel "FATHER TO THE MAN" involves a cross-
bred Human/Chimp hybrid (if I recall correctly). I can't recall
offhand if any "gene therapy"/"gene splicing"/"transgenics" were done
to facilitate the "begetting" of this Ape-Human creature, but I think
the story took into account the fact that Chimp DNA and Human DNA are
about 98.5% identical, even despite the differing number of
chromosomes. The actual GENES (well, 98.5% of 'em, anyway) are
identical, although the distribution of those genes on the chromosome
pairs may differ from one species to another.
You know how Spock is said to be half-Human (his Mom) and half-Vulcan
(Sarek, his Dad)? Presumably, when Sarek went into "pon-farr", he
happened to be isolated from other Vulcans (especially Vulcan
females), so that the human female participated in the mating ritual
(or, hell, maybe Sarek--all hyped up on Vulcan testosterone and
adrenaline--raped her!). Of course, since humans and Vulcans have
differing DNA, despite their superficial similarities as "humanoid
lifeforms", the Vulcan sperm should not be able to fertilize a Human
ovum. TREK "explainers" usually trot out some pseudoscientific
explanation, implying that Vulcan scientists intervened to somehow
cause the two alien DNA specimens to "match up" to each other,
through some fancy genetic engineering. I find it extremely unlikely
that species with differing blood chemistry (Vulcan blood is green,
remember!) could ever be forcibly joined, even through genetic
engineering/tampering.
And Worf is supposed to be half-Klingon/half-Human, too. And Troi is
half-Betazoid/half-Human. And Wesley Crusher was an abortion that
unfortunately survived. [That last one I just had to throw in there!]
None of this TREK junk is even remotely plausible, although they've
tried to somehow gloss over it by suggesting that all the planets in
the Galaxy with "humanoid" lifeforms on 'em were somehow "seeded" by
a Race long ago... Of course, that's just bullshit. Human anatomy is
directly related genetically and morphologically to the other
mammals, and the mammals are similarly related to the other
vertebrates. The "branching-off-points" of the bifurcating
Evolutionary Tree go back so many millions of years that the idea
that some "Seeding Race" was responsible for the eventual development
of Humans on Earth and Vulcans on Vulcan and Klingons on Kling (etc.
etc.) is ridiculous.
In PLANET OF THE APES, though, we're dealing with 4 species of
primates which have diverged fairly recently: Humans, Chimpanzees,
Gorillas, and Orangutans (Bonobos are distinct from Chimps, but
that's been a fairly recent distinction by Primatologists; and
Gibbons aren't in the POTA movies or TV show... and I'm not gonna
count Gilbert from MARVEL's "Terror" comic as "canonical").
Using a "cladogram"-type of classification diagram, we can show how
these four species branched off from each other, both WHEN they did
and WHERE geographically the split occurred.
All four species belong to the Kingdom ANIMALIA (Animals), which
branches into 14 Minor Phyla and 9 Major Phyla, one of which is the
Phylum CHORDATA (Chordates: creatures with a spinal cord); the
Chordate Phylum splits into 3 Major Subphyla, one of which is the
Subphylum VERTEBRATA (Vertebrates: creatures with a spinal column
composed of segmented vertebrae); the Vertebrate Subphylum branches
into 7 Classes of creatures [3 of which are types of fish, 1 is of
Amphibians, 1 is of Reptiles, 1 is of Birds, and the last is of
Mammals].
The Class of Mammals is comprised of about 4000 species; it
subdivides into various Orders, including the Order PRIMATES, which
branches off into the various Families, including the Family of
ANTHROPOIDS.
Around 40 Million Years Ago (MYA), the Anthropoids bifurcated into
the CERCOPITHECOIDS (which evolved into the "Old World Monkeys", the
Macaque, Colobus, the Rhesus, & the Baboon) and the HOMINOIDS.
The Hominoids branched off, around 25 MYA, into the extinct apes
XENOPITHECUS (c. 18 MYA), DRYOPITHECUS (c. 13-to-10 MYA), and
GIGANTOPITHECUS (c. 7-to-1 MYA), and the ancestors of the modern
GIBBON (LIMNOPITHECUS, c. 23-to-16 MYA; DENDROPITHECUS, c. 20-to-17
MYA; and PLIOPITHECUS, c. 14-to-13 MYA).
Also, around 25 MYA, a branch of that "root" hominid evolved into
PROCONSUL, the probable ancestor of all modern Apes and Humans.
Proconsul flourished c. 20-to-17 MYA, branching off--on the one hand--
to the line leading to the modern ORANGUTAN via intermediate species
such as SIVAPITHECUS (c. 13-to-8 MYA) and OURANOPITHECUS (c. 10-to-9
MYA); Orangutans have been around for roughly 2 million years, their
ancestor having spread from Africa to northwest India, thence down
into Indonesia, where they remain to this day.
Also, "out of Africa" (descended from Kenyapithecus), approximately 8
MYA (although modern DNA studies suggests this happened actually
closer to 5 MYA) the evolutionary ancestor of modern Humans, Chimps
and Gorillas lived.
According to Volume 1 of Joseph Campbell's "HISTORICAL ATLAS OF WORLD
MYTHOLOGY" (where this primatological data comes from), the branch of
Human evolution bifurcated from a line of Ape ancestors around 4.5
MYA, around 3.5 million years after the Chimp/Gorilla line branched
off. The HUMAN branch leads to HOMO HABILIS (c. 2-to-1.4 MYA), HOMO
ERECTUS (c. 1.5-to-0.5 MYA), and then to HOMO SAPIENS (from roughly
500,000 years ago to the Present, with HOMO SAPIENS NEANDERTHALENSIS
having branched off from us--HOMO SAPIENS SAPIENS--about 150,000
years ago prior to dying out).
However, if the DNA studies--which take into account a "clock" of
mutation rates--are correct, then the split-off point of the
Orangutans (i.e. the timeframe of PROCONSUL) might be as recent as 11-
-to-9 MYA, rather than 25 MYA. According to the "molecular clock"
model, the split of Human/Chimpanzee/Gorilla was simultaneous (rather
than the Chimpanzee/Gorilla line splitting from the Human line
first), and occurred roughly 4.5 MYA, rather than the 8 MYA suggested
by the archaeological evidence. There is good reason to prefer the
molecular/DNA evidence to the archaological evidence (and I refer you
all to another book by John Gribbin [and Jeremy Cherfas], called "THE
MONKEY PUZZLE: RESHAPING THE EVOLUTIONARY TREE--A MAJOR SCIENTIFIC
REVISION OF THE THEORY OF HUMAN ORIGINS AND DEVELOPMENT").
On page 235 of "THE MONKEY PUZZLE", the authors state:
"Humans and chimps (and gorillas) are about as closely related as
dogs are to foxes, horses to zebras, walruses to sea-lions. They are
as close to each other as gophers on one side of the Colorado river
are to members of THE SAME SPECIES on the other side. This very close
relationship--some taxonomists would describe the three African apes
as sibling species--simply cannot be explained within the framework
of the standard picture of human evolution."
On page 238, they conclude--from the molecular evidence--that:
"... the modern ape family began to radiate approximately 15 million
years ago; gibbon and orangutan diverged 11 and 8 million years ago
and finally (ignoring the more recent divergences into pygmy and
modern chimp, mountain and lowland gorilla) there was the three-way
split between man, chimp and gorilla no more than 4 1/2 million years
ago".
On page 240, they say: "The molecular evidence solves the mystery. It
tells us that the five hominoid lines--gibbon, chimp, orangutan, man
and gorilla--share a common ancestor no more than 12 million years
ago. That common ancestor was a fully developed tree-dweller whose
brachiating lifestyle and anatomy we have inherited and make so much
of in our sports and games".
What does all this have to do with the (im-)possibility of inter-
species crossbreeding? Well, if Gribbon & Cherfas are right, and
Humans, Chimps, & Gorillas are as closely related genetically as dogs
are to foxes, horses to zebras, etc., then it wouldn't surprise me if
a hybrid (though probably infertile) creature COULD be bred. For all
we know, such a hybrid has already been bred, either in the wild (due
to "bestiality" between African natives & African apes, or perhaps
some American circus freak with a circus chimp!) or in a laboratory
somewhere. The face of that almost human-like chimp from
that "UNSOLVED MYSTERIES" episode seemed a little too human, from a
morphological standpoint (at least, to ME; if you've seen the
episode, you'll probably know what I mean).
As for a POTA scenario involving the appearance of talking Chimps,
Orangutans and Gorillas at the end of CONQUEST, I've already
suggested that the most plausible (to me) explanation is a form
of "transgenics" program, involving the introduction of DNA from one
species into another in the earliest stages of development. In other
words, a creature which is also genetically not-too-far removed from
modern Apes (and Humans) has portions of its genome inserted into the
genome of a "host" Ape's ovum, its "transgenic" DNA being made to
be "dominant" rather than "recessive", so that the Ape-hybrid which
results is morphologically different than its own mother's species:
with a larger Brain/Body mass ratio (i.e. a somewhat smaller body
and/or larger brain); a spinal configuration which enables upright
walking and horseback riding--as well as a widened pelvic girdle in
females, to facilitate giving birth to a larger-brained baby; a
larger thumb than non-Human primates tend to have; and the vocal
apparatus they'd need to produce human-like speech.
Yet such a "transgenics" program would have to have been initiated
way back when Mandemus was not yet conceived, and he is portrayed as
being OLDER than Caesar, though his mind is still as sharp as a
razor. Since humans didn't have transgenic science decades before
1991, then such an advanced program could only have been performed by
a NON-HUMAN primate other than the simian primate animals.
In my scenario, the skinny, big-headed, big-eyed "Greys" (which
Ufologists usually think of as "aliens") are NOT extraterrestrials;
they have roughly the same morphology as Apes and Humans, with
bilateral symmetry, 2 legs, 2 arms with fingers (sometimes said to be
6-fingers per hand, a condition known as "polydactyly"--a rare
genetic abnormality which occurs among humans, believe it or not),
etc. In other words, in my scenario, the "Greys" look as different
from us as they do because for the last 12 million years or so, they
have been living on the Moon (where, about 12 MYA, a race of TRUE
aliens first took a sample population of "protopithecoids", the
genetic ancestor of all modern Apes & Humans, so that they could
do "selective breeding" on 'em), where the lower gravity (one-sixth
that of Earth) and the subterranean environment (sealed-off from the
vacuum of space on the lunar surface) had to be adapted to. The lower
gravity would allow a gibbon-like creature to evolve a bigger head,
since the weight of it (1/6 that of an earth-bound simian) wouldn't
stress the neck there, as opposed to on Earth.
I've considered a couple different names for the "species" of Moon-
dwelling "Greys": SELENOPITHECUS ("Moon-Ape", because they adapted to
life in an subsurface lunar environment); GLAUCOPITHECUS ("Grey-Ape",
due to their skin coloration--their skin no longer needing hair since
the temperature in their artificial environment is "climate
controlled"); SCHIZOPITHECUS ("Split-off Ape", due to it being a
species which was forcibly removed from Terrestrial simians, to
develop apart from the "fellow-ancestors" of "Protopithecus"), etc.
As for WHY such creatures would want to tamper with the Simian
genomes in the middle of the 20th Century (in the POTA universe),
well, they have their reasons...
Patrick
--- In pota@yahoogroups.com, <veetus@e...> wrote:
> Interesting stuff there, Pat. The difference being the different
human races are not species and can interbreed, while the ape species
presumably cannot. There was a documentary on PBS last week I taped
and watched called "The Journey of Man". It's about how through DNA
we can trace our ancestry back to Africa 20,000 years ago or so. This
is similar to the "Eve" theory or "Out of Africa" theory put forth in
1987 (and a basis for Oliver Stone's POTA story) but instead of using
mitochondrial DNA, which stays intact from mother to daughter, they
traced the Y-chromosone, from father to son, and was more an "Adam"
theory. Anyway, interesting stuff, worth watching. And when the host
illustrates the evolutionary process, he uses a Hasbro 12" POTA
figure (the gorilla soldier in the red outfit that was available
online). - - - Jeff
>
>
> ----- Original Message -----
> From: patrickmichaeltilton <patrickmichaeltilton@y...>
> To: pota@yahoogroups.com
> Sent: Friday, January 24, 2003 8:19 AM
> Subject: [Planet of the Apes] Half-Breeds
>
>
> --- In pota@yahoogroups.com, Haristas@a... wrote:
> > In a message dated 1/24/03 7:20:22 AM Eastern Standard Time,
> > 4print@a... writes:
>
> So Pat, can apes (That would be the genetically tinkered, POTA
style of apes) crossbreed?
>
> Dave
>
> I don't know what Patrick will say, but I believe it's impossible,
otherwise man would have already done it to apes.
>
> -- Rory
>
> *** Ordinarily, I'd say that No, the Chimps/Orangs/Gorillas cannot
interbreed with each respective species. In Burton's POTA2K, he has
an orangutan gettin' it on with a chimp, but there's no hint of
any "crossbreed" half-Orang/half-Chimp offspring.
>
> Is it absolutely impossible for a primate to breed offspring with a
primate of another species? Usually, the word "species" is used to
denote a population of creatures which CAN breed offspring, so that
creatures of DIFFERING species--by definition--could NOT breed.
>
> And yet... related species, such as Horses & Donkeys, CAN
interbreed to a certain limited extent. When a Horse and a Donkey are
interbred, the offspring is a MULE; however, the Mule is born
infertile, incapable of either bearing or begetting offspring of its
own.
>
> Rory suggests that Man would already have done such "bestiality"
with Apes... and there is the possibility that such a deed has
happened.
> On an episode of "UNSOLVED MYSTERIES" a few years back (they rerun
it on the LIFETIME channel), they did a story about a chimpanzee
which was part of a traveling circus; the chimp had uncanny features
which suggested that somehow it had not only chimp ancestry... but
also HUMAN. On the "U.M." show, they re-united the chimp with its
former owner, who had somehow lost custody years before when the
circus went out of business.
>
> Now, I'm not declaring unequivocally that the chimp in that true
story actually was half-Chimp/half-Human; but I'd go so far as to
suggest that MAYBE it was. If so, then it too (like a Mule) would
probably be infertile.
> How it was bred (if, indeed, it WAS the result of crossbreeding),
well, who knows? Did a male chimp impregnate a female human? Did a
male human "do it" with a female chimp? I think it would be
interesting if they were to do DNA testing on that "chimp", just to
see if there are any tell-tale signs that it either is or
isn't "purely" a chimpanzee. Also, since Chimps and Humans have
different numbers of chromosomes (I believe Humans have 2 more than
Chimps), then that might also be something for experts to look at.
>
> As for whether or not the genetically "tinkered" Apes of the POTA
saga could interbreed or not, I don't see any evidence that such a
thing DID happen (outside, that is, of the "cut" scene from BENEATH
involving that half-Ape/Mutant hybrid), but perhaps the Apes have a
religious belief regarding the ancestries of the three respective
species. When Honorius spouts the official doctrine during
Taylor's "hearing" that "God created the Ape in His own image... He
gave him a soul and a mind... He set him apart from the beasts of the
jungle, and made him the Lord of the planet", he doesn't say whether
or not that primordial Ape was a Chimp, an Orang, or a Gorilla.
Perhaps they believe that the "original" Ape was NEITHER of the three
distinct species, but a "pure" one which existed before some pivotal
moment.
>
> In Judeo-Christian myth, the three "races" (Caucasian, Negro, and
Asian) are thought to descend from the offspring of the three sons of
Noah; Japheth, the ancestor of the European civilizations (Japheth =
Iapetus, of Greek legend); Ham, the ancestor of the African
civilizations (including Mizraim, one of Ham's sons, the eponymous
ancestor of the Egyptians); and Shem, the ancestor of the Asian
civilizations (i.e. the NEAR asian groups, including the Arabs &
Jews).
>
> Perhaps the Apes have a "Deluge" myth of their own, and a "Flood-
hero" figure, like Noah/Ziusudra/Utnapishtim/Deucalion/etc., whose
three sons became the ancestors of the three main "races"
(actually, "species") of Apes: the Chimpanzees, the Orangutans, and
the Gorillas. After all, if God created the Ape in His own image,
then how can it be that each species looks different from one
another?
>
> In my Project, the Apes who re-write the scriptures after 2670
(BATTLE), in order to invent a literary basis for discriminating
against Humans ("The Sacred Scrolls", which paints the Human Race as
a "Beast"/"the Devil's pawn"), have a belief that the God which
created the "first Ape" (named Proteus) later on had to deal with
some subsequent crisis of those "original"/"pure" apes by punishing
them with a "Flood"-like catastrophe. And the single breed of "Ape",
once represented by the Primary Colors of the Simian Trinitarian
Godhead (RED, BLUE, and YELLOW), later on branches out into the three
separate species of Chimpanzees, Orangutans, and Gorillas... each
with a characteristic Secondary Color associated with the group:
GREEN for the Chimps, ORANGE for the Orangutans, and PURPLE/VIOLET
for the Gorillas. On a color-wheel, Green is Blue+Yellow, the
opposite of Red... Orange is Red+Yellow, the opposite of Blue... and
Violet is Blue+Red, the opposite of Yellow.
>
> The re-writing of Myth, by the anti-human Lawgiver (and his pals)
is done as a way of trying to explain the ancestry of the three ape
species as if they once had been all part of a single kind of
Original Ape, as well as an explanation for the characteristic colors
associated with each kind (Green/Orange/Violet). This type of myth is
called an "etiological" myth: a story invented for the purpose of
explaining something which is not entirely understood. An example of
an etiological myth in the Bible is the bit after the Flood, where
God promises to send a "sign" (a Rainbow) whenever it rains, to
remind people that He shall never again send a Flood to wipe out ALL
human life again; so, everytime it rains, and people see a Rainbow,
they are expected to believe that it is one of God's miraculous
signs, rather than attempt to explain it scientifically.
>
> Maybe the Ape writers of Simian Myth felt that they had to come up
with SOME explanation as to why Apes are not a SINGLE species, but
THREE, all sharing the same culture, though they may not all
currently be the same "kind". Remember when Lewis Dixon tells Zira
that the gorilla which killed Milo was one of her kind--an Ape? She
makes the distinction that he is a Gorilla, whereas she is a Chimp.
>
> In BATTLE, Aldo wants to return to Ape City after finishing off
Kolp, but he wants to rename it as "Gorilla City". Evidently,
the "Simian solidarity" that Caesar had established back in CONQUEST,
to unite all the Apes against their Human masters, would soon
fragment into the schismatic turmoil of Ape-vs-Ape civil war, if Aldo
had had his way.
>
> Patrick <.html
|
|
| Group: pota |
Message: 26002 |
From: veetus@earthlink.net |
Date: 1/26/2003 |
| Subject: Re: [Planet of the Apes] Half-Breeds |
.html
.html
Yes he does. - - - Jeff
----- Original Message -----
Sent: Sunday, January 26, 2003 7:16
AM
Subject: Re: [Planet of the Apes]
Half-Breeds
In a message dated 1/25/03 9:59:55
PM Eastern Standard Time, veetus@...
writes:
And when the host illustrates the evolutionary process, he uses
a Hasbro 12" POTA figure (the gorilla soldier in the red outfit that was
available online). - - - Jeff
No he doesn't!
Your
use of Yahoo! Groups is subject to the .
<.html
<.html
|
|
| Group: pota |
Message: 26003 |
From: LordTZer0@AOL.com |
Date: 1/26/2003 |
| Subject: Re: [Planet of the Apes] Just Ask Pat! |
.html.html In a message dated 1/26/2003 9:16:34 AM Central Standard Time, Haristas@... writes:
Then shut up, because I know it ain't possible.
Anything is possible.
You might even be a nice guy.<.html
<.html
|
|
| Group: pota |
Message: 26004 |
From: libraryape |
Date: 1/26/2003 |
| Subject: Re: Lisa, slave of Mrs. Riley AND of the State... Also, Breck's Ca |
.htmlThank you Patrick. This is great. I agree that Conquest is the best
out all of them. Years ago I read the book and find that somehow some
of it has stuck in my memory banks. The only one that is still on the
library shelves is "Battle" done my David Gerrald. I have met this
guy who adviced me to write my own stuff. Funny to hear that coming
from a guy who broke into the business with "Trouble with Tribles".
Anyway, he was getting drunk by the moment so I didn't take his
advice to seriously until I about year ago, heard him during a panel
say the same thing. When will I ever learn?
Hover cars huh? Cool. Now I'm free to hover all I want. If there is
any indication of other technologies let me know. I could use all the
help I can muster unitl I can get my hands on the book. Although
there are hover cars, air travel is still used, right? I ask this
because one of main characters in my book is a pilot.
Another thing I wanted to ask Patrick, can I send you a chapter that
mainly centers on Breck? It took me over three months to get a handle
on his character. With only the movie to go on, I don't have much. In
my mind the civic center has just been recently built. I'm wondering
if this relevant. Unlike my writing e-mail, this chapter has
beengrammar checked with a grammar thumb of my friend and is
tightened to the hilt.
As for Lisa. Yeah, her name is Lisa. I think you and Cozad did a
great job in filling in the details. I now know that my character
sees her first hand in the Command Post. This is the only appearance
Lisa will make in my tangent. Mrs. Riley huh? Bad girl. It's too bad
Lisa can't talk yet or Mrs. Riley is in a whoooole lot of trouble.
What a fine example to give an ape in regards to maritail (sp?) bliss.
Okay, least but not last, what would you as both a writer and a fan
think if I created a character that is related to Taylor? I know he
didn't have anything tying him down as he explains in the movie, but
he must have family. I'm thinkig also to have a character that is
related to Steward - the female Astronaut that didn't make it. A son
maybe ...? --- In pota@yahoogroups.com, "patrickmichaeltilton
<patrickmichaeltilton@y...>" <patrickmichaeltilton@y...> wrote:
> *** The first time we see Lisa is when she's at that bookshop in
> order to pick up her Mistress' order for "A Young Queen Falls"; at
> least at THIS moment, Lisa seems to belong to Mrs. Riley
(the "Mrs."
> indicating, of course, that she's married to a "Mr. Riley", whose
> name we later find out is "Leland").
>
> Then, Caesar sees Lisa enter a shop called "Mr. Phyllis--
Coiffures",
> where she brings that book to Mrs. Riley who, upon receiving the
> book, orders: "Home, Lisa."
>
> We next see Mrs. Riley (according to the novelization, "an hour
> later") at a restaurant with a guy named "Charles" with whom she
> seems to be having an affair, that lil' adulteress!
>
> Incidentally, at the beginning of Chapter 9 of Jakes' novelization,
> which deals with the Slave Auction scene, the text begins:
>
> - - - - - - - -
>
> Governor Jason Breck's European-made airlift limousine came
> sweeping into the curve of the parkway preceded by half a dozen
> helmeted state security policement riding conventionally powered
> cycles. Behind Breck's vehicle, a second, less ostentatious
limousine
> followed.
> Fender flashers rotating, sirens screaming, the braking cycles
> announced the arrival of an important personage. The pennants on
> Breck's limousine came to rest as the airjets shut off. The
gleaming
> vehicle settled to the ground on its chassis cushion. The policemen
> parked their cycles in three rows of two each, deployed quickly.
>
> - - - - - - - -
>
> Hmmm... well, at least according to John Jakes' book version of
> CONQUEST, it seems that there IS some sort of "hovercar" technology
> around in 1991. It seems more like Luke Skywalker's "landspeeder"
> (from "STAR WARS") than those flying "spinners" from "BLADE-
RUNNER",
> though. Otherwise, the six cycles (presumably "motorcycles") which
> accompany Breck's vehicle and the other limousine behind his, would
> also have to have "airjets" and all that. It seems there's a
company
> in Europe (Ferrari? Peugeot? one wonders...) which makes
> these "airlift limousines" for those wealthy enough to afford it. I
> wonder if the airjets make as much noise as a standard hovercraft
> vehicle does, since those things use an array of huge fans pointed
> downward in order to get just enough "lift" off the ground so that
> other fans, pointed backward, can propel them forward.
> Incidentally, when Breck gets out of his limousine, it's said that
> the "national, state, and city flags, as well as Breck's own
personal
> ensign of office, snapped on gleaming poles above the gallery. The
> sky was deep blue, the surrounding exurban countryside a pleasant
> green."
> Those "city flags" and the Governor's "own personal ensign" remind
me
> of medieval-era City-States and the so-called "nobility",
or "titled"
> families, which wielded autocratic control over them (like
Florence,
> in the time of Dante, for instance).
>
> Anyway, back to Lisa.
>
> Before the Auction commences, Breck goes over "to favor an
> acquaintance with a personal word. One such was an orange-coiffured
> lady attended by an attractive female chimp.
> "Mrs. Riley," Breck nodded. "It was a shame about Leland's
> coronary. Is he still in intensive care?"
> Mrs. Riley said that was correct, adding, "But I try not to
dwell
> on it, Mr. Governor."
> "Good for you," Breck smiled, squeezing her shoulder and
hurrying
> on--but not before he caught an almost human glint of amusement in
> the eyes of the girl chimp. That damned ape was laughing at her
> mistress! Or was it only a trick of the slanting sun and Breck's
> growing, almost maniacal concern about the simian population?
>
> A few paragraphs later:
>
> For some reason, Breck swiveled around and stared up at the girl
> chimp sitting beside Mrs. Riley. Thinking the attention was for
her,
> the lady simpered and waved. But Breck's eyes were on the animal.
And
> something in his mind roared, Now she's mocking ME!
> Instantly he faced front. He willed his hand to stop tapping the
> program on his knee. Guarded, secure, powerful, he was still victim
> of a nameless, gnawing fear.
>
> So, then, Lisa was present--accompanying Mr. Leland Riley's wife,
her
> mistress--at the Auction where Breck purchased Caesar. The next
time
> she appears (in Jakes' novelization) is in Chapter 10 "in the
Command
> Post beneath the Civic Center Plaza" where Caesar had been "fitted
> with a civilian defense armband".
>
> So that was the significance of the arm bands, Caesar deduced.
> Extra duty. Service to the state, over and above the regular work
of
> many of the apes, whose slow pace Caesar matched with little effort.
> His mind constantly sorted and analyzed the incoming sensory
data.
> Not all the apes were working here in addition to laboring for
human
> masters. Aldo, who came and went frequently with message pouches,
> wore no armband. Caesar therefore decided he was on permanent
> assignment.
> As he was leaving the file chamber, he saw a new arrival--Mrs.
> Riley's Lisa. She wore one of the armbands, so in her case, too, it
> was slavery piled upon slavery. He gave Lisa a warm look of
> acknowledgement and admiration as they passed one another. Lisa
> reciprocated with her soft, round eyes.
>
> So, then, Lisa was still the property of Mrs. Riley, and was NOT
sold
> at that Auction... but she WAS given those extra duties ("slavery
> piled upon slavery") to perform as a sort of "civic duty"
(presumably
> a "duty" for her mistress, and not her own, since the armband is
> for "civilian defense"--and the Slave Apes are NOT "civilians"!
Mrs.
> Riley has "civilian" status, and her "duty" involves volunteering
the
> services of her personal slave, Lisa, for the "good" of the State).
>
> I find John Jakes' explanation, given in his novelization, to be
more
> than satisfactory for this matter. In fact, other than a few
> quibbling details (which differ with the actual film), I think that
> Jakes' novelization of CONQUEST is the very best of the
> novelizations, not just of the movie ones but also of the TV and
> cartoon series. Jakes has a terrific prose style, and he really
makes
> the story feel more effectively oppressive--even more so than the
> actual movie did, in my opinion. A better-than-average novelization.
>
> And just think: had the Apes movies come out a decade later, who
> would've done the novelizations for 'em? Probably Alan Dean Foster,
> whose published "oeuvre" seems to consist of more novelizations
than
> original novels. From ghost-writing the novelization of "STAR WARS"
> to doing the "Alien" movies, etc., Foster seemed to be THE go-to
guy
> for cranking out paperback book versions of pop-movies in the SciFi
> genre. Aside from Michael Avallone's mediocre version of BENEATH,
the
> POTA saga had some pretty good writers doing novelizations, from
> Jerry Pournelle for ESCAPE, David Gerrold for BATTLE, George Alec
> Effinger for 8 of the 14 TV episodes, and William Arrow (a.k.a.
> Rotsler) for the cartoon series. But John Jakes was easily the best
> writer of the bunch, because CONQUEST is the best novelized of the
> bunch.
>
> Patrick
>
> > > Hey Patrick, another trivia question. I hope you don't mind me
> asking. Damn if I just had the book I would leave everyone alone.
> Anyway, I was wondering if Lisa, Caesar's wife to be, was sold to
> Breck on the same day the Governor purchased Caesar? Seeing how
Lisa
> is working in the command post and delivering books, I can only
> conclued that Ms. Riley must be time-sharing Lisa's labor with the
> Government.
> >
> > How do we know it's the same Lisa? Either that, or Ape
Management
> is leasing their slaves out, not selling exclusive ownership. OTOH,
> we are talking about an increasingly authoritarian gov't, so maybe
> they had some sort of override policy.
> >
> > Outside of the film's reality, I bet it was a continuity lapse.
> >
> > Maybe Ape Management is selling leases, not ownership. <.html
|
|
| Group: pota |
Message: 26005 |
From: LordTZer0@AOL.com |
Date: 1/26/2003 |
| Subject: Re: [Planet of the Apes] Re: Lisa, slave of Mrs. Riley AND of the S |
.html.html
I have met this guy who adviced me to write my own stuff.
If you're going to write your own stuff, I advice you to learn words like advised. <.html
<.html
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|
| Group: pota |
Message: 26006 |
From: Haristas@aol.com |
Date: 1/26/2003 |
| Subject: Re: [Planet of the Apes] Just Ask Pat! |
.html.html In a message dated 1/26/03 6:21:16 PM Eastern Standard Time, LordTZer0@... writes:
Anything is possible.
You might even be a nice guy.
Oh shut up!<.html
<.html
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|
| Group: pota |
Message: 26007 |
From: Haristas@aol.com |
Date: 1/26/2003 |
| Subject: Re: [Planet of the Apes] Re: Lisa, slave of Mrs. Riley AND of the S |
.html.html In a message dated 1/26/03 7:54:56 PM Eastern Standard Time, toosexy4u54@... writes:
I agree that Conquest is the best out all of them.
Out of all the films you think CONQUEST is the best? Mmmmm. PLANET is the best.
-- Rory<.html
<.html
|
|
| Group: pota |
Message: 26008 |
From: Haristas@aol.com |
Date: 1/26/2003 |
| Subject: Re: [Planet of the Apes] Re: Lisa, slave of Mrs. Riley AND of the S |
.html.html In a message dated 1/26/03 8:07:43 PM Eastern Standard Time, LordTZer0@... writes:
I have met this guy who adviced me to write my own stuff.
If you're going to write your own stuff, I advice you to learn words like advised.
Shut up, you mean bastard, T!!! <.html
<.html
|
|
| Group: pota |
Message: 26009 |
From: veetus@earthlink.net |
Date: 1/26/2003 |
| Subject: Re: [Planet of the Apes] Re: Lisa, slave of Mrs. Riley AND of the S |
.html
.html
I think she means the books. Hey, come to
think of it, "Planet" is the best there, too. "Conquest" is the best
novelization of the sequels. - - - Jeff
----- Original Message -----
Sent: Sunday, January 26, 2003 6:28
PM
Subject: Re: [Planet of the Apes] Re:
Lisa, slave of Mrs. Riley AND of the State... Al...
In a message dated 1/26/03 7:54:56
PM Eastern Standard Time, toosexy4u54@...
writes:
I agree that Conquest is the best out all of them.
Out of all the
films you think CONQUEST is the best? Mmmmm. PLANET is
the best.
-- Rory
Your
use of Yahoo! Groups is subject to the .
<.html
<.html
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|
| Group: pota |
Message: 26010 |
From: Haristas@aol.com |
Date: 1/26/2003 |
| Subject: Re: [Planet of the Apes] Re: Lisa, slave of Mrs. Riley AND of the S |
.html.html In a message dated 1/26/03 9:58:25 PM Eastern Standard Time, veetus@... writes:
I think she means the books. Hey, come to think of it, "Planet" is the best there, too. "Conquest" is the best novelization of the sequels. - - - Jeff
Oh, I see. Yeah, I would say the novelizations of ESCAPE and CONQUEST were the best and I tend to lean toward ESCAPE, but it's been over twenty-five years since I read them.
-- Rory<.html
<.html
|
|
| Group: pota |
Message: 26011 |
From: LordTZer0@AOL.com |
Date: 1/26/2003 |
| Subject: Re: [Planet of the Apes] Re: Lisa, slave of Mrs. Riley AND of the S |
.html.html
Shut up, you mean bastard, T!!!
I'm all for people writing their own stuff. But it's always a good idea to read it before anyone else does as well. Some people are picky about stuff like spelling, punctuation syntax. You might have the greatest story, but it doesn't you no good if some grammar stickler round files it. But that's just my advise.<.html
<.html
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|
| Group: pota |
Message: 26012 |
From: veetus@earthlink.net |
Date: 1/27/2003 |
| Subject: Neutrino telescope |
.html
.html
Scientists at U. C. Irvine (where some of
"Conquest" was shot) are scheduled to announce today that they have had the
first successful test run of a new kind of telescope that looks for neutrinos -
- microscopic particles that could lead to "proof" of other dimensions (perhaps
the alternate universe Cornelius and Zira started by going back in the ship?). I
don't have time to go into it now, but it's perhaps a red-letter day for
science, the dawn of a new Zira, er, era. No, I'm not drunk! Just ask Pat. - - -
Jeff
----- Original Message -----
Sent: Sunday, January 26, 2003 7:10
PM
Subject: Re: [Planet of the Apes] Re:
Lisa, slave of Mrs. Riley AND of the State... Al...
In a message dated 1/26/03 9:58:25
PM Eastern Standard Time, veetus@...
writes:
I think she means the books. Hey, come to think of it,
"Planet" is the best there, too. "Conquest" is the best novelization of the
sequels. - - - Jeff
Oh, I see. Yeah, I would say the
novelizations of ESCAPE and CONQUEST were the best and I tend to lean toward
ESCAPE, but it's been over twenty-five years since I read them.
--
Rory
Your
use of Yahoo! Groups is subject to the .
<.html
<.html
|
|
| Group: pota |
Message: 26013 |
From: patrickmichaeltilton
| Date: 1/27/2003 |
|
| Subject: POTA tech, etc. |
.html--- In pota@yahoogroups.com, "libraryape <toosexy4u54@h...>"
<toosexy4u54@h...> wrote:
> Thank you Patrick. This is great. I agree that Conquest is the best
out all of them. Years ago I read the book and find that somehow some
of it has stuck in my memory banks. The only one that is still on the
library shelves is "Battle" done my David Gerrold. I have met this
guy, who advised me to write my own stuff. Funny to hear that coming
from a guy who broke into the business with "Trouble with Tribbles".
Anyway, he was getting drunk by the moment so I didn't take his
advice too seriously until I about year ago, heard him during a panel
say the same thing. When will I ever learn?
>
> Hover cars huh? Cool. Now I'm free to hover all I want. If there
is any indication of other technologies let me know. I could use all
the help I can muster until I can get my hands on the book. Although
there are hover cars, air travel is still used, right? I ask this
because one of main characters in my book is a pilot.
*** Yeah, air travel is still used, considering that Armando & Caesar
arrive at Breck's city via helicopter. I would guess that airplanes
are still in use, too, since the safety record of airline travel
(despite "9-11") is far better than automobile travel.
As for "other technologies", there's a scene in CONQUEST which is
kind of hard to make out the dialogue, but in Jakes' novelization it
goes like this:
----------(from Chapter 3, pages 27-28)-----------
He [Caesar] put down a flyer, moved to the next table. Two
obviously prosperous black men sat talking, oblivious to the white-
jacketed captain preparing crepes suzette on his cart. Beside the
captain stood a young chimp busboy, studiously watching the human
hands manipulate the chafing dish.
"--real future's in hydroponic farming," one of the men was
saying. "I was telling my son last night--"
"Oh, for God's sake, Harry, why steer him into something like
that? The big money's in synthetic alloys--"
Caesar laid a handbill between them. The first man picked it up,
gave it one look, tossed it aside as his friend argued. "IF you're
selling to the government. But look what's happened to the space
program. Cut to the bone."
"It'll come back."
"Oh? That's what you said about the supersonic transport, Harry."
---------------------------------
This background chatter gives a slight hint at what's going on in the
outside world. Here you got these two businessmen who are interested
in "the big money" (Capitalism at its worst, a Socialist would say!),
and their concerns don't seem to be in exploiting any technology for
the sake of bettering the Human condition. It's all about making
the "big money", buying stock in companies which produce Product
which will Sell--and make them Rich.
There's also more than a hint that the Government has been exerting
an undue influence on Business, contrary to a truly "Free Market"
economy. The "space program" one of them mentions has been "cut to
the bone" by the Government--and, evidently, there isn't any (known)
Civilian space program, run by business entrepreneurs. And the same
Government probably has enough influence to "shelve" a more advanced
form of aviation: the "supersonic transport". Rather than advancing
technology ("building a better mousetrap"), the oppressive Government
has stifled innovation, keeping airplane technology at the "subsonic"
level (no "Concorde" jets flyin' in the skies here, folks).
The "hydroponic farming" Harry mentions suggests that the "family
farm" has all but died out as an American way of life. With the State
controlling the way Food is mass-produced, they have a metaphorical
choke-hold on the People. People with money to invest are being
steered into putting it into those businesses which make more food
for more people in CONTROLLED environments--hydroponics. As the
average family farm--which can't compete against Government-
subsidized food production programs--goes "belly-up", that means that
the Citizenry will literally have to toe-the-line when the State
wants them to conform, since it's either "obey or starve".
One other "technology" which is new (in the POTA universe) is
the "Authenticator", which is the ultimate Lie-detector: not only can
it somehow ascertain that the subject submitting to it IS telling a
lie... it can also FORCE that person to tell the truth--as when
Armando, answering Kolp's question (as to whether or not he told the
truth regarding the Ape-onauts), whispers a reluctant "No."
As Kolp tells Armando, the Authenticator "makes people tell the
truth". Before that, right before the auction where Breck purchases
Caesar, there are a couple of paragraphs describing the ongoing
interrogation of Armando:
------------(page 82)-----------
Kolp had stopped in, haggard. He'd reported that, after days of
interrogation--twice interrupted when Armando had to be rushed to the
infirmary for injections to repair the ravages of the questioning--
the circus owner still persisted in telling his original story. Kolp
and Hoskyns were now asking for the governor's signed permission to
employ the Authenticator.
Signed permission indeed! The pretense of civil liberties was a
farce, but Kolp and Hoskyns were shrewd enough not to use the device
without higher authority.
Breck had dodged the issue. Although widely used by police
departments, the Authenticator was, in the view of the forty jurists
who sat on the Most Supreme Court in Washington, an instrument of
coercion and, therefore, illegal except in matters of national
security.
It would be Breck's decision. The situation didn't qualify; and
yet, he had a deep-seated worry that perhaps, in a peculiar way, it
did...
--------------------------
The first thing one should wonder is: Why doesn't Breck have CAESAR
strapped to that chair under the Authenticator, rather than strapped
to an electroshock table, when he wants to find out whether or not he
IS the "talking ape" child of Zira? Why not subject Caesar to the
Authenticator, which can MAKE him tell the truth against his own will?
Perhaps Breck has a cruel streak; he WANTS Caesar to suffer that
horrid form of "electrical conditioning" which he had escaped during
his brief time at Ape Management. Also, from a symbolic standpoint,
they needed Caesar to be "crucified" like Christ--tortured by
the "Roman"-like authorities and then Executed... an Execution from
which Caesar could "miraculously" be "Resurrected" (since he never
really died). "The King is dead... LONG LIVE THE KING!"
One off-shoot technology I've speculated on could use the scientific
principle of the Authenticator as a beneficial invention. The
Authenticator is a machine that can somehow "read" brainwaves and
then impose another brainwave pattern onto the person being scanned;
when used by Kolp, it does so against the will of the person. But
imagine somebody who just has a hard time understanding a particular
subject (like, say, Calculus), being shown an educational film about
the subject... and a "brainwave" pattern which denotes the "Eureka"
feeling of somebody who "gets it" (like a symbolic "lightbulb"
lighting up above someone's head) is then superimposed on the
student's mind. Might not such a "Teacher" machine be a way to boost
Human intelligence? Imagine if a human mind--even an INFANT mind--
could be FORCED to understand something, even a subject as difficult
as Differential Calculus, or a foreign language like Chinese or
ancient Sumerian! Remember in "THE MATRIX", when Neo's
mind "downloads" the Knowledge of Kung Fu, or how to fly that
military helicopter? Maybe the Authenticator is just one type of
invention amongst a whole host of other inventions which utilize the
same principle: Studying a human brainwave pattern and then
superimposing upon that brain ANOTHER pattern.
Maybe the Government is secretly studying how to use this principle
to control unruly crowds (or enemy armies), by forcing a
docile "state-of-mind" into the brains of people in anti-Government
rallies, that sort of thing.
The possibilities are, seemingly, endless...
>
> Another thing I wanted to ask Patrick, can I send you a chapter
that mainly centers on Breck? It took me over three months to get a
handle on his character. With only the movie to go on, I don't have
much. In my mind the civic center has just been recently built. I'm
wondering if this relevant. Unlike my writing e-mail, this chapter
has been grammar checked with a grammar thumb of my friend and is
tightened to the hilt.
*** If you'd like to send it to me, sure: my e-mail address is
patrickmichaeltilton@... (although you might want to just send
it to this website, so that everybody else--including "T", who's
giving you grief about your spelling--can see it, too). Incidentally,
I should point out that one of my pet peeves is bad spelling/grammar/
etc., but after I was critical of the bad spelling (etc.) of a guy
who used to post to this site (a guy who since has formed his own
POTA Yahoo group, and shuns us like the Plague), he eventually
mentioned that he was dyslexic--in other words, his "bad spelling"
was something he had an excuse for. I apologized, but I think he
still holds a grudge. I don't know if your spelling is due to
dyslexia (or something similar), but I'd rather assume it IS, for
now, rather than "dis" you about it. I find that people who do a LOT
of reading tend to acquire better and better spelling skills... as
long as they don't read the lyric sheets of Rap albums, which have
the WORST spellings imaginable, since they're INTENTIONALLY not
accurate.
>
> As for Lisa. Yeah, her name is Lisa. I think you and Cozad did a
great job in filling in the details. I now know that my character
sees her first hand in the Command Post. This is the only appearance
Lisa will make in my tangent. Mrs. Riley huh? Bad girl. It's too bad
Lisa can't talk yet or Mrs. Riley is in a whoooole lot of trouble.
What a fine example to give an ape in regards to maritail (sp?) bliss.
*** Is it that Lisa CAN'T talk yet... or has been purposely
SUPPRESSING her ability to vocalize like a human?
Obviously, given her complete fluency in BATTLE, Lisa must have had
the physiognomical ability to talk like a human AT BIRTH; she didn't
just magically "acquire" the ability at the end of CONQUEST! She--
like all the other "POTA"-like slave apes in CONQUEST--is NOT just
a "mute" animal... but CAN speak. However, they all CHOOSE not to
speak, since they must somehow know that to do so is a Death
Sentence. But recall that every so often there are loudspeaker
announcements by "the Watch Commander" reporting "unauthorized ape
gatherings"... what are these apes doing when they "gather" in an
unauthorized way? Since the TALKING apes of BATTLE are the SAME apes
who were once enslaved in Breck's city, then perhaps they get
together illicitly to talk to one another... in hushed whispers, of
course. MacDonald (from BATTLE) mentions that the security cameras
were installed "to forestall ape conspiracies". The apes, in order
to "conspire", would have to communicate in some way; granted, Caesar
was able to instill a fair level of Civil Disobedience with a non-
vocal "look" (like when that shoe-shining ape starts smearing the
stuff on that human's sock), but given the physical ability to speak
(which is established beyond doubt not only in BATTLE, but at the end
of CONQUEST, when Lisa speaks), I contend that those "conspiring"
apes were probably whispering to one another--probably in a language
other than English, since they all were shipped to America from
Africa, Borneo, etc. In other words: the Apes possessed not only the
physical ability to speak prior to their enslavement (during which
they pretended to be Mute, out of fear), but also a LANGUAGE OF THEIR
OWN. Cornelius tells the Presidential Commission that English had
been the language of his ancestors going back "2000 years, roughly",
but that does NOT mean that it was the ONLY language his people had
ever spoken. Perhaps those "glyph" symbols on the simian clothing
are, like cuneiform and hieroglyphics, phonetic-based representations
in an earlier "original" Ape language, which they set aside in favor
of the language of Caesar (their Savior) and of the later-enslaved
Humans (whom they might not have wished to learn the Ape language, to
keep it "pure" perhaps).
>
> Okay, least but not last, what would you as both a writer and a fan
think if I created a character that is related to Taylor? I know he
didn't have anything tying him down as he explains in the movie, but
he must have family. I'm thinking also to have a character that is
related to Stewart - the female Astronaut that didn't make it. A son
maybe ...?
*** Taylor didn't have a Mate ("... so I left, because there was
nobody to hold me there..."), but he probably did have family. I'd
guess nephews/nieces & cousins, in all likelihood.
I doubt if Stewart would've left a son behind, though that might just
be a wishful bias on my part; after all, Brent's "Skipper" had a wife
& two daughters he left behind, so why not Stewart?
Taylor refers to Stewart when he tells Nova that "she was to be
the 'New Eve'... with our hot and eager help, of course..." In other
words, Stewart's role on the mission was to bear children as part of
a long-term colonization of their destination. Some people think it's
ludicrous that 3 men and 1 woman would be a "base" for a potential
colonizing program, yet Taylor suggests an even more limited one in
BENEATH: "Where in hell do we go from here? Why don't we just stop
off and found a human colony? All the kids'll learn to talk... sure
they will..." Just him and Nova, founding a colony of "talking
humans", with their first kids perhaps growing to adulthood and
practicing inevitable incest in order to breed more & more, unless
Taylor's sons and/or daughters interbreed with other "mute" humans,
passing along the ability...
But, hey, as far as your interest in inventing a character (or
several) related to established characters in the POTA saga--go for
it. After all, that's exactly what Paul Dehn did, when he
invented "Baby Milo"/"Caesar" and his son, named "Cornelius" after
his grandfather. Dehn took established characters (from PLANET) and
invented new ones. The precedent is there for anybody to do the same
sort of thing. I know that I--for one--am making use of it for my
project.
Patrick <.html
|
|
| Group: pota |
Message: 26014 |
From: qspewarrjiupb |
Date: 1/28/2003 |
| Subject: new pictures here... |
|
|