Yahoo! potadg group — Messages 41278–41377

Dates: 2006-09-12 through 2006-09-19

Messages in potadg group. Page 226 of 451.
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Group: potadg Message: 41278 From: Neil Date: 9/12/2006
Subject: Re: Apes at the Zoo
Group: potadg Message: 41279 From: Neil Date: 9/12/2006
Subject: Re: Apes at the Zoo
Group: potadg Message: 41280 From: TZer0@aol.com Date: 9/12/2006
Subject: Re: Apes at the Zoo
Group: potadg Message: 41281 From: TZer0@aol.com Date: 9/12/2006
Subject: Re: Apes at the Zoo
Group: potadg Message: 41282 From: Neil Date: 9/12/2006
Subject: Re: Apes at the Zoo
Group: potadg Message: 41283 From: PotaDG@yahoogroups.com Date: 9/12/2006
Subject: Anniversary Reminder
Group: potadg Message: 41284 From: Ty Templeton Date: 9/13/2006
Subject: Revolution #6
Group: potadg Message: 41285 From: Michael Whitty Date: 9/13/2006
Subject: Revolution #6
Group: potadg Message: 41286 From: TZer0@aol.com Date: 9/13/2006
Subject: Re: Apes at the Zoo
Group: potadg Message: 41287 From: Neil Date: 9/13/2006
Subject: Re: Apes at the Zoo
Group: potadg Message: 41288 From: Greg Plonowski Date: 9/13/2006
Subject: Marvel UK issue 100
Group: potadg Message: 41289 From: patrickmichaeltilton Date: 9/13/2006
Subject: Re: Hollywoodland - OT
Group: potadg Message: 41290 From: patrickmichaeltilton Date: 9/13/2006
Subject: Retrofitting the Sequels to the Original "PLANET"
Group: potadg Message: 41291 From: patrickmichaeltilton Date: 9/13/2006
Subject: Re: Apes at the Zoo
Group: potadg Message: 41292 From: patrickmichaeltilton Date: 9/13/2006
Subject: Re: Apes at the Zoo
Group: potadg Message: 41293 From: Neil T Foster Date: 9/13/2006
Subject: Re: Marvel UK issue 100
Group: potadg Message: 41294 From: Neil T Foster Date: 9/13/2006
Subject: Re: Apes at the Zoo
Group: potadg Message: 41295 From: Haristas@aol.com Date: 9/13/2006
Subject: Re: Retrofitting the Sequels to the Original "PLANET"
Group: potadg Message: 41296 From: Wendy Kostora Date: 9/13/2006
Subject: Re: Just a brag
Group: potadg Message: 41297 From: Haristas@aol.com Date: 9/13/2006
Subject: Re: Retrofitting the Sequels to the Original "PLANET"
Group: potadg Message: 41298 From: TZer0@aol.com Date: 9/14/2006
Subject: Re: Apes at the Zoo
Group: potadg Message: 41299 From: TZer0@aol.com Date: 9/14/2006
Subject: Re: Apes at the Zoo
Group: potadg Message: 41300 From: Neil T Foster Date: 9/14/2006
Subject: Re: Apes at the Zoo
Group: potadg Message: 41301 From: Michael Whitty Date: 9/14/2006
Subject: Hollywoodland - OT
Group: potadg Message: 41302 From: Haristas@aol.com Date: 9/14/2006
Subject: Idiocracy
Group: potadg Message: 41303 From: Neil T Foster Date: 9/14/2006
Subject: Re: Idiocracy
Group: potadg Message: 41304 From: Neil T Foster Date: 9/14/2006
Subject: Re: Revolution #6
Group: potadg Message: 41305 From: Ty Templeton Date: 9/14/2006
Subject: Re: Revolution #6
Group: potadg Message: 41306 From: Michael Whitty Date: 9/14/2006
Subject: Revolution #6
Group: potadg Message: 41307 From: Graham Hill Date: 9/14/2006
Subject: Re: Revolution #6
Group: potadg Message: 41308 From: Whitty Date: 9/14/2006
Subject: Thanks TY!
Group: potadg Message: 41309 From: Neil T Foster Date: 9/14/2006
Subject: Damn Sneaky Humans!
Group: potadg Message: 41310 From: Haristas@aol.com Date: 9/14/2006
Subject: Return to the POTA DVDs
Group: potadg Message: 41311 From: Neil T Foster Date: 9/14/2006
Subject: The Rarities Disc
Group: potadg Message: 41312 From: Whitty Date: 9/14/2006
Subject: Re: {Disarmed} [PotaDG] Return to the POTA DVDs
Group: potadg Message: 41313 From: gp3085 Date: 9/14/2006
Subject: Re: Revolution #6
Group: potadg Message: 41314 From: tshaf37@aol.com Date: 9/14/2006
Subject: Re: Revolution #6
Group: potadg Message: 41315 From: tshaf37@aol.com Date: 9/14/2006
Subject: POTA Easter Eggs
Group: potadg Message: 41316 From: TZer0@aol.com Date: 9/15/2006
Subject: Re: Idiocracy
Group: potadg Message: 41317 From: TZer0@aol.com Date: 9/15/2006
Subject: Re: Apes at the Zoo
Group: potadg Message: 41318 From: TZer0@aol.com Date: 9/15/2006
Subject: Any music lovers?
Group: potadg Message: 41319 From: Ty Templeton Date: 9/15/2006
Subject: Re: Revolution #6
Group: potadg Message: 41320 From: Dario Date: 9/15/2006
Subject: Worldcon report
Group: potadg Message: 41321 From: Michael Whitty Date: 9/15/2006
Subject: Re: {Disarmed} Re: [PotaDG] Re: Revolution #6
Group: potadg Message: 41322 From: Michael Whitty Date: 9/15/2006
Subject: Revolution #6 - Tom Fowler
Group: potadg Message: 41323 From: Michael Whitty Date: 9/15/2006
Subject: Revolution #6 - Ty
Group: potadg Message: 41324 From: Michael Whitty Date: 9/15/2006
Subject: Revolution #6 - Denis Roddier
Group: potadg Message: 41325 From: Michael Whitty Date: 9/15/2006
Subject: Revolution #6 - Steve Molnar
Group: potadg Message: 41326 From: Michael Whitty Date: 9/15/2006
Subject: Re: Revolution #6
Group: potadg Message: 41327 From: veetus@earthlink.net Date: 9/15/2006
Subject: Re: Worldcon report
Group: potadg Message: 41328 From: Michael Whitty Date: 9/15/2006
Subject: Re: {Disarmed} [PotaDG] Damn Sneaky Humans!
Group: potadg Message: 41329 From: Michael Whitty Date: 9/15/2006
Subject: Revolution #6 - Art and Bernie
Group: potadg Message: 41330 From: gp3085 Date: 9/15/2006
Subject: Re: Revolution #6
Group: potadg Message: 41331 From: Graham Hill Date: 9/15/2006
Subject: Re: Revolution #6
Group: potadg Message: 41332 From: Graham Hill Date: 9/15/2006
Subject: Re: Revolution #6 - Art and Bernie
Group: potadg Message: 41333 From: Wendy Kostora Date: 9/15/2006
Subject: Re: Worldcon report
Group: potadg Message: 41334 From: atragon1@aol.com Date: 9/15/2006
Subject: Re: Revolution #6
Group: potadg Message: 41335 From: TZer0@aol.com Date: 9/15/2006
Subject: Re: Worldcon report
Group: potadg Message: 41336 From: Michael Whitty Date: 9/16/2006
Subject: Non-official T Shirts
Group: potadg Message: 41337 From: Neil T Foster Date: 9/16/2006
Subject: Re: Apes at the Zoo
Group: potadg Message: 41338 From: Neil T Foster Date: 9/16/2006
Subject: Re: Worldcon report
Group: potadg Message: 41339 From: Ty Templeton Date: 9/16/2006
Subject: Re: Non-official T Shirts
Group: potadg Message: 41340 From: Haristas@aol.com Date: 9/16/2006
Subject: Re: Worldcon report
Group: potadg Message: 41341 From: Michael Whitty Date: 9/16/2006
Subject: Re: Non-official T Shirts
Group: potadg Message: 41342 From: PotaDG@yahoogroups.com Date: 9/16/2006
Subject: Birthday Reminder
Group: potadg Message: 41343 From: PotaDG@yahoogroups.com Date: 9/16/2006
Subject: Birthday Reminder
Group: potadg Message: 41344 From: Haristas@aol.com Date: 9/17/2006
Subject: Re: Birthday Reminder
Group: potadg Message: 41345 From: Michael Whitty Date: 9/17/2006
Subject: New home-page picture.
Group: potadg Message: 41346 From: Haristas@aol.com Date: 9/17/2006
Subject: Re: Apes at the Zoo
Group: potadg Message: 41347 From: TZer0@aol.com Date: 9/17/2006
Subject: Re: Apes at the Zoo
Group: potadg Message: 41348 From: Michael Whitty Date: 9/17/2006
Subject: Re: Escape Question
Group: potadg Message: 41349 From: Tim "apefan" Date: 9/17/2006
Subject: Re: New home-page picture.
Group: potadg Message: 41350 From: patrickmichaeltilton Date: 9/17/2006
Subject: Re: Retrofitting the Sequels to the Original "PLANET"
Group: potadg Message: 41351 From: atragon1@aol.com Date: 9/17/2006
Subject: Fwd: [POTA] Re: Escape Question - the nature of the Alpha Omega bomb
Group: potadg Message: 41352 From: patrickmichaeltilton Date: 9/17/2006
Subject: Re: Retrofitting the Sequels to the Original "PLANET"
Group: potadg Message: 41353 From: Patrick Tilton Date: 9/17/2006
Subject: Let's do the Time-Warp yet again...
Group: potadg Message: 41354 From: Haristas@aol.com Date: 9/17/2006
Subject: Re: Retrofitting the Sequels to the Original "PLANET"
Group: potadg Message: 41355 From: Haristas@aol.com Date: 9/17/2006
Subject: Re: Retrofitting the Sequels to the Original "PLANET"
Group: potadg Message: 41356 From: TZer0@aol.com Date: 9/17/2006
Subject: Re: Apes at the Zoo
Group: potadg Message: 41357 From: TZer0@aol.com Date: 9/17/2006
Subject: Re: Escape Question
Group: potadg Message: 41358 From: TZer0@aol.com Date: 9/17/2006
Subject: Re: Apes at the Zoo
Group: potadg Message: 41359 From: Haristas@aol.com Date: 9/17/2006
Subject: Re: Escape Question
Group: potadg Message: 41360 From: atragon1@aol.com Date: 9/17/2006
Subject: Re: [POTA] Re: Escape Question - the nature of the Alpha Omega bomb
Group: potadg Message: 41361 From: PofTAfan@aol.com Date: 9/17/2006
Subject: Re: [POTA] Re: Escape Question - the nature of the Alpha Omega bomb
Group: potadg Message: 41362 From: Tim "apefan" Date: 9/17/2006
Subject: Lalo Schifrin 45
Group: potadg Message: 41363 From: Michael Whitty Date: 9/18/2006
Subject: You'll NEVER Escape
Group: potadg Message: 41364 From: Michael Whitty Date: 9/18/2006
Subject: Re: {Disarmed} [PotaDG] Re: [POTA] Re: Escape Question - the nature
Group: potadg Message: 41365 From: Dario Date: 9/18/2006
Subject: home-page pic , WC, Rev#6, Empire
Group: potadg Message: 41366 From: handleyr@optonline.net Date: 9/18/2006
Subject: Re: Digest Number 2320
Group: potadg Message: 41367 From: PotaDG@yahoogroups.com Date: 9/18/2006
Subject: Birthday Reminder
Group: potadg Message: 41368 From: PotaDG@yahoogroups.com Date: 9/18/2006
Subject: Birthday Reminder
Group: potadg Message: 41369 From: Patrick Tilton Date: 9/19/2006
Subject: Mea culpa
Group: potadg Message: 41370 From: patrickmichaeltilton Date: 9/19/2006
Subject: POTA - the Sequels as "Saga"
Group: potadg Message: 41371 From: patrickmichaeltilton Date: 9/19/2006
Subject: The Dark Fate of the Moon...
Group: potadg Message: 41372 From: Haristas@aol.com Date: 9/19/2006
Subject: Re: POTA - the Sequels as "Saga"
Group: potadg Message: 41373 From: Haristas@aol.com Date: 9/19/2006
Subject: Re: The Dark Fate of the Moon...
Group: potadg Message: 41374 From: patrickmichaeltilton Date: 9/19/2006
Subject: Shane Johnson - scary news
Group: potadg Message: 41375 From: Wendy Kostora Date: 9/19/2006
Subject: Re: The Dark Fate of the Moon...
Group: potadg Message: 41376 From: Wendy Kostora Date: 9/19/2006
Subject: Re: Shane Johnson - scary news
Group: potadg Message: 41377 From: patrickmichaeltilton Date: 9/19/2006
Subject: Re: The Dark Fate of the Moon...



Group: potadg Message: 41278 From: Neil Date: 9/12/2006
Subject: Re: Apes at the Zoo
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-- Same with the cartoon version of Zaius, he is nowhere near as evil
as the movie version. I suppose it was aimed at a much younger
audience though.

Neil

--- In PotaDG@yahoogroups.com, Haristas@... wrote:
> Of course, by the time you get to the POTA cartoon series, Cornelius
and Zira have mutated to characters only remotely similar to those in
the novel and first film.
<.html
Group: potadg Message: 41279 From: Neil Date: 9/12/2006
Subject: Re: Apes at the Zoo
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-- Very true, well said Rory!

Neil

--- In PotaDG@yahoogroups.com, Haristas@... wrote:
> Unfortunately with this kind of stuff, it's usually the most recent
incarnation of the character that becomes the cliche. Look at how
when it's the Frankenstein Monster on anything, it's usually Glenn
Strange's lumbering moron, and not Karloff's more complicated creature.
<.html
Group: potadg Message: 41280 From: TZer0@aol.com Date: 9/12/2006
Subject: Re: Apes at the Zoo
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In a message dated 9/12/2006 4:17:59 P.M. Central Daylight Time, ntfoster@... writes:
- Same with the cartoon version of Zaius, he is nowhere near as evil
as the movie version. I suppose it was aimed at a much younger
audience though.

Neil
 
Yeah, it's a bit tough to talk about gelding some one on a Saturday morning cartoon.
 
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Group: potadg Message: 41281 From: TZer0@aol.com Date: 9/12/2006
Subject: Re: Apes at the Zoo
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In a message dated 9/12/2006 4:08:44 P.M. Central Daylight Time, ntfoster@... writes:
I never saw them as being
very nice towards humans
Zira gave them sugar cubes.
 
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Group: potadg Message: 41282 From: Neil Date: 9/12/2006
Subject: Re: Apes at the Zoo
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-- Exactly, she sees them as no better than horses or other animals.

Neil

--- In PotaDG@yahoogroups.com, TZer0@... wrote:
> Zira gave them sugar cubes.
<.html
Group: potadg Message: 41283 From: PotaDG@yahoogroups.com Date: 9/12/2006
Subject: Anniversary Reminder
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Reminder from:   PotaDG's Calendar
Title:   Planet of the Apes TV series Premier
Date:   Wednesday September 13, 2006
Time:   All Day
Repeats:   This event repeats every year.
Description:   The Planet of the Apes Television show premiered on this day in 1974
Copyright © 2006  Yahoo! Inc. All Rights Reserved | <.html
<.html
Group: potadg Message: 41284 From: Ty Templeton Date: 9/13/2006
Subject: Revolution #6
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I've been told by at least one distributor that Revolution #6 WILL be on sale today...

Ty
<.html
Group: potadg Message: 41285 From: Michael Whitty Date: 9/13/2006
Subject: Revolution #6
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Thanks Ty.


Can’t wait!

Michael

 

-----Original Message-----
From: PotaDG@yahoogroups.com [PotaDG@yahoogroups.com] On Behalf Of Ty Templeton
Sent: Wednesday, 13 September 2006 7:52 PM
To: PotaDG@yahoogroups.com
Subject: {Disarmed} [PotaDG] Revolution #6

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Group: potadg Message: 41286 From: TZer0@aol.com Date: 9/13/2006
Subject: Re: Apes at the Zoo
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In a message dated 9/12/2006 4:53:52 P.M. Central Daylight Time, ntfoster@... writes:
-- Exactly, she sees them as no better than horses or other animals.
 
But that isn't what you said.  What you said was . . .
"but I never saw them as being very nice towards humans" 
Giving them treats is being nice.  Whether you're giving
Scooby Snacks to Scooby or Shaggy, you're still being nice.
Maybe that doesn't qualify was "very" nice, but then what does?
 
 
<.html
<.html
Group: potadg Message: 41287 From: Neil Date: 9/13/2006
Subject: Re: Apes at the Zoo
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-- Well certainly not keeping them in cages and doing experiments on them.

Neil

--- In PotaDG@yahoogroups.com, TZer0@... wrote:
> But that isn't what you said. What you said was . . .
> "but I never saw them as being very nice towards humans"
> Giving them treats is being nice. Whether you're giving
> Scooby Snacks to Scooby or Shaggy, you're still being nice.
> Maybe that doesn't qualify was "very" nice, but then what does?
<.html
Group: potadg Message: 41288 From: Greg Plonowski Date: 9/13/2006
Subject: Marvel UK issue 100
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The 100th issue in our continuing Marvel UK project has been posted to Hunter's site. 23 more issues of PotA to go, plus the 16 issues of Mighty World of Marvel that finished off the series.
 
This issue contains the next part in the Derek Zane story, reprinted from issues 85 and 86, as well as the next chapter in the reprinting of the Planet adaptation. New content in this issue is a 9-page Glossary of the Planet of the Apes, which includes some nice photos from the TV series as well as the films. The PDFs have been arranged so that if you only want the glossary you just have to download part 2.
 
If you want original Planet of the Apes comics material today, head out to your local comic shop and purchase a copy of Revolution on the Planet of the Apes #6, by the good folks at Mr. Comics.
 
 
Thanks,
Greg
<.html
Group: potadg Message: 41289 From: patrickmichaeltilton Date: 9/13/2006
Subject: Re: Hollywoodland - OT
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--- In PotaDG@yahoogroups.com , Haristas@... wrote:
>
> In a message dated 9/9/06 1:35:06 PM Eastern Daylight Time,
> patrickmichaeltilton@... writes:
>
>
> > I could type more about this stuff now, but I gotta get ready to go
> > to "HOLLYWOODLAND".
> >
> > Patrick
> >
>
> I've read the reviews for that movie and I've pretty much decided
to "wait
> for the DVD."
>
> -- Rory
>
*** I went to an afternoon matinee showing, which cost about $5.50 (not
including theater-bought soda pop). I'm sure that a DVD rental (when it
becomes available) will probably be cheaper than that and, with the
home theater system you've probably got, it'll be almost as if you're
in a good-sized theater... but when I can get to an actual theater and
see a flick in its first-run -- at a matinee price -- I will opt for
that. I'd heard enough good reviews of "HOLLYWOODLAND" to warrant
spending dough at the theater.

So, was it worth the $5.50 spent on it? Yeah. It was a good flick, much
better than the few negative reviews I'd read (from some AP reviewer
our local newspaper runs). All the Affleck-bashers should cut the dude
some friggin' slack: when he's in a good dramatic role, he is more than
able to deliver a fine performance. If I'm not mistaken, he's just won
an award for his portrayal of George Reeves.

I'd rate the flick, oh, about 3 1/2 stars outta 5. The average
Hollywood-produced movie I see in theaters tends to rate less than
that, so I'd recommend it. I think I've seen a 5-stars-out-of-5 flick
only once or twice in the last 10 years.

Patrick
<.html
Group: potadg Message: 41290 From: patrickmichaeltilton Date: 9/13/2006
Subject: Retrofitting the Sequels to the Original "PLANET"
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--- In PotaDG@yahoogroups.com , Haristas@... wrote:
> Thank you Patrick for FINALLY writing that. If only, in all you're
millions of words, you'd written what's above more often, then you
and everyone else here in Yahooland would have been saved "alot" of
grief from me.
>
> Still, I KNOW you're loopy in what you're doing, and I can't help
get furious when you "retrofit" PLANET to the rest of the "inferior"
sequels. It's just so artistically and intellectually wrong and an
injustice to the filmmakers.

*** Actually, I consider my POTA Scenario to be more of a "retrofit"
of the Dehn-flubbed sequels -- unflubbed -- back onto the original
film's scenario. In "PLANET" the Taylor mission to an unnamed star
system 320 lightyears away in Orion was explicitly intended to
take 'em about 2000 years of EARTH-TIME and only 18 months of SHIP-
TIME. It was Dehn who either didn't pay enough attention to that info
from "PLANET" when he introduced Brent (et al.), and it is THAT major
mistake that my scenario is intended to "retrofit" or "re-interpret"
so that it restores the "PLANET" scenario Serling & Wilson intended.

Of course, that requires certain adjustments to the "PLANET"
situation, but that's because I -- unlike you -- don't treat "PLANET"
as a stand-alone thing. The sequels, no matter how flawed they may
be, are a part of a 'saga', whether you like it or not. Most APES
fans don't consider "BENEATH"-through-"BATTLE to be thrown out of a
POTA canon, the same way they consider "RETURN" and Burton's flick to
be unworthy of inclusion in that same canon.

If what I'm doing is an "injustice to the filmmakers", well, those
same filmmakers also made "BENEATH", "ESCAPE", etc etc, and the flubs
they introduced did a sort of "injustice" to the makers of "PLANET"
(in other words, to THEMSELVES). It's too bad that Serling & Wilson
weren't there looking over Dehn's shoulder, to tell him that his
Brent-rescue-mission stuff violates the plotline of the original.

But, what was done is a fait accompli, and I'm just taking all that
surface detail at face value to concoct a scenario that serves as an
umbrella over all of it. Like Cornelius or Taylor trying to make
sense of the artifacts in the Cave, I'm "reconstructing" a scenario
that explains all the on-screen evidence without selectively ignoring
any detail that doesn't fit in with the sequel-writers' "intended"
scenario (which violated the "PLANET" scenario).


> So, I'm going to try as hard as I can to ignore you. Sorry, but
after all these years I'm just not amused.
>
> You did once provide for me a very good explanation of how the time
travel in Boulle's book would work, so thanks for that.
>
> -- Rory

*** Well, you're welcome.

Patrick
<.html
Group: potadg Message: 41291 From: patrickmichaeltilton Date: 9/13/2006
Subject: Re: Apes at the Zoo
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--- In PotaDG@yahoogroups.com , Haristas@... wrote:
>
> In a message dated 9/10/06 2:43:24 PM Eastern Daylight Time,
> Willowape@... writes:
>
>
> > Look at this way Rory, we are not necessarily fighting terrorism.
> > Everything is pointing toward oil which is sufficating our world.
If we should be fighting it should for our world.
> >
> > Wendy
> ----------------------------------------------------------------
> Wendy,
>
> You do realize that it's all focused on man, his importance, his
survival? Man doesn't threaten the earth. This planet in the past has
survived far worse than the crap man is doing to it. It's we who
endanger ourselves. The planet will go on just fine without us, no
matter what kind of a mess we make.
>
> -- Rory
-------------------------------------------------------------------

*** If by "planet" you're referring to the actual rocks it's made out
of and the water in its oceans, then sure, Man can't really "hurt"
the world. Well, not short of any "Doomsday Bomb" anyway.

But with the defoliation of the Amazon Rain Forest (done by Man),
which is causing the premature extinctions of whole species on a
daily basis... the toxic waste produced by our industrialized
society... the hunting-to-the-verge-of-extinction (poaching) of the
Apes and elephants (etc etc)... I fail to see how that situation
is "just fine".

A million years from now, there will still be a rocky oblate spheroid
orbiting the Sun, and the race of Man will probably not be around
then to maintain the name "Earth" for it, and life in some form will
still go on -- like the extremophiles that live in the volcanic vents
at the mid-Atlantic rift-zone -- but it's a damn shame what Man has
done to the world, when there are plenty of sensible things we COULD
do to alleviate the deleterious effects we have on our own
environment. Why we don't do 'em can be summed up by looking at who
our "leaders" are: men beholden to the Special Interests that spent
gazillions of dollars lobbying to preserve their Power. The
corruption in politics... all to serve the greed of the Elite 1% who
own 99% of everything there is that CAN be owned.

It ain't "freedom" that's being preserved so much as a Plutocracy.
The rich keep gettin' richer, the poor get poorer, and the system is
rigged to keep it that way. Nobody can run for Congress or the
Presidency unless he's got a "treasure chest" of multi-millions, to
buy Advertizing (etc etc).

And, alas, too many of the people who NEED a change in this situation
are too goddamn lazy to go out and vote. People are sheep, too
willing to allow themselves to be polarized to the Left or Right as
if they're like the metal filings near a bar magnet.

Patrick
<.html
Group: potadg Message: 41292 From: patrickmichaeltilton Date: 9/13/2006
Subject: Re: Apes at the Zoo
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I recently watched the first couple episodes of "RETURN" and in it
Zaius tells that group of orangutans who share in his secret knowledge
of Earth's past human civilization that IF any humans should be found
who can Talk, then he would support Urko in his desire to destroy the
race of Man. As long as Man remains a mute "animal" and is not deemed a
threat to the survival of the Simian society, cartoon-Zaius had no
problem with letting them exist -- as test animals for the chimp
scientists. But... if any "humanoid" is heard to Talk, then that's the
straw that breaks the camel's back.

Not very "nice" of him, is it?

Patrick


--- In PotaDG@yahoogroups.com, "Neil" <ntfoster@...> wrote:
>
> -- Same with the cartoon version of Zaius, he is nowhere near as evil
> as the movie version. I suppose it was aimed at a much younger
> audience though.
>
> Neil
>
> --- In PotaDG@yahoogroups.com, Haristas@ wrote:
> > Of course, by the time you get to the POTA cartoon series, Cornelius
> and Zira have mutated to characters only remotely similar to those in
> the novel and first film.
>
<.html
Group: potadg Message: 41293 From: Neil T Foster Date: 9/13/2006
Subject: Re: Marvel UK issue 100
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-- As usual, thanks very much Greg.
 
Neil
 
-----Original Message-----
From: PotaDG@yahoogroups.com [PotaDG@yahoogroups.com] On Behalf Of Greg Plonowski
Sent: Thursday, 14 September 2006 12:59 AM
To: pota@yahoogroups.com; potadg@yahoogroups.com; friends & fugitives
Subject: [PotaDG] Marvel UK issue 100

The 100th issue in our continuing Marvel UK project has been posted to Hunter's site. 23 more issues of PotA to go, plus the 16 issues of Mighty World of Marvel that finished off the series.
 
This issue contains the next part in the Derek Zane story, reprinted from issues 85 and 86, as well as the next chapter in the reprinting of the Planet adaptation. New content in this issue is a 9-page Glossary of the Planet of the Apes, which includes some nice photos from the TV series as well as the films. The PDFs have been arranged so that if you only want the glossary you just have to download part 2.
 
If you want original Planet of the Apes comics material today, head out to your local comic shop and purchase a copy of Revolution on the Planet of the Apes #6, by the good folks at Mr. Comics.
 
 
Thanks,
Greg

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Group: potadg Message: 41294 From: Neil T Foster Date: 9/13/2006
Subject: Re: Apes at the Zoo
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-- Don't know if I am getting the wrong end of the stick or anything here but as you can see below I never at any time said anything about the cartoon Zaius being "nice".
 
Neil
 
-----Original Message-----
From: PotaDG@yahoogroups.com [PotaDG@yahoogroups.com] On Behalf Of patrickmichaeltilton
Sent: Thursday, 14 September 2006 1:55 AM
To: PotaDG@yahoogroups.com
Subject: [PotaDG] Re: Apes at the Zoo

I recently watched the first couple episodes of "RETURN" and in it
Zaius tells that group of orangutans who share in his secret knowledge
of Earth's past human civilization that IF any humans should be found
who can Talk, then he would support Urko in his desire to destroy the
race of Man. As long as Man remains a mute "animal" and is not deemed a
threat to the survival of the Simian society, cartoon-Zaius had no
problem with letting them exist -- as test animals for the chimp
scientists. But... if any "humanoid" is heard to Talk, then that's the
straw that breaks the camel's back.

Not very "nice" of him, is it?

Patrick

--- In PotaDG@yahoogroups. com, "Neil" <ntfoster@.. .> wrote:
>
> -- Same with the cartoon version of Zaius, he is nowhere near as evil
> as the movie version. I suppose it was aimed at a much younger
> audience though.
>
> Neil
>
> --- In PotaDG@yahoogroups. com, Haristas@ wrote:
> > Of course, by the time you get to the POTA cartoon series, Cornelius
> and Zira have mutated to characters only remotely similar to those in
> the novel and first film.

.

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Group: potadg Message: 41295 From: Haristas@aol.com Date: 9/13/2006
Subject: Re: Retrofitting the Sequels to the Original "PLANET"
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.html.html In a message dated 9/13/06 11:34:52 AM Eastern Daylight Time, patrickmichaeltilton@... writes:


*** Actually, I consider my POTA Scenario to be more of a "retrofit"
of the Dehn-flubbed sequels -- unflubbed -- back onto the original
film's scenario. In "PLANET" the Taylor mission to an unnamed star
system 320 lightyears away in Orion was explicitly intended to
take 'em about 2000 years of EARTH-TIME and only 18 months of SHIP-
TIME. It was Dehn who either didn't pay enough attention to that info
from "PLANET" when he introduced Brent (et al.), and it is THAT major
mistake that my scenario is intended to "retrofit" or "re-interpret"
so that it restores the "PLANET" scenario Serling & Wilson intended.



Are you pulling a Bush on me, Patrick?

You've always said to me that the 3978 ship time shown in PLANET was wrong, and that the actual year is 3955.  If that's not retrofitting PLANET what is it?

And then there's the whole local thing between PLANET and BENEATH.  Aren't you one of those that say Ape City and the "greenbelts" have to be closer to what was NYC than would be indicated in PLANET so that it matches what's shown in BENEATH?!!!

What's goin' on here?

-- Rory
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Group: potadg Message: 41296 From: Wendy Kostora Date: 9/13/2006
Subject: Re: Just a brag
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Yeah, I can fly. However, gavity seems to be problem these days. Thanks for the congrats!

Wendy


From: "Neil T Foster" <ntfoster@...>
Reply-To: PotaDG@yahoogroups.com
To: <PotaDG@yahoogroups.com>
Subject: RE: [PotaDG] Just a brag
Date: Wed, 13 Sep 2006 07:08:40 +1000

-- Wow you know how to fly then?! ;-)  Seriously though, well done Wendy, congratulations.
 
Neil
 
-----Original Message-----
From: PotaDG@yahoogroups. com [PotaDG@ yahoogroups. com] On Behalf Of libraryape
Sent: Wednesday, 13 September 2006 3:12 AM
To: PotaDG@yahoogroups. com
Subject: [PotaDG] Just a brag

Already I've been approached to coach actors who will
be playing the wicked witch's flying monkeys in in a future
production of "Wizard of Oz".

.


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Group: potadg Message: 41297 From: Haristas@aol.com Date: 9/13/2006
Subject: Re: Retrofitting the Sequels to the Original "PLANET"
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.html.html In a message dated 9/13/06 11:34:52 AM Eastern Daylight Time, patrickmichaeltilton@... writes:


The sequels, no matter how flawed they may be, are a part of a 'saga', whether you like it or not.


Now, you see, this is the kind of emphatic statement from Patrick that infuriates me!

"Whether I like it or not"

You're problem is your mind is closed and you're too damn sure your right!  And you support your conceit by making the idiotic argument that it's true "because that's the way most fans look at it."

That's crap.  What if I tell you that most "fans" don't know their asses from a whole in the ground?  Am I wrong?  Are they scholars, most of them, of ANYTHING?  I kind of doubt it.

The five film series is not a "saga."  It's a film "series."  The first film is Taylor's story.  That story ends at the end of PLANET.  That's the end of it!  That's why Heston didn't want to do a sequel -- because artistically PLANET required NO SEQUEL!

BENEATH is a mess.  It pretends that it's Brent's story, but it then brings in other stuff that's unresolved.

ESCAPE is Zira and Cornelius' story.

In CONQUEST and BATTLE the element that could be called a "saga" is brought into play, that being the development of Caesar, but that's it.

Of all the films in the series, PLANET is the one that's completely independent of all the others!  I really don't know how that can be argued with, EXCEPT if intellecually it's just not something you like!

-- Rory
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Group: potadg Message: 41298 From: TZer0@aol.com Date: 9/14/2006
Subject: Re: Apes at the Zoo
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In a message dated 9/13/2006 6:58:08 A.M. Central Daylight Time, ntfoster@... writes:
-- Well certainly not keeping them in cages and doing experiments on them.
Well, we all know why she's that way.
Oh wait, no we don't because Before POTA
hasn't been finished yet.  No fault of mine.
But you know why . . .
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Group: potadg Message: 41299 From: TZer0@aol.com Date: 9/14/2006
Subject: Re: Apes at the Zoo
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In a message dated 9/13/2006 10:52:19 A.M. Central Daylight Time, patrickmichaeltilton@... writes:
But with the defoliation of the Amazon Rain Forest (done by Man),
which is causing the premature extinctions of whole species on a
daily basis... the toxic waste produced by our industrialized
society... the hunting-to-the- verge-of- extinction (poaching) of the
Apes and elephants (etc etc)... I fail to see how that situation
is "just fine".
 
Actually this temperate period is the exception, not the rule.
The methane in the permafrost that's melting is far more
of a greenhouse gas than CO 2 ever will be.  Nine times
worse in fact.  We may be speeding up it's release,
but if that's the case, we should be able to slow it
down as well.  We'd have to get China and India
on board though.  I saw a doco on a Chinese
leather factory polluting a river and a town.
Seems the government didn't give a fig
about it.  They even arrested the lawyer
bringing the lawsuit on the peoples
behalf.  Not very communistic is it?
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Group: potadg Message: 41300 From: Neil T Foster Date: 9/14/2006
Subject: Re: Apes at the Zoo
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-- Not my fault either. Now if we could only get someone to fund that project...
 
Neil
 
-----Original Message-----
From: PotaDG@yahoogroups.com [PotaDG@yahoogroups.com] On Behalf Of TZer0@...
Sent: Thursday, 14 September 2006 5:18 PM
To: PotaDG@yahoogroups.com
Subject: Re: [PotaDG] Re: Apes at the Zoo

Well, we all know why she's that way.
Oh wait, no we don't because Before POTA
hasn't been finished yet.  No fault of mine.
.
_,_._,___
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Group: potadg Message: 41301 From: Michael Whitty Date: 9/14/2006
Subject: Hollywoodland - OT
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Affleck is in all the Kevin Smith movies I have been watching (except Clerks) and he’s just fine in them.

 

They screwed him when they tried to:

(1) make him the next Harrison Ford;

(2) make a romantic movie with his wife JLo.

 


(Message over 64 KB, truncated)

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Group: potadg Message: 41302 From: Haristas@aol.com Date: 9/14/2006
Subject: Idiocracy
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.html.html From FSM.com:

If you haven't seen Mike Judge's Idiocracy , you're not alone. After sitting on the shelf for two years, the comedy was released by 20th Century Fox in just a few cities (New York City didn't make the cut), and with such little fanfare that even a call to Moviephone only turned the picture up as "Untitled Mike Judge Comedy." Evidently the filmmaker and the studio had some kind of falling out along the production road for the film, but the miracle perhaps is that Idiocracy was released at all. An absolutely ruthless satiric attack on American society's rampant anti-intellectualism, consumer marketing and the conventions of science-fiction films, Idiocracy isn't exactly warm and fuzzy—it's more like cold and filthy.

Judge's story follows an unambitious army private (Luke Wilson) who's frozen in a government experiment and wakes 500 years in the future to find society dumbed down way below idiot level (both the president and Fox News correspondents are pro-wrestlers) and sees massive, inept corporations running everything while trash piles up to the size of mountains and crops go unwatered except for what they can derive from a popular sports drink. The spelling of "Fuddruckers" also changes.

Idiocracy is a comedy, but there's at least one aspect about it that's dead serious: Theodore Shapiro's full-blown orchestral score. Since 2001's Wet Hot American Summer, Shapiro has been known for tackling comedies (the list includes Not Another Teen Movie, Old School, Starsky and Hutch, 13 Going on 30, and this summer's hit, The Devil Wears Prada)—but the Julliard-trained composer has also done scores for David Mamet (Heist, State and Main), and Idiocracy's satirical approach allowed him to write the kind of score probably not heard on movie screens since at least the mid-'70s. Shapiro scored Idiocracy in early 2005, recording the bulk of the score in March of that year. "The process was a very smooth one—Mike and I got in-synch about what the music was going to be and we had a really good time," the composer says. "The only real reference that we talked about was the Goldsmith score to Planet of the Apes , which is one of the clear reference points of this, although I don't think it was so much that Mike knew that score well as it was the idea of a very serious science-fiction epic score. That was really the main thing we thought would be funny, to treat it extremely seriously and nod to the sci-fi genre."

The Idiocracy score, in fact, manages to reference Goldsmith's seminal science-fiction score without, shall we say, "aping it." Shapiro nods to the feel of Apes and some of its effects—staccato piano, echoplex-type fades, strange percussion and the looming, menacing power that was Goldsmith's stock-in-trade. But Shapiro creates his effects gracefully, seamlessly integrating them into the score along with some theremin-like riffs for an opening "history of man" crawl, buzzing action music as Wilson's character is chased by the future idiot authorities, and the requisite warm and noble sentiments to accompany the hero's quasi-romantic relationship with a tender-hearted prostitute (Maya Rudolph) and his eventual triumph over the forces of idiocy.

The upshot is, Idiocracy holds together as a score that works on its own, and not just as a collection of temp riffs—and Shapiro says that's because the temp itself wasn't a roadmap for the score. "There was nothing in the temp that was in that direction at all," he says of the final score's nods to Planet of the Apes. "It was just an idea that I thought would be funny. I had not seen Planet of the Apes until right before I started working on the movie; in fact, that Goldsmith palette was more avant-garde than this movie could really handle. But at the same time there were a number of gestures in that score that did provide inspiration for what I did. I think the fact that I wasn't dealing with a temp that was on the nose was enormously helpful. It was the ideal situation where we had a temp where we could all say, 'Okay, let's go in a different direction,' yet they had a placeholder for screening purposes. Temps can really hamstring you and this was a fortunate situation that we had an idea we agreed upon and there was no sign of that in the temp at all."

Simian Sounds
Shapiro began his work with the film's opening, with stentorian narration and footage showing mankind's fall from grace into a giant pile of garbage. "That whole sequence involving the decline of man and the garbage avalanche was what I tackled first, and one of the things that came out of that is there is a decline of man motif that appears there and runs through the entire score. That was a helpful signpost to hit right out of the gate. That particular cue is not one of the ones that is a Planet of the Apes-influenced cue."

The opening cue does contain some other sci-fi signposts, such as a theremin-like wail at some points. "I wanted to use vintage synths as part of the orchestra, which clearly has a very specific dating component to it. But I thought that would be a funny reference point to hit. That stuff was all done in Atmosphere, a virtual instrument, but what we did that really helped was I love the sound of scores where the synths are played live in the room so we recorded all the synth material at Fox—we ran the synth material through a speaker and then recorded the room. I was actually very happy with the results because it did sound like it was part of the orchestra in a way that sometimes if you have the synth going directly to Pro Tools or tape, even when you run it through reverb that's supposed to simulate a hall, to me it always sounds like a different space and that's one of the more satisfying techniques I've used as far as that goes." The theremin effect was a synth patch, while the effect of a live choir was created using samples. "The orchestra was rather large—there were about 90 players. The choir was fake; I perhaps shouldn't admit that but the choir was fake, and I think my engineer did a good job of setting the levels just low enough that you can't quite make out whether it's real or not. That's a color that should be used with caution. But all of these things have their moments in the cycle of fashion." The references to Planet of the Apes climax in a "Forbidden Zone"-like sequence that has Wilson and his colleagues journey across a suspiciously L.A.-looking wasteland to find a Costco, depicted as a still-operating ruin approximately the size of Nebraska. "I really didn't want to be overly specific about referencing sounds," Shapiro says of his Goldsmith-style riffs. "Off the top of my head Goldsmith uses a shofar or something and people talk about mixing bowls, and I really wasn't interested in the specific sounds as much as the more general gesture he was going after. There's a muted piano, which obviously is used at the beginning of that score. There are log drums, which I'm not sure are part of the Apes score, some col legno stuff, and we did some delay effects, which is very much out of the Goldsmith playbook. We actually went so far as to find out what he would do when he was creating that sound, whether he would record the instruments separately that were being run through the delay and just slap that on to whatever he was using it on and let the rest of the orchestra bleed into the delay as well, which is in fact what he did—so we did that as well. We would just use the delay on whatever instrument section we were adding that effect to and let the rest of the orchestra bleed into that. It should be said that there's a second level of lineage here. When you listen to that score it was clear that he had absorbed a lot of Stravinsky's Rite of Spring, Bartók and other things, so those are influences on both scores."

The composer readily admits that this is the kind of score he doesn't often get the chance to write. "It was great to do this—I love writing this kind of music and it's just a strange circumstance that I've fallen into a place where so many of the scores I write have to have a pop and orchestra hybrid sound. It's certainly not anything I set out to do—I really love writing big orchestral scores and to get a chance to do that was really a great deal of fun, not to mention using a slightly more dissonant harmonic palette. There's a lot of films that really don't have chords with more than three notes in them and so to get to work in this harmonic palette was a great deal of fun. Comedy can provide you with some remarkable opportunities to mine gold in genres that you have great affection for and yet couldn't really work in in the same way today. I've spoken with other composers who get a lot of work in the thriller genre about how we should have some kind of work exchange program so we could do different kinds of work."

Another opportunity Shapiro got on Idiocracy was the chance to actually release his score to listeners. Given the fact that it was recorded in L.A. and that the movie was barely released theatrically, Idiocracy was a score that could easily have fallen through the cracks. But Shapiro got together with the Fox music department to arrange to have his work released on iTunes only instead of a standard CD album release. "Basically from my vantage point all I care about—it would be great if there was a record label that wanted to do a big push for a score that I've done, but all I care about is getting my work out there for somebody to listen to if they really want to. Fox obviously has made a choice that they aren't spending money on the movie, at least not theatrically, but the music department has been terrific and they really wanted to help me get it out there, and basically it doesn't cost anything to put it on iTunes. So we actually mastered the record here at our studio so we were able to put it out just doing the work ourselves and the people at Fox Music were very supportive of that." Nothing idiotic about that.



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Group: potadg Message: 41303 From: Neil T Foster Date: 9/14/2006
Subject: Re: Idiocracy
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-- I had actually noticed that recently when I heard a Bartok piece on a local classical radio station.
 
Neil
 
-----Original Message-----
From: PotaDG@yahoogroups.com [PotaDG@yahoogroups.com] On Behalf Of Haristas@...
Sent: Thursday, 14 September 2006 10:25 PM
To: pota@yahoogroups.com; PotaDG@yahoogroups.com
Subject: [PotaDG] Idiocracy

 When you listen to that score it was clear that he had absorbed a lot of Stravinsky’s Rite of Spring, Bartók and other things,

.
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Group: potadg Message: 41304 From: Neil T Foster Date: 9/14/2006
Subject: Re: Revolution #6
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-- So anyone have confirmation that it is in fact out now? Anyone got their copy?
 
Neil
 
-----Original Message-----
From: PotaDG@yahoogroups.com [PotaDG@yahoogroups.com] On Behalf Of Ty Templeton
Sent: Wednesday, 13 September 2006 7:52 PM
To: PotaDG@yahoogroups.com
Subject: [PotaDG] Revolution #6

I've been told by at least one distributor that Revolution #6 WILL be on sale today... 

 

.
.___
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Group: potadg Message: 41305 From: Ty Templeton Date: 9/14/2006
Subject: Re: Revolution #6
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Oh you're kidding....?  It's STILL not on the stands in some places?!?

Ty

On 9/14/06, Neil T Foster <ntfoster@... > wrote:

-- So anyone have confirmation that it is in fact out now? Anyone got their copy?
 
Neil
 
-----Original Message-----
From: PotaDG@yahoogroups.com [PotaDG@ yahoogroups.com ] On Behalf Of Ty Templeton
Sent: Wednesday, 13 September 2006 7:52 PM
To: PotaDG@yahoogroups.com
Subject: [PotaDG] Revolution #6

I've been told by at least one distributor that Revolution #6 WILL be on sale today... 

 

.
.___


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Group: potadg Message: 41306 From: Michael Whitty Date: 9/14/2006
Subject: Revolution #6
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Should be here in Aus. TODAY!!!!!

Michael

 

-----Original Message-----
From: PotaDG@yahoogroups.com [PotaDG@yahoogroups

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Group: potadg Message: 41307 From: Graham Hill Date: 9/14/2006
Subject: Re: Revolution #6
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--- In PotaDG@yahoogroups.com , "Neil T Foster" <ntfoster@...> wrote:
>
> -- So anyone have confirmation that it is in fact out now? Anyone got
> their copy?
>
> Neil
>
They arrived in the shop today complete with your 2 pin ups in the
back :)
Best wishes Graham.
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Group: potadg Message: 41308 From: Whitty Date: 9/14/2006
Subject: Thanks TY!
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You sure do listen to the fans don't you!  :)
--------- Original Message --------
From: PotaDG@yahoogroups.com
To: "PotaDG@yahoogroups.com" <PotaDG@yahoogroups.com>
Subject: [PotaDG] Re: Revolution #6
Date: 15/09/06 18:53

--- In PotaDG@yahoogroups. com, "Neil T Foster" <ntfoster@.. .> wrote:
>
> -- So anyone have confirmation that it is in fact out now? Anyone got
> their copy?
>
> Neil
>
They arrived in the shop today complete with your 2 pin ups in the
back :)
Best wishes

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Group: potadg Message: 41309 From: Neil T Foster Date: 9/14/2006
Subject: Damn Sneaky Humans!
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Attachments :
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    -- I like the way they got around any title copyright problems with this one:
     
     
     
    Neil
     
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    Group: potadg Message: 41310 From: Haristas@aol.com Date: 9/14/2006
    Subject: Return to the POTA DVDs
    .html
    .html.html Well, I got the 2-disc Fox release of the RETURN cartoon series today.

    I've never been that crazy about this show and I never bothered trying to get it on any home video medium before.  I was sent the show recorded on VHS in SLP (!) a few years ago -- I think recorded from the Sci-Fi Channel -- to copy to DVD, but even though I performed the task (for Cougar I believe), I didn't keep copies for myself.  They looked horrible and it depressed me watching them.

    I have no idea where Hunter got the masters that he copied some time ago on DVD-R or whatever, which I've read are very nice, but I can't imagine they look better than what Fox has released.

    These cartoons look pretty much pristine to me.  I think they're obviously transferred from 35mm and have great color and good sound.  I haven't looked at every episode, but from the several I sampled they all look good to me.  I think I'll actually have fun watching these now because the quality is so good.

    The airdates of the episodes are listed in chronological order on the back of the packaging, but oddly on the two discs they seem to be in random order.

    -- Rory
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    Group: potadg Message: 41311 From: Neil T Foster Date: 9/14/2006
    Subject: The Rarities Disc
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    I have just got my copy of the POTA Rarities DVD. This thing is fantastic. Thank you to all involved, from the folks who supplied the various clips and things and everyone else down to the people who got my copy to me.
    I've only watched a couple of things so far. One being the Mego commercials, something I had never seen before, having been brought up mostly in England as a kid, very funny but very cool too.
     
    Neil
     
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    Group: potadg Message: 41312 From: Whitty Date: 9/14/2006
    Subject: Re: {Disarmed} [PotaDG] Return to the POTA DVDs
    .html
    From what I heard, Fox released an inferior version in the HEAD and then promised to have it sorted nicely for separate release.

    Anyone able to comment on this?

    Michael

    --------- Original Message --------
    From: PotaDG@yahoogroups.com
    To: "pota@yahoogroups.com" <pota@yahoogroups.com>, "PotaDG@yahoogroups.com" <PotaDG@yahoogroups.com>
    Subject: {Disarmed} [PotaDG] Return to the POTA DVDs
    Date: 15/09/06 19:54

    Well, I got the 2-disc Fox release of the RETURN cartoon series today.

    I've never been that crazy about this show and I never bothered trying to get it on any home video medium before.  I was sent the show recorded on VHS in SLP (!) a few years ago -- I think recorded from the Sci-Fi Channel -- to copy to DVD, but even though I performed the task (for Cougar I believe), I didn't keep copies for myself.  They looked horrible and it depressed me watching them.

    I have no idea where Hunter got the masters that he copied some time ago on DVD-R or whatever, which I've read are very nice, but I can't imagine they look better than what Fox has released.

    These cartoons look pretty much pristine to me.  I think they're obviously transferred from 35mm and have great color and good sound.  I haven't looked at every episode, but from the several I sampled they all look good to me.  I think I'll actually have fun watching these now because the quality is so good.

    The airdates of the episodes are listed in chronological order on the back of the packaging, but oddly on the two discs they seem to be in random order.

    -- Rory

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    Group: potadg Message: 41313 From: gp3085 Date: 9/14/2006
    Subject: Re: Revolution #6
    .html
    I picked up a copy yesterday. The back-up story is fantastic. Easily
    my favorite of the series.

    I need to sit down and read the entire main story from start to finish
    across the six issues, but I'm not totally convinced by the resolution
    of the story with regards to Caesar's dreams. The explanation of why
    he doesn't have them in Battle seems almost an afterthought rather
    than the major twist in the ending that I was anticipating. The back-
    up story actually has a twist on the scale I was anticipating for the
    ending of the main story.

    Greg

    --- In PotaDG@yahoogroups.com, "Neil T Foster" <ntfoster@...> wrote:
    >
    > -- So anyone have confirmation that it is in fact out now? Anyone got
    > their copy?
    >
    > Neil
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    Group: potadg Message: 41314 From: tshaf37@aol.com Date: 9/14/2006
    Subject: Re: Revolution #6
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    In a message dated 9/14/2006 5:09:12 P.M. Eastern Standard Time, ntfoster@... writes:
    -- So anyone have confirmation that it is in fact out now? Anyone got their copy?
     
    Neil
     
    I have mine and it was great, I read in the back how there going to start a new series Empire on the Planet of the apes this winter. Have no idea when this takes place?
     
    Tom
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    Group: potadg Message: 41315 From: tshaf37@aol.com Date: 9/14/2006
    Subject: POTA Easter Eggs
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    For anyone who cares I have a few Easter Eggs to share with you guy on
    the New Planet of the apes set that came out.
    Enjoy
    Tom
     
    Escape from the Planet of the apes
    From the "Special Features" menu, highlight the word "Main", then press Up on your remote.
    This will highlight a chimpanzee; press "Enter" on your remote to see
    some "Don Taylor Directing Escape From The Planet of the Apes" behind-the-scenes footage.
     
     
     
    Conquest of the Planet of the apes
     
    From the "Special Features" menu, highlight the word "Main", then press Up on your remote. This will highlight the face of one of the chimpanzees; press "Enter" on your remote to see some "J. Lee Thompson Directing Conquest of the Planet of the Apes" behind-the-scenes footage.
     
     
    Battle for the Planet of the apes
    Bells & whistles
     
    Though it is noted nowhere on the packaging or menu, you can use PC Friendly or InterActual Player to access the 30th Anniversary website offline; it is contained in its entirety on the DVD itself
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    Group: potadg Message: 41316 From: TZer0@aol.com Date: 9/15/2006
    Subject: Re: Idiocracy
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    In a message dated 9/14/2006 3:47:14 P.M. Central Daylight Time, ntfoster@... writes:
    When you listen to that score it was clear that he had absorbed a lot of Stravinsky's Rite of Spring, Bartók and other things,
     
    A lot of the atonal stuff< I dig, like Stravinsky's Right of Spring.
    But it caused a riot when it was first performed.  Lucky we grew up on POTA.
     
    <.html
    <.html
    Group: potadg Message: 41317 From: TZer0@aol.com Date: 9/15/2006
    Subject: Re: Apes at the Zoo
    .html
    .html
    In a message dated 9/14/2006 5:13:13 A.M. Central Daylight Time, ntfoster@... writes:
    Now if we could only get someone to fund that project...
     
    Neil
     
    How much you want?
    <.html
    <.html
    Group: potadg Message: 41318 From: TZer0@aol.com Date: 9/15/2006
    Subject: Any music lovers?
    .html
    .html
     
    If any of you are punk rock fans you might want to check out my
    brother's band, Scratch Acid.  They reformed for 3 shows only,
    Austin, Chicago and Seattle.  The first two are over, but if you
    can't make it to the last ever show in Seattle, youtube.com
    has some clips from the show at Touch & Go Block Party.
     
     
    <.html
    <.html
    Group: potadg Message: 41319 From: Ty Templeton Date: 9/15/2006
    Subject: Re: Revolution #6
    .html
    Let me offer this:

    As writer/editor for Revolution, I didn't consider the back up stories a different series from the continuing lead feature, nor were they an afterthought.  Each issue, the stories and text pieces were all part of the same tapestry.  "Catch a Falling Star" was where the Revolution mini-series was meant to end....not on the final chapter of the lead feature.

    Did that make any sense?

    Ty the Editor Guy.

    Anyway, I'm dying to hear from all of you guys about our finale ish, now that it's.....FINALLY out!  There's no more letters pages, but us panting creators are drooling to hear your response online, so give it to us straight.  Joe, Tom, Art, Bernie, Steve and I can take it.

    PS:  Wasn't Steve Molnar's art fantabulous in his first story for us?!?

    Again Ty


    On 9/14/06, gp3085 < urko3085@...> wrote:

    I picked up a copy yesterday. The back-up story is fantastic. Easily
    my favorite of the series.

    I need to sit down and read the entire main story from start to finish
    across the six issues, but I'm not totally convinced by the resolution
    of the story with regards to Caesar's dreams. The explanation of why
    he doesn't have them in Battle seems almost an afterthought rather
    than the major twist in the ending that I was anticipating. The back-
    up story actually has a twist on the scale I was anticipating for the
    ending of the main story.

    Greg



    --- In PotaDG@yahoogroups.com, "Neil T Foster" <ntfoster@...> wrote:
    >
    > -- So anyone have confirmation that it is in fact out now? Anyone got
    > their copy?
    >
    > Neil


    <.html
    Group: potadg Message: 41320 From: Dario Date: 9/15/2006
    Subject: Worldcon report
    .html
    OK, I've been back a while from my California/Worldcon trip, but
    I've been to busy doing other things (like catching up with all the
    posts here I've missed) to report in.

    As I did in '03, I decided to wear a diffeent "Planet of the Apes" T-
    shirt each day at the con. I did this to see who (if anyone) still
    recognized this classic series and to see if it could be used as a
    conversation starter. I almost decided to not to go ahead this year
    after the lackluster response I had in Toronto in '03. Even this
    year the first day went off without so much as a second look. But as
    the con wore on I did get quite a few people coming up and asking me
    about the T's. Some were genuine fans, some just curious. I even had
    a short discussion on the topic with Rob Sawyer, a big fan of the
    series and sometime participant in the POTADG. One of the guys with
    whom I had discussed POTA remembered me when he ran into Eric Green,
    the author of "POTA as American Myth" and promptly introduced us. I
    was great to talk to Eric even briefly about our shared enthusiasm
    for all things Ape. There wasn't really all that much POTA related
    at the con itself but I did snag a few more reproduction posters in
    the dealers room. I had brought along my copies of Escape and Battle
    as they were written by Jerry Pournelle and David Gerrold
    (respectively) and both of these guys were going to be at the con. I
    never did get to meet Gerrold, but I managed to get Pournelle to
    sign my escape. He added "The only good human is a Planet of the
    Apes fan".

    Although there was nothing new or exciting on the Apes front, I did
    come away with a better feeling that there are certainly
    many 'closet' Ape fans out there. They may not be active
    participants in DG's, but they still do care about the series.

    My one disaspopintment was that due to a last minute change in
    plans, I could not stick around the LA area for the following week.
    I had planned to visit a few POTA sites inluding Piont Dume and
    Century City. So close and yet so far.

    A full convention long winded "Patrick-esque" report can be found
    here (it includes references to the Batmobile, plenty of SF
    authors, comics, and my infamous encounter with Harlan Ellison):
    http://www.theendoftheuniverse.ca/node/266

    Next up: Revolution on POTA #6 and let me dig into that POTA
    rareties DVD!

    Dario
    <.html
    Group: potadg Message: 41321 From: Michael Whitty Date: 9/15/2006
    Subject: Re: {Disarmed} Re: [PotaDG] Re: Revolution #6
    .html
    .html

    To someone who has read it, yes it does make sense!  J

    <.html
    <.html
    Group: potadg Message: 41322 From: Michael Whitty Date: 9/15/2006
    Subject: Revolution #6 - Tom Fowler
    .html
    .html

     

    He’s so good we’d adopt him and call him an Aussie!  J</

    (Message over 64 KB, truncated)

    <.html
    <.html
    Group: potadg Message: 41323 From: Michael Whitty Date: 9/15/2006
    Subject: Revolution #6 - Ty
    .html
    .html

    Congratulations Ty.

     

    You are so incredibly special in that you have embraced the fans of a dwindling franchise and you have been listening hard to us.

     <

    (Message over 64 KB, truncated)

    <.html
    <.html
    Group: potadg Message: 41324 From: Michael Whitty Date: 9/15/2006
    Subject: Revolution #6 - Denis Roddier
    .html
    .html

    Dude the cover layout is fantastic.

     

    I must say I prefer the chimps looking as they do (he does?) on issue #2 but hey......

     



    (Message over 64 KB, truncated)

    <.html
    <.html
    Group: potadg Message: 41325 From: Michael Whitty Date: 9/15/2006
    Subject: Revolution #6 - Steve Molnar
    .html
    .html

    Steve is my fave “true to life” comic artist behind Neil now.  His apes look like an animated version of the POTA apes, which is how we POTA fans like them!  Anyone who told you we just like comics of POTA is nuts – we want drawings of movies!

     

    (Message over 64 KB, truncated)

    <.html
    <.html
    Group: potadg Message: 41326 From: Michael Whitty Date: 9/15/2006
    Subject: Re: Revolution #6
    .html
    .html

    Neil WHO!?!?!?!?  J

    Read the letters page to understand.......

     

    <

    (Message over 64 KB, truncated)

    <.html
    <.html
    Group: potadg Message: 41327 From: veetus@earthlink.net Date: 9/15/2006
    Subject: Re: Worldcon report
    .html
    .html
      I went to the World Con on Sunday, the last day. I'm not much for conventions anymore but it IS the World Con and it doesn't hit this neck of the woods that often (4 times in 64 years). I wore a "Go Ape" marathon shirt and got a few smiles but this thing was really about serious science fiction, not popular movies. It's the opposite of Comic Con. So it really wasn't the place for POTA.
      Anyway, I went because it was the World Con. It was way overpriced, there wasn't much happening except some panels. I went to the "Science Fiction in the '70's and '80's" and "40 Years of Star Trek" panels, went to the dealer room and that was it. I kept my badge to say "I was there" but I wouldn't go again. I bumped into Eric Greene too, and noticed there's a new edition of his book with a crappy Statue of Liberty cover.  - - - Jeff
     
    ----- Original Message -----
    From: Dario
    Sent: Friday, September 15, 2006 6:18 AM
    Subject: [PotaDG] Worldcon report


    OK, I've been back a while from my California/Worldcon trip, but
    I've been to busy doing other things (like catching up with all the
    posts here I've missed) to report in.

    As I did in '03, I decided to wear a diffeent "Planet of the Apes" T-
    shirt each day at the con. I did this to see who (if anyone) still
    recognized this classic series and to see if it could be used as a
    conversation starter. I almost decided to not to go ahead this year
    after the lackluster response I had in Toronto in '03. Even this
    year the first day went off without so much as a second look. But as
    the con wore on I did get quite a few people coming up and asking me
    about the T's. Some were genuine fans, some just curious. I even had
    a short discussion on the topic with Rob Sawyer, a big fan of the
    series and sometime participant in the POTADG. One of the guys with
    whom I had discussed POTA remembered me when he ran into Eric Green,
    the author of "POTA as American Myth" and promptly introduced us. I
    was great to talk to Eric even briefly about our shared enthusiasm
    for all things Ape. There wasn't really all that much POTA related
    at the con itself but I did snag a few more reproduction posters in
    the dealers room. I had brought along my copies of Escape and Battle
    as they were written by Jerry Pournelle and David Gerrold
    (respectively) and both of these guys were going to be at the con. I
    never did get to meet Gerrold, but I managed to get Pournelle to
    sign my escape. He added "The only good human is a Planet of the
    Apes fan".

    Although there was nothing new or exciting on the Apes front, I did
    come away with a better feeling that there are certainly
    many 'closet' Ape fans out there. They may not be active
    participants in DG's, but they still do care about the series.

    My one disaspopintment was that due to a last minute change in
    plans, I could not stick around the LA area for the following week.
    I had planned to visit a few POTA sites inluding Piont Dume and
    Century City. So close and yet so far.

    A full convention long winded "Patrick-esque" report can be found
    here (it includes references to the Batmobile, plenty of SF
    authors, comics, and my infamous encounter with Harlan Ellison):
    http://www.theendof theuniverse. ca/node/266

    Next up: Revolution on POTA #6 and let me dig into that POTA
    rareties DVD!

    Dario

    <.html
    <.html
    Group: potadg Message: 41328 From: Michael Whitty Date: 9/15/2006
    Subject: Re: {Disarmed} [PotaDG] Damn Sneaky Humans!
    .html
    Attachments :
      .html

      Don’t recall this one!

       

      <.html
      <.html
      Group: potadg Message: 41329 From: Michael Whitty Date: 9/15/2006
      Subject: Revolution #6 - Art and Bernie
      .html
      .html

      Fellas your colouring of these issues has been remarkable.

       

      P4 is a wonderful example – dark and broody in the first 2 panels; then a holocaust tinge in the other 3 panels.  

      <.html
      <.html
      Group: potadg Message: 41330 From: gp3085 Date: 9/15/2006
      Subject: Re: Revolution #6
      .html
      I did read it. It does make sense. It's just not satisfying as an
      explanation as to why the Caesar in the Revolution comics has these
      dreams of his parents and the world ending, but the Caesar in Battle
      is so desparate for knowledge of his parents and the future that he
      treks out to the forbidden city. Hold on, let me insert some

      S
      P
      O
      I
      L
      E
      R

      S
      P
      A
      C
      E

      Within the main story, we're told that Caesar's dreams stop. Does
      that mean he'll forget the details of them over time? If so, what
      about his journals, or what he told Lisa about his dreams? Let's say
      Caesar has completely blocked the details of his dreams by the time
      of Battle. Wouldn't you think that when he tells Lisa he's heading
      out to the forbidden city to learn about his parents and the future,
      that she would have told him about the dreams he was having when
      they first met? Or did the memories of what Caesar told her about
      his dreams fade for her as well, and the writing in Caesar's
      journals faded away like the images of Marty McFly's siblings in the
      photo he carried in Back to the Future? Also, if Caesar successfully
      destroyed the A/O bomb and prevented the eventual end of the world,
      which is what I presume caused his dreams to stop, then how does the
      bomb appear in Battle?

      The back-up story, if taken as part of the entire story in the
      comics, suggests that the Caesar in the comics and the entire main
      story we've just read is an 'alternate' timeline from the films,
      where the events of Battle as we know them don't happen, and an
      alternate Zaius kills Milo to prevent Zira and Cornelius from
      traveling back in time and giving birth to Caesar in the past. A
      fascinating idea, but if the explanation as to why the Caesar in the
      comics has dreams that the Caesar in the films never had is that
      it's an alternate timeline, then it feels like a cheat. That's my
      take on it, at least, but I'm eager to hear what other people think.

      Greg

      --- In PotaDG@yahoogroups.com, "Michael Whitty" <whitty@...> wrote:
      >
      > To someone who has read it, yes it does make sense! :-)
      >
      > -----Original Message-----
      > From: PotaDG@yahoogroups.com [PotaDG@yahoogroups.com] On
      Behalf
      > Of Ty Templeton
      > Sent: Friday, 15 September 2006 8:49 PM
      > To: PotaDG@yahoogroups.com
      > Subject: {Disarmed} Re: [PotaDG] Re: Revolution #6
      >
      > Let me offer this:
      >
      > As writer/editor for Revolution, I didn't consider the back up
      stories a
      > different series from the continuing lead feature, nor were they an
      > afterthought. Each issue, the stories and text pieces were all
      part of
      > the same tapestry. "Catch a Falling Star" was where the Revolution
      > mini-series was meant to end....not on the final chapter of the
      lead
      > feature.
      >
      > Did that make any sense?
      <.html
      Group: potadg Message: 41331 From: Graham Hill Date: 9/15/2006
      Subject: Re: Revolution #6
      .html
      --- In PotaDG@yahoogroups.com , "Ty Templeton" <tybunny@...> wrote:
      >
      > Let me offer this:
      >
      > As writer/editor for Revolution, I didn't consider the back up
      stories a
      > different series from the continuing lead feature, nor were they an
      > afterthought. Each issue, the stories and text pieces were all
      part of the
      > same tapestry. "Catch a Falling Star" was where the Revolution
      mini-series
      > was meant to end....not on the final chapter of the lead feature.
      >
      > Did that make any sense?
      >
      > Ty the Editor Guy.

      Yeah I know what you mean :) , I always read the back ups after the
      main feature but didn't view them as a different series. One thing
      this throws up though, is where will they be placed in the TPB ?
      will they stay where they are now, between chapters or moved to the
      end of the book ?
      Best wishes Graham.
      <.html
      Group: potadg Message: 41332 From: Graham Hill Date: 9/15/2006
      Subject: Re: Revolution #6 - Art and Bernie
      .html
      --- In PotaDG@yahoogroups.com , "Michael Whitty" <whitty@...> wrote:
      >
      > Fellas your colouring of these issues has been remarkable.
      >
      > P4 is a wonderful example - dark and broody in the first 2 panels;
      then
      > a holocaust tinge in the other 3 panels.
      >
      > Great work!
      >
      > Michael
      >
      >
      >

      The colouring has been a high point. Despite different artist the
      comics held together as a coherent whole due in no small amount, I
      think , to the wonderful work they've both done. ( A short black and
      white wash strip would have been nice though :) )
      Best Graham.
      <.html
      Group: potadg Message: 41333 From: Wendy Kostora Date: 9/15/2006
      Subject: Re: Worldcon report
      .html
      .html

      I use to love going to sci-fi convention. These days though, I won't go unless it involves writing. You meet a lot more interesting people that way. It's to bad you only a got a few smiles Jeff. May your shirt should have said, "Apes Rule, Humans Drool" I got a a lot of response on that one, however, that was a few years back. Did you see Swayer? Now that would have been my motivation to go to world con. Damn, I sure like to meet him, buy him a drink. Hey, if I met ya, I would have bought you a drink. Cheers to POTA.

      Wendy


      From: <veetus@...>
      Reply-To: PotaDG@yahoogroups.com
      To: <PotaDG@yahoogroups.com>
      Subject: Re: [PotaDG] Worldcon report
      Date: Fri, 15 Sep 2006 08:14:03 -0700

        I went to the World Con on Sunday, the last day. I'm not much for conventions anymore but it IS the World Con and it doesn't hit this neck of the woods that often (4 times in 64 years). I wore a "Go Ape" marathon shirt and got a few smiles but this thing was really about serious science fiction, not popular movies. It's the opposite of Comic Con. So it really wasn't the place for POTA.
        Anyway, I went because it was the World Con. It was way overpriced, there wasn't much happening except some panels. I went to the "Science Fiction in the '70's and '80's" and "40 Years of Star Trek" panels, went to the dealer room and that was it. I kept my badge to say "I was there" but I wouldn't go again. I bumped into Eric Greene too, and noticed there's a new edition of his book with a crappy Statue of Liberty cover.  - - - Jeff
       
      ----- Original Message -----
      From: Dario
      Sent: Friday, September 15, 2006 6:18 AM
      Subject: [PotaDG] Worldcon report


      OK, I've been back a while from my California/Worldcon trip, but
      I've been to busy doing other things (like catching up with all the
      posts here I've missed) to report in.

      As I did in '03, I decided to wear a diffeent "Planet of the Apes" T-
      shirt each day at the con. I did this to see who (if anyone) still
      recognized this classic series and to see if it could be used as a
      conversation starter. I almost decided to not to go ahead this year
      after the lackluster response I had in Toronto in '03. Even this
      year the first day went off without so much as a second look. But as
      the con wore on I did get quite a few people coming up and asking me
      about the T's. Some were genuine fans, some just curious. I even had
      a short discussion on the topic with Rob Sawyer, a big fan of the
      series and sometime participant in the POTADG. One of the guys with
      whom I had discussed POTA remembered me when he ran into Eric Green,
      the author of "POTA as American Myth" and promptly introduced us. I
      was great to talk to Eric even briefly about our shared enthusiasm
      for all things Ape. There wasn't really all that much POTA related
      at the con itself but I did snag a few more reproduction posters in
      the dealers room. I had brought along my copies of Escape and Battle
      as they were written by Jerry Pournelle and David Gerrold
      (respectively) and both of these guys were going to be at the con. I
      never did get to meet Gerrold, but I managed to get Pournelle to
      sign my escape. He added "The only good human is a Planet of the
      Apes fan".

      Although there was nothing new or exciting on the Apes front, I did
      come away with a better feeling that there are certainly
      many 'closet' Ape fans out there. They may not be active
      participants in DG's, but they still do care about the series.

      My one disaspopintment was that due to a last minute change in
      plans, I could not stick around the LA area for the following week.
      I had planned to visit a few POTA sites inluding Piont Dume and
      Century City. So close and yet so far.

      A full convention long winded "Patrick-esque" report can be found
      here (it includes references to the Batmobile, plenty of SF
      authors, comics, and my infamous encounter with Harlan Ellison):
      http://www.theendof theuniverse. ca/node/266

      Next up: Revolution on POTA #6 and let me dig into that POTA
      rareties DVD!

      Dario


      <.html
      <.html
      Group: potadg Message: 41334 From: atragon1@aol.com Date: 9/15/2006
      Subject: Re: Revolution #6
      .html
      .html
      I really enjoyed Revolution #6!
       
      Especially the "Rollerball" reference. Great!!! I loved that movie.. If only James Caan could have made a cameo!
      Bill
      <.html
      <.html
      Group: potadg Message: 41335 From: TZer0@aol.com Date: 9/15/2006
      Subject: Re: Worldcon report
      .html
      .html
       
      Interesting report, Dario.  I slid in a side door at a Trek Con
      a while back.  I didn't want to pay, because that Hot Borg
      Chick, Six of Nine, was a No Show, and had sent a life-
      sized cardboard cutout in her place.  But I did want to
      see if some of the Non- Trek / SWs Sci-Fi offerings,
      like POTA and Buckaroo Banzai, were represented.
      They were, but just barely.  I did find a POTA shirt
      though.  It was a B&W on black T of The Kiss
      with some Red Hearts above their heads.
      Had to have it!  Any other non-official
      T-Shirts out there?  Anyone?  Bueller? . . .
       
      <.html
      <.html
      Group: potadg Message: 41336 From: Michael Whitty Date: 9/16/2006
      Subject: Non-official T Shirts
      .html
      .html

      There’s a “collectibles book” full of them! 

       

      -----Original Message-----
      From: PotaDG@yahoogroups.com [PotaDG@yahoogroups.com] On Behalf Of TZer0@...
      S

      (Message over 64 KB, truncated)

      <.html
      <.html
      Group: potadg Message: 41337 From: Neil T Foster Date: 9/16/2006
      Subject: Re: Apes at the Zoo
      .html
      .html Message
      $150 a page, negotiable.
       
      Neil
       
      -----Original Message-----
      From: PotaDG@yahoogroups.com [PotaDG@yahoogroups.com] On Behalf Of TZer0@...
      Sent: Friday, 15 September 2006 2:44 PM
      To: PotaDG@yahoogroups.com
      Subject: Re: [PotaDG] Re: Apes at the Zoo

      In a message dated 9/14/2006 5:13:13 A.M. Central Daylight Time, ntfoster@bigpond. com writes:
      Now if we could only get someone to fund that project...
       
      Neil
       
      How much you want?

      <.html
      <.html
      Group: potadg Message: 41338 From: Neil T Foster Date: 9/16/2006
      Subject: Re: Worldcon report
      .html
      .html Message
      -- I read the long version, great report!
       
      Neil
       
      -----Original Message-----
      From: PotaDG@yahoogroups.com [PotaDG@yahoogroups.com] On Behalf Of Dario
      Sent: Friday, 15 September 2006 11:18 PM
      To: PotaDG@yahoogroups.com
      Subject: [PotaDG] Worldcon report


      A full convention long winded "Patrick-esque" report can be found
      here (it includes references to the Batmobile, plenty of SF
      authors, comics, and my infamous encounter with Harlan Ellison):
      http://www.theendof theuniverse. ca/node/266

      .

      <.html
      <.html
      Group: potadg Message: 41339 From: Ty Templeton Date: 9/16/2006
      Subject: Re: Non-official T Shirts
      .html
      We had t-shirts made for the covers of each issue to wear at conventions, promoting the Revolution books.  Each t-shirt had a production run of five copies, so everybody could wear them at conventions.

      Does that count as official or unofficial t-shirts?

      Ty

      On 9/16/06, Michael Whitty < whitty@...> wrote:

      There's a "collectibles book" full of them! 

       

      -----Original Message-----
      From: PotaDG@yahoogroups.com [PotaDG@yahoogroups.com] On Behalf Of TZer0@...
      Sent:
      Saturday, 16 September 2006 8:57 AM
      To: PotaDG@yahoogroups.com
      Subject: {Disarmed} Re: [PotaDG] Worldcon report

       

      Any other non-official

      T-Shirts out there?  Anyone?  Bueller? . . .


      --


      <.html
      Group: potadg Message: 41340 From: Haristas@aol.com Date: 9/16/2006
      Subject: Re: Worldcon report
      .html
      Attachments :
        .html.htmlIn a message dated 9/15/06 9:36:38 AM Eastern Daylight Time, darios@... writes:


        Although there was nothing new or exciting on the Apes front, I did
        come away with a better feeling that there are certainly
        many 'closet' Ape fans out there.


        I think a lot of APES fans are in the "closet."

        Really though, I mean don't you all realize that as popular as the APES movies were in their day, the "cult" of POTA fans was always a small one.  I mean, like when Joe Russo put an ad in Famous Monsters of Filmland back in 1974 ("Westworld" cover issue) looking for a POTA pen pal, I was the only one that answered! 

        By the way, here's that complete photo of the gorillas I got from Joe Russo.

        -- Rory
        <.html
        <.html
        <.html
        Group: potadg Message: 41341 From: Michael Whitty Date: 9/16/2006
        Subject: Re: Non-official T Shirts
        .html
        .html

        You’re just being nasty right?  J

         

        <.html
        <.html
        Group: potadg Message: 41342 From: PotaDG@yahoogroups.com Date: 9/16/2006
        Subject: Birthday Reminder
        .html
        .html
        Reminder from:   PotaDG's Calendar
        Title:   Roddy McDowall's Birthday
        Date:   Sunday September 17, 2006
        Time:   All Day
        Repeats:   This event repeats every year.
        Next reminder:   The next reminder for this event will be sent in 13 minutes.
        Description:   Happy Birthday Roddy!
        Yahoo! Greetings:   Send a Yahoo! Greeting
        Yahoo! Shopping:   Browse Yahoo! Shopping Gift Guide
        Copyright © 2006  Yahoo! Inc. All Rights Reserved | <.html
        <.html
        Group: potadg Message: 41343 From: PotaDG@yahoogroups.com Date: 9/16/2006
        Subject: Birthday Reminder
        .html
        .html
        Reminder from:   PotaDG's Calendar
        Title:   Roddy McDowall's Birthday
        Date:   Sunday September 17, 2006
        Time:   All Day
        Repeats:   This event repeats every year.
        Description:   Happy Birthday Roddy!
        Yahoo! Greetings:   Send a Yahoo! Greeting
        Yahoo! Shopping:   Browse Yahoo! Shopping Gift Guide
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        Group: potadg Message: 41344 From: Haristas@aol.com Date: 9/17/2006
        Subject: Re: Birthday Reminder
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          Roddy McDowall's Birthday
          Date: Sunday September 17, 2006
          Time: All Day


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          Group: potadg Message: 41345 From: Michael Whitty Date: 9/17/2006
          Subject: New home-page picture.
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            Neil

             

            I love the new home-page picture.

             

            Anyone here recognise this?

             

             

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            Group: potadg Message: 41346 From: Haristas@aol.com Date: 9/17/2006
            Subject: Re: Apes at the Zoo
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            .html.html In a message dated 9/10/06 6:54:33 PM Eastern Daylight Time, TZer0@... writes:


            In a message dated 9/10/2006 8:27:58 A.M. Central Daylight Time, Haristas@... writes:

            Who?  Oh, you mean "nature."




            God, Mother Nature, The Force . . .
            Whatever floats your boat cosmologically speaking.


            Sorry, but when you talk, T, I have a hard time seeing past Uranus!

            ZIIIIIIIIIINNNNNNNGGGGGGGGGGGGG!!!!!!!!!!!!!!!!!!!

            Who's the King of the Smart Asses around here?
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            Group: potadg Message: 41347 From: TZer0@aol.com Date: 9/17/2006
            Subject: Re: Apes at the Zoo
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            In a message dated 9/9/2006 12:34:04 P.M. Central Daylight Time, patrickmichaeltilton@... writes:
            The first real zoo I ever visited was in Chicago
             
            Yes, it was a side trip on the way to making his point.
             
             
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            Group: potadg Message: 41348 From: Michael Whitty Date: 9/17/2006
            Subject: Re: Escape Question
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            Patrick

             

            Someone is speculating your theory as to how the “shockwave” threw ZIra and Cornelius back in time!

            “Besides story convenience -- no...That's always been a "sticky" point
            for me...Why did
            Taylor 's ship and Brent's ship go forward in time,
            whereas, C, Z & M cONVENIENTLY went backwards...PT might say it had
            a "homing device", eh?...=)

            G”

             

            Comments?

            Michael

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            Group: potadg Message: 41349 From: Tim "apefan" Date: 9/17/2006
            Subject: Re: New home-page picture.
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              yes! it's a color version of the great Foster pin up
              printed in Revolution #6! Congrats Neil for having
              your work printed!!! and all the Yahoo Apes guys for
              letters published....and most importantly Ty for
              another fantastic issue as well as a whole run! Can't
              wait for more!!!!

              Tim

              --- Michael Whitty <whitty@...> wrote:

              > Neil
              >
              > I love the new home-page picture.
              >
              > Anyone here recognise this?
              >
              >
              >
              >
              >


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              Group: potadg Message: 41350 From: patrickmichaeltilton Date: 9/17/2006
              Subject: Re: Retrofitting the Sequels to the Original "PLANET"
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              --- In PotaDG@yahoogroups.com , Haristas@... wrote:
              >
              > In a message dated 9/13/06 11:34:52 AM Eastern Daylight Time,
              > patrickmichaeltilton@... writes:
              >
              >
              > > The sequels, no matter how flawed they may be, are a part of
              a 'saga', whether you like it or not.
              >
              > Now, you see, this is the kind of emphatic statement from Patrick
              that infuriates me!
              >
              > "Whether I like it or not"
              >
              > You're problem is your mind is closed and you're too damn sure your
              right! And you support your conceit by making the idiotic argument
              that it's true "because that's the way most fans look at it."
              >
              > That's crap. What if I tell you that most "fans" don't know their
              asses from a whole in the ground? [A "whole" what? Oh, a "hole"...]
              Am I wrong? Are they scholars, most of them, of ANYTHING? I kind of
              doubt it.

              *** Rory, what I mean when I say that POTA is -- or became -- a Saga,
              has nothing to do with how the fans look at it, or whether or not
              they are scholars. The FILMMAKERS made more POTA films, with all but
              Roddy reprising their roles -- and he didn't only 'cuz he COULDN'T,
              since he was directing a movie in England.

              The "STAR TREK" movies are all part of a series (with at least #s 2-
              through-4 being a "saga"), right? Even though when they made "Wrath
              of Khan" they didn't really have the specific details of the next 2
              movies thought out yet -- they had left the door open to 'em with
              Spock's "Remember" line and the mind-meld schtick.

              Now, of late there are some fan-films of the original "STAR TREK"
              characters out there, and I -- for one -- would not consider any of
              these labors-of-love to be part of the Trek "canon" by any means,
              even though some of the actors from the Original Series have reprised
              their roles, acting in these fan-films (William Windom, for one,
              where his character [Commodore Decker, from "The Doomsday Machine"]
              somehow survived his kamikaze attack on the Doomsday Machine, zipping
              back in Time to the Past to live out the rest of his days back on
              Earth, where Kirk & Spock find him via the Guardian of Forever, etc
              etc etc). As far as fan-films go, they're somewhat entertaining, but
              nobody considers them part of the Trek "canon". But all the episodes
              in the various Trek series -- not including the Animated Series --
              and all the Trek movies ARE considered (by Paramount) to be the
              official "canon". None of the original Trek novels... none of the
              various Trek comics... etc. Just the filmed TV series (TOS, TNG, DS9,
              and VOY) and all the movies.

              The 5 films in the POTA "series" (as you call it) are all APJAC
              productions -- not a "fan-film" in the bunch. Is it just "fans" who
              consider all 5 to be part of a POTA "canon"? Or, does 20th Century
              Fox consider 'em all to be linked together?
              ------------------------------------------------------------
              >
              > The five film series is not a "saga." It's a film "series." The
              first film is Taylor's story. That story ends at the end of PLANET.
              That's the end of it! That's why Heston didn't want to do a sequel --
              because artistically PLANET required NO SEQUEL!

              *** One could argue that "TARZAN OF THE APES" (the book) required no
              sequel, either. Or that "DRACULA" required no sequel. Now, ERB did go
              on to write 23 more Tarzan novels, so that pretty much makes those
              sequels "official" Tarzan stories (a Tarzan "canon"). And Bram Stoker
              did write at least one sequel to "DRACULA", didn't he? Those author-
              written sequels should enjoy "official" status much more than, say,
              the book "SCARLETT" (the "unauthorized" sequel to "Gone With The
              Wind") or "THE GODFATHER RETURNS".

              Yes, Heston short-sightedly thought that "PLANET" was the "only"
              story when they floated the idea of a sequel to him. His opinion was
              a prejudiced one -- he said it without having read any script,
              certainly. When they made "BEHIND THE POTA", I got the impression
              that Heston STILL hadn't even seen any of the post-"BENEATH" sequels.
              Even though he (obviously) considered "BENEATH" to be inferior
              to "PLANET", he still grudgingly admitted that it was better than he
              had thought it would turn out to be, when it was screened. And, even
              though I know your opinion about this differs, I would say that
              Taylor's story ends at the end of "BENEATH". Jeez, he loses his chick
              and then blows up the world -- how can THAT not be part of his
              story???
              --------------------------------------------------------------
              >
              > BENEATH is a mess. It pretends that it's Brent's story, but it
              then brings in other stuff that's unresolved.

              *** What "other stuff"?
              --------------------------------------------------------------
              >
              > ESCAPE is Zira and Cornelius' story.

              *** "ESCAPE", in my view, is not only an "upside-down" or "downside-
              up" mirror-version of Taylor's predicament in "PLANET" (experienced
              ironically by Zira & Cornelius) but also serves to set-the-stage for
              the story of Caesar. By the time Dehn was hired to write a 3rd Apes
              film ("ESCAPE") he KNEW he should leave the door open to a 4th, a
              5th, etc. That's why we see Baby Milo at the end, cryin' "Ma-ma!"

              ------------------------------------------------------------
              >
              > In CONQUEST and BATTLE the element that could be called a "saga" is
              brought into play, that being the development of Caesar, but that's
              it.

              *** I've posted before about how the life of Caesar follows the
              pattern of the Epic Hero -- a far better exemplification than Lucas'
              hero, Luke Skywalker, and that after Lucas CONSCIOUSLY mimicked the
              pattern, as set down in Joseph Campbell's "HERO WITH A THOUSAND
              FACES". From Caesar's "miraculous" conception-in-the-future and birth-
              in-the-past, to his protection from a threat during his babyhood
              (where Hasslein is like the Pharaoh to Moses or Herod to Christ), to
              his coming-of-age to lead his people to a victory against their enemy
              (like Moses at the Exodus or Christ achieving his so-called victory
              over Satan and/or Death), to his "descent-into-Hell" (like Odysseus &
              Hercules & Aeneas & Christ & Dante)... Caesar's life fits the
              pattern. Without all 4 Apes sequels, the full pattern wouldn't be
              there -- but it IS there, as Dehn (a poet) intended it to be. When
              Dehn wrote "ESCAPE" he must have had a fair idea of what he planned
              to do for the 4th and 5th movies, since he set 'em up in a specific
              way at the end of the 3rd one.
              ----------------------------------------------------------------
              >
              > Of all the films in the series, PLANET is the one that's completely
              independent of all the others! I really don't know how that can be
              argued with, EXCEPT if intellecually it's just not something you like!
              >
              > -- Rory
              >
              *** I agree -- IF "PLANET" had been the only one ever made, then it
              would obviously "work" as an independent story, magnificently so. If
              they had never made "BENEATH" and the others, then I -- not knowing
              of any further POTA stories -- would've been perfectly happy with it.

              Having said that, it still remains a fact that Fox released 4 more
              APJAC produced films -- sequels to that 1st film. Call the bunch
              a "series" or a "saga", it makes no real difference. They're
              all "official". They ain't fan-produced projects. They're as official
              as you can get. The 1st film is still the best of 'em, sure. But even
              it had certain flaws, flaws which the flawed sequels never fully
              resolved. And, of course, THAT is my springboard for concocting my
              own mega-POTA opus.

              Patrick
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              Group: potadg Message: 41351 From: atragon1@aol.com Date: 9/17/2006
              Subject: Fwd: [POTA] Re: Escape Question - the nature of the Alpha Omega bomb
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              Attachments :
                .html Expanding this question to a wider audience...<.html
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                Group: potadg Message: 41352 From: patrickmichaeltilton Date: 9/17/2006
                Subject: Re: Retrofitting the Sequels to the Original "PLANET"
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                --- In PotaDG@yahoogroups.com , Haristas@... wrote:
                >
                > In a message dated 9/13/06 11:34:52 AM Eastern Daylight Time,
                > patrickmichaeltilton@... writes:
                >
                >
                > > *** Actually, I consider my POTA Scenario to be more of
                a "retrofit" of the Dehn-flubbed sequels -- unflubbed -- back onto
                the original film's scenario. In "PLANET" the Taylor mission to an
                unnamed star system 320 lightyears away in Orion was explicitly
                intended to take 'em about 2000 years of EARTH-TIME and only 18
                months of SHIP-TIME. It was Dehn who either didn't pay enough
                attention to that info from "PLANET" when he introduced Brent (et
                al.), and it is THAT major mistake that my scenario is intended
                to "retrofit" or "re-interpret" so that it restores the "PLANET"
                scenario Serling & Wilson intended.
                > >
                > >
                >
                > Are you pulling a Bush on me, Patrick?
                >
                > You've always said to me that the 3978 ship time shown in PLANET
                was wrong, and that the actual year is 3955. If that's not
                retrofitting PLANET what is it?
                >
                > And then there's the whole local thing between PLANET and BENEATH.
                Aren't you one of those that say Ape City and the "greenbelts" have
                to be closer to what was NYC than would be indicated in PLANET so
                that it matches what's shown in BENEATH?!!!
                >
                > What's goin' on here?
                >
                > -- Rory
                >
                ------------------------------------------------------------------

                *** Okay, first things first: the "3978" date in "PLANET".

                If they had only made the one film, "PLANET", then we still have to
                wonder if "11-25-3978" truly is the exact date when it takes place.
                Taylor, having NOT been able to "read the tapes" and having ONLY seen
                this date on the Earth-Time clock, ASSUMES that they made it all the
                way to their destination, "an unnamed planet" 320 lightyears away
                from Earth orbiting a star in the constellation of Orion. His
                assumption, though, is WRONG -- because they actually somehow ended
                up back on Earth, as the Ending shows. We can figure that the "3978"
                date is probably CLOSE to the true date, though, since Cornelius'
                archaological timeline for his Cave's artifacts bring it back roughly
                the same amount of time that has passed for Earth during Taylor's 18-
                month journey, "twenty centuries".

                At the beginning of the film, Taylor's ship must be heading straight
                out to its destination, so that he sees what the audience sees: stars
                flying past the edges of the windows like roadsigns on a highway. He
                tells us that the ship is "on full automatic, in the hands of the
                computers" -- and the Earth-Time date, mind you, merely displays the
                time on Earth according to how the ship's computer figures it, using
                Hasslein's Theory.

                Ignore my own Scenario and explanation for WHY and HOW Taylor's ship
                ends up back on Earth -- and ask yourself both WHY and HOW Taylor's
                ship COULD have somehow stopped flying forward on its trajectory to
                the star system 320 LY away and, instead, had CHANGED its course and
                gone back towards Earth, when the ship's computers had been set to
                (presumably) take 'em to the former place, rather than to return 'em
                to their origin? HOW??? WHY???

                The 1st movie never does explain this. At the end, when Taylor
                realizes he's been on Earth all the time, he BRIEFLY wonders about
                it... and then his attention is all on the MEANING of the image
                before him: the Statue of Liberty sums up the horrible truth, showing
                how Man came to occupy the "lowest level" of society due to having
                destroyed his own civilization.

                Throughout nearly the entire movie, Taylor was WRONG. He had told
                Landon both WHERE they were and WHEN they were. He was wrong about
                the "where", obviously. Isn't it just about equally obvious that he
                could easily be wrong about the "when", too? His ship had been
                damaged by SOMETHING, after all: Stewart's sleep-chamber had suffered
                an air-leak... the ship landed "in the water" (something it was NOT
                programmed to do)... the ship had ended up back at Earth, rather than
                320 LY away...

                Why, then, do you insist that the "11-25-3978" date HAS to be
                correct? Even Taylor fudges that number when he tells Landon that
                they've "been away from Earth for TWO THOUSAND YEARS, GIVE OR TAKE A
                DECADE." In other words, sometime between 1,990 and 2,010 years.
                Added to 1972 (the year they left Earth), that would put their Earth-
                Time at A.D. 3982-to-4002, with 3992 as the "average",
                notwithstanding the date he saw on the clock.

                ------------------------------

                And, secondly, the location of the sites on Cornelius' map, vis a vis
                the Statue of Liberty shot at the end.

                Even if they had never made "BENEATH", I would insist that Ape City
                is far nearer to the nuclear ruins of NYC (and surrounding urban
                areas) than your version (where Dead Lake = Chesapeake Bay).

                Taylor (et al.) makes his way from the splashdown site (Dead Lake) to
                the upper-right "green" area (the Waterfall area and Corn field,
                which Cornelius indicates on his Map) with LIMITED supplies of food
                and water: "enough... for 3 days" he says. Zira, giving voice to his
                right-hand pantomime, says "many days and nights" -- but we know they
                only had enough food and water for THREE days (and nights). By the
                time they find the Plant, they're down to "eight ounces" of water.
                They make it the rest of the way to the Waterfall on LESS THAN 8
                OUNCES of water, without dying of dehydration. And, the terrain
                throughout their trek across the Forbidden Zone is not like a
                straight, smooth highway; at one point, they've made it to the edge
                of a cliff and have to BACKTRACK in order to advance further in the
                general direction they're heading.

                How many miles can a man reasonably walk across the types of terrain
                we're shown in those scenes, on a daily basis?

                Let's make some assumptions here, okay? We can quibble about 'em
                later, but let's just try to put it into numbers.

                I'd say that, given the terrain we're shown, it's probable that
                Taylor, Landon, and Dodge averaged about 1 or 2 miles an hour, on
                foot. How long is an hour, let alone a day? Well, we KNOW they're on
                Earth, so each day is 24 hours long, right? I would guess that they
                trekked for, oh, about 16 hours per day. That gives about 8 hours per
                day for sleeping and for periodic rest periods.

                Remember, that PART of that journey involves going over "mountains"
                (as Zira says, indicating the dark brown area between the LAKE and
                the "green area" where Cornelius says he was captured).

                If we assume, then, that they walked for 16 hours a day, for 3 days,
                at a rate of about 1 or 2 mph, then how far does that get 'em?

                16 x 3 x 1 = 48 miles.

                16 x 3 x 2 = 96 miles.

                Somewhere, then, between 48 and 96 miles -- say, 50 to 100 miles.

                And, once they get to the area where they're captured, Taylor suffers
                a gunshot wound to the throat. He BLEEDS as a result, and almost
                bleeds to death -- he WOULD have bled to death if Dr. Galen hadn't
                performed a blood transfusion, using a compatible donor (Nova) to
                save Taylor's life. If the distance from the Capture to Ape City were
                too far, then Taylor wouldn't have had any blood left in his body at
                all, and no amount of transfusing would've saved him from irreparable
                brain damage due to loss-of-blood.

                Not only does positioning Ape City closer to NYC fit-the-bill in
                regards to "BENEATH", but it also best explains the details present
                in "PLANET". Your Chesapeake Bay-interpretation may seem to 'fit' at
                a glance, but the distances involved would be just too great for both
                the astronaut trek (on 3 days' worth of food & water) and for the
                travel time to Ape City (with Taylor bleeding and in need of a
                transfusion).

                Even if they'd only made "PLANET", I would interpret Cornelius' map
                more conservatively than you do. It just so happens that the details
                given in "BENEATH" (etc) regarding both the "3955" date and
                the "local" Ape City/NYC areas can make sense after all... with my
                own POTA scenario, of course.

                Patrick
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                Group: potadg Message: 41353 From: Patrick Tilton Date: 9/17/2006
                Subject: Let's do the Time-Warp yet again...
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                --- Michael Whitty <whitty@... > wrote:

                > Patrick
                >
                > Someone is speculating your theory as to how the
                "shockwave" threw ZIra and Cornelius back in time!
                >
                >
                > "Besides story convenience -- no...That's always
                been a "sticky" point for me...Why did Taylor's ship
                and Brent's ship go forward in time, whereas, C, Z & M
                CONVENIENTLY went backwards...PT might say it had a
                "homing device", eh?...=)
                >
                > G"
                >
                > Comments?
                >
                > Michael
                >
                -------------------------------------------------

                *** Comments? Why, of course!

                In my POTA scenario, not only did the Ape-onaut ship
                (shuttle, that is) go BACKWARDS in Time (from the 3955
                "Doomsday" to 1973), but SO TOO DID ALL THE OTHER ANSA
                SHIPS go backwards in Time! In fact, the Ape-onaut
                ship went backwards TWICE.

                Taylor's shuttlecraft -- AND the one Brent & Skipper
                landed in, AND the one Milo found on the shore of the
                ocean -- all travelled from their destination, 320 LY
                away from Earth, BACK to Earth (upon activation of an
                Emergency Homing Device) AND backwards in Time, from
                11-25-3978 to 7-01-3955. The Hassleinian Hyperdrive on
                their "mothership" generated a warpfield to cocoon
                itself and all 3 of its shuttles, and that warpfield
                happened to be in the proximity of an Event Horizon of
                a Black Hole when the "jump" through Hyperspace was
                initiated.

                The only reason that the EARTH-TIME clock on Taylor's
                shuttlecraft did NOT click backwards from 3978 to 3955
                is because of an accident that had caused that shuttle
                to be "unplugged" from its docking socket, severing
                the computer-to-computer telemetry feed. Taylor's
                shuttle's computer didn't know that a
                Mothership-generated warpfield had been created around
                it, zipping it back to Earth -- so that even IF Taylor
                had managed to "read the tapes", he would only know
                what his computer knew, and he would NOT know what it
                didn't know. He would still (falsely) think that they
                were somewhere in a star system 320 lightyears away
                from Earth, rather than BACK ON EARTH, because that's
                WHERE it was (and WHEN it was) when it was unplugged.

                Virdon's ship, too, undergoes not only a
                Forwards-through-Time displacement (from 8-19-1980 to
                7-14-3085), but ALSO a BACKWARDS-through-Time "jump"
                (from 7-14-3085 to 3-21-3085). They endured a
                half-minute of SHIP-TIME trapped in an orbit around a
                Black Hole remnant in the Alpha Centauri system -- the
                gravity of which causes the Time Warp -- during which
                1,105 years of EARTH-TIME zip Forwards... and then,
                after Jones activates the ANSA Emergency Homing
                Device, they almost instantaneously (SHIP-TIME) jump
                through Hyperspace, from Alpha Centauri (7-14-3085) to
                Earth (3-21-3085, having gone BACK IN EARTH-TIME about
                115 days.

                Both the Orion ANSA ship(s) and Virdon's ship go
                backwards through EARTH-TIME at the same rate:
                Negative 26.7 EARTH-TIME days (or, Negative 641
                EARTH-TIME hours) per Lightyear. If you multiply it by
                4.34 lightyears (the distance from Alpha Centauri to
                Earth), you get about 115.9 "retro-days". If you
                multiply it by 320 lightyears (the distance from
                Taylor's destination back to Earth), you get 8,546
                "retro-days" or so. It all fits.

                Thus, according to my scenario, when an ANSA warpfield
                is triggered in the presence of a Black Hole's Event
                Horizon, the ship undergoes a "jump" through
                Hyperspace NEGATIVELY through Earth-Time. This
                explains not only the "how" and "why" of Taylor's
                return to Earth, but also of Virdon.

                Notice, though, that both Taylor's Orion mission and
                Virdon's Alpha Centauri mission were lightyears away
                from Earth during their near-Black Hole "jumps"
                through Hyperspace. But the Ape-onauts merely rocketed
                into orbit around the Earth... saw the Earth
                destroyed... were hit with a Shockwave of some sort...
                and then proceeded to undergo a Re-Entry back onto
                Earth, but in the Past, some 1,982 years (from 3955 to
                1973).

                The reason they do this (in my scenario) is because
                their ship, too, was under the influence of an
                Emergency Homing Device... but in their case "HOME"
                means not merely the XYZ spatial coordinates of Earth,
                but a "T" TIME coordinate. But not just ANY "T"
                coordinate: the SHIP-TIME date that happens to be on
                the SHIP-TIME chronometer.

                Taylor's Orion mission left Earth for its destination
                "six months" before the date "7-14-1972" (within "less
                than an hour" of the unstated Time-of-Day on that
                date, that is). If that time-of-day happens to be
                BEFORE 11:00 pm, then they launched from Cape Kennedy
                on 1-14-1972. If Taylor's "final report" is given
                AFTER 11:00 pm, then they had to have launched shortly
                after Midnight, making it 1-15-1972. We aren't given
                the time-of-day (unfortunately), so we can only say
                with certainty that Taylor launched either on the 14th
                or the 15th of January, 1972, within an hour of
                Midnight at the latest.

                They spend "18 months" of SHIP-TIME before they reach
                their destination in Orion on the EARTH-TIME date
                "11-25-3978". Then, before Taylor has time to finish
                the full term of his drug-induced hibernation, the
                ANSA mission ship undergoes a near-approach to a Black
                Hole... the Emergency Homing Device is activated (by
                somebody who is AWAKE on that mission ship)... and the
                whole kit-and-kaboodle zings BANG-ZOOM back to Earth,
                and the EARTH-TIME clocks all click backwards from
                11-25-3978 to 7-01-3955 (all except for the one in
                Taylor's shuttle, that is).

                The "18 months" of SHIP-TIME would put the equivalent
                SHIP-TIME date of approximately 7-14-1973 on all these
                ANSA Orion mission ships -- Taylor's included.
                Remember, even though the Audience sees ONLY the date
                "11-25-3978" on his EARTH-TIME clock (after the
                landing), Taylor informs Landon, "I read the CLOCKS;
                they bear out Hasslein's Hypothesis" -- he says
                "CLOCKS", plural. He MUST have read the SHIP-TIME
                clock, too; since he doesn't contradict Landon when he
                says "That means we've been away from Earth for 18
                months", that must mean that he read a SHIP-TIME that
                was 18 months later than their launch date.

                So... if the Ape-onaut ANSA shuttle, too, read
                "7-14-1973" on it when they popped back into
                Earth-space, and then began clicking ahead at a normal
                rate, we can conjecture that on Doomsday it read a
                date sometime within the next month or two. In my
                scenario, the date of Doomsday is "8-27-3955", almost
                a month and a half after Taylor's shuttle splashes
                down in Dead Lake.

                Thus, when the Ape-onauts launched that 3rd ANSA
                shuttle into Low-Earth-Orbit, the two clocks read
                something like this:

                EARTH-TIME
                8-27-3955

                SHIP-TIME
                8-27-1973

                In other words, the two clocks are out of synch almost
                exactly 1,982 years, to the day.

                When Taylor triggers the Doomsday Bomb, it not only
                EXPLODES, but it IMPLODES as well... creating a
                hyperdense chunk of "degenerate matter" -- a Black
                Hole. If the Alpha Omega bomb had been launched
                vertically (towards Ape City, as Mendez had intended)
                and then exploded, the Black Hole created by the
                implosion would have been so low-massed that it would
                have evaporated explosively due to Hawking Radiation.
                The air-burst explosion of such a Black Hole
                immediately following the multiple-explosions that
                created it are thus designed to be a one-two punch
                that can set "nuclear fire to the atmosphere" and burn
                the surface of the world to a cinder -- the ultimate
                weapon.

                Unfortunately (for the planet Earth), Ursus had had
                his gorilla troops pull the missile down, so that it
                was aimed HORIZONTALLY. Thus, when it detonated, the
                implosion-generated Black Hole (being underground and
                not in the open air) was in the presence of all sorts
                of Matter. The atoms that came into contact with that
                Black Hole "fed" it, causing its total mass to
                increase... so that it not only gained enough mass to
                offset the Hawking Radiation evaporation effect, but
                also enough to completely devour the entire planet's
                mass.

                The Ape-onauts witness not only the "bright white
                blinding light" of the explosion of the Doomsday Bomb,
                but also see "the rim of the Earth melt" -- and THAT
                is the result of the mass of the Earth, atom-by-atom,
                being sucked into the Event Horizon of the Black Hole,
                which releases a horrid amount of heat (especially
                X-rays).

                Then there is a "tornado in the sky" -- the whirlpool
                of particles constituting the Accretion Disk orbiting
                in the plane perpendicular to the Black Hole's spin
                axis. The "shockwave" Milo mentions would be the
                moment when the ship is buffeted by this disk of dust
                and ions, just on the border of the Event Horizon
                they're approaching in their
                Surface-to-Orbit-to-Surface trajectory.

                When the ship, in this case, has its Emergency Homing
                Device activated, it knows that the Earth's position
                in Space is nearly "Zero" units of Distance away. But
                the full position of anything in Cartesian coordinates
                has 4 elements: the three X,Y,Z spatial coordinates
                and the single "T" Time coordinate.

                The ship's computer is aware of the fact that an
                immense gravitational acceleration is subjecting the
                ship to dangerous, even lethal, conditions. If it
                ignores the Emergency Homing Device command, the ship
                will be destroyed by the harsh G-forces. So, since it
                MUST undergo a "jump" through Hyperspace -- where XYZ
                remains the SAME, but T changes in some way -- it goes
                on a "jump" through Negative Time, the same way the
                ANSA Orion mission ship already had done so earlier.

                It jumps back only as far as the SHIP-TIME coordinate
                reads, however. Since the SHIP-TIME clock reads
                something like "8-27-1973", then the EARTH-TIME clock
                clicks backwards almost exactly 1,982 years of
                EARTH-TIME, from 8-27-3955 to 8-27-1973.

                If one of the ANSA astronauts had re-set that
                SHIP-TIME clock to, say, 12-31-2000, then the
                Ape-onauts would've gone backwards through Time just
                in time to celebrate the end of the Millennium and the
                beginning of the 21st Century.

                But, since nobody tampered with that SHIP-TIME
                reading, they went back in Time [EARTH-TIME] to that
                very date, which is why they appear back on Earth
                then, near the end of Summer in 1973. When they land,
                and the EARTH-TIME clock has clicked back to the same
                date on the SHIP-TIME clock, it is as if the ship
                never left Earth at all. Only by "reading the tapes"
                could any scientist (be it somebody at NASA or ANSA)
                even know that it had undergone a journey 320
                lightyears away from Earth AND all that way back to
                Earth again [in 23.4 "retro-years" of EARTH-TIME, at
                that], and THEN a jump through Time from the Summer of
                3955 back to the Present (1973). The SHIP-TIME clocks
                all clicked ahead at the same rate, ONLY forwards
                through Time... but the EARTH-TIME clocks were
                programmed to click either AHEAD at a faster rate
                (when travelling at near-light velocities according to
                Hasslein's Theory) or BACKWARDS depending on whether
                or not the warpfield was activated near a zone of
                warped Space-Time.

                Those ANSA clocks had to have been programmed by
                somebody who knew that Time Travel into the Past was
                possible, given the right conditions. In all
                probability, they never DREAMED that any of these
                ships would ever experience those conditions, since
                hyperspatial travel near the Event Horizon of a Black
                Hole would be advised against as "too dangerous"...
                but, lo and behold, ALL their ANSA ships seem to have
                undergone those dangerous transits near Black Holes,
                their hyperdrives having kicked-in to send 'em on
                jumps through hyperspace NEGATIVELY through
                Earth-Time.

                Black Holes are called "black" for a reason: their
                gravitational field bends Light itself. Hence, they
                are "dark" objects. And, if they are made out of
                something that originally was spinning around an axis,
                they would end up spinning UNBELIEVABLY fast, warping
                Space-Time around it (an effect called
                "Frame-Dragging"). Fast spinning is called
                "turbulence" in Physics. A spinning Macro-sized object
                forced to occupy a Micro-sized volume will SPEED UP
                its spin, due to the Conservation of Angular Momentum.

                Hasslein mentions "the DARK and TURBULENT corridors of
                Space..." He, himself, knows the sorts of environments
                conducive to Back-in-Time "jumps" through Hyperspace:
                the close proximity, during the Jump, to a Black Hole,
                a "dark" and "turbulent" zone of warped spacetime.
                Dehn was righter than he probably guessed, when he put
                those words into Hasslein's mouth!

                How's zat for a "comment"?

                Patrick


                <.html
                Group: potadg Message: 41354 From: Haristas@aol.com Date: 9/17/2006
                Subject: Re: Retrofitting the Sequels to the Original "PLANET"
                .html
                .html.html In a message dated 9/17/06 11:14:37 AM Eastern Daylight Time, patrickmichaeltilton@... writes:


                Even if they'd only made "PLANET", I would interpret Cornelius' map
                more conservatively than you do. It just so happens that the details
                given in "BENEATH" (etc) regarding both the "3955" date and
                the "local" Ape City/NYC areas can make sense after all... with my
                own POTA scenario, of course.

                Patrick


                This is why our arguing over this stuff is really pointless -- we simply have no common ground in how we perceive the "series"!

                You, I think, came to the wonderful world of POTADOM after all the films were made, and therefore you see it as a whole, and for that reason I say you really can't help yourself.  You're view is warped by the mess that Fox created over the course of time -- and I always very much contend that the "series" is a mess in terms of continuity, something that if it were not a huge fact you wouldn't be so into "unflubbing."  Also, this is why you see the series as "circular."

                I, on the other hand, was there at the beginning, when there was no idea of anything further than the first film.  I've always looked at the series as a "linear" entity, hence the two timeline view that allows for the original film to exist independent of, and untouched by, the sequels (which I very much believe are things one, even the most die hard APES fan, can either take or leave).

                BENEATH and its sequels are "artistically" inferior to the original film -- and this isn't simply my opinion, but the general consensus -- and therefore quite DISPOSABLE!

                It's always been said that BATTLE was an "attempt" to bring the series "full circle."  But, did it in fact do that?  Hardly.  It was a huge failure, but that's another issue.

                -- Rory
                <.html
                <.html
                <.html
                Group: potadg Message: 41355 From: Haristas@aol.com Date: 9/17/2006
                Subject: Re: Retrofitting the Sequels to the Original "PLANET"
                .html
                .html.html In a message dated 9/17/06 10:30:22 AM Eastern Daylight Time, patrickmichaeltilton@... writes:


                The 5 films in the POTA "series" (as you call it) are all APJAC
                productions -- not a "fan-film" in the bunch. Is it just "fans" who
                consider all 5 to be part of a POTA "canon"? Or, does 20th Century
                Fox consider 'em all to be linked together?


                I don't know what all this talk of "canon" is.  I couldn't care less about what is canon and what isn't in either the APES series or STAR TREK.  I'm talking what is and what isn't a saga.

                As for what 20th Century Fox considers... Fox is dumb.  What we get from Fox, whether it's calling the APES series a "saga" in the ads and posters for BATTLE in 1973, or continuing to do so in the ads and cover text for the APES films on home video or whatever, is the mindset of the publicity department -- and they're far from intellectuals. 

                The fact is that from the standpoint of literary and cinema scholarship, the five POTA films are a series , not a saga.  Do some research, Patrick, and stop just giving your opinion.  This isn't a question of individual opinion, but one of serious categorizing.

                This is the definition of the word "saga" from my Funk & Wagnall dictionary:

                Saga n. 1.
                A medieval Scandinavian (specifically, Icelandic) prose narrative of conventionalized form dealing with legendary or historical exploits, usually of a single hero or a single family.
                2. 
                A story, sometimes poetic, having the saga form or manner, often chronicling the history of a family, as Galsworthy's Forsyte Saga.

                The five PLANET OF THE APES films are five separate stories, with five separate conclusions to those stories.  They do not literally form a saga.

                To call the PLANET OF THE APES film series a "saga" is to use the term loosely -- very loosely.  And, whether you "like it or not," Patrick, that's just simply the facts.

                -- Rory
                <.html
                <.html
                <.html
                Group: potadg Message: 41356 From: TZer0@aol.com Date: 9/17/2006
                Subject: Re: Apes at the Zoo
                .html
                .html
                In a message dated 9/17/2006 5:26:08 A.M. Central Daylight Time, Haristas@... writes:
                Sorry, but when you talk, T, I have a hard time seeing past Uranus!
                 
                Because you fancy me?
                Pervert!
                 
                <.html
                <.html
                Group: potadg Message: 41357 From: TZer0@aol.com Date: 9/17/2006
                Subject: Re: Escape Question
                .html
                .html
                In a message dated 9/17/2006 5:43:29 A.M. Central Daylight Time, whitty@... writes:
                Someone is speculating your theory as to how the "shockwave" threw Zira and Cornelius back in time!
                 
                It's simple, if not entirely plausible. 
                They ship wasn't close enough to me destroyed
                by the blast, but close enough to be pushed by it.
                The shockwave shoved them at near light speed
                jumping them into the past.  Unlikely?  Yes, but 
                then so are talking apes.  No doubt they felt that
                people were so hungry for more POTA they would  
                accept any explanation, no matter how flimsy.
                  
                <.html
                <.html
                Group: potadg Message: 41358 From: TZer0@aol.com Date: 9/17/2006
                Subject: Re: Apes at the Zoo
                .html
                .html
                In a message dated 9/17/2006 5:26:08 A.M. Central Daylight Time, Haristas@... writes:
                Who's the King of the Smart Asses around here?
                 
                Not you, that's for sure.
                 
                <.html
                <.html
                Group: potadg Message: 41359 From: Haristas@aol.com Date: 9/17/2006
                Subject: Re: Escape Question
                .html
                .html.html Which group am I in here?!!!!

                Anyway, I'll bet that Patrick's answer to this question will go something like this:  The destruction of the earth did something to the moon that caused it to become a "Quantum Singularity" (AKA a "Black Hole" [which also happens to be a Disney movie that Roddy McDowall provided his voice talents to]), which then sucked Taylor's (i.e. the Apeonauts') spaceship, by the way protected by a powerful magnetic warp field, through a wormhole that flung it past Uranus and out a cosmic sphincter that plopped it into the Pacific Ocean just off Point Dume.

                Just another chapter in Patrick's HITCHHIKER'S GUIDE TO THE POTA!

                -- Rory
                <.html
                <.html
                <.html
                Group: potadg Message: 41360 From: atragon1@aol.com Date: 9/17/2006
                Subject: Re: [POTA] Re: Escape Question - the nature of the Alpha Omega bomb
                .html
                .html
                In a message dated 9/17/2006 7:16:13 PM Eastern Standard Time, rhob1960@... writes:
                You would be incorrect. The Alpha Omega bomb was a
                nuclear weapon with a cobalt casing. Cobalt, once made
                radioactive, will remain for thousands of years, since
                that's how long it's half life is. What we don't know
                is how powerful a weapon it was. Fat Man and Little
                Boy were only 10 kiltons each and weighed thousands of
                pounds. Today a 10k bomb will fit inside a MIRV
                (multiple independent Reentry Vehicle) so that on a
                Trident submarine, each of its missiles holds ten
                smaller warheads. One trident can lay waste to a small
                country. So the key to the A/O bomb is - what megatons
                was it?
                By the way, Taylor himself confirms that it is a
                nuclear weapon in Beneath.
                Granted that a nuclear device (with the cobalt casing, etc.) is need to detonate the A/O bomb, the primary element within it had to be something more than just fissionable material. No one nuclear device -- the size of the A/O bomb could destroy the entire Earth.
                 
                There must have been something else -- a chemical compound -- that when detonated with fissionable material -- would set off a chain reaction in the air and destroy the atmosphere of the Earth.
                 
                I would liken this chemical to the primary compound found in the "Oxygen Destroyer" -- that was used to destroy a certain irradiated dinosaur in Tokyo Bay in 1954.
                Bill
                <.html
                <.html
                Group: potadg Message: 41361 From: PofTAfan@aol.com Date: 9/17/2006
                Subject: Re: [POTA] Re: Escape Question - the nature of the Alpha Omega bomb
                .html
                Or maybe another country (i.e. Russia or someother country)
                might have a bomb just like the Alpha Omega bomb and maybe that bomb
                also went off when the one Taylor launched.

                Kevin

                -----Original Message-----
                From: atragon1@...
                To: pota@yahoogroups.com
                Cc: PotaDG@yahoogroups.com
                Sent: Sun, 17 Sep 2006 8:18 PM
                Subject: [PotaDG] Re: [POTA] Re: Escape Question - the nature of the
                Alpha Omega bomb



                In a message dated 9/17/2006 7:16:13 PM Eastern Standard Time,
                rhob1960@... writes:
                You would be incorrect. The Alpha Omega bomb was a
                nuclear weapon with a cobalt casing. Cobalt, once made
                radioactive, will remain for thousands of years, since
                that's how long it's half life is. What we don't know
                is how powerful a weapon it was. Fat Man and Little
                Boy were only 10 kiltons each and weighed thousands of
                pounds. Today a 10k bomb will fit inside a MIRV
                (multiple independent Reentry Vehicle) so that on a
                Trident submarine, each of its missiles holds ten
                smaller warheads. One trident can lay waste to a small
                country. So the key to the A/O bomb is - what megatons
                was it?
                By the way, Taylor himself confirms that it is a
                nuclear weapon in Beneath.
                Granted that a nuclear device (with the cobalt casing, etc.) is need
                to detonate the A/O bomb, the primary element within it had to be
                something more than just fissionable material. No one nuclear device --
                the size of the A/O bomb could destroy the entire Earth.

                There must have been something else -- a chemical compound -- that
                when detonated with fissionable material -- would set off a chain
                reaction in the air and destroy the atmosphere of the Earth.

                I would liken this chemical to the primary compound found in the
                "Oxygen Destroyer" -- that was used to destroy a certain
                irradiated dinosaur in Tokyo Bay in 1954.
                Bill





                <.html
                Group: potadg Message: 41362 From: Tim "apefan" Date: 9/17/2006
                Subject: Lalo Schifrin 45
                .html
                Did anyone here win this? If so, is it possible to
                share it through MP3 or somehow??

                Thanks, Tim

                http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ih=017&item=270026804064&rd=1&sspagename=STRK%3AMEDW%3AIT&rd=1

                <.html
                Group: potadg Message: 41363 From: Michael Whitty Date: 9/18/2006
                Subject: You'll NEVER Escape
                .html
                .html

                Not the group of a lesser God that’s for sure!  ;)

                 

                I only thought it fair that Patrick get a chance to comment.

                 


                (Message over 64 KB, truncated)

                <.html
                <.html
                Group: potadg Message: 41364 From: Michael Whitty Date: 9/18/2006
                Subject: Re: {Disarmed} [PotaDG] Re: [POTA] Re: Escape Question - the nature
                .html
                .html

                J

                <

                (Message over 64 KB, truncated)

                <.html
                <.html
                Group: potadg Message: 41365 From: Dario Date: 9/18/2006
                Subject: home-page pic , WC, Rev#6, Empire
                .html
                Oh Yeah! When I first saw Conquest with my brother in the
                seventies, the scene with the Gorilla holding the meat cleaver was
                one of the most memorable. We loved it. Neil adding blood to it
                gives it that pulpy pre-censorship days comic feel to it. William
                Gaines would have been proud!

                Thanks Neil and thanks to Ty for letting everyone else out there get
                a taste of Neil handiwork.

                Unofficial T's:
                Got a half dozen myslef and always willing to get more. Would really
                like to get one of those "Che/Caesar" ones.

                Veetus/Worldcon:
                Never only attend the last Sunday of a worldcon. By then, the shows
                pretty much over, half the people have already left having to go
                cross country (or overseas) to get to jobs the next day, and
                everyone else is already tearing down the place. If you're only
                going to attend one day, make it the saturday (and attending the
                parties on saturday brings you well into sunday anyhow.) Too bad I
                missed you. Would have liked to meet you in person.

                Rev#6:
                Awesome. Despite the intent to make the backups as tie-ins to the
                main arc, I like the fact that they can stand on their own. I'm
                still not sure about how I feel about Caesar's "memories" of his
                parents and stuff (gonna have to reread it all), but overall I know
                I enjoyed the series. I'm looking forward to the GN and the next
                series. The only thing I don't like is the proposed title of the new
                series. "Empire on the Planet of the Apes" brings along connotations
                of the Star Wars world. Sure, Empire is considered by many to be the
                best movie of the lot, and perhaps that is what Ty intended, but
                won't it also create an association by name that may not appeal to
                everyone?

                Dario

                --- In PotaDG@yahoogroups.com, "Michael Whitty" <whitty@...> wrote:
                >
                > I love the new home-page picture.
                > Anyone here recognise this?
                >
                <.html
                Group: potadg Message: 41366 From: handleyr@optonline.net Date: 9/18/2006
                Subject: Re: Digest Number 2320
                .html
                Patrick, I have to point out one math error with your response, as it may
                throw off some of your other computations:

                YOU WROTE:
                "TWO THOUSAND YEARS, GIVE OR TAKE A DECADE."
                In other words, sometime between 1,990 and 2,010 years.
                Added to 1972 (the year they left Earth), that would put their Earth-
                Time at A.D. 3982-to-4002, with 3992 as the "average",
                notwithstanding the date he saw on the clock."

                However, that is incorrect. 2,000 years from 1972, give or take a decade,
                would be 3962-3982. The average would
                be exactly 2,000 years, or 3972, since the give and take was a decade on
                either side.


                AND RORY WROTE:
                "This is why our arguing over this stuff is really pointless -- we simply
                have
                no common ground in how we perceive the "series"!
                You, I think, came to the wonderful world of POTADOM after all the films
                were
                made, and therefore you see it as a whole, and for that reason I say you
                really can't help yourself. You're view is warped by the mess that Fox
                created
                over the course of time -- and I always very much contend that the "series"
                is a
                mess in terms of continuity, something that if it were not a huge fact you
                wouldn't be so into "unflubbing." Also, this is why you see the series as
                "circular."
                I, on the other hand, was there at the beginning, when there was no idea of
                anything further than the first film. I've always looked at the series as
                a
                "linear" entity, hence the two timeline view that allows for the original
                film
                to exist independent of, and untouched by, the sequels (which I very much
                believe are things one, even the most die hard APES fan, can either take or
                leave).
                BENEATH and its sequels are "artistically" inferior to the original film --
                and this isn't simply my opinion, but the general consensus -- and
                therefore
                quite DISPOSABLE!

                While you are incorrect in assuming that because something is the general
                consensus it ceases to be an opinion --
                it's still an opinion, just a widely held one -- I'm glad to see you've
                taken people's advice and decided to relax and
                just accept that you both have different views on the subject.


                --------------------------------------------------------------------
                mail2web - Check your email from the web at
                http://mail2web.com/ .
                <.html
                Group: potadg Message: 41367 From: PotaDG@yahoogroups.com Date: 9/18/2006
                Subject: Birthday Reminder
                .html
                .html
                Reminder from:   PotaDG's Calendar
                Title:   Paul Williams' Birthday
                Date:   Tuesday September 19, 2006
                Time:   All Day
                Repeats:   This event repeats every year.
                Next reminder:   The next reminder for this event will be sent in 13 minutes.
                Description:   Happy Birthday Paul!
                Yahoo! Greetings:   Send a Yahoo! Greeting
                Yahoo! Shopping:   Browse Yahoo! Shopping Gift Guide
                Copyright © 2006  Yahoo! Inc. All Rights Reserved | <.html
                <.html
                Group: potadg Message: 41368 From: PotaDG@yahoogroups.com Date: 9/18/2006
                Subject: Birthday Reminder
                .html
                .html
                Reminder from:   PotaDG's Calendar
                Title:   Paul Williams' Birthday
                Date:   Tuesday September 19, 2006
                Time:   All Day
                Repeats:   This event repeats every year.
                Description:   Happy Birthday Paul!
                Yahoo! Greetings:   Send a Yahoo! Greeting
                Yahoo! Shopping:   Browse Yahoo! Shopping Gift Guide
                Copyright © 2006  Yahoo! Inc. All Rights Reserved | <.html
                <.html
                Group: potadg Message: 41369 From: Patrick Tilton Date: 9/19/2006
                Subject: Mea culpa
                .html
                --- "handleyr@..." < handleyr@...>
                wrote:

                > Patrick, I have to point out one math error with
                your response, as it may throw off some of your other
                computations:
                >
                > YOU WROTE:
                > "TWO THOUSAND YEARS, GIVE OR TAKE A DECADE." In
                other words, sometime between 1,990 and 2,010 years.
                Added to 1972 (the year they left Earth), that would
                put their Earth-Time at A.D. 3982-to-4002, with 3992
                as the "average", notwithstanding the date he saw on
                the clock."
                >
                > However, that is incorrect. 2,000 years from 1972,
                give or take a decade, would be 3962-3982. The
                average would be exactly 2,000 years, or 3972, since
                the give and take was a decade on either side.

                *** D'OH!!! Yeah, I f***ed up. I figured the "3982"
                year and mistakenly ADDED the 20 year-range to it,
                instead of SUBTRACTING it from it. Thanks for catching
                it. It's nice to know that a 'flub' on my part can
                also be unflubbed!

                Patrick

                <.html
                Group: potadg Message: 41370 From: patrickmichaeltilton Date: 9/19/2006
                Subject: POTA - the Sequels as "Saga"
                .html
                --- In PotaDG@yahoogroups.com , Haristas@... wrote:
                >
                > In a message dated 9/17/06 10:30:22 AM Eastern Daylight Time,
                > patrickmichaeltilton@... writes:
                >
                >
                > > The 5 films in the POTA "series" (as you call it) are all APJAC
                productions -- not a "fan-film" in the bunch. Is it just "fans" who
                consider all 5 to be part of a POTA "canon"? Or, does 20th Century
                Fox consider 'em all to be linked together?
                >
                > I don't know what all this talk of "canon" is. I couldn't care less
                about what is canon and what isn't in either the APES series or STAR
                TREK. I'm talking what is and what isn't a saga.
                >
                > As for what 20th Century Fox considers... Fox is dumb. What we get
                from Fox, whether it's calling the APES series a "saga" in the ads
                and posters for BATTLE in 1973, or continuing to do so in the ads and
                cover text for the APES films on home video or whatever, is the
                mindset of the publicity department -- and they're far from
                intellectuals.
                >
                > The fact is that from the standpoint of literary and cinema
                scholarship, the five POTA films are a series, not a saga. Do some
                research, Patrick, and stop just giving your opinion. This isn't a
                question of individual opinion, but one of serious categorizing.
                >
                > This is the definition of the word "saga" from my Funk & Wagnall
                dictionary:
                >
                > Saga n. 1. A medieval Scandinavian (specifically, Icelandic) prose
                narrative of conventionalized form dealing with legendary or
                historical exploits, usually of a single hero or a single family.
                > 2. A story, sometimes poetic, having the saga form or manner,
                often chronicling the history of a family, as Galsworthy's Forsyte
                Saga.
                >
                > The five PLANET OF THE APES films are five separate stories, with
                five separate conclusions to those stories. They do not literally
                form a saga.
                >
                > To call the PLANET OF THE APES film series a "saga" is to use the
                term loosely -- very loosely. And, whether you "like it or not,"
                Patrick, that's just simply the facts.
                >
                > -- Rory
                ------------------------------------------------------------------

                *** Rory, that F&W dictionary definition proves my point, at least
                insofar as the 4 POTA sequels are concerned.

                In "PLANET" we are introduced to two chimp scientists who are engaged
                to be married -- Cornelius and Zira, who refers to the other as
                her "fiancee". This is one detail that Dehn took one step further,
                logically enough, when he wrote "BENEATH": he established that after
                the end of "PLANET" and before Brent meets them, they had gotten
                married (we even see their wedding picture in the scene where
                Cornelius smokes his pipe as Zira starts to make chocolate icing).

                In "BENEATH" Zira mentions her as-yet-unborn child: "... at least our
                child, when it's born, won't be breast-fed on bile!" So, not only are
                these affianced chimps now husband-and-wife, but a child is on the
                way.

                The plot of the next movie, "ESCAPE", hinges on the danger posed by
                the prospect of Zira's baby interbreeding with "primitive" apes (the
                movie poster itself trumpets this: "MEET BABY MILO WHO HAS WASHINGTON
                TERRIFIED").

                Hasslein's recommendations to the Presidential Commission of Inquiry
                are that Zira's unborn baby should be aborted and that Zira and
                Cornelius should be rendered incapable of bearing-or-betting another
                child, to prevent this perceived "danger" to the future of the human
                race.

                But the baby survives...

                The last two movies have as their Protagonist this same "Baby Milo",
                now renamed (by Armando) "Caesar", and his life's story CONTINUES the
                format of the traditional Epic Hero.

                The dictionary definition you cite reads: "A ... prose narrative of
                conventionalized form dealing with legendary or historical exploits,
                usually of a single hero or a single family.... A story, sometimes
                poetic, having the saga form or manner, often chronicling the history
                of a family".

                The term "conventionalized form" more than fits this whole Epic Hero
                tradition. Caesar's life fits this pattern for a reason: Dehn, a poet
                himself, KNEW the pattern and DESIGNED Caesar's life with that
                pattern in mind. Thus, when it comes time for the Epic Hero to
                undergo a "descent into Hell" in order acquire special knowledge
                about the Future of his people from his deceased parents, Dehn puts
                words into the mouth of MacDonald, upon seeing the nuclear
                devastation of Breck's city: "This is the 'Hell' my forefathers used
                to write about..." And in this 'figurative' Hell, Caesar sees the
                prerecorded images and voices of his dead parents talking about the
                End of the World. In an ancient epic (like Virgil's "AENEID" or
                Homer's "ODYSSEY") the Hero travels to a LITERAL "Hell" and converses
                with the actual ghost of a Father-figure; in Dehn's ingenious sci-fi
                take on the Epic Conventions, he re-interprets the idea of "Hell" as
                a MAN-MADE WASTELAND, a colossal failure of human action vis-a-vis
                his own destructive potential. And, Dehn re-interprets the idea of a
                SUPERNATURAL meeting between a Deceased Father-figure and his living
                Son (like Anchises in Bk. VI of the "AENEID", when Aeneas meets him
                in Hades) by presenting a NON-SUPERNATURAL variation: Caesar, alive,
                acquiring information about the Future from his dead parents due to
                their images and voices having been PRE-RECORDED. One of the things
                that makes "BATTLE" a worthy part of this POTA "series"/"saga" is the
                fact that it takes the Epic Conventions and ingeniously adapts it to
                a sci-fi setting.

                In "BATTLE", remember, the main story is TOLD by an old Patriarch to
                an audience of children in the year 2670, and that story is well over
                600 years old by then. Thus, this makes the story of Caesar
                (in "BATTLE") to be "legendary or historical exploits, usually of a
                single hero or a single family" -- the "single hero" being CAESAR,
                and the "family" being that of CORNELIUS/ZIRA/CAESAR-&-LISA, and
                their murdered Heir, Cornelius Jr.

                Thus, the 4 POTA sequels are indeed a Saga! They might not be
                Scandinavian or Icelandic, but that doesn't matter. They
                have "conventional form" (Epic) and tell the story of an Epic Hero
                (Caesar) and his Family (his parents, Zira and Cornelius, as well as
                his own, Lisa & their son/Heir) and the Fate of their People (the End
                of the World, as witnessed by his yet-to-be-born parents-from-the-
                Future).

                I'm not using the term "saga" loosely. It applies PERFECTLY to the
                POTA sequels taken as a whole. And none of 'em could've been made
                if "PLANET" hadn't had Zira and Cornelius engaged-to-be-married to
                begin with. By taking THAT detail one step further, Dehn could take
                it one MORE step further... building upon that relationship the
                edifice of an Epic story, "chronicling the history of a family" as
                Funk & Wagnall's says.

                You don't really need to know all the plots of all the previous Bond
                films in order to enjoy the latest-of-the-series. With the exception
                of the VERY few inter-movie elements (such as Bond's hunt for Blofeld
                in the beginning of "DIAMONDS ARE FOREVER" to avenge the murder of
                his wife at the end of "ON HER MAJESTY'S SECRET SERVICE"), each Bond
                film is a "stand-alone" adventure.

                But the POTA sequel movies CANNOT be seen in any isolated
                fashion. "BENEATH" can't be fully appreciated without reference to
                the story of "PLANET" that preceded it. "ESCAPE" can't be understood
                without reference to the first two movies. Someone going
                to "CONQUEST" without having seen the first 3 films couldn't possibly
                comprehend the full import of the story they're watching -- it would
                be out-of-context. Only by seeing the 4 sequels one-after-the-other
                in order can they be seen in-context. Each one builds upon its
                predecessor. And the last one (especially the "foreign-edit" full
                version, now on DVD officially in the USA) ties-in with the
                original "PLANET" and "BENEATH", with Mendez instigating the Bomb-
                worshipping religion for the Mutant survivors of the Nuclear War.

                Patrick
                <.html
                Group: potadg Message: 41371 From: patrickmichaeltilton Date: 9/19/2006
                Subject: The Dark Fate of the Moon...
                .html
                --- In PotaDG@yahoogroups.com , Haristas@... wrote:
                >
                > Which group am I in here?!!!!
                >
                > Anyway, I'll bet that Patrick's answer to this question will go
                something like this: The destruction of the earth did something to
                the moon that caused it to become a "Quantum Singularity" (AKA
                a "Black Hole" [which also happens to be a Disney movie that Roddy
                McDowall provided his voice talents to]), which then sucked Taylor's
                (i.e. the Apeonauts') spaceship, by the way protected by a powerful
                magnetic warp field, through a wormhole that flung it past Uranus and
                out a cosmic sphincter that plopped it into the Pacific Ocean just
                off Point Dume.
                >
                > Just another chapter in Patrick's HITCHHIKER'S GUIDE TO THE POTA!
                >
                > -- Rory
                ---------------------------------------------------------------

                *** Well, you'd LOSE that bet!

                In my scenario, the Moon is destroyed -- i.e. a Doomsday-type bomb is
                exploded below its surface -- in the Autumn of 3085, as the
                penultimate event of the '15th episode' of my re-telling of the
                Virdon-Burke-Galen story: "ESCAPE TO YESTERDAY". Thus, the matter
                that once made up the Moon -- having been converted into a Black
                Hole -- will still exert a gravitational influence on the Earth
                (creating the same "high tides" that we currently experience twice a
                day).

                But this Black Hole will NOT be able to occult the Sun (i.e. there
                will never again be a Solar Eclipse); instead, charged particles in
                the Solar Wind will be "gravitationally lensed" by the Lunar Black
                Hole to create a Flare similar to a comet's tail, always pointing
                away from the Sun. During each "New Moon" time, when this Black Hole
                is between the Sun and the Earth, the planet will receive a blast of
                these extra-high-velocity ions, and the interaction of this ion blast
                with the Earth's magnetic field and upper atmosphere will result in
                SONIC BOOMS... the "thunder-and-lightning" with no rain that Dodge
                mentions in "PLANET".

                During the 870 years between the time when the Moon is 'destroyed'
                and Taylor's detonation of the Doomsday Bomb, the Earth will have
                experienced over 10,000 of these rainless thunder-and-lightning
                storms. The apes, in fact, will have devised a CALENDAR (a "lunar"
                one) based on this phenomenon. They won't know which day is the 1st
                day of the next month until Heaven Itself BOOMS its answer. Of
                course, when they time it, they'll discover that the phenomenon
                happens on average every 29 days 12 hours 44 minutes (give or take a
                minute).

                Incidentally, in my scenario there's an orbiting science station at
                the L5 position of the Earth-Moon system which survives the Nuclear
                War (affiliated with the same "Scientists" from "THE LEGACY"). If
                anybody is on that L5 station after 3085, then the Moon -- ahead of
                it in their mutual orbit around the Earth -- will not be merely a
                grey globe 238,464 miles away; once each orbit of Earth, when the
                Black Hole is 5/6ths through its orbital Sun-Moon-Earth syzygy, the
                L5 station will simultaneously be 4/6ths through its own orbit, and
                there will be a Sun-Moon-L5 alignment, causing the L5 station to get
                dosed by a blast of that ion jet. I've worked this inevitable effect
                into my story's plot.

                Patrick
                <.html
                Group: potadg Message: 41372 From: Haristas@aol.com Date: 9/19/2006
                Subject: Re: POTA - the Sequels as "Saga"
                .html
                .html.html In a message dated 9/19/06 2:12:23 AM Eastern Daylight Time, patrickmichaeltilton@... writes:


                I'm not using the term "saga" loosely. It applies PERFECTLY to the
                POTA sequels taken as a whole.


                Patrick, you can HAVE the POTA sequels!  Just leave my favorite movie alone!

                -- Rory
                <.html
                <.html
                <.html
                Group: potadg Message: 41373 From: Haristas@aol.com Date: 9/19/2006
                Subject: Re: The Dark Fate of the Moon...
                .html
                .html.html In a message dated 9/19/06 2:44:14 AM Eastern Daylight Time, patrickmichaeltilton@... writes:


                In my scenario, the Moon is destroyed -- i.e. a Doomsday-type bomb is
                exploded below its surface -- in the Autumn of 3085, as the
                penultimate event of the '15th episode' of my re-telling of the
                Virdon-Burke-Galen story: "ESCAPE TO YESTERDAY". Thus, the matter
                that once made up the Moon -- having been converted into a Black
                Hole -- will still exert a gravitational influence on the Earth
                (creating the same "high tides" that we currently experience twice a
                day).


                This seems very silly to me.  Wouldn't a Black Hole on the area of the current Moon's orbit suck the atmosphere off the surface of Earth?

                -- Rory
                <.html
                <.html
                <.html
                Group: potadg Message: 41374 From: patrickmichaeltilton Date: 9/19/2006
                Subject: Shane Johnson - scary news
                .html
                Some of you here might know who Shane Johnson is. Among other things,
                he has drawn up blueprints for the C57D spaceship from "FORBIDDEN
                PLANET", the Jupiter 2 from "LOST IN SPACE", Starlog-produced
                Technical Manuals for "STAR TREK TNG" and "STAR WARS", and he did the
                book "MR. SCOTT'S GUIDE TO THE ENTERPRISE" -- which has a couple nods
                to us POTA fans, in that he uses the names "Alan Virdon", "Peter
                Burke", and "Urco Galen" on several of his blueprint pages. A while
                ago, on the Yahoo "FRIENDS & FUGITIVES" group message board, he used
                to post and, when time permits, he said that he -- as a fan of the
                POTA tv series -- might actually draft some blueprints of the TV
                show's ANSA ship.

                He's also a sincerely religious man, as his Christian SF novels
                attest. I haven't read any of 'em, but they can be found at his
                website: http://www.shanejohnsonbooks.com

                Even though I, myself, am agnostic (about 99% sure that there cannot
                be any "god" or supernatural elements to the Universe), still, most
                of my friends are believers in the existence of a God and I've never
                held it against 'em. Shane and I may be on opposite sides of
                the "God" question, but no matter: I've been a fan of his blueprint-
                draftsmanship for years, and if he ever DOES draft blueprints for the
                POTA tv show ship, I'll be the first one to order a copy.

                I've just surfed over to his website, and... well, I'll let him say
                it. The text below is copied from a "special message" he posted at
                that site:

                ===============================================================

                Last Sunday, August 14, at about 6:30 in the morning, I almost died.
                I am writing these words that others might avoid what happened to me.
                I'm a night owl. I was up very late watching a rented DVD
                of `Constantine' (interesting in a lot of ways, but definitely not a
                valid lesson in theology and probably not the last movie you want to
                see before leaving this world) and was about three-fourths of the way
                through it when I noticed a sudden weakness in my left arm. It
                quickly spread to my right, and I began to get dizzy. My heart began
                to pound. A sudden and severe fatigue swept me.

                I got up from the living room sofa and, leaning on the walls, made my
                way down the hall to our bedroom where Kathy was asleep. I leaned on
                the bed and woke her, told her I was in trouble and that she'd better
                call an ambulance. Pretty scared and not entirely awake, she went to
                the phone. My dizziness suddenly got much worse -- I laid on my back
                on the bed and stared at the ceiling as I heard her making the 911
                call from the other room.

                It got hard to breathe. I just couldn't catch my breath. I prayed,
                pretty sure my time had come. I asked God to accept me into His
                presence, to forgive me for my wretchedness. I glanced around the
                room at the walls and bookshelves, seeing the hundreds of books I'd
                read, expecting any moment to see a white light.

                After a moment, for some odd reason, I decided I didn't want the
                paramedics to find me in my bathrobe. The dizziness had subsided
                somewhat, so I rose and managed to get into a nearby shirt and a pair
                of pants. A little better able to walk, I went into the front room
                where Kathy was being told by the 911 operator that help was on the
                way, but not to hang up.

                I took a few steps to my son Daniel's room and woke him up. Barely
                awake, he threw on some clothes. I hugged him and told him I loved
                him.

                I heard a large vehicle outside and stepped out onto the front porch,
                and saw a fire engine at the foot of our driveway. Rescue guys
                approached me and I told them I was the one in trouble. They sat me
                down at the picnic table, hooked me up to their portable EKG machine,
                inserted an IV in my left arm and began to ask me a bunch of
                questions. Nitro went under my tongue. A small oxygen mask was placed
                over my nose. They asked if I could move my fingers and toes, and the
                different parts of my face. I learned from their radio call to the
                emergency room that I had a severe arrhythmia in my heartbeat.

                The ambulance arrived. As neighbors watched, they put me on a
                stretcher and quickly placed me in the back. I began to feel much
                worse. Increasing dizziness and a whine in my ears. Increasing
                tightness in my chest. More nitro. Injections, of what I never knew.
                Many questions from the paramedics. They asked if I could feel my
                heart fluttering. My head began to pound with a sudden severe
                headache. I listened as one of the guys radioed the hospital that my
                heartbeat was chaotic and now skipping multiple beats. I felt worse,
                and again I prayed for God to accept me.

                About five minutes later, we arrived at the hospital. They wheeled me
                into the ER and hooked me up to all their medical equipment, inserted
                a second IV and drew blood for analysis. Again I began to feel worse.
                The nurses and doctors assured me I would be okay. I wasn't so sure.
                They said a part of what I was feeling was due to the nitro and the
                medicines they were giving me, trying to get some rhythm back into my
                heartbeat.

                They quickly determined that my potassium level was dangerously low.
                Seems the heart cannot function without it. They gave me a
                potassium/orange juice mix to drink (imagine a small glass of OJ with
                half a cup of salt added), injected me with a potassium solution and
                started me on a potassium drip. As time passed, my heart began to
                beat normally. A TV Land `Night Court' marathon was playing in the
                room – I always liked that show.

                By 1:00 pm, they decided I was stable enough to leave the ER and I
                was transferred into a room in the hospital's cardiac unit. Room
                3125B. Over the next three days, they ran echocardiograms and just
                about every heart test you can imagine (the chemical stress test was
                extremely unpleasant and rather terrifying – there was a 1 in 10,000
                chance it would kill me, they said), trying to determine what (if
                any) permanent damage had been done. They watched for evidence of
                blood clots, which could lead to strokes and other bad things. With
                all the tubes and electrodes on and in me, I got no more than four
                hours sleep total the entire time. By the time I went home, I was
                exhausted.

                Turns out that the potassium deficiency had been caused by the blood
                pressure medication I'd been on for a year and a half. It is of a
                type that causes the body to dump potassium, and is supposed to be
                accompanied by a potassium supplement. Unfortunately, no one ever
                mentioned those facts to me, nor had they ever prescribed for me a
                supplement. I learned that my odds of surviving the extreme
                fibrillation and tachycardia I'd experienced had been only 50-50.

                Anyway, I'm okay now. Their tests showed that my heart is in great
                shape and suffered no damage, and my circulatory system is free of
                any narrowing or blockages. My cholesterol is still fine. I came very
                close to cardiac arrest, but the medical folks got to me in time.

                I now know what it's like to stand at death's door. As a writer I've
                often imagined that moment, but when you're suddenly faced with the
                end of your earthly life, all those imaginings go out the window. As
                Kathy called 911 and I prayed, certain that my allotted minutes were
                up, I was frightened yet found myself accepting of death. I didn't
                panic. I remember telling God that, if He had determined it was my
                time, I was ready – and I prayed my inherent sinfulness wouldn't
                somehow keep me from Him.

                Through it all, that brief, tiny flicker of doubt, that emotional
                fear that I might somehow have sinned my way out from under His
                grace -- that was the scariest thing.

                While I didn't doubt my salvation per se, there lurks a nagging
                question when we are faced with something we've never experienced
                before, especially if that something involves life and death. While
                my mind and heart know I'm saved, there will always be those little
                whispers from a darker quarter that say, "Maybe not . . . maybe those
                who insist our forgiveness is not absolute, that salvation must be
                earned and maintained day to day were right."

                What's interesting and a little surprising (and I didn't realize this
                until later) is that, even as I was convinced I was living my last
                few moments, I don't recall ever asking God to spare my life and not
                let me die. I asked only that He accept me into His presence, though
                I asked it over and over.

                If you or anyone you know is on a blood pressure (or other)
                medication that is not potassium-sparing, please see your doctor and
                make sure all things are as they should be. Since my incident last
                week, I've learned of others who went through the same ordeal but did
                not survive -- please act to save yourself and those you love.


                Shane

                ================================================================

                I don't know if Shane has ever surfed over to this site, but I
                suspect I'm not the only one in SF fandom who has an appreciation for
                his blueprints, so maybe there's somebody else here who is familiar
                with his stuff who might be glad to know that he's still among the
                living. I hope he lives long enough to have plenty of free time to
                (among other things) draw up those blueprints for Virdon's ship! If
                I'm not mistaken, he supplied a pic or two of the ANSA ship
                (from "BENEATH") to the site run by Ansanaut ("goingfaster.com"),
                depicting his interpretation of the landing assembly and so on. He's
                a POTA fan, and we fellow POTA fans should all wish him a full
                recovery from his very VERY scary ordeal.

                Patrick
                <.html
                Group: potadg Message: 41375 From: Wendy Kostora Date: 9/19/2006
                Subject: Re: The Dark Fate of the Moon...
                .html
                .html




                From: "patrickmichaeltilton" <patrickmichaeltilton@...>
                Reply-To: PotaDG@yahoogroups.com
                To: PotaDG@yahoogroups.com
                Subject: [PotaDG] The Dark Fate of the Moon...
                Date: Tue, 19 Sep 2006 06:42:14 -0000

                You forgot heavy water. Check Stephen Hawkins. Also, have you ever questioned that maybe the Burmuda Triangle might be a black hole? Oh, so many possibilites!

                Wendy
                ------------ --------- --------- --------- --------- --------- -

                *** Well, you'd LOSE that bet!

                In my scenario, the Moon is destroyed -- i.e. a Doomsday-type bomb is
                exploded below its surface -- in the Autumn of 3085, as the
                penultimate event of the '15th episode' of my re-telling of the
                Virdon-Burke- Galen story: "ESCAPE TO YESTERDAY". Thus, the matter
                that once made up the Moon -- having been converted into a Black
                Hole -- will still exert a gravitational influence on the Earth
                (creating the same "high tides" that we currently experience twice a
                day).

                But this Black Hole will NOT be able to occult the Sun (i.e. there
                will never again be a Solar Eclipse); instead, charged particles in
                the Solar Wind will be "gravitationally lensed" by the Lunar Black
                Hole to create a Flare similar to a comet's tail, always pointing
                away from the Sun. During each "New Moon" time, when this Black Hole
                is between the Sun and the Earth, the planet will receive a blast of
                these extra-high-velocity ions, and the interaction of this ion blast
                with the Earth's magnetic field and upper atmosphere will result in
                SONIC BOOMS... the "thunder-and- lightning" with no rain that Dodge
                mentions in "PLANET".

                During the 870 years between the time when the Moon is 'destroyed'
                and Taylor's detonation of the Doomsday Bomb, the Earth will have
                experienced over 10,000 of these rainless thunder-and- lightning
                storms. The apes, in fact, will have devised a CALENDAR (a "lunar"
                one) based on this phenomenon. They won't know which day is the 1st
                day of the next month until Heaven Itself BOOMS its answer. Of
                course, when they time it, they'll discover that the phenomenon
                happens on average every 29 days 12 hours 44 minutes (give or take a
                minute).

                Incidentally, in my scenario there's an orbiting science station at
                the L5 position of the Earth-Moon system which survives the Nuclear
                War (affiliated with the same "Scientists" from "THE LEGACY"). If
                anybody is on that L5 station after 3085, then the Moon -- ahead of
                it in their mutual orbit around the Earth -- will not be merely a
                grey globe 238,464 miles away; once each orbit of Earth, when the
                Black Hole is 5/6ths through its orbital Sun-Moon-Earth syzygy, the
                L5 station will simultaneously be 4/6ths through its own orbit, and
                there will be a Sun-Moon-L5 alignment, causing the L5 station to get
                dosed by a blast of that ion jet. I've worked this inevitable effect
                into my story's plot.

                Patrick


                <.html
                <.html
                Group: potadg Message: 41376 From: Wendy Kostora Date: 9/19/2006
                Subject: Re: Shane Johnson - scary news
                .html
                .html

                I don't about Shane works until you explained them. I'm glad he is okay. Thanks Pat for sharing this with us.

                Wendy


                From: "patrickmichaeltilton" <patrickmichaeltilton@...>
                Reply-To: PotaDG@yahoogroups.com
                To: PotaDG@yahoogroups.com
                Subject: [PotaDG] Shane Johnson - scary news
                Date: Tue, 19 Sep 2006 14:36:03 -0000

                Some of you here might know who Shane Johnson is. Among other things,
                he has drawn up blueprints for the C57D spaceship from "FORBIDDEN
                PLANET", the Jupiter 2 from "LOST IN SPACE", Starlog-produced
                Technical Manuals for "STAR TREK TNG" and "STAR WARS", and he did the
                book "MR. SCOTT'S GUIDE TO THE ENTERPRISE" -- which has a couple nods
                to us POTA fans, in that he uses the names "Alan Virdon", "Peter
                Burke", and "Urco Galen" on several of his blueprint pages. A while
                ago, on the Yahoo "FRIENDS & FUGITIVES" group message board, he used
                to post and, when time permits, he said that he -- as a fan of the
                POTA tv series -- might actually draft some blueprints of the TV
                show's ANSA ship.

                He's also a sincerely religious man, as his Christian SF novels
                attest. I haven't read any of 'em, but they can be found at his
                website: http://www.shanejoh nsonbooks. com

                Even though I, myself, am agnostic (about 99% sure that there cannot
                be any "god" or supernatural elements to the Universe), still, most
                of my friends are believers in the existence of a God and I've never
                held it against 'em. Shane and I may be on opposite sides of
                the "God" question, but no matter: I've been a fan of his blueprint-
                draftsmanship for years, and if he ever DOES draft blueprints for the
                POTA tv show ship, I'll be the first one to order a copy.

                I've just surfed over to his website, and... well, I'll let him say
                it. The text below is copied from a "special message" he posted at
                that site:

                ============ ========= ========= ========= ========= ========= ======

                Last Sunday, August 14, at about 6:30 in the morning, I almost died.
                I am writing these words that others might avoid what happened to me.
                I'm a night owl. I was up very late watching a rented DVD
                of `Constantine' (interesting in a lot of ways, but definitely not a
                valid lesson in theology and probably not the last movie you want to
                see before leaving this world) and was about three-fourths of the way
                through it when I noticed a sudden weakness in my left arm. It
                quickly spread to my right, and I began to get dizzy. My heart began
                to pound. A sudden and severe fatigue swept me.

                I got up from the living room sofa and, leaning on the walls, made my
                way down the hall to our bedroom where Kathy was asleep. I leaned on
                the bed and woke her, told her I was in trouble and that she'd better
                call an ambulance. Pretty scared and not entirely awake, she went to
                the phone. My dizziness suddenly got much worse -- I laid on my back
                on the bed and stared at the ceiling as I heard her making the 911
                call from the other room.

                It got hard to breathe. I just couldn't catch my breath. I prayed,
                pretty sure my time had come. I asked God to accept me into His
                presence, to forgive me for my wretchedness. I glanced around the
                room at the walls and bookshelves, seeing the hundreds of books I'd
                read, expecting any moment to see a white light.

                After a moment, for some odd reason, I decided I didn't want the
                paramedics to find me in my bathrobe. The dizziness had subsided
                somewhat, so I rose and managed to get into a nearby shirt and a pair
                of pants. A little better able to walk, I went into the front room
                where Kathy was being told by the 911 operator that help was on the
                way, but not to hang up.

                I took a few steps to my son Daniel's room and woke him up. Barely
                awake, he threw on some clothes. I hugged him and told him I loved
                him.

                I heard a large vehicle outside and stepped out onto the front porch,
                and saw a fire engine at the foot of our driveway. Rescue guys
                approached me and I told them I was the one in trouble. They sat me
                down at the picnic table, hooked me up to their portable EKG machine,
                inserted an IV in my left arm and began to ask me a bunch of
                questions. Nitro went under my tongue. A small oxygen mask was placed
                over my nose. They asked if I could move my fingers and toes, and the
                different parts of my face. I learned from their radio call to the
                emergency room that I had a severe arrhythmia in my heartbeat.

                The ambulance arrived. As neighbors watched, they put me on a
                stretcher and quickly placed me in the back. I began to feel much
                worse. Increasing dizziness and a whine in my ears. Increasing
                tightness in my chest. More nitro. Injections, of what I never knew.
                Many questions from the paramedics. They asked if I could feel my
                heart fluttering. My head began to pound with a sudden severe
                headache. I listened as one of the guys radioed the hospital that my
                heartbeat was chaotic and now skipping multiple beats. I felt worse,
                and again I prayed for God to accept me.

                About five minutes later, we arrived at the hospital. They wheeled me
                into the ER and hooked me up to all their medical equipment, inserted
                a second IV and drew blood for analysis. Again I began to feel worse.
                The nurses and doctors assured me I would be okay. I wasn't so sure.
                They said a part of what I was feeling was due to the nitro and the
                medicines they were giving me, trying to get some rhythm back into my
                heartbeat.

                They quickly determined that my potassium level was dangerously low.
                Seems the heart cannot function without it. They gave me a
                potassium/orange juice mix to drink (imagine a small glass of OJ with
                half a cup of salt added), injected me with a potassium solution and
                started me on a potassium drip. As time passed, my heart began to
                beat normally. A TV Land `Night Court' marathon was playing in the
                room � I always liked that show.

                By 1:00 pm, they decided I was stable enough to leave the ER and I
                was transferred into a room in the hospital's cardiac unit. Room
                3125B. Over the next three days, they ran echocardiograms and just
                about every heart test you can imagine (the chemical stress test was
                extremely unpleasant and rather terrifying � there was a 1 in 10,000
                chance it would kill me, they said), trying to determine what (if
                any) permanent damage had been done. They watched for evidence of
                blood clots, which could lead to strokes and other bad things. With
                all the tubes and electrodes on and in me, I got no more than four
                hours sleep total the entire time. By the time I went home, I was
                exhausted.

                Turns out that the potassium deficiency had been caused by the blood
                pressure medication I'd been on for a year and a half. It is of a
                type that causes the body to dump potassium, and is supposed to be
                accompanied by a potassium supplement. Unfortunately, no one ever
                mentioned those facts to me, nor had they ever prescribed for me a
                supplement. I learned that my odds of surviving the extreme
                fibrillation and tachycardia I'd experienced had been only 50-50.

                Anyway, I'm okay now. Their tests showed that my heart is in great
                shape and suffered no damage, and my circulatory system is free of
                any narrowing or blockages. My cholesterol is still fine. I came very
                close to cardiac arrest, but the medical folks got to me in time.

                I now know what it's like to stand at death's door. As a writer I've
                often imagined that moment, but when you're suddenly faced with the
                end of your earthly life, all those imaginings go out the window. As
                Kathy called 911 and I prayed, certain that my allotted minutes were
                up, I was frightened yet found myself accepting of death. I didn't
                panic. I remember telling God that, if He had determined it was my
                time, I was ready � and I prayed my inherent sinfulness wouldn't
                somehow keep me from Him.

                Through it all, that brief, tiny flicker of doubt, that emotional
                fear that I might somehow have sinned my way out from under His
                grace -- that was the scariest thing.

                While I didn't doubt my salvation per se, there lurks a nagging
                question when we are faced with something we've never experienced
                before, especially if that something involves life and death. While
                my mind and heart know I'm saved, there will always be those little
                whispers from a darker quarter that say, "Maybe not . . . maybe those
                who insist our forgiveness is not absolute, that salvation must be
                earned and maintained day to day were right."

                What's interesting and a little surprising (and I didn't realize this
                until later) is that, even as I was convinced I was living my last
                few moments, I don't recall ever asking God to spare my life and not
                let me die. I asked only that He accept me into His presence, though
                I asked it over and over.

                If you or anyone you know is on a blood pressure (or other)
                medication that is not potassium-sparing, please see your doctor and
                make sure all things are as they should be. Since my incident last
                week, I've learned of others who went through the same ordeal but did
                not survive -- please act to save yourself and those you love.

                Shane

                ============ ========= ========= ========= ========= ========= =======

                I don't know if Shane has ever surfed over to this site, but I
                suspect I'm not the only one in SF fandom who has an appreciation for
                his blueprints, so maybe there's somebody else here who is familiar
                with his stuff who might be glad to know that he's still among the
                living. I hope he lives long enough to have plenty of free time to
                (among other things) draw up those blueprints for Virdon's ship! If
                I'm not mistaken, he supplied a pic or two of the ANSA ship
                (from "BENEATH") to the site run by Ansanaut ("goingfaster. com"),
                depicting his interpretation of the landing assembly and so on. He's
                a POTA fan, and we fellow POTA fans should all wish him a full
                recovery from his very VERY scary ordeal.

                Patrick


                <.html
                <.html
                Group: potadg Message: 41377 From: patrickmichaeltilton Date: 9/19/2006
                Subject: Re: The Dark Fate of the Moon...
                .html
                --- In PotaDG@yahoogroups.com , Haristas@... wrote:
                >
                > In a message dated 9/19/06 2:44:14 AM Eastern Daylight Time,
                > patrickmichaeltilton@... writes:
                >
                >
                > > In my scenario, the Moon is destroyed -- i.e. a Doomsday-type
                bomb is exploded below its surface -- in the Autumn of 3085, as the
                penultimate event of the '15th episode' of my re-telling of the
                Virdon-Burke-Galen story: "ESCAPE TO YESTERDAY". Thus, the matter
                that once made up the Moon -- having been converted into a Black
                Hole -- will still exert a gravitational influence on the Earth
                (creating the same "high tides" that we currently experience twice a
                day).
                >
                >
                > This seems very silly to me. Wouldn't a Black Hole on the area of
                the current Moon's orbit suck the atmosphere off the surface of Earth?
                >
                > -- Rory
                >
                ----------------------------------------------------------------

                *** Nope. Does the Moon as it is today suck the Earth's atmosphere
                away? No, not AWAY. It isn't strong enough to do that. It does,
                however, exert a gravitational influence which can be 'felt', which
                we call the TIDES. This force is exerted on the waters of the oceans,
                the air in the atmosphere, and even on the tectonic plates of the
                crust. In fact, the Earth itself exerts a far GREATER tidal influence
                upon the Moon, which is why the Moon has one side (the "Near Side")
                continually facing the Earth, so that its Far Side can never be seen
                by anybody on the Earth's surface.

                If the mass of the Moon [7.343 x 10^33 kilograms] were to be imploded
                into a Singularity, then the gravitational effects exerted by that
                same mass would not change one bit as experienced on Earth. All the
                mass would occupy a hyper-spinning "point" (or, ring-like oblate
                spheroidal shape) where the Moon's actual Center-of-Gravity currently
                is situated.

                I don't know where people get the ridiculous notion that Black Holes
                are somehow like "vacuum cleaners" sucking up debris. Having mass, a
                Black Hole -- like every moon, planet, or star -- would have a
                gravitational field associated with it. And, yes, anything traveling
                through space on a trajectory that passes by a Black Hole would have
                its pathway curved, but no more so than if it were a planet or a moon
                whose center-of-gravity were located at the "point" where the
                Singularity is. If the Sun were to be converted into a Black Hole,
                then the ONLY effect this would have on the planets orbiting it would
                be to cool them down, since it wouldn't be shining sunlight at 'em.
                Their orbits wouldn't change one bit.

                It is only when on a COLLISION course, or a too-close approach to a
                Black Hole that there would be a catastrophic effect. If a high-mass
                Black Hole happened to be a few meters away from a spaceship
                attempting to fly through space, then the NEARNESS to all that mass
                concentrated to a Point would intensify the gravitational effects
                felt by those on the spaceship. This effect is generally
                called "Spaghettification" -- the parts nearest to the intense
                gravity would experience higher rates of gravitational acceleration
                towards the singularity than those parts further away from it. But
                this would happen only if you flew too close to the Singularity. If
                you could orbit the Black Hole at the same distance that the Lunar
                Orbiter orbited the center of the Moon during the Moon Landings, then
                that orbit would be identical -- the only real difference being that
                there would be no Lunar Surface below on which to land (and you
                wouldn't want to try landing on the Event Horizon cocooning the
                Singularity).

                As the Moon and the Earth mutually orbit the Sun, they do so whilst
                orbiting each other about a common center of gravity (which happens
                to be about 1,000 miles below the surface of the Earth on a direct
                line connecting the Earth's Center with the Moon's Center). The Moon,
                millions of years ago, was once CLOSER to the Earth, and its average
                distance from the Earth is -- and has been for millions of years --
                INCREASING. For the foreseeable future, the Moon's orbital period
                will be virtually the same as it is now; but millions of years in the
                future, the average lunar orbital period will be longer than it is
                now, and the tidal influence will also decrease in size.

                Patrick
                <.html


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