|
| Group: potadg |
Message: 41278 |
From: Neil |
Date: 9/12/2006 |
| Subject: Re: Apes at the Zoo |
|
| Group: potadg |
Message: 41279 |
From: Neil |
Date: 9/12/2006 |
| Subject: Re: Apes at the Zoo |
|
| Group: potadg |
Message: 41280 |
From: TZer0@aol.com |
Date: 9/12/2006 |
| Subject: Re: Apes at the Zoo |
|
| Group: potadg |
Message: 41281 |
From: TZer0@aol.com |
Date: 9/12/2006 |
| Subject: Re: Apes at the Zoo |
|
| Group: potadg |
Message: 41282 |
From: Neil |
Date: 9/12/2006 |
| Subject: Re: Apes at the Zoo |
|
| Group: potadg |
Message: 41283 |
From: PotaDG@yahoogroups.com |
Date: 9/12/2006 |
| Subject: Anniversary Reminder |
|
| Group: potadg |
Message: 41284 |
From: Ty Templeton |
Date: 9/13/2006 |
| Subject: Revolution #6 |
|
| Group: potadg |
Message: 41285 |
From: Michael Whitty |
Date: 9/13/2006 |
| Subject: Revolution #6 |
|
| Group: potadg |
Message: 41286 |
From: TZer0@aol.com |
Date: 9/13/2006 |
| Subject: Re: Apes at the Zoo |
|
| Group: potadg |
Message: 41287 |
From: Neil |
Date: 9/13/2006 |
| Subject: Re: Apes at the Zoo |
|
| Group: potadg |
Message: 41288 |
From: Greg Plonowski |
Date: 9/13/2006 |
| Subject: Marvel UK issue 100 |
|
| Group: potadg |
Message: 41289 |
From: patrickmichaeltilton |
Date: 9/13/2006 |
| Subject: Re: Hollywoodland - OT |
|
| Group: potadg |
Message: 41290 |
From: patrickmichaeltilton |
Date: 9/13/2006 |
| Subject: Retrofitting the Sequels to the Original "PLANET" |
|
| Group: potadg |
Message: 41291 |
From: patrickmichaeltilton |
Date: 9/13/2006 |
| Subject: Re: Apes at the Zoo |
|
| Group: potadg |
Message: 41292 |
From: patrickmichaeltilton |
Date: 9/13/2006 |
| Subject: Re: Apes at the Zoo |
|
| Group: potadg |
Message: 41293 |
From: Neil T Foster |
Date: 9/13/2006 |
| Subject: Re: Marvel UK issue 100 |
|
| Group: potadg |
Message: 41294 |
From: Neil T Foster |
Date: 9/13/2006 |
| Subject: Re: Apes at the Zoo |
|
| Group: potadg |
Message: 41295 |
From: Haristas@aol.com |
Date: 9/13/2006 |
| Subject: Re: Retrofitting the Sequels to the Original "PLANET" |
|
| Group: potadg |
Message: 41296 |
From: Wendy Kostora |
Date: 9/13/2006 |
| Subject: Re: Just a brag |
|
| Group: potadg |
Message: 41297 |
From: Haristas@aol.com |
Date: 9/13/2006 |
| Subject: Re: Retrofitting the Sequels to the Original "PLANET" |
|
| Group: potadg |
Message: 41298 |
From: TZer0@aol.com |
Date: 9/14/2006 |
| Subject: Re: Apes at the Zoo |
|
| Group: potadg |
Message: 41299 |
From: TZer0@aol.com |
Date: 9/14/2006 |
| Subject: Re: Apes at the Zoo |
|
| Group: potadg |
Message: 41300 |
From: Neil T Foster |
Date: 9/14/2006 |
| Subject: Re: Apes at the Zoo |
|
| Group: potadg |
Message: 41301 |
From: Michael Whitty |
Date: 9/14/2006 |
| Subject: Hollywoodland - OT |
|
| Group: potadg |
Message: 41302 |
From: Haristas@aol.com |
Date: 9/14/2006 |
| Subject: Idiocracy |
|
| Group: potadg |
Message: 41303 |
From: Neil T Foster |
Date: 9/14/2006 |
| Subject: Re: Idiocracy |
|
| Group: potadg |
Message: 41304 |
From: Neil T Foster |
Date: 9/14/2006 |
| Subject: Re: Revolution #6 |
|
| Group: potadg |
Message: 41305 |
From: Ty Templeton |
Date: 9/14/2006 |
| Subject: Re: Revolution #6 |
|
| Group: potadg |
Message: 41306 |
From: Michael Whitty |
Date: 9/14/2006 |
| Subject: Revolution #6 |
|
| Group: potadg |
Message: 41307 |
From: Graham Hill |
Date: 9/14/2006 |
| Subject: Re: Revolution #6 |
|
| Group: potadg |
Message: 41308 |
From: Whitty |
Date: 9/14/2006 |
| Subject: Thanks TY! |
|
| Group: potadg |
Message: 41309 |
From: Neil T Foster |
Date: 9/14/2006 |
| Subject: Damn Sneaky Humans! |
|
| Group: potadg |
Message: 41310 |
From: Haristas@aol.com |
Date: 9/14/2006 |
| Subject: Return to the POTA DVDs |
|
| Group: potadg |
Message: 41311 |
From: Neil T Foster |
Date: 9/14/2006 |
| Subject: The Rarities Disc |
|
| Group: potadg |
Message: 41312 |
From: Whitty |
Date: 9/14/2006 |
| Subject: Re: {Disarmed} [PotaDG] Return to the POTA DVDs |
|
| Group: potadg |
Message: 41313 |
From: gp3085 |
Date: 9/14/2006 |
| Subject: Re: Revolution #6 |
|
| Group: potadg |
Message: 41314 |
From: tshaf37@aol.com |
Date: 9/14/2006 |
| Subject: Re: Revolution #6 |
|
| Group: potadg |
Message: 41315 |
From: tshaf37@aol.com |
Date: 9/14/2006 |
| Subject: POTA Easter Eggs |
|
| Group: potadg |
Message: 41316 |
From: TZer0@aol.com |
Date: 9/15/2006 |
| Subject: Re: Idiocracy |
|
| Group: potadg |
Message: 41317 |
From: TZer0@aol.com |
Date: 9/15/2006 |
| Subject: Re: Apes at the Zoo |
|
| Group: potadg |
Message: 41318 |
From: TZer0@aol.com |
Date: 9/15/2006 |
| Subject: Any music lovers? |
|
| Group: potadg |
Message: 41319 |
From: Ty Templeton |
Date: 9/15/2006 |
| Subject: Re: Revolution #6 |
|
| Group: potadg |
Message: 41320 |
From: Dario |
Date: 9/15/2006 |
| Subject: Worldcon report |
|
| Group: potadg |
Message: 41321 |
From: Michael Whitty |
Date: 9/15/2006 |
| Subject: Re: {Disarmed} Re: [PotaDG] Re: Revolution #6 |
|
| Group: potadg |
Message: 41322 |
From: Michael Whitty |
Date: 9/15/2006 |
| Subject: Revolution #6 - Tom Fowler |
|
| Group: potadg |
Message: 41323 |
From: Michael Whitty |
Date: 9/15/2006 |
| Subject: Revolution #6 - Ty |
|
| Group: potadg |
Message: 41324 |
From: Michael Whitty |
Date: 9/15/2006 |
| Subject: Revolution #6 - Denis Roddier |
|
| Group: potadg |
Message: 41325 |
From: Michael Whitty |
Date: 9/15/2006 |
| Subject: Revolution #6 - Steve Molnar |
|
| Group: potadg |
Message: 41326 |
From: Michael Whitty |
Date: 9/15/2006 |
| Subject: Re: Revolution #6 |
|
| Group: potadg |
Message: 41327 |
From: veetus@earthlink.net |
Date: 9/15/2006 |
| Subject: Re: Worldcon report |
|
| Group: potadg |
Message: 41328 |
From: Michael Whitty |
Date: 9/15/2006 |
| Subject: Re: {Disarmed} [PotaDG] Damn Sneaky Humans! |
|
| Group: potadg |
Message: 41329 |
From: Michael Whitty |
Date: 9/15/2006 |
| Subject: Revolution #6 - Art and Bernie |
|
| Group: potadg |
Message: 41330 |
From: gp3085 |
Date: 9/15/2006 |
| Subject: Re: Revolution #6 |
|
| Group: potadg |
Message: 41331 |
From: Graham Hill |
Date: 9/15/2006 |
| Subject: Re: Revolution #6 |
|
| Group: potadg |
Message: 41332 |
From: Graham Hill |
Date: 9/15/2006 |
| Subject: Re: Revolution #6 - Art and Bernie |
|
| Group: potadg |
Message: 41333 |
From: Wendy Kostora |
Date: 9/15/2006 |
| Subject: Re: Worldcon report |
|
| Group: potadg |
Message: 41334 |
From: atragon1@aol.com |
Date: 9/15/2006 |
| Subject: Re: Revolution #6 |
|
| Group: potadg |
Message: 41335 |
From: TZer0@aol.com |
Date: 9/15/2006 |
| Subject: Re: Worldcon report |
|
| Group: potadg |
Message: 41336 |
From: Michael Whitty |
Date: 9/16/2006 |
| Subject: Non-official T Shirts |
|
| Group: potadg |
Message: 41337 |
From: Neil T Foster |
Date: 9/16/2006 |
| Subject: Re: Apes at the Zoo |
|
| Group: potadg |
Message: 41338 |
From: Neil T Foster |
Date: 9/16/2006 |
| Subject: Re: Worldcon report |
|
| Group: potadg |
Message: 41339 |
From: Ty Templeton |
Date: 9/16/2006 |
| Subject: Re: Non-official T Shirts |
|
| Group: potadg |
Message: 41340 |
From: Haristas@aol.com |
Date: 9/16/2006 |
| Subject: Re: Worldcon report |
|
| Group: potadg |
Message: 41341 |
From: Michael Whitty |
Date: 9/16/2006 |
| Subject: Re: Non-official T Shirts |
|
| Group: potadg |
Message: 41342 |
From: PotaDG@yahoogroups.com |
Date: 9/16/2006 |
| Subject: Birthday Reminder |
|
| Group: potadg |
Message: 41343 |
From: PotaDG@yahoogroups.com |
Date: 9/16/2006 |
| Subject: Birthday Reminder |
|
| Group: potadg |
Message: 41344 |
From: Haristas@aol.com |
Date: 9/17/2006 |
| Subject: Re: Birthday Reminder |
|
| Group: potadg |
Message: 41345 |
From: Michael Whitty |
Date: 9/17/2006 |
| Subject: New home-page picture. |
|
| Group: potadg |
Message: 41346 |
From: Haristas@aol.com |
Date: 9/17/2006 |
| Subject: Re: Apes at the Zoo |
|
| Group: potadg |
Message: 41347 |
From: TZer0@aol.com |
Date: 9/17/2006 |
| Subject: Re: Apes at the Zoo |
|
| Group: potadg |
Message: 41348 |
From: Michael Whitty |
Date: 9/17/2006 |
| Subject: Re: Escape Question |
|
| Group: potadg |
Message: 41349 |
From: Tim "apefan" |
Date: 9/17/2006 |
| Subject: Re: New home-page picture. |
|
| Group: potadg |
Message: 41350 |
From: patrickmichaeltilton |
Date: 9/17/2006 |
| Subject: Re: Retrofitting the Sequels to the Original "PLANET" |
|
| Group: potadg |
Message: 41351 |
From: atragon1@aol.com |
Date: 9/17/2006 |
| Subject: Fwd: [POTA] Re: Escape Question - the nature of the Alpha Omega bomb |
|
| Group: potadg |
Message: 41352 |
From: patrickmichaeltilton |
Date: 9/17/2006 |
| Subject: Re: Retrofitting the Sequels to the Original "PLANET" |
|
| Group: potadg |
Message: 41353 |
From: Patrick Tilton |
Date: 9/17/2006 |
| Subject: Let's do the Time-Warp yet again... |
|
| Group: potadg |
Message: 41354 |
From: Haristas@aol.com |
Date: 9/17/2006 |
| Subject: Re: Retrofitting the Sequels to the Original "PLANET" |
|
| Group: potadg |
Message: 41355 |
From: Haristas@aol.com |
Date: 9/17/2006 |
| Subject: Re: Retrofitting the Sequels to the Original "PLANET" |
|
| Group: potadg |
Message: 41356 |
From: TZer0@aol.com |
Date: 9/17/2006 |
| Subject: Re: Apes at the Zoo |
|
| Group: potadg |
Message: 41357 |
From: TZer0@aol.com |
Date: 9/17/2006 |
| Subject: Re: Escape Question |
|
| Group: potadg |
Message: 41358 |
From: TZer0@aol.com |
Date: 9/17/2006 |
| Subject: Re: Apes at the Zoo |
|
| Group: potadg |
Message: 41359 |
From: Haristas@aol.com |
Date: 9/17/2006 |
| Subject: Re: Escape Question |
|
| Group: potadg |
Message: 41360 |
From: atragon1@aol.com |
Date: 9/17/2006 |
| Subject: Re: [POTA] Re: Escape Question - the nature of the Alpha Omega bomb |
|
| Group: potadg |
Message: 41361 |
From: PofTAfan@aol.com |
Date: 9/17/2006 |
| Subject: Re: [POTA] Re: Escape Question - the nature of the Alpha Omega bomb |
|
| Group: potadg |
Message: 41362 |
From: Tim "apefan" |
Date: 9/17/2006 |
| Subject: Lalo Schifrin 45 |
|
| Group: potadg |
Message: 41363 |
From: Michael Whitty |
Date: 9/18/2006 |
| Subject: You'll NEVER Escape |
|
| Group: potadg |
Message: 41364 |
From: Michael Whitty |
Date: 9/18/2006 |
| Subject: Re: {Disarmed} [PotaDG] Re: [POTA] Re: Escape Question - the nature |
|
| Group: potadg |
Message: 41365 |
From: Dario |
Date: 9/18/2006 |
| Subject: home-page pic , WC, Rev#6, Empire |
|
| Group: potadg |
Message: 41366 |
From: handleyr@optonline.net |
Date: 9/18/2006 |
| Subject: Re: Digest Number 2320 |
|
| Group: potadg |
Message: 41367 |
From: PotaDG@yahoogroups.com |
Date: 9/18/2006 |
| Subject: Birthday Reminder |
|
| Group: potadg |
Message: 41368 |
From: PotaDG@yahoogroups.com |
Date: 9/18/2006 |
| Subject: Birthday Reminder |
|
| Group: potadg |
Message: 41369 |
From: Patrick Tilton |
Date: 9/19/2006 |
| Subject: Mea culpa |
|
| Group: potadg |
Message: 41370 |
From: patrickmichaeltilton |
Date: 9/19/2006 |
| Subject: POTA - the Sequels as "Saga" |
|
| Group: potadg |
Message: 41371 |
From: patrickmichaeltilton |
Date: 9/19/2006 |
| Subject: The Dark Fate of the Moon... |
|
| Group: potadg |
Message: 41372 |
From: Haristas@aol.com |
Date: 9/19/2006 |
| Subject: Re: POTA - the Sequels as "Saga" |
|
| Group: potadg |
Message: 41373 |
From: Haristas@aol.com |
Date: 9/19/2006 |
| Subject: Re: The Dark Fate of the Moon... |
|
| Group: potadg |
Message: 41374 |
From: patrickmichaeltilton |
Date: 9/19/2006 |
| Subject: Shane Johnson - scary news |
|
| Group: potadg |
Message: 41375 |
From: Wendy Kostora |
Date: 9/19/2006 |
| Subject: Re: The Dark Fate of the Moon... |
|
| Group: potadg |
Message: 41376 |
From: Wendy Kostora |
Date: 9/19/2006 |
| Subject: Re: Shane Johnson - scary news |
|
| Group: potadg |
Message: 41377 |
From: patrickmichaeltilton |
Date: 9/19/2006 |
| Subject: Re: The Dark Fate of the Moon... |
|
| Group: potadg |
Message: 41278 |
From: Neil |
Date: 9/12/2006 |
| Subject: Re: Apes at the Zoo |
.html-- Same with the cartoon version of Zaius, he is nowhere near as evil
as the movie version. I suppose it was aimed at a much younger
audience though.
Neil
--- In PotaDG@yahoogroups.com, Haristas@... wrote:
> Of course, by the time you get to the POTA cartoon series, Cornelius
and Zira have mutated to characters only remotely similar to those in
the novel and first film. <.html
|
|
| Group: potadg |
Message: 41279 |
From: Neil |
Date: 9/12/2006 |
| Subject: Re: Apes at the Zoo |
.html-- Very true, well said Rory!
Neil
--- In PotaDG@yahoogroups.com, Haristas@... wrote:
> Unfortunately with this kind of stuff, it's usually the most recent
incarnation of the character that becomes the cliche. Look at how
when it's the Frankenstein Monster on anything, it's usually Glenn
Strange's lumbering moron, and not Karloff's more complicated creature. <.html
|
|
| Group: potadg |
Message: 41280 |
From: TZer0@aol.com |
Date: 9/12/2006 |
| Subject: Re: Apes at the Zoo |
.html
.html
In a message dated 9/12/2006 4:17:59 P.M. Central Daylight Time,
ntfoster@... writes:
- Same
with the cartoon version of Zaius, he is nowhere near as evil as the movie
version. I suppose it was aimed at a much younger audience
though.
Neil
Yeah, it's a bit tough to talk about gelding some one on a Saturday morning
cartoon.
<.html
<.html
|
|
| Group: potadg |
Message: 41281 |
From: TZer0@aol.com |
Date: 9/12/2006 |
| Subject: Re: Apes at the Zoo |
.html
.html
In a message dated 9/12/2006 4:08:44 P.M. Central Daylight Time,
ntfoster@... writes:
I
never saw them as being very nice towards humans
Zira gave them sugar cubes.
<.html
<.html
|
|
| Group: potadg |
Message: 41282 |
From: Neil |
Date: 9/12/2006 |
| Subject: Re: Apes at the Zoo |
.html-- Exactly, she sees them as no better than horses or other animals.
Neil
--- In PotaDG@yahoogroups.com, TZer0@... wrote:
> Zira gave them sugar cubes. <.html
|
|
| Group: potadg |
Message: 41283 |
From: PotaDG@yahoogroups.com |
Date: 9/12/2006 |
| Subject: Anniversary Reminder |
.html.html
| Reminder from: |
|
PotaDG's Calendar |
| Title: |
|
Planet of the Apes TV series Premier |
| Date: |
|
Wednesday September 13, 2006 |
| Time: |
|
All Day
|
| Repeats: |
|
This event repeats every year. |
| Description: |
|
The Planet of the Apes Television show premiered on this day in 1974 |
<.html <.html
|
|
| Group: potadg |
Message: 41284 |
From: Ty Templeton |
Date: 9/13/2006 |
| Subject: Revolution #6 |
|
.html I've been told by at least one distributor that Revolution #6 WILL be on sale today...
Ty
<.html
|
|
| Group: potadg |
Message: 41285 |
From: Michael Whitty |
Date: 9/13/2006 |
| Subject: Revolution #6 |
.html
.html
Thanks
Ty.
Can’t wait!
Michael
-----Original
Message-----
From: PotaDG@yahoogroups.com
[PotaDG@yahoogroups.com] On Behalf Of Ty
Templeton
Sent: Wednesday, 13 September 2006
7:52 PM
To: PotaDG@yahoogroups.com
Subject: {Disarmed} [PotaDG]
Revolution #6
<.html <.html
|
|
| Group: potadg |
Message: 41286 |
From: TZer0@aol.com |
Date: 9/13/2006 |
| Subject: Re: Apes at the Zoo |
.html
.html
In a message dated 9/12/2006 4:53:52 P.M. Central Daylight Time,
ntfoster@... writes:
--
Exactly, she sees them as no better than horses or other
animals.
But that isn't what you said. What you said was . . .
"but I never saw them as being very nice towards humans"
Giving them treats is being nice. Whether you're giving
Scooby Snacks to Scooby or Shaggy, you're still being nice.
Maybe that doesn't qualify was "very" nice, but then what does?
<.html
<.html
|
|
| Group: potadg |
Message: 41287 |
From: Neil |
Date: 9/13/2006 |
| Subject: Re: Apes at the Zoo |
.html-- Well certainly not keeping them in cages and doing experiments on them.
Neil
--- In PotaDG@yahoogroups.com, TZer0@... wrote:
> But that isn't what you said. What you said was . . .
> "but I never saw them as being very nice towards humans"
> Giving them treats is being nice. Whether you're giving
> Scooby Snacks to Scooby or Shaggy, you're still being nice.
> Maybe that doesn't qualify was "very" nice, but then what does? <.html
|
|
| Group: potadg |
Message: 41288 |
From: Greg Plonowski |
Date: 9/13/2006 |
| Subject: Marvel UK issue 100 |
.html
The 100th issue in our continuing Marvel UK project has been posted to Hunter's site. 23 more issues of PotA to go, plus the 16 issues of Mighty World of Marvel that finished off the series.
This issue contains the next part in the Derek Zane story, reprinted from issues 85 and 86, as well as the next chapter in the reprinting of the Planet adaptation. New content in this issue is a 9-page Glossary of
the Planet of the Apes, which includes some nice photos from the TV series as well as the films. The PDFs have been arranged so that if you only want the glossary you just have to download part 2.
If you want original Planet of the Apes comics material today, head out to your local comic shop and purchase a copy of Revolution on the Planet of the Apes #6, by the good folks at Mr. Comics.
Thanks, Greg <.html
|
|
| Group: potadg |
Message: 41289 |
From: patrickmichaeltilton |
Date: 9/13/2006 |
| Subject: Re: Hollywoodland - OT |
.html--- In PotaDG@yahoogroups.com
, Haristas@... wrote:
>
> In a message dated 9/9/06 1:35:06 PM Eastern Daylight Time,
> patrickmichaeltilton@... writes:
>
>
> > I could type more about this stuff now, but I gotta get ready to go
> > to "HOLLYWOODLAND".
> >
> > Patrick
> >
>
> I've read the reviews for that movie and I've pretty much decided
to "wait
> for the DVD."
>
> -- Rory
>
*** I went to an afternoon matinee showing, which cost about $5.50 (not
including theater-bought soda pop). I'm sure that a DVD rental (when it
becomes available) will probably be cheaper than that and, with the
home theater system you've probably got, it'll be almost as if you're
in a good-sized theater... but when I can get to an actual theater and
see a flick in its first-run -- at a matinee price -- I will opt for
that. I'd heard enough good reviews of "HOLLYWOODLAND" to warrant
spending dough at the theater.
So, was it worth the $5.50 spent on it? Yeah. It was a good flick, much
better than the few negative reviews I'd read (from some AP reviewer
our local newspaper runs). All the Affleck-bashers should cut the dude
some friggin' slack: when he's in a good dramatic role, he is more than
able to deliver a fine performance. If I'm not mistaken, he's just won
an award for his portrayal of George Reeves.
I'd rate the flick, oh, about 3 1/2 stars outta 5. The average
Hollywood-produced movie I see in theaters tends to rate less than
that, so I'd recommend it. I think I've seen a 5-stars-out-of-5 flick
only once or twice in the last 10 years.
Patrick <.html
|
|
| Group: potadg |
Message: 41290 |
From: patrickmichaeltilton |
Date: 9/13/2006 |
| Subject: Retrofitting the Sequels to the Original "PLANET" |
.html--- In PotaDG@yahoogroups.com
, Haristas@... wrote:
> Thank you Patrick for FINALLY writing that. If only, in all you're
millions of words, you'd written what's above more often, then you
and everyone else here in Yahooland would have been saved "alot" of
grief from me.
>
> Still, I KNOW you're loopy in what you're doing, and I can't help
get furious when you "retrofit" PLANET to the rest of the "inferior"
sequels. It's just so artistically and intellectually wrong and an
injustice to the filmmakers.
*** Actually, I consider my POTA Scenario to be more of a "retrofit"
of the Dehn-flubbed sequels -- unflubbed -- back onto the original
film's scenario. In "PLANET" the Taylor mission to an unnamed star
system 320 lightyears away in Orion was explicitly intended to
take 'em about 2000 years of EARTH-TIME and only 18 months of SHIP-
TIME. It was Dehn who either didn't pay enough attention to that info
from "PLANET" when he introduced Brent (et al.), and it is THAT major
mistake that my scenario is intended to "retrofit" or "re-interpret"
so that it restores the "PLANET" scenario Serling & Wilson intended.
Of course, that requires certain adjustments to the "PLANET"
situation, but that's because I -- unlike you -- don't treat "PLANET"
as a stand-alone thing. The sequels, no matter how flawed they may
be, are a part of a 'saga', whether you like it or not. Most APES
fans don't consider "BENEATH"-through-"BATTLE to be thrown out of a
POTA canon, the same way they consider "RETURN" and Burton's flick to
be unworthy of inclusion in that same canon.
If what I'm doing is an "injustice to the filmmakers", well, those
same filmmakers also made "BENEATH", "ESCAPE", etc etc, and the flubs
they introduced did a sort of "injustice" to the makers of "PLANET"
(in other words, to THEMSELVES). It's too bad that Serling & Wilson
weren't there looking over Dehn's shoulder, to tell him that his
Brent-rescue-mission stuff violates the plotline of the original.
But, what was done is a fait accompli, and I'm just taking all that
surface detail at face value to concoct a scenario that serves as an
umbrella over all of it. Like Cornelius or Taylor trying to make
sense of the artifacts in the Cave, I'm "reconstructing" a scenario
that explains all the on-screen evidence without selectively ignoring
any detail that doesn't fit in with the sequel-writers' "intended"
scenario (which violated the "PLANET" scenario).
> So, I'm going to try as hard as I can to ignore you. Sorry, but
after all these years I'm just not amused.
>
> You did once provide for me a very good explanation of how the time
travel in Boulle's book would work, so thanks for that.
>
> -- Rory
*** Well, you're welcome.
Patrick <.html
|
|
| Group: potadg |
Message: 41291 |
From: patrickmichaeltilton |
Date: 9/13/2006 |
| Subject: Re: Apes at the Zoo |
.html--- In PotaDG@yahoogroups.com
, Haristas@... wrote:
>
> In a message dated 9/10/06 2:43:24 PM Eastern Daylight Time,
> Willowape@... writes:
>
>
> > Look at this way Rory, we are not necessarily fighting terrorism.
> > Everything is pointing toward oil which is sufficating our world.
If we should be fighting it should for our world.
> >
> > Wendy
> ----------------------------------------------------------------
> Wendy,
>
> You do realize that it's all focused on man, his importance, his
survival? Man doesn't threaten the earth. This planet in the past has
survived far worse than the crap man is doing to it. It's we who
endanger ourselves. The planet will go on just fine without us, no
matter what kind of a mess we make.
>
> -- Rory
-------------------------------------------------------------------
*** If by "planet" you're referring to the actual rocks it's made out
of and the water in its oceans, then sure, Man can't really "hurt"
the world. Well, not short of any "Doomsday Bomb" anyway.
But with the defoliation of the Amazon Rain Forest (done by Man),
which is causing the premature extinctions of whole species on a
daily basis... the toxic waste produced by our industrialized
society... the hunting-to-the-verge-of-extinction (poaching) of the
Apes and elephants (etc etc)... I fail to see how that situation
is "just fine".
A million years from now, there will still be a rocky oblate spheroid
orbiting the Sun, and the race of Man will probably not be around
then to maintain the name "Earth" for it, and life in some form will
still go on -- like the extremophiles that live in the volcanic vents
at the mid-Atlantic rift-zone -- but it's a damn shame what Man has
done to the world, when there are plenty of sensible things we COULD
do to alleviate the deleterious effects we have on our own
environment. Why we don't do 'em can be summed up by looking at who
our "leaders" are: men beholden to the Special Interests that spent
gazillions of dollars lobbying to preserve their Power. The
corruption in politics... all to serve the greed of the Elite 1% who
own 99% of everything there is that CAN be owned.
It ain't "freedom" that's being preserved so much as a Plutocracy.
The rich keep gettin' richer, the poor get poorer, and the system is
rigged to keep it that way. Nobody can run for Congress or the
Presidency unless he's got a "treasure chest" of multi-millions, to
buy Advertizing (etc etc).
And, alas, too many of the people who NEED a change in this situation
are too goddamn lazy to go out and vote. People are sheep, too
willing to allow themselves to be polarized to the Left or Right as
if they're like the metal filings near a bar magnet.
Patrick <.html
|
|
| Group: potadg |
Message: 41292 |
From: patrickmichaeltilton |
Date: 9/13/2006 |
| Subject: Re: Apes at the Zoo |
.htmlI recently watched the first couple episodes of "RETURN" and in it
Zaius tells that group of orangutans who share in his secret knowledge
of Earth's past human civilization that IF any humans should be found
who can Talk, then he would support Urko in his desire to destroy the
race of Man. As long as Man remains a mute "animal" and is not deemed a
threat to the survival of the Simian society, cartoon-Zaius had no
problem with letting them exist -- as test animals for the chimp
scientists. But... if any "humanoid" is heard to Talk, then that's the
straw that breaks the camel's back.
Not very "nice" of him, is it?
Patrick
--- In PotaDG@yahoogroups.com, "Neil" <ntfoster@...> wrote:
>
> -- Same with the cartoon version of Zaius, he is nowhere near as evil
> as the movie version. I suppose it was aimed at a much younger
> audience though.
>
> Neil
>
> --- In PotaDG@yahoogroups.com, Haristas@ wrote:
> > Of course, by the time you get to the POTA cartoon series, Cornelius
> and Zira have mutated to characters only remotely similar to those in
> the novel and first film.
> <.html
|
|
| Group: potadg |
Message: 41293 |
From: Neil T Foster |
Date: 9/13/2006 |
| Subject: Re: Marvel UK issue 100 |
.html
.html
Message
-- As usual,
thanks very much Greg.
Neil
The 100th issue in our continuing Marvel UK project has been posted to
Hunter's site. 23 more issues of PotA to go, plus the 16 issues of Mighty
World of Marvel that finished off the series.
This issue contains the next part in the Derek Zane story, reprinted from
issues 85 and 86, as well as the next chapter in the reprinting of the Planet
adaptation. New content in this issue is a 9-page Glossary of the Planet of
the Apes, which includes some nice photos from the TV series as well as the
films. The PDFs have been arranged so that if you only want the glossary you
just have to download part 2.
If you want original Planet of the Apes comics material today, head out
to your local comic shop and purchase a copy of Revolution on the Planet of
the Apes #6, by the good folks at Mr. Comics.
Thanks,
Greg
<.html
<.html
|
|
| Group: potadg |
Message: 41294 |
From: Neil T Foster |
Date: 9/13/2006 |
| Subject: Re: Apes at the Zoo |
.html
.html
Message
-- Don't know if I
am getting the wrong end of the stick or anything here but as you can see below
I never at any time said anything about the cartoon Zaius being
"nice".
Neil
I recently watched the first couple episodes of "RETURN" and in it
Zaius tells that group of orangutans who share in his secret knowledge
of Earth's past human civilization that IF any humans should be found
who can Talk, then he would support Urko in his desire to destroy the
race of Man. As long as Man remains a mute "animal" and is not deemed a
threat to the survival of the Simian society, cartoon-Zaius had no
problem with letting them exist -- as test animals for the chimp
scientists. But... if any "humanoid" is heard to Talk, then that's the
straw that breaks the camel's back.
Not very "nice" of him, is
it?
Patrick
--- In PotaDG@yahoogroups. com, "Neil"
<ntfoster@.. .> wrote: > > -- Same with the cartoon
version of Zaius, he is nowhere near as evil > as the movie version. I
suppose it was aimed at a much younger > audience though. >
> Neil > > --- In PotaDG@yahoogroups. com,
Haristas@ wrote: > > Of course, by the time you get to the POTA
cartoon series, Cornelius > and Zira have mutated to characters only
remotely similar to those in > the novel and first film.
.
<.html
<.html
|
|
| Group: potadg |
Message: 41295 |
From: Haristas@aol.com |
Date: 9/13/2006 |
| Subject: Re: Retrofitting the Sequels to the Original "PLANET" |
.html.html .html
In a message dated 9/13/06 11:34:52 AM Eastern Daylight Time, patrickmichaeltilton@... writes:
*** Actually, I consider my POTA Scenario to be more of a "retrofit"
of the Dehn-flubbed sequels -- unflubbed -- back onto the original
film's scenario. In "PLANET" the Taylor mission to an unnamed star
system 320 lightyears away in Orion was explicitly intended to
take 'em about 2000 years of EARTH-TIME and only 18 months of SHIP-
TIME. It was Dehn who either didn't pay enough attention to that info
from "PLANET" when he introduced Brent (et al.), and it is THAT major
mistake that my scenario is intended to "retrofit" or "re-interpret"
so that it restores the "PLANET" scenario Serling & Wilson intended.
Are you pulling a Bush on me, Patrick?
You've always said to me that the 3978 ship time shown in PLANET was wrong, and that the actual year is 3955. If that's not retrofitting PLANET what is it?
And then there's the whole local thing between PLANET and BENEATH. Aren't you one of those that say Ape City and the "greenbelts" have to be closer to what was NYC than would be indicated in
PLANET so that it matches what's shown in BENEATH?!!!
What's goin' on here?
-- Rory<.html
<.html <.html
|
|
| Group: potadg |
Message: 41296 |
From: Wendy Kostora |
Date: 9/13/2006 |
| Subject: Re: Just a brag |
.html.html Yeah, I can fly. However, gavity seems to be problem these days.
Thanks for the congrats!
Wendy
From: "Neil T Foster" <ntfoster@...> Reply-To: PotaDG@yahoogroups.com To: <PotaDG@yahoogroups.com> Subject: RE: [PotaDG] Just a brag Date:
Wed, 13 Sep 2006 07:08:40 +1000
-- Wow you know how to fly then?! ;-) Seriously though, well done Wendy, congratulations.
Neil
Already I've been approached to coach actors who will be playing the wicked witch's flying monkeys in in a future production of "Wizard of Oz".
.
<.html
<.html
|
|
| Group: potadg |
Message: 41297 |
From: Haristas@aol.com |
Date: 9/13/2006 |
| Subject: Re: Retrofitting the Sequels to the Original "PLANET" |
.html.html .html
In a message dated 9/13/06 11:34:52 AM Eastern Daylight Time, patrickmichaeltilton@... writes:
The sequels, no matter how flawed they may be, are a part of a 'saga', whether you like it or not.
Now, you see, this is the kind of emphatic statement from Patrick that infuriates me!
"Whether I like it or not"
You're problem is your mind is closed and you're too damn sure your right! And you support your conceit by making the idiotic argument that it's true "because that's the way most fans look at
it."
That's crap. What if I tell you that most "fans" don't know their asses from a whole in the ground? Am I wrong? Are they scholars, most of them, of ANYTHING? I kind of doubt it.
The five film series is not a "saga." It's a film "series." The first film is Taylor's story. That story ends at the end of PLANET. That's the end of it!
That's why Heston didn't want to do a sequel -- because artistically PLANET required NO SEQUEL!
BENEATH is a mess. It pretends that it's Brent's story, but it then brings in other stuff that's unresolved.
ESCAPE is Zira and Cornelius' story.
In CONQUEST and BATTLE the element that could be called a "saga" is brought into play, that being the development of Caesar, but that's it.
Of all the films in the series, PLANET is the one that's completely independent of all the others! I really don't know how that can be argued with, EXCEPT if intellecually it's just not something you
like!
-- Rory<.html
<.html <.html
|
|
| Group: potadg |
Message: 41298 |
From: TZer0@aol.com |
Date: 9/14/2006 |
| Subject: Re: Apes at the Zoo |
.html
.html
In a message dated 9/13/2006 6:58:08 A.M. Central Daylight Time,
ntfoster@... writes:
--
Well certainly not keeping them in cages and doing experiments on
them.
Well, we all know why she's that way.
Oh wait, no we don't because Before POTA
hasn't been finished yet. No fault of mine.
But you know why . . . <.html
<.html
|
|
| Group: potadg |
Message: 41299 |
From: TZer0@aol.com |
Date: 9/14/2006 |
| Subject: Re: Apes at the Zoo |
.html
.html
In a message dated 9/13/2006 10:52:19 A.M. Central Daylight Time,
patrickmichaeltilton@... writes:
But
with the defoliation of the Amazon Rain Forest (done by Man), which is
causing the premature extinctions of whole species on a daily basis... the
toxic waste produced by our industrialized society... the
hunting-to-the- verge-of- extinction (poaching) of the Apes and
elephants (etc etc)... I fail to see how that situation is "just fine".
Actually this temperate period is the exception, not the rule.
The methane in the permafrost that's melting is far more
of a greenhouse gas than CO 2 ever will be. Nine times
worse in fact. We may be speeding up it's release,
but if that's the case, we should be able to slow it
down as well. We'd have to get China and India
on board though. I saw a doco on a Chinese
leather factory polluting a river and a town.
Seems the government didn't give a fig
about it. They even arrested the lawyer
bringing the lawsuit on the peoples
behalf. Not very communistic is it? <.html
<.html
|
|
| Group: potadg |
Message: 41300 |
From: Neil T Foster |
Date: 9/14/2006 |
| Subject: Re: Apes at the Zoo |
.html
.html
Message
-- Not my fault
either. Now if we could only get someone to fund that
project...
Neil
Well, we all know why she's that way.
Oh wait, no we don't because Before POTA
hasn't been finished yet. No fault of mine.
.
_,_._,___
<.html
<.html
|
|
| Group: potadg |
Message: 41301 |
From: Michael Whitty |
Date: 9/14/2006 |
| Subject: Hollywoodland - OT |
.html
.html
Affleck
is in all the Kevin Smith movies I have been watching (except Clerks) and he’s
just fine in them.
They screwed him when they tried to:
(1) make him the next Harrison Ford;
(2) make a
romantic movie with his wife JLo.
(Message over 64 KB, truncated)
<.html <.html
|
|
| Group: potadg |
Message: 41302 |
From: Haristas@aol.com |
Date: 9/14/2006 |
| Subject: Idiocracy |
|
.html .html.html
From FSM.com:
If you haven't seen Mike Judge's Idiocracy
, you're not alone. After sitting on the shelf for two years, the comedy was released by 20th Century Fox in just a few cities (New York City didn't make the cut), and with such little fanfare that even a call to
Moviephone only turned the picture up as "Untitled Mike Judge Comedy." Evidently the filmmaker and the studio had some kind of falling out along the production road for the film, but the miracle perhaps is that
Idiocracy was released at all. An absolutely ruthless satiric attack on American society's rampant anti-intellectualism, consumer marketing and the conventions of science-fiction films, Idiocracy isn't exactly warm
and fuzzy—it's more like cold and filthy.
Judge's story follows an unambitious army private (Luke Wilson) who's frozen in a government experiment and wakes 500 years in the future to find society dumbed down way below idiot level (both the president and Fox
News correspondents are pro-wrestlers) and sees massive, inept corporations running everything while trash piles up to the size of mountains and crops go unwatered except for what they can derive from a popular sports
drink. The spelling of "Fuddruckers" also changes.
Idiocracy is a comedy, but there's at least one aspect about it that's dead serious: Theodore Shapiro's full-blown orchestral score. Since 2001's Wet Hot American Summer, Shapiro has been known for tackling
comedies (the list includes Not Another Teen Movie, Old School, Starsky and Hutch, 13 Going on 30, and this summer's hit, The Devil Wears Prada)—but the Julliard-trained composer has also done scores for David Mamet
(Heist, State and Main), and Idiocracy's satirical approach allowed him to write the kind of score probably not heard on movie screens since at least the mid-'70s. Shapiro scored Idiocracy in early 2005, recording
the bulk of the score in March of that year. "The process was a very smooth one—Mike and I got in-synch about what the music was going to be and we had a really good time," the composer says. "The only real
reference that we talked about was the Goldsmith score to Planet of the Apes
, which is one of the clear reference points of this, although I don't think it was so much that Mike knew that score well as it was the idea of a very serious science-fiction epic score. That was really the main
thing we thought would be funny, to treat it extremely seriously and nod to the sci-fi genre."
The Idiocracy
score, in fact, manages to reference Goldsmith's seminal science-fiction score without, shall we say, "aping it." Shapiro nods to the feel of Apes and some of its effects—staccato piano, echoplex-type fades,
strange percussion and the looming, menacing power that was Goldsmith's stock-in-trade. But Shapiro creates his effects gracefully, seamlessly integrating them into the score along with some theremin-like riffs for an
opening "history of man" crawl, buzzing action music as Wilson's character is chased by the future idiot authorities, and the requisite warm and noble sentiments to accompany the hero's quasi-romantic
relationship with a tender-hearted prostitute (Maya Rudolph) and his eventual triumph over the forces of idiocy.
The upshot is, Idiocracy holds together as a score that works on its own, and not just as a collection of temp riffs—and Shapiro says that's because the temp itself wasn't a roadmap for the score. "There was
nothing in the temp that was in that direction at all," he says of the final score's nods to Planet of the Apes. "It was just an idea that I thought would be funny. I had not seen Planet of the Apes
until right before I started working on the movie; in fact, that Goldsmith palette was more avant-garde than this movie could really handle. But at the same time there were a number of gestures in that score that
did provide inspiration for what I did. I think the fact that I wasn't dealing with a temp that was on the nose was enormously helpful. It was the ideal situation where we had a temp where we could all say, 'Okay,
let's go in a different direction,' yet they had a placeholder for screening purposes. Temps can really hamstring you and this was a fortunate situation that we had an idea we agreed upon and there was no sign of
that in the temp at all."
Simian Sounds
Shapiro began his work with the film's opening, with stentorian narration and footage showing mankind's fall from grace into a giant pile of garbage. "That whole sequence involving the decline of man and the
garbage avalanche was what I tackled first, and one of the things that came out of that is there is a decline of man motif that appears there and runs through the entire score. That was a helpful signpost to hit right
out of the gate. That particular cue is not one of the ones that is a Planet of the Apes-influenced cue."
The opening cue does contain some other sci-fi signposts, such as a theremin-like wail at some points. "I wanted to use vintage synths as part of the orchestra, which clearly has a very specific dating component to it.
But I thought that would be a funny reference point to hit. That stuff was all done in Atmosphere, a virtual instrument, but what we did that really helped was I love the sound of scores where the synths are played live
in the room so we recorded all the synth material at Fox—we ran the synth material through a speaker and then recorded the room. I was actually very happy with the results because it did sound like it was part of the
orchestra in a way that sometimes if you have the synth going directly to Pro Tools or tape, even when you run it through reverb that's supposed to simulate a hall, to me it always sounds like a different space and
that's one of the more satisfying techniques I've used as far as that goes." The theremin effect was a synth patch, while the effect of a live choir was created using samples. "The orchestra was rather
large—there were about 90 players. The choir was fake; I perhaps shouldn't admit that but the choir was fake, and I think my engineer did a good job of setting the levels just low enough that you can't quite make
out whether it's real or not. That's a color that should be used with caution. But all of these things have their moments in the cycle of fashion." The references to Planet of the Apes
climax in a "Forbidden Zone"-like sequence that has Wilson and his colleagues journey across a suspiciously L.A.-looking wasteland to find a Costco, depicted as a still-operating ruin approximately the size of
Nebraska. "I really didn't want to be overly specific about referencing sounds," Shapiro says of his Goldsmith-style riffs. "Off the top of my head Goldsmith uses a shofar or something and people talk about
mixing bowls, and I really wasn't interested in the specific sounds as much as the more general gesture he was going after. There's a muted piano, which obviously is used at the beginning of that score. There are
log drums, which I'm not sure are part of the Apes
score, some col legno stuff, and we did some delay effects, which is very much out of the Goldsmith playbook. We actually went so far as to find out what he would do when he was creating that sound, whether he would
record the instruments separately that were being run through the delay and just slap that on to whatever he was using it on and let the rest of the orchestra bleed into the delay as well, which is in fact what he
did—so we did that as well. We would just use the delay on whatever instrument section we were adding that effect to and let the rest of the orchestra bleed into that. It should be said that there's a second level
of lineage here. When you listen to that score it was clear that he had absorbed a lot of Stravinsky's Rite of Spring, Bartók and other things, so those are influences on both scores."
The composer readily admits that this is the kind of score he doesn't often get the chance to write. "It was great to do this—I love writing this kind of music and it's just a strange circumstance that I've
fallen into a place where so many of the scores I write have to have a pop and orchestra hybrid sound. It's certainly not anything I set out to do—I really love writing big orchestral scores and to get a chance to
do that was really a great deal of fun, not to mention using a slightly more dissonant harmonic palette. There's a lot of films that really don't have chords with more than three notes in them and so to get to work
in this harmonic palette was a great deal of fun. Comedy can provide you with some remarkable opportunities to mine gold in genres that you have great affection for and yet couldn't really work in in the same way
today. I've spoken with other composers who get a lot of work in the thriller genre about how we should have some kind of work exchange program so we could do different kinds of work."
Another opportunity Shapiro got on Idiocracy was the chance to actually release his score to listeners. Given the fact that it was recorded in L.A. and that the movie was barely released theatrically, Idiocracy
was a score that could easily have fallen through the cracks. But Shapiro got together with the Fox music department to arrange to have his work released on iTunes only instead of a standard CD album release.
"Basically from my vantage point all I care about—it would be great if there was a record label that wanted to do a big push for a score that I've done, but all I care about is getting my work out there for
somebody to listen to if they really want to. Fox obviously has made a choice that they aren't spending money on the movie, at least not theatrically, but the music department has been terrific and they really wanted
to help me get it out there, and basically it doesn't cost anything to put it on iTunes. So we actually mastered the record here at our studio so we were able to put it out just doing the work ourselves and the people
at Fox Music were very supportive of that." Nothing idiotic about that. —
<.html<.html <.html
|
|
| Group: potadg |
Message: 41303 |
From: Neil T Foster |
Date: 9/14/2006 |
| Subject: Re: Idiocracy |
.html
.html
Message
-- I had actually
noticed that recently when I heard a Bartok piece on a local classical
radio station.
Neil
When you listen to that score it was clear that he had
absorbed a lot of Stravinsky’s Rite of Spring, Bartók and other
things,
.
<.html
<.html
|
|
| Group: potadg |
Message: 41304 |
From: Neil T Foster |
Date: 9/14/2006 |
| Subject: Re: Revolution #6 |
.html
.html
Message
-- So anyone have
confirmation that it is in fact out now? Anyone got their
copy?
Neil
I've been told by at least one distributor that Revolution #6 WILL be on
sale today...
.
.___
<.html
<.html
|
|
| Group: potadg |
Message: 41305 |
From: Ty Templeton |
Date: 9/14/2006 |
| Subject: Re: Revolution #6 |
.htmlOh you're kidding....? It's STILL not on the stands in some places?!? Ty
On 9/14/06, Neil T Foster <ntfoster@...
> wrote:
-- So anyone have
confirmation that it is in fact out now? Anyone got their
copy?
Neil
-----Original Message----- From:
PotaDG@yahoogroups.com [PotaDG@
yahoogroups.com
] On Behalf Of Ty
Templeton Sent: Wednesday, 13 September 2006 7:52 PM To:
PotaDG@yahoogroups.com
Subject: [PotaDG] Revolution
#6
I've been told by at least one distributor that Revolution #6 WILL be on
sale today...
. .___
<.html
|
|
| Group: potadg |
Message: 41306 |
From: Michael Whitty |
Date: 9/14/2006 |
| Subject: Revolution #6 |
.html
.html
Should
be here in Aus. TODAY!!!!!
Michael
-----Original
Message-----
From: PotaDG@yahoogroups.com
[PotaDG@yahoogroups
(Message over 64 KB, truncated) <.html <.html
|
|
| Group: potadg |
Message: 41307 |
From: Graham Hill |
Date: 9/14/2006 |
| Subject: Re: Revolution #6 |
.html--- In PotaDG@yahoogroups.com
, "Neil T Foster" <ntfoster@...> wrote:
>
> -- So anyone have confirmation that it is in fact out now? Anyone got
> their copy?
>
> Neil
>
They arrived in the shop today complete with your 2 pin ups in the
back :)
Best wishes Graham. <.html
|
|
| Group: potadg |
Message: 41308 |
From: Whitty |
Date: 9/14/2006 |
| Subject: Thanks TY! |
.htmlYou sure do listen to the fans don't you! :)
--------- Original Message -------- From:
PotaDG@yahoogroups.com To: "PotaDG@yahoogroups.com"
<PotaDG@yahoogroups.com> Subject: [PotaDG] Re: Revolution
#6 Date: 15/09/06 18:53
--- In PotaDG@yahoogroups. com,
"Neil T Foster" <ntfoster@.. .> wrote: > > -- So
anyone have confirmation that it is in fact out now? Anyone got >
their copy? > > Neil > They arrived in the shop today
complete with your 2 pin ups in the back :) Best wishes
<.html
|
|
| Group: potadg |
Message: 41309 |
From: Neil T Foster |
Date: 9/14/2006 |
| Subject: Damn Sneaky Humans! |
.html
.html
Message
-- I like the way
they got around any title copyright problems with this
one:
Neil
<.html <.html
|
|
| Group: potadg |
Message: 41310 |
From: Haristas@aol.com |
Date: 9/14/2006 |
| Subject: Return to the POTA DVDs |
|
.html .html.html
Well, I got the 2-disc Fox release of the RETURN cartoon series today.
I've never been that crazy about this show and I never bothered trying to get it on any home video medium before. I was sent the show recorded on VHS in SLP (!) a few years ago -- I think recorded from the
Sci-Fi Channel -- to copy to DVD, but even though I performed the task (for Cougar I believe), I didn't keep copies for myself. They looked horrible and it depressed me watching them.
I have no idea where Hunter got the masters that he copied some time ago on DVD-R or whatever, which I've read are very nice, but I can't imagine they look better than what Fox has released.
These cartoons look pretty much pristine to me. I think they're obviously transferred from 35mm and have great color and good sound. I haven't looked at every episode, but from the several I sampled
they all look good to me. I think I'll actually have fun watching these now because the quality is so good.
The airdates of the episodes are listed in chronological order on the back of the packaging, but oddly on the two discs they seem to be in random order.
-- Rory<.html<.html <.html
|
|
| Group: potadg |
Message: 41311 |
From: Neil T Foster |
Date: 9/14/2006 |
| Subject: The Rarities Disc |
.html
.html
Message
I have just got my
copy of the POTA Rarities DVD. This thing is fantastic. Thank you to all
involved, from the folks who supplied the various clips and things and
everyone else down to the people who got my copy to me.
I've only watched
a couple of things so far. One being the Mego commercials, something I had never
seen before, having been brought up mostly in England as a kid, very funny but
very cool too.
Neil
<.html <.html
|
|
| Group: potadg |
Message: 41312 |
From: Whitty |
Date: 9/14/2006 |
| Subject: Re: {Disarmed} [PotaDG] Return to the POTA DVDs |
.htmlFrom what I heard, Fox released an inferior version in the HEAD and then
promised to have it sorted nicely for separate release. Anyone able
to comment on this? Michael
--------- Original Message -------- From:
PotaDG@yahoogroups.com To: "pota@yahoogroups.com"
<pota@yahoogroups.com>, "PotaDG@yahoogroups.com"
<PotaDG@yahoogroups.com> Subject: {Disarmed} [PotaDG] Return to the
POTA DVDs Date: 15/09/06 19:54
Well, I got the 2-disc Fox release of the
RETURN cartoon series today.
I've never been that crazy about this
show and I never bothered trying to get it on any home video medium
before. I was sent the show recorded on VHS in SLP (!) a few years ago
-- I think recorded from the Sci-Fi Channel -- to copy to DVD, but even
though I performed the task (for Cougar I believe), I didn't keep copies for
myself. They looked horrible and it depressed me watching
them.
I have no idea where Hunter got the masters that he copied some
time ago on DVD-R or whatever, which I've read are very nice, but I can't
imagine they look better than what Fox has released.
These cartoons
look pretty much pristine to me. I think they're obviously transferred
from 35mm and have great color and good sound. I haven't looked at
every episode, but from the several I sampled they all look good to
me. I think I'll actually have fun watching these now because the
quality is so good.
The airdates of the episodes are listed in
chronological order on the back of the packaging, but oddly on the two discs
they seem to be in random order.
-- Rory
<.html
|
|
| Group: potadg |
Message: 41313 |
From: gp3085 |
Date: 9/14/2006 |
| Subject: Re: Revolution #6 |
.htmlI picked up a copy yesterday. The back-up story is fantastic. Easily
my favorite of the series.
I need to sit down and read the entire main story from start to finish
across the six issues, but I'm not totally convinced by the resolution
of the story with regards to Caesar's dreams. The explanation of why
he doesn't have them in Battle seems almost an afterthought rather
than the major twist in the ending that I was anticipating. The back-
up story actually has a twist on the scale I was anticipating for the
ending of the main story.
Greg
--- In PotaDG@yahoogroups.com, "Neil T Foster" <ntfoster@...> wrote:
>
> -- So anyone have confirmation that it is in fact out now? Anyone got
> their copy?
>
> Neil <.html
|
|
| Group: potadg |
Message: 41314 |
From: tshaf37@aol.com |
Date: 9/14/2006 |
| Subject: Re: Revolution #6 |
.html
.html
In a message dated 9/14/2006 5:09:12 P.M. Eastern Standard Time,
ntfoster@... writes:
-- So anyone
have confirmation that it is in fact out now? Anyone got their
copy?
Neil
I have mine and it was great, I read in the back how there
going to start a new series Empire on the Planet of the apes this winter. Have
no idea when this takes place?
Tom <.html
<.html
|
|
| Group: potadg |
Message: 41315 |
From: tshaf37@aol.com |
Date: 9/14/2006 |
| Subject: POTA Easter Eggs |
.html
.html
|
For anyone who cares I have a few Easter Eggs to
share with you guy on
the New Planet of the apes set that came
out.
Enjoy
Tom
Escape from the Planet of the
apes
From the "Special Features" menu, highlight the word "Main",
then press Up on your remote.
This will highlight a chimpanzee; press "Enter" on your remote
to see
some "Don Taylor Directing Escape From The Planet of the Apes"
behind-the-scenes footage.
Conquest of the Planet of the
apes |
|
|
|
From the "Special Features" menu, highlight the word "Main",
then press Up on your remote. This will highlight the face of one of
the chimpanzees; press "Enter" on your remote to see some "J. Lee
Thompson Directing Conquest of the Planet of the Apes"
behind-the-scenes footage.
Battle for the Planet of the
apes |
| Bells & whistles |
|
|
|
| Though it is noted nowhere on the packaging
or menu, you can use PC Friendly or InterActual Player to access the
30th Anniversary website offline; it is contained in its entirety on
the DVD
itself | | <.html <.html
|
|
| Group: potadg |
Message: 41316 |
From: TZer0@aol.com |
Date: 9/15/2006 |
| Subject: Re: Idiocracy |
.html
.html
In a message dated 9/14/2006 3:47:14 P.M. Central Daylight Time,
ntfoster@... writes:
When you
listen to that score it was clear that he had absorbed a lot of Stravinsky's
Rite of Spring, Bartók and other things,
A lot of the atonal stuff< I dig, like Stravinsky's Right of
Spring.
But it caused a riot when it was first performed. Lucky we grew up on
POTA.
<.html
<.html
|
|
| Group: potadg |
Message: 41317 |
From: TZer0@aol.com |
Date: 9/15/2006 |
| Subject: Re: Apes at the Zoo |
.html
.html
In a message dated 9/14/2006 5:13:13 A.M. Central Daylight Time,
ntfoster@... writes:
Now if we could
only get someone to fund that project...
Neil
How much you want? <.html
<.html
|
|
| Group: potadg |
Message: 41318 |
From: TZer0@aol.com |
Date: 9/15/2006 |
| Subject: Any music lovers? |
.html
.html
If any of you are punk rock fans you might want to check out my
brother's band, Scratch Acid. They reformed for 3 shows only,
Austin, Chicago and Seattle. The first two are over, but if you
can't make it to the last ever show in Seattle, youtube.com
has some clips from the show at Touch & Go Block Party.
<.html <.html
|
|
| Group: potadg |
Message: 41319 |
From: Ty Templeton |
Date: 9/15/2006 |
| Subject: Re: Revolution #6 |
.htmlLet me offer this:
As writer/editor for Revolution, I didn't consider the back up stories a different series from the continuing lead feature, nor were they an afterthought. Each issue, the stories and text pieces were all
part of the same tapestry. "Catch a Falling Star" was where the Revolution mini-series was meant to end....not on the final chapter of the lead feature.
Did that make any sense? Ty the Editor Guy.
Anyway, I'm dying to hear from all of you guys about our finale ish, now that it's.....FINALLY out! There's no more letters pages, but us panting creators are drooling to hear your response online,
so give it to us straight. Joe, Tom, Art, Bernie, Steve and I can take it.
PS: Wasn't Steve Molnar's art fantabulous in his first story for us?!? Again Ty On 9/14/06,
gp3085 <
urko3085@...> wrote:
I picked up a copy yesterday. The back-up story is fantastic. Easily
my favorite of the series.
I need to sit down and read the entire main story from start to finish
across the six issues, but I'm not totally convinced by the resolution
of the story with regards to Caesar's dreams. The explanation of why
he doesn't have them in Battle seems almost an afterthought rather
than the major twist in the ending that I was anticipating. The back-
up story actually has a twist on the scale I was anticipating for the
ending of the main story.
Greg
> -- So anyone have confirmation that it is in fact out now? Anyone got
> their copy?
>
> Neil
<.html
|
|
| Group: potadg |
Message: 41320 |
From: Dario |
Date: 9/15/2006 |
| Subject: Worldcon report |
.htmlOK, I've been back a while from my California/Worldcon trip, but
I've been to busy doing other things (like catching up with all the
posts here I've missed) to report in.
As I did in '03, I decided to wear a diffeent "Planet of the Apes" T-
shirt each day at the con. I did this to see who (if anyone) still
recognized this classic series and to see if it could be used as a
conversation starter. I almost decided to not to go ahead this year
after the lackluster response I had in Toronto in '03. Even this
year the first day went off without so much as a second look. But as
the con wore on I did get quite a few people coming up and asking me
about the T's. Some were genuine fans, some just curious. I even had
a short discussion on the topic with Rob Sawyer, a big fan of the
series and sometime participant in the POTADG. One of the guys with
whom I had discussed POTA remembered me when he ran into Eric Green,
the author of "POTA as American Myth" and promptly introduced us. I
was great to talk to Eric even briefly about our shared enthusiasm
for all things Ape. There wasn't really all that much POTA related
at the con itself but I did snag a few more reproduction posters in
the dealers room. I had brought along my copies of Escape and Battle
as they were written by Jerry Pournelle and David Gerrold
(respectively) and both of these guys were going to be at the con. I
never did get to meet Gerrold, but I managed to get Pournelle to
sign my escape. He added "The only good human is a Planet of the
Apes fan".
Although there was nothing new or exciting on the Apes front, I did
come away with a better feeling that there are certainly
many 'closet' Ape fans out there. They may not be active
participants in DG's, but they still do care about the series.
My one disaspopintment was that due to a last minute change in
plans, I could not stick around the LA area for the following week.
I had planned to visit a few POTA sites inluding Piont Dume and
Century City. So close and yet so far.
A full convention long winded "Patrick-esque" report can be found
here (it includes references to the Batmobile, plenty of SF
authors, comics, and my infamous encounter with Harlan Ellison):
http://www.theendoftheuniverse.ca/node/266
Next up: Revolution on POTA #6 and let me dig into that POTA
rareties DVD!
Dario <.html
|
|
| Group: potadg |
Message: 41321 |
From: Michael Whitty |
Date: 9/15/2006 |
| Subject: Re: {Disarmed} Re: [PotaDG] Re: Revolution #6 |
.html
.html
To
someone who has read it, yes it does make sense! J
<.html <.html
|
|
| Group: potadg |
Message: 41322 |
From: Michael Whitty |
Date: 9/15/2006 |
| Subject: Revolution #6 - Tom Fowler |
.html
.html
He’s so good we’d adopt him
and call him an Aussie! J</
(Message over 64 KB, truncated) <.html <.html
|
|
| Group: potadg |
Message: 41323 |
From: Michael Whitty |
Date: 9/15/2006 |
| Subject: Revolution #6 - Ty |
.html
.html
Congratulations
Ty.
You are so incredibly special in that you
have embraced the fans of a dwindling franchise and you have been listening
hard to us.
<
(Message over 64 KB, truncated) <.html <.html
|
|
| Group: potadg |
Message: 41324 |
From: Michael Whitty |
Date: 9/15/2006 |
| Subject: Revolution #6 - Denis Roddier |
.html
.html
Dude
the cover layout is fantastic.
I must say I prefer the chimps looking as
they do (he does?) on issue #2 but hey......
(Message over 64 KB, truncated)
<.html <.html
|
|
| Group: potadg |
Message: 41325 |
From: Michael Whitty |
Date: 9/15/2006 |
| Subject: Revolution #6 - Steve Molnar |
.html
.html
Steve
is my fave “true to life” comic artist
behind Neil now. His apes look like
an animated version of the POTA apes, which is how we POTA fans like them! Anyone who told you we just like comics
of POTA is nuts – we want drawings of movies!
(Message over 64 KB, truncated) <.html <.html
|
|
| Group: potadg |
Message: 41326 |
From: Michael Whitty |
Date: 9/15/2006 |
| Subject: Re: Revolution #6 |
.html
.html
Neil
WHO!?!?!?!? J
Read the letters page to understand.......
<
(Message over 64 KB, truncated) <.html <.html
|
|
| Group: potadg |
Message: 41327 |
From: veetus@earthlink.net |
Date: 9/15/2006 |
| Subject: Re: Worldcon report |
.html
.html
I went to the World Con on Sunday, the last
day. I'm not much for conventions anymore but it IS the World Con and it doesn't
hit this neck of the woods that often (4 times in 64 years). I wore a "Go Ape"
marathon shirt and got a few smiles but this thing was really about serious
science fiction, not popular movies. It's the opposite of Comic Con. So it
really wasn't the place for POTA.
Anyway, I went because it was the World Con.
It was way overpriced, there wasn't much happening except some panels. I went to
the "Science Fiction in the '70's and '80's" and "40 Years of Star Trek" panels,
went to the dealer room and that was it. I kept my badge to say "I was there"
but I wouldn't go again. I bumped into Eric Greene too, and noticed there's a
new edition of his book with a crappy Statue of Liberty cover. - - -
Jeff
----- Original Message -----
Sent: Friday, September 15, 2006 6:18
AM
Subject: [PotaDG] Worldcon report
OK, I've been back a while from my California/Worldcon trip, but
I've been to busy doing other things (like catching up with all the
posts here I've missed) to report in.
As I did in '03, I decided to
wear a diffeent "Planet of the Apes" T- shirt each day at the con. I did
this to see who (if anyone) still recognized this classic series and to
see if it could be used as a conversation starter. I almost decided to not
to go ahead this year after the lackluster response I had in Toronto in
'03. Even this year the first day went off without so much as a second
look. But as the con wore on I did get quite a few people coming up and
asking me about the T's. Some were genuine fans, some just curious. I even
had a short discussion on the topic with Rob Sawyer, a big fan of the
series and sometime participant in the POTADG. One of the guys with
whom I had discussed POTA remembered me when he ran into Eric Green,
the author of "POTA as American Myth" and promptly introduced us. I
was great to talk to Eric even briefly about our shared enthusiasm for
all things Ape. There wasn't really all that much POTA related at the con
itself but I did snag a few more reproduction posters in the dealers room.
I had brought along my copies of Escape and Battle as they were written by
Jerry Pournelle and David Gerrold (respectively) and both of these guys
were going to be at the con. I never did get to meet Gerrold, but I
managed to get Pournelle to sign my escape. He added "The only good human
is a Planet of the Apes fan".
Although there was nothing new or
exciting on the Apes front, I did come away with a better feeling that
there are certainly many 'closet' Ape fans out there. They may not be
active participants in DG's, but they still do care about the
series.
My one disaspopintment was that due to a last minute change in
plans, I could not stick around the LA area for the following week. I
had planned to visit a few POTA sites inluding Piont Dume and Century
City. So close and yet so far.
A full convention long winded
"Patrick-esque" report can be found here (it includes references to the
Batmobile, plenty of SF authors, comics, and my infamous encounter with
Harlan Ellison): http://www.theendof theuniverse. ca/node/266
Next
up: Revolution on POTA #6 and let me dig into that POTA rareties
DVD!
Dario
<.html
<.html
|
|
| Group: potadg |
Message: 41328 |
From: Michael Whitty |
Date: 9/15/2006 |
| Subject: Re: {Disarmed} [PotaDG] Damn Sneaky Humans! |
| Group: potadg |
Message: 41329 |
From: Michael Whitty |
Date: 9/15/2006 |
| Subject: Revolution #6 - Art and Bernie |
.html
.html
Fellas
your colouring of these issues has been remarkable.
P4 is a wonderful example – dark and
broody in the first 2 panels; then a holocaust tinge in the other 3 panels.
<.html <.html
|
|
| Group: potadg |
Message: 41330 |
From: gp3085 |
Date: 9/15/2006 |
| Subject: Re: Revolution #6 |
.htmlI did read it. It does make sense. It's just not satisfying as an
explanation as to why the Caesar in the Revolution comics has these
dreams of his parents and the world ending, but the Caesar in Battle
is so desparate for knowledge of his parents and the future that he
treks out to the forbidden city. Hold on, let me insert some
S
P
O
I
L
E
R
S
P
A
C
E
Within the main story, we're told that Caesar's dreams stop. Does
that mean he'll forget the details of them over time? If so, what
about his journals, or what he told Lisa about his dreams? Let's say
Caesar has completely blocked the details of his dreams by the time
of Battle. Wouldn't you think that when he tells Lisa he's heading
out to the forbidden city to learn about his parents and the future,
that she would have told him about the dreams he was having when
they first met? Or did the memories of what Caesar told her about
his dreams fade for her as well, and the writing in Caesar's
journals faded away like the images of Marty McFly's siblings in the
photo he carried in Back to the Future? Also, if Caesar successfully
destroyed the A/O bomb and prevented the eventual end of the world,
which is what I presume caused his dreams to stop, then how does the
bomb appear in Battle?
The back-up story, if taken as part of the entire story in the
comics, suggests that the Caesar in the comics and the entire main
story we've just read is an 'alternate' timeline from the films,
where the events of Battle as we know them don't happen, and an
alternate Zaius kills Milo to prevent Zira and Cornelius from
traveling back in time and giving birth to Caesar in the past. A
fascinating idea, but if the explanation as to why the Caesar in the
comics has dreams that the Caesar in the films never had is that
it's an alternate timeline, then it feels like a cheat. That's my
take on it, at least, but I'm eager to hear what other people think.
Greg
--- In PotaDG@yahoogroups.com, "Michael Whitty" <whitty@...> wrote:
>
> To someone who has read it, yes it does make sense! :-)
>
> -----Original Message-----
> From: PotaDG@yahoogroups.com [PotaDG@yahoogroups.com] On
Behalf
> Of Ty Templeton
> Sent: Friday, 15 September 2006 8:49 PM
> To: PotaDG@yahoogroups.com
> Subject: {Disarmed} Re: [PotaDG] Re: Revolution #6
>
> Let me offer this:
>
> As writer/editor for Revolution, I didn't consider the back up
stories a
> different series from the continuing lead feature, nor were they an
> afterthought. Each issue, the stories and text pieces were all
part of
> the same tapestry. "Catch a Falling Star" was where the Revolution
> mini-series was meant to end....not on the final chapter of the
lead
> feature.
>
> Did that make any sense? <.html
|
|
| Group: potadg |
Message: 41331 |
From: Graham Hill |
Date: 9/15/2006 |
| Subject: Re: Revolution #6 |
.html--- In PotaDG@yahoogroups.com
, "Ty Templeton" <tybunny@...> wrote:
>
> Let me offer this:
>
> As writer/editor for Revolution, I didn't consider the back up
stories a
> different series from the continuing lead feature, nor were they an
> afterthought. Each issue, the stories and text pieces were all
part of the
> same tapestry. "Catch a Falling Star" was where the Revolution
mini-series
> was meant to end....not on the final chapter of the lead feature.
>
> Did that make any sense?
>
> Ty the Editor Guy.
Yeah I know what you mean :) , I always read the back ups after the
main feature but didn't view them as a different series. One thing
this throws up though, is where will they be placed in the TPB ?
will they stay where they are now, between chapters or moved to the
end of the book ?
Best wishes Graham. <.html
|
|
| Group: potadg |
Message: 41332 |
From: Graham Hill |
Date: 9/15/2006 |
| Subject: Re: Revolution #6 - Art and Bernie |
.html--- In PotaDG@yahoogroups.com
, "Michael Whitty" <whitty@...> wrote:
>
> Fellas your colouring of these issues has been remarkable.
>
> P4 is a wonderful example - dark and broody in the first 2 panels;
then
> a holocaust tinge in the other 3 panels.
>
> Great work!
>
> Michael
>
>
>
The colouring has been a high point. Despite different artist the
comics held together as a coherent whole due in no small amount, I
think , to the wonderful work they've both done. ( A short black and
white wash strip would have been nice though :) )
Best Graham. <.html
|
|
| Group: potadg |
Message: 41333 |
From: Wendy Kostora |
Date: 9/15/2006 |
| Subject: Re: Worldcon report |
.html.html
I use to love going to sci-fi convention. These days though, I won't go unless it involves writing. You meet a lot more interesting people that way. It's to bad you only a got a few smiles Jeff. May your
shirt should have said, "Apes Rule, Humans Drool" I got a a lot of response on that one, however, that was a few years back. Did you see Swayer? Now that would have been my motivation to go to world con. Damn,
I sure like to meet him, buy him a drink. Hey, if I met ya, I would have bought you a drink. Cheers to POTA.
Wendy
From: <veetus@...> Reply-To: PotaDG@yahoogroups.com To: <PotaDG@yahoogroups.com> Subject: Re: [PotaDG] Worldcon report Date: Fri, 15 Sep 2006 08:14:03 -0700
I went to the World Con on Sunday, the last day. I'm not much for conventions anymore but it IS the World Con and it doesn't hit this neck of the woods that often (4 times in 64
years). I wore a "Go Ape" marathon shirt and got a few smiles but this thing was really about serious science fiction, not popular movies. It's the opposite of Comic Con. So it really wasn't the
place for POTA.
Anyway, I went because it was the World Con. It was way overpriced, there wasn't much happening except some panels. I went to the "Science Fiction in the '70's and
'80's" and "40 Years of Star Trek" panels, went to the dealer room and that was it. I kept my badge to say "I was there" but I wouldn't go again. I bumped into Eric Greene too, and
noticed there's a new edition of his book with a crappy Statue of Liberty cover. - - - Jeff
----- Original Message -----
Sent: Friday, September 15, 2006 6:18 AM
Subject: [PotaDG] Worldcon report
OK, I've been back a while from my California/Worldcon trip, but I've been to busy doing other things (like catching up with all the posts here I've missed) to report in.
As I did in '03, I decided to wear a diffeent "Planet of the Apes" T- shirt each day at the con. I did this to see who (if anyone) still
recognized this classic series and to see if it could be used as a conversation starter. I almost decided to not to go ahead this year after the lackluster response I had in Toronto in '03. Even this
year the first day went off without so much as a second look. But as the con wore on I did get quite a few people coming up and asking me
about the T's. Some were genuine fans, some just curious. I even had a short discussion on the topic with Rob Sawyer, a big fan of the series and sometime participant in the POTADG. One of the guys
with whom I had discussed POTA remembered me when he ran into Eric Green, the author of "POTA as American Myth" and promptly introduced us. I
was great to talk to Eric even briefly about our shared enthusiasm for all things Ape. There wasn't really all that much POTA related at the con itself but I did snag a few more reproduction posters in
the dealers room. I had brought along my copies of Escape and Battle as they were written by Jerry Pournelle and David Gerrold (respectively) and both of these guys were going to be at the con. I
never did get to meet Gerrold, but I managed to get Pournelle to sign my escape. He added "The only good human is a Planet of the Apes fan".
Although there was nothing new or exciting on the Apes front, I did come away with a better feeling that there are certainly many 'closet' Ape fans out there.
They may not be active participants in DG's, but they still do care about the series.
My one disaspopintment was that due to a last minute change in
plans, I could not stick around the LA area for the following week. I had planned to visit a few POTA sites inluding Piont Dume and Century City. So close and yet so far.
A full convention long winded "Patrick-esque" report can be found here (it includes references to the Batmobile, plenty of SF authors, comics, and my infamous encounter with Harlan Ellison):
http://www.theendof theuniverse. ca/node/266
Next up: Revolution on POTA #6 and let me dig into that POTA rareties DVD!
Dario
<.html
<.html
|
|
| Group: potadg |
Message: 41334 |
From: atragon1@aol.com |
Date: 9/15/2006 |
| Subject: Re: Revolution #6 |
.html.html
I really enjoyed Revolution #6!
Especially the "Rollerball" reference. Great!!! I loved that movie.. If only James Caan could have made a cameo!
Bill <.html <.html
|
|
| Group: potadg |
Message: 41335 |
From: TZer0@aol.com |
Date: 9/15/2006 |
| Subject: Re: Worldcon report |
.html
.html
Interesting report, Dario. I slid in a side door at a Trek Con
a while back. I didn't want to pay, because that Hot Borg
Chick, Six of Nine, was a No Show, and had sent a life-
sized cardboard cutout in her place. But I did want to
see if some of the Non- Trek / SWs Sci-Fi offerings,
like POTA and Buckaroo Banzai, were represented.
They were, but just barely. I did find a POTA shirt
though. It was a B&W on black T of The Kiss
with some Red Hearts above their heads.
Had to have it! Any other non-official
T-Shirts out there? Anyone? Bueller? . . .
<.html <.html
|
|
| Group: potadg |
Message: 41336 |
From: Michael Whitty |
Date: 9/16/2006 |
| Subject: Non-official T Shirts |
.html
.html
There’s
a “collectibles book” full of them!
-----Original
Message-----
From: PotaDG@yahoogroups.com
[PotaDG@yahoogroups.com] On Behalf Of TZer0@...
S
(Message over 64 KB, truncated) <.html <.html
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| Group: potadg |
Message: 41337 |
From: Neil T Foster |
Date: 9/16/2006 |
| Subject: Re: Apes at the Zoo |
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Message
$150 a page,
negotiable.
Neil
In a message dated 9/14/2006 5:13:13 A.M. Central Daylight Time,
ntfoster@bigpond. com writes:
Now if we
could only get someone to fund that project...
Neil
How much you want?
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| Group: potadg |
Message: 41338 |
From: Neil T Foster |
Date: 9/16/2006 |
| Subject: Re: Worldcon report |
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Message
-- I read the long
version, great report!
Neil
A full convention long winded "Patrick-esque"
report can be found here (it includes references to the Batmobile, plenty
of SF authors, comics, and my infamous encounter with Harlan
Ellison): http://www.theendof theuniverse. ca/node/266
.
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| Group: potadg |
Message: 41339 |
From: Ty Templeton |
Date: 9/16/2006 |
| Subject: Re: Non-official T Shirts |
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We had t-shirts made for the covers of each issue to wear at conventions, promoting the Revolution books. Each t-shirt had a production run of five copies, so everybody could wear them
at conventions. Does that count as official or unofficial t-shirts?
Ty On 9/16/06, Michael Whitty <
whitty@...> wrote:
There's
a "collectibles book" full of them!
-----Original
Message-----
From: PotaDG@yahoogroups.com
[PotaDG@yahoogroups.com] On Behalf Of
TZer0@...
Sent: Saturday,
16 September 2006
8:57
AM
To: PotaDG@yahoogroups.com
Subject: {Disarmed} Re: [PotaDG]
Worldcon report
T-Shirts out there?
Anyone? Bueller? . . .
--
<.html
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| Group: potadg |
Message: 41340 |
From: Haristas@aol.com |
Date: 9/16/2006 |
| Subject: Re: Worldcon report |
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.html .htmlIn a message dated 9/15/06 9:36:38 AM Eastern Daylight Time, darios@... writes:
Although there was nothing new or exciting on the Apes front, I did
come away with a better feeling that there are certainly
many 'closet' Ape fans out there.
I think a lot of APES fans are in the "closet."
Really though, I mean don't you all realize that as popular as the APES movies were in their day, the "cult" of POTA fans was always a small one. I mean, like when Joe Russo put an ad in Famous
Monsters of Filmland back in 1974 ("Westworld" cover issue) looking for a POTA pen pal, I was the only one that answered!
By the way, here's that complete photo of the gorillas I got from Joe Russo.
-- Rory<.html
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| Group: potadg |
Message: 41341 |
From: Michael Whitty |
Date: 9/16/2006 |
| Subject: Re: Non-official T Shirts |
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You’re
just being nasty right? J
<.html <.html
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| Group: potadg |
Message: 41342 |
From: PotaDG@yahoogroups.com |
Date: 9/16/2006 |
| Subject: Birthday Reminder |
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| Reminder from: |
|
PotaDG's Calendar |
| Title: |
|
Roddy McDowall's Birthday |
| Date: |
|
Sunday September 17, 2006 |
| Time: |
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All Day
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| Repeats: |
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This event repeats every year. |
| Next reminder: |
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The next reminder for this event will be sent in 13 minutes. |
| Description: |
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Happy Birthday Roddy! |
| Yahoo! Greetings: |
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Send a Yahoo! Greeting
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| Yahoo! Shopping: |
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Browse Yahoo! Shopping Gift Guide
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| Group: potadg |
Message: 41343 |
From: PotaDG@yahoogroups.com |
Date: 9/16/2006 |
| Subject: Birthday Reminder |
| Group: potadg |
Message: 41344 |
From: Haristas@aol.com |
Date: 9/17/2006 |
| Subject: Re: Birthday Reminder |
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.html .html
Roddy McDowall's Birthday
Date: Sunday September 17, 2006
Time: All Day
<.html
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| Group: potadg |
Message: 41345 |
From: Michael Whitty |
Date: 9/17/2006 |
| Subject: New home-page picture. |
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Neil
I love the new home-page picture.
Anyone here recognise this?
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| Group: potadg |
Message: 41346 |
From: Haristas@aol.com |
Date: 9/17/2006 |
| Subject: Re: Apes at the Zoo |
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In a message dated 9/10/06 6:54:33 PM Eastern Daylight Time, TZer0@... writes:
In a message dated 9/10/2006 8:27:58 A.M. Central Daylight Time, Haristas@... writes:
Who? Oh, you mean "nature."
God, Mother Nature, The Force . . .
Whatever floats your boat cosmologically speaking.
Sorry, but when you talk, T, I have a hard time seeing past Uranus!
ZIIIIIIIIIINNNNNNNGGGGGGGGGGGGG!!!!!!!!!!!!!!!!!!!
Who's the King of the Smart Asses around here?<.html
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| Group: potadg |
Message: 41347 |
From: TZer0@aol.com |
Date: 9/17/2006 |
| Subject: Re: Apes at the Zoo |
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In a message dated 9/9/2006 12:34:04 P.M. Central Daylight Time,
patrickmichaeltilton@... writes:
The
first real zoo I ever visited was in Chicago
Yes, it was a side trip on the way to making his point.
<.html
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| Group: potadg |
Message: 41348 |
From: Michael Whitty |
Date: 9/17/2006 |
| Subject: Re: Escape Question |
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Patrick
Someone is speculating your theory as to how the “shockwave”
threw ZIra and Cornelius back in time!
“Besides
story convenience -- no...That's always been a "sticky" point
for me...Why did Taylor
's ship and
Brent's ship go forward in time,
whereas, C, Z & M cONVENIENTLY
went backwards...PT might say it had
a "homing device", eh?...=)
G”
Comments?
Michael
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| Group: potadg |
Message: 41349 |
From: Tim "apefan" |
Date: 9/17/2006 |
| Subject: Re: New home-page picture. |
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yes! it's a color version of the great Foster pin up
printed in Revolution #6! Congrats Neil for having
your work printed!!! and all the Yahoo Apes guys for
letters published....and most importantly Ty for
another fantastic issue as well as a whole run! Can't
wait for more!!!!
Tim
--- Michael Whitty < whitty@...> wrote:
> Neil
>
> I love the new home-page picture.
>
> Anyone here recognise this?
>
>
>
>
>
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| Group: potadg |
Message: 41350 |
From: patrickmichaeltilton |
Date: 9/17/2006 |
| Subject: Re: Retrofitting the Sequels to the Original "PLANET" |
.html--- In PotaDG@yahoogroups.com
, Haristas@... wrote:
>
> In a message dated 9/13/06 11:34:52 AM Eastern Daylight Time,
> patrickmichaeltilton@... writes:
>
>
> > The sequels, no matter how flawed they may be, are a part of
a 'saga', whether you like it or not.
>
> Now, you see, this is the kind of emphatic statement from Patrick
that infuriates me!
>
> "Whether I like it or not"
>
> You're problem is your mind is closed and you're too damn sure your
right! And you support your conceit by making the idiotic argument
that it's true "because that's the way most fans look at it."
>
> That's crap. What if I tell you that most "fans" don't know their
asses from a whole in the ground? [A "whole" what? Oh, a "hole"...]
Am I wrong? Are they scholars, most of them, of ANYTHING? I kind of
doubt it.
*** Rory, what I mean when I say that POTA is -- or became -- a Saga,
has nothing to do with how the fans look at it, or whether or not
they are scholars. The FILMMAKERS made more POTA films, with all but
Roddy reprising their roles -- and he didn't only 'cuz he COULDN'T,
since he was directing a movie in England.
The "STAR TREK" movies are all part of a series (with at least #s 2-
through-4 being a "saga"), right? Even though when they made "Wrath
of Khan" they didn't really have the specific details of the next 2
movies thought out yet -- they had left the door open to 'em with
Spock's "Remember" line and the mind-meld schtick.
Now, of late there are some fan-films of the original "STAR TREK"
characters out there, and I -- for one -- would not consider any of
these labors-of-love to be part of the Trek "canon" by any means,
even though some of the actors from the Original Series have reprised
their roles, acting in these fan-films (William Windom, for one,
where his character [Commodore Decker, from "The Doomsday Machine"]
somehow survived his kamikaze attack on the Doomsday Machine, zipping
back in Time to the Past to live out the rest of his days back on
Earth, where Kirk & Spock find him via the Guardian of Forever, etc
etc etc). As far as fan-films go, they're somewhat entertaining, but
nobody considers them part of the Trek "canon". But all the episodes
in the various Trek series -- not including the Animated Series --
and all the Trek movies ARE considered (by Paramount) to be the
official "canon". None of the original Trek novels... none of the
various Trek comics... etc. Just the filmed TV series (TOS, TNG, DS9,
and VOY) and all the movies.
The 5 films in the POTA "series" (as you call it) are all APJAC
productions -- not a "fan-film" in the bunch. Is it just "fans" who
consider all 5 to be part of a POTA "canon"? Or, does 20th Century
Fox consider 'em all to be linked together?
------------------------------------------------------------
>
> The five film series is not a "saga." It's a film "series." The
first film is Taylor's story. That story ends at the end of PLANET.
That's the end of it! That's why Heston didn't want to do a sequel --
because artistically PLANET required NO SEQUEL!
*** One could argue that "TARZAN OF THE APES" (the book) required no
sequel, either. Or that "DRACULA" required no sequel. Now, ERB did go
on to write 23 more Tarzan novels, so that pretty much makes those
sequels "official" Tarzan stories (a Tarzan "canon"). And Bram Stoker
did write at least one sequel to "DRACULA", didn't he? Those author-
written sequels should enjoy "official" status much more than, say,
the book "SCARLETT" (the "unauthorized" sequel to "Gone With The
Wind") or "THE GODFATHER RETURNS".
Yes, Heston short-sightedly thought that "PLANET" was the "only"
story when they floated the idea of a sequel to him. His opinion was
a prejudiced one -- he said it without having read any script,
certainly. When they made "BEHIND THE POTA", I got the impression
that Heston STILL hadn't even seen any of the post-"BENEATH" sequels.
Even though he (obviously) considered "BENEATH" to be inferior
to "PLANET", he still grudgingly admitted that it was better than he
had thought it would turn out to be, when it was screened. And, even
though I know your opinion about this differs, I would say that
Taylor's story ends at the end of "BENEATH". Jeez, he loses his chick
and then blows up the world -- how can THAT not be part of his
story???
--------------------------------------------------------------
>
> BENEATH is a mess. It pretends that it's Brent's story, but it
then brings in other stuff that's unresolved.
*** What "other stuff"?
--------------------------------------------------------------
>
> ESCAPE is Zira and Cornelius' story.
*** "ESCAPE", in my view, is not only an "upside-down" or "downside-
up" mirror-version of Taylor's predicament in "PLANET" (experienced
ironically by Zira & Cornelius) but also serves to set-the-stage for
the story of Caesar. By the time Dehn was hired to write a 3rd Apes
film ("ESCAPE") he KNEW he should leave the door open to a 4th, a
5th, etc. That's why we see Baby Milo at the end, cryin' "Ma-ma!"
------------------------------------------------------------
>
> In CONQUEST and BATTLE the element that could be called a "saga" is
brought into play, that being the development of Caesar, but that's
it.
*** I've posted before about how the life of Caesar follows the
pattern of the Epic Hero -- a far better exemplification than Lucas'
hero, Luke Skywalker, and that after Lucas CONSCIOUSLY mimicked the
pattern, as set down in Joseph Campbell's "HERO WITH A THOUSAND
FACES". From Caesar's "miraculous" conception-in-the-future and birth-
in-the-past, to his protection from a threat during his babyhood
(where Hasslein is like the Pharaoh to Moses or Herod to Christ), to
his coming-of-age to lead his people to a victory against their enemy
(like Moses at the Exodus or Christ achieving his so-called victory
over Satan and/or Death), to his "descent-into-Hell" (like Odysseus &
Hercules & Aeneas & Christ & Dante)... Caesar's life fits the
pattern. Without all 4 Apes sequels, the full pattern wouldn't be
there -- but it IS there, as Dehn (a poet) intended it to be. When
Dehn wrote "ESCAPE" he must have had a fair idea of what he planned
to do for the 4th and 5th movies, since he set 'em up in a specific
way at the end of the 3rd one.
----------------------------------------------------------------
>
> Of all the films in the series, PLANET is the one that's completely
independent of all the others! I really don't know how that can be
argued with, EXCEPT if intellecually it's just not something you like!
>
> -- Rory
>
*** I agree -- IF "PLANET" had been the only one ever made, then it
would obviously "work" as an independent story, magnificently so. If
they had never made "BENEATH" and the others, then I -- not knowing
of any further POTA stories -- would've been perfectly happy with it.
Having said that, it still remains a fact that Fox released 4 more
APJAC produced films -- sequels to that 1st film. Call the bunch
a "series" or a "saga", it makes no real difference. They're
all "official". They ain't fan-produced projects. They're as official
as you can get. The 1st film is still the best of 'em, sure. But even
it had certain flaws, flaws which the flawed sequels never fully
resolved. And, of course, THAT is my springboard for concocting my
own mega-POTA opus.
Patrick <.html
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| Group: potadg |
Message: 41351 |
From: atragon1@aol.com |
Date: 9/17/2006 |
| Subject: Fwd: [POTA] Re: Escape Question - the nature of the Alpha Omega bomb |
|
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Expanding this question to a wider audience...<.html <.html
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| Group: potadg |
Message: 41352 |
From: patrickmichaeltilton |
Date: 9/17/2006 |
| Subject: Re: Retrofitting the Sequels to the Original "PLANET" |
.html--- In PotaDG@yahoogroups.com
, Haristas@... wrote:
>
> In a message dated 9/13/06 11:34:52 AM Eastern Daylight Time,
> patrickmichaeltilton@... writes:
>
>
> > *** Actually, I consider my POTA Scenario to be more of
a "retrofit" of the Dehn-flubbed sequels -- unflubbed -- back onto
the original film's scenario. In "PLANET" the Taylor mission to an
unnamed star system 320 lightyears away in Orion was explicitly
intended to take 'em about 2000 years of EARTH-TIME and only 18
months of SHIP-TIME. It was Dehn who either didn't pay enough
attention to that info from "PLANET" when he introduced Brent (et
al.), and it is THAT major mistake that my scenario is intended
to "retrofit" or "re-interpret" so that it restores the "PLANET"
scenario Serling & Wilson intended.
> >
> >
>
> Are you pulling a Bush on me, Patrick?
>
> You've always said to me that the 3978 ship time shown in PLANET
was wrong, and that the actual year is 3955. If that's not
retrofitting PLANET what is it?
>
> And then there's the whole local thing between PLANET and BENEATH.
Aren't you one of those that say Ape City and the "greenbelts" have
to be closer to what was NYC than would be indicated in PLANET so
that it matches what's shown in BENEATH?!!!
>
> What's goin' on here?
>
> -- Rory
>
------------------------------------------------------------------
*** Okay, first things first: the "3978" date in "PLANET".
If they had only made the one film, "PLANET", then we still have to
wonder if "11-25-3978" truly is the exact date when it takes place.
Taylor, having NOT been able to "read the tapes" and having ONLY seen
this date on the Earth-Time clock, ASSUMES that they made it all the
way to their destination, "an unnamed planet" 320 lightyears away
from Earth orbiting a star in the constellation of Orion. His
assumption, though, is WRONG -- because they actually somehow ended
up back on Earth, as the Ending shows. We can figure that the "3978"
date is probably CLOSE to the true date, though, since Cornelius'
archaological timeline for his Cave's artifacts bring it back roughly
the same amount of time that has passed for Earth during Taylor's 18-
month journey, "twenty centuries".
At the beginning of the film, Taylor's ship must be heading straight
out to its destination, so that he sees what the audience sees: stars
flying past the edges of the windows like roadsigns on a highway. He
tells us that the ship is "on full automatic, in the hands of the
computers" -- and the Earth-Time date, mind you, merely displays the
time on Earth according to how the ship's computer figures it, using
Hasslein's Theory.
Ignore my own Scenario and explanation for WHY and HOW Taylor's ship
ends up back on Earth -- and ask yourself both WHY and HOW Taylor's
ship COULD have somehow stopped flying forward on its trajectory to
the star system 320 LY away and, instead, had CHANGED its course and
gone back towards Earth, when the ship's computers had been set to
(presumably) take 'em to the former place, rather than to return 'em
to their origin? HOW??? WHY???
The 1st movie never does explain this. At the end, when Taylor
realizes he's been on Earth all the time, he BRIEFLY wonders about
it... and then his attention is all on the MEANING of the image
before him: the Statue of Liberty sums up the horrible truth, showing
how Man came to occupy the "lowest level" of society due to having
destroyed his own civilization.
Throughout nearly the entire movie, Taylor was WRONG. He had told
Landon both WHERE they were and WHEN they were. He was wrong about
the "where", obviously. Isn't it just about equally obvious that he
could easily be wrong about the "when", too? His ship had been
damaged by SOMETHING, after all: Stewart's sleep-chamber had suffered
an air-leak... the ship landed "in the water" (something it was NOT
programmed to do)... the ship had ended up back at Earth, rather than
320 LY away...
Why, then, do you insist that the "11-25-3978" date HAS to be
correct? Even Taylor fudges that number when he tells Landon that
they've "been away from Earth for TWO THOUSAND YEARS, GIVE OR TAKE A
DECADE." In other words, sometime between 1,990 and 2,010 years.
Added to 1972 (the year they left Earth), that would put their Earth-
Time at A.D. 3982-to-4002, with 3992 as the "average",
notwithstanding the date he saw on the clock.
------------------------------
And, secondly, the location of the sites on Cornelius' map, vis a vis
the Statue of Liberty shot at the end.
Even if they had never made "BENEATH", I would insist that Ape City
is far nearer to the nuclear ruins of NYC (and surrounding urban
areas) than your version (where Dead Lake = Chesapeake Bay).
Taylor (et al.) makes his way from the splashdown site (Dead Lake) to
the upper-right "green" area (the Waterfall area and Corn field,
which Cornelius indicates on his Map) with LIMITED supplies of food
and water: "enough... for 3 days" he says. Zira, giving voice to his
right-hand pantomime, says "many days and nights" -- but we know they
only had enough food and water for THREE days (and nights). By the
time they find the Plant, they're down to "eight ounces" of water.
They make it the rest of the way to the Waterfall on LESS THAN 8
OUNCES of water, without dying of dehydration. And, the terrain
throughout their trek across the Forbidden Zone is not like a
straight, smooth highway; at one point, they've made it to the edge
of a cliff and have to BACKTRACK in order to advance further in the
general direction they're heading.
How many miles can a man reasonably walk across the types of terrain
we're shown in those scenes, on a daily basis?
Let's make some assumptions here, okay? We can quibble about 'em
later, but let's just try to put it into numbers.
I'd say that, given the terrain we're shown, it's probable that
Taylor, Landon, and Dodge averaged about 1 or 2 miles an hour, on
foot. How long is an hour, let alone a day? Well, we KNOW they're on
Earth, so each day is 24 hours long, right? I would guess that they
trekked for, oh, about 16 hours per day. That gives about 8 hours per
day for sleeping and for periodic rest periods.
Remember, that PART of that journey involves going over "mountains"
(as Zira says, indicating the dark brown area between the LAKE and
the "green area" where Cornelius says he was captured).
If we assume, then, that they walked for 16 hours a day, for 3 days,
at a rate of about 1 or 2 mph, then how far does that get 'em?
16 x 3 x 1 = 48 miles.
16 x 3 x 2 = 96 miles.
Somewhere, then, between 48 and 96 miles -- say, 50 to 100 miles.
And, once they get to the area where they're captured, Taylor suffers
a gunshot wound to the throat. He BLEEDS as a result, and almost
bleeds to death -- he WOULD have bled to death if Dr. Galen hadn't
performed a blood transfusion, using a compatible donor (Nova) to
save Taylor's life. If the distance from the Capture to Ape City were
too far, then Taylor wouldn't have had any blood left in his body at
all, and no amount of transfusing would've saved him from irreparable
brain damage due to loss-of-blood.
Not only does positioning Ape City closer to NYC fit-the-bill in
regards to "BENEATH", but it also best explains the details present
in "PLANET". Your Chesapeake Bay-interpretation may seem to 'fit' at
a glance, but the distances involved would be just too great for both
the astronaut trek (on 3 days' worth of food & water) and for the
travel time to Ape City (with Taylor bleeding and in need of a
transfusion).
Even if they'd only made "PLANET", I would interpret Cornelius' map
more conservatively than you do. It just so happens that the details
given in "BENEATH" (etc) regarding both the "3955" date and
the "local" Ape City/NYC areas can make sense after all... with my
own POTA scenario, of course.
Patrick <.html
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|
| Group: potadg |
Message: 41353 |
From: Patrick Tilton |
Date: 9/17/2006 |
| Subject: Let's do the Time-Warp yet again... |
.html--- Michael Whitty < whitty@...
> wrote:
> Patrick
>
> Someone is speculating your theory as to how the
"shockwave" threw ZIra and Cornelius back in time!
>
>
> "Besides story convenience -- no...That's always
been a "sticky" point for me...Why did Taylor's ship
and Brent's ship go forward in time, whereas, C, Z & M
CONVENIENTLY went backwards...PT might say it had a
"homing device", eh?...=)
>
> G"
>
> Comments?
>
> Michael
>
-------------------------------------------------
*** Comments? Why, of course!
In my POTA scenario, not only did the Ape-onaut ship
(shuttle, that is) go BACKWARDS in Time (from the 3955
"Doomsday" to 1973), but SO TOO DID ALL THE OTHER ANSA
SHIPS go backwards in Time! In fact, the Ape-onaut
ship went backwards TWICE.
Taylor's shuttlecraft -- AND the one Brent & Skipper
landed in, AND the one Milo found on the shore of the
ocean -- all travelled from their destination, 320 LY
away from Earth, BACK to Earth (upon activation of an
Emergency Homing Device) AND backwards in Time, from
11-25-3978 to 7-01-3955. The Hassleinian Hyperdrive on
their "mothership" generated a warpfield to cocoon
itself and all 3 of its shuttles, and that warpfield
happened to be in the proximity of an Event Horizon of
a Black Hole when the "jump" through Hyperspace was
initiated.
The only reason that the EARTH-TIME clock on Taylor's
shuttlecraft did NOT click backwards from 3978 to 3955
is because of an accident that had caused that shuttle
to be "unplugged" from its docking socket, severing
the computer-to-computer telemetry feed. Taylor's
shuttle's computer didn't know that a
Mothership-generated warpfield had been created around
it, zipping it back to Earth -- so that even IF Taylor
had managed to "read the tapes", he would only know
what his computer knew, and he would NOT know what it
didn't know. He would still (falsely) think that they
were somewhere in a star system 320 lightyears away
from Earth, rather than BACK ON EARTH, because that's
WHERE it was (and WHEN it was) when it was unplugged.
Virdon's ship, too, undergoes not only a
Forwards-through-Time displacement (from 8-19-1980 to
7-14-3085), but ALSO a BACKWARDS-through-Time "jump"
(from 7-14-3085 to 3-21-3085). They endured a
half-minute of SHIP-TIME trapped in an orbit around a
Black Hole remnant in the Alpha Centauri system -- the
gravity of which causes the Time Warp -- during which
1,105 years of EARTH-TIME zip Forwards... and then,
after Jones activates the ANSA Emergency Homing
Device, they almost instantaneously (SHIP-TIME) jump
through Hyperspace, from Alpha Centauri (7-14-3085) to
Earth (3-21-3085, having gone BACK IN EARTH-TIME about
115 days.
Both the Orion ANSA ship(s) and Virdon's ship go
backwards through EARTH-TIME at the same rate:
Negative 26.7 EARTH-TIME days (or, Negative 641
EARTH-TIME hours) per Lightyear. If you multiply it by
4.34 lightyears (the distance from Alpha Centauri to
Earth), you get about 115.9 "retro-days". If you
multiply it by 320 lightyears (the distance from
Taylor's destination back to Earth), you get 8,546
"retro-days" or so. It all fits.
Thus, according to my scenario, when an ANSA warpfield
is triggered in the presence of a Black Hole's Event
Horizon, the ship undergoes a "jump" through
Hyperspace NEGATIVELY through Earth-Time. This
explains not only the "how" and "why" of Taylor's
return to Earth, but also of Virdon.
Notice, though, that both Taylor's Orion mission and
Virdon's Alpha Centauri mission were lightyears away
from Earth during their near-Black Hole "jumps"
through Hyperspace. But the Ape-onauts merely rocketed
into orbit around the Earth... saw the Earth
destroyed... were hit with a Shockwave of some sort...
and then proceeded to undergo a Re-Entry back onto
Earth, but in the Past, some 1,982 years (from 3955 to
1973).
The reason they do this (in my scenario) is because
their ship, too, was under the influence of an
Emergency Homing Device... but in their case "HOME"
means not merely the XYZ spatial coordinates of Earth,
but a "T" TIME coordinate. But not just ANY "T"
coordinate: the SHIP-TIME date that happens to be on
the SHIP-TIME chronometer.
Taylor's Orion mission left Earth for its destination
"six months" before the date "7-14-1972" (within "less
than an hour" of the unstated Time-of-Day on that
date, that is). If that time-of-day happens to be
BEFORE 11:00 pm, then they launched from Cape Kennedy
on 1-14-1972. If Taylor's "final report" is given
AFTER 11:00 pm, then they had to have launched shortly
after Midnight, making it 1-15-1972. We aren't given
the time-of-day (unfortunately), so we can only say
with certainty that Taylor launched either on the 14th
or the 15th of January, 1972, within an hour of
Midnight at the latest.
They spend "18 months" of SHIP-TIME before they reach
their destination in Orion on the EARTH-TIME date
"11-25-3978". Then, before Taylor has time to finish
the full term of his drug-induced hibernation, the
ANSA mission ship undergoes a near-approach to a Black
Hole... the Emergency Homing Device is activated (by
somebody who is AWAKE on that mission ship)... and the
whole kit-and-kaboodle zings BANG-ZOOM back to Earth,
and the EARTH-TIME clocks all click backwards from
11-25-3978 to 7-01-3955 (all except for the one in
Taylor's shuttle, that is).
The "18 months" of SHIP-TIME would put the equivalent
SHIP-TIME date of approximately 7-14-1973 on all these
ANSA Orion mission ships -- Taylor's included.
Remember, even though the Audience sees ONLY the date
"11-25-3978" on his EARTH-TIME clock (after the
landing), Taylor informs Landon, "I read the CLOCKS;
they bear out Hasslein's Hypothesis" -- he says
"CLOCKS", plural. He MUST have read the SHIP-TIME
clock, too; since he doesn't contradict Landon when he
says "That means we've been away from Earth for 18
months", that must mean that he read a SHIP-TIME that
was 18 months later than their launch date.
So... if the Ape-onaut ANSA shuttle, too, read
"7-14-1973" on it when they popped back into
Earth-space, and then began clicking ahead at a normal
rate, we can conjecture that on Doomsday it read a
date sometime within the next month or two. In my
scenario, the date of Doomsday is "8-27-3955", almost
a month and a half after Taylor's shuttle splashes
down in Dead Lake.
Thus, when the Ape-onauts launched that 3rd ANSA
shuttle into Low-Earth-Orbit, the two clocks read
something like this:
EARTH-TIME
8-27-3955
SHIP-TIME
8-27-1973
In other words, the two clocks are out of synch almost
exactly 1,982 years, to the day.
When Taylor triggers the Doomsday Bomb, it not only
EXPLODES, but it IMPLODES as well... creating a
hyperdense chunk of "degenerate matter" -- a Black
Hole. If the Alpha Omega bomb had been launched
vertically (towards Ape City, as Mendez had intended)
and then exploded, the Black Hole created by the
implosion would have been so low-massed that it would
have evaporated explosively due to Hawking Radiation.
The air-burst explosion of such a Black Hole
immediately following the multiple-explosions that
created it are thus designed to be a one-two punch
that can set "nuclear fire to the atmosphere" and burn
the surface of the world to a cinder -- the ultimate
weapon.
Unfortunately (for the planet Earth), Ursus had had
his gorilla troops pull the missile down, so that it
was aimed HORIZONTALLY. Thus, when it detonated, the
implosion-generated Black Hole (being underground and
not in the open air) was in the presence of all sorts
of Matter. The atoms that came into contact with that
Black Hole "fed" it, causing its total mass to
increase... so that it not only gained enough mass to
offset the Hawking Radiation evaporation effect, but
also enough to completely devour the entire planet's
mass.
The Ape-onauts witness not only the "bright white
blinding light" of the explosion of the Doomsday Bomb,
but also see "the rim of the Earth melt" -- and THAT
is the result of the mass of the Earth, atom-by-atom,
being sucked into the Event Horizon of the Black Hole,
which releases a horrid amount of heat (especially
X-rays).
Then there is a "tornado in the sky" -- the whirlpool
of particles constituting the Accretion Disk orbiting
in the plane perpendicular to the Black Hole's spin
axis. The "shockwave" Milo mentions would be the
moment when the ship is buffeted by this disk of dust
and ions, just on the border of the Event Horizon
they're approaching in their
Surface-to-Orbit-to-Surface trajectory.
When the ship, in this case, has its Emergency Homing
Device activated, it knows that the Earth's position
in Space is nearly "Zero" units of Distance away. But
the full position of anything in Cartesian coordinates
has 4 elements: the three X,Y,Z spatial coordinates
and the single "T" Time coordinate.
The ship's computer is aware of the fact that an
immense gravitational acceleration is subjecting the
ship to dangerous, even lethal, conditions. If it
ignores the Emergency Homing Device command, the ship
will be destroyed by the harsh G-forces. So, since it
MUST undergo a "jump" through Hyperspace -- where XYZ
remains the SAME, but T changes in some way -- it goes
on a "jump" through Negative Time, the same way the
ANSA Orion mission ship already had done so earlier.
It jumps back only as far as the SHIP-TIME coordinate
reads, however. Since the SHIP-TIME clock reads
something like "8-27-1973", then the EARTH-TIME clock
clicks backwards almost exactly 1,982 years of
EARTH-TIME, from 8-27-3955 to 8-27-1973.
If one of the ANSA astronauts had re-set that
SHIP-TIME clock to, say, 12-31-2000, then the
Ape-onauts would've gone backwards through Time just
in time to celebrate the end of the Millennium and the
beginning of the 21st Century.
But, since nobody tampered with that SHIP-TIME
reading, they went back in Time [EARTH-TIME] to that
very date, which is why they appear back on Earth
then, near the end of Summer in 1973. When they land,
and the EARTH-TIME clock has clicked back to the same
date on the SHIP-TIME clock, it is as if the ship
never left Earth at all. Only by "reading the tapes"
could any scientist (be it somebody at NASA or ANSA)
even know that it had undergone a journey 320
lightyears away from Earth AND all that way back to
Earth again [in 23.4 "retro-years" of EARTH-TIME, at
that], and THEN a jump through Time from the Summer of
3955 back to the Present (1973). The SHIP-TIME clocks
all clicked ahead at the same rate, ONLY forwards
through Time... but the EARTH-TIME clocks were
programmed to click either AHEAD at a faster rate
(when travelling at near-light velocities according to
Hasslein's Theory) or BACKWARDS depending on whether
or not the warpfield was activated near a zone of
warped Space-Time.
Those ANSA clocks had to have been programmed by
somebody who knew that Time Travel into the Past was
possible, given the right conditions. In all
probability, they never DREAMED that any of these
ships would ever experience those conditions, since
hyperspatial travel near the Event Horizon of a Black
Hole would be advised against as "too dangerous"...
but, lo and behold, ALL their ANSA ships seem to have
undergone those dangerous transits near Black Holes,
their hyperdrives having kicked-in to send 'em on
jumps through hyperspace NEGATIVELY through
Earth-Time.
Black Holes are called "black" for a reason: their
gravitational field bends Light itself. Hence, they
are "dark" objects. And, if they are made out of
something that originally was spinning around an axis,
they would end up spinning UNBELIEVABLY fast, warping
Space-Time around it (an effect called
"Frame-Dragging"). Fast spinning is called
"turbulence" in Physics. A spinning Macro-sized object
forced to occupy a Micro-sized volume will SPEED UP
its spin, due to the Conservation of Angular Momentum.
Hasslein mentions "the DARK and TURBULENT corridors of
Space..." He, himself, knows the sorts of environments
conducive to Back-in-Time "jumps" through Hyperspace:
the close proximity, during the Jump, to a Black Hole,
a "dark" and "turbulent" zone of warped spacetime.
Dehn was righter than he probably guessed, when he put
those words into Hasslein's mouth!
How's zat for a "comment"?
Patrick
<.html
|
|
| Group: potadg |
Message: 41354 |
From: Haristas@aol.com |
Date: 9/17/2006 |
| Subject: Re: Retrofitting the Sequels to the Original "PLANET" |
.html.html .html
In a message dated 9/17/06 11:14:37 AM Eastern Daylight Time, patrickmichaeltilton@... writes:
Even if they'd only made "PLANET", I would interpret Cornelius' map
more conservatively than you do. It just so happens that the details
given in "BENEATH" (etc) regarding both the "3955" date and
the "local" Ape City/NYC areas can make sense after all... with my
own POTA scenario, of course.
Patrick
This is why our arguing over this stuff is really pointless -- we simply have no common ground in how we perceive the "series"!
You, I think, came to the wonderful world of POTADOM after all the films were made, and therefore you see it as a whole, and for that reason I say you really can't help yourself. You're view is warped by
the mess that Fox created over the course of time -- and I always very much contend that the "series" is a mess in terms of continuity, something that if it were not a huge fact you wouldn't be so into
"unflubbing." Also, this is why you see the series as "circular."
I, on the other hand, was there at the beginning, when there was no idea of anything further than the first film. I've always looked at the series as a "linear" entity, hence the two timeline view
that allows for the original film to exist independent of, and untouched by, the sequels (which I very much believe are things one, even the most die hard APES fan, can either take or leave).
BENEATH and its sequels are "artistically" inferior to the original film -- and this isn't simply my opinion, but the general consensus -- and therefore quite DISPOSABLE!
It's always been said that BATTLE was an "attempt" to bring the series "full circle." But, did it in fact do that? Hardly. It was a huge failure, but that's another issue.
-- Rory<.html
<.html <.html
|
|
| Group: potadg |
Message: 41355 |
From: Haristas@aol.com |
Date: 9/17/2006 |
| Subject: Re: Retrofitting the Sequels to the Original "PLANET" |
.html.html .html
In a message dated 9/17/06 10:30:22 AM Eastern Daylight Time, patrickmichaeltilton@... writes:
The 5 films in the POTA "series" (as you call it) are all APJAC
productions -- not a "fan-film" in the bunch. Is it just "fans" who
consider all 5 to be part of a POTA "canon"? Or, does 20th Century
Fox consider 'em all to be linked together?
I don't know what all this talk of "canon" is. I couldn't care less about what is canon and what isn't in either the APES series or STAR TREK. I'm talking what is and what
isn't a saga.
As for what 20th Century Fox considers... Fox is dumb. What we get from Fox, whether it's calling the APES series a "saga" in the ads and posters for BATTLE in 1973, or continuing to do so in the ads
and cover text for the APES films on home video or whatever, is the mindset of the publicity department -- and they're far from intellectuals.
The fact is that from the standpoint of literary and cinema scholarship, the five POTA films are a series
, not a saga. Do some research, Patrick, and stop just giving your opinion. This isn't a question of individual opinion, but one of serious categorizing.
This is the definition of the word "saga" from my Funk & Wagnall dictionary:
Saga n. 1. A medieval Scandinavian (specifically, Icelandic) prose narrative of conventionalized form dealing with legendary or historical exploits, usually of a single hero or a single family.
2. A story, sometimes poetic, having the saga form or manner, often chronicling the history of a family, as Galsworthy's Forsyte Saga.
The five PLANET OF THE APES films are five separate stories, with five separate conclusions to those stories. They do not literally form a saga.
To call the PLANET OF THE APES film series a "saga" is to use the term loosely -- very loosely. And, whether you "like it or not," Patrick, that's just simply the facts.
-- Rory<.html
<.html <.html
|
|
| Group: potadg |
Message: 41356 |
From: TZer0@aol.com |
Date: 9/17/2006 |
| Subject: Re: Apes at the Zoo |
.html
.html
In a message dated 9/17/2006 5:26:08 A.M. Central Daylight Time,
Haristas@... writes:
Sorry,
but when you talk, T, I have a hard time seeing past
Uranus!
Because you fancy me?
Pervert!
<.html
<.html
|
|
| Group: potadg |
Message: 41357 |
From: TZer0@aol.com |
Date: 9/17/2006 |
| Subject: Re: Escape Question |
.html
.html
In a message dated 9/17/2006 5:43:29 A.M. Central Daylight Time,
whitty@... writes:
Someone is
speculating your theory as to how the "shockwave" threw Zira and Cornelius back in
time!
It's simple, if not entirely plausible.
They ship wasn't close enough to me destroyed
by the blast, but close enough to be pushed by it.
The shockwave shoved them at near light speed
jumping them into the past. Unlikely? Yes, but
then so are talking apes. No doubt they felt that
people were so hungry for more POTA they would
accept any explanation, no matter how flimsy.
<.html
<.html
|
|
| Group: potadg |
Message: 41358 |
From: TZer0@aol.com |
Date: 9/17/2006 |
| Subject: Re: Apes at the Zoo |
.html
.html
In a message dated 9/17/2006 5:26:08 A.M. Central Daylight Time,
Haristas@... writes:
Who's the King of the Smart
Asses around here?
Not you, that's for sure.
<.html
<.html
|
|
| Group: potadg |
Message: 41359 |
From: Haristas@aol.com |
Date: 9/17/2006 |
| Subject: Re: Escape Question |
|
.html .html.html
Which group am I in here?!!!!
Anyway, I'll bet that Patrick's answer to this question will go something like this: The destruction of the earth did something to the moon that caused it to become a "Quantum Singularity" (AKA a
"Black Hole" [which also happens to be a Disney movie that Roddy McDowall provided his voice talents to]), which then sucked Taylor's (i.e. the Apeonauts') spaceship, by the way protected by a powerful
magnetic warp field, through a wormhole that flung it past Uranus and out a cosmic sphincter that plopped it into the Pacific Ocean just off Point Dume.
Just another chapter in Patrick's HITCHHIKER'S GUIDE TO THE POTA!
-- Rory<.html<.html <.html
|
|
| Group: potadg |
Message: 41360 |
From: atragon1@aol.com |
Date: 9/17/2006 |
| Subject: Re: [POTA] Re: Escape Question - the nature of the Alpha Omega bomb |
.html.html
In a message dated 9/17/2006 7:16:13 PM Eastern Standard Time, rhob1960@... writes:
You would be incorrect. The Alpha Omega bomb was a
nuclear weapon with a cobalt casing. Cobalt, once made radioactive, will remain for thousands of years, since that's how long it's half life is. What we don't know
is how powerful a weapon it was. Fat Man and Little Boy were only 10 kiltons each and weighed thousands of pounds. Today a 10k bomb will fit inside a MIRV (multiple independent Reentry Vehicle) so that on a
Trident submarine, each of its missiles holds ten smaller warheads. One trident can lay waste to a small country. So the key to the A/O bomb is - what megatons was it?
By the way, Taylor himself confirms that it is a nuclear weapon in Beneath.
Granted that a nuclear device (with the cobalt casing, etc.) is need to detonate the A/O bomb, the primary element within it had to be something more than just fissionable material.
No one nuclear device -- the size of the A/O bomb could destroy the entire Earth.
There must have been something else -- a chemical compound -- that when detonated with fissionable material -- would set off a chain reaction in the air and destroy the atmosphere
of the Earth.
I would liken this chemical to the primary compound found in the "Oxygen Destroyer" -- that was used to destroy a certain irradiated dinosaur in Tokyo Bay in 1954.
Bill <.html
<.html
|
|
| Group: potadg |
Message: 41361 |
From: PofTAfan@aol.com |
Date: 9/17/2006 |
| Subject: Re: [POTA] Re: Escape Question - the nature of the Alpha Omega bomb |
.htmlOr maybe another country (i.e. Russia or someother country)
might have a bomb just like the Alpha Omega bomb and maybe that bomb
also went off when the one Taylor launched.
Kevin
-----Original Message-----
From: atragon1@...
To: pota@yahoogroups.com
Cc: PotaDG@yahoogroups.com
Sent: Sun, 17 Sep 2006 8:18 PM
Subject: [PotaDG] Re: [POTA] Re: Escape Question - the nature of the
Alpha Omega bomb
In a message dated 9/17/2006 7:16:13 PM Eastern Standard Time,
rhob1960@... writes:
You would be incorrect. The Alpha Omega bomb was a
nuclear weapon with a cobalt casing. Cobalt, once made
radioactive, will remain for thousands of years, since
that's how long it's half life is. What we don't know
is how powerful a weapon it was. Fat Man and Little
Boy were only 10 kiltons each and weighed thousands of
pounds. Today a 10k bomb will fit inside a MIRV
(multiple independent Reentry Vehicle) so that on a
Trident submarine, each of its missiles holds ten
smaller warheads. One trident can lay waste to a small
country. So the key to the A/O bomb is - what megatons
was it?
By the way, Taylor himself confirms that it is a
nuclear weapon in Beneath.
Granted that a nuclear device (with the cobalt casing, etc.) is need
to detonate the A/O bomb, the primary element within it had to be
something more than just fissionable material. No one nuclear device --
the size of the A/O bomb could destroy the entire Earth.
There must have been something else -- a chemical compound -- that
when detonated with fissionable material -- would set off a chain
reaction in the air and destroy the atmosphere of the Earth.
I would liken this chemical to the primary compound found in the
"Oxygen Destroyer" -- that was used to destroy a certain
irradiated dinosaur in Tokyo Bay in 1954.
Bill
<.html
|
|
| Group: potadg |
Message: 41362 |
From: Tim "apefan" |
Date: 9/17/2006 |
| Subject: Lalo Schifrin 45 |
| Group: potadg |
Message: 41363 |
From: Michael Whitty |
Date: 9/18/2006 |
| Subject: You'll NEVER Escape |
.html
.html
Not
the group of a lesser God that’s for sure! ;)
I only thought it fair that Patrick get a
chance to comment.
(Message over 64 KB, truncated)
<.html <.html
|
|
| Group: potadg |
Message: 41364 |
From: Michael Whitty |
Date: 9/18/2006 |
| Subject: Re: {Disarmed} [PotaDG] Re: [POTA] Re: Escape Question - the nature |
.html
.html
J
<
(Message over 64 KB, truncated) <.html <.html
|
|
| Group: potadg |
Message: 41365 |
From: Dario |
Date: 9/18/2006 |
| Subject: home-page pic , WC, Rev#6, Empire |
.htmlOh Yeah! When I first saw Conquest with my brother in the
seventies, the scene with the Gorilla holding the meat cleaver was
one of the most memorable. We loved it. Neil adding blood to it
gives it that pulpy pre-censorship days comic feel to it. William
Gaines would have been proud!
Thanks Neil and thanks to Ty for letting everyone else out there get
a taste of Neil handiwork.
Unofficial T's:
Got a half dozen myslef and always willing to get more. Would really
like to get one of those "Che/Caesar" ones.
Veetus/Worldcon:
Never only attend the last Sunday of a worldcon. By then, the shows
pretty much over, half the people have already left having to go
cross country (or overseas) to get to jobs the next day, and
everyone else is already tearing down the place. If you're only
going to attend one day, make it the saturday (and attending the
parties on saturday brings you well into sunday anyhow.) Too bad I
missed you. Would have liked to meet you in person.
Rev#6:
Awesome. Despite the intent to make the backups as tie-ins to the
main arc, I like the fact that they can stand on their own. I'm
still not sure about how I feel about Caesar's "memories" of his
parents and stuff (gonna have to reread it all), but overall I know
I enjoyed the series. I'm looking forward to the GN and the next
series. The only thing I don't like is the proposed title of the new
series. "Empire on the Planet of the Apes" brings along connotations
of the Star Wars world. Sure, Empire is considered by many to be the
best movie of the lot, and perhaps that is what Ty intended, but
won't it also create an association by name that may not appeal to
everyone?
Dario
--- In PotaDG@yahoogroups.com, "Michael Whitty" <whitty@...> wrote:
>
> I love the new home-page picture.
> Anyone here recognise this?
> <.html
|
|
| Group: potadg |
Message: 41366 |
From: handleyr@optonline.net |
Date: 9/18/2006 |
| Subject: Re: Digest Number 2320 |
.htmlPatrick, I have to point out one math error with your response, as it may
throw off some of your other computations:
YOU WROTE:
"TWO THOUSAND YEARS, GIVE OR TAKE A DECADE."
In other words, sometime between 1,990 and 2,010 years.
Added to 1972 (the year they left Earth), that would put their Earth-
Time at A.D. 3982-to-4002, with 3992 as the "average",
notwithstanding the date he saw on the clock."
However, that is incorrect. 2,000 years from 1972, give or take a decade,
would be 3962-3982. The average would
be exactly 2,000 years, or 3972, since the give and take was a decade on
either side.
AND RORY WROTE:
"This is why our arguing over this stuff is really pointless -- we simply
have
no common ground in how we perceive the "series"!
You, I think, came to the wonderful world of POTADOM after all the films
were
made, and therefore you see it as a whole, and for that reason I say you
really can't help yourself. You're view is warped by the mess that Fox
created
over the course of time -- and I always very much contend that the "series"
is a
mess in terms of continuity, something that if it were not a huge fact you
wouldn't be so into "unflubbing." Also, this is why you see the series as
"circular."
I, on the other hand, was there at the beginning, when there was no idea of
anything further than the first film. I've always looked at the series as
a
"linear" entity, hence the two timeline view that allows for the original
film
to exist independent of, and untouched by, the sequels (which I very much
believe are things one, even the most die hard APES fan, can either take or
leave).
BENEATH and its sequels are "artistically" inferior to the original film --
and this isn't simply my opinion, but the general consensus -- and
therefore
quite DISPOSABLE!
While you are incorrect in assuming that because something is the general
consensus it ceases to be an opinion --
it's still an opinion, just a widely held one -- I'm glad to see you've
taken people's advice and decided to relax and
just accept that you both have different views on the subject.
--------------------------------------------------------------------
mail2web - Check your email from the web at
http://mail2web.com/ . <.html
|
|
| Group: potadg |
Message: 41367 |
From: PotaDG@yahoogroups.com |
Date: 9/18/2006 |
| Subject: Birthday Reminder |
.html.html
| Reminder from: |
|
PotaDG's Calendar |
| Title: |
|
Paul Williams' Birthday |
| Date: |
|
Tuesday September 19, 2006 |
| Time: |
|
All Day
|
| Repeats: |
|
This event repeats every year. |
| Next reminder: |
|
The next reminder for this event will be sent in 13 minutes. |
| Description: |
|
Happy Birthday Paul! |
| Yahoo! Greetings: |
|
Send a Yahoo! Greeting
|
| Yahoo! Shopping: |
|
Browse Yahoo! Shopping Gift Guide
|
<.html <.html
|
|
| Group: potadg |
Message: 41368 |
From: PotaDG@yahoogroups.com |
Date: 9/18/2006 |
| Subject: Birthday Reminder |
| Group: potadg |
Message: 41369 |
From: Patrick Tilton |
Date: 9/19/2006 |
| Subject: Mea culpa |
.html--- " handleyr@..." <
handleyr@...>
wrote:
> Patrick, I have to point out one math error with
your response, as it may throw off some of your other
computations:
>
> YOU WROTE:
> "TWO THOUSAND YEARS, GIVE OR TAKE A DECADE." In
other words, sometime between 1,990 and 2,010 years.
Added to 1972 (the year they left Earth), that would
put their Earth-Time at A.D. 3982-to-4002, with 3992
as the "average", notwithstanding the date he saw on
the clock."
>
> However, that is incorrect. 2,000 years from 1972,
give or take a decade, would be 3962-3982. The
average would be exactly 2,000 years, or 3972, since
the give and take was a decade on either side.
*** D'OH!!! Yeah, I f***ed up. I figured the "3982"
year and mistakenly ADDED the 20 year-range to it,
instead of SUBTRACTING it from it. Thanks for catching
it. It's nice to know that a 'flub' on my part can
also be unflubbed!
Patrick
<.html
|
|
| Group: potadg |
Message: 41370 |
From: patrickmichaeltilton |
Date: 9/19/2006 |
| Subject: POTA - the Sequels as "Saga" |
.html--- In PotaDG@yahoogroups.com
, Haristas@... wrote:
>
> In a message dated 9/17/06 10:30:22 AM Eastern Daylight Time,
> patrickmichaeltilton@... writes:
>
>
> > The 5 films in the POTA "series" (as you call it) are all APJAC
productions -- not a "fan-film" in the bunch. Is it just "fans" who
consider all 5 to be part of a POTA "canon"? Or, does 20th Century
Fox consider 'em all to be linked together?
>
> I don't know what all this talk of "canon" is. I couldn't care less
about what is canon and what isn't in either the APES series or STAR
TREK. I'm talking what is and what isn't a saga.
>
> As for what 20th Century Fox considers... Fox is dumb. What we get
from Fox, whether it's calling the APES series a "saga" in the ads
and posters for BATTLE in 1973, or continuing to do so in the ads and
cover text for the APES films on home video or whatever, is the
mindset of the publicity department -- and they're far from
intellectuals.
>
> The fact is that from the standpoint of literary and cinema
scholarship, the five POTA films are a series, not a saga. Do some
research, Patrick, and stop just giving your opinion. This isn't a
question of individual opinion, but one of serious categorizing.
>
> This is the definition of the word "saga" from my Funk & Wagnall
dictionary:
>
> Saga n. 1. A medieval Scandinavian (specifically, Icelandic) prose
narrative of conventionalized form dealing with legendary or
historical exploits, usually of a single hero or a single family.
> 2. A story, sometimes poetic, having the saga form or manner,
often chronicling the history of a family, as Galsworthy's Forsyte
Saga.
>
> The five PLANET OF THE APES films are five separate stories, with
five separate conclusions to those stories. They do not literally
form a saga.
>
> To call the PLANET OF THE APES film series a "saga" is to use the
term loosely -- very loosely. And, whether you "like it or not,"
Patrick, that's just simply the facts.
>
> -- Rory
------------------------------------------------------------------
*** Rory, that F&W dictionary definition proves my point, at least
insofar as the 4 POTA sequels are concerned.
In "PLANET" we are introduced to two chimp scientists who are engaged
to be married -- Cornelius and Zira, who refers to the other as
her "fiancee". This is one detail that Dehn took one step further,
logically enough, when he wrote "BENEATH": he established that after
the end of "PLANET" and before Brent meets them, they had gotten
married (we even see their wedding picture in the scene where
Cornelius smokes his pipe as Zira starts to make chocolate icing).
In "BENEATH" Zira mentions her as-yet-unborn child: "... at least our
child, when it's born, won't be breast-fed on bile!" So, not only are
these affianced chimps now husband-and-wife, but a child is on the
way.
The plot of the next movie, "ESCAPE", hinges on the danger posed by
the prospect of Zira's baby interbreeding with "primitive" apes (the
movie poster itself trumpets this: "MEET BABY MILO WHO HAS WASHINGTON
TERRIFIED").
Hasslein's recommendations to the Presidential Commission of Inquiry
are that Zira's unborn baby should be aborted and that Zira and
Cornelius should be rendered incapable of bearing-or-betting another
child, to prevent this perceived "danger" to the future of the human
race.
But the baby survives...
The last two movies have as their Protagonist this same "Baby Milo",
now renamed (by Armando) "Caesar", and his life's story CONTINUES the
format of the traditional Epic Hero.
The dictionary definition you cite reads: "A ... prose narrative of
conventionalized form dealing with legendary or historical exploits,
usually of a single hero or a single family.... A story, sometimes
poetic, having the saga form or manner, often chronicling the history
of a family".
The term "conventionalized form" more than fits this whole Epic Hero
tradition. Caesar's life fits this pattern for a reason: Dehn, a poet
himself, KNEW the pattern and DESIGNED Caesar's life with that
pattern in mind. Thus, when it comes time for the Epic Hero to
undergo a "descent into Hell" in order acquire special knowledge
about the Future of his people from his deceased parents, Dehn puts
words into the mouth of MacDonald, upon seeing the nuclear
devastation of Breck's city: "This is the 'Hell' my forefathers used
to write about..." And in this 'figurative' Hell, Caesar sees the
prerecorded images and voices of his dead parents talking about the
End of the World. In an ancient epic (like Virgil's "AENEID" or
Homer's "ODYSSEY") the Hero travels to a LITERAL "Hell" and converses
with the actual ghost of a Father-figure; in Dehn's ingenious sci-fi
take on the Epic Conventions, he re-interprets the idea of "Hell" as
a MAN-MADE WASTELAND, a colossal failure of human action vis-a-vis
his own destructive potential. And, Dehn re-interprets the idea of a
SUPERNATURAL meeting between a Deceased Father-figure and his living
Son (like Anchises in Bk. VI of the "AENEID", when Aeneas meets him
in Hades) by presenting a NON-SUPERNATURAL variation: Caesar, alive,
acquiring information about the Future from his dead parents due to
their images and voices having been PRE-RECORDED. One of the things
that makes "BATTLE" a worthy part of this POTA "series"/"saga" is the
fact that it takes the Epic Conventions and ingeniously adapts it to
a sci-fi setting.
In "BATTLE", remember, the main story is TOLD by an old Patriarch to
an audience of children in the year 2670, and that story is well over
600 years old by then. Thus, this makes the story of Caesar
(in "BATTLE") to be "legendary or historical exploits, usually of a
single hero or a single family" -- the "single hero" being CAESAR,
and the "family" being that of CORNELIUS/ZIRA/CAESAR-&-LISA, and
their murdered Heir, Cornelius Jr.
Thus, the 4 POTA sequels are indeed a Saga! They might not be
Scandinavian or Icelandic, but that doesn't matter. They
have "conventional form" (Epic) and tell the story of an Epic Hero
(Caesar) and his Family (his parents, Zira and Cornelius, as well as
his own, Lisa & their son/Heir) and the Fate of their People (the End
of the World, as witnessed by his yet-to-be-born parents-from-the-
Future).
I'm not using the term "saga" loosely. It applies PERFECTLY to the
POTA sequels taken as a whole. And none of 'em could've been made
if "PLANET" hadn't had Zira and Cornelius engaged-to-be-married to
begin with. By taking THAT detail one step further, Dehn could take
it one MORE step further... building upon that relationship the
edifice of an Epic story, "chronicling the history of a family" as
Funk & Wagnall's says.
You don't really need to know all the plots of all the previous Bond
films in order to enjoy the latest-of-the-series. With the exception
of the VERY few inter-movie elements (such as Bond's hunt for Blofeld
in the beginning of "DIAMONDS ARE FOREVER" to avenge the murder of
his wife at the end of "ON HER MAJESTY'S SECRET SERVICE"), each Bond
film is a "stand-alone" adventure.
But the POTA sequel movies CANNOT be seen in any isolated
fashion. "BENEATH" can't be fully appreciated without reference to
the story of "PLANET" that preceded it. "ESCAPE" can't be understood
without reference to the first two movies. Someone going
to "CONQUEST" without having seen the first 3 films couldn't possibly
comprehend the full import of the story they're watching -- it would
be out-of-context. Only by seeing the 4 sequels one-after-the-other
in order can they be seen in-context. Each one builds upon its
predecessor. And the last one (especially the "foreign-edit" full
version, now on DVD officially in the USA) ties-in with the
original "PLANET" and "BENEATH", with Mendez instigating the Bomb-
worshipping religion for the Mutant survivors of the Nuclear War.
Patrick <.html
|
|
| Group: potadg |
Message: 41371 |
From: patrickmichaeltilton |
Date: 9/19/2006 |
| Subject: The Dark Fate of the Moon... |
.html--- In PotaDG@yahoogroups.com
, Haristas@... wrote:
>
> Which group am I in here?!!!!
>
> Anyway, I'll bet that Patrick's answer to this question will go
something like this: The destruction of the earth did something to
the moon that caused it to become a "Quantum Singularity" (AKA
a "Black Hole" [which also happens to be a Disney movie that Roddy
McDowall provided his voice talents to]), which then sucked Taylor's
(i.e. the Apeonauts') spaceship, by the way protected by a powerful
magnetic warp field, through a wormhole that flung it past Uranus and
out a cosmic sphincter that plopped it into the Pacific Ocean just
off Point Dume.
>
> Just another chapter in Patrick's HITCHHIKER'S GUIDE TO THE POTA!
>
> -- Rory
---------------------------------------------------------------
*** Well, you'd LOSE that bet!
In my scenario, the Moon is destroyed -- i.e. a Doomsday-type bomb is
exploded below its surface -- in the Autumn of 3085, as the
penultimate event of the '15th episode' of my re-telling of the
Virdon-Burke-Galen story: "ESCAPE TO YESTERDAY". Thus, the matter
that once made up the Moon -- having been converted into a Black
Hole -- will still exert a gravitational influence on the Earth
(creating the same "high tides" that we currently experience twice a
day).
But this Black Hole will NOT be able to occult the Sun (i.e. there
will never again be a Solar Eclipse); instead, charged particles in
the Solar Wind will be "gravitationally lensed" by the Lunar Black
Hole to create a Flare similar to a comet's tail, always pointing
away from the Sun. During each "New Moon" time, when this Black Hole
is between the Sun and the Earth, the planet will receive a blast of
these extra-high-velocity ions, and the interaction of this ion blast
with the Earth's magnetic field and upper atmosphere will result in
SONIC BOOMS... the "thunder-and-lightning" with no rain that Dodge
mentions in "PLANET".
During the 870 years between the time when the Moon is 'destroyed'
and Taylor's detonation of the Doomsday Bomb, the Earth will have
experienced over 10,000 of these rainless thunder-and-lightning
storms. The apes, in fact, will have devised a CALENDAR (a "lunar"
one) based on this phenomenon. They won't know which day is the 1st
day of the next month until Heaven Itself BOOMS its answer. Of
course, when they time it, they'll discover that the phenomenon
happens on average every 29 days 12 hours 44 minutes (give or take a
minute).
Incidentally, in my scenario there's an orbiting science station at
the L5 position of the Earth-Moon system which survives the Nuclear
War (affiliated with the same "Scientists" from "THE LEGACY"). If
anybody is on that L5 station after 3085, then the Moon -- ahead of
it in their mutual orbit around the Earth -- will not be merely a
grey globe 238,464 miles away; once each orbit of Earth, when the
Black Hole is 5/6ths through its orbital Sun-Moon-Earth syzygy, the
L5 station will simultaneously be 4/6ths through its own orbit, and
there will be a Sun-Moon-L5 alignment, causing the L5 station to get
dosed by a blast of that ion jet. I've worked this inevitable effect
into my story's plot.
Patrick <.html
|
|
| Group: potadg |
Message: 41372 |
From: Haristas@aol.com |
Date: 9/19/2006 |
| Subject: Re: POTA - the Sequels as "Saga" |
.html.html .html
In a message dated 9/19/06 2:12:23 AM Eastern Daylight Time, patrickmichaeltilton@... writes:
I'm not using the term "saga" loosely. It applies PERFECTLY to the
POTA sequels taken as a whole.
Patrick, you can HAVE the POTA sequels! Just leave my favorite movie alone!
-- Rory<.html
<.html <.html
|
|
| Group: potadg |
Message: 41373 |
From: Haristas@aol.com |
Date: 9/19/2006 |
| Subject: Re: The Dark Fate of the Moon... |
.html.html .html
In a message dated 9/19/06 2:44:14 AM Eastern Daylight Time, patrickmichaeltilton@... writes:
In my scenario, the Moon is destroyed -- i.e. a Doomsday-type bomb is
exploded below its surface -- in the Autumn of 3085, as the
penultimate event of the '15th episode' of my re-telling of the
Virdon-Burke-Galen story: "ESCAPE TO YESTERDAY". Thus, the matter
that once made up the Moon -- having been converted into a Black
Hole -- will still exert a gravitational influence on the Earth
(creating the same "high tides" that we currently experience twice a
day).
This seems very silly to me. Wouldn't a Black Hole on the area of the current Moon's orbit suck the atmosphere off the surface of Earth?
-- Rory<.html
<.html <.html
|
|
| Group: potadg |
Message: 41374 |
From: patrickmichaeltilton |
Date: 9/19/2006 |
| Subject: Shane Johnson - scary news |
.htmlSome of you here might know who Shane Johnson is. Among other things,
he has drawn up blueprints for the C57D spaceship from "FORBIDDEN
PLANET", the Jupiter 2 from "LOST IN SPACE", Starlog-produced
Technical Manuals for "STAR TREK TNG" and "STAR WARS", and he did the
book "MR. SCOTT'S GUIDE TO THE ENTERPRISE" -- which has a couple nods
to us POTA fans, in that he uses the names "Alan Virdon", "Peter
Burke", and "Urco Galen" on several of his blueprint pages. A while
ago, on the Yahoo "FRIENDS & FUGITIVES" group message board, he used
to post and, when time permits, he said that he -- as a fan of the
POTA tv series -- might actually draft some blueprints of the TV
show's ANSA ship.
He's also a sincerely religious man, as his Christian SF novels
attest. I haven't read any of 'em, but they can be found at his
website: http://www.shanejohnsonbooks.com
Even though I, myself, am agnostic (about 99% sure that there cannot
be any "god" or supernatural elements to the Universe), still, most
of my friends are believers in the existence of a God and I've never
held it against 'em. Shane and I may be on opposite sides of
the "God" question, but no matter: I've been a fan of his blueprint-
draftsmanship for years, and if he ever DOES draft blueprints for the
POTA tv show ship, I'll be the first one to order a copy.
I've just surfed over to his website, and... well, I'll let him say
it. The text below is copied from a "special message" he posted at
that site:
===============================================================
Last Sunday, August 14, at about 6:30 in the morning, I almost died.
I am writing these words that others might avoid what happened to me.
I'm a night owl. I was up very late watching a rented DVD
of `Constantine' (interesting in a lot of ways, but definitely not a
valid lesson in theology and probably not the last movie you want to
see before leaving this world) and was about three-fourths of the way
through it when I noticed a sudden weakness in my left arm. It
quickly spread to my right, and I began to get dizzy. My heart began
to pound. A sudden and severe fatigue swept me.
I got up from the living room sofa and, leaning on the walls, made my
way down the hall to our bedroom where Kathy was asleep. I leaned on
the bed and woke her, told her I was in trouble and that she'd better
call an ambulance. Pretty scared and not entirely awake, she went to
the phone. My dizziness suddenly got much worse -- I laid on my back
on the bed and stared at the ceiling as I heard her making the 911
call from the other room.
It got hard to breathe. I just couldn't catch my breath. I prayed,
pretty sure my time had come. I asked God to accept me into His
presence, to forgive me for my wretchedness. I glanced around the
room at the walls and bookshelves, seeing the hundreds of books I'd
read, expecting any moment to see a white light.
After a moment, for some odd reason, I decided I didn't want the
paramedics to find me in my bathrobe. The dizziness had subsided
somewhat, so I rose and managed to get into a nearby shirt and a pair
of pants. A little better able to walk, I went into the front room
where Kathy was being told by the 911 operator that help was on the
way, but not to hang up.
I took a few steps to my son Daniel's room and woke him up. Barely
awake, he threw on some clothes. I hugged him and told him I loved
him.
I heard a large vehicle outside and stepped out onto the front porch,
and saw a fire engine at the foot of our driveway. Rescue guys
approached me and I told them I was the one in trouble. They sat me
down at the picnic table, hooked me up to their portable EKG machine,
inserted an IV in my left arm and began to ask me a bunch of
questions. Nitro went under my tongue. A small oxygen mask was placed
over my nose. They asked if I could move my fingers and toes, and the
different parts of my face. I learned from their radio call to the
emergency room that I had a severe arrhythmia in my heartbeat.
The ambulance arrived. As neighbors watched, they put me on a
stretcher and quickly placed me in the back. I began to feel much
worse. Increasing dizziness and a whine in my ears. Increasing
tightness in my chest. More nitro. Injections, of what I never knew.
Many questions from the paramedics. They asked if I could feel my
heart fluttering. My head began to pound with a sudden severe
headache. I listened as one of the guys radioed the hospital that my
heartbeat was chaotic and now skipping multiple beats. I felt worse,
and again I prayed for God to accept me.
About five minutes later, we arrived at the hospital. They wheeled me
into the ER and hooked me up to all their medical equipment, inserted
a second IV and drew blood for analysis. Again I began to feel worse.
The nurses and doctors assured me I would be okay. I wasn't so sure.
They said a part of what I was feeling was due to the nitro and the
medicines they were giving me, trying to get some rhythm back into my
heartbeat.
They quickly determined that my potassium level was dangerously low.
Seems the heart cannot function without it. They gave me a
potassium/orange juice mix to drink (imagine a small glass of OJ with
half a cup of salt added), injected me with a potassium solution and
started me on a potassium drip. As time passed, my heart began to
beat normally. A TV Land `Night Court' marathon was playing in the
room I always liked that show.
By 1:00 pm, they decided I was stable enough to leave the ER and I
was transferred into a room in the hospital's cardiac unit. Room
3125B. Over the next three days, they ran echocardiograms and just
about every heart test you can imagine (the chemical stress test was
extremely unpleasant and rather terrifying there was a 1 in 10,000
chance it would kill me, they said), trying to determine what (if
any) permanent damage had been done. They watched for evidence of
blood clots, which could lead to strokes and other bad things. With
all the tubes and electrodes on and in me, I got no more than four
hours sleep total the entire time. By the time I went home, I was
exhausted.
Turns out that the potassium deficiency had been caused by the blood
pressure medication I'd been on for a year and a half. It is of a
type that causes the body to dump potassium, and is supposed to be
accompanied by a potassium supplement. Unfortunately, no one ever
mentioned those facts to me, nor had they ever prescribed for me a
supplement. I learned that my odds of surviving the extreme
fibrillation and tachycardia I'd experienced had been only 50-50.
Anyway, I'm okay now. Their tests showed that my heart is in great
shape and suffered no damage, and my circulatory system is free of
any narrowing or blockages. My cholesterol is still fine. I came very
close to cardiac arrest, but the medical folks got to me in time.
I now know what it's like to stand at death's door. As a writer I've
often imagined that moment, but when you're suddenly faced with the
end of your earthly life, all those imaginings go out the window. As
Kathy called 911 and I prayed, certain that my allotted minutes were
up, I was frightened yet found myself accepting of death. I didn't
panic. I remember telling God that, if He had determined it was my
time, I was ready and I prayed my inherent sinfulness wouldn't
somehow keep me from Him.
Through it all, that brief, tiny flicker of doubt, that emotional
fear that I might somehow have sinned my way out from under His
grace -- that was the scariest thing.
While I didn't doubt my salvation per se, there lurks a nagging
question when we are faced with something we've never experienced
before, especially if that something involves life and death. While
my mind and heart know I'm saved, there will always be those little
whispers from a darker quarter that say, "Maybe not . . . maybe those
who insist our forgiveness is not absolute, that salvation must be
earned and maintained day to day were right."
What's interesting and a little surprising (and I didn't realize this
until later) is that, even as I was convinced I was living my last
few moments, I don't recall ever asking God to spare my life and not
let me die. I asked only that He accept me into His presence, though
I asked it over and over.
If you or anyone you know is on a blood pressure (or other)
medication that is not potassium-sparing, please see your doctor and
make sure all things are as they should be. Since my incident last
week, I've learned of others who went through the same ordeal but did
not survive -- please act to save yourself and those you love.
Shane
================================================================
I don't know if Shane has ever surfed over to this site, but I
suspect I'm not the only one in SF fandom who has an appreciation for
his blueprints, so maybe there's somebody else here who is familiar
with his stuff who might be glad to know that he's still among the
living. I hope he lives long enough to have plenty of free time to
(among other things) draw up those blueprints for Virdon's ship! If
I'm not mistaken, he supplied a pic or two of the ANSA ship
(from "BENEATH") to the site run by Ansanaut ("goingfaster.com"),
depicting his interpretation of the landing assembly and so on. He's
a POTA fan, and we fellow POTA fans should all wish him a full
recovery from his very VERY scary ordeal.
Patrick <.html
|
|
| Group: potadg |
Message: 41375 |
From: Wendy Kostora |
Date: 9/19/2006 |
| Subject: Re: The Dark Fate of the Moon... |
.html.html
From: "patrickmichaeltilton" <patrickmichaeltilton@...> Reply-To: PotaDG@yahoogroups.com To: PotaDG@yahoogroups.com Subject: [PotaDG] The Dark Fate of the Moon...
Date: Tue, 19 Sep 2006 06:42:14 -0000
You forgot heavy water. Check Stephen Hawkins. Also, have you ever questioned that maybe the Burmuda Triangle might be a black hole? Oh, so many possibilites!
Wendy ------------ --------- --------- --------- --------- --------- -
*** Well, you'd LOSE that bet!
In my scenario, the Moon is destroyed -- i.e. a Doomsday-type bomb is
exploded below its surface -- in the Autumn of 3085, as the penultimate event of the '15th episode' of my re-telling of the
Virdon-Burke- Galen story: "ESCAPE TO YESTERDAY". Thus, the matter that once made up the Moon -- having been converted into a Black Hole -- will still exert a gravitational influence on the Earth
(creating the same "high tides" that we currently experience twice a day).
But this Black Hole will NOT be able to occult the Sun (i.e. there
will never again be a Solar Eclipse); instead, charged particles in the Solar Wind will be "gravitationally lensed" by the Lunar Black Hole to create a Flare similar to a
comet's tail, always pointing away from the Sun. During each "New Moon" time, when this Black Hole is between the Sun and the Earth, the planet will receive a blast of
these extra-high-velocity ions, and the interaction of this ion blast with the Earth's magnetic field and upper atmosphere will result in
SONIC BOOMS... the "thunder-and- lightning" with no rain that Dodge mentions in "PLANET".
During the 870 years between the time when the Moon is 'destroyed'
and Taylor's detonation of the Doomsday Bomb, the Earth will have experienced over 10,000 of these rainless thunder-and- lightning
storms. The apes, in fact, will have devised a CALENDAR (a "lunar" one) based on this phenomenon. They won't know which day is the 1st
day of the next month until Heaven Itself BOOMS its answer. Of course, when they time it, they'll discover
that the phenomenon happens on average every 29 days 12 hours 44 minutes (give or take a minute).
Incidentally, in my scenario there's an orbiting science station at
the L5 position of the Earth-Moon system which survives the Nuclear War (affiliated with the same "Scientists" from "THE LEGACY"). If
anybody is on that L5 station after 3085, then the Moon -- ahead of it in their mutual orbit around the Earth -- will not be merely a grey globe 238,464 miles away; once each orbit of Earth, when the
Black Hole is 5/6ths through its orbital Sun-Moon-Earth syzygy, the L5 station will simultaneously be 4/6ths through its own orbit, and there will be a Sun-Moon-L5 alignment, causing the L5 station to get
dosed by a blast of that ion jet. I've worked this inevitable effect into my story's plot.
Patrick
<.html
<.html
|
|
| Group: potadg |
Message: 41376 |
From: Wendy Kostora |
Date: 9/19/2006 |
| Subject: Re: Shane Johnson - scary news |
.html.html
I don't about Shane works until you explained them. I'm glad he is okay. Thanks Pat for sharing this with us.
Wendy
From: "patrickmichaeltilton" <patrickmichaeltilton@...> Reply-To: PotaDG@yahoogroups.com To: PotaDG@yahoogroups.com Subject: [PotaDG] Shane Johnson - scary news
Date: Tue, 19 Sep 2006 14:36:03 -0000
Some of you here might know who Shane Johnson is. Among other things, he has drawn up blueprints for the C57D spaceship from "FORBIDDEN
PLANET", the Jupiter 2 from "LOST IN SPACE", Starlog-produced Technical Manuals for "STAR TREK TNG" and "STAR WARS", and he did the
book "MR. SCOTT'S GUIDE TO THE ENTERPRISE" -- which has a couple nods to us POTA fans, in that he uses the names "Alan Virdon", "Peter
Burke", and "Urco Galen" on several of his blueprint pages. A while ago, on the Yahoo "FRIENDS & FUGITIVES" group message board, he used
to post and, when time permits, he said that he -- as a fan of the POTA tv series -- might actually draft some blueprints of the TV show's ANSA ship.
He's also a sincerely religious man, as his Christian SF novels attest. I haven't read any of 'em, but they can be found at his website:
http://www.shanejoh nsonbooks. com
Even though I, myself, am agnostic (about 99% sure that there cannot
be any "god" or supernatural elements to the Universe), still, most of my friends are believers in the existence of a God and I've never
held it against 'em. Shane and I may be on opposite sides of the "God" question, but no matter: I've been a fan of his blueprint-
draftsmanship for years, and if he ever DOES draft blueprints for the POTA tv show ship, I'll be the first one to order a copy.
I've just surfed over to his website, and... well, I'll let him say it. The text below is copied from a "special message" he posted at that site:
============ ========= ========= ========= ========= ========= ======
Last Sunday, August 14, at about 6:30 in the
morning, I almost died. I am writing these words that others might avoid what happened to me. I'm a night owl. I was up very late watching a rented DVD
of `Constantine' (interesting in a lot of ways, but definitely not a valid lesson in theology and probably not the last movie you want to
see before leaving this world) and was about three-fourths of the way through it when I noticed a sudden weakness in my left arm. It quickly spread to my right, and I began to get dizzy. My heart began
to pound. A sudden and severe fatigue swept me.
I got up from the living room sofa and, leaning on the walls, made my way down the hall to our bedroom where Kathy was asleep. I leaned on
the bed and woke her, told her I was in trouble and that she'd better call an ambulance. Pretty scared and not entirely awake, she went to the phone. My dizziness
suddenly got much worse -- I laid on my back on the bed and stared at the ceiling as I heard her making the 911 call from the other room.
It got hard to breathe. I just couldn't catch my breath. I prayed, pretty sure my time had come. I asked God to accept me into His presence, to forgive me for my wretchedness. I glanced around the
room at the walls and bookshelves, seeing the hundreds of books I'd read, expecting any moment to see a white light.
After a moment, for some odd reason, I decided I didn't want the
paramedics to find me in my bathrobe. The dizziness had subsided somewhat, so I rose and managed to get into a nearby shirt and a pair of pants. A little better able to walk, I went into the front room
where Kathy was being told by the 911 operator that help was on the way, but not to hang up.
I took a few steps to
my son Daniel's room and woke him up. Barely awake, he threw on some clothes. I hugged him and told him I loved him.
I heard a large vehicle outside and stepped out onto the front porch,
and saw a fire engine at the foot of our driveway. Rescue guys approached me and I told them I was the one in trouble. They sat me down at the picnic table, hooked me up to their portable EKG machine,
inserted an IV in my left arm and began to ask me a bunch of questions. Nitro went under my tongue. A small oxygen mask was placed over my nose. They asked if I could move my fingers and toes, and the
different parts of my face. I learned from their radio call to the emergency room that I had a severe arrhythmia in my heartbeat.
The ambulance arrived. As neighbors watched, they put me on a
stretcher and quickly placed me in the back. I began to feel
much worse. Increasing dizziness and a whine in my ears. Increasing tightness in my chest. More nitro. Injections, of what I never knew. Many questions from the paramedics. They asked if I could feel my
heart fluttering. My head began to pound with a sudden severe headache. I listened as one of the guys radioed the hospital that my heartbeat was chaotic and now skipping multiple beats. I felt worse,
and again I prayed for God to accept me.
About five minutes later, we arrived at the hospital. They wheeled me into the ER and hooked me up to all their medical equipment, inserted
a second IV and drew blood for analysis. Again I began to feel worse. The nurses and doctors assured me I would be okay. I wasn't so sure.
They said a part of what I was feeling was due to the nitro and the medicines they were giving me, trying to get some
rhythm back into my heartbeat.
They quickly determined that my potassium level was dangerously low. Seems the heart cannot function without it. They gave me a
potassium/orange juice mix to drink (imagine a small glass of OJ with half a cup of salt added), injected me with a potassium solution and started me on a potassium drip. As time passed, my heart began to
beat normally. A TV Land `Night Court' marathon was playing in the room � I always liked that show.
By 1:00 pm, they decided I was stable enough to leave the ER and I
was transferred into a room in the hospital's cardiac unit. Room 3125B. Over the next three days, they ran echocardiograms and just about every heart test you can imagine (the chemical stress test was
extremely unpleasant and rather terrifying � there was a 1 in 10,000 chance it would kill me, they said),
trying to determine what (if any) permanent damage had been done. They watched for evidence of blood clots, which could lead to strokes and other bad things. With
all the tubes and electrodes on and in me, I got no more than four hours sleep total the entire time. By the time I went home, I was exhausted.
Turns out that the potassium deficiency had been caused by the blood pressure medication I'd been on for a year and a half. It is of a type that causes the body to dump potassium, and is supposed to be
accompanied by a potassium supplement. Unfortunately, no one ever mentioned those facts to me, nor had they ever prescribed for me a supplement. I learned that my odds of surviving the extreme
fibrillation and tachycardia I'd experienced had been only 50-50.
Anyway, I'm okay now. Their tests showed that my heart is in great
shape and suffered no damage, and my circulatory system is free of any narrowing or blockages. My cholesterol is still fine. I came very close to cardiac arrest, but the medical folks got to me in time.
I now know what it's like to stand at death's door. As a writer I've often imagined that moment, but when you're suddenly faced with the
end of your earthly life, all those imaginings go out the window. As Kathy called 911 and I prayed, certain that my allotted minutes were
up, I was frightened yet found myself accepting of death. I didn't panic. I remember telling God that, if He had determined it was my
time, I was ready � and I prayed my inherent sinfulness wouldn't somehow keep me from Him.
Through it all, that brief, tiny flicker of doubt, that emotional
fear that I might somehow have sinned my way out from under His grace
-- that was the scariest thing.
While I didn't doubt my salvation per se, there lurks a nagging question when we are faced with something we've never experienced
before, especially if that something involves life and death. While my mind and heart know I'm saved, there will always be those little
whispers from a darker quarter that say, "Maybe not . . . maybe those who insist our forgiveness is not absolute, that salvation must be earned and maintained day to day were right."
What's interesting and a little surprising (and I didn't realize this until later) is that, even as I was convinced I was living my last
few moments, I don't recall ever asking God to spare my life and not let me die. I asked only that He accept me into His presence, though I asked it over and over.
If you or anyone you know is on a blood pressure (or
other) medication that is not potassium-sparing, please see your doctor and make sure all things are as they should be. Since my incident last
week, I've learned of others who went through the same ordeal but did not survive -- please act to save yourself and those you love.
Shane
============ ========= ========= ========= ========= ========= =======
I don't know if Shane has ever surfed over to this site, but I
suspect I'm not the only one in SF fandom who has an appreciation for his blueprints, so maybe there's somebody else here who is familiar
with his stuff who might be glad to know that he's still among the living. I hope he lives long enough to have plenty of free time to
(among other things) draw up those blueprints for Virdon's ship! If I'm not mistaken, he supplied a pic or two of the ANSA ship
(from "BENEATH") to the site run by Ansanaut ("goingfaster. com"), depicting his interpretation of the landing assembly and so on. He's
a POTA fan, and we fellow POTA fans should all wish him a full recovery from his very VERY scary ordeal.
Patrick
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| Group: potadg |
Message: 41377 |
From: patrickmichaeltilton |
Date: 9/19/2006 |
| Subject: Re: The Dark Fate of the Moon... |
.html--- In PotaDG@yahoogroups.com
, Haristas@... wrote:
>
> In a message dated 9/19/06 2:44:14 AM Eastern Daylight Time,
> patrickmichaeltilton@... writes:
>
>
> > In my scenario, the Moon is destroyed -- i.e. a Doomsday-type
bomb is exploded below its surface -- in the Autumn of 3085, as the
penultimate event of the '15th episode' of my re-telling of the
Virdon-Burke-Galen story: "ESCAPE TO YESTERDAY". Thus, the matter
that once made up the Moon -- having been converted into a Black
Hole -- will still exert a gravitational influence on the Earth
(creating the same "high tides" that we currently experience twice a
day).
>
>
> This seems very silly to me. Wouldn't a Black Hole on the area of
the current Moon's orbit suck the atmosphere off the surface of Earth?
>
> -- Rory
>
----------------------------------------------------------------
*** Nope. Does the Moon as it is today suck the Earth's atmosphere
away? No, not AWAY. It isn't strong enough to do that. It does,
however, exert a gravitational influence which can be 'felt', which
we call the TIDES. This force is exerted on the waters of the oceans,
the air in the atmosphere, and even on the tectonic plates of the
crust. In fact, the Earth itself exerts a far GREATER tidal influence
upon the Moon, which is why the Moon has one side (the "Near Side")
continually facing the Earth, so that its Far Side can never be seen
by anybody on the Earth's surface.
If the mass of the Moon [7.343 x 10^33 kilograms] were to be imploded
into a Singularity, then the gravitational effects exerted by that
same mass would not change one bit as experienced on Earth. All the
mass would occupy a hyper-spinning "point" (or, ring-like oblate
spheroidal shape) where the Moon's actual Center-of-Gravity currently
is situated.
I don't know where people get the ridiculous notion that Black Holes
are somehow like "vacuum cleaners" sucking up debris. Having mass, a
Black Hole -- like every moon, planet, or star -- would have a
gravitational field associated with it. And, yes, anything traveling
through space on a trajectory that passes by a Black Hole would have
its pathway curved, but no more so than if it were a planet or a moon
whose center-of-gravity were located at the "point" where the
Singularity is. If the Sun were to be converted into a Black Hole,
then the ONLY effect this would have on the planets orbiting it would
be to cool them down, since it wouldn't be shining sunlight at 'em.
Their orbits wouldn't change one bit.
It is only when on a COLLISION course, or a too-close approach to a
Black Hole that there would be a catastrophic effect. If a high-mass
Black Hole happened to be a few meters away from a spaceship
attempting to fly through space, then the NEARNESS to all that mass
concentrated to a Point would intensify the gravitational effects
felt by those on the spaceship. This effect is generally
called "Spaghettification" -- the parts nearest to the intense
gravity would experience higher rates of gravitational acceleration
towards the singularity than those parts further away from it. But
this would happen only if you flew too close to the Singularity. If
you could orbit the Black Hole at the same distance that the Lunar
Orbiter orbited the center of the Moon during the Moon Landings, then
that orbit would be identical -- the only real difference being that
there would be no Lunar Surface below on which to land (and you
wouldn't want to try landing on the Event Horizon cocooning the
Singularity).
As the Moon and the Earth mutually orbit the Sun, they do so whilst
orbiting each other about a common center of gravity (which happens
to be about 1,000 miles below the surface of the Earth on a direct
line connecting the Earth's Center with the Moon's Center). The Moon,
millions of years ago, was once CLOSER to the Earth, and its average
distance from the Earth is -- and has been for millions of years --
INCREASING. For the foreseeable future, the Moon's orbital period
will be virtually the same as it is now; but millions of years in the
future, the average lunar orbital period will be longer than it is
now, and the tidal influence will also decrease in size.
Patrick <.html
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